This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. I will be reviewing books, CDs, and movies I believe everyone needs to read, hear and look at as well as making commentary from time to time.

Wednesday, December 31, 2008

*Folk Music-The Graduate Course- The Other Folk Historian-Harry Smith

Click on the headline to link to a "YouTube" film clip of Rabbit Brown performing the classic "James Alley Blues".

The Other "Roots" Historian

The Harry Smith Connection: A Live Tribute To “The Anthology Of American Folk Music", various artists, Smithsonian Folkways, 1998

John and Alan Lomax are just famous for their herculean efforts over many years to gather “roots” music from sources all over the American continent, the bayous, the hollows, the mountains and the plains. Not as well known but as worthy of praise is the work of the “roots” historian Harry Smith, the subject of this tribute CD. During the 1940’s and 1950’s Smith was working the highways and byways of the South and elsewhere recording whatever music was at hand with whatever recording device he could put to together. No less a later folk historian that the singer Dan Van Ronk remarked that he learned much of his early folk repertoire from the Harry Smith collection. Others, including Bob Dylan, also "cribbed” from the Smith collection. That tells the tale.

This tribute CD is a treasure trove of songs some familiar and some long forgotten by this reviewer. The most interesting point that always catches my attention on these anthologies is how much crossover there is despite the differences in geography, ethnicity or race. For example, listen to the two versions of “The Coo Coo Bird” here. Or consider “The Butcher Boy” that I have heard under the names “The Railroad Boy” or “In London Town” but which however tell the same old tale of abandoned love and its tragic consequences. And how many versions of “John Henry” have been recorded? The one done here by John Jackson, by the way, is excellent. As is his rendition of “Frankie and Johnnie”.

“John The Revelator” done by Ethel Caffie-Austin is the best version I have heard this side of Son House. The lead vocal by Geoff Muldaur of the Jim Kweskin Jug Band makes “Minglewood Blues” pop. Van Ronk’s “Spike Driver Blues" is vintage Dave as is Jeff Tweedy and company on Rabbit Brown’s “James Alley Blues”. The Fugs’ on “Nothing" is just the kind of tune that old Harry was looking for. To top thing off listen to Pete Stampfel on his Harry Smith tribute song “His Tapes Roll On”. That is the kind of tune that latter day cyberspace “roots” historians will pick on to continue the traditions. Listen on.

James Alley Blues

Times right now ain't nothin' like they used to be
Well times right now ain't nothin' like they used to be
You know I'll tell you all the truth, won't you take my word from me

Well I seen better days, but I ain't puttin' up with these
Well I've seen better days, but I ain't puttin' up with these
I had a lot better time with those women down in New Orleans

Well I was born in the country so she thinks I'm easy to lose
Well I was born in the country so she thinks I'm easy to lose
She wants to hitch me to a wagon and drive me like a mule

I bought her a gold ring and I pay the rent
I bought her a gold ring and I pay the rent
She tried to get me to wash her clothes but I got good common sense

Well if you don't want me then why don't you just tell me so?
Well if you don't want me then why don't you just tell me so?
It ain't like I'm a man that ain't got nowhere else to go

I give you sugar for sugar, but all you want is salt for salt
I give you sugar for sugar, but all you want is salt for salt
Well if you can't get along with me, then it's your own fault

Well, you want me to love you, but then you just treat me mean
Yea, you want me to love you, but then you just treat me mean
You're my daily thought and you're my nightly dream

Well, sometimes I think that you're just too sweet to die
Ah, sometimes I think that you're just too sweet to die
And other times I think that you ought to be buried alive


found on: The Harry Smith Connection: A Live Tribute

words: Rabbit Brown (traditional)

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*Folk Music- The Graduate Course

Click on the headline to link to a "YouTube" film clip of Woody Guthrie performing "Pastures Of Plenty".

CD REVIEW

Classic Folk Music, Woody Guthrie, Pete Seeger and various other artists, Smithsonian FolkWays, 2004

Recently, in a review of a three volume set of CDs entitled “Troubadours of The Folk Era” containing songs done by many of the folk singers then coming in prominent in the 1960’s, I headlined the entry “Folk Music 101-There Are Many Rooms In That Mansion” . That entry however, in a way, begged the question of how those singers (or listeners like me) traced their ways back to the roots of folk.

Well, my friends, I have the answer, or at least part of it, here in this little gem of a CD. Sure we all, later when we understood things better, appreciated that John and Allan Lomax did yeomen’s service to roots music by their travels into the hinterlands in the 1930’s and 1940’s (and had Pete Seeger tag along for a year and thus serve as a little transmission belt to the latter generation) to find blues, mountain and other types of American traditional music. However, most of us got our folk infusion second-hand through our addiction to local coffeehouses and the fledgling performers who provided us entertainment there. They, in turn, learned their material from the masters who populate this CD.

You doubt the truth of that statement? Well, let’s go through the litany. On one CD we have Woody Guthrie doing “Pastures of Plenty”; Pete leading “We Shall Overcome; Lead Belly on “Rock Island Line”; Doc Watson on “John Henry”; Elizabeth Cotton on the super-classic “Freight Train" (a right of passage for virtually every 1960’s performer); Paul Robeson on “No More Auction Block” (it will give you goose bumps to hear that voice); Big Bill Broonzy on “This Train” (fighting Jim Crow version) and on and on. This is the core of folk, take my word for it. No don’t. Get this CD and get ‘religion’ on your own.

A word is also in order about the role of Moses Asch, his Asch recording studio in New York City and his role as the producer of many of the classic folk songs in the 1940’s and 1950’s gleaned from the always excellent liner notes provided by Smithsonian Folkway. As I have noted previously in this space the folk revival of the 1960’s did not form tabula rasa. Asch’s commitment is a testament to that proposition. It therefore is no accident that the early flowering of the folk revival was in New York City as that is where one could find the ‘refugees’ from elsewhere during the "red scare" during the hard political winter of the 1950’s.

Nor is it accidental that left-wingers blacklisted, like Pete Seeger, Woody and Paul Robeson, by the government are liberally represented in this collection. When one is searching for some kind of critique of society there is bound to be a folk song by some damn radical that reflects that outrage. Or gets prominence due to that struggle. Witness in that regard the history of the song “We Shall Overcome” and its relationship to the black civil rights movement. I should also point out that the liner notes provide an interesting fact about the older generation of folk performers like Woody Guthrie and the young revivalists of the 1960’s. The notes point out that a fair proportion of the folk revivalists came to love the music from songs they learned as children at summer camp. Woody and Pete Seeger are well-known for their children’s songs. So, maybe the government was right to see “reds” under every bunk bed corrupting the morals of the youth. Oh, well.

As a general observation the producers of this CD, Smithsonian Folkway (the name itself should be a give away about the quality of this production) went out of their way, way out of their way to get the best renditions available of the songs by the individual artists represented and to provide the best range of what folk meant to those who wrote the songs, sang them and listened in. As I mentioned above in that earlier review of the 1960’s folk scene for those too young to have heard the music then you have been given a reprieve- take advantage of it.

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Tuesday, December 30, 2008

U.S. Stop Military Aid To Israel Now!!

Commentary

Repost of December 29, 2008 Entry

Israel Hands Off Gaza!-Military Victory To Hamas!

At this moment there is no need for some greatly detailed analysis of who or what went wrong in the Middle East that has caused Israel to rain hell down on the Palestinian people in Gaza. Now is the time to outline an anti-imperialist policy toward this unfolding struggle. As I write this entry Israeli bombs are falling on Gaza causing several hundred deaths, many injuries and much physical destruction, as can be expected when an advanced capitalist country puts the hammer down militarily on essentially defenseless people. Israel, moreover, appears to be preparing to launch ground forces into Gaza. I believe that that military possibility is only a matter of time. Israel Hands Off Gaza! Meanwhile American policy continues, as it has been throughout the Bush Administration, to let Israel run the show on its own terms (except, as was shown in Lebanon in 2006, on that little issue of America providing military materials to Israel on the fast track when things got tight).

I have mentioned before that a just solution to the Palestinian questions today seems far beyond any possible solution. That understanding, however, does not mean we have no policy when, as today, the Palestinian people are under the gun. Today we call, as we did in Lebanon with Hezbollah, for military victory to Hamas, even if we do so holding our noses. We have some things to settle with the Islamic fundamentalists of Hamas but that is for another day. Today, let’s be clear, the main enemy of the Palestinian people is Israel. An Israeli military victory, especially in the context of a new American presidential administration coming into power in a few weeks, only postpones a just solution to the national question in that area of the world. Military Victory To Hamas! More later.

Posted December 30, 2008

I should add a slogan here for anti-imperialist militants worldwide to take up. This is an episodic slogan appropriate now that Israel appears to be going full bore toward invasion of Gaza. U.S. Stop Military Aid To Israel Now! I would also add that our trade union friends should be raising the question of ‘hot-cargoing’ military shipments to Israel.

Note: As always when the question of Palestine takes center stage the local Zionists here in America are plowing ahead with their uncritical support for any and all Israeli military actions in Gaza (and elsewhere). Of particular notice is a comment made by one such supporter. When asked by a local reporter what his solution to the festering Palestinian question should be he answered-“I would drop an atomic bomb on Gaza and get rid of those bastards”. Well, that is plain enough. Not only does it tell us how far away a just solution is to the question but that yesterday’s former oppressed population, the Jews, are capable, or at least one of them is and I fear he is not alone, of working out their own xenophobic nationalist “final solution”. I would only add that the person interviewed should check his geography and, perhaps, a little physics, because an atomic bomb dropped in Gaza is going to have “blow back” into Israel. Big time. Of course, nationalists of every stripe can never be accused of rational thought when they are on their little hobbyhorses. More later.

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Monday, December 29, 2008

Defend The Palestinian People!- Israel Hands Off Gaza!

Commentary

Ironically, and sadly, the entry originally scheduled for this space today was review of the film "The Visitor" a story of a Palestinian diaspora immigrant (from Syria)and his travails with the American immigration authorities. That film will be reviewed on January 11, 2009.

Israel Hands Off Gaza!-Military Victory To Hamas!

At this moment there is no need for some greatly detailed analysis of who or what went wrong in the Middle East that has caused Israel to rain hell down on the Palestinian people in Gaza. Now is the time to outline an anti-imperialist policy toward this unfolding struggle. As I write this entry Israeli bombs are falling on Gaza causing several hundred deaths, many injuries and much physical destruction, as can be expected when an advanced capitalist country puts the hammer down militarily on essentially defenseless people. Israel, moreover, appears to be preparing to launch ground forces into Gaza. I believe that that military possibility is only a matter of time. Israel Hands Off Gaza! Meanwhile American policy continues, as it has been throughout the Bush Administration, to let Israel run the show on its own terms (except, as was shown in Lebanon in 2006, on that little issue of America providing military materials to Israel on the fast track when things got tight).

I have mentioned before that a just solution to the Palestinian questions today seems far beyond any possible solution. That understanding, however, does not mean we have no policy when, as today, the Palestinian people are under the gun. Today we call, as we did in Lebanon with Hezbollah, for military victory to Hamas, even if we do so holding our noses. We have some things to settle with the Islamic fundamentalists of Hamas but that is for another day. Today, let’s be clear, the main enemy of the Palestinian people is Israel. An Israeli military victory, especially in the context of a new American presidential administration coming into power in a few weeks, only postpones a just solution to the national question in that area of the world. Military Victory To Hamas! More later.

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Sunday, December 28, 2008

When Elvis Was The 'King'

DVD REVIEW

American Classic Albums: Elvis Presley, Elvis Presley, 1956, American Classic Productions, 2001


Over the past several months I have spend more than my fair of time investigating the effect of the career of Elvis Presley on my generation of ’68, and on me personally. That has entailed listening to some CDs and looking at old footage provided in various DVD compilations. One such documentary, hosted by Jack Scott, traced Elvis’s rise in the key year of 1954, the ‘dog days’. The present documentary breaks down a classic Elvis Presley (that is the title, and really all that is necessary as a title) album of 1956, his breakout year. The year he moved from Sam Phillips Sun Records to the big time, RCA Records.

This DVD is part of a series on classic American albums. I am not familiar with the others in the series yet but based on this introduction these efforts seem to be labors of love. Here we have the expected ‘talking heads’ dissecting the meaning of each song, some anecdotes from various and sundry performers and music historians interspersed with very illuminating footage of Elvis’s progress from Southern regional phenomena to national (and international) rock star at a time when the youth of my generation were desperately in need of a jailhouse breakout figure.

The highlight here is a very interesting discussion about Heartbreak Hotel, a song that whose depressive lyrics would seem to be out of sync with what Elvis was trying to project (including here are also various takes on Elvis’s performance of the song on television at different times). This segment makes a very strong case for Elvis’s emergence as ‘king of the hill’ in 1956. Whether he continued that role later is a separate question but 1956 was his year, and his alone. This little album also contained a very well thought out and performed mix of ballads, black bluesy numbers (Shake, Rattle and Roll), a little country, a little gospel. In short something any record producer would die for. If you need to know the history of rock and roll, or a slice of it anyway, this documentary is for you. If you just want the music grab the Elvis Presley CD, with both hands.

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Saturday, December 27, 2008

*An Encore With John Prine- My Arky Angel-The Music Of Iris DeMent

Click on to title to link to YouTube's film clip of Iris Dement and John Prine performing "In Spite Of Ourselves".

DVD Review

John Prine At Sessions At West 54th, John Prine with Iris Dement and various artists, OnBoy Records, 2001


Over the last several months I have done more musically-oriented reviews that I had expected. One of the themes that keep cropping up is that for some folk/blues-oriented musical artists like Bob Dylan my attachment was immediate, long time and on-going. For other artists like John Prine it has been more of a recently acquired taste. I had, obviously, heard Bonnie Raitt do his "Angel From Montgomery" but I never associated his name with that song. Then a couple of years ago I happened to listen to his "Hello In There" and "Sam Stone". Yes, this guy has something to say that I wanted to (on some songs, needed to) hear.

This concert represents a small selection of some of his work, although with the exception of "Sam Stone", "Lake Marie" and "Hello in There" not much in the way of classics, at least that I am familiar with. This concert would thus only rate as a pretty fair performance except that on a few songs like "When Two World Collide" he is accompanied by Iris Dement ( a powerful folk singer/song writer in her own right. She is also the wife of the folksinger/songwriter Greg Brown whom I have also reviewed in this space). Iris is also a recent acquisition. I would travel very far to hear that voice of hers (and have done so). Incidentally, I have seen both these performers in person over the past couple of years- they still have it. Still this is not the DVD that YOU need to understand either talent, but you may want it.

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*An Encore, My Arky Angel- The Music Of Iris DeMent-"My Life"

Click on title to link to YouTube's film clip of Iris DeMent performing "He Reached Down".

CD Review

My Life, Iris DeMent, Warner Brothers, 1994


Well, everyone by now knows that I love Iris Dement (see review of her “Infamous Angel”) so we need not get back on that track. I am, however, due to that unrequited love, in the process trying to find every Iris CD I can get my hands on. That search brings me to this Warner Brother produced CD from 1994 “My Life”. Does this effort measure up to the others? No. Does it have any songs with the power of “Walking Home Alone”, “A Wall In Washington”, “These Hills Of Home” or “After Laughter”. Hell no. I believe that it is probably due to the fact that it is a little over-produced.

Iris’ voice left with a simple guitar, or better yet, piano as accompaniment can carry her rich and thoughtful lyrics. Again, as is her forte she sings of loves lost (or misunderstood), spiritual longing (she might argue religious but I will not quibble) and those long ago formed and fastened roots to family, home and hearth. Although no song here took my breath away “You’ve Done Nothing Wrong” was evocative. “Childhood Memories” was fine and also evoked a response in me to my very different childhood.

The winner here though is clearly “Easy’s Getting Harder Every Day”. The story line (Is it somewhat autobiographical?) and Iris’ Arkie twang drive home a very strong message about the hard struggle to keep one’s head up that many, too many people face on a day to day basis. Oh, yes. Iris, don’t forget that proposal I made in my review of “Infamous Angel” if you tire of Greg. It is still on the table.






LIFELINE- IRIS DEMENTFlariella Records - 2004
I'VE GOT THAT OLD TIME RELIGION (Hurdist Milsap)
Stamps-Baxter Music, (BMI)

I’m glad Jesus came, glory to His name oh what a Friend is He
He so freely gave, His own life to save. From bonds of sins set free.

CHORUS
And I’ve got that old time religion in my heart
And its way down inside.
I’ve got that new kind of feeling in my heart
Real love abides
Nobody knows what it means to me
Nobody knows but my God and me
I’ve got that old time religion in my heart
And it’s way down inside.

What a joy to know one who loves us so
He is so kind and true
He has changed my life from all sin and strife
He’ll do the same for you.

BLESSED ASSURANCE (Fanny J. Crosby)
Public Domain

Blessed assurance, Jesus is mine!
O what a fortaste of glory divine!
Heir of salvation, purchase of God,
Born of His Spirit, washed in His blood.

ChorusThis is my story, this is my song, Praising my Saviour all the day long;This is my story, this is my song, Praising my Saviour all the day long;
Perfect submission, perfect delight, Visions of rapture now burst on my sight.Angels descending bring from above, Echoes of mercy, whispers of love.
Perfect submission, all is at rest, I in my Saviour am happy and blest.Watching and waiting, looking above, Filled with His Goodness, lost in His love
FILL MY WAY WITH LOVE (George W. Sebren)Public DomainLet me walked blessed Lord, in the way Thou hast gone, Leading straight to the land above;Giving cheer ev'rywhere, to the sad and the lone, Fill my way ev'ry day with loveChorusFill my way ev'ry day with love (with love), As I walk with the heavn'ly Dove;Let me go all the while, with a song and a smile, Fill my way ev'ry day with love.
Keep me close to the side of my Saviour and Guide, Let me never in darkness rove;Keep my path free from wrath, and my soul satisfied, Fill my way eve'ry day with love.
Soon the race will be o'er and I'll travel no more, But abide in my home above;Let me sing blessed King, all the way to the shore, Fill my way ev'ry day with love.


LET THE MYSTERY BE (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP
Infamous Angel

Everybody's wonderin' what and where they they all came from
everybody's worryin' 'bout where they're gonna go
when the whole thing's done
but no one knows for certain
and so it's all the same to me
I think I'll just let the mystery be

Some say once you're gone you're gone forever
and some say you're gonna come back
Some say you rest in the arms of the Saviour
if in sinful ways you lack
Some say that they're comin' back in a garden
bunch of carrots and little sweet peas
I think I'll just let the mystery be

Everybody's wonderin' what and where they they all came from
everybody's worryin' 'bout where they're gonna go
when the whole thing's done
but no one knows for certain
and so it's all the same to me
I think I'll just let the mystery be

Some say they're goin' to a place called Glory
and I ain't saying it ain't a fact
but I've heard that I'm on the road to purgatory
and I don't like the sound of that
I believe in love and I live my life accordingly
but I choose to let the mystery be

Everybody is wondering what and where they they all came from
everybody is worryin' 'bout where they're gonna go
when the whole thing's done
but no one knows for certain
and so it's all the same to me
I think I'll just let the mystery be
I think I'll just let the mystery be



THESE HILLS (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

Far away I've traveled
to stand once more alone
and hear my memories echo
through these hills that I call home

As a child I roamed this valley
I watched the seasons come and go
I spent many hours dreaming
on these hills that I call home

The wind is rushing through the valley
and I don't feel so all alone
When I see the dandelions blowing
across the hills that I call home

Like the flowers I am fading
into my setting sun
Brother and sister passed before me
Mama and Daddy they've long since gone

The wind is rushing through the valley
and I don't feel so all alone
When I see the dandelions blowing
across the hills that I call home
These are the hills that I call home



HOTTER THAN MOJAVE IN MY HEART (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

Well, I've heard them say there's one for everybody
and I just knew somehow that you'd be the one for me
'cause making love with you's not just a hobby
no, it's the flame that burnt the forest down in me

And darling was it day or was it nighttime
were them whippoorwills a-moaning through the trees,
through the trees
I don't remember just what you said but ooh, right from the start
you made me hotter than Mojave in my heart

Well baby, I could stay this way forever
just passing time at ninety-nine degrees
'cause loving you's my favorite kind of weather
oh, forever let the flame burn down in me

And I'll not prepare my heart for the change of season
and I'll whip old Winter Wind there if she blows, if she blows
Well, God bless the day that you came along
and you tipped my apple cart
and you made me hotter than Mojave in my heart

And I'll not prepare my heart for the change of season
and I'm a-gonna whip old Winter Wind there if she blows, if she blows
Well, God bless the day that you came along
and you tipped my apple cart
you made me hotter than Mojave in my heart
Now it's hotter than Mojave in my heart



WHEN LOVE WAS YOUNG (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

Look at you, look at me
my heart breaks as I read our sad story
Never thought that I'd be
here with you wishing I was free
I never dreamed today would come
when love was young

There was nothing I would not do
for the chance to see your face
How could I have known back then
that today I'd hesitate
When you hold me in your arms
I don't yearn for that charm
I never dreamed today would come
when love was young

Look at how our curtain fell
Guess it's true only time can tell
'bout an ending
Kids are grown, we've had our day
Guess it's time now to go away
I never dreamed today would come
when love was young

There was nothing I would not do
for the chance to see your face
How could I have known back then
that today I'd hesitate
When you hold me in your arms
I don't yearn for that charm
I never dreamed today would come
when love was young

I never dreamed today would come
when love was young



OUR TOWN (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

And you know the sun's settin' fast
and just like they say nothing good ever lasts
Well, go on now and kiss it goodbye but hold on to your lover
'cause your heart's bound to die
Go on now and say goodbye to our town, to our town
Can't you see the sun's settin' down on our town, on our town
goodnight

Up the street beside that red neon light
that's where I met my baby on one hot summer night
He was the tender and I ordered a beer
It's been forty years and I'm still sitting here

But you know the sun's settin' fast
and just like they say nothing good ever lasts
Well, go on now and kiss it goodbye but hold on to your lover
'cause your heart's bound to die
Go on now and say goodbye to our town, to our town
Can't you see the sun's settin' down on our town, on our town
goodnight

It's here I had my babies and I had my first kiss
I've walked down Main Street in the cold morning mist
Over there is where I bought my first car
it turned over once but then it never went far

And I can see the sun settin' fast
and just like they say nothing good ever lasts
Well, go on now and kiss it goodbye but hold on to your lover
'cause your heart's bound to die
Go on now and say goodbye to our town, to our town
Can't you see the sun's settin' down on our town, on our town
goodnight

I buried my Mama and I buried my Pa
They sleep up the street beside that pretty brick wall
I bring them flowers about every day
but I just gotta cry when I think what they'd say

If they could see how the sun's settin' fast
and just like they say nothing good ever lasts
Well, go on now and kiss it goodbye but hold on to your lover
'cause your heart's bound to die
Go on now and say goodbye to our town, to our town
Can't you see the sun's settin' down on our town, on our town
goodnight

Now I sit on the porch and watch the lightning-bugs fly
but I can't see too good, I got tears in my eyes
I'm leaving tomorrow but I don't wanna go
I love you my town, you'll always live in my soul

But I can see the sun's settin' fast
and just like they say nothing good ever lasts
Well, go on I gotta kiss you goodbye but I'll hold to my lover
'cause my heart's 'bout to die
Go on now and say goodbye to my town, to my town
Can't you see the sun's settin' down on my town, on my town
Goodnight, goodnight

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* Once More, My Arkie Angel-The Music Of Iris Dement-"The Way I Should"

Click on title to link to YouTube's film clip of Iris DeMent performing "Sweet Is The Melody".

CD Review

The Way I Should, Iris Dement, Warner Brothers Records, 1996


I first heard Iris DeMent doing a cover of a Greg Brown tribute to Jimmy Rodgers, the old time Texas yodeller, on Brown's tribute album, "Driftless". I then looked for this album and for the most part was blown away by the power of DeMent's voice, her piano accompaniment and her lyrics (which are contained in the liner notes, read them, please). It is hard to type her style. Is it folk? Is it Country Pop? Is it semi-torch songstress? Well, whatever it may be you are in for a listening treat, especially if you are in a sentimental mood.

Stand outs here include- "There is a Wall in Washington" about the Vietnam Memorial probably one of the best anti-war songs you will ever hear. It is fairly easy to write a "Give Peace a Chance" or "Where Have All the Flowers Gone?" type of anti-war song. It is another to capture the pathos of what happened to too many families when we were unable to stop that war. "When My Morning Comes" hits home with all the baggage working class kids have about their inferiority when they screw up in this world. Lastly- "Walking Home Alone" evokes all the humor, bathos, pathos and sheer exhilaration of saying one was able to survive, and not badly, after growing up poor amid the riches of America. Listen on. Yo will be glad you did.


“Walkin' Home”

I'm walkin' home tonight
The streets are glowing 'neath the pale moonlight
I look around, there's not a soul in sight
and I'm walkin' home
Once again I hear my mother's voice
and all us kids making a bunch of noise
If I'm not careful I might start to cry
Just walkin' home tonight

I turn my head and hear the screen door slam
and there he is, that tall and dark-haired man
He looks my way but all alone he stands
and I am walkin' home
He's my Dad, you know I was his girl
He taught me all he knew about this world
and then he traveled right on out of sight
and I'm just walkin' home tonight

I'm walkin' home tonight
The streets are glowing 'neath the pale moonlight
I look around, there's not a soul in sight
and I am walkin' home

Old worn-out couches and a bunch of kids
Four to a bedroom and all Mom's plates were chipped
but I never knew about the things I missed
and I'm walkin' home
You see, it's just the place where I come from
and, good or bad, it's where the deal was done
Mom and Dad, their daughters and their sons
and I'm just walkin' home tonight

I'm walkin' home tonight
The streets are glowing 'neath the pale moonlight
I look around, there's not a soul in sight
and I'm walkin' home
Once again I hear my mother's voice
and all us kids making a bunch of noise
If I'm not careful I might start to cry
Just walkin' home tonight


No Time To Cry lyrics Y

My father died a year ago today.
The rooster started crowing when they carried Dad away.
There beside my mother, in the living room, I stood,
With my brothers and my sisters, knowing Dad was gone for good.

Well, I stayed at home just long enough,
To lay him in the ground and then I,
Caught a plane to do a show up north in Detroit town.
Because I'm older now and I've got no time to cry.

I've got no time to look back, I've got no time to see,
The pieces of my heart that have been ripped away from me.
And if the feeling starts to coming, I've learned to stop 'em fast.
`Cause I don't know, if I let 'em go, they might not wanna pass.
And there's just so many people trying to get me on the phone.
And there's bills to pay, and songs to play,
And a house to make a home.
I guess I'm older now and I've got no time to cry.

I can still remember when I was a girl.
But so many things have changed so much here in my world.
I remember sitting on the front yard when an ambulance went by,
And just listening to those sirens I would breakdown and cry.

But now I'm walking and I'm talking,
Doing just what I'm supposed to do.
Working overtime to make sure that I don't come unglued.
I guess I'm older now and I've got no time to cry.

I've got no time to look back, I've got no time to see,
The pieces of my heart that have been ripped away from me.
And if the feeling starts to coming, I've learned to stop 'em fast.
`Cause I don't know, if I let 'em go, they might not wanna pass.
And there's just so many people trying to get me on the phone.
And there's bills to pay, and songs to play,
And a house to make a home.
I guess I'm older now and I've got no time to cry.

Now I sit down on the sofa and I watch the evening news:
There's a half a dozen tragedies from which to pick and choose.
The baby that was missing was found in a ditch today.
And there's bombs a'flying and people dying not so far away.

And I'll take a beer from the 'fridgerator,
And go sit out in the yard and with a cold one in my hand,
I'm gonna bite down and swallow hard.
Because I'm older now: I've got no time to cry.

I've got no time to look back, I've got no time to see,
The pieces of my heart that have been ripped away from me.
And if the feeling starts to coming, I've learned to stop 'em fast.
`Cause I don't know, if I let 'em go, they might not wanna pass.
And there's just so many people trying to get me on the phone.
And there's bills to pay, and songs to play,
And a house to make a home.
I guess I'm older now and I've got no time to cry.

I guess I'm older now: I just ain't got no time to cry.

No time to cry.

No time to cry.

No time to cry.

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*My Arkie Angel- The Music Of Iris DeMent-"Infamous Angel"

Click on title to link to YouTube's film clip of Iris DeMent performing "Our Town"

CD REVIEW

Infamous Angel, Iris Dement, Rounder Records, 1992

Frankly, and I admit this publicly for the first time in this space, I love Ms. Iris Dement. Not personally, of course, but through her voice, her lyrics and her musical presence. This ‘confession’ may seem rather startling coming from a reviewer who is as likely here to go on and on about Bolsheviks, ‘Che’, Leon Trotsky, high communist theory and the like. Especially, as well given Ms. Dement’s seemingly simple quasi- religious themes and commitment to paying homage to her rural background in song. All such discrepancies though go out the window here. Why?

Well, for one, this old radical got a lump in his throat the first time he heard “These Hills”. Okay, that happens sometimes-once- but why did he have the same reaction on the fifth and twelfth hearings? Explain that. I can easily enough. If, on the very, very remotest chance, there is a heaven then I know one of the choir members. Enough said. By the way give a listen to “Sweet Forgiveness” and “After You’ve Gone” (with that great line about 'knowing' every line in her man's face. Then you too will be in love with Ms. Iris Dement. Iris, here is my proposal. If you get tired of fishing the U.P., or wherever, with Mr. Greg Brown, get bored with his endless twaddle about old Iowa farms or going on and on about Grannma's cellar just whistle. Better yet just yodel like you did on “Jimmie Rodgers Going Home” on that “Driftless” CD.

INFAMOUS ANGEL (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

Last night before I went to sleep my knees dropped to the floor
I turned me eyes up to the sky and I prayed "Please help me, Lord,
you know I've sowed my wild oats and now the fun's all gone"
and then I heard these tender words
and I put them in my song:

"Infamous Angel come on home
to someone who loves you and knows you needed to roam
Grab your things, a ticket's waiting at the bus depot
for: Infamous Angel, Destination: Home"

I heard heaven's choir rejoicing as the tears broke from my eyes
and all at once it lifted the weight from my past life
I found a pen and I left a note on the dresser drawer
"Infamous Angel, she don't live here anymore"

Infamous Angel come on home
to someone who loves you and knows you needed to roam
Grab your things, a ticket's waiting at the bus depot
for: Infamous Angel, Destination: Home

Then I hurried out the back door as quickly as I could
I went flying down two flights of stairs 'til on the street I stood
and there I took that final look at my old neighbourhood
Then I ran down the street proclaiming "Angel gone for good"

Infamous Angel going home
to someone who loves her and knows she needed to roam
She grabbed her things and claimed the ticket at the bus depot
for: Infamous Angel, Destination: Home
Infamous Angel, Destination: Home



SWEET FORGIVENESS (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

Sweet forgiveness, that's what you give to me
when you hold me close and you say "That's all over"
You don't go looking back,
you don't hold the cards to stack,
you mean what you say.

Sweet forgiveness, you help me see
I'm not near as bad as I sometimes appear to be
When you hold me close and say
"That's all over, and I still love you"

There's no way that I could make up for those angry words I said
Sometimes it gets to hurting and the pain goes to my head

Sweet forgiveness, dear God above
I say we all deserve a taste of this kind of love
Someone who'll hold our hand,
and whisper "I understand, and I still love you"



AFTER YOU'RE GONE (Iris DeMent)
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

There'll be laughter even after you're gone
I'll find reasons to face that empty dawn
'cause I've memorized each line in your face
and not even death can ever erase the story they tell to me

I'll miss you, oh how I'll miss you
I'll dream of you and I'll cry a million tears
but the sorrow will pass and the one thing that will last
is the love that you've given to me

There'll be laughter even after you're gone
I'll find reason and I'll face that empty dawn
'cause I've memorized each line in your face
and not even death could ever erase the story they tell to me



MAMA'S OPRY (Iris DeMent)
[note: harmony vocals provided by Emmylou Harris]
(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

She grew up plain and simple in a farming town
Her daddy played the fiddle and use to do the calling
when they had hoedowns
She said the neighbors would come
and they'd move all my grandma's furniture 'round
and there'd be twenty or more there on the old wooden floor
dancing to a country sound

The Carters and Jimmy Rodgers played her favourite songs
and on Saturday nights there was a radio show
and she would sing along
and I'll never forget her face when she revealed to me
that she'd dreamed about singing at The Grand Ol' Opry

Her eyes, oh how they sparkled when she sang those songs
While she was hanging the clothes on the line
I was a kid just a humming along
Well, I'd be playing in the grass,
to her what might've seemed obliviously
but there ain't no doubt about it, she sure made her mark on me

She played old gospel records on the phonograph
She turned them up loud and we'd sing along
but those days have passed
Just now that I am older it occurs to me
that I was singing in the grandest opry

And we sang Sweet Rose of Sharon, Abide With Me
'til I ride The Gospel Ship to Heaven's Jubilee
and In That Great Triumphant Morning my soul will be free
and My Burdens Will Be Lifted when my Saviour's face I see
So I Don't Want to Get Adjusted to This World below
but I know He'll Pilot Me 'til it comes time to go
Oh, nothing on this earth is half as dear to me
as the sound of my Mama's Opry

And we sang Sweet Rose of Sharon, Abide With Me
'til I ride The Gospel Ship to Heaven's Jubilee
and In That Great Triumphant Morning my soul will be free
and My Burdens Will Be Lifted when my Saviour's face I see
So I Don't Want to Get Adjusted to This World below
but I know He'll Pilot Me 'til it comes time to go
Oh, nothing on this earth is half as dear to me
as the sound of my Mama's Opry



HIGHER GROUND (Iris DeMent)
[note: lead vocal by Flora Mae DeMent, backing vocals by "The Infamous Angel Choir" (Iris, etc.)]
Traditional, public domain

[Spoken intro by Iris: "No voice has inspired me more than my mother's. She showed me that music is a pathway to higher ground".]

I'm pressing on the upward way
New heights I'm gaining every day
Still praying as I'm onward bound
Lord, plant my feet on higher ground

Lord, lift me up and let me stand
by faith on Heaven's table land
A higher plain than I have found
Lord, plant me feet on higher ground

My heart has no desire to stay
where doubts arise and fears dismay
Though some may dwell where these abound
my prayer, my aim, is higher ground

Lord, lift me up and let me stand
by faith on Heaven's table land
A higher plain than I have found
Lord, plant me feet on higher ground

I want to scale the utmost heights
and catch a gleam of glory bright
but still I'll pray 'til heaven I've found
Lord, lead me on to higher ground

Lord, lift me up and let me stand
by faith on Heaven's table land
A higher plain than I have found
Lord, plant me feet on higher ground

Lord, lift me up and let me stand
by faith on Heaven's table land
A higher plain than I have found
Lord, plant me feet on higher ground

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Friday, December 26, 2008

*From The Archives-The Struggle To Create The Socialist Workers Party in America

Click on title to link to the Leon Trotsky Archive's article by Leon Trotsky, "The Founding Of The Fourth International", that can give some background to the international scope of the uphill struggle for socialism in the period of hard Stalinist domination of the international communist movement.

Guest Commentary

This year marks the 70th Anniversary of the American Socialist Workers Party (SWP)founded by James P. Cannon and his cohorts following the Communist left-oppositionist principles laid down by the Russian revolutionary Leon Trotsky. Although this party long ago gave up the revolutionary ghost those who claim allegiance to the heritage of Leon Trotsky must learn the history of that organization in order to learn from their mistakes (and successes). Here, as my guest commentator, is James P. Cannon in a 1944 article detailing the struggle to build that party. The title of his article could serve as a working one for us today, as well.

March 1944

The Dog Days of the Left Opposition

James P. Cannon

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Source: Fourth International, March 1944. Original bound volumes of Fourth International and microfilm provided by the NYU Tamiment Labor Libraries.
Transcription\HTML Markup:Andrew Pollack



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Editor’s Note: We reprint herewith another chapter of "The History of American Trotskyism," by James P. Cannon scheduled for publication this Spring.


Our last lecture brought us up to the first National Conference of the Left Opposition in May 1929. We had survived the difficult first six months of our struggle, kept our forces intact and gained some new recruits. At the first conference we consolidated our forces into a national organization, set up an elected leadership and defined our program more precisely. Our ranks were firm, determined. We were poor in resources and very few in numbers, but we were sure that we had laid hold of the truth and that with the truth we would conquer in the end. We came back to New York to begin the second stage of the struggle for the regeneration of American Communism.

The fate of every political group—whether it is to live and grow or degenerate and die—is decided in its first experiences by the way in which it answers two decisive questions.

The first is the adoption of a correct political program. But that alone does not guarantee victory. The second is that the group decide correctly what shall be the nature of its activities, and what tasks it shall set itself, given the size and capacity of the group, the period of the development of the class struggle, the relation of forces in the political movement, and so on.

If the program of a political group, especially a small political group, is false, nothing can save it in the end. It is just as impossible to bluff in the political movement as in war. The only difference is that in wartime things are brought to such a pitch that every weakness becomes exposed almost immediately, as is shown in one stage after another in the current imperialist war. The law operates just as ruthlessly in the political struggle. Bluffs do not work. At most they deceive people for a time, but the main victims of the deception, in the end, are the bluffers themselves. You must have the goods. That is, you must have a correct program in order to survive and serve the cause of the workers.

An example of the fatal result of a light-minded bluffing attitude toward program is the notorious Lovestone group. Some of you who are new to the revolutionary movement may never have heard of this faction which once played such a prominent role, inasmuch as it has disappeared completely from the scene. But in those days the people who constituted the Lovestone group were the leaders of the American Communist Party. It was they who carried through our expulsion, and when about six months later, they themselves were expelled, they began with far more numerous forces and resources than we did. They made a much more imposing appearance in the first days. But they didn’t have a correct program and didn’t try to develop one. They thought they could cheat history a little bit; that they could cut corners with principle and keep larger forces together by compromises on the program question. And they did for a time. But in the end this group, rich in energies and abilities, and containing some very talented people, was utterly destroyed in the political fight, ignominiously dissolved. Today, most of its leaders, all of them as far as I know, are on the bandwagon of the imperialist war, serving ends absolutely opposite to those which they set out to serve at the beginning of their political work. The program is decisive.

On the other hand, if the group misunderstands the tasks set for it by the conditions of the day, if it does not know how to answer the most important of all questions in politics—that is, the question of what to do next—then the group, no matter what its merits may otherwise be, can wear itself out in misdirected efforts and futile activities and come to grief.

So, as I said in my opening remarks, our fate was determined in those early days by the answer we gave to the question of the program and by the way we analyzed the tasks of the day. Our merit, as a newly created political force in the American labor movement—the merit which assured the progress, stability and further development of our group—consisted in this, that we gave correct answers to both those questions.

The conference didn’t take up every question posed by the political conditions of the time. It took up only the most important questions, that is, those which had to be answered first. And the first of these was the Russian question, the question of the revolution in existence. As I remarked in the previous lecture, ever since 1917 it has been demonstrated over and over again that the Russian question is the touchstone for every political current in the labor movement. Those who take an incorrect position on the Russian question leave the revolutionary path sooner or later.

First Trotskyist Conference

The Russian question has been elucidated innumerable times in articles, pamphlets and books. But at every important turn of events it arises again. As late as 1939 and 1940 we had to fight the Russian question over again with a petty-bourgeois current in our own movement. Those who want to study the Russian question in all its profundity, all its acuteness and all its urgency can find abundant material in the literature of the Fourth International. Therefore I do not need to elucidate it in detail tonight. I simply reduce it to its barest essentials and say that the question confronting us at our first convention was whether we should continue to support the Soviet state, the Soviet Union, despite the fact that the direction of it had fallen into the hands of a conservative, bureaucratic caste. There were people in those days, calling themselves and considering themselves revolutionary, who had broken with the Communist Party, or had been expelled from it, and who wanted to turn their backs entirely on the Soviet Union and what remained of the Russian revolution and start over, with a “clean slate” as an anti-Soviet party. We rejected that program and all those who urged it on us. We could have had many members in those days if we compromised on that issue. We took a firm stand in favor of supporting the Soviet Union; of not overturning it, but of trying to reform it through the instrumentality of the party and the Comintern.

In the course of development it was proved that all those who, whether from impatience, ignorance or subjectivity—whatever the cause might be—prematurely announced the death of the Russian revolution, were in reality announcing their own demise as revolutionists. Each and every one of these groups and tendencies degenerated, fell apart at the very base, withdrew to the side lines, and in many cases went over into the camp of the bourgeoisie. Our political health, our revolutionary vitality, were safeguarded, first of all, by the correct attitude we took toward the Soviet Union despite the crimes that had been committed, including those against us, by the individuals in control of the administration of the Soviet Union.

The trade union question had an extraordinary importance then as always. At that time it was particularly acute. The Communist International, and the Communist parties under its direction and control, after a long experiment with rightwing opportunist politics, had taken a big swing to the left, to ultra-leftism—a characteristic manifestation of the bureaucratic centrism of the faction of Stalin. Having lost the Marxist compass, they were distinguished by a tendency to jump from the extreme right to the left, and vice versa. They had gone through a long experience with right-wing politics in the Soviet Union, conciliating the kulaks and Nepmen, until the Soviet Union, and the bureaucracy with it, came to the brink of disaster. On the international arena, similar policies brought similar results. In reacting to this, and under the relentless criticisms of the Left Opposition, they introduced an ultra-leftist over-correction in all fields. On the trade union question they swung around to the position of leaving the established unions, including the American Federation of Labor, and starting a new made-to-order trade union movement under the control of the Communist Party. The insane policy of building “Red Unions” became the order of the day.

Our first National Conference took a firm stand against that policy, and declared in favor of operating within the existing labor movement, confining independent unionism to the unorganized field. We mercilessly attacked the revived sectarianism contained in this theory of a new “Communist” trade union movement created by artificial means. By that stand, by the correctness of our trade union policy, we assured that when the time arrived for us to have some access to the mass movement we would know the shortest route to it. Later events confirmed the correctness of the trade union policy adopted at our first conference and consistently maintained thereafter.

Faction or Party?

The third big important question we had to answer was whether we should create a new independent party, or still consider ourselves a faction of the existing Communist Party and the Comintern. Here again we were besieged by people who thought they were radicals: ex-members of the Communist Party who had become completely soured and wanted to throw out the baby with the dirty bath water; syndicalists and ultra-leftist elements who, in their antagonism to the Communist Party, were willing to combine with anybody ready to create a party in opposition to it. Moreover, in our own ranks there were a few people who reacted subjectively to the bureaucratic expulsions, the slander and violence and ostracism employed against us. They also wanted to renounce the Communist Party and start a new party. This approach had a superficial attraction. But we resisted, we rejected that idea. People who over-simplified the question used to say to us: “How can you be a faction of a party when you are expelled from it?”

We explained: It is a question of correctly appraising the membership of the Communist Party, and finding the right tactical approach to it. If the Communist Party and its members have degenerated beyond reclamation, and if a more progressive group of workers exists either actually, or potentially by reason of the direction in which such a group is moving and out of which we can create a new and better party-then the argument for a new party is correct. But, we said, we don’t see such a group anywhere. We don’t see any real progressiveness, any militancy, any real political intelligence in all these diverse oppositions, individuals and tendencies. They are nearly all side-line critics and sectarians. The real vanguard of the proletariat consists of those tens of thousands of workers who have been awakened by the Russian revolution. They are still loyal to the Comintern and to the Communist Party. They haven’t attentively followed the process of gradual degeneration. They haven’t unraveled the theoretical questions which are at the bottom of this degeneration. It is impossible even to get a hearing from these people unless you place yourself on the ground of the party, and strive not to destroy but to reform it, demanding readmission to the party with democratic rights.

We solved that problem correctly by declaring ourselves a faction of the party and the Comintern. We named our organization The Communist League of America (Opposition), in order to indicate that we were not a new party but simply an opposition faction to the old one. Experience has richly demonstrated the correctness of this decision. By remaining partisans of the Communist Party and the Communist International, by opposing the bureaucratic leaders at the top, but appraising correctly the rank and file as they were at that time, and seeking contact with them, we continued to gain new recruits from the ranks of the Communist workers. The overwhelming majority of our members in the first five years of our existence came from the CP. Thus we built the foundations of a regenerated Communist movement. As for the anti-Soviet and anti-party people, they never produced anything but confusion.

The Propaganda Task

Out of this decision to form, at that time, a faction and not a new party, flowed another important and troublesome question which was debated and fought out at great length in our movement for five years—from 1928 until 1933. That question was: What concrete task shall we set for this group of 100 people scattered over the broad expanse of this vast country? If we constitute ourselves as an independent party, then we must appeal directly to the working class, turn our backs on the degenerated Communist Party, and embark on a series of efforts and activities in the mass movement. On the other hand, if we are to be not an independent party but a faction, then it follows that we must direct our main efforts, appeals and activities, not to the mass of 40 million American workers, but to the vanguard of the class organized in and around the Communist Party. You can see how these two questions dovetailed. In politics—and not only in politics—once you say “A” you must say “B.” We had to either turn our face towards the Communist Party, or away from the Communist Party in the direction of the undeveloped, unorganized and uneducated masses. You cannot eat your cake and have it too.

The problem was to understand the actual situation, the stage of development at the moment. Of course, you have to find a road to the masses in order to create a party that can lead a revolution. But the road to the masses leads through the vanguard and not over its head. That was not understood by some people. They thought they could by-pass the Communistic workers, jump right into the midst of the mass movement and find there the best candidates for the most advanced, the most theoretically developed group in the world, that is, the Left Opposition which was the vanguard of the vanguard. This conception was erroneous, the product of impatience and the failure to think things out. Instead of that, we set as our main task propaganda, not agitation.

We said: Our first task is to make the principles of the Left Opposition known to the vanguard. Let us not delude ourselves with the idea we can go to the great unschooled mass now. We must first get what is obtainable from this vanguard group, consisting of some tens of thousands of Communist Party members and sympathizers, and crystalize out of them a sufficient cadre either to reform the party, or, if after a serious effort that fails in the end—and only when the failure is conclusively demonstrated—to build a new one with the forces recruited in the endeavor. Only in this way is it possible for us to reconstitute the party in the real sense of the word.

At that time there appeared on the horizon a figure who is also perhaps strange to many of you, but who in those days made an awful lot of noise. Albert Weisbord had been a member of the CP and got himself expelled along about 1929 for criticism, or for one reason or another—it was never quite clear. After his expulsion Weisbord decided to do some studying. It frequently happens, you know, that after people get a bad blow they begin to wonder about the cause of it. Weisbord soon emerged from his studies to announce himself as a Trotskyist; not 50 per cent Trotskyist as we were, but a real genuine 100 per cent Trotskyist whose mission in life was to set us straight.

A Noisy Interloper

His revelation was: The Trotskyists must not be a propaganda circle, but go directly into “mass work.” That conception had to lead him logically to the proposal of forming a new party, but he couldn’t do that very conveniently because he didn’t have any members. He had to apply the tactic of going first to the vanguard—on us. With a few of his personal friends and others he began an energetic campaign of “boring from within” and hammering from without this little group of 25 or 30 people whom we had by that time organized in New York City. While we were proclaiming the necessity of propagandizing the members and sympathizers of the Communist Party as a link to the mass movement, Weisbord, proclaiming a program of mass activity, directed 99 per cent of his mass activity not at the masses, and not even at the Communist Party, but at our little Trotskyist group. He disagreed with us on everything and denounced us as false representatives of Trotskyism. When we said, yes, he said, yes positively. When we said 75, he raised the bid. When we said, “Communist League of America,” he called his group the “Communist League of Struggle” to make it stronger. The heart and core of the fight with Weisbord was this question of the nature of our activities. He was impatient to jump into mass work over the head of the Communist Party. We rejected his program and he denounced us in one thick mimeographed bulletin after another.

Some of you may perhaps have the ambition to become historians of the movement, or at least students of the history of the movement. If so, these informal lectures of mine can serve as guide posts for a further study of the most important questions and turning points. There is no lack of literature. If you dig for it, you will find literally bales of mimeographed bulletins devoted to criticism and denunciation of our movement—and especially of me, for some reason. That sort of thing has happened so often that I long ago learned to accept it as matter of course. Whenever anybody goes crazy in our movement he begins to denounce me at the top of his voice, entirely aside from provocation of any sort on my part. So Weisbord denounced us, particularly me, but we fought it out. We stuck to our course.

There were impatient people in our ranks who thought that Weisbord’s prescription might be worth trying, a way for a poor little group to get rich quick. It is very easy for isolated people, gathered together in a small room, to talk themselves into the most radical proposals unless they retain a sense of proportion, of sanity and realism. Some of our comrades, disappointed at our slow growth, were lured by this idea that we needed only a program of mass work in order to go out and get the masses. This sentiment grew to such an extent that Weisbord created a little faction inside our organization. We were obliged to declare an open meeting for discussion. We admitted Weisbord, who wasn’t a formal member, and gave him the right to the floor. We debated the question hammer and tongs. Eventually we isolated Weisbord. He never enrolled more than 13 members in his group in New York. This little group went through a series of expulsions and splits and eventually disappeared from the scene.

We consumed an enormous amount of time and energy debating and fighting out this question. And not only with Weisbord. In those days we were continually pestered by impatient people in our ranks. The difficulties of the time pressed heavily upon us. Week after week and month after month we appeared to be gaining hardly an inch. Discouragement set in, and with it the demand for some scheme to grow faster, some magic formula. We fought it down, talked it down, and held our group on the right line, kept its face turned to the one possible source of healthy growth: the ranks of the Communist workers who still remained under the influence of the Communist Party.

“Third Period” Policies

The Stalinist “left turn” piled up new difficulties for us. This turn was in part designed by Stalin to cut the ground from under the feet of the Left Opposition; it made the Stalinists appear more radical even than the Left Opposition of Trotsky. They threw the Lovestoneites out of the party as “right wingers,” turned the party leadership over to Foster and Company and proclaimed a left policy. By this maneuver they dealt us a devastating blow. The disgruntled elements in the party, who had been inclined toward us and who had opposed the opportunism of the Lovestone group, became reconciled to the party. They used to say to us: “You see, you were wrong. Stalin is correcting everything. He is taking a radical position all along the line in Russia, America and everywhere else.” In Russia the Stalin bureaucracy declared war on the kulaks. All over the world the ground was being cut from under the feet of the Left Opposition. A whole series of capitulations took place in Russia. Radek and others gave up the fight on the excuse that Stalin had adopted the policy of the Opposition. There were, I would say, perhaps hundreds of Communist Party members, who had been leaning towards us, who gained the same impression and returned to Stalinism in the period of the ultra-left swing.

Those were the real dog days of the Left Opposition. We had gone through the first six months with rather steady progress and formed our national organization at the conference with high hopes. Then recruitment from the party membership suddenly stopped. After the expulsion of the Lovestoneites, a wave of illusion swept through the Communist Party. Reconciliation with Stalinism became the order of the day. We were stymied. And then began the big noise of the first Five Year Plan. The Communist Party members were fired with enthusiasm by the Five Year Plan which the Left Opposition had originated and demanded. The panic in the United States, the “depression,” caused a great wave of disillusionment with capitalism. The Communist Party in that situation appeared to be the most radical and revolutionary force in the country. The party began to grow and swell its ranks and to attract sympathizers in droves.

We, with our criticisms and theoretical explanations, appeared in the eyes of all as a group of impossibilists, hairsplitters, naggers. We were going around trying to make people understand that the theory of socialism in one country is fatal for a revolutionary movement in the end; that we must clear up this question of theory at all costs. Enamored with the first successes of the Five Year Plan, they used to look at us and say, “These people are crazy, they don’t live in this world.” At a time when tens and hundreds of thousands of new elements were beginning to look toward the Soviet Union going forward with the Five Year Plan, while capitalism appeared to be going up the spout; here were these Trotskyists, with their documents under their arms, demanding that you read books, study, discuss, and so on. Nobody wanted to listen to us.

In those dog days of the movement we were shut off from all contact. We had no friends, no sympathizers, no periphery around our movement. We had no chance whatever to participate in the mass movement. Whenever we tried to get into a workers organization we would be expelled as counterrevolutionary Trotskyists. We tried to send delegations to the unemployed meetings. Our credentials would be rejected on the ground that we were enemies of the working class. We were utterly isolated, forced in upon ourselves. Our recruitment dropped to almost nothing. The Communist Party and its vast periphery seemed to be hermetically sealed against us.

Then, as is always the case with new political movements, we began to recruit from sources none too healthy. If you are ever reduced again to a small handful, as well the Marxists may be in the mutations of the class struggle; if things go badly once more and you have to begin over again, then I can tell you in advance some of the headaches you are going to have. Every new movement attracts certain elements which might properly be called the lunatic fringe. Freaks always looking for the most extreme expression of radicalism, misfits, windbags, chronic oppositionists who had been thrown out of half a dozen organizations—such people began to come to us in our isolation, shouting, “Hello, Comrades.” I was always against admitting such people, but the tide was too strong. I waged a bitter fight in the New York branch of the Communist League against admitting a man to membership on the sole ground of his appearance and dress.

The Lunatic Fringe

They asked, “What have you against him?”

I said, “He wears a corduroy suit up and down Greenwich Village, with a trick mustache and long hair. There is something wrong with this guy.”

I wasn’t making a joke, either. I said, people of this type are not going to be suitable for approaching the ordinary American worker. They are going to mark our organization as something freakish, abnormal, exotic; something that has nothing to do with the normal life of the American worker. I was dead right in general, and in this mentioned case in particular. Our corduroy-suit lad, after making all kinds of trouble in the organization, eventually became an Oehlerite.

Many people came to us who had revolted against the Communist Party not for its bad sides but for its good sides; that is, the discipline of the party, the subordination of the individual to the decisions of the party in current work. A lot of dilettantish petty-bourgeois minded people who couldn’t stand any kind of discipline, who had either left the CP or been expelled from it, wanted, or rather thought they wanted to become Trotskyists. Some of them joined the New York branch and brought with them that same prejudice against discipline in our organization. Many of the newcomers made a fetish of democracy. They were repelled so much by the bureaucratism of the Communist Party that they desired an organization without any authority or discipline or centralization whatever.

All the people of this type have one common characteristic: they like to discuss things without limit or end. The New York branch of the Trotskyist movement in those days was just one continuous stew of discussion. I have never seen one of these elements who isn’t articulate. I have looked for one but I have never found him. They can all talk; and not only can, but will; and everlastingly, on every question. They were iconoclasts who would accept nothing as authoritative, nothing as decided in the history of the movement. Everything and everybody had to be proved over again from scratch.

Walled off from the vanguard represented by the Communist movement and without contact with the living mass movement of the workers, we were thrown in upon ourselves and subjected to this invasion. There was no way out of it. We had to go through that long drawn-out period of stewing and discussing. I had to listen, and that is one reason my gray hairs are so numerous. I was never a sectarian or screwball. I never had patience with people who mistake mere garrulousness for the qualities of political leadership. But one could not walk away from this sorely beset group. This little fragile nucleus of the future revolutionary party had to be held together. It had to go through this experience. It had to survive somehow. One had to be patient for the sake of the future; that is why we listened to the windbags. It was not easy. I have thought many times that, if despite my unbelief, there is anything in what they say about the hereafter, I am going to be well rewarded—not for what I have done, but for what I have had to listen to.

Hard Times

That was the hardest time. And then, naturally, the movement slid into its inevitable period of internal difficulties, frictions and conflicts. We had fierce quarrels and squabbles, very often over little things. There were reasons for it. No small isolated movement has ever been able to escape it. A small isolated group thrown in upon itself, with the weight of the whole world pressing down upon it, having no contact with the workers mass movement and getting no sobering corrective from it, is bound in the best case to have a hard time. Our difficulties were increased by the fact that many recruits were not first class material. Many of the people who joined the New York branch weren’t really there by justice. They weren’t the type who, in the long run, could build a revolutionary movement—dilettantes, petty-bourgeois undisciplined elements.

And then, the everlasting poverty of the movement. We were trying to publish a newspaper, we were trying to publish a whole list of pamphlets, without the necessary resources. Every penny we obtained was immediately devoured by the expenses of the newspaper. We didn’t have a nickel to turn around with. Those were the days of real pressure, the hard days of isolation, of poverty, of disheartening internal difficulties. This lasted not for weeks or months, but for years. And under those harsh conditions, which persisted for years, everything weak in any individual was squeezed to the surface; everything petty, selfish and disloyal. I had been acquainted with some of the individuals before in the days when the weather was fairer. Now I came to know them in their blood and bones. And then in those terrible days, I learned also to know Ben Webster and the men of Minneapolis. They always supported me, they never failed me, they held up my hands.

The greatest movement, with its magnificent program of the liberation of all humanity, with the most grandiose historic perspectives, was inundated in those days by a sea of petty troubles, jealousies, clique formations and internal fights. Worst of all, these faction fights weren’t fully comprehensible to the membership because the great political issues which were implicit in them had not yet broken through. However, they were not mere personal quarrels, as they so often appeared to be, but, as is now quite clear to all, the premature rehearsal of the great, definitive struggle of 1939-40 between the proletarian and petty-bourgeois tendencies within our movement.

Those were the hardest days of all in the thirty years that I have been active in the movement—those days from the conference of 1929 in Chicago until 1933, the years of the terrible hermetically sealed isolation, with all the attendant difficulties. Isolation is the natural habitat of the sectarian, but for one who has an instinct for the mass movement it is the most cruel punishment.

The Old Print Shop

Those were the hard days, but in spite of everything we carried out our propaganda tasks, and on the whole we did it very well. At the conference in Chicago we had decided that at all costs we were going to publish the whole message of the Russian Opposition. All the accumulated documents, which had been suppressed, and the current writings of Trotsky were then available to us. We decided that the most revolutionary thing we could do was not to go out to proclaim the revolution in Union Square, not try to put ourselves at the head of tens of thousands of workers who did not yet know us, not to jump over our own heads.

Our task, our revolutionary duty, was to print the word, to carry on propaganda in the narrowest and most concentrated sense, that is, the publication and distribution of theoretical literature. To that end we drained our members for money to buy a second-hand linotype machine and set up our own print shop. Of all the business enterprises that have been contrived in the history of capitalism, I think this was the best, considering the means available. If we weren’t interested in the revolution, I think that we could easily qualify, just on the basis of this enterprise, as very good business experts. We certainly did a lot of corner cutting to keep that business going. We assigned a young comrade, who had just finished linotype school, to operate the machine. He wasn’t a first-class mechanic then; now he is not only a good mechanic but also a party leader and a lecturer on the staff of the New York School of Social Science. In those days the whole weight of the propaganda of the party rested on this single comrade who ran the linotype machine. There was a story about him—I don’t know whether it is true or not—that he didn’t know much about the machine. It was an old broken-down, second-hand job that had been palmed off on us. Every once in a while it would stop working, like a tired mule. Charlie would adjust a few gadgets and, if that didn’t help, take a hammer and give the linotype a crack or two and knock some sense into it. Then it would begin to work properly again and another issue of The Militant would come out.

Later on, we had amateur printers. About half of the New York branch used to work in the print shop at one time or another—painters, bricklayers, garment workers, bookkeepers—all of them served a term as amateur typesetters. With a very inefficient and over-staffed shop we ground out certain results through unpaid labor. That was the whole secret of the Trotskyist printing plant. It wasn’t efficient from any other standpoint, but it was kept going by the secret that all slave masters since Pharaoh have known: If you have slaves you don’t need much money. We didn’t have slaves but we did have ardent and devoted comrades who worked night and day for next to nothing on the mechanical as well as the editorial side of the paper. We were short of funds. All bills were always overdue, with the creditors pressing for immediate payment. No sooner would the paper bill be met than we had to pay rent on the building under threat of eviction. The gas bill then had to be paid in a hurry because without the gas the linotype wouldn’t work. The electric bill had to be paid because the shop could not operate without power and light. All the bills had to be paid whether we had the money or not. The most we could ever hope to do was to cover the rent, the paper cost, installment payments and repairs on the linotype and the gas and light bills. There was seldom anything left over for the “hired help”—not only for the comrades who worked in the shop, but also those in the office, the leaders of our movement.

Great sacrifices were made by the rank and file of our comrades all the time, but they were never greater than the sacrifices made by the leaders. That is why the leaders of the movement always had strong moral authority. The leaders of our party were always in a position to demand sacrifices of the rank and file—because they set the example and everybody knew it.

Somehow or other the paper came out. Pamphlets were printed one after another. Different groups of comrades would each sponsor a new pamphlet by Trotsky, putting up the money to pay for the paper. In that antiquated print shop of ours a whole book was printed on the problems of the Chinese revolution. Every comrade who wants to know the problems of the Orient has to read the book which was published under those adverse conditions—at 84 East 10 Street, New York City.

And in spite of everything—I have cited many of the negative sides and difficulties—in spite of everything, we gained a few inches. We instructed the movement in the great principles of Bolshevism on a plane never known in this country before. We educated a cadre that is destined to play a great role in the American labor movement. We sifted out some of the misfits and recruited some good people one by one; we gained a member here and there; we began to establish new contacts.

We tried to hold public meetings. It was very difficult because in those days nobody wanted to listen to us. I remember the grand efforts we made one time to mobilize the whole organization to distribute leaflets, to have a mass meeting in this very room. We got 59 people, including our own members, and the whole organization was uplifted with enthusiasm. We went around saying to each other: “We had 59 people present at the lecture the other night. We are beginning to grow.”

We received help from outside New York. From Minneapolis, for example. Our comrades who later gained great fame as labor leaders weren’t always famous labor leaders. In those days they were coal heavers, working ten and twelve hours a day in the coal yards, heaving coal, the hardest kind of physical labor. Out of their wages they used to dig up as high as five or ten dollars a week and shoot it in to New York to make sure The Militant came out. Many times we had no money for the paper. We would send a wire to Minneapolis and get back a telegraphic money order for $25 or something like that. Comrades in Chicago and other places did the same things. It was by a combination of all these efforts and all those sacrifices throughout the country that we survived and kept the paper going.

There was an occasional windfall. Once or twice a sympathizer would give us $25. Those were real holidays in our office. We had a “revolving rent fund” which was the last resource of our desperate financial finagling. A comrade with rent to pay, say $30 or $40 due on the fifteenth of the month, would lend it to us on the tenth to pay some pressing bill or other. Then in five days we would get another comrade to lend his rent money to enable us to pay the other comrade back in time to satisfy his landlord. The second comrade would then stall off his landlord while we swung another deal, borrowed somebody else’s rent to repay him. That went on all the time. It gave us some floating capital to cut the corner.

Those were cruel and heavy times. We survived them because we had faith in our program and because we had the help of Comrade Trotsky. Comrade Trotsky began his great work in exile for the third time. His writings and his correspondence inspired us and opened up for us a window on a whole new world of theory and political understanding. This gave us the strength to persevere and to survive, to hold the organization together and to be ready when our opportunity came.

In my next lecture I will show you that we were ready when the opportunity did come. When the first crack in this wall of isolation and stagnation appeared, we were able to leap through it, out of our sectarian circle. We began to play a role in the political and labor movement. The condition for that was to keep our program clear and our courage strong in those days when capitulations were taking place in Russia and discouragement was overcoming the workers everywhere. One defeat after another descended upon the heads of the vanguard of the vanguard. Many began to question. What to do? Is it possible to do anything? Isn’t it better to let things slide a little? Trotsky wrote an article, “Tenacity! Tenacity! Tenacity!” That was his answer to the wave of discouragement that followed the capitulation of Radek and others. Hold on and fight it out that is what the revolutionists must learn, no matter how small their numbers, no matter how isolated they may be. Hold on and fight it out until the break comes, then take advantage of every opportunity. We held out until 1933, and then we began to see daylight. Then the Trotskyists started to get on the political map of this country. In the next lecture I shall tell you about that.

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Wednesday, December 24, 2008

A Rage For Pigskin- College Division

Commentary

In post- World War II America, the time of this writer’s youth, television and its seemingly infinite possibilities settled on mass sport entertainment as one of its pillars, a wise decision from a revenue producing perspective, if not from a cultural one. Needless to say sports like football that had previously had small, stadium-bound audiences for the most part soaked up the American television airwaves. That all by way of introducing this writer’s life-long fascination with the trials and tribulations of college football and the quest of the 'mythical' national college football championship that has provided fodder for endless arguments over the fairness of the system to produce a real champion in face-to-face combat.

Who knows when a kid first becomes conscious of sports and the difference between them. Maybe in some elementary school physical education class. Maybe in front of the television on some misbegotten Saturday or Sunday afternoon watching a half understood game that is beyond the realm of recollection today. Maybe it was some late night viewing of "The Knute Rockne Story" with Pat O’Brian as Knute and the late, unlamented Ronald Reagan as the heroic George Gipp. One thing is clear it was not from a shared experience with my father. This hard-pressed, harried man was too busy trying to make ends meet (and failing) to have the luxury of watching some esoteric game like football. So we will have to leave the genesis of my football mania as undetermined. Not unlike a lot of life’s habits.

Another source that we can eliminate was an ability to master the game or to perform it at any level short of the ridiculous. There may have been earlier tag football experiences but the first clear recollection of my lack of athletic prowess in an organized team situation was in the seventh grade in those days in my part of the country the first year of junior high school (now, generally, called middle school). There were actually very few sports opportunities at that grade level and football was it in the fall. I thus dutifully and, if I am not mistaken in the fog of history here, somewhat passionately went out for the team. Not knowing much about any of the positions I tried out for center. I think the assumption there was that since I handled the ball that was the key position.

The only problem with my theory was that I was probably even then something like forty or fifty pounds too light for that position. But I remained intrepid and stuck it out as about the fourth-string center that season. Oh yes, in the spirit of good fellowship, sportsmanship or whatever the coach let me go and strut my stuff that season-for one play. The opposing defensive player lifted me about ten feet off the ground with his straight-armed tackle. Needless to say I went abjectly went back the bench full of feelings and foreboding that this was not my sport. Of course in the whirl of today’s sports frenzy I would not have been allowed on the team, even in middle school. Perhaps we can trace the demise of a sense of good sportsmanship and fair play not from the fields of Eton, as in the old days, but in the football fields of America’s middle schools. In any case that was my last team sport experience, my sense of social solidarity and collective work came from other sources.

Let’s go back to that "Knute Rockne" movie for a moment. Although it is probably not the source for my love of college football it does play into the why of my love of college football rather than professional football. I have written elsewhere that as a youth I was somewhat agnostic about my Irish heritage (on my mother’s side) due to the overwhelming problems of existence that confronted our poor bedraggled nuclear family. However, and take this for what it is worth, I very early on attached myself to Notre Dame as a team that I followed. Why? It could have been as small a reason that their team nickname was “The Fighting Irish”. Whatever the reason from middle school to this day, during football season, I scan the newspaper scoreboard to see how the lads have done. In my youth, until 1964 (and for about 20 years now as well) they were not a very good team, certainly not the stuff of the Rockne/Gipp legend. But that is how allegiances get formed.


Like many another red-blooded American high school student in the early 1960’s (or now, for that matter, but you can speak for yourselves), aside for a passion for politics, I was as devoted as anyone to my high school football team. I believe that I went to virtually every game, home or away. That was a sign, among others, of being cool. It also cleared the path a little for my odd-ball political positions. Like being very strongly for the civil rights struggle in the South in a high school that was purposefully all white (even though black neighborhoods, although not in the town itself, were only a few miles away). Or being one of the few people in the town square on Saturday morning with a placard calling for unilateral nuclear disarmament. If that protest had been on Saturday afternoon during football season what would I have done? I will leave that to the imagination of the reader.

By a quirk of fate the publicly-funded college that I attended did not have its own football team. Thus, that Notre Dame allegiance got full play. Of course, although I had not been aware of it earlier this allegiance was not some personal aberration but a significant factor in the popularity of that team. There was, and perhaps there still is, a term for it called “subway” fans meaning that urban Irish types were devoted to the team from South Bend. There were certain bars in the Boston area that one did not go into on Saturday afternoon unless one was a Notre Dame fan, passionate or lukewarm. A highlight was the famous Michigan State/ Notre Dame game that the Irish won 10-10 (oops, tied- these disputes die hard).

After college my devotion continued although not for the "Fighting Irish" (except as they, occasionally, entered the national championship mix). I have spent many a misbegotten hour putting parlays together based on that Top 10 (in the old, old days), Top 20 (more recently) and Top 25 (now). There are infinite combinations that one can place bets on. My favorite (after picking the national champion straight up in pre-season which I have not been particularly successful at) is the top four combinations based on the Coaches and AP Polls. Also top eight and the top 25 (that last is more of an interesting bet than anything else and I got creamed last year with my ill-conceived selections). Enough said.

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Tuesday, December 23, 2008

The Cultural Contradictions Of The Generation Of '68

Commentary

Those who have followed this space over the past year may have noticed that I have spend some little time going back down memory lane some forty years to that decisive year of 1968, a year to which I have attached the term the 'Generation of ’68'-the generation who fought or fought against the Vietnam war and other issues of that day. Blame the misbegotten elections of 2008 for my preoccupations. I expected to spend more time on that presidential campaign but around June of this year I discovered that it was basically so much “ill wind” abrewing. So onward.

Of course the generic term ‘Generation of ‘68’, like that of our immediate forbears the media-crowned ‘greatest generation’, is as much a metaphor for what we attempted to do in those days on a social, political and cultural level as an actual definable structured phenomena. In the past I have mentioned that we, mainly out of innocence or better still ignorance (sometimes willfully so, as in the early rejection of Marxism as a guide to seeing things) made every mistake in the social, political and cultural book. We have, unfortunately, lived to pay for those essentially youthful mistakes with a forty year ‘blow back’ from the reactionaries who have had a free run of this country ever since.

If today, in December 2008, we have a little breathing room for our old time visions we best think things through better this time because, as it turns out, we are historically only given limited space and time to prove that we are capable of listening to “the better angels of our natures”. That said, as I have been at pains to point out in this space, not all of our long ago efforts should be dismissed out of hand. I nevertheless want to use this entry as a place to examine some of the cultural conceptions that, upon reflection, while they seemed very radical and progressive then seem kind of stale and ‘corny’ today. I intend this as a continuing entry through the next year or so. Feel free to add your "howlers" from the old days. Here’s the grab bag for now.

Back To The Archives, Please.

The Rolling Stones: Sympathy For The Devil, starring The Rolling Stones (1968 members), directed by Jean-Luc Godard, 1968

In an entry elsewhere in this space I noted my early youth allegiance to The Rolling Stones with the following remarks:

“I am not sure exactly when I first hear a Stones song although it was probably “Satisfaction”. However, what really hooked me on them was when I hear them cover the old Willie Dixon blues classic “The Red Rooster”. If you will recall that song was banned, at first, from the radio stations of Boston. Later, I think, and someone can maybe help me out on this, WMEX broke the ban and played it. And no, the song was not about the doings of our barnyard friends. But, beyond that it was the fact that it was banned that made me, and perhaps you, want to hear it at any cost….

That event began my long love affair with the blues. And that is probably why, although American blues also influenced the Beatles, it is the Stones that I favor. Their cover still holds up, by the way. Not as good, as I found out later, as the legendary Howlin' Wolf’s version but good. I have also thought about The Stones influence recently as I have thought about the long ago past of my youth. Compare some works like John Lennon’s “Working Class Hero” and The Stones’ “Street Fighting Man” (yes, I know these are later works) and I believe that you will find that something in the way The Stones presented that angry, defiant sound appealed to my working class alienation.”

Thus when I recently re-watched this Stones-based documentary, self-styled political manifesto and 'new wave' film by one of the cultural hero-directors of the 1960’s I expected to get as excited over its presentation as the first time I saw it. Well, here is the “skinny”. I still love The Stones’ song “Sympathy For The Devil” the production of which forms the core of this film. I do not, however, need to see the creation of this musical rock and roll gem over the course of an hour and one-half interspersed with one thousand and one of Godard’s pre-occupations of the day from Marxism to pornography to racism to Black Nationalist politics. In out youths we accepted anything that was new, different and haphazard as pure as the driven snow. Forty years later this reviewer may be a more little jaded but certainly less self-indulgent, as Godard should have been in directing this film. Some things from the 1960’s age very well like the social commitment to “seek a newer world”. Others are best left in the archives.

Strictly For Aficionados

The “Genuine” Basement Tapes”, Volumes 1-5, Bob Dylan and The Band (1967 members), Alternate Edge Productions, 2002


In a review of Bob Dylan’s “The Freewheeling Bob Dylan” elsewhere in this space I noted:

“In reviewing Bob Dylan’s 1965 classic album “Bringing All Back Home” (you know, the one where he went electric) I mentioned that it seemed hard to believe now that both as to the performer as well as to what was being attempted that anyone would take umbrage at a performer using an electric guitar to tell a folk story (or any story for that matter). I further pointed out that it is not necessary to go into all the details of what or what did not happen with Pete Seeger at the Newport Folk Festival in 1965 to know that one should be glad, glad as hell, that Bob Dylan continued to listen to his own drummer and carry on a career based on electronic music.”

And I am still glad of that fact. What I am less enamored of is the virtual cottage industry that has grown up around various bootleg, basement, cellar, barn, attic or other odd location versions of Dylan’s work, electric or acoustic. This archival material is nice for folk, rock and cultural historians but I would argue that Mr. Bob Dylan’s usually well-produced albums are after over forty years more than enough to listen to without having to get into the minutia of his career. And, somehow, made to feel in the process that one has missed something without this other more esoteric material. In short, these five volumes of practice, outtakes, cuts, etc. done with The Band while he was “hiding” out in rural New York after his motorcycle accident are strictly for aficionados.

That said, for those who insist on getting their little hands on this material here is the “scoop”. From Volume One- “Odds And Ends”. From Volume Two- “Quinn The Eskimo”. From Volume Three-“Tiny Montgomery”, “Santa Fe” and “Sign Of The Cross (excellent)”. From Volume Four- “You Ain’t Going Nowhere”, “Confidential To Me” and “Bring It On Home”. From Volume Five (the album to get if you get just one)-“Four Strong Winds”, Joshua Gone Barbados” “I Forgot To Remember To Forget”, “Bells Of Rhymney”, “Spanish Is The Loving Tongue”, “Cool Water”, “Banks Of The Royal Canal”. These are all covers and very nicely done, if sometimes hard to hear.

Once Again, On Those Damn Tapes

The Basement Tapes, Bob Dylan and The Band (1967 members), CBS Records, 1975


Parts of this review were used in a review of The “Genuine” Basement Tapes. I make most of the same objections here for this set as I did there, except if you need to choose between the two the quality of the production values here is greater than on the former. Although the more I listen to Volume 5 of the “genuine” tapes with that “Joshua Gone Barbados” and hard to hear but mesmerizing cover of “ I Forgot To Remember to Forget” and a couple of others I am starting to waver.

In a review of Bob Dylan’s “The Freewheeling Bob Dylan” elsewhere in this space I noted:

“In reviewing Bob Dylan’s 1965 classic album “Bringing All Back Home” (you know, the one where he went electric) I mentioned that it seemed hard to believe now that both as to the performer as well as to what was being attempted that anyone would take umbrage at a performer using an electric guitar to tell a folk story (or any story for that matter). I further pointed out that it is not necessary to go into all the details of what or what did not happen with Pete Seeger at the Newport Folk Festival in 1965 to know that one should be glad, glad as hell, that Bob Dylan continued to listen to his own drummer and carry on a career based on electronic music.”

And I am still glad of that fact. What I am less enamored of is the virtual cottage industry that has grown up around various bootleg, basement, cellar, barn, attic or other odd location versions of Dylan’s work, electric or acoustic. This archival material is nice for folk, rock and cultural historians but I would argue that Mr. Bob Dylan’s usually well-produced albums are after over forty years more than enough to listen to without having to get into the minutia of his career. And, somehow, left to feel that one has missed something without this other more esoteric material. That same sentiment applies to the virtuoso work of The Band in their heyday. And certainly to their joint work. In short, this two disc set of practice, outtakes, cuts, etc. done with The Band while he was “hiding” out in rural New York after his motorcycle accident are strictly for aficionados.

That said, for those who insist on getting their little hands on this material here is the “scoop”. “Tears Of Rage” ; “You Ain’t Going Nowhere”; “Yazoo Street Scandal” and “Odds and Ends” are what you are getting this CD for. That does not seem like enough given what I mentioned above.

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