Saturday, November 05, 2016

***From The Pages Of "Women And Revolution"-"The Roots Of Bolshevism: The Russian Revolutionary Tradition"-A Guest Commentary

Click on the title to link to a "Wikipedia" entry for the heroic 19th century early Russian revolutionary, Vera Figner, mentioned in the article below.

Markin comment:

The following is an article from the Summer/Autumn 1992 issue of "Women and Revolution" that has some historical interest for all those who wish to learn about our militant forbears. I will be posting more such articles from the back issues of "Women and Revolution" during this Women's History Month.

The Roots Of Bolshevism:The Russian Revolutionary Tradition

W&R is pleased to present the edited transcript of a talk given by a member of our editorial board, Joseph Seymour, at an educational conference of the Spartacist League/US, held in the Bay Area on 2 May 1992.

The origins of this talk go back a few years to conversations I had with two comrades who were most directly and actively involved in seeking to build a section of the International Communist League in the Soviet Union. We talked about how wretched the present-day Russian intelligentsia was, both the pro-Wall Street self-styled "democrats" and the Stalinist self-described "patriots." Particularly disturbing was the depth of women's oppression and the pervasive¬ness of male chauvinism, not only in Soviet societyat large but even amongpeople who considered themselves communists, Leninists, would-be Trotskyists.

As we were talking, it occurred to me that the present-day Russian intelligentsia is not only profoundly alienated from Bolshevism, but from the many generations of Russian revolutionaries who preceded and culminated in Bolshevism. If the ghost of Nikolai Chernyshevsky, who was the greatest Russian socialist of the pre-Marxist era—a man who had a profound influence on Lenin—could return to his old intellectual haunts in the universities and editorial offices of Russia today, he would not be able to understand how anyone who called himself a democrat could want to transform Russia along the lines of Western capitalism. For him, to be a democrat meant to be for social equality. It meant to be for the rule of the lower classes in society. The Russian revolutionaries despised the bourgeoisie, both the Russian version and the Western version.

Chernyshevsky would be even more uncomprehending about how anyone could call himself a communist and yet be a Russian nationalist, a male chauvinist and an anti-Semite. Because to be a communist meant by definition that you were an internationalist, you were an extreme partisan of women's equality and liberation, and you welcomed Jews as equals and as comrades. From the 1870s onward, Jews played a prominent role in all of the Russian radical movements, all of the wings of populism and later all wings of Marxism.

And women played a far more prominent role in the Russian revolutionary movement than they did in any other country in the world. Women like Vera Zasulich and Sofia Bardina of Land and Liberty, which was the principal populist organization, were hard, tough, dedicated revolutionaries. From the shooting of the police commandant Trepov in 1878 to the assassination of the tsarist general Luzhenovsky by Maria Spiridonova in 1906, Russian women carried out some of the most spectacular acts of terrorism. After the
Revolution of 1905 a tsarist prison official in his own way recognized the equality of women: "Experience shows that women, in terms of criminality, ability, and possession of the urge to escape, are hardly distinguishable from men."

If we could get into a time machine and go back to the world of Chernyshevsky and Land and Liberty, we would have big fights about peasant socialism and the efficacy of terrorism. But at a deeper level we would feel ourselves among comrades. So what we are trying to do is to reinstill in Russia today its own great revolutionary tradition, a tradition which has been perverted and degraded or simply forgotten after decades of Stalinist rule and the pressure of Western imperialism on the Soviet bureaucratically degenerated workers state.

French Jacobins and Russian Decembrists

That tradition begins with the Decembrists, a group of revolutionary democratic military officers who sought to overthrow the tsarist autocracy in December 1825. But the Decembrists themselves begin with the French Revolution, which is the fountainhead of radicalism in the modern world. It is one of the ironies of history that the Russian army which the tsar sent into West Europe to crush the French Revolution in its Napoleonic phase became a transmission belt back into Russia for the ideals of that revolution. One of the Decembrists later wrote:

"During the campaigns through Germany and France our young men became acquainted with European civilization, which produced upon them the strongest impression. They were able to compare all that they had seen abroad with what confronted them at every step at home: slavery of the majority of Russians, cruel treatment of subordinates by superiors, all sorts of government abuses, and general tyranny."

So the Decembrists were a belated attempt to extend the French Revolution into Russia. One of their principal leaders had been the son of the Russian ambassador to Napoleonic France; he grew up in a milieu shot through with former Jacobin revolutionaries, among them Napo¬leon himself. Another prominent Decembrist, when he was stationed in Paris in 1815, went around to the leading intellectuals, among them Henri Saint-Simon, a pioneer
theorist of socialism. Saint-Simon attempted to convince this young Russian nobleman to introduce socialism into his homeland.

The most radical of the Decembrists, Pavel Pestel, had not personally been to France although he identified himself wholeheartedly with the French revolutionaries. But he went beyond Jacobinism. By the 1820s the ideas of socialism were beginning to gain currency among the European intelligentsia. Pestel attempted to combine a radical bourgeois-democratic revolution with elements of socialism. He proposed that the land be taken from the nobility and given to the peasants—half given to the peasants to farm privately, the other half to farm collectively so that no peasant family would go hungry. And Pestel called this the Russian Law. After the insurrection was suppressed, the tsarist authorities discovered the Russian Law among Pestel's private papers. Instead of publicizing it at his trial, they thought it was so inflammatory and attractive that they buried it in a secret archive. It did not see the light of day for almost 100 years.

An old reactionary general was on his deathbed when he heard of the Decembrist uprising, and it perplexed him. He said: before we have had uprisings of peasants who want to become noblemen; now we have an uprising of noblemen who want to become shoemakers. The Decembrists did not want to become shoemakers; they were not concerned with their future personal status. But this old reactionary understood something: that this was a movement of an elite, isolated from the peasant masses in whose interests they spoke and attempted to act. And this would be true of the Russian revolutionary intelligentsia throughout the 19th century. Initially this milieu consisted mainly of the sons of noblemen, later on the sons and daughters of what was called the "middle class," the children of tsarist bureaucrats or like Chernyshevsky, of Russian Orthodox priests. It was only at the end of the century, in the mid-1890s, that the Marxist wing of the intelligentsia acquired a mass base among the rapidly growing industrial proletariat.

The Decembrists were the first revolutionary bourgeois-democratic movement in Russia. They were also the last such movement. That is, they were the last movement that attempted to overthrow the tsar in order to remodel Russian society along the lines of contemporary West Europe or North America. After that, those people who wanted to transform Russia along the lines of Western capitalism did not call themselves democrats because they were not democrats; they called themselves liberals. They did not want to overthrow the tsarist autocracy. Rather they wanted to pressure the tsarist autocracy to modernize Russia from above. Their goal was a constitutional mon¬archy in which the monarch remained strong and the constitution guaranteed the rule of the propertied classes. As Chernyshevsky put it: "The liberals absolutely refuse to allow the lower strata any preponderance in society."

The First Russian Socialist Movement

Following the suppression of the Decembrists it took another generation for a new revolutionary movement to emerge. This was the so-called Petrashevsky Circle, a group of a couple of hundred radicals around Mikhail Petrashevsky. At that time the Russian Orthodox Church was sexually segregated, and in order to show his support for the equality of women and his defiance of the state church, Petrashevsky donned women's clothing and he attended a ceremony of the church exclusive to women. However he had forgotten to shave off his beard! He was approached by a policeman who said, "Madam, I think you are a man." Petrashevsky replied, "Sir, I think you are an old woman." The policeman was so flustered, Petrashevsky made his getaway.

Whereas the Decembrists had viewed West Europe in the afterglow of the French Revolution, a generation later Petrashevsky and his comrades only saw in West Europe an arena of the horrible exploitation of the lower classes by the propertied classes. They identified with the socialist opposition to Western bourgeois society and defined their goal as the application of Western socialism to Russia. In light of everything that's happening in Russia today, it's important to emphasize that this very first Russian socialist movement was implacably opposed to Russian nationalism in all its manifestations. They of course opposed the Slavophiles, who idealized Russia before Peter the Great and counterposed the spirituality of the Russian people to the crass materialism of the bourgeois West. But Petrashevsky and his comrades also opposed radical democrats like Belinsky who argued that the progress of humanity goes through nations, not by transcending nations. Against this view they argued, "Socialism is a cosmopolitan doctrine, which stands higher than nationalities...for socialists differing nations do not exist, there are only people."

The Petrashevsky Circle was the exact contemporary of the German League of the Just, out of which came the Communist League for which Marx wrote the Com¬munist Manifesto. Like Marx, Petrashevsky and his com¬rades believed that the spectre of communism was haunt¬ing Europe. And Russia was part of Europe. They looked forward, in the near future, to a pan-European socialist revolution, predominantly proletarian in the West, predominantly peasant-based in the East. They believed that the outbreak of the revolutions of 1848 in West Europe was the beginning of that development, and they immediately wanted to get in on the act. They started discussing how they were actually going to overthrow the tsar. But before they got very far, the tsarist authorities simply crushed them. Nicholas I was panicked in his own way by the spectre of communism and moved to destroy its meager reflection among a small section of the Russian intelligentsia.

The Origins of Populism

The revolutions of 1848 and the ensuing counterrevolutions by the combined forces of bourgeois and monarchical reaction are the great historic watershed of 19th century Europe. Among other things they gave rise to Russian populism as a distinct current of European socialism. Petrashevsky and his comrades had believed that socialism would come to Russia as part of a general European revolution. That vision was defeated on the barricades in Paris, Vienna, Rome and elsewhere.

A witness to that defeat was Alexander Herzen, the founder of Russian populism. Herzen had been a radical democrat who emigrated to West Europe, and he experienced the revolutions of 1848 in France and Italy. But Herzen remained optimistic about the prospects of revolution in Russia. If Russia was going to have a revolution in advance and independently of West Europe, however, it would have to be a predominantly peasant revolution because the industrial proletariat was minute. A German conservative, Baron Haxthausen, who had visited Russia in the 1840s, wrote a book saying that Russia didn't need a socialist revolution, it already had socialism in the form of the traditional peasant commune. After 1848 Herzen accepted this premise and argued that what would require a proletarian revolution in the West could be achieved on the basis of Russian rural institutions if the society were sufficiently democratized.

It is important to emphasize that while the Russian populists saw a different path to socialism in Russia, they had the same goal as Western revolutionaries. Thus Marx was always held in extremely high regard in the Russian populist movement. One of the early under¬ground populist groups wrote to Marx in London and proposed that he represent Russia as well as Germany in the leading council of the First International. The first language into which Capital was translated was Russian. It got through the tsarist censors, who figured that a book so dry and abstract as Capital could not inspire anyone to revolutionary passion, and it became an instant best seller. At the end of his life, Herzen stated that he had always been faithful to the ideas of Saint-Simon, who had an extremely technologically advanced conception of socialism.

Herein lay the fundamental contradiction of Russian populism. The populists projected onto the peasant commune not only economic egalitarianism, but social equality at all levels—the equality of women, a libertarian conception of sexual relations, a belief in materialism and the progress of science. They believed that the tsar-worshipping, priest-ridden, wife-beating Russian peasant could be won to the outlook of a Saint-Simon or a Marx. Such an illusion could survive only as long as the populist movement was exclusively a movement of the intelligentsia. And in fact the "To the People" movement marked the beginning of the end of Russian populism.

Revolutionary populism went through four distinct phases. The first phase was ushered in by the Crimean War of 1853-55 in which Russia was defeated by England and France. This defeat sent shock waves through the Russian upper classes. Tsar Nicholas I died in 1855 (some say he committed suicide out of a sense of shame). His successor, Alexander II, appeared to be a liberal, and in the late 1850s Russia experienced the tsarist version of glasnost and perestroika. Censorship was relaxed very considerably, and the tsarist government began talking about fundamental reforms of the system of serfdom.

Initially populist intellectuals like Herzen and Chernyshevsky demanded that the tsar expropriate the landed nobility and give the land to the peasantry. Some believed that the tsarist autocracy would achieve from above what the French Revolution had achieved from below. However, it soon became clear that the legal emancipation of the serfs was going to be done in a way which perpetuated the exploitation of the peasants at the hands of the landlords and the absolutist state. In the first years after the abolition of serfdom, the economic conditions of the peasantry were actually worse than they had been. When the Emancipation Edict of 1861 was read, it provoked scattered peasant uprisings; the peasants thought it was a counterfeit document by the local bureaucrats and the landlords. The so:called Emancipation Edict marked the beginning of revolutionary populism. The intelligentsia became convinced that in order to establish peasant-based socialism they would have to overthrow the tsarist autocracy and create a democratic republic.

The "Common Cause":
Women in the Revolutionary Movement


In the 1860s the first underground revolutionary organizations came into existence. These were easily crushed. Chernyshevsky himself was imprisoned and then exiled. Yet the tsarist repression in no way suppressed the revolutionary populist movement. Over the course of the next decade, a group of perhaps two or three hundred intellectuals became a mass movement of the intelligentsia numbering thousands of activists and perhaps ten times as many sympathizers.

A three-sided political struggle developed during this period within the Russian intelligentsia who opposed the existing social and political order to some degree: the Slavophiles, the liberals, and the revolutionary populists. In this struggle the populists won hands down, and by the early 1870s Russian universities were a bastion of revolutionary populism.

Perhaps the decisive reason for the victory of populism is that they were able to mobilize the vast reserves of the women of the educated classes. This movement literally liberated thousands of women from the shackles of the patriarchal family. A woman was not legally allowed to live on her own without the permission of her parents, or her husband if she was married. To circumvent this, the fictitious marriage became a sort of standard activity within the radical movement. Some young male student would be told by a friend that he knew of a woman of advanced views who wanted to go abroad to study medicine (a woman couldn't study medicine in Russia). And they would meet for the first time in front of a church; they would go in, get married; they would come out, and he would hand her her passport, of which he had control, and say, "Now you are free to go and study medicine and do what you like."

During the 1860s the Russian revolutionary movement acquired the participation of women to a far greater degree than their counterparts in Western Europe. These women at the same time consciously rejected Western-style feminism, that is, the idea of building a separate movement predominantly of women in order to pressure the existing government to pass laws in favor of women's equality. They saw women's equality coming about through what was called the "common cause," a total social revolution in which they would participate on an equal footing with male revolutionaries. Vera Figner, who became the principal leader of the terrorist People's Will in its final phase, recounts how she and her fellow Russian radical students at the University of Zurich viewed this question:

"Generally speaking, as a group the female students abroad were not advocates of the woman question and smiled at any mention of it. We came without thought of pioneering or trying to solve the woman question. We didn't think it needed solution. It was a thing of the past; the principle of equality between men and women had been achieved in the sixties."

Now of course what Figner meant was that it had been achieved within the revolutionary movement, not in Russian society at large. The Russian populists, called "Narodniks" in their own language, were acutely aware of the terrible oppression of women. At a mass trial of populists in 1877, the tsarist prosecutors denounced them for undermining the family. Sofia Bardina replied to this:

"As far as the family is concerned...isn't it being destroyed by a social system which forces an impoverished woman to abandon herself to prostitution, and which even sanctifies this prostitution as a legal and necessary element of every civilized state? Or is it we who are destroying the family? we who are trying to root out this poverty—the major cause of all society's ill, including the erosion of the family?"

"To the People"

In the mid-1870s the populist intelligentsia who were organized in Land and Liberty, which was an all-Russian, fairly highly centralized organization of the Narodnik vanguard, made a heroic 'attempt to overthrow what Bardina called the "social system." This was the "To the People" movement. Thousands of revolutionary intellec¬tuals flocked to rural villages trying to incite the peasants to rise up in a radical democratic and social revolution. The response was not favorable. One of the leading veterans of this movement reported:

"I noticed that any sharp sallies against the Tsar or against religion made an extremely disagreeable impression on the peasants; they were just as deeply perplexed by energetic appeals for a rebellion or uprising."

When the Narodnik intellectuals said that the peasants should have the landlords' land, they got a favorable hearing. But the peasants were unwilling to defy the state to achieve this end.

While the main body of Narodnik intellectuals went to the rural villages, some remained in the cities and sought to agitate and organize among factory workers. Here they were distinctly more successful. They were able to win over some advanced workers, such as Stepan Khalturin, who joined the leadership of Land and Liberty and set up small but significant allied organizations of workers.

One of the leading populist intellectuals involved in organizing the workers was Georgi Plekhanov. Initially Plekhanov accepted what could be called the conventional populist line: factory workers are simply peasants doing seasonal vyork in the factories, which had no effect on their sympathies and ties to the rural villages. But Plekhanov's own experience caused him to question this. In 1879 he wrote:

"The question of the city worker is one of those that it may be said will be moved forward automatically by life itself, to an appropriate place, in spite of the a priori theoretical decisions of the revolutionary leaders."

The "To the People" movement, which necessarily operated quite openly, exposed the Narodniks to massive state repression. This repression, combined with the frus¬tration that the movement had not achieved its basic aim, paved the way for the last phase of revolutionary populism: the turn toward terrorism.

In 1878 Vera Zasulich heard that one of her comrades had been almost beaten to death in prison. She put on her best clothes, walked to the prison, requested that she present a petition to the head of the prison, and when she went into his office she pulled out a gun and shot him pointblank. She did not however kill him. The tsarist authorities thought this was such an open-and-shut case that instead of trying her for a political crime before a special tribunal, they tried her on an ordinary criminal charge before a jury drawn from the St. Petersburg upper classes. And she was acquitted, because the jury found this a justifiable act of moral outrage!

The acquittal had a far more shocking impact than the shooting. Count Leo Tolstoy, the author of War and Peace, expressed the views of the educated elite when he called Zasulich's acquittal "a harbinger of revolution." The populist leaders drew the same conclusion: that if even an upper-class jury will acquit an overt terrorist, then a cam¬paign of terrorism would have enormous popular support. Marx and Engels in London similarly concluded that in the particular conditions of Russia a campaign of terrorism could incite a popular revolution.

The one populist intellectual who dissented was Plekhanov, who warned that the only effect of shooting Alexander II would be to replace him with another Alexander with another digit after his name. He wanted to continue to propagandize and agitate among the rural had been in prison and then in exile for almost 20 years. The tsarist regime had sufficient respect for the effectiveness of People's Will that they did in fact free the old man of Russian socialism. But in the following years Russian populism was basically broken, not so much by the tsarist repression as by demoralization. Neither mass agitation nor terrorism had seriously affected the tsarist autocracy, which emerged if anything even more reactionary than ever.

From Populism to Marxism

The 1880s were the low point of the Russian revolutionary movement. In 1889 a student in St. Petersburg, just ten years earlier a hotbed of revolutionary activism, reported: "There were few self-sacrificing participants who completely consecrated themselves to the cause.... All wanted to finish the course as soon as possible and then to live entirely within the law." Yet just a few years later, a new generation of Russian revolutionaries would enter the scene and finish off the tsarist autocracy
once and for all.

Most accounts of the transition from populism to Marxism within the Russian intelligentsia focus exclusively on Plekhanov and his comrades. It's important, however, to place this transition in its international context. During the 1870s Russia appeared to be the one country on the verge of a radical upheaval. The bomb-throwing Russian Narodnik seemed the model of the European revolutionary. When Zasulich fled to West Europe after being acquitted for shooting Trepov, she was greeted as a heroine not only by socialists, but even by many Western liberals who hated the tsarist autocracy. Yet a decade later the Russian populist movement had almost evaporated. In 1878, the same year that People's Will was formed, the Bismarck regime in Germany passed the so-called Anti-Socialist Laws aimed at breaking the power of the German Marxist movement. The leaders, Bebel and Kautsky, were driven into exile and many activists were imprisoned. Yet unlike the Russian populists, the Marxists became the mass party of the German proletariat despite the repression. So Plekhanov's influence among a new generation of Russian revolutionaries-was not merely because of the intrinsic brilliance of his polemics against populism, but also because he was a cothinker of the strongest, most effective socialist movement in Europe.

After the split in Land and Liberty, Plekhanov attempted to establish a small propaganda group called "Total Redistribution," but the tsarist persecution was so intense that he and his comrades were forced into exile. This compelled them to rethink their basic theoretical premises and strategic perspectives, and in the early 1880s Ple¬khanov made the transition from populism to Marxism. That transition contained two basic elements, one negative, the other positive. Instead of just idealizing it, Plekhanov looked at what was happening to the peasant commune, and he saw that since the emancipation of the serfs, the collective elements of the Russian peasantry were rapidly being undermined. A new layer of rich peas¬ants, known by the insulting term kulaks, or "fists," was increasingly dominating the life of the village because they had the money. That was the negative element. The positive element is that Plekhanov generalized from his own experiences in the 1870s that there was a fundamental difference between workers and peasants, that they were not just part of the narod, the "people," and that only the workers in their mass were receptive to the socialist program. He concluded that a socialist party in Russia must be based centrally on the slowly but steadily growing proletariat.

In rejecting the conception of peasant-based socialism, Plekhanov concluded that Russia at that point in its economic development could not have a socialist transformation of any kind. He conceived a theory of what later came to be called the "two-stage revolution." In the first stage the working class, guided by the socialist intelligentsia, would lead the overthrow of the tsarist autocracy. The liberal bourgeoisie, such as ruled in the West, would then come to power. In turn the workers would gain the political freedom to build a mass proletarian party and allied trade-union movement. Plekhanov also believed that a radical democratic revolution in Russia would enormously accelerate capitalist development, thus increasing the numerical weight of the industrial proletariat and creating the objective economic conditions for a socialist revolution in the future. Thus the program of the Eman¬cipation of Labor group, formed in 1883, stated:

"Present-day Russia is suffering—as Marx once said of the West European continent—not only from the development of capitalist production, but also from insufficiency of that development.

"One of the most harmful consequences of this backward state of production was and still is the underdevelopment of the middle class, which, in our country, is incapable of taking the initiative in the struggle against absolutism. "That is why the socialist intelligentsia has been obliged to head the present-day emancipation movement, whose immediate task must be to set up free political institutions in our country...."

Plekhanov's two-stage revolutionary schema was accepted within the Marxist movement until the beginnings of the Revolution of 1905, when it was confronted, as Plekhanov would have said, "by life itself." It was then challenged in different ways by Lenin's conception of the revolutionary democratic dictatorship of the proletariat and peasantry and Trotsky's conception of permanent revolution.

"From a Spark a Flame Shall Be Kindled"

In the first decade of its existence, the Emancipation of Labor group was a mere handful of exiles. This reflected both the apolitical mood of the Russian intelligentsia and the continuing dominance of the populists over the diminished radical movement. Slowly Plekhanov began to influence a new younger generation of Russian intellectuals, personified by Vladimir llyich Ulyanov. According to his own account, the future Lenin was an apolitical youth until 1887, when his older brother was executed for participating in one of the last populist attempts to take the tsar's life. Alexander Ulyanov's execution radicalized his younger brother, who, however, did not follow the same path in a programmatic and strategic sense. In the early 1890s the young future Lenin consciously rejected populism in all its contemporary manifestations, and consid¬ered himself a Marxist.

By the mid-1890s, revolutionary populism was a thing of the past and what passed for populism had merged with liberalism. In the 1890s the only people who were calling for a democratic republic were the Marxists, called the Social Democrats. Thus Lenin could write at this time: "All true and consistent democrats in Russia must become Social Democrats." The Russian Marxists had achieved a position in some ways comparable to the revolutionary populists of a generation earlier. They had become the dominant current among that section of the Russian intelligentsia which was fundamentally hostile to the existing social and political order. They had also acquired a small layer of advanced workers. But they had to break outside the narrow circle. This was called the transition from propaganda to agitation. Plekhanov defined propaganda as the explanation of many complex ideas to the few, and agitation as the explanation of a few basic ideas to the many.

The attempt of the Marxist propaganda circle to involve itself in agitation among the workers happened to coincide with a major strike wave. As a result they got a far more favorable hearing and greater influence among the workers than they had initially expected. Lenin, Martov and the other leaders of the movement sought to direct the workers' economic resistance to the employer toward the ultimate goal of a radical democratic revolution against the tsarist autocracy. In a popular pamphlet on factory fines written in 1895, for example, Lenin wrote:

"[The workers] will understand that the government and its officials are on the side of the factory owners, and that the laws are drawn up in such a way as to make it easier for the employer to oppress the worker."

The turn toward agitation incurred increased tsarist repression. Lenin, Martov and the other leaders of what were called the first generation of Russian Marxist "practicals"—that is, the Russian Marxists who actually organized the workers, as opposed to the older veterans like Plekhanov and Axelrod who provided the theoretical direction from exile—were arrested. The movement passed into the hands of younger people whose formative experience was their involvement in the mass strikes. They became so enthralled with increasing their influence among the workers that they decided to drop the demand for a democratic republic, which they argued was remote from the immediate concerns of the workers and was unpopular among the more backward sections who still had illusions in the tsar's benevolence.

Plekhanov denounced this tendency as "economism," which a colleague of Lenin, Potresov, defined as the Utopian notion of building an effective trade-union move¬ment under tsarist absolutism. Nonetheless in the late 1890s economism became the dominant current within Russian Social Democracy, both the underground circles in Russia and the exile organizations in West Europe.

In 1900 Lenin, Martov and Potresov were released from Siberia, where they had been sent into exile. They joined Plekhanov and his comrades in West Europe to form what was called the Iskra group. "Iskra," meaning "spark," was taken for their journal; it derived from a letter that was written 75 years earlier by the imprisoned and condemned Decembrists to their friend, the great Russian poet Alexander Pushkin. In justifying their actions, the Decembrists said: "From a spark a flame shall be kindled." In choosing this name the Iskra group was stating that the proletariat was and must be the heir to the tradition of revolutionary democratic struggle against the tsarist autocracy. The very name was an attack on economism.

Although Plekhanov was one of the towering figures of European socialism, it was Lenin who was the real driving force and principal organizer of the Iskra group. Its immediate goal was to wrest control of the movement from the still dominant economists. The Iskra group won rather rapidly, in part because Russian society was beginning to experience revolutionary ferment at all levels. Factory workers in large numbers spontaneously joined student strikes and protests, thereby giving the lie to the economist notion that workers would take to the streets only when their own personal livelihood was involved—a very narrow and degrading conception. The narrowness of the economist perspective was discredited even among the economists themselves.

For Lenin, the leadership of the movement was only the first step. The second and decisive step was to cohere the localized propaganda circles into a centralized party with a clearly defined program, strategic perspective and leadership. Describing the need for a such a party in his principal work of the Iskra period, What Is To Be Done?, Lenin used a metaphor from construction:

"Pray tell me, when a bricklayer lays bricks in various parts of an enormous structure, the like of which he has never seen, is it not a 'paper line' that he uses to find the correct place to lay each brick and to indicate the ultimate goal of his work as a whole.... And aren't we passing now through a period in our party life, in which we have bricks and bricklayers, but lack a guiding line visible to all?"

To establish such a guiding line and a centralized party, the Iskra group called a congress of the Russian Social-Democratic Labor Party in mid-1903. As is well known, this congress ended in a deep split between the Bolsheviks (the majority, or "hards"), led by Lenin, and the Mensheviks (the minority, called at the time the "softs"), whose principal leader was Martov. At first it appeared that the split was over narrowly organizational grounds: whether to have a highly centralized party consisting of people who are committed revolutionaries, or, as the Mensheviks wanted, a looser party open to all workers and intellectuals who actively supported the movement in some degree. However, as Russia moved toward a revolutionary crisis it became increasingly clear that the difference over the internal nature of the party was linked to differences over the course of the role it would play in the revolution, in fact differences over the revolution itself.

The Permanent Revolution

In 1904 Russia engaged in a war with Japan over which country would control the Far East. The tsarist autocracy had expected that a wave of popular patriotic solidarity would dampen the growing social discontent. Instead the defeats of the Russian army at the hands of the Japanese further undermined the tsarist autocracy. "Bloody Sunday," the January 1905 massacre of peaceful workers who were petitioning the tsar, ignited a wave of mass workers strikes, peasant uprisings and military mutinies throughout the year. The Romanov throne tottered wildly, although in the end it did not fall. However, in the early months of 1905 the demise of the autocracy seemed imminent, and therefore the various factions and tendencies of Rus¬sian Social Democracy were forced to spell out much more concretely their conceptions of the course of the revolution and its aftermath.

The Mensheviks translated Plekhanov's initially rather abstract conception of a two-stage revolution into support for the liberal wing of the Russian bourgeoisie, organized in the Constitutional Democratic party or Cadets. The last thing that the Cadets wanted was a popular insurrection to overthrow the tsar. What they aimed at was to use the turmoil from below to pressure the tsarist autocracy to create quasi-parliamentary bodies in which the propertied classes would have the dominant place. In practice the Mensheviks' adherence to a two-stage revolution, in which the first stage meant the workers were supposed to march arm in arm with the democratic bourgeoisie against tsarist reaction, turned out to be a no-stage revolution because there was no democratic bourgeoisie with which to march.

Lenin recognized that all wings of the Russian bourgeoisie were anti-democratic and anti-revolutionary, that a radical bourgeois-democratic revolution therefore would have to occur against and not in alliance with the Russian bourgeoisie. This was the core of his conception of the revolutionary democratic dictatorship of the proletariat and the peasantry. He projected that a workers party, supported by the mass of the peasants, would be able to purge Russia of all the feudal-derived backwardness, the tsarist autocracy, bureaucracy and the state church. It would eliminate the oppression of nationalities as well as of the Jews and end the exploitation of the peasants by the landed nobility.

This conception was clearly influenced by the Jacobin dictatorship in the Great French Revolution. Yet the ques¬tion remained: could the proletariat replay the Jacobin dictatorship in the Russia of 1905; was it possible to take economic actions which would harm the interests of large sections of the propertied class and at the same time not economically expropriate the bourgeoisie? Lenin insisted that this was not a stable form of government, but rather "only a transient, temporary socialist aim." He argued a' the time (although he later changed his view) that in thi absence of proletarian revolutions in West Europe, a rev¬olution in Russia, no matter how radical, could not go beyond the framework of capitalist economic relations.

The person who uniquely argued arthe time that th Russian Revolution could and had to go beyond bourgeois economic relations was Leon Trotsky. Trotsky had bef one of the younger leaders of the Iskra group; in the split he initially sided with the Mensheviks. He played prominent role in the Revolution of 1905, and in the course of that revolution developed what he called the doctrine of permanent revolution, in part based on Marx's writings in the immediate aftermath of the revolutions of 1848. In a preface which he wrote in 1921 to his writings on the Revolution of 1905, Trotsky summarized the doctrine of permanent revolution:

"This rather high-flown expression defines the thought that the Russian revolution, although directly concerned with bourgeois aims, could not stop short at those aims; the revolution could not solve its immediate, bourgeois tasks except by putting the proletariat into power. And the proletariat, once having power in its hands, would not be able to remain confined within the bourgeois framework of the revolution. On the contrary, precisely in order to guarantee its victory, the proletarian vanguard in the very earliest stages of its rule would have to make extremely deep inroads not only into feudal but also into bourgeois property relations....

"The contradictions between a workers' government and an overwhelming majority of peasants in a backward country could be resolved only on an international scale, in the arena of a world proletarian revolution. Having, by virtue of historical necessity, burst the narrow bourgeois-democratic confines of the Russian revolution, the victorious proletariat would be compelled also to burst its national and state confines, that is to say, it would have to strive consciously for the Russian revolution to become the pro¬logue to a world revolution."

In 1905 the permanent revolution did not go further than the beginnings of dual power between the proletariat and the tsarist autocracy. However, Russia's defeats in the first imperialist world war broke the back of the tsarist autocracy and paved the way for the Bolshevik Revolution of October 1917, the greatest victory of the world pro¬letariat in history. Today that victory is being desperately threatened by the ascendancy of capitalist counterrevo¬lutionary forces.

But I would like to end this talk rather with a story. After the assassination of Alexander II the leadership of People's Will came into the hands of Vera Figner. It was she who negotiated with the tsarist regime for the release of Chernyshevsky, and she managed to hold together an underground group in Russia for the next two years. The police official who finally tracked her down had gained so much respect for her that he requested to kiss her hand before sending her to prison. But sent to prison she was, where she stayed for the next 22 years. She was only released in the amnesty of 1905. When she came out of prison she was a kind of Narodnik Rip Van Winkle; she could not understand or orient to the radically changed political and social conditions.

Nevertheless, she remained active within the left, where she was universally respected.
In 1917 many prominent old populists joined the counterrevolutionary camp and went into exile. Figner, the old Narodnik terrorist, faced with a fundamental choice of political loyalties, chose to stay in Soviet Russia. In the 1920s she devoted herself to writing her memoirs and to an organization called the Society of Former Political Prisoners, who were old populists who considered themselves loyal citizens of the Soviet Union. In that capacity she sought to induce populists who had emigrated to return to Soviet Russia and to serve the interests of the workers state. This eminently worthy organization was disbanded by Stalin in the early '30s.

Figner was still alive and kicking at the age of 89, living in Moscow, when Nazi Germany invaded the Soviet Union in 1941. As the Wehrmacht approached Moscow, the Russian authorities turned to Figner and said, "We will move you to safety further east." She refused, saying, "I am very old. I will die soon anyway. Save your efforts for people who are living, who still have a life to give to the cause." So the last member of the famous Central Committee of the People's Will died the following year in Moscow, a heroic and self-sacrificing revolutionary right to the end, and in that sense an inspiration for us all.

*****Then and Now-A Pamphlet On The American Labor Struggles Of The 1930s

*****Then and Now-A Pamphlet On The American Labor Struggles Of The 1930s

 
Workers Vanguard No. 1072
7 August 2015
New Spartacist Pamphlet
 
Newly available for purchase is our publication Then and Now, which explains how class-struggle leadership made a key difference in three citywide strikes in 1934. We reprint below the pamphlet’s introduction describing its contents.
 
The “Then and Now” article in this pamphlet addresses the crucial political lessons of the 1934 strikes by Minneapolis truckers, maritime workers on the West Coast and Toledo auto parts workers. Waged amidst the all-sided destitution of the Great Depression, these strikes, like others that year, confronted the strikebreaking forces of the capitalist state. A key difference was that these strikes won. What made this outcome possible is that their leaders were, at the time, committed to a program of class struggle. Unlike other trade-union leaders of that day—and today—they did not buy into the notion that the workers had interests in common with the employers, their political parties or their state. Instead, these strikes were fought by mobilizing the mass strength and solidarity of the workers in opposition to the forces of the capitalist class enemy.
 
The review of Bryan Palmer’s book Revolutionary Teamsters provides a more in-depth study of the Minneapolis truckers’ strikes, which were led by the Trotskyists of the Communist League of America (CLA). Here they confronted the Farmer-Labor Party (FLP) governor of Minnesota, Floyd Olson, who commanded the allegiance of many workers with his often radical-sounding, friend-of-the-little-guy rhetoric. The FLP postured as a “third party” alternative to both the Democrats and Republicans, but it was no less a capitalist party.
 
This is effectively addressed in the 1930 article “The Minnesota F.L.P.” by Vincent Dunne, who went on to become a central leader of the truckers’ strikes. As Dunne makes clear, the two-class Farmer-Labor Party was based on the subordination of the workers’ struggles to farmers and other petty-bourgeois forces “whose political outlook is bounded by the illusion that it is possible to achieve security under the capitalist order.” After an on-again, off-again alliance with the Democratic Party, the FLP finally merged with the Democrats in 1944.
 
Dunne and other CLA leaders of the Minneapolis strikes had been armed for battle against farmer-labor populism by Russian revolutionary leader Leon Trotsky, who in the early 1920s had intervened to pull the young American communist movement back from giving political support to the capitalist “third party” candidacy of Robert La Follette, a maverick Republican Senator from Wisconsin. The excerpts from Trotsky’s introduction to his book, The First Five Years of the Communist International, summarize his opposition to this opportunist course which, if pursued, would have politically liquidated the fledgling Communist party.
 
Today, what remains of the gains that were won through the momentous class battles of the past continues to be ravaged in a one-sided class war enabled by trade-union misleaders, who have long forsaken the very means through which the unions were founded. The working class, the poor, black people, immigrants and countless others at the bottom of this society have paid the price in busted unions, broken lives and all-sided misery.
 
To be sure, it is not easy for the workers to win in the face of the forces arrayed against them. Many strikes, even very militant ones, will lose. But as was demonstrated in the three 1934 strikes addressed in this pamphlet, when important working-class battles are won it can dramatically alter the situation. These victories inspired a huge labor upsurge later in the 1930s that built the mass industrial unions in this country.
 
Hard-fought strikes can provide an important school of battle for the workers in which they learn the power of their collective strength and organization and begin to understand the class nature not only of the capitalist system but of the government, laws and political parties that defend its rule. But while able to strike important blows against the conditions of the workers’ exploitation, trade-union struggle on its own cannot end that exploitation. To win that war there must be a struggle for working-class power under the leadership of a revolutionary party that can arm the workers with the understanding and consciousness of their class interests in the fight to emancipate labor and all of the oppressed from the bondage of capitalist exploitation.
 
Spartacist League/U.S.

Box 1377 GPO, New York, NY 10116, USA




Frank Jackman comment on the labor Struggles of the 1930s:

Everybody, everybody who has been around for the last generation or two and has been breathing knows that the rich have gotten richer exponentially in the one-sided class war that they have so far successfully been pursuing here in America (and internationally as well). We really do not need to have the hard fact of class thrown in our faces one more time by the dwindling band of brave pro-working class leftists who must be legitimately perplexed by the lack of push-back, lack of basic trade union consciousness that animated those of a couple of generations ago to at least fight back and win a few precious gains. Or to have those of the think tank crowd of craven sociologists and make-shift policy wonks who are always slightly behind whatever the current reality is and well behind on what the hell to do about it if they would dream of lowering themselves to such considerations tell us of their recent discovery that the working classes (and the vaunted middle too) are getting screwed to put in working class language. What we really do need to have is some kind of guidance about how to fight back, how to get some room to breathe and figure out a strategy to win some class battles, small, large, hell, any size if for no other reason than to get the capitalists, mostly finance capitalists these days to back off a bit in that relentless drive to push everybody else to the bottom.

So it is very good, and very necessary, that this informative and thought-provoking pamphlet, Then and Now, goes back to the 1930s, the last serious prolonged struggle by the American working class as a class. Goes back and discusses those three very important class battles of 1934 –Minneapolis, Toledo and San Francisco all led centrally by “reds,” by those who had some sense that they were joining  in episodes of the class struggle and were willing to take their lumps on that basis. It probably would have seemed crazy to those militants that over 75 years later that their battles would be touted as the last great struggles of the class and that their grandchildren and great-grandchildren would be looking over their exploits with a certain admiration (and maybe puzzlement too since they have not seem such uppity-ness, ever). It speaks volumes that today’s leadership of the organized working class in the trade unions is clueless, worse, consciously works to keep everybody under their thumbs clueless about the battles that gave them their jobs. But that should not stop the rest of us from picking up some pointers. Read this one-and act.  

Train Smoke And Dreams-The Film Adaptation of Paula Hawkins’ “The Girl On The Train”-(2016)


Train Smoke And Dreams-The Film Adaptation of Paula Hawkins’ “The Girl On The Train”-(2016)   





By Sam Lowell

The Girl On The Train, starring Emily Blunt, Rebecca Ferguson, Haley Bennett, directed by Tate Taylor, from the thriller novel by Paula Hawkins, 2016

A tale of three women, three smart up and coming but troubled women, suburban women, suburban New York City women and that makes a difference, is an interesting way to introduce this cinematic thriller, Girl On The Train, adapted for the screen from the best-selling novel by Paula Hawkins. Especially since their lives, the lives of Rachael, Anna and Megan to give them names right at the start, are intertwined one way or another by the same man, Tom, a man who as one of the minor characters in the film stated rather succinctly if crudely could not “keep his dick in his pants.” That statement, made on the suburban commuter train from New York City, the train a symbolic metaphor for lots of what goes down along the way, toward the end of the film goes a long way to explaining why this well-done and suspenseful thriller ends the way it does.       

Here’s the scoop. Woman number one, Rachel, played by Emily Blunt, smart, artistic but emotionally fragile and unsure of herself, had as a result of her spiraling alcoholism brought on by her failure to bear a child (and by the nefarious manipulations of philandering Tom) been unceremoniously dumped by her philandering husband, Tom, for another woman, woman number two, Anna, who had borne him a child.  Rachel was a dreamer, a romantic, had some almost child-like idea of what a leafy suburban perfect marriage might look like despite her alcoholic haze which during her binges had left her with big blank spaces in her memory, left her with blackouts. It is in trying to retrace the steps of her life that will finally aid her-and get her and other into a hell of a lot of trouble.

The romantic dreamer about some ideal marriage part for Rachel came when she passed her old neighborhood on the train she took every day supposedly going to and from work (she had been fired for her over-the-top alcoholic behavior and had been fired so the trips back and forth to New York City were trips to nowhere). A few houses from where she lived she spied a couple who look like they were the consummate expression of everything she still longed for-including reuniting with her husband.

Enter woman number three, Megan, played by Haley Bennett, young, neurotic and sexually promiscuous, who was the woman Rachel had seen from the train. Megan rather than the ideal suburban wife was seeing a psychiatrist about her problems (while trying to seduce him). And about the secret guilt she had felt ever since she had neglected her out-of-wedlock baby when she was a teenager. Megan had worked for Tom and Anna, who had her own set of emotional problems around having the child and having a philandering husband, as a nanny to complete the scene (a job that it turned out Tom had insisted she take).

Here is where things got dicey. Megan one night went missing, and would be found after some time dead in the woods along the nearby Hudson River, an obvious homicide. Rachel, in one of her less lucid and less sober moments witnessed a scene from one end of a tunnel where Megan, who had disillusioned Rachel from the train by apparently taking another lover, and somebody had been seen together the night she disappeared. The rest of the film unwinds around Rachel’s increased clarity and confidence in herself about what had happened that night, who had killed Megan and why. Naturally there is plenty of misdirection as in any good thriller. Rachel herself had come under suspicion due to her erratic and at times near hysterical behavior. As had, naturally given the statistics on such matters, Megan’s overbearing and overwrought husband (with a little help from trying to be helpful Rachel). Hell, even the shrink, Megan’s shrink, based on Rachel’s faulty foggy memory, was under a cloud for a time. But as the film winds down and the possible candidates with the motive to do the foul deed dwindle Rachel’s sense of what happened that night and who might have committed the foul deed improved.

Although this film (and the book it is based on) is predicated on solving the murder mystery which sets up the plot I was struck by how much these three very different women had been thrown together by an odd fate and reacted to things in very ways. The acting by the trio, particularly Emily Blunt whose very complicated role drove the action but also drove the psychological aspects of the film, was excellent as the three women went through their respective paces. As for whodunit check it out for yourself if you have not already read the book. A way better than average thriller.              

Friday, November 04, 2016

*****In The Time Of The 1960s Folk Minute- With Tom Rush’s No Regrets In Mind

*****In The Time Of The 1960s Folk Minute- With Tom Rush’s No Regrets In Mind 





 
 
I know your leavin's too long over due
For far too long I've had nothing new to show to you
Goodbye dry eyes I watched your plane fade off west of the moon
It felt so strange to walk away alone

No regrets
No tears goodbye
Don't want you back
We'd only cry again
Say goodbye again

The hours that were yours echo like empty rooms
Thoughts we used to share I now keep alone
I woke last night and spoke to you
Not thinkin' you were gone
It felt so strange to lie awake alone

No regrets
No tears goodbye
Don't want you back
We'd only cry again
Say goodbye again

Our friends have tried to turn my nights to day
Strange faces in your place can't keep the ghosts away
Just beyond the darkest hour, just behind the dawn
It feels so strange to lead my life alone

No regrets
No tears goodbye
Don't want you back
We'd only cry again
Say goodbye again



From The Pen Of Zack James 

A few years ago, maybe more like a decade or so, in an earlier 1960s folk minute nostalgia incantation fit Sam Eaton, who will be described further below, had thought he had finally worked out in his head what that folk moment had meant in the great musical arc of his life. Had counted up, had taken up and put value on its graces, did the great subtractions on its disappointments, that lack of beat that he had been spoon fed on in his head having heard maybe in the womb the sweats of some backbeat that sounded an awful lot like a band of the devil’s angels giving battle to the heavens, and got his head around, his expression, its clasps with certain young women, some absolute folkie women met in the Harvard Squares of the heated horny sex night and loves too not always with folkie women but just the muck of growing up and taking what came his way. So he had taken a back-flip, his expression, when he was required not out of his own volition like that great prairie fire burning before about why he felt after all these years that he needed to go back to what after all was a very small part of his life now that he was reaching four score and seventy, going back over the terrain of a small part of the musics that he had cultivated since early childhood.

Some of those musics from his parents’ slogging through the Great Depression and World War II be-bop swing big band Saturday night get your dancing slippers imposed on his tender back of brain not to be revived and revisited until many years later when he had heard some ancient Benny Goodman be-bop clarinet backing up a sultry-voiced Peggy Lee getting all in a silky sweat rage because her man like a million others was not a do right man but had been chasing her best friend the next best thing when he got his wanting habit on and Peggy turned ice queen when he ran out of dough after shooting craps against the dealer and decided he had been wrong to dismiss such music out of hand. Some of the music along the edges of his coming from that edgy feeling he got when he heard the classic rock that just creeped into his pre-teen brain and lingered there unrequited until he found out what in that beat spoke to his primordial instincts, what caused his feverish nights of wonder, of what made him tick, of what he had missed.

Folk, the folk minute he deeply imbibed for that minute, at least the exciting part of the minute when he heard, finally heard, something that did not make him want to puke every time he turned on the radio, put his ill-gotten coins, grabbed from mother’s pocketbook laying there in wait for his greedy hands or through some con, some cheapjack con he pulled on some younger kids in Jimmy Jakes’ Diner jukebox to impress a few of the girls in town who were not hung up on Fabian or Bobby, heard something very new in his life and so different from the other musics that he had grown up with that he grabbed the sound with both hands. He thought that sweating a decade ago where he done a few small pieces to satisfy his literary sense of things and put them in a desk drawer yellow, fray and gather dust until he passed on and somebody put the paper in a wastebasket for the rubbish men, thought he had ended those thoughts, closed out the chapter. Recently though he did another series of short citizen-journalist sketches of scenes from that period for various folk music related blogs and social media outlets. Sam had done that series at the request of his old time friend, Bart Webber, who will also be described in more detail below, from Carver, an old working-class town about thirty miles south of Boston which at the time was the cranberry capital of the world or close to it, and close enough to have been washed by the folk minute that sprouted forth in Harvard Square and Beacon Hill in Boston.

Sam and Bart who in their respective youths had been very close, had been corner boys together when that social category meant something, meant something about extreme teen alienation and angst combined with serious poverty, dirt poor poverty as in hand-me-down older brother clothes, as in no family car for long periods between old wreak of cars, of many surly peanut butter and jelly sandwiches, many Spam suppers, all fashioned to make these young men forever talking about big break-outs, about getting something for them and theirs but also for big candy-ased dreams too all put paid to, as one would expect of sons of “boggers,” those who cared for and harvested those world famous  cranberries, but also close because that was the way that corner boys were then, “having each other’s backs” was the term they used which confused even the best of the social scientists who investigated the phenomenon when that corner boy life meant juvenile delinquency, meant some unfathomed anger, some lack of socialization, some throwback to primeval muds, to some rising of the unkempt heathens they were payed to watch out for. Meant as well worry to those in power who were trying to weld society as one piece of steel to fight the internal and external red scare Cold War fight.

Like a lot of high school friends the cement that bound them in high school, that alienation, that comradery, those best left unsaid larcenous moments, the “midnight creeps” in Bart’s words when somebody asked him later what had made him and the corner boys put their reputations at risk for such small gain, a fact which also played a part in that “having each other’s back” broke apart once they graduated, or rather in their case once they had sowed their wild oats in the 1960s, those wild oats at the time meaning “drugs, sex, and rock and roll” combined with drifting the hitchhike road west in what one of their number, the late Pete Markin, called the search for the great blue-pink American West night.

Sam had stayed out in the West longer before he drifted back East to go to law school and pursue a professional career. Bart had returned earlier, had gotten married to his high school sweetheart and had started up and run a small successful specialty print shop based on the silk-screening tee-shirt and poster craze in Carver. They would run into each other occasionally when Sam came to town but for about twenty years they had not seen each other as both were busy raising families, working and travelling in different circles. One night though when Sam had been sitting in Jimmy Jakes’ Diner over on Spring Street in Carver having a late dinner by himself after having come to town to attend the funeral of a family member Bart had walked in and they then renewed their old relationship, decided that some spark from high school still held them together if nothing else that they both had been deeply formed, still held to those old corner boy habits toward life whatever successes they had subsequently enjoyed.

Along the way to solidifying there new relationship they would alternate meetings, some in Carver, some in Boston or Cambridge where Sam lived. On a recent trip to Boston to meet Sam at the Red Hat at the bottom of Beacon Hill Bart had walked pass Joy Street which triggered memories of the time in high school when he and his date who name he could not remember but she was a cousin of Sam’s “hot” date, Melinda Loring, who they went to school with and whom Sam was crazy to impress even though Melinda was not the daughter of a “bogger” but of school teachers and so from among the town’s better element and he was constantly on eggshells that she would toss him aside once she had figured out he was just another Fast Eddie corner boy trying to get into her pants, had taken them on a cheap date to the Oar and Anchor coffeehouse which stood at the corner of Joy and Cambridge Street to hear Lenny Lane who was an up and coming folk singer whom Sam had met on one of his clandestine midnight trips to Harvard Square on the Redline subway to hang out at the Hayes-Bickford.

That cheap part of the cheap date thing was important since Bart and Sam were as usual from hunger on money in the days when around Carver, probably around the world, guys paid expenses on dates, girls just looked beautiful or if not beautiful glad to not be forever hanging around the midnight telephone waiting for some two-timing guy to call them up for a date, and so short of just hanging at the Hayes for free watching weirdoes, con men, whores plying their trade, drunks, winos and occasional put upon artists, poets, writes and folk-singers perfecting their acts on the cheap, for the price of a couple of cups of coffee, a shared pastry and a couple of bucks in the “basket” for the performer you could get away with a lot especially when Bart was doing Sam a favor with that cousin (and worse could have gotten in trouble if Besty Binstock, his high school sweetheart. found out he was two-timing her although the two-timing involved the possibility of some off-hand sex with that cousin who was supposed to be “easy” but that in another story although come to think of it the situation could serve as another  prime example of “having each other’s back” when one of them was up against it).

Bart remembered that he had been very uncomfortable that night since he had had some feelings of guilt about two-timing (and lying to) Betsy starting out, had had trouble talking about anything in common, school, sports, the weather, with that cousin since she said she was doing Melinda a favor in order that she could go to Boston with Sam which Melinda’s mother would have balked at if she had told her they were going into Boston alone, going into Boston with a “bogger” alone. Moreover she knew nothing, cared nothing for folk music, didn’t even know what it was, said she had never heard of the thing, was fixated on Bobby Vee, dreamy guys, or something like that. What made that date worse was that Bart too then could hardly bear the sound of folk music, said repeatedly that the stuff was all dreary and involved weird stuff like murder and mayhem done on the banks of rivers, in back alleys, on darkened highways just because some woman would not come across, Jesus, strangely thwarted love reminding him of Sam’s forlorn quest for Melinda which seemed like some princess and pauper never the twain shall meet outcome, or hick stuff about home sweet home down in some shanty town in some desolate cabin without lights or water which sounded worse than Boggertown, singing high holy Jehovah stuff that made him wince, and of the hills and hollows in some misbegotten mountains made his teeth grind. So not a good mix, although it did turn out that the cousin was “easy,” did think he was dreamy enough to have sex with (with their clothes mostly on which was how more than one quicky one night stand wound up down by the boathouse near the Charles River after they had split from Sam and Melinda after the coffeehouse closed and that helped but had been the result of no help from the folk music they half-listened but more some dope that she had in her pocketbook after she passed had a joint around to get things going.            

After telling Sam about his recollections of Joy Street and that cousin, whose name was Judy Dennison Sam told him and who Sam had gone out with and agreed was a little sex kitten once she was stoned Bart started asking some questions about folk music. Sam said he was not finished with that Judy story, told Bart that fling was after the thing with Melinda had passed due not to class distinctions but to that hard fact that she was saving “it” for marriage, and had been very glad that he had that run and was not sorry he did. Bart started in again and asked Sam a million questions about various folk-singers and what had happened to them, were they still playing, still alive since Sam although he did not have the same keen interest of his youthful folk minute still kept small tabs on the scene, the now small scene through his long-time companion, Laura Perkins whom he met one night at the Café Nana several years before when Tom Tremble was playing there after Sam had not heard him in about forty years. The reason for Bart’s interest given that above he had said that the genre made his teeth grind was that after that night with Judy Bart did go on other double dates with Sam and Melinda, and later Suzanne when she was Sam’s next flame and a real folkie, to folk places and while he still would grind his teeth at some of the stuff did develop more tolerance for the genre, especially if the date Sam set up was a real foxy folkie girl (thinking on it now he couldn’t believe how unfaithful he had been to Betsy in those days but she too was saving “it” for marriage and some of those young women were very willing and had apartment or dorm rooms too).

The upshot of all of Bart’s questions was that Sam found that he was not really except for Tom Tremble who had lost his sweet baby James voice, forgot lyrics and had “mailed it in” that night he had met Laura and was cold “stonewalled” by the audience but possibly motivated by that old folkie feeling, or maybe just feeling sorry for a guy who had a big local following back in the day when the “basket” went around everybody put some dough in, Sam and Laura included, and a couple of other guys up on what had happened to the old-time folkies since for years he had merely listened on radio station WCAS and when that station went under WUMB out of U/Mass-Boston or listened to records, tapes or CDs. (Sam got big points from Laura that first night when he panned Tom, who Laura had never heard before being enough younger not to have been bitten by the folk minute craze and she agreed that Tom had “mailed it in”.) Since he was not all that familiar with what had happened to most of them he thereafter did some research, asked Laura some questions to lead the way and wound up writings that series of sketches. One series entitled Not Bob Dylan about the fate of prominent male folk-singers was a direct result of the Sam and Bart conversation. Here’s what he had to say about Tom Rush who back in the day he knew best from hanging around the old Club 47 on Mount Auburn Street:     

“…Other than enigmatic Bob Dylan who is the iconic never-ending tour male performer most people would still associate with that folk minute period they would draw a blank on a list of others who also were aspiring to make names for themselves in the folk milieu. I am not talking about guys like Lenny Lane who had one hit and then went back to graduate school in biology when he couldn’t get another contract, when his well ran dry, or like Tom Tremble who had a big local following around the old Club Nana when it was on Mount Auburn Street in Cambridge not where it is now on Brattle Street but who did mainly covers and just never broke out or Mike Weddle who had good looks, a good stage presence, had the young women going crazy but who just walked away one day when some good looking woman from Radcliffe came hither and he “sold out” to her father’s stockbroking business.

I’m talking about people like Tom Rush from New Hampshire who lit up the firmament around Cambridge via the Harvard campus folk music station, Dave Von Ronk the cantankerous folk historian and musician who knew more about what happened in the early, early days in the Village at the point where “beat” poetry was becoming passe and folk was moving in to fill in the gap, Phil Ochs who had probably the deepest political sensibilities of the lot and wrote some of the stronger narrative folk protest songs, Richard Farina who represented that “live fast” edge that we were bequeathed by the “beats” and who tumbled down the hill on a motorcycle, and Jesse Collin Young who probably wrote along with Eric Andersen and Jesse Winchester the most pre-flower child lyrics mid-1960s hippie explosion before folk got amplified of the bunch.

My friend Bart had just seen a fragile seeming, froggy-voiced Bob Dylan in one of stages of his apparently never-ending concerts tours up in Maine and had been shaken by the sight and had wondered about the fate of other such folk performers. That request turned into a series of reviews of male folk-singers entitled Not Bob Dylan (and after that, also at Bart’s request, a series entitled Not Joan Baez based on some of the same premises except on the distaff side (nice word, right, you know golden-voiced Judy Collins and her sweet songs of lost, Carolyn Hester and her elegant rendition of Walt Whitman’s Oh Captain, My Captain, Joan’s sister Mimi Farina forever linked with Richard and sorrows, and Malvina Reynolds who could write a song on the wing, fast okay, and based as well on the mass media having back then declared that pair the “king and queen” of the burgeoning folk music minute scene).

That first series (as had the second) had asked two central questions-why did those male folk singers not challenge Dylan who as I noted the media of the day had crowned king of the folk minute for supremacy in the smoky coffeehouse night (then, now the few remaining are mercifully smoke-free although then I smoked as heavily as any guy who though such behavior was, ah, manly and a way to seen “cool” to the young women, why else would we have done such a crazy to the health thing if not to impress some certain she)  and, if they had not passed on and unfortunately a number have a few more since that series as well most notably Phil Ochs of suicide early, Dave Von Ronk of hubris and Jesse Winchester of his battle lost over time had come, were they still working the smoke-free church basement, homemade cookies and coffee circuit that constitutes the remnant of that folk minute even in the old hotbeds like Cambridge and Boston. (What I call the U/U circuit since while other church venues are part of the mix you can usually bet safely that if an event is scheduled it will be at a U/U church which is worthy of a little sketch of its own sometime in order to trace the folk minute after the fanfare had died down and as a tribute to those big-hearted souls at radio stations like WCAS and WUMB and in places like Club Passim whose efforts have kept the thing going in order to try to pass it on to the younger generations now that demographics are catching up with the folkies from the 1960s heyday). Moreover, were they still singing and song-writing, that pairing of singer and writer having been becoming more prevalent, especially in the folk milieu in the wake of Bob Dylan’s word explosions back then. The days when the ground was shifting under the Tin Pan Alley Cole Porter/Irving Berlin/ Jerome Kern kingdom.   

Here is the general format I used in that series for asking and answering those two questions which still apply today if one is hell-bent on figuring out the characters who rose and fell during that time: 

“If I were to ask someone, in the year 2005 as I have done periodically both before and after, to name a male folk singer from the 1960s I would assume that if I were to get any answer to that question that the name would be Bob Dylan. That “getting any answer” prompted by the increasing non-recognition of the folk genre by anybody under say forty, except those few kids who somehow “found” their parents’ stash of Vanguard records (for example, there were other folk labels including, importantly, Columbia Records which pushed the likes of Dylan and John Hammond forward) just as some in an earlier Pete Seeger/Weavers/Leadbelly/ Josh White/Woody Guthrie records in our parents’ stashes. Today’s kids mainly influenced by hip-hop, techno-music and just straight popular music.

And that Dylan pick would be a good and appropriate choice. One can endlessly dispute whether or not Dylan was (or wanted to be since he clearly had tired of the role, or seemed to by about 1966 when he for all intents and purposes “retired” for a while prompted by a serious motorcycle accident and other incidents) the voice of the Generation of ’68 (so named for the fateful events of that watershed year, especially the Democratic Convention in America in the summer of that year when the old-guard pulled the hammer down and in Paris where the smell of revolution was palpably in the air for the first time since about World War II, when those, including me, who tried to “turn the world upside down” to make it more livable began to feel that the movement was reaching some ebb tide) but in terms of longevity and productivity, the never-ending touring until this day and releasing of X amount of bootleg recordings, the copyrighting of every variation of every song, including traditional songs, he ever covered and the squelching of the part of the work that he has control over on YouTube he fits the bill as a known quality. However, there were a slew of other male folk singers who tried to find their niche in the folk milieu and who, like Dylan, today continue to produce work and to perform. The artist under review, Tom Rush, is one such singer/songwriter.”

“The following is a question that I have been posing in reviewing the work of a number of male folk singers from the 1960s and it is certainly an appropriate question to ask of Tom Rush as well. Did they aspire to be the “king” of the genre? I do not know if Tom Rush, like his contemporary Bob Dylan, started out wanting to be the king of the hill among male folk singers but he certainly had some things going for him. A decent acoustic guitar but a very interesting (and strong baritone) voice to fit the lyrics of love, hope, and longing that he was singing about at the time, particularly the No Regrets/Rockport Sunday combination which along with Wasn’t That A Mighty Storm and Joshua Gone Barbados were staples early on. During much of this period along with his own songs he was covering other artists, particularly Joni Mitchell and her Urge For Going and The Circle Game, so it is not clear to me that he had that same Dylan drive by let’s say 1968.

I just mentioned that he covered Joni Mitchell in this period. A very nice version of Urge For Going that captures the wintry, got to get out of here, imaginary that Joni was trying to evoke about things back in her Canadian homeland. And the timelessness and great lyrical sense of his No Regrets, as the Generation of ’68 sees another generational cycle starting, as is apparent now if it was not then. The covers of fellow Cambridge folk scene fixture Eric Von Schmidt on Joshua Gone Barbados and Galveston Flood are well done. As is the cover of Bukka White’s Panama Limited (although you really have to see or hear old Bukka flailing away on his old beat up National guitar to get the real thing on YouTube).”

Whether Tom Rush had the fire back then is a mute question now although in watching the documentary, No Regrets, in which he tells us about his life from childhood to the very recent past (2014) at some point he did lose the flaming “burn down the building fire,” just got tired of the road like many, many other performers and became a top-notch record producer, a “gentleman farmer,” and returned to the stage occasionally, most dramatically with his annual show Tom Rush-The Club 47 Tradition Continues held at Symphony Hall in Boston each winter. And in this documentary appropriately done under the sign of “no regrets” which tells Tom’s take on much that happened then he takes a turn, an important oral tradition turn, as folk historian. 

He takes us, even those of us who were in the whirl of some of it back then to those key moments when we were looking for something rooted, something that would make us pop in the red scare Cold War night of the early 1960s. Needless to say the legendary Club 47 in Cambridge gets plenty of attention as does his own fitful start in getting his material recorded, or rather fitful starts, mainly walking around to every possible venue in town to get backing for record production the key to getting heard by a wider audience via the radio and to become part of the increasing number of folk music-oriented programs, the continuing struggle to this day from what he had to say once you are not a gold-studded fixture.

“Other coffeehouses and other performers of the time, especially Eric Von Schmidt, another performer with a ton of talent and song-writing ability who had been on the scene very, very early on who eventually decided that his artistic career took first place, get a nod of recognition.  As does the role of key radio folk DJ Dick Summer in show-casing new work (and the folk show, picked up accidently one Sunday night when I was frustrated with the so-called rock and roll on the local AM rock station and flipped the dial of my transistor radio and heard a different sound, the sound of Dave Von Ronk, where I started to pick up my life-long folk “habit”).

So if you want to remember those days when you sought refuse in the coffeehouses and church basements, sought a “cheap” date night (for the price of a couple of cups of coffee sipped slowly in front of you and your date, a shared pastry and maybe a few bucks admission or tossed into the passed-around “basket” you got away easy and if she liked the sound too, who knows what else) or, ouch, want to know why your parents are still playing Joshua’s Gone Barbados on the record player as you go out the door Saturday night to your own adventures watch this documentary and find out what happened to one Not Bob Dylan when the folk world went under.