Saturday, November 28, 2009

*In The Time Of The Chicago Blues Explosion- The Blues Of Earl Hooker

Click on title to link to Earl Hooker's lyrics and rendition of "You Shook Me Baby"

CD Review

Blue Guitar, Earl Hooker, Blues Interactions, 2001


I have spent a fair amount of time in this space running through the legends of the Chicago blues explosion that hit its high point in the period just after World War II and continued to the advent of serious rock ‘n’ roll in the mid-1950s, a period that saw the mass migration from the southern farms and plantations of blacks (and poor whites) to the north in search of better paying, and mainly, unionized industrial jobs. Thus, such names as Howlin’ Wolf, Muddy Waters, Buddy Guy, Junior Wells and so on have gotten plenty of ink here. But those names hardly exhaust the sheer mass of blues artists who fled the South (with a stopover down river in Memphis in many cases) to make their names on Chicago's Maxwell Street. The name Earl Hooker, under review here figures prominently, if not famously, as part of that plethora of talent.

Naturally, in my attempts in this space to link up the names of the blues artists who I fell in love with in my youth I have used many sources, or have been led to them in various ways. The case of Earl Hooker is illustrative. I, some time ago, did a review of a documentary on the late Clifford Antone’s Club Antone down in Austin, Texas where many of the great then still standing blues artists, who came of age in the 1950s, found a second home, and an extended career. As part of that documentary coverage the name Earl Hooker, naturally enough, came up. And hence I went scurrying back to my archives to check his work out again. This, unfortunately, is the only album of his that I still possess after all these year but it is rather indicative of his style and is a good primer.

Outstanding here are the smoking “Will My Man Be Home Tonight”, the classic “Calling All Blues”, his signature and title track “Blue Guitar”, and another smoking “Off The Hook”. For a close look at one of the guys who jammed with the likes of Muddy and Howlin’ Wolf, after hours when they got down and serious and played the music for keeps, here is a your first look.

Song Lyrics: Sweet Home Chicago
Written and recorded by: Robert Johnson (1936)

--------------------------------------------------------------------------------
Oh baby don't you want to go
Oh baby don't you want to go
Back to the land of California
to my sweet home Chicago

Oh baby don't you want to go
Oh baby don't you want to go
Back to the land of California
to my sweet home Chicago

Now one and one is two
two and two is four
I'm heavy loaded baby
I'm booked I gotta go

Cryin baby
honey don't you want to go
back to the land of California
to my sweet home Chicago

Now two and two is four
four and two is six
You gonna keep monkeyin round here friend-boy
you gonna get your business all in a trick

But I'm cryin baby
honey don't you wanna go
Back to the land of California
to my sweet home Chicago

Now six and two is eight
eight and two is ten
Friend-boy she trick you one time
she sure gonna do it again

But I'm cryin hey hey
baby don't you want to go
back to the land of California
to my sweet home Chicago

I'm goin to california
from there to Des Moines Iowa
Somebody will tell me that you
need my help someday

cryin hey hey
baby don't you want to go
back to the land of California
to my sweet home Chicago

© (1978) 1990, 1991 Lehsem II, LLC/Claud L. Johnson
Administered by Music & Media International, Inc.

Robert Johnson
(Robert Leroy Johnson)
May 8, 1911 - August 16, 1938



--------------------------------------------------------------------------------
Also recorded by:
Johnny Shines, Foghat, Lonnie Pitchford,
Peter Green with Nigel Watson Splinter Group,
The King, Status Quo, Rocky Lawrence, Pyeng Threadgil,
Eric Clapton, Jim Belushi and The Sacred Hearts

Friday, November 27, 2009

*A Buddy Guy Encore- From The Chess 50th Anniversary Collection Series

Click on title to link to YouTube's film clip of Buddy Guy performing Robert Johnson's classic "Sweet Home Chicago"

CD Review

Buddy’s Blues: Buddy Guy: The Chess 50th Anniversary Collection, Buddy Guy and various musicians, MCA Records, 1997


I have spent a fair amount of time in this space running through the legends of the Chicago blues explosion that hit its high point in the period just after World War II and continued to the advent of serious rock ‘n’ roll in the mid-1950s, a period that saw the mass migration off the southern farms and plantations of blacks (and poor whites) to the north in search of better paying, and mainly, unionized industrial jobs. Thus, such names as Howlin’ Wolf, Muddy Waters, Buddy Guy, Junior Wells and so on have gotten plenty of ink here. Strangely although the name Buddy Guy has been mentioned here many times this is the first CD by him that is being reviewed in this space. Strange, indeed.

That said, the name Buddy Guy also is usually uttered, reverently, around the same time that one speaks the name of master harmonica player, Junior Wells (Buddy's long time Chicago playing companion). And, of course when you say Junior Wells you, of necessity, have to speak about Muddy Waters, the 'Father' of all the post World War II Chicago blues. Here, however, Buddy stands alone in this 50th Anniversary of Chess Records series. I have reviewed other parts of this series elsewhere and find the material that is presented in each tends, very much so, to be "greatest hits"-type material. That is the case here as well, and I would add that the quality of the sound tends to a a bit better here than on some of the other efforts in this series. Still anyway you can hear that old 1950s blues sound when it was fresh and down grab the opportunity, with both hands.

Buddy Guy almost never has had a bad track so one has to go the other way and try to cull out the best. Here the classic "Pretty Baby is smokin', “My Love Is Real”, and “Stone Crazy” round out my picks as the top numbers.

Buddy Guy
Mustang Sally lyrics


Mustang Sally, guess you better slow your mustang down
Mustang Sally , baby, I guess you better slow your mustang down
You been a runnin' all over town, I guess I'll better put your big feet on the ground, oh yes, I will

All you wanna do is ride around, Sally
Ride Sally ride
All you wanna do is ride around, Sally
Ride Sally ride
All you wanna do is ride around, Sally
Ride Sally ride
All you wanna do is ride around, Sally
Ride Sally ride

One of these early mornings,
You gonna be wipin' your weepin' eyes, yes you will
I bought you a vintage mustang,
Of nineteen sixty-five
Now you comin' right signifyin' woman, no,
You don't wanna let me ride

Mustang Sally, baby, yeah,
I guess you better slow your mustang down, yes you will darling, I hope you will
Going around running' all over town,
I'm gonna put your big fat feet on the ground, oh yes Sally, well, look at here

All you wanna do is ride around, Sally
Ride Sally ride
All you wanna do is just ride around, Sally
Ride Sally ride
All you wanna do is just ride around, Sally
Ride Sally ride
All you wanna do is ride around, Sally
Ride Sally ride
One of these early mornings
You gonna put your bad bad feet on the ground, oh yes I will, Sally

Sally ride Sally ride
Sally ride Sally ride
Ride Sally ride
Ride Sally ride
Ride Sally ride
Ride Sally ride

My Love Is Real lyrics :

My love for you is like, is like a sweet refrain
Real, real true love, is like a burning, burning flame
My love for you will live through storm and rain
My love, my love for you is real.
My love for you, words can never express

My love, my love for you is real.
God, God only knows, that I'll love you, love you best

With only you my love could ever rest
My love for you will live forever
If you love me, love me my darling
My love for you makes me want you near
Forever and a day
Won't you show me in your own sweet way?
Within, within my heart, I really need, need you dear

Sometimes true love can make a, make a man she'd tears
My love for you is real.

Oh, my love, oh my love for you is real.



Wednesday, November 25, 2009

*The Lines Are Drawn-Neck Deep In The 'Big Poppy'- Down With The Obama Afghan War Policy-Immediate Unconditional Withdrawal Of All U.S. Troops!

Click on title to link to a "The Washington Post" article on the movement toward escalation in Afghanistan, spear-headed by U.S Afghan commander McChrystal and the good ol' boys lining up Congress for Obama.

Markin comment:

Things are looking grim, very grim. Apparently the inside story all along was not whether to increase troop levels but rather by how much and from what sources. In any case this is now, without question and in plain view for all to see, Nobel 'Peace' Prize winner Barack Obama's war



This is a repost of an entry I have placed on this site many, too many times. Today, unfortunately, it bears repeating:

Every once in a while (more frequently than I would like) old Pete Seeger's song about his World War II adventures that served as a parable for President Lyndon Johnson and his constant Vietnam escalations, "Waist Deep In The Big Muddy” just seems appropriate. This is one of those occasions. Just switch "Big Poppy" for "Big Muddy" and you will have it just about right.

"Waist Deep In The Big Muddy"-Pete Seeger

It was back in nineteen forty-two,
I was a member of a good platoon.
We were on maneuvers in-a Loozianna,
One night by the light of the moon.
The captain told us to ford a river,
That's how it all begun.
We were -- knee deep in the Big Muddy,
But the big fool said to push on.

The Sergeant said, "Sir, are you sure,
This is the best way back to the base?"
"Sergeant, go on! I forded this river
'Bout a mile above this place.
It'll be a little soggy but just keep slogging.
We'll soon be on dry ground."
We were -- waist deep in the Big Muddy
And the big fool said to push on.

The Sergeant said, "Sir, with all this equipment
No man will be able to swim."
"Sergeant, don't be a Nervous Nellie,"
The Captain said to him.
"All we need is a little determination;
Men, follow me, I'll lead on."
We were -- neck deep in the Big Muddy
And the big fool said to push on.

All at once, the moon clouded over,
We heard a gurgling cry.
A few seconds later, the captain's helmet
Was all that floated by.
The Sergeant said, "Turn around men!
I'm in charge from now on."
And we just made it out of the Big Muddy
With the captain dead and gone.

We stripped and dived and found his body
Stuck in the old quicksand.
I guess he didn't know that the water was deeper
Than the place he'd once before been.
Another stream had joined the Big Muddy
'Bout a half mile from where we'd gone.
We were lucky to escape from the Big Muddy
When the big fool said to push on.

Well, I'm not going to point any moral;
I'll leave that for yourself
Maybe you're still walking, you're still talking
You'd like to keep your health.
But every time I read the papers
That old feeling comes on;
We're -- waist deep in the Big Muddy
And the big fool says to push on.

Waist deep in the Big Muddy
And the big fool says to push on.
Waist deep in the Big Muddy
And the big fool says to push on.
Waist deep! Neck deep! Soon even a
Tall man'll be over his head, we're
Waist deep in the Big Muddy!
And the big fool says to push on!

Tuesday, November 24, 2009

*When Time Fails You - The Music Of Chris Smither- “Time Stands Still”

Click on title to link to YouTube's film clip of Chris Smither performing a cover of Bob Dylan's classic "Desolation Row".

CD Review

Time Stands Still, Chris Smither, Signature Sounds, 2009

The name Chris Smither, or rather the musical artist formerly known as Chris Smithers as I now stand corrected from previous reviews (the details of which do not need to be delved into here), is a familiar one to readers of my reviews in this space. I have, usually, heartily thrown many kudos Brother Smither’s way starting from his first ‘wild boy’ days of “Love You Like A Man” as the new sheriff on the block in folkdom and on through his various incarnations and mood swings. Throughout I have always admired his sense of time and his way with a lyric. But something is out of joint with the times here. With the exception of his cover of Bob Dylan’s “It Takes A Lot To Laugh, It Takes A Train To Cry” I think he mailed this one in. More than that my companion who LOVES everything that Chris has previously done is of the same opinion. That is not good for she knows the Chris catalogue backward and forward.

Reasons? Well, for starters with the exception of his ode to his late father, “Old Man Down”, the lyrics seem like more of the same melancholy, morose, although poignant words that we have gotten used to over the past several albums. Even his novelty song “Surprise, Surprise” seemed trite on a second hearing. Nothing jumps out like that old ode to “Lola” from a couple of albums back. Or the indignity, in verse, of his auto getting stolen from that same album. Time has stood still. Moreover his singing and playing is off. The punch of a song like Blind Willie McTell’s “Statesboro Blues “ or “Killin’ The Blues” that is kind of a benchmark for that foot-driven beat that is Chris's trademark (along with the old blue guitar) is just not there. Has Chris turned into that old geezer that he, and I, have dreaded all our lives?

To end on a positive note though. Chris, over the last few albums, has done covers of Bob Dylan songs (stemming, I think, from, a workshop that he presented several years ago at the Boston Folk Festival). He has previously covered “Desolation Row (short version)” and “Visions Of Johanna” to great effect. Here he does even better on the above-mentioned “It Takes A Lot To Laugh, It Takes At Train To Cry” because his raspy voice fits the slower, and, I think, more appropriate tempo that the song deserves. Dylan played it too fast to catch the pathos of the imaginary. For those who have heard the Dylan Bootleg Volume Three version which is even faster that point is really driven home here. Kudos on that one, Chris.


It Takes A Lot To Laugh, It Takes A Train To Cry

Well, I ride on a mailtrain, baby,
Can't buy a thrill.
Well, I've been up all night, baby,
Leanin' on the window sill.Well, if I dieOn top of the hillAnd if I don't make it,
You know my baby will.
Don't the moon look good, mama,
Shinin' through the trees?
Don't the brakeman look good, mama,
Flagging down the "Double E"?
Don't the sun look good
Goin' down over the sea?Don't my gal look fine
When she's comin' after me?
Now the wintertime is coming,
The windows are filled with frost.
I went to tell everybody,But I could not get across.
Well, I wanna be your lover, baby,
I don't wanna be your boss.
Don't say I never warned you
When your train gets lost.

Copyright ©1965; renewed 1993 Special Rider Music

*Poet's Corner- William Butler Yeats' "Song Of The Wandering Aengus"

Click on title to link to William Butler Yeats' poem "Song Of The Wandering Aengus" that was set to music by Caroline Herring in her latest CD "Golden Apples Of The Sun" reviewed in this space today.

Sunday, November 22, 2009

*Photographer's Corner- The Great Depression Photographs Of Dorothea Lange

Click on title to link to "Wikipedia's" entry for the great photographer Dorothea Lange.

Photographer's Corner- The Great Depression Era Photographs of Dorothea Lange- A Book Review

Click on title to link to Jonathan Raban's "The New York Review Of Books" article reviewing Linda Gordon's "Dorothea Lange: A Life Beyond Limits".

* From The HistoMat Blog- On Marxist Theorist Walter Benjamin

Click on title to link to a HistoMat Blog entry for the great Marxist cultural theorist Walter Benjamin.

Markin comment:

I have noticed over the past several years that the name Walter Benjamin has been more prominently mentioned in the academic Marxist journals and, of all places, positively mentioned in "The New York Review Of Books" articles. I first became aware of the work of Walter Benjamin many years ago in the the leftist cultural journal, "The New Left Review" when there was also something of a previous emerging interest in his work.

It is always necessary to have first-rate cultural theorists on our side. I just wish we could get more Trotskys to lead the struggles, as well. Of course the bourgeoisie is happy to let us have our academic Marxist icons, or at least will tolerate them. Our fighting revolutionary leaders are a different story. They still, for the most part, utter Trotsky's name with anguish and trepidation. I note that hatchet man Robert Service has a new 'biography' of Trotsky out (touted as the definitive bio). I will review that 'thing' after I have read it.

Saturday, November 21, 2009

*OUTRAGE: Civil Rights Lawyer Lynne Stewart Jailed- Free Lynne Stewart Now!

Click on title to link to the Lynne Stewart Defense Committee site.

Markin comment, November 21, 2009:

Below is a repost of a commentary that I posted on this site in January 2008. I can only repeat here what I said there and in the headline- Free Lynne Stewart Now!


Monday, January 28, 2008
Defend Lynne Stewart!


I have just added a link to the Lynne Stewart Defense Committee. Please read about this case at that site. Also note that here appeal is coming up for oral arguments before the Federal Appeals Court this week (January 28 2008). Below is a commentary I made at the time of her sentencing in October 2006 that I repost here.

COMMENTARY

WE NEED LAWYERS WHO ARE FUSS-
MAKERS NOT RAINMAKERS

FREE CO-DEFENDANTS YOUSRY AND SATTAR


Well, the Bush Administration has finally got New York Attorney Lynne Stewart (DESPITE HER DISBARMENT I WILL CONTINUE TO CALL HER ATTORNEY) where they want her. Ms. Stewart had previously been indicted on the vague and flimsy charge of "materially" aiding terrorism by essentially, on the record presented by the government at the trial, providing zealous advocacy for her client, Sheik Rahman, who had been convicted in various terrorist schemes including the 1993 World Trade Center bombing. At a trial in Federal District Court in New York City where the prosecution used every scare tactic in the post- 9/11 “War on Terror” playbook she was convicted. On October 16, 2006 she was finally sentenced on the charges. The federal judge in the case noting the severity of the crime but also the invaluable service that Ms. Stewart had rendered to the voiceless and downtrodden sentenced her to 28 months.

This sentence has been described as victory of sorts by Attorney Stewart and other commentators. The ever upbeat Ms. Stewart is quoted as stating that she, like some of her clients, could do that time “standing on her head”. Well, that may be, but the fact of the matter is that Attorney Stewart should not have been indicted, should not have been convicted and most definitely not sentenced for her actions on behalf of her client. Only the fact that the judge did not totally surrender to the government’s blatant appeals to “national security” issues and sentence her to the thirty years that they requested makes this any kind of “victory”. That joy over any lesser sentence could be considered as such is a telling reminder of the times we live in.

This case and the publicity surrounding it has dramatically warned any attorney who is committed to zealous defense of an unpopular or voiceless client to back off or face the consequences. The chilling effect on such advocacy, in some cases the only possible way to truly defend a client in this overheated reactionary atmosphere, is obvious. Moreover, the whole question of “material” aid to terrorism is a Pandora’s box for any political activist or even a merely interested non-political participant in any organization on the government’s “hit” list.

The government has the possibility of appealing the sentence to the Federal Court of Appeals so as of today October 18, 2006 the travails of Ms. Stewart are not over. Moreover, her conviction is still on appeal. From what I can gather in any reasonably quiet appeals court some of more blatant actions by the prosecution at trial would warrant, at minimum, a new trial if not the overturning of the conviction. Again, in these times such confidence may be unwarranted. I might add the “people’s lawyer” Lynne Stewart needs financial help to wage these new battles. Please consider sending a donation to the Lynne Stewart Defense Fund or to the organization I support- the Partisan Defense Committee- which will forward the donation. You can google either organization for addresses.

REVISED: NOVEMBER 2, 2006

ADDED NOTE: IN ANOTHER TELLING TALE OF THE TIMES THE INFORMATION THAT I RECEIVED FROM THE MASS MEDIA "NEGLECTED" TO INFORM THAT MS. STEWART'S ARAB TRANSLATOR , MOHAMED YOUSRY RECEIVED A 20 MONTH SENTENCE AND PARALEGAL ABDEL SATTAR RECEIVED 24 YEARS- NO THAT IS NOT A MISPRINT-24 YEARS. I MAKE UP OF THAT EGREGIOUS MISTAKE HERE. NEEDLESS TO SAY- FREE STEWART, YOUSRY AND SATTAR.

Friday, November 20, 2009

* OUTRAGE: Lynne Stewart: Heroic Human Rights Lawyer Jailed -Free Lynne Stewart Now!- From Steve Lendman's Blog

Click on title to link to the Lynne Stewart Defense Committee website. Free Lynne Stewart Now! Free All The Class War Prisoners!


From "SteveLendmanBlog"

Friday, November 20, 2009

Lynne Stewart: Heroic Human Rights Lawyer Jailed

Lynne Stewart: Heroic Human Rights Lawyer Jailed - by Stephen Lendman


On November 20, New York Times writer Colin Moynihan broke the news headlining:

"Radical Lawyer Convicted of Aiding Terrorist Is Jailed," then saying:

"Defiant to the end as she embraced supporters outside the federal courthouse in Lower Manhattan, Lynne F. Stewart, the radical lawyer known for defending unpopular clients, surrendered on Thursday to begin serving her 28-month sentence for assisting terrorism."

Fact check:

Stewart did what all attorneys should, but few, in fact, do - observe the American Bar Association's Model Rules saying all lawyers are obligated to:

"devote professional time and resources and use civic influence to ensure equal access to our system of justice for all those who because of economic or social barriers cannot afford or secure adequate legal counsel."

Also to practice law ethically, morally and responsibly to assure everyone is afforded due process and judicial fairness in American courts. Sadly and disturbingly, Stewart was denied what she did for others heroically, unselfishly, and proudly. More on that below.

Stewart (prison number 53504-054) is now jailed at:

MCC-NY
150 Park Row
New York, NY 10007

Betrayed by American Justice

For 30 years, Stewart worked heroically to defend America's poor, underprivileged, and unwanted, never afforded due process and judicial fairness without an advocate like her. Where others wouldn't go, she defended controversial figures like David Gilbert of the Weather Underground, Richard Williams of the United Freedom Front, Sekou Odinga and Nasser Ahmed of the Black Liberation Army, and many more like them. She knew the risk, but did it fearlessly and courageously until bogusly indicted on April 9, 2002 for:

-- "conspiring to defraud the United States;

-- conspiring to provide and conceal material support to terrorist activity;

-- providing and concealing material support to terrorist activity; and

-- two counts of making false statements."

She was also accused of violating US Bureau of Prisons Special Administrative Measures (SAMs) that included a gag order on her client, Sheik Abdel Rahman. When imposed, they prohibit discussion on topics the Justice Department (DOJ) rules outside of "legal representation," so lawyers can't discuss them with clients, thus inhibiting their defense.

At former US Attorney General Ramzy Clark's request, she joined him as part of Rahman's court-appointed defense team. In his 1995 show trial, he was convicted and is now serving a life sentence for seditious conspiracy, solicitation of murder, solicitation of an attack on American military installations, conspiracy to murder, and conspiracy to bomb in connection with the 1993 World Trade Center attack despite evidence proving his innocence on all charges.

The DOJ's case wasn't about alleged crimes. It reflected his affiliations and anti-western views. Rahman was connected to the Egyptian-based Al-Gamaa al-Islamiyya - a 1997 US State Department-designated "foreign terrorist organization." In the 1980s, however, he helped the CIA recruit Mujahadeen fighters against the Soviets in Afghanistan. For his work, he got a US visa, green card, and State Department-CIA protection as long as he was valued. When no longer, he was targeted along with Stewart.

Her case was precedent-setting, chilling, and according to the Center of Constitutional Rights Michael Ratner:

sent "a message to lawyers who represent alleged terrorists that it's dangerous to do so."

Her attorney, Michael Tigar, called it:

"an attack on a gallant, charismatic and effective fighter for justice (with) at least three fundamental faults:

-- (it) attack(ed) the First Amendment right of free speech, free press and petition;

-- the right to effective assistance of counsel (by) chill(ing) the defense; (and)

-- the 'evidence' in this case was gathered by wholesale invasion of private conversations, private-attorney-client meetings, faxes, letters and e-mails; I have never seen such an abuse of government power."

Her 2004 - 2005 show trial was a mockery of justice with echoes of the worst McCarthy-like tactics. Inflammatory terrorist images were displayed in court to prejudice the jury, and prosecutors vilified Stewart as a traitor with "radical" political views. In addition, days before the verdict, the militant pro-Israeli Jewish Defense Organization put up flyers near the courthouse displaying her address. It threatened to "drive her out of her home and out of the state," and said she "needs to be put out of business legally and effectively."

It was part of the orchestrated scheme inside and outside the courtroom to heighten fear, convict Stewart, and intimidate other lawyers to expect the same treatment if they dare represent unpopular clients effectively.

On February 10, 2005 (after a seven month trial and 13 days of deliberation) she was convicted on all five counts. Under New York state law, she was automatically disbarred, and the state Supreme Court's Appellate Division denied her petition to resign voluntarily. On October 17, 2006, she was sentenced to 28 months imprisonment, but remained free on bond pending appeal before the US Court of Appeals for the Second Circuit.

Stewart Ordered to Prison

The Justice for Lynne Stewart web site (lynnestewart.org) announced the news. On November 17, the Appeals Court revoked her bond, upheld the verdict, ordered her surrender forthwith, but stayed it until November 19 at 5PM to let her attorney file a motion for reconsideration. It was denied, so she must report to federal marshals as directed. A November 19 conversation with Lynne and her husband Ralph confirmed it.

The situation remains fluid, dire, and complicated by Stewart's battle with breast cancer. She has surgery scheduled for December 7, unlikely now, but if done in prison or where authorities direct, it won't be the quality she deserves.

In its ruling, the three judge panel (John Walker, Guido Calebresi and Robert Sack) was firm, hostile and belligerent in upholding the lower court's conviction. Judge Sack accused Stewart of lying and called for a longer sentence. "We think that whether (she) lied under oath at her trial is directly relevant to whether her sentence was appropriate," he wrote, and directed District Court Judge John Koeltl to re-sentence her "so as to reflect that finding." Judge Walker was even harsher, calling the original sentence "breathtakingly low." Judge Calabrese said: "I am at a loss for any rationale upon this record that could reasonably justify a sentence of 28 months' imprisonment for this defendant."

They all said Stewart was "convicted principally with respect to (her violating) measures by which (she) had agreed to abide," namely SAMs. They rejected her "argument that, as a lawyer, she was not bound by (them), and her belated argument collaterally attacking their constitutionality." They also:

"affirm(ed her conviction) of providing and concealing material support to the conspiracy to murder persons in a foreign country (and) of conspiring to provide and conceal such support....We conclude that the charges were valid (and) the evidence was sufficient to sustain the convictions. We also reject Stewart's claims that her purported attempt to serve as a 'zealous advocate' for her client provides her with immunity from the convictions...."

"Finally, we affirm Stewart's convictions for knowingly and willfully making false statements....when she affirmed that she intended to, and would, abide by the SAMs. In light of her repeated and flagrant violation of (them), a reasonable factfinder could conclude that (her) representations that she intended to and would abide by the SAMs were knowingly false when made. We reject the remaining challenges to the convictions. (We) affirm the district court's rejection of Stewart's claim that she was selectively prosecuted on account of her gender or political beliefs....We therefore affirm the convictions in their entirety."

They redirected her case to District Court Judge Koeltl for re-sentencing. The DOJ wants 30 years. Koeltl originally imposed 28 months, let Stewart remain free on bond pending appeal, implied his decision might be overturned because of a gross miscarriage of justice, effectively rebuked the Bush administration at the time, and handed it a major defeat. Her fate is now in his hands, but justice has already been denied at a time we're all as vulnerable as she if we dare resist state policies, unchanged under an administration no different from its predecessor.

In a November 17 news conference, Stewart said:

"I'm too old to cry, but it hurts too much not to." In criticizing the Court's decision, she said its timing "on the eve of the arrival of the tortured men from offshore prison in Guantanamo" suggests that lawyers appointed to represent them may face the same fate as she. "If you're going to lawyer for these people, you'd better toe very close to the line that the government has set out (because they'll) be watching you every inch of the way, (so those who don't) will end up like Lynne Stewart. This is a case that is bigger than just me personally (but she added that she'll) go on fighting."

So will her lawyer, Joshua Dratel, who said he'll pursue it "as far and as long as we can," including a possible Supreme Court review. The Obama US attorney's office was silent, effectively affirming a gross injustice at a time the due process and judicial fairness thresholds are so low that all Americans risk the same fate as Lynne.

Stephen Lendman is a Research Associate of the Centre for Research on Globalization. He lives in Chicago and can be reached at lendmanstephen@sbcglobal.net.

Also visit his blog site sjlendman.blogspot.com and listen to The Global Research News Hour on RepublicBroadcasting.org Monday - Friday at 10AM US Central time for cutting-edge discussions with distinguished guests on world and national issues. All programs are archived for easy listening.

http://republicbroadcasting.org/Global%20Research/index.php?cmd=archives.year&ProgramID=33&year=9


posted by Steve Lendman @ 3:18 AM

Thursday, November 19, 2009

*Present At The Creation- Writer Gore Vidal’s Novel On The Rise Of The American Imperium- “Empire”-A Review

Click on title to link to YouTube's film clip of an interview with Gore Vidal in 2007.

Book Review

Empire: A Novel, Gore Vidal, Random House, New York, 1987


The name Gore Vidal should be no stranger to the readers of this space. I have in the recent past reviewed his earlier American historical novels “Burr”, “Lincoln”, and “1876” that form something of a backdrop to the book under review, “Empire”. Although I have noted, in those previous reviews, that I generally take my history lessons “straight” from historical writers, occasionally, as with the case of Vidal, I am more than happy to see history tweaked a little in novel form. Vidal does not disappoint here, although the cast of characters, past and present, overall form a weaker story line at the end of the 19th century with the rise of the power-driven American imperial impulses than his earlier efforts. That may say something about what kind of misbegotten characters the age produced, variously known as the “Gilded Age”, “The Age Of The Robber Barons” and the “Age Of The Rise Of The American Imperium”, as those in power threw into the dustbin of history that quaint and old-fashioned term coined by Lincoln about the American republic being “the last, best hope for mankind”.

Vidal’s historical novels work on two levels, which may account for their appeal to political types like me. First is the thread that holds all the novels together in the person, fictionalized or not, of Aaron Burr and his progeny, or better, alleged progeny who, helter-skelter, keep making odd appearances in each work and generally product a main character for each succeeding novel. Here the Burr connection is in the person of Caroline Sanford, a young, feisty, independent woman of the late 19th century linked to Burr through her grandfather (maybe)who wants to take her part in a quintessentially man’s world riding the crest of the rising prominence of the print media. Her struggle for her place in the sun (and her fight with her half-brother over rightful inheritance)is the core personal story told here.

The second level is the liberal use of real historical figures, usually high government officials or other worthies, as seen in their “off-duty” endeavors, usually pursuing some power position or a sexual adventure. Or both. That’s about right for this milieu, agreed? Although the gap between fictional and real characters is sometimes blurred, here mainly Lincoln’s old personal White House secretary John Hay who now has come, front and center, into his own as President McKinley’s Secretary of State in the aftermath of the 1898 Spanish-American War, that ‘splendid little war that started the American republic full-throttle on the road to the imperium. Obviously, no Gilded Age period piece is complete without many pages on the “exploits”, political and military, of one “Teddy” Roosevelt. Brother Vidal takes old Teddy down a peg or two here.

To finish off the period, and to note the decline of the original Puritan/Yankee spirit that drove the early history of this country, the last major prominent member of the Adams clan(excluding Brook Adams who has a cameo role here), Henry, is brought in as a weak conscious-driven counterweight to the “hard-pans” (read: new rich) who would dominate the American scene in the 20th century and whose progeny still burden us today. This is a quick read but a thoughtful novel of the perils of America's starting down that imperial road to replace the British Empire as the main world power. Worst though we are still dealing with the ramifications of those decisions today. Read the real history but also read Vidal.

Wednesday, November 18, 2009

***Tales From The 1950s Crypt- “Revolutionary Road”- This Ain’t “Ozzie And Harriet”

Click on title to link to YouTube's film clip of the trailer for the movie, "Revolutionary Road".

DVD Review

Revolutionary Road, based on the book by Richard Yates, starring Kate Winslett and Leonardo DiCaprio, DreamWorks Productions, 2008


Over the past period I have seemingly endlessly retailed the experiences of my young adulthood during the 1960s, the time of the “generation of ‘68”. That makes me, obviously, a child of the 1950s, the time period of this very interesting movie, “Revolutionary Road”, based on a book by the darkly sardonic writer, Richard Yates. I have also seemingly endlessly pointed out my experiences and the effects they had as a result of growing up among the marginally working poor in that ‘golden age’. I am fond of saying that I didn’t know there was any other condition than being poor for a long time. Well, I did find out there were other conditions although in my youth I would still have had a hard time relating to the story line of this film. The ‘trials and tribulations’, then, of an upwardly mobile, prosperous young couple, the Wheelers, Frank and April, with the mandatory two charming children (although amazingly well hidden throughout the film) and a nice leafy suburban house in some nice town in Connecticut would have gone over my head. Now though I can a little more readily appreciate the seamy psychologically paralyzing side of that existence.

As graphically portrayed in the film, that seamy side that also provided some of the most powerful scenes in the movie, and best acting moments by both Winslett and DiCaprio (last seen together in "Titanic") the central driving force of the story is the emptiness of middle class existence in the 1950s. Cookie-cutter is the word that came to mind as Frank and April try to break the golden bonds that keep them tied to their old life. One of the nice moments cinematically is the sequence involving Frank’s routine workday morning ritual catching the train to New York City (along with all the other felt-hatted men, the symbol of success in that period). Another sober moment is when April takes out the rubbish in their deathless suburban tract and realizes that this life is not for her.

But how to break those golden chains? The issues presented here about consumerism, meaningless and vacuous work, the isolated role of women in the nuclear family (and the question of women's reproductive rights that drives the final section of the film), the eternal struggle for security in an individualistically-driven society are all issues that got a fuller workout and wider airing in the 1960s (and since). In a sense the ‘whimsical’ Wheelers were too early. They were before their time. However, although times have changed, I will bet serious money that if you go to some Connecticut train station headed to New York City on any Monday morning you will see, two generations removed and without the hats, men and women making that same meaningless trip that old Frank made. Yates was definitely onto something about the nature of modern capitalist social organization. But I will confess something, although I know better now the stresses of that fate, I would not have minded, minded at all, growing up in that little ‘cottage’ the Wheelers called home. That, however, is a story for another day. In the meantime note this. I am glad, glad as hell, that I followed my version of 'revolutionary road', not theirs.

*Writer’s Corner- Dalton Trumbo’s Anti-War Classic “Johnny Got His Gun”

Click on title to link to Wikipedia's entry for Dalton Trumbo's classic anti-war novel "Johnny Got His Gun".

Book Review

Johnny Got His Gun, Dalton Trumbo, Vintage, New York, 1993


The subject of war has had all sorts of novelistic treatments, the most successful usually trending lightly on the war action itself and delving into the personal choices and consequences of the characters as their central aim. In that odd sense the most compelling novelistic treatments are either pro-war (for some seemingly rational reason like defending one’s country or coming to the aid of a smaller, weaker country, etc.) or neutral to the more physical and psychological dimensions of the situation. A flat out, anti-war (or, to use a more vague term, pacifistic) treatment is usually not successful either because it has a “preaching to the choir” quality or strikes some false chord. That is not the case with Dalton Trumbo’s “Johnny Got His Gun”.


Although this novel was written under the sign of the Hitler-Stalin Pact in the late 1930s , reflected in Communist International and American Communist Party political line as one of intense opposition to Western war preparations it brings more home truths than merely another piece of ‘communistic’ propaganda and it would be incorrect even for staunch anti-Stalinists to dismiss it out of hand. Joe, the main character here, maimed beyond belief and repair, is every mother’s son, every American mother’s son. His interior monologue, as he remembers his past, his lost youth, his desires and the useless way he was used in the last days of World War I is almost unique in the way the story unfolds. It certainly is not for the faint-hearted, or the weak-minded. As steps are now being taken to up the ante in Afghanistan, another one of those wars to ‘defend’ democracy this thing should be required reading for every mother, and every mother’s son and daughter who seeks to put him or herself in harm’s way.

Johnny, I Hardly Knew Ye
words and music Traditional


While on the road to sweet Athy, hurroo, hurroo
While on the road to sweet Athy, hurroo, hurroo
While on the road to sweet Athy
A stick in me hand and a drop in me eye
A doleful damsel I heard cry,
Johnny I hardly knew ye.

With your drums and guns and drums and guns, hurroo, hurroo
With your drums and guns and drums and guns, hurroo, hurroo
With your drums and guns and drums and guns
The enemy nearly slew ye
Oh my darling dear, Ye look so queer
Johnny I hardly knew ye.

Where are your eyes that look so mild, hurroo, hurroo
Where are your eyes that look so mild, hurroo, hurroo
Where are your eyes that look so mild
When my poor heart you first beguiled
Why did ye run from me and the child
Oh Johnny, I hardly knew ye.

Where are your legs with which ye run, hurroo, hurroo
Where are your legs with which ye run, hurroo, hurroo
Where are your legs with which ye run
When first you learned to carry a gun
Indeed your dancing days are done
Oh Johnny, I hardly knew ye.

I'm happy for to see ye home, hurroo, hurroo
I'm happy for to see ye home, hurroo, hurroo
I'm happy for to see ye home
All from the island of Sulloon
So low in flesh, so high in bone
Oh Johnny I hardly knew ye.

Ye haven't an arm, ye haven't a leg, hurroo, hurroo
Ye haven't an arm, ye haven't a leg, hurroo, hurroo
Ye haven't an arm, ye haven't a leg
Ye're an armless, boneless, chickenless egg
Ye'll be having to put a bowl to beg
Oh Johnny I hardly knew ye.

I'm happy for to see ye home, hurroo, hurroo
I'm happy for to see ye home, hurroo, hurroo
I'm happy for to see ye home
All from the island of Ceylon;
So low in the flesh, so high in the boon.
Johnny I hardly knew ye.

Extra lyrics I found:

They're rolling out the guns again, hurroo, hurroo
They're rolling out the guns again, hurroo, hurroo
They're rolling out the guns again
But they never will take our sons again
No they never will take our sons again
Johnny I'm swearing to ye.

Chords: KEY D

Background: Which came first the chicken or the egg. I first learned about "Johnny I Hardly Knew Ye" from a popular American version written during the Civil War. That song "When Johnny Comes Marching Home" was first published in 1863 as "Words and Music by Louis Lambert," which was a pseudonym for Patrick Sarsfield, 1829-1892. Patrick was a native of Ireland who emigrated to Boston. "When Johnny Comes Marching Home" is a rousing song about a hero returning from war.

The first published version of "Johnny, I Hardly Knew Ye" came out several years after Sarsfield's song. Nevertheless, it is strongly believed to have originated in Ireland.

It's a much more somber song that tells about the woes and horrors of war in the popular folk tradition of describing the body parts blown off a soldier who does not come home to his love.

Tuesday, November 17, 2009

*Poet’s Corner- Early Soviet Poet Vladimir Mayakovsky

Click on title to link to the Vladimir Mayakovsky Internet Archive to read some of his poems, especially from the famous "The Bedbug" volume.

Vladimir Mayakovsky 1922

You

Source: The Bedbug and selected poetry, translated by Max Hayward and George Reavey. Meridian Books, New York, 1960;Transcribed: by Mitchell Abidor.

You came –
determined, because I was large,
because I was roaring,
but on close inspectionyou saw a mere boy.
You seized and snatched away my heartand
beganto play with it –
like a girl with a bouncing ball.
And before this miracle
every womanwas either a lady astounded
or a maiden inquiring:
“Love such a fellow?
Why, he'll pounce on you!
She must be a lion tamer,a girl from the zoo!”
But I was triumphant.I didn’t feel it –the yoke!
Oblivious with joy,
I jumped and leapt about,
a bride-happy redskin,
I felt so elated and light.

*From The Pen Of Early Soviet Culture Commissar Anatol Lunacharsky- On Henrik Ibsen

Click on title to link to the Anatol Lunacharsky Internet Archive's copy of his essay on the great Norwegian writer Henrik Ibsen. Lunacharsky may have been a 'soft' Bolshevik and conciliatory toward Stalin, when the deal went down and the Russian Left Opposition was defeated, but he certainly has some interesting and thoughtful insights on the "culture wars" of his day.

*From The Pen Of Early Soviet Culture Commissar Anatol Lunacharsky-On Marcel Proust

Click on title to link to the Anatol Lunacharsky Internet Archive's copy of his essay on the great French writer Marcel Proust. Lunacharsky may have been a 'soft' Bolshevik and conciliatory toward Stalin, when the deal went down and the Russian Left Opposition was defeated, but he certainly has some interesting and thoughtful insights on the "culture wars" of his day.

*From The Pen Of Early Soviet Culture Commissar Anatol Lunacharsky- On Maxim Gorky

Click on title to link to the Anatol Lunacharsky Internet Archive's copy of his essay on the great Russian writer Maxim Gorky. Lunacharsky may have been a 'soft' Bolshevik and conciliatory toward Stalin, when the deal went down and the Russian Left Opposition was defeated, but he certainly has some interesting and thoughtful insights on the "culture wars" of his day.

*From The Pen Of Early Soviet Culture Commissar Anatol Lunacharsky- On Russian Poet Mayakovsky

Click on title to link to the Anatol Lunacharsky Internet Archive's copy of his essay on the great Russian poet Vladimir Mayakovsky. Lunacharsky may have been a 'soft' Bolshevik and conciliatory toward Stalin, when the deal went down and the Russian Left Opposition was defeated, but he certainly has some interesting and thoughtful insights on the "culture wars" of his day.

*From The Pen Of Early Soviet Culture Commissar Anatol Lunacharsky-On George Bernard Shaw

Click on title to link to the Anatol Lunacharsky Internet Archive's copy of his essay on the great British writer George Bernard Shaw. Lunacharsky may have been a 'soft' Bolshevik and conciliatory toward Stalin, when the deal went down and the Russian Left Opposition was defeated, but he certainly has some interesting and thoughtful insights on the "culture wars" of his day.

*From The Pen Of Early Soviet Culture Commissar Anatol Lunacharsky- On Dostoevsky

Click on title to link to the Anatol Lunacharsky Internet Archive's copy of his essay on the great Russian writer Dostoevsky. Lunacharsky may have been a 'soft' Bolshevik and conciliatory toward Stalin, when the deal went down and the Russian Left Opposition was defeated, but he certainly has some interesting and thoughtful insights on the "culture wars" of his day.