This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. I will be reviewing books, CDs, and movies I believe everyone needs to read, hear and look at as well as making commentary from time to time.

Saturday, July 31, 2010

*Free The Black Panthers Omaha Two- Mondo we Langa and Ed Poindexter - Free All Class-War Prisoners! -An Online Article

Click on the headline to link to a Boston Indy Media post on the class-war prisoners, Mondo we Langa and Ed Poindexter , the Omaha Two Black liberation fighters.

Markin comment:

This comment is easy- Free Mondo we Langa and Ed Poindexter- The Omaha Two!- Free All Class-War Prisoners!

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*From The Wilds Of Cyberspace-The Latest From The "G.I. Voice (Fort Lewis)" Website

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.


Soldier who refused Afghan tour released
Submitted by mgibbs on Sat, 04/03/2010 - 9:03pm. Scott Fontaine;
Tacoma News-Tribune
April 2, 2010


Pvt. Travis Bishop left his jail cell at Joint Base Lewis-McChord last week with no job, a criminal conviction and just one regret.

“I wish I had known about applying for a conscientious objector status a lot sooner,” said Bishop, a 26-year-old Louisville, Ky., native.

The former sergeant made headlines when he went absent without leave and refused to deploy to Afghanistan with his Fort Hood unit last year. Bishop cited his Christian beliefs in making the decision – a move that ultimately cost him 71/2 months of freedom and led international human-rights group Amnesty International to label him a prisoner of conscience.

He also became a rallying point for the local peace movement, with calls for his release increasing after Fort Lewis Lt. Ehren Watada – who refused to deploy to Iraq – was discharged last fall. Bishop spoke to supporters last weekend at Coffee Strong, a Lakewood resource center for war resisters and disaffected soldiers.

Bishop was released three months early after Lt. Gen. Robert Cone, the top commander at Fort Hood, granted Bishop’s request for clemency in February. Bishop is now effectively out of the Army. He retains the rank of private while an appeal to overturn his conviction and reverse the military’s plan for a bad-conduct discharge works its way through the military judicial system.

He now finds himself in the same place as countless others who left the military under less controversial circumstances: looking for a job, planning to enroll in college and adjusting to life without morning formations and buzz-cut requirements.

“I’m just trying to feel normal again,” Bishop said Tuesday in an interview with The News Tribune.

Bishop didn’t hold the same reservations about war when he enlisted in April 2004 or when he deployed to Iraq in 2006-07.

But as his unit prepared for an Afghanistan deployment early last year, he began asking himself tough questions.

“I had to get right with God in case I died or in case I had to kill someone,” he said.

He found answers in the Bible. Bishop, who was raised Baptist and considers himself a nondenominational Christian, came to believe Jesus preached a strict pacifist philosophy.

He felt trapped between his belief in the immorality of war and the duty to his friends to deploy with them. Some peace activists in Texas told him he could apply for conscientious-objector status. It was the first he’d heard of it outside the context of the Vietnam War, he said.

Bishop eventually made contact with James Branum, an Oklahoma-based lawyer, a day before the soldier was scheduled to fly to Afghanistan. Branum couldn’t advise him whether to go AWOL but did tell him the potential consequences, including jail time.

A sleepless night followed, and Bishop still struggled with the decision the morning before he was scheduled to leave.

“It’s easy to say, ‘I’m not going,’” he said. “But really, it’s hard – my best friend was going to go in my stead if I left.”

Bishop went AWOL hours before his flight left. He stayed with a friend while he filled out the conscientious-objector application. He turned himself into his company building a week later.

He was assigned a job with the company rear detachment. Almost everyone in his unit treated him professionally, he said, though small talk stopped with some people he once considered friends.

Authorities at Fort Hood turned down his request. He appealed to the Pentagon and was denied on that level as well.

Bishop blamed the timing of it, objecting as his unit prepared to go to war.

“I understand it hurt the validity of my claim,” he said. “I get that. But I didn’t know about CO status before then, and most of the military doesn’t know.”

His court-martial began in August, and he was found guilty and sentenced to a year in detention after a two-day trial. He arrived at the Northwest Joint Regional Correctional Facility in September.

He was held at Lewis-McChord’s 190-bed, medium-security facility because Fort Hood doesn’t have a detention center. Where a prisoner serves his sentence is based on the length of the sentence and the space available at various military lockups.

Branum alleged mistreatment of Bishop and other detainees at the facility during an October news conference – charges Lewis-McChord public affairs officials have denied.

http://www.thenewstribune.com/2010/04/02/1132402/soldier-who-refused-afghan-tour.html|

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*From The Wilds Of Cyberspace-The Latest From The "Under The Hood G.I. Support" Website

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.


*********

Injured Hearts, Injured Minds
by Forrest Wilder Font Size decrease font size increase font size Print Facebook Twitter Share Published on: Monday, August 03, 2009


In March, Army Spc. Michael Kern, 22, returned to Fort Hood after a year and a day in Iraq.

Shaken by his experience and disgusted with the war, Kern, a native of Riverside, Calif., tried to readjust by getting as hammered as possible. "Put it this way: For the first month, I was drunk at work, I was drunk 24/7."

In Iraq the violence had been fast and furious. "We were going through all sorts of bad shit: mortars, IEDs, indirect fire. Anything you can think of we experienced the first day."

On his second mission, Kern drew the short straw to drive the lead vehicle—a "mine resistant ambush protected" vehicle—in a convoy looking for a weapons cache near Baghdad. An IED exploded next to his vehicle, damaging his door. The platoon pulled back to base. The next day, April 7, on an identical mission, insurgents came after his unit with AK-47s, machine guns and IEDs. During the nine-hour firefight, a sniper killed Kern's buddy, Sgt. Richard A. Vaughn. Two others, including Kern's lieutenant, were seriously injured.

Kern tells me his story over two days in July at Under the Hood Café, a new GI coffeehouse and soldier-outreach center that opened in February. Since mid-May, when a drunken Kern first dropped in, Under the Hood has become his second home. While awaiting a medical discharge for PTSD and traumatic brain injury, he's here almost every day, working out what happened to him in Iraq, planning anti-war events and helping other soldiers come to terms with their combat experiences. The coffeehouse provides a support network, friends who've helped him quit drinking, people he can call on day or night, and provides what Kern appreciated most about the military: a sense of camaraderie.


"If it wasn't for this place, it's sad to say, I feel like I would be dead. I feel like I would have killed myself," Kern says.

Under the Hood is a rifle shot from the east gates of Fort Hood in a grim commercial zone of tattoo parlors, pawnshops, car lots, payday lenders, bars, strip clubs, and a place advertising "gold grillz" for teeth—establishments eager to drain young soldiers of their earnings. In this garrison town, the café has become a gathering place for dissident GIs, peace activists, veterans and active-duty soldiers who need help.

Inside, the walls are decorated with peace propaganda, including a map of the world pinpointing U.S. military interventions and a poster that reads, "You Can't Be All that You Can Be if You're Dead." A bookcase is stocked with anti-war literature. For entertainment, there's a dartboard, a foosball table and a big-screen TV with PlayStation. No alcohol is allowed, but there's no shortage of cigarette smoke.

Under the Hood is a gathering place for Ft. Hood soldiers, veterans and military spouses who are against the war or in need of help. Meet some of the patrons and organizers in this short documentary film by Matthew Gossage.

I came here to suss out efforts to build an anti-war movement within the Army. Fort Hood, the largest military installation in the country, has produced a smattering of war resisters in recent years. I met some of them at the coffeehouse, including Victor Agosto, an Iraq War veteran who refuses to deploy to Afghanistan, and Casey Porter, a mechanic who did two tours in Iraq. Porter, preparing to attend film school in Florida, recorded local life in Iraq, posting interviews with military personnel, battle footage and unvarnished street scenes.

Over the past four years, I've come into contact with scores of military personnel through my involvement with the Austin GI Rights Hotline, a group of volunteers trained to counsel service members about their rights.

Once a week, I sit on my couch and talk on the phone to soldiers, Marines and airmen who call with a dizzying array of issues, from the mundane to the impossibly complex. Many are stationed at Fort Hood. We get AWOL cases, people with untreated PTSD, 18-year-old enlistees who've found out their recruiter lied to them, middle-aged soldiers who've been stop-lossed, moms and dads calling on behalf of their kids, gay officers who've been outed—you name it. Some have made poor decisions; others are victims of a sometimes capricious, even cruel military system.

I got into it through my girlfriend. Katherine was in the news some years ago for being the first female conscientious objector to emerge from the war in Afghanistan. The military refused to recognize her as a conscientious objector, and after a long and painful process she was court-martialed and sentenced to 120 days in the brig. She ate lunch every day with Lynndie England, the young West Virginia woman best known for holding the leash in the infamous Abu Ghraib photos.

Joeie Michaels, Michael Kern's roommate and an Under the Hood regular, used to dance at Babes, a Killeen strip club popular with GIs. Performing there, she made sure the troops left with a flier for the coffeehouse.

Under the Hood's signal event was a Memorial Day peace march in the streets of Killeen, the city's first since Vietnam. The Killeen newspaper reported about 70 participants. Cindy Thomas, the military spouse who manages the coffeehouse and plays den mother to the young, often-raucous soldiers, estimates about 10 to 15 were locals, including veterans and active-duty soldiers.



"It's like a mother with a child," Thomas says. "It's unconditional love, and we help them any way we can."

The building housing Under the Hood's local antecedent, the Killeen coffeehouse Oleo Strut, is a few blocks away; it now houses an office complex. The Oleo Strut had a four-year run from 1968 to 1972, according to a history on Under the Hood's Web site. Run by civilians and veterans, the Oleo Strut plugged Fort Hood soldiers into the Vietnam anti-war movement and spread their ideas in the barracks. An underground newspaper circulated from the coffeehouse, and the crowd there organized demonstrations and teach-ins. Musicians passed through, purportedly including a young Stevie Ray Vaughan.

"The tinder was very dry," says Tom Cleaver, an Oleo Strut alum, Vietnam veteran and Hollywood screenwriter who helped raise money to start Under the Hood. "They ended up in '69 and '70 having big demonstrations there, a thousand guys marching in Killeen against the war."

Fort Hood at that time was a holding station for soldiers returning from Vietnam with less than six months left on their enlistments. Before being discharged, many were deployed to suppress domestic riots and protests, including those at the 1968 Democratic National Convention in Chicago.

"Here they come back to America, and what does the Army want them to do?" Cleaver asks. "Fight a war in America. That radicalized a lot of guys. They came back with bad feelings about the war, and now they were supposed to go defend the war."

There's no draft now, nor is there a broader social counterculture, to tap into. Given that, Thomas says, one of Under the Hood's primary functions is giving soldiers a place to speak openly.

"The military, they don't want you to think for yourself," Thomas says. "They don't want you to be informed; they don't want you to know that you have support because they function by fear and intimidation over these soldiers. So when you have a space where you can talk freely and find out what your rights are, you have that support, you have that kindness. It is a threat to them."

One coffeehouse regular, Spc. Ben Fugate, told me that after his commander spotted his name in a Killeen Daily Herald article about the Memorial Day peace march, his unit was lectured for two hours on the dangers of protesting.

Fugate, who describes himself as "very conservative," had been quoted in the paper saying, "I lost three buddies in my platoon in Iraq, and for what? Why lose more when we don't have to?"

Kern, seated on a couch in a cozy back room at Under the Hood, explains how he became a coffeehouse fixture. It's a Thursday in July, and he's wearing a T-shirt that asks, "Got Rights?" He's pale and swallowing tranquilizers to suppress panic attacks.

"I'm fucked up," he says. "I know it." Later, he says, "You know how they say a teenage boy thinks about sex every eight seconds. Every eight seconds I think about Iraq."

Kern, a tanker, says his unit averaged about two and a half missions per day.

At first, Kern says, he was gung ho: "I was an excellent soldier. I took joy out of killing people in Iraq. It was such an adrenaline rush. I craved it."

Over time, bravado faded into depression, guilt and a strong feeling that the war was wrong. When Kern deployed to Iraq he took a small handheld digital video camera and a laptop with editing software. He fixed the camera to his vehicle's turret and captured hours of patrol footage.

Some of that raw video has been distilled to a 10-minute film called Fire Mission that's available online.

In the film's last minutes, Spc. Steven Pesicka, a soldier in Kern's unit, narrates what he calls a "mortar mission for shock and awe" near an Iraqi village. The first mortar lands near a house, and the forward observer calls for the next one to be targeted 200 meters farther from the village. The mortar team thought that was too far away, Pesicka says. The film shows the second mortar hitting the town. "Oh fuck," the forward observer is heard to say. "They did not drop 200 [meters], over. They hit the town."

Minutes after the explosion, the soldier describes dead bodies being loaded into the back of trucks.

Such experiences led Kern to a radical form of empathy.

"If you just take a step back and you think, I mean, I'd be doing the same thing if Iraqis were in the United States," Kern, dressed in battle fatigues, says in Fire Mission. "I'd be the dude trying to plant a bomb under the road. I'd be trying to kill them. Oh, hell yeah, get the fuck out of my country."

Beginning in May or June, Kern started having nightmares, sometimes while he was awake. On several occasions he hallucinated an Iraqi child with half his skull missing, as real to him as the desert heat. His psychiatrist says the child might represent guilt, but all Kern knows is that it scared the shit out of him. In January, on his birthday, while his unit was on patrol, he told a commander—in confidence—that he was going to see a mental health specialist. The doctor prescribed Zoloft and sent him on his way. Back with his platoon, Kern discovered that the commander had ratted him out to his platoon sergeant.

"I was called out in front of the entire platoon, was made an example of, saying why are you going to mental health. This isn't a war. This isn't bad." The next day, on a mission, Kern talked openly of suicide. "Still to this day, my buddy doesn't know he talked me down, but I really wanted to kill myself on that mission. I had three loaded weapons sitting right next to me. I could have done it real easy."



Back home, Kern avoided his demons, drowning them in drink. Thomas and Michaels encouraged Kern to open up.

"They'd be like, 'How was Iraq?' I'd say 'Oh, it was just Iraq.' I kept brushing it aside and stuff. They kept telling me, 'You're gonna break, you're gonna break. You need to get help.' " Kern relented.

Michaels found a psychiatrist in Austin whom Kern has been seeing twice a week for free. In May he visited Fort Hood's mental health services office, but was told he'd have to wait six weeks to see a doctor.

Meanwhile, the Iraqi child had followed Kern back to Texas. On the first of June, Kern was in the bathroom at Under the Hood when the child made an appearance. Afterward, Thomas and Michaels found Kern sitting outside under a tree. "The look on his face was just empty. His eyes were hollow," Thomas says. Kern entered the 12-bed psychiatric ward at Fort Hood's military hospital. He spent the next week there, emerging with a diagnosis of PTSD and traumatic brain injury. Doctors put him on five medications, including tranquilizers, antidepressants and antipsychotics, which he carries in a small orange pillbox.

A week after being released, Kern started a blog, "Expendable Soldier." In his first post he wrote, "I still hate myself and everything I do. No matter what I am doing any day of the week I some how am still reminded of the things I did while I was in Iraq, and sometimes it gets so bad that I believe I am still in Iraq. ... Sometimes I wish I never came back."

Still, Kern reports for duty at the coffeehouse every day. He's working on restarting an Iraq Veterans Against the War chapter in Killeen and talking to other soldiers about the coffeehouse. Does he feel like he's become part of an anti-war movement? "I am part of an anti-war movement," he says. "There's no 'feeling' about it."

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*From The Wilds Of Cyberspace-The Latest From The Wobblies- The "IWW (Industrial Workers Of The World)" Website

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.


IWW Statement in Support of NGWF Campaigns to Increase the Minimum Wage and End Garment Factory Fires
Submitted by jon.christiansen on Fri, 07/23/2010 - 7:37am.
Dear brothers and sisters,


This letter is to declare the strong support of the Industrial Workers of the World (IWW) and the Pittsburgh Anti Sweatshop Community Alliance (PASCA)for the National Garment Worker Federation's (NGWF) campaign to increase the minimum wage from 1,162 Tk. to 5,000 Tk. per month. We are also declaring our support of the campaign: "No More Fires - No More Gate Lock - No More Garment Worker Deaths.”

These campaigns are sorely needed in the garment industry in Bangladesh. In February of 2010, 21 workers died as a result of fire at a garment factory in Bangladesh. Many of these deaths were a direct result of the front gates of the factory being locked, trapping workers on the premises as the fire raged. Sadly this is not an isolated incident. Since 1990 more than 400 garment workers have been killed as a result of factory fires. These deaths could have been prevented if there were adequate fire and safety measures in every garment factory. Therefore we support the NGWF campaign to bring attention to these preventable deaths. In addition to raising awareness the NGWF is also advocating that new safety laws and regulations be put in to place across the country. If laws such as these are implemented we believe many lives will be saved.

Similarly, we strongly support our brothers and sisters in the NGWF as they demand that the minimum wage be increased from 1,162 Tk. (about 24 US dollars) to 5,000 Tk. (about 71 US dollars) by 27 July 2010. The current minimum wage is grossly inadequate for any person to survive in Bangladesh, especially in and around the capital city of Dhaka. Survival on these paltry wages has been particularly difficult as the price of food and essentials has rapidly increased over the last several years. As was pointed out by Brother Amirul Hoque Amin, Bangladesh’s garment workers are the lowest paid of the major garment producing nations.

The IWW also supports actions taken by, and on behalf of, the workers to meet these goals. We also share the belief that if wages are not increased and workers are not protected from early death because of fires and other industrial accidents, it is the government and the companies that share the blame for any unrest that may occur. Increasing wages to a livable level and protecting workers from fires is not too much to ask, but we believe it is too much to ask that workers keep working under these conditions. We hope that the government of Bangladesh and the garment producing companies will do the right and just thing and implement the NGWF demands.

You can help take action by signing the National Labor Committee petition asking Wal-Mart to support the wage increase for Bangladeshi Garment workers. http://salsa.democracyinaction.org/o/677/p/dia/action/public/?action_KEY=4035

In solidarity,

Industrial Workers of the World (IWW), International Solidarity Commission;

Pittsburgh Anti Sweatshop Community Alliance (PASCA)

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Friday, July 30, 2010

*The Last Waltz- The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies-And Good Night All

Click on the headline to link to a YouTube film clip of The Shangri-las performing The Leader Of The Pack. Wow!

CD Review

Oldies But Goodies, Volume Fifteen, Original Sound Record Co., 1990


Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!

******
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.


But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the Dionne Warwick’s Walk On By fills the bill. Hey, I did like this one, especially the soulful, snappy timing and voice intonation. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?

****************

Leader Of The Pack Lyrics

[Spoken:]
Is she really going out with him?
Well, there she is. Let's ask her.
Betty, is that Jimmy's ring you're wearing?
Mm-hmm
Gee, it must be great riding with him
Is he picking you up after school today?
Uh-uh
By the way, where'd you meet him?

I met him at the candy store
He turned around and smiled at me
You get the picture? (yes, we see)
That's when I fell for (the leader of the pack)

My folks were always putting him down (down, down)
They said he came from the wrong side of town
(whatcha mean when ya say that he came from the wrong side of town?)
They told me he was bad
But I knew he was sad
That's why I fell for (the leader of the pack)

One day my dad said, "Find someone new"
I had to tell my Jimmy we're through
(whatcha mean when ya say that ya better go find somebody new?)
He stood there and asked me why
But all I could do was cry
I'm sorry I hurt you (the leader of the pack)

[Spoken:]
He sort of smiled and kissed me goodbye
The tears were beginning to show
As he drove away on that rainy night
I begged him to go slow
But whether he heard, I'll never know

Look out! Look out! Look out! Look out!

I felt so helpless, what could I do?
Remembering all the things we'd been through
In school they all stop and stare
I can't hide the tears, but I don't care
I'll never forget him (the leader of the pack)

The leader of the pack - now he's gone
The leader of the pack - now he's gone
The leader of the pack - now he's gone
The leader of the pack - now he's gone
[Fade]

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*The Last Waltz- The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies-Yet Again

Click on the headline to link to a YouTube film clip of Bill Haley and the Comets performing their classic Rock Around The Clock.

CD Review

Oldies But Goodies, Volume Fourteen, Original Sound Record Co., 1990


Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!

******
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Brenda Lee weepy tune I’m Sorry fills the bill. Hey, I did like this one, especially the soulful timing. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?

*******

Rock Around The Clock-Song Lyrics from Bill Haley

One, two, three o'clock, four o'clock, rock,
Five, six, seven o'clock, eight o'clock, rock,
Nine, ten, eleven o'clock, twelve o'clock, rock,
We're gonna rock around the clock tonight.

Put your glad rags on and join me, hon,
We'll have some fun when the clock strikes one,
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When the clock strikes two, three and four,
If the band slows down we'll yell for more,
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When the chimes ring five, six and seven,
We'll be right in seventh heaven.
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When it's eight, nine, ten, eleven too,
I'll be goin' strong and so will you.
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When the clock strikes twelve, we'll cool off then,
Start a rockin' round the clock again.
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

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*The Last Waltz- The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies- An Encore

Click on the headline to link to a YouTube film clip of Aretha Franklin performing her classic Chain Of Fools.

CD Review

Oldies But Goodies, Volume Thirteen, Original Sound Record Co., 1993


Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!

******
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.


But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic There Goes My Baby fills the bill. Hey, I did like this one, especially the soulful timing. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?

**********

Aretha Franklin - Chain Of Fools lyrics

Chain, chain, chain, chain, chain, chain
Chain, chain, chain, chain of fools
Five long years I thought you were my man
But I found out I'm just a link in your chain
You got me where you want me
I ain't nothing but your fool
You treated me mean oh you treated me cruel
Chain, chain, chain, chain of fools

Every chain has got a weak link
I might be weak child, but I'll give you strength
You told me to leave you alone
My father said come on home
My doctor said take it easy
Whole bunch of lovin is much too strong
I'm added to your chain, chain, chain
Chain, chain, chain, chain,
Chain, chain of fools

One of these mornings the chain is gonna break
But up until then, yeah, I'm gonna take all I can take
Chain, chain, chain, chain, chain, chain
Chain, chain, chain, chain of fools

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*The Last Waltz- The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies

Click on the headline to link to a YouTube film clip of Jerry Lee Lewis performing his classic Great Balls Of Fire.

CD Review

Oldies But Goodies, Volume Twelve, Original Sound Record Co., 1990


Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!

******
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer, and perhaps to some of his fellows who comprise the demographic that such a 1950s-oriented compilation “speaks” to. Of course, Chuck Berry’s Sweet Little Sixteen (and about twenty other classics). Jerry Lee Lewis’ Great Balls Of Fire (and about twenty other classics, as well). Another early rock anthem Wild Thing. Naturally, in a period of classic rock numbers, The Everly Brothers All I Have To Do Is Dream (and about half a dozen of their songs).

But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Our Day Will Come fills the bill. Hey, I did like this one, especially the soulful timing. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?

***********

Great Balls Of Fire Lyrics

You shake my nerves and you rattle my brain
Too much love drives a man insane
You broke my will, oh what a thrill
Goodness gracious great balls of fire

[band joins]

I learned to love all of Hollywood money
You came along and you moved me honey
I changed my mind, looking fine
Goodness gracious great balls of fire

You kissed me baba, woo.....it feels good
Hold me baba, learn to let me love you like a lover should
Your fine, so kind
I'm a nervous world that your mine mine mine mine-ine

I cut my nails and I quiver my thumb
I'm really nervous but it sure is fun
Come on baba, you drive me crazy
Goodness gracious great balls of fire

[piano solo]

Well kiss me baba, woo-oooooo....it feels good
Hold me baba
I want to love you like a lover should
Your fine, so kind
I got this world that your mine mine mine mine-ine

I cut my nails and I quiver my thumb
I'm real nervous 'cause it sure is fun
Come on baba, you drive me crazy
Goodness gracious great balls of fire

[guitar solo]

[piano solo]

[guitar and piano jam]

I say goodness gracious great balls of fire...oooh..

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*The Last Waltz- The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies

Click on the headline to link to a YouTube film clip of the Dixie Cups performing the classic Chapel Of Love.

CD Review

Oldies But Goodies, Volume Eleven, Original Sound Record Co., 1986


Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!

******
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer, and perhaps to some of his fellows who comprise the demographic that such a 1950s-oriented compilation “speaks” to. Of course, the Maurice Evans click-clack Little Darlin’. The Kingmen’s early rock anthem Louie, Louie. The knife-twisty My Boyfriend’s Back. Naturally, in a period of classic rock numbers, The Everly Brothers When Will I Be Loved? (and about half a dozen of their songs).

But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Dixie Cups tune, Chapel Of Love, fills the bill. Hey, I did like this one, especially the harmonies (by the way they stopped the show at the Newport Folk Festival about 15 years with that beauty). And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?

**********

Chapel Of Love Lyrics

Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love

Spring is here, th-e-e sky is blue, whoa-oh-oh
Birds all sing as if they knew
Today's the day we'll say "I do"
And we'll never be lonely anymore because we're

Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love

Bells will ring, the-e-e sun will shine, whoa-oh-oh
I'll be his and he'll be mine
We'll love until the end of time
And we'll never be lonely anymore because we're

Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love

Yeah, yeah, yeah, yeah
Goin' to the chapel of love
Yeah, yeah, yeah, yeah
FADE
Goin' to

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Thursday, July 29, 2010

*The Latest From The "Lynne Stewart Defense Committee" Website- Free Lynne Stewart Now!

Click on the headline to link to the latest from the Lynne Stewart Defense Committee Website.

Markin comment:

Free Lynne Stewart Now!- She Must Not Die In Prison!

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*Once Again-The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies

Click on the headline to link to a YouTube film clip of Bo Diddley performing his classic Bo Diddley.

CD Review

Oldies But Goodies, Volume Ten, Original Sound Record Co., 1986


I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer, and perhaps to some of his fellows who comprise the demographic that such a 1950s-oriented compilation “speaks” to. Of course, the late Bo Diddley’s monster guitar riffs on Bo Diddley (and about ten other of his mad man songs from this period). Naturally, in a period of classic rock numbers, Chuck Berry’s Roll Over Beethoven (and about twenty of his songs from this period). And also naturally Fats Domino’s My Blue Heaven (ditto).


But what about the now, seeming mandatory to ask, inevitable end of the night high school dance song (or maybe even middle school) that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Jerry Butler and Betty Everett Let It Be Me fills the bill. Hey, I did like this one, especially the harmonies, and moreover that certain she (the same certain she of the Volume Six and Eight reviews. Does this mean we are going “steady”?) said yes and this was what you waited for and made it all worthwhile. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes) mentioned above. I did, didn’t you?

**************
Bo Diddley Lyrics

(Ellas McDaniel) 1955

Bo Diddley bought his babe a diamond ring,
If that diamond ring don't shine,
He gonna take it to a private eye,
If that private eye can't see
He'd better not take the ring from me.

Bo Diddley caught a nanny goat,
To make his pretty baby a Sunday coat,
Bo Diddley caught a bear cat,
To make his pretty baby a Sunday hat.

Mojo come to my house, ya black cat bone,
Take my baby away from home,
Ugly ole mojo, where ya bin,
Up your house, and gone again.

Bo Diddley, Bo Diddley have you heard?
My pretty baby said she wasn't for it.

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*The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies-An Encore

Click on the headline to link to a YouTube film clip of Eddie Cochran rocking on his classic Summertime Blues.

CD Review

Oldies But Goodies, Volume Eight, Original Sound Record Co., 1986


I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer, and perhaps to some of his fellows who comprise the demographic that such a 1950s-oriented compilation “speaks” to. Of course, Little Richards’ Rip It Up (and about twenty other of his mad man songs from this period). Too short-lived Ritchie Valens’ La Bamba. Naturally, in a period of classic rock numbers, Eddie Cochran’s monster guitar beat Summertime Blues. And also naturally Marvin Gaye’s How Sweet It Is.


But what about the now, seeming mandatory to ask, inevitable end of the night high school dance song (or maybe even middle school) that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here The Drifters classic On Broadway fills the bill. Hey, I did like this, especially the harmonies, and moreover that certain she (the same certain she of the Volume Six review, for those keeping score) said yes and this was what you waited for and made it all worthwhile. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes) mentioned above. I did, didn’t you?

*************

Summertime Blues- Eddie Cochran

I'm gonna raise a fuss, I'm gonna raise a holler
About a workin' all summer just to try to earn a dollar
Every time I call my baby, and try to get a date
My boss says, "No dice son, you gotta work late"
Sometimes I wonder what I'm a gonna do
But there ain't no cure for the summertime blues

Well my mom and pop told me, "Son you gotta make some money,
If you want to use the car to go ridin' next Sunday"
Well I didn't go to work, told the boss I was sick
"Well you can't use the car 'cause you didn't work a lick"
Sometimes I wonder what I'm a gonna do
But there ain't no cure for the summertime blues

I'm gonna take two weeks, gonna have a fine vacation
I'm gonna take my problem to the United Nations
Well I called my congressman and he said Quote:
"I'd like to help you son but you're too young to vote"
Sometimes I wonder what I'm a gonna do
But there ain't no cure for the summertime blues

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*The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies

Click on the headline to link to a YouTube film clip of Gene Chandler performing his classic Duke Of Earl

CD Review

Oldies But Goodies, Volume Six, Original Sound Record Co., 1986


I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer, and perhaps to some of his fellows who comprise the demographic that such a 1950s-oriented compilation “speaks” to. Of course, Jerry Lee Lewis’s Breathless (and about twenty other of his songs from this period). The Isley Brothers’ classic Twist And Shout. Dion and The Belmonts Teenager In Love (the battle cry of our, and every, generation). Naturally, in a period of classic doo wop numbers, Gene Chandler’s Duke Of Earl.


But what about the now, seeming mandatory to ask, inevitable end of the night high school dance song (or maybe even middle school) that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Little Caesar’s Those Oldies But Goodies Remind Me Of You fills the bill. Hey, I didn’t even like the song that much, or the singing, but that certain she (a different certain she than in earlier reviews, oh fickle youth) said yes and this was what you waited for so don’t be so choosey. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes) mentioned above. I did, didn’t you?

************

Duke Of Earl Lyrics-Gene Chandler

Duke, Duke, Duke, Duke of Earl
Duke, Duke, Duke of Earl
Duke, Duke, Duke of Earl
Duke, Duke, Duke of Earl

Duke, Duke, Duke of Earl
Duke, Duke, Duke of Earl
Duke, Duke, Duke of Earl
Duke, Duke, Duke of Earl

As I walk through this world
Nothing can stop the Duke of Earl
And-a you, you are my girl
And no one can hurt you, oh no

Yes-a, I, oh I'm gonna love you, oh oh
Come on let me hold you darlin'
'Cause I'm the Duke of Earl
So hey yea yea yeah

And when I hold you
You'll be my Duchess, Duchess of Earl
We'll walk through my dukedom
And a paradise we will share

Yes-a, I, oh I'm gonna love you, oh oh
Nothing can stop me now
'Cause I'm the Duke of Earl
So hey yeah yeah yeah

Well, I, oh I'm gonna love you, oh oh
Nothing can stop me now
'Cause I'm the Duke of Earl
So hey yeah yeah yeah

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*A History Of European Anarchism In Its Heyday- "The World That Never Was"- A Guest Book Review

Click on the headline to link to a Sunday Boston Globe book review, dated July 25, 2010, THE WORLD THAT NEVER WAS: A True Story of Dreamers, Schemers, Anarchists, and Secret Agents

Markin comment:

It is always good to know more about our erstwhile leftist opponents, as it is of our implacable bourgeois opponents. In the case of the anarchists, especially here in America, the names of "Big" Bill Haywood, Vincent St. John, Alexander Berkman, Emma Goldman, Carlos Tresca, Jim Cannon and a whole slew of anarchists, some who came over to communism in the wake of the Bolshevik revolution in Russia in 1917, and some who did not, are worthy of study. And the Europeans as well. In many cases these were kindred spirits.

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* Once Again, On The "Beats"- The Jack Kerouac- Allen Ginsberg Letters- A Guest Book Review

Click on the headline to link to a Sunday Boston Globe book review, dated July 18, 2010, of Jack Kerouac and Allen Ginsberg:The Letters.

Markin comment:

The names of "beat" writers Jack Kerouac and Allen Ginsberg are no strangers to this blog. I will get around to reading and writing my own review of these letters when I get a chance. Why "when I get a chance?" Well, when you think about, at least for aficionados, Kerouac (and to a lesser extent, Ginsberg) have already "telegraphed" the high points of their literary (and "road") theories in the twelve billion words they have written on subjects like fame and fortune, and serious writing. Oh, and if you need another reason I have just finished re-reading (summertime reading, right?) Kerouac's Desolation Angels which...tells all, at least all we need to know about this band of brothers in their heyday, the mid-1950s. That review is forthcoming.

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Wednesday, July 28, 2010

*A Tip Of The Hat To "Wikileaks"- Blessed Are The Whistleblowers- Troops Out Of Afghanistan Now!

Click on the headline to link to a Wikileaks entry for the some 75,000 2004-2009 Afghan War documents that were laid at their doorstep.

Markin comment:

No bourgeois government, liberal, conservative, centrist or what not likes whistleblowers, in any shape, size or form, period, although we of the extra-parliamentary left certainly do if for no other reason that to see just how grimy and bad the inner workings of the governments we oppose propagandistically day in and day out really are. The Stalinists, as we also know were, and in places like China and Cuba today, are just slightly behind in their scornful attitude toward the species. Nevertheless more knowledge is always a good thing. As 19th century revolutionary, Karl Marx, was fond of saying, “ignorance never did anybody any good.” A very worthy tip of the hat to Wikileaks and to their whistleblowers.

Of course, that is not the end of the matter. The material provided here, unlike the Daniel Ellsberg-leaked Pentagon Papers during the height of the struggle against the Vietnam War, is not an expose of the Bush and Obama administrations' high inner-circle deliberations about the direction of the Afghan War. But, we will take what we can get. On the surface, at least, this material gives us plenty of ammunition to expose the duplicity of the Americans, the Pakistanis, and all factions of the Afghanis (including the Taliban) and, when the deal is finished, who knows who else. But here is the clincher- None of that material does us any good, or little good, if we don’t get a massive opposition organized (something coming off of last spring’s anti-war drive in Washington, D.C. on March 20th we have not done yet) to the Obama/Allied Afghan War policies. Thus- Obama- Immediate, Unconditional Withdrawal Of All U.S./Allied Troops And Mercenaries From Afghanistan (And Iraq)!

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*From The Wilds Of Cyberspace- The Latest From The "Courage To Resist" G.I. Anti-War Website

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.


I thought the winds of change were coming...

US Army Private. July 21, 2010


I would just like to say this website is a safe-haven for me when i thought there was none. I recently joined the National Guard because i was looking to serve the people in my community, state, and country. After President Obama's campaign two years ago in which he criticized supporters of these illegal wars I thought the winds of change were coming. I was naive to think so. I was lied to. We were all lied to. Now I'm facing the possibility of having to go all the way overseas to kill and destroy another country. This is wrong and it makes me physically sick at night. It also makes me sick knowing that there are people out there who still support these wars. I would just like to thank you for listening and for giving people like me a safe-haven to come to.

Published with permission by the author.

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*From The Wilds Of Cyberspace-The Latest From The "Black Panther Alumni" Website- Free All Class-War Prisoners!

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.

Markin comment: Free Sundiata Now!

****

This is sick. Sundiata is 73. Come back when you're 83 and maybe????!!!! He's one of the best of our freedom fighters (which the government calls "domestic terrorists."). For more info on our righteous brother, go to http://www.sundiataacoli.org/ where you can find his address as well. Send him some love.

July 14, 2010
Greetings All,

Received a letter today from the Board advising that the 3-Member Panel gave me a 10 year "hit." The basis for the hit will be explained in the Notice of Decision which will be forwarded to me upon its completion. I'll forward copies of the Decision to the Attys and SAFC when I receive it.

Stay strong, I will too.



Freedom Archives
522 Valencia Street
San Francisco, CA 94110

415 863-9977

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*From The Wilds Of Cyberspace-The Latest From The "Different Drummer (Fort Drum)" Website-Troops Out Of Afghanistan Now!

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.

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THE NEW GULF WAR SYNDROME

US soldiers in Iraq and Afghanistan are being exposed to toxic chemicals that pose serious health risks

By Nora Eisenberg
guardian.co.uk, Tuesday November 11 2008 14.00 GMT


What does a war injury look like? In the case of Iraq, we tend to picture veterans bravely getting on with their lives with the help of steel legs or computerised limbs. Trauma injuries are certainly the most visible of health problems – the ones that grab our attention. A campaign ad for congressman Tom Udall featured an Iraq war veteran who had survived a shot to his head. Speaking through the computer that now substitutes for his voice, Sergeant Erik Schei extols the top-notch care that saved his life.

As politicians argue about healthcare for veterans, it is generally people like Sgt Schei that they have in mind, men and women torn apart by a bullet or bomb. And of course, these Iraq war veterans must receive the best care available for such complex and catastrophic injuries.

Unfortunately, the dangers of modern war extend far beyond weapons. As Iraqis know only too well, areas of Iraq today are among the most polluted on the planet – so toxic that merely to live, eat and sleep (never mind to fight) in these zones is to risk death. Thousands of soldiers coming home from the war may have been exposed to chemicals that are known to cause cancers and neurological problems. What's most tragic is that the veterans themselves do not always realise that they are in danger from chemical poisoning. Right now, there is no clear way for Iraq war veterans to find out what they've been exposed to and where to get help.

In October, the Military Times reported on the open-air pits on US bases in Iraq, where troops incinerate tons of waste. Because of such pits, tens of thousands of soldiers may be breathing air contaminated with burning Freon, jet fuel and other carcinogens. According to reports, soldiers are coughing up blood or the black goop that has been nicknamed "plume crud".

In other cases, soldiers may have been exposed to poisons spread during efforts to restore Iraq's infrastructure. In 2003, for instance, members of the Indiana national guard were put in charge of protecting a water-treatment plant. They were told not to worry about the bright orange dust lying in piles around the plant, swirling in the air and gathering in the folds of their uniforms. In fact, Indiana soldiers spent weeks or months in a wasteland contaminated with sodium dichromate. The chemical, made famous after its role as the villain in the movie Erin Brockovich, is used to peel corrosion off of water pipes. It is a carcinogen that attacks the lungs and sinuses.

Today, a decade and a half after the first Gulf war, we know that such exposure may lead to widespread suffering. In 1991, veterans began to exhibit fatigue, fevers, rashes, joint pain, intestinal problems, memory loss, mood swings and even cancers, a cluster of symptoms and conditions referred to now as Gulf war syndrome (or illness). For years, the US department of defence maintained that stress caused the veterans' symptoms. Veterans groups blamed war-related toxins. This year, the National Academy of Sciences published an extensive review of years of scientific study of Gulf war illness that concluded a cause and effect relationship existed between the widespread illnesses among veterans and exposure to powerful neurotoxins. Complementing the US studies is an emerging body of epidemiological data linking increased incidence of Iraqi cancer, birth defects, infant mortality and multi-system diseases to toxic exposure.

Strangely enough, though, there has been almost no discussion of whether today's soldiers – those fighting in Iraq or Afghanistan – have also been injured by wartime poisons. We don't have a word yet for the constellation of cancers, psychological ills and systemic diseases that may be caused by toxins in today's wars.

In order to care for our veterans, we must do more than offer state-of-the-art hospitals and high-tech prosthetics. Veterans will need information about what poisons they have breathed or touched or drunk and when.

What would such an effort look like? First the military would need to disclose all known incidents of toxic exposure. Then it would have to reach out to veterans and give them information about how to receive care for conditions that arise from this exposure.

This summer, senator Evan Bayh made a first stab at such a system. Bayh pushed the national guard to track down hundreds of those Indiana soldiers who may have breathed orange dust back in 2003. Most of the soldiers are now civilians scattered across the US, unaware that they are at high risk for lung cancer and other respiratory diseases. Some of them may already be struggling with illness. The national guard is making an effort to search for these veterans and provide them with a phone number to call in order to seek medical help.

That's a good first step. But what about all the other veterans who believe that they have returned home from the war healthy? Without knowing it, they may be carrying a small bomb inside them. And they have a right to know.

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Tuesday, July 27, 2010

*From The Wilds Of Cyberspace-The Latest From The "Black Agenda Report" Website

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.

Tea Partyers, Fox News, "Negativity" Against the President? Are These Really Black America's Most Pressing Problems?
Wed, 07/21/2010 - 10:36 — Bruce A. Dixon

Black Misleadership Class | Tea Party | Republicans | Obamarama | Democrats


From the established civil rights organizations like the NAACP to legions of elected Democrats and preachers and even people like our good friends at Color of Change, the main activity these days is an endless circling of wagons around the president, defending him against the flood of racist bile that spews daily from the likes of Fox News, the Tea Partyers and naysaying Republicans. But is that really where so much of our energy and creativity should be going? Aren't there other urgent matters more deserving of the attention of black America's political leadership, our pastors and spokespeople and self-described activists? Matters like black mass incarceration, record unemployment, and the sinking of vast resources into multiple wars abroad?



Tea Partyers, Fox News, "Negativity" Against the President? Are These Really Black America's Most Pressing Problems?

By BAR managing editor Bruce A. Dixon

On July 19, an item popped up on the email listserv of SNCC veterans and supporters.

Like anything on these kinds of mailing lists, it was the opinion of whoever posted it, no more and no less. But it pretty much summed up the current strategic thinking of a lot of what passes for African American political leadership, our black intelligensia and a lot of self-identified activists. It was bright red and in bold typeface several times normal size, and before going out to the triple digit number of subscribers to the SNCC list, it had obviously been forwarded to hundreds more. It went like this, (only much larger):

We call on ALL who support President Obama to take action. On August 4th, the President's birthday, we ask those who support him to wear any campaign item from the Presidential election as a demonstration of our ongoing support. Bring out your old campaign paraphernalia.

If you don't have caps, buttons or tee shirts, wear a red, white, and blue tri-color ribbon or clothing on August 4th. If nothing else, this simple demonstration of support for our President will provide a counteraction to the negativity that spews forth daily. We can do this. YES WE CAN. YES WE WILL.

Mark Your Calendar for August 4th! Pass the word on...

As far as most of the black leadership class --- most of our pastors, politicians, professors and such tell it, those are our marching orders. On the president's birthday, we're all supposed to break out those old Obama stickers, shirts and hats, and like the citizens of Oz in The Wiz, we'll flaunt red, white and blue on the president's birthday. Thus we will show our united opposition to the flood of racist invective against the president. We will demonstrate that we are Thus black America will demonstrate that we are the president's millions strong shield against the torrents of “negativity” that issue forth daily from the likes of Fox News and the tea party. That'll show 'em.

Am I the only one who thinks this is just plain dumb? Are the number one problems of black America really the insults and negativity directed at the president by a bunch of crazy people who are not even in power? Are these the times of Shakespeare's Richard III, when the only political yardstick that mattered was whether and how much you did or didn't love the king? Why should Fox News, the tea party, and insults and negativity directed at the president even rank among black America's top ten or twenty problems? And if black America is called upon to make some kind of united political statement in this season of unprecedented joblessness, homelessness, family debt, privatizations and mass incarceration, is flying the red, white and blue to support the president really the most useful thing we can do?

Does “negativity” against the president keep him from addressing mass black incarceration, unemployment, crushing family and student debt, homelessness & ending US imperial wars abroad?

The short answer is no. A longer answer is that we have other matters which are real problems with far greater effect upon the lives of millions of families than the torrent of “negativity” directed at the president.

At the top of any list of black America's real problems is the nation's policy of black mass incarceration, described most thoroughly and eloquently by Michelle Alexander, and a recurring topic in BAR and its predecessors since 2005. The carceral state has been government's main channel of interaction with young blacks for a generation now, despite the fact that their rates of drug use are statistically indistinguishable from those of white youth. African Americans have been locked up and criminalized in such vast numbers that the integrity of millions of our families have been undermined, and the economic futures of entire communities devastated. We are an eighth the nation's population and just under half its prisoners. Why don't our leaders tell us how to make a united political statement about that?

This is the kind of real problem millions of black Americans expected the Obama administration to address.

Does “negativity” against the president keep his administration from addressing black mass incarceration? Of course it doesn't.

Congressional Democrats or the White House could propose tomorrow to sunset all the two strikes, three strikes and mandatory sentencing legislation. It's just a matter of leadership. But instead of calling all Americans together to re-assess the nation's policy of mass incarceration, we have a president and a class of black political misleaders who would just rather not go there.

What about unemployment? Is “negativity” from Fox News, Republicans and the cartoonish tea party the roadblock to creating those millions green jobs that are just over the horizon. Again, the answer is no.

Unemployment is at a six decade high, and the gap between black and white employment is also at a similar high and widening daily. President Roosevelt and the Democratic congresses of the 1930s simply signed checks to put millions of Americans to work. They created public wealth by building bridges and dams, digging new subway lines in cities like Chicago, and constructing thousands of state of the art new schools. The Roosevelt administration even put teaches in local school districts directly on the federal payroll to keep the schools open, the communities viable and the quality of life acceptable.

Does this “negativity” against the president keep him signing the checks to put millions of Americans into new, green, wealth creating jobs? Again, the answer is no.

What keeps the Obama administration from going there is its blind loyalty to Wall Street bankers and their bipartisan neoliberal trickle-down ideology. The economic vision of Barack Obama and congressional Democratis is far closer to Ronald Reagan than to Franklin Roosevelt, even though Republicans have been out of power in Congress since the end of 2006.

Does “negativity” against the president keep him from cutting the military budget?

Does it prevent him from closing a few hundred of America's thousand or so overseas military bases, and ending our direct and proxy wars in places from Iraq and Afghanistan to Colombia, Somalia and Yemen? We know the history and we know the answer.

Early in his campaign Obama pledged withdrawal of one brigade a month from Iraq, and vowed to erase what he called “the mindset” that produced America's unjust wars. By the time he wrapped up the nomination, he had endorsed Bush-Cheney's phony “surge” in Iraq, forgotten his withdrawal pledges, and promised to double the troops in Afghanistan. In his first 36 hours as president, Obama launched drones and cruise missiles against civilians and children in Afghanistan, and soon afterward, in Pakistan, Yemen and Somalia, as had his predecessor. Did the tea party make him do that? Was it the relentless negativity of Fox News? Was it those naysaying Republicans?

From doubling down on Bush's original Wall Street bailout, to stepping up the Bush-Cheney policies of kidnapping, torture and secret imprisonment, to reversing his opposition to offshore drilling once he secured the Democratic nomination and more, not one of the Obama administration's failures to redeem the promises black America imagined it heard can be laid at the feet of Republicans, Fox News or the tea party. Not one.

In a real sense, the lunatic tea party, cartoonish Republicans, and the outrageous lies of Fox News provide our lazy class of black misleaders in the administration and Congress, and the class of politicians, preachers, professors, business people, self-described activists and wannabes around them a fine distraction from what they can and ought to be doing. The energy and creativity devoted to endlessly circling the wagons around the president sucks the air from every room in the house of black politics. It excuses inaction on matters like black mass incarceration and unemployment, runaway privatizations, and the ever-expanding national security state. It keeps our black misleadership class from having to openly oppose the wars and bailouts that suck up the resources which should be creating jobs and opportunities at home. It's almost God's gift to the administration.

The president doesn't need our protection. He's got the secret service, the armed forces, the CIA and FBI and agencies we don't even know the names of. Our families, our communities and our permanent interests, not the career of one man or the racist insults directed against him, ought to be our chief concern.

What would it look like if the folks on the SNCC listserv, and if our black misleadership class and their acolytes today truly possessed the spirit SNCC had half a century ago? Where would a spirit well grounded in the realities of black America, a spirit impatient with injustice, a spirit reaching through the present for a better world tomorrow lead us? Not to reanimating the tired corpse of the 2008 presidential campaign. Just as SNCC fifty years ago reached well outside and beyond what the wise old political heads believed possible, a spirit of creative struggle would take aim at targets the old political heads of today think are impossible.

If the spirit of SNCC fifty years ago where alive today, it might tell us we ought to wear black and green ribbons, black for the 1.2 million African Americans in prison, and green for those millions of green jobs that are somewhere just over the rainbow.
And we wouldn't be wearing them for just a day. This would not be about the president or his birthday, which matters little to most black families. We could wear them till the administration created 8 million new green jobs, the number vice president Biden admitted have been lost in what he called the Great Recession. We could wear them till the number of African Americans in prison had been reduced by at least half. That wouldn't be a perfect world, but who's asking for perfection. We'd just be asking for progress. Halving the black prison population would not be a perfect world either. It would only bring us down to the level of the Latino prison population, and Latinos are severely over-incarcerated too. But it would be undeniable progress. Is that too much to reach for?

So we won't be wearing red white and blue on the 4th of August. Bet on that. But what about those black and green ribbons? There's an idea....

Bruce Dixon is managing editor at Black Agenda Report and based in Atlanta, and will not be wearing red white and blue any time soon. He's a member of the state committee of the GA Green Party and can be reached at bruce.dixon(at) blackagendareport, or by clicking his name anywhere it appears in red on this site.

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*Walk On The Wild Side- Part Two-The Music Of Lou Reed

Click on the headline to link to a YouTube film clip of Lou Reed performing his rock classic, Walk On The Wild Side.

DVD Review

Lou Reed: Spanish Fly: Live In Spain, Lou Reed and various musicians, Sister Ray Enterprises, 2004


I have run through a virtual litany of who was who in the folk world of the 1960s, a fair amount about the cutting edge rockers of that time, and certainly plenty about those who formed the edges of those music experiences. What I have not done, grievously not done, is to mention the work of the “edge city”, gravelly-voiced (now, anyway) singer/songwriter, Lou Reed, either as solo performer, or with the Velvet Underground, that created much good rock music back in the days. For those who are looking for points of reference since then I noticed that Reed did an excellent cover of Bob Dylan’s Foot Of Pride at Dylan's 30th anniversary celebration; did a very nice job on the Harry Smith tribute DVD in the late 1990s, and blew everybody away in Wim Wenders segment of the Martin Scorsese‘s PBS 2003 blues series (where he even smiled, doing, I think, a Blind Willie Johnson song). I will, in any case, atone here.

This DVD features Lou and a great back-up band, including an old-fashioned real bassist , playing a lot of his material from the Underground days and as a soloist in a live concert in Spain. Now let’s face it, after all these years the voice has lost some of its timber and is a little harsh (a la Dylan) but the guitar riffs are still there. And see, old Lou makes up for the weaker voice by rearranging those old classics (and having great-voiced sideman, Fernando Saunders, do harmonies) like Venus In Furs, Sweet Jane, The Blue Mask, Perfect Day, and, of course, Walk On The Wild Side. Good advise,for young and old. Doo do doo do doo do do doo.

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Lou Reed- Walk On The Wild Side Lyrics

Holly came from Miami, F.L.A.
Hitch-hiked her way across the USA
Plucked her eyebrows on the way
Shaved her legs and then he was a she
She says, Hey babe
Take a walk on the wild side
Hey honey
Take a walk on the wild side

Candy came from out on the Island
In the backroom she was everybody's darlin'
But she never lost her head
Even when she was giving head
She says, Hey babe
Take a walk on the wild side
I Said, Hey baby
Take a walk on the wild side
And the coloured girls go
Doo do doo do doo do do doo..

Little Joe never once gave it away
Everybody had to pay and pay
A hustle here and a hustle there
New York City's the place where they say,
Hey babe, take a walk on the wild side
I said, Hey Joe
Take a walk on the wild side

Sugar Plum Fairy came and hit the streets
Lookin' for soul food and a place to eat
Went to the Apollo
You should've seen em go go go
They said, Hey shuga Take a walk on the wild side
I Said, Hey babe
Take a walk on the wild side
All right, huh

Jackie is just speeding away
Thought she was James Dean for a day
Then I guess she had to crash
Valium would have helped that bash
Said, Hey babe,
Take a walk on the wild side
I said, Hey honey,
Take a walk on the wild side
And the coloured girls say,
Doo do doo do doo do do doo

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Monday, July 26, 2010

*Those Who Fought For Our Communist Future Are Kindred Spirits- Honor Ernesto "Che" Guevara

Click on the title to link to a YouTube film clip of "Che" Guevara.

This is a repost of a January 2009 entry honoring Che as a revolutionary militant and here as a central figure in the Cuban revolution as well on the anniversary of the July 26th Movement.

Every January, as readers of this blog are now, hopefully, familiar with the international communist movement honors the 3 Ls-Lenin, Luxemburg and Liebknecht, fallen leaders of the early 20th century communist movement who died in this month (and whose untimely deaths left a huge, irreplaceable gap in the international leadership of that time). January is thus a time for us to reflect on the roots of our movement and those who brought us along this far. In order to give a fuller measure of honor to our fallen forbears this January, and in future Januarys, this space will honor others who have contributed in some way to the struggle for our communist future. That future classless society, however, will be the true memorial to their sacrifices.

Note on inclusion: As in other series on this site (“Labor’s Untold Story”, “Leaders Of The Bolshevik Revolution”, etc.) this year’s honorees do not exhaust the list of every possible communist worthy of the name. Nor, in fact, is the list limited to Bolshevik-style communists. There will be names included from other traditions (like anarchism, social democracy, the Diggers, Levellers, Jacobins, etc.) whose efforts contributed to the international struggle. Also, as was true of previous series this year’s efforts are no more than an introduction to these heroes of the class struggle. Future years will see more detailed information on each entry, particularly about many of the lesser known figures. Better yet, the reader can pick up the ball and run with it if he or she has more knowledge about the particular exploits of some communist militant, or to include a missing one.

Markin comment:

The name Ernesto "Che" Guevara will live, and I believe rightly so, as long as injustice reigns in this sorry old world and people seek models for revolutionary struggle. I have almost always been politically distant from Che's rural guerrilla warfare politics, but he deserves this recognition.

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*Songs To While Away The Class Struggle By- Jose Marti's "Guantanamera"

Click on the title to link to a YouTube film clip of Pete Seeger performing Guantanamera.


In this series, presented under the headline Songs To While Away The Class Struggle By, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.


Markin comment:

As has been appropriate on this date for over one half a century- Defend The Cuban Revolution! Free The Cuban Five!

GUANTANAMERA

Original music by Jose Fernandez Diaz
Music adaptation by Pete Seeger & Julian Orbon
Lyric adaptation by Julian Orbon, based on a poem by Jose Marti


Yo soy un hombre sincero
De donde crecen las palmas
Yo soy un hombre sincero
De donde crecen las palmas
Y antes de morirme quiero
Echar mis versos del alma

Chorus:
Guantanamera
Guajira Guantanamera
Guantanamera
Guajira Guantanamera

Mi verso es de un verde claro
Y de un carmin encendido
Mi verso es de un verde claro
Y de un carmin encendido
Mi verso es un ciervo herido
Que busca en el monte amparo

Chorus

I am a truthful man from this land of palm trees
Before dying I want to share these poems of my soul
My verses are light green
But they are also flaming red

(the next verse says,)
I cultivate a rose in June and in January
For the sincere friend who gives me his hand
And for the cruel one who would tear out this
heart with which I live
I do not cultivate thistles nor nettles
I cultivate a white rose

Cultivo la rosa blanca
En junio como en enero
Qultivo la rosa blanca
En junio como en enero
Para el amigo sincero
Que me da su mano franca

Chorus

Y para el cruel que me arranca
El corazon con que vivo
Y para el cruel que me arranca
El corazon con que vivo
Cardo ni ortiga cultivo
Cultivo la rosa blanca

Chorus

Con los pobres de la tierra
Quiero yo mi suerte echar
Con los pobres de la tierra
Quiero yo mi suerte echar
El arroyo de la sierra
Me complace mas que el mar

Chorus

©1963,1965 (Renewed) Fall River Music, Inc (BMI)
All Rights Reserved.

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*From The Wilds Of Cyberspace- The Latest From "The National Committee to Free the Cuban Five" Website -Free The Five Ahora!

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.


Markin comment:

On a day, July 26th, important in the history of the Cuban revolutionary movement it is also important, as always, to remember that the defense of the Cuban revolution here in the United States, the "heart of the beast", starts with the defense of the Cuban Five.

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*On The Anniversary Of The July 26th Movement-The Legend Of Ernesto “Che” Guevara- The Heroic Guerrilla Face

Click on the title to link to the "Che-Lives" Web site (that also has links to other Che-related material).

DVD Review

This year is the 57th Anniversary of the July 26th Movement, the 51st Anniversary of the Cuban revolution and the 43rd anniversary of the death of Ernesto, “Che”, Guevara. Defend The Cuban Revolution

Che, starring Eduardo Noriega, 2006


On more than one occasion I have mentioned that “Che” Guevara, as icon and legend, despite his left Stalinist politics (at best) and the political gulf that separated him from those who fought, and fight, under the banner of Leon Trotsky and the Fourth International, was, and is, a justifiably appealing revolutionary militant for the world’s youth to consider. A number of films have come out over the years that portray one or another aspect of the “Che” personality. Here the central thrust of the film is the creation of “Che” as a revolutionary cadre in the guerrilla warfare movement that dominated much of the radical political action of the 1960s, in the wake of the success and survival of the Cuban revolution in the face of American Yankee imperialism.

This little film, really a docu-drama since there is an abundance of black and white newsreel film footage to set the story line throughout most of the 1950s, goes, up close and personal, into the transformation of the Argentine free spirit and free- booter. In short, from the pre-“Che” of the “Motorcycle Chronicles” period into a commandant of the Second Front in the Fidel and Raul Castro-led rural insurgence against the hated dictator (except in Miami) Batista.

In that sense it almost does not work. Eduardo Noriega is “Che” in his mannerisms, his good and manly looks, and in his earnestness (no pun intended) to free the Americas of the Yankee beast. However, the film is saved when “Che” gets to show more aspects of his personality when he is being interviewed by an American women reporter in the post-victory period. And also by his determination to end up where he started, as a guerrilla fighter extraordinaire fighting against the world’s injustices. And an enemy's bullet.

That, my friends, today is refreshingly appealing. That said though, as I have repeatedly pointed out on other occasions, Che deserved a better fate that to be caught out in the bush in Bolivia. And here is where the irony (and the political differences) between us comes in. What the hell was he doing in the Bolivian bush, of all places in Bolivia when they was a working class (mainly miners) who had a history of extreme militancy and readiness to do class battles against the state (and have done so since then). “Che”, mainly deserves his status as icon, as a personal exemplar, but a whole generation of militants in Latin America and elsewhere got torn up based on that wrong strategic assumption. That is the real lesson of the film, any worthwhile film on Che.

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*Films to While Away The Class Struggle By- Bernico Del Toro's "Che"- In Honor Of A Revolutionary Fighter

Click on the title to link to a YouTube film clip featuring Che Guevara at the United Nations In 1964. You can link to many others from this one.

Recently I have begun to post entries under the headline- Songs To While Away The Class Struggle By-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin

DVD Review

This year is the 57th Anniversary of the July 26th Movement's Moncada attack, the 51st Anniversary of the Cuban revolution and the 43rd anniversary of the death of Ernesto, “Che”, Guevara in the wilds of Bolivia. Defend The Cuban Revolution! Free The Cuban Five!

Che, starring Bernico Del Toro, 2008


The first paragraph and other portions of this review have been used in other DVD reviews of Che Guevara and fit here as well:

"On more than one occasion I have mentioned that "Che" Guevara, as icon and legend, despite his left Stalinist politics (at best) and the political gulf that separated him from those who fought, and fight, under the banner of Leon Trotsky and the Fourth International, was, and is, a justifiably appealing revolutionary militant for the world's youth to consider. A number of films have come out over the years that portray one or another aspect of the "Che" personality. Here the central thrust of the film is the creation of "Che" as a revolutionary cadre in the guerrilla warfare movement that dominated much of the radical political action of the 1960s, in the wake of the success and survival of the Cuban revolution in the face of American Yankee imperialism."

Unlike other films of Che`s exploits that have been reviewed in this space this monster, two-disc, four and one half film is strictly a homage to his skills as a revolutionary guerilla fighter out in the bush first in the hills of the Sierra Maestre in Cuba and then, tragically and fatally, in rural Bolivia. Some footage is thrown in, seemingly as relief, from interviews and an occasional speech but the heart of the film, and probably the reason that Che will long be remembered by generations of youth is that fight to turn himself from a "rich kid" doctor to a struggler against imperialism wherever he found it.

That story, whatever, the political differences we might have is appealing. What is not, in a long film, is the concentration on every military maneuver and every action in every campaign in Cuba and Bolivia. This short changes Che as a political man with definite politic views, hard views about the nature of the future communist society, that came to the fore in the period when he was a Cuban state official and responsible for helping to run the government under the guns, real and economic, of American imperial attack.

In that sense this film does not work. Moreover, in contrast to Eduardo Noriega's "Che" in which that actor in his mannerisms, his good and manly looks, and in his earnestness (no pun intended) to free the Americas of the Yankee "beast" was Che. Bernico Del Toro's seems a bit ponderous. However, the film is saved a bit when "Che" and Del Toro are reprieved in the Bolivia-centered second disc when we get a better look at his determination to end up where he started, as a guerrilla fighter extraordinaire fighting against the world's injustices.

That, my friends, today is refreshingly appealing. That said though, Che deserved a better fate that to be caught out in the bush in Bolivia. And here, as I have noted elsewhere, is where the irony (and the political differences) between us comes in. What the hell was he doing in the Bolivian bush, of all places in Bolivia when they was a working class (mainly miners) who had a history of extreme militancy and readiness to do class battles against the state (and have done so since then). Che, mainly deserves his status as icon, as a personal exemplar, but a whole generation of militants in Latin America and elsewhere got torn up to no purpose based on that wrong strategic assumption. That is the real lesson of the film.

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