Saturday, June 30, 2018

***The 19th Century "Second Great Awakening"- Joseph Smith and the Mormons

Click On Title To Link To Wikipedia's Entry On The Mormons.

DVD REVIEW

American Experience:The Mormons, various commentators, PBS Productions, 2006

At first glance the trials and tribulations, historically and currently of a fundamentalist protestant sect, the Mormons and their various off-shoots, would not seem to be the stuff of a left-wing secular political site. And in the normal course that would be true. However, there several reasons why this particular religious sect interests me. First, from early on I have been interested in that wild and somewhat decisive period in forming the national psyche in American history that goes under the name the “Age of Jackson”. The story of Joesph Smith, his early followers and later converts easily fit into this time in the early decades of the 19th century when a plethora of religious, political and social movements got jump-started by the freer and more democratic style of the Jackson period.

To that end, I have spend a serious amount of space here covering the anti-slavery movement, including the emergence of the abolitionist Underground Railroad and the exploits of the revolutionary abolitionist and hero of the black liberation movement, John Brown, a figure who easily fits into the kinds of individuals who were “making and doing” in that ante bellum period. I have also spend some time discussing the effects of that “burned-over” religious process that goes under the name the Second Awakening on the development of early American capitalism, especially in its upstate New York variant that the founder of this sect, Joseph Smith (and later leader Brigham Young) were immersed in. Additionally I have been interested in the Mormons, as such, more recently because in the 2008 Republican presidential nominating process, one Mitt Romney, ex-Governor of Massachusetts and a prominent Mormon was forced, or felt forced, to deal with the more esoteric aspects of his religion. That he might again surface as a potential candidate only places a greater emphasis on that interest.

Finally, the most important reason to get a better knowledge of this group is that, at least some of its off-shoots, are periodically targeted by various governmental agencies for their practice of polygamy, or as they would have it “plural marriage”. It is a political duty for leftists as, “tribunes of the people” to defend these sects against those governmental incursions. We do this under the umbrella principle that the government should left private consensual practice alone. In short, we stand for the principle of “government out of the bedrooms”. Although personally, having had trouble enough just having two girlfriends at one time in my youth, I do not see how they managed it my hat is off to the likes of Mitt Romney’s great-grandfather and other 19th century leaders. According to this documentary Brigham Young had some fifty wives and fifty-something children. No wonder the Mormons felt they needed to devote some much time to genealogy charts.

This four hour documentary goes into all of aspects of the Mormon story. However, for my purposes the first two hour segment was most important concerning the founding myths and trials and tribulations of the early Mormons as they kept getting banished further westward until they found a final central settlement in Utah. The second two hour segment concerning the assimilation of the more orthodox Mormons into the mainstream of political and social life and their successes at political power and their growth through missionary zeal are less important. We have been there before on this assimilation question for other ethnic and religious groups, notably the Roman Catholics of Irish, Italian and Eastern European heritage so that part was not of pressing concern to me.

I know the land that nurtured Mormon founder Joseph Smith, the farm country of upstate, mid-state New York. Places like Utica, Amsterdam, Rochester and so forth. At least I know the late 20th century version of those places. The seemingly endless rolling hills, the hard scrabble rocky land where there is no give without some Herculean effort. The vast tracts of trees and other obstacles to farming to be uprooted and brought to manageable size. The hard, hard winters that start early and end late. Hell, and that is what it is like now so one can only imagine what it was like for those who in the early 19th early were essentially on the American frontier looking to see if or why their god had abandoned them. There were more seekers, peekers, ranters, panter, shakers and quakers than you could shake a stick at this side of the 17th century English revolution. Put that together with a charismatic, rather mystical and intelligent young man, Joseph Smith, and you certainly have the genesis for some kind of religious movement. Or a political one for that matter. In a latter age that might very well have been the case. Whether, and if, such a plebian movement based on “revealed” truth could survive among the others more secular trends in the labor movement is the real question.

The documentary goes into some detail about Smith’s ability to gain converts (and spin off dissenters) after his conversion experience. It moves on to discuss the creation of the first Mormon communities in upstate New York, the pressure of other Christian denominations to push them out, the success of that effort and the first evacuation of Mormons to Missouri. After some hotly disputed fights from there to Illinois where Smith was assassination by other non-Mormon Christians. Then on to the Brigham Young led treks to the West, the establishment of thriving settlements there, the famous, if shadowy Mountain Meadow massacre by the Mormons on other settlers that, in effect, consolidated Mormon political power in the Utah territories; the fight over polygamy and the eventual entrance into statehood and the assimilation process mentioned above.

I first began looking for Mormon material over a year ago. I started and put down more than one biography about Joseph Smith or Brigham Young. Or histories of the early days (especially that controversial Mountain Meadow incident). The problem is that most of this material is by Mormons or Mormon-influenced authors and I felt I had to discount most of it, especially the "myth of creation” aspects around what Joseph Smith did or did not find out in those lonesome hills of up state New York. This documentary, more so than other PBS documentaries in this “American Experience” series suffer some of that same problem. There are too many “talking heads” identified as historians without being designated as Mormon historians. This is not generally a problem in other PBS productions. Still, if you need a well-produced introduction to this esoteric religion this is a good place to start. And perhaps to finish.

For The Late Rosalie Sorrels-Starlight On The Rails, Indeed-In Honor Of The Hobo King Utah Phillips

For The Late Rosalie Sorrels-Starlight On The Rails, Indeed-In Honor Of The Hobo King Utah Phillips   




If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go-Round At 83

By Music Critic Bart Webber

Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, Josh Breslin, the late Peter Paul Markin and others were deeply immersed in all roads seemed to lead to Harvard Square with the big names, some small too which one time I made the subject of a series, or rather two series entitled respectively Not Bob Dylan and Not Joan Baez about those who for whatever reason did not make the show over the long haul, passing through the Club 47 Mecca and later the Café Nana and Club Blue, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. Those are the places where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers, some who made it like Tom Rush and Joni Mitchell and others like Eric Saint Jean and Minnie Murphy who didn’t, like  who all sat at the feet of guys like Woody Guthrie and Pete Seeger got their first taste of the fresh breeze of the folk minute, that expression courtesy of the late Markin, who was among the first around to sample the breeze.

(I should tell you here in parentheses so you will keep it to yourselves that the former three mentioned above never got over that folk minute since they will still tell a tale or two about the times, about how Dave Van Ronk came in all drunk one night at the Café Nana and still blew everybody away, about catching Paxton changing out of his Army uniform when he was stationed down at Fort Dix  right before a performance at the Gaslight, about walking down the street Cambridge with Tom Rush just after he put out No Regrets/Rockport Sunday, and about affairs with certain up and coming female folkies like the previously mentioned Minnie Murphy at the Club Nana when that was the spot of spots. Strictly aficionado stuff if you dare go anywhere within ten miles of the subject with any of them -I will take my chances here because this notice, this passing of legendary Rosalie Sorrels a decade after her dear friend Utah Phillips is important.)

Those urban locales were certainly the high white note spots but there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some of the other upstate colleges. That was Caffe Lena’s, run by the late Lena Spenser, a true folk legend and a folkie character in her own right, where some of those names played previously mentioned but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like the late Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about and rounded out his personality). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

Yeah, came barreling like seven demons out there in the West, not the West Coast west that is a different proposition. The West I am talking about is where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A tough life when the original pioneers drifted westward from Eastern nowhere looking for that pot of gold or at least some fresh air and a new start away from crowded cities and sweet breathe vices. A tough life worthy of song and homage. Tough going too for guys like Joe Hill who tried to organize the working people against the sweated robber barons of his day (they are still with us as we are all now very painfully and maybe more vicious than their in your face forbear). Struggles, fierce down at the bone struggles also worthy of song and homage. Tough too when your people landed in rugged beautiful two-hearted river Idaho, tried to make a go of it in Boise, maybe stopped short in Helena but you get the drift. A different place and a different type of subject matter for your themes than lost loves and longings.  

Rosalie Sorrels could write those songs as well, as well as anybody but she was as interested in the social struggles of her time (one of the links that united her with Utah) and gave no quarter when she turned the screw on a lyric. The last time I saw Rosalie perform in person was back in 2002 when she performed at the majestic Saunders Theater at Harvard University out in Cambridge America at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. (That theater complex contained within the Memorial Hall dedicated to the memory of the gallants from the college who laid down their heads in that great civil war that sundered the country. The Harvards did themselves proud at collectively laying down their heads at seemingly every key battle that I am aware of when I look up at the names and places. A deep pride runs through me at those moments)

Rosalie Sorrels as one would expect on such an occasion was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job banging out the blues unto the heavens) cast a pall over the proceedings. I will always remember the crystal clarity and irony of her cover of her classic Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain and thoughts of washing herself down to the sea whenever I hear her name. RIP Rosalie Sorrels 





DVD REVIEW

American Experience: Riding The Rails, PBS Productions, 1998


Growing up in the 1950’s I had a somewhat tenuous connection with trains. My grandparents lived close to a commuter rail that before my teenage years went out of service, due to the decline of ridership as the goal of two (or three) car garages gripped the American imagination in an age when gas was cheap and plentiful. In my teens though, many a time I walked those above-mentioned abandoned tracks to take the short route to the center of town. As an adult I have frequently ridden the rails, including a cross-continental trip that actually converted me to the virtues of air travel. Of course, my ‘adventures’ riding the rails is quite different than that being looked at in this American Experience documentary about a very, very common way for the youth of America to travel in the Depression-ridden 1930’s, the youth of my parents’ generation. My own experiences were merely as a paying passenger. Theirs was anything but. The only common thread between them and me is the desire expressed by many interviewees to not be HERE but to be THERE.

This tale of a significant number of youth in the 1930’s is held together by film footage of the time, some nice background music from the likes of Jimmy Rodgers and Doc Watson that evokes the ‘romance of the rails’ and ‘talking head’ interviews with the itinerant travelers, male and female. Despite various motives, from the desire to leave the parents’ house to being thrown out during those tough times, the stories they tell are of cold nights in open box cars, overcrowded jails, beatings by the ever present railroad "bulls" and the struggle to find a little work in order to be able to move on to the next locale and maybe some ‘peace’. Mainly this was the eternal heading West of the famous Professor Frederick Turner Jackson thesis- with this proviso- by then the land had run out and maybe the possibility of the dreams. A few interviewed are still driven by the lore of the rails, many had no regrets but mainly this is a very interesting trip down memory lane in a time before the automobile became readily accessible to teenagers.

No review of the life of the rails can omit the special jargon developed by those on the road, the ‘class distinctions' (hobo, bum, and tramp) between them and the rough and ready ‘code of honor’ of the rails (honored more in the breach than in the practice from what I can gather). This tradition has survived best in song by the likes of Woody Guthrie in any number of his songs written in the 1930’s, the classic Elizabeth Cotton song "Freight Train" and the work, including a song with the same title as the headline to this piece, of the recently deceased old Wobblie, folksinger, writer and rail rat extraordinaire Utah Phillips. Starlight On The Rails, indeed!

Daddy What's A Train? Utah Phillips

Daddy what's a train? Is it something I can ride?
Does it carry lots of grown-up folks and little kids inside?
Is it bigger than our house? Well how can I explain
When my little boy and girl ask me "Daddy what's a train?"

When I was just a boy and living by the track
Us kids would gather up the coal in big 'ole gunnysacks
Then we heard the warning sound as the train pulled into view
The engineer would smile and wave as she went rolling through

She blew so loud and clear, we had to cover up our ears
And we counted cars just as high as we could go
I can almost hear the steam those big old drivers scream
A sound my little kids will never know

Daddy what's a train? Is it something I can ride?
Does it carry lots of grown-up folks and little kids inside?
Is it bigger than our house? Well how can I explain
When my little boy and girl ask me "Daddy what's a train?"

I guess the times have changed, kids are different now
'Cause some don't even seem to know the milk comes from a cow
My little boy can tell the names of all the baseball stars
I remember how we memorized the names on railroad cars

The Wabash and the TP, Lackawanna, the IC
The Nickel-Plate and the good old Santa Fe
Just names out of the past, I guess they're fading fast
Every time I hear my little boy say

Daddy what's a train? Is it something I can ride?
Does it carry lots of grown-up folks and little kids inside?
Is it bigger than our house? Well how can I explain
When my little boy and girl ask me "Daddy what's a train?"

We climbed into the car, drove down into town
Right out the depot house, but no one was around
We searched the yard togheter for something I could show
But I knew there hadn't been a train for a dozen years or so

All the things I did when I was just a kid
How far away those memories appear
I guess it's plain to see they still mean a lot to me
'Cause my ambition was to be an engineer

Daddy what's a train? Is it something I can ride?
Does it carry lots of grown-up folks and little kids inside?
Is it bigger than our house? Well how can I explain
When my little boy and girl ask me "Daddy what's a train?"

Starlight On The Rails

This comes from reading Thomas Wolfe. He had a very deep understanding of the music in language. Every now and then he wrote something that stuck in my ear and would practically demand to be made into a song.
I think that if you talk to railroad bums, or any kind of bum, you'll see that what affects them the most is homelessness, not necessarily rootlessness. Traveling is all right if you have a place to go from and a place to go to. It's when you don't have any place that it becomes more difficult. There's nothing you can count on in the world, except yourself. And if you're an old blown bum, you can't even do that very well. I guess this is a home song as much as anything else.
We walked along a road in Cumberland and stooped, because the sky hung down so low; and when we ran away from London, we went by little rivers in a land just big enough. And nowhere that we went was far: the earth and the sky were close and near. And the old hunger returned - the terrible and obscure hunger that haunts and hurts Americans, and makes us exiles at home and strangers wherever we go.

Oh, I will go up and down the country and back and forth across the country. I will go out West where the states are square. I will go to Boise and Helena, Albuquerque and the two Dakotas and all the unknown places. Say brother, have you heard the roar of the fast express? Have you seen starlight on the rails?




I think about a wife and family,
My home and all the things it means;
The black smoke trailing out behind me
Is like a string of broken dreams.

A man who lives out on the highway
Is like a clock that can't tell time;
A man who spends his life just ramblin'
Is like a song without a rhyme.

Copyright ©1973, 2000 Bruce Phillips


FREIGHT TRAIN
(c) 1957 by Elizabeth Cotten. Sanga Music

Chorus:
Freight train, Freight train, run so fast
(rep.)

Please don't tell what train I'm on
They won't know what route I've gone

When I am dead and in my grave
No more good times here I crave
Place the stones at my head and feet
Tell them all that I've gone to sleep.

When I die, Lorde, bury me deep
Way down on old Chestnut street
Then I can hear old Number 9
As she comes rolling by.

Friday, June 29, 2018

Urban Mix And Match (and Mismatch)-Woody Allen’s “Hannah and Her Sisters” (1986)-A Film Review

Urban Mix And Match (and Mismatch)-Woody Allen’s “Hannah and Her Sisters” (1986)-A Film Review




DVD Review

By Sam Lowell, Film Critic Emeritus

Hannah and Her Sisters, starring Woody Allen, Mia Fallow, Diane Wiest, Barbara Hershey, written and directed by Woody Allen, 1986

I hope to the love of god that I am not going on another extended Woody Allen run like I did about ten years ago when I went crazy and reviewed about ten of his later production, mostly stuff shot elsewhere which tended to my mind to be lesser works once he left the confines of his beloved New York City and its environs. Here we are back home, back in the city with Woody, Mia Farrow and an ensemble cast going through the trials and tribulations of modern bourgeois personal relationships in the 1986 film Hannah and her Sisters.

Of course every film and every family it appears needs a rock, a person to make some sense of the whole swirl of the madness that is modern life. That is Hannah’s role, like it or not. The film is anchored by a time frame between a couple of Thanksgivings, a time for family gatherings and bondings (although not in the Lowell household unfortunately but this is Hannah and her sisters story so we will move on). And anchored by the seemingly rocklike Hannah, Ms. Farrow’s role. But not all is right in heaven, in New York City theater success and stable family life. Seems Hannah’s very stability had set everybody’s teeth on edge. For a time anyway. First to flee the reservation is Hannah’s husband Eliot (played by the ubiquitous and perennial star Michael Caine) who is head over heels for-well, for Hannah’s comely sister Lee, played by Barbara Hershey (comely in a very 1960s hippie chick understated kind of way-the kind of gal we guys all hoped to meet out on the hustings and share a joint with). They go through their paces without any resolution because the hamstrung Eliot can’t bear to leave the cocoon, leave what is good and solid about Hannah.

Lee in turn had left her mentor lover played by Max Von Sydow for that hot affair with Eliot once she realized that the reclusive man was dragging her down, drowning her ability to find herself. Holly, the third sister, is another reclamation job, who is saved by Mickey played by Woody Allen once the dust settled. (Mickey in turn had been married to Hannah at one time so there is plenty of room for the problems of social in-breeding). In the end after a couple of years of mix and match (really mismatch) fury things settle down around that deeply symbolic Thanksgiving table. Not Woody’s best by any means although it was a great financial success and he was able to get a few licks in about the insanity of trying to keep your head above water in this modern urban world. Enough said.                 


On The 60th Anniversary Jean-bon Kerouac's "On The Road"- “Desolation Angels”-Book Review

On The 60th Anniversary Jean-bon Kerouac's "On The Road"- “Desolation Angels”-Book Review




Book Review

Desolation Angels, Jack Kerouac, Coward McCann, 1965


I have been on something of a Jack Kerouac “tear” over the past year or so since I started re-reading and reviewing his works and thinking through their influence on my own literary tastes around the commemoration of the 40th anniversary of his death (and re-reading, additionally, those of his “beat” generation friends, among the most prominent, Allen Ginsberg, William Burroughs, Lawrence Ferlinghetti , Gregory Corso, and Gary Snyder who also helped form those tastes and who find their way, under alias and alibi, into Desolation Angels). As noted previously this “tear” got its start “accidentally” with a trip on totally unrelated business that I took last summer to his hard-edged, hard luck, hard-times, hard-visioned, seen better days, ram-shackled, big two-hearted Merrimac River, water-powered, dust-choking textile-spinning and tannic acid-fumed shoe old working class mill town, Lowell, Massachusetts.

There are a thousand old worn out working class towns like Lowell that, by now, dot the great American highway night, towns formed before the great American mid-20th century pre-Interstate highway night (roughly). The pink blue sky westward trek (and back, as well) hard thumb up traveling, shoe leather-beating, rucksack-hanging, good luck diner/gas station-finding, coffee slurping, highway and back road by-way Lowell towns night, as sang out in various “on the road” chapter passages of Desolation Angels formed Jack Kerouac’s vision. And he sang of that good night, as Walt Whitman sang of the great American 19th century night as those same now forsaken towns began to rise and spit out all manner of thing, for delight or approbation. That worn out working class town, always just below the surface of the Kerouacian word play, and its fellaheen-driven ethos, moreover, was just the kind of town that I grew up in so unless it is something in the water around here in Massachusetts then it is no “accident” that old “beat” brother Kerouac “speaks” to me. And “speaks” loudly. Desolation Angels, in any case, stands in that tradition.

You see then why, when the deal goes down, down and dirty, I know Jack Kerouac. Oh no, not the way his many “beat” writer friends did , at least those who peopled, as in Desolation Angels, his many tell-the-truth-fast, quick judgment, acid-etched observations on the fly fast, write what you see and write it fast, “real” novels. Not, for sure, like renaissance Raphael did(Gregory Corso), poet of the streets, the streets of San Francisco poetry renaissance as well as homeboy streets of hard ethnic New York City, of the fast poem buck, of wine and women, of the sing to the masses whether they like it or not, mad man of a poet. Or not like Bull did (William Burroughs) of the dark, drear, dope-infested ding-dong daddy, shoot-‘em-up daddy, walking daddy, gong, bong, hash pipe-heavy, opiated dream world hiding out in the open in Tangiers (although it could have been anywhere, dope follows no flag, New Orleans, Houston, somewhere, although not old home St. Lo) waiting with open arms for Kerouac to take his “on the road” show international. And not like super-mantra, om-om-om om-ish poet Irwin (Allen Ginsberg, of San Francisco garage yell to the America ocean’s floor and mountain’s top Howl and New Jersey mother, death-be-not-proud cadenced Kaddish fame), who also sang that Kerouac-like Whitmaneque song of good fellowship, of death to the machine, of death to the death-machine, of death to the cardboard night, of the break-out Patterson night (or nights), and the break-out machine America, as well. And most certainly not like Cody (Neal Cassady) foot-clutched, brake-pedaled, “look ma, no hands”, “road” warrior extraordinaire to the great American expanse, day or night. (Although by the time of this novel the Ti Jean and Cody trails were heading in different directions, very difefretn directions.) There were others who knew him back on those lonely, down-at-the-heel, provocative post-World War II New York streets, friends of Ginsberg, of Burroughs and assorted hangers-on. That interconnectedness is the stuff of legend but well before my time, although I heard the echoes of that struggle, that fellaheen “beat” struggle, in my own youthful efforts to break out of the straightjacket of the 1950s childhood when my time of my time came in the 1960s.

I know Jack Kerouac. Although not as a latter day academic prier into each Kerouac word ever written or even as a latter-day devotee of his spontaneous prose writing style. Certainly not as an adherent of his standoffish, sideline view of life and consciously apolitical (maybe, more appropriately, anti-political) lifestyle, as that was embarrassingly emphasized in a famous segment on old prep school chum William F. Buckley’s Firing Line public television show where he went out of his boozy, woozy, floozy way to dump on the counter-cultural movement (“hippies”, okay) of the 1960s. From early on in my youth I was more likely, much more likely, to be immersed in reading things like The Communist Manifesto (if only to dismiss it out of hand-then) and had no time for reading a simple “beat” travelogue like On The Road although I was personally struggling along those same lines to ‘find myself’ (sound familiar ?), to find that great American night. Later I would devour the thing (repeatedly) along with the rest of his major works like Dharma BumsVisions Of CodyBig SurDoctor Sax and others. None more so, after On The Road, than Desolation Angels.

I know Jack Kerouac. I know, like Kerouac did, as a youth painfully but now with a sense of deep pride, what being from the lower edges of the working class was all about. One does not easily shake off the slow incremental deathblows to the psyche of avoiding authority, avoiding challenges to the status quo, avoiding failure by being a non-starter and most of all avoiding negative public (read neighborhood) notice. I, moreover, know, physically and emotionally, the very constricted ethos of the old time New England mill towns and the working class quarters of Manchester, New Hampshire, Saco, Maine and in Massachusetts Waltham, Lawrence, Quincy and Jack’s own beloved river-divided, brick on brick-piled mill town of Lowell. Without going into great detail, after all this review is about Kerouac, I know in great personal detail the effects of that clannish French-Canadian and Gallic Catholic cultural gradient as it worked it way through the working class base of many of those above-mentioned mill towns. Moreover, some of that detailed knowledge of mine is directly linked to the city of Lowell that factored so much into Kerouac’s life and writings (and death, the city has a small urban park named after him in the center of town and people, I am told, still go to visit his grave there).

Most of all, though, I know Jack Kerouac because a generation, more or less, after him I was, like a million others who formed the “Generation of ‘68”, taking to the ‘road’, some road, in search of personal destiny, greater consciousness, some political wisdom, the truth, a little look at the great continental expanse, or just trying, and trying with both hands, to get out of the stunted, shunted, dark night, memory-fogged family house. The previously disdained apolitical “On The Road” became something of a personal bible for me in that minute, as like Whitman before him, Kerouac tried to do by interior monologue, but more importantly, by physically putting some space between the here of whatever was bothering him and the there of some inner peace (that he, at least from what I can tell, never found). The road I took then, or later, was not Jack’s road. Or Dean Moriarty’s road. But, thanks Jack for On The RoadThe Dharma BumsDoctor SaxVisions of Cody, the present Desolation Angels, and a bunch of other books that got me through many a sleepless night as I tried to find the keys to the kingdom.

Here is the real “skinny” though. Jack, as media-proclaimed ‘leader’ of the “beats” (and, in retrospect, he really was the most talented and original of the lot) never overcame all those crooked river-flow, old time dusty mill town anxiety-producing, drawing on generations of suffering ignoble anonymity-beating down, Lowell night whispers. And the wheels, his wheels, driven as well by that old devil alcohol, came off. The effects of that cloistered, repressed working class youth, as surely as if he had spent thirty years in the mills, began to take its toll. The final section of Desolation Angels in which he travels, in "style" on a Greyhound bus (“on the road, part ten, part whatever”) with his mother (dear memere) from Florida to California in search of peace only to run back a few weeks later here reflect that inner drive to withdraw, to go home to mill town memere and quiet.

Moreover, a recent re-reading of some of Dharma Bums gives at least some clue to what else happened to this superior and innovative writer in that dark night sixties Jack by-passed American road. He was, after all, as the work that is remembered today will attest to, a young, very young, writer writing for the young about youthful experiences. There is only so much fresh inner-directed material that that market can absorb from one writer. The aging media celebrity Kerouac, sadly, could not, or would not, face the fact of aging and shift gears. I have already given my kudos elsewhere for that youthful work of his. That will have to do here.

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Richard Mafundi Lake,

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Richard Mafundi Lake,



http://www.thejerichomovement.com/prisoners.html



A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)


In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

An Encore-Remembrances Of Things Past-With Jeff Higgins’ Class Of 1964 In Mind

An Encore-Remembrances Of Things Past-With Jeff Higgins’ Class Of 1964 In Mind




From The Pen Of Bart Webber

There was always something, some damn thing to remind Jeff Higgins, Class of 1964, a fateful year in his life and not just because that was the year that he graduated from North Quincy High School down in outer edge of the Southeastern corner of Massachusetts. He had recently, well, let's call it 2014 because who knows when some iterant reader might read this and because that as will be pointed in a second has significant for why Jeff Higgins thought that it was "one damn thing after another" when dealing with that class issue. If you did the math quickly in your head while I was pointing to the significance you would know that year represented the fiftieth anniversary of the his graduation from high school, then as now if less so a milestone on the way to serious-minded adulthood, and furthermore had  gone through something of a serious traumatic experience which left him numb every time something came up about that year, some remembrance.

If you knew Jeff in 1964, and even if did not you knew somebody like Jeff since every high school class had  a Jeff case and moreover his experience was not that uncommon, then you know form whence I speak. Hey, let's say you didn't know him back then in 1964 but only in  2014 that would tell you the same tale, with his three messy divorces and several affairs from flings to some more serious relationships along with scads of children and grandchildren now from the marriages not the affairs. Guess what you would know that it was about a woman, always about a woman, he eternally afflicted as old as he was from coming of age time to coming to the end-times.


So about a woman this time, this eternally afflicted time, named Elizabeth Drury whom  he had had a brief puff of air affair with in that same 2014 but which had seemingly vanished in his dust of memory until he went up in the attic to clean up some stuff. (By the way Elizabeth not Liz, which would show a certain informality, a certain good sport and not standing on ceremony or Betty, a nickname which conveyed continued childhood in those days as old as a woman might be, so no way she was not anything but a proper Elizabeth-type, who held maybe Queen Elizabeth I, you know the so-called Virgin Queen, the one who ruled England for a long time and had more lovers than you could shake a stick at but all we knew then was that she was the Virgin Queen, as her model, even in high school.) 


Yeah finally getting rid of most of stuff which had been gathering dust, maybe mold for years, in anticipation of selling his house and moving to a more manageable condo, down-sizing they call it in the real estate trade, and found a faded tattered copy of his class’ remembrance card. You know those time vault cards that card companies like Hallmark, the source of this one, put out so that people, or this case the whole class by some tabulations, can put down favorite films, people, records, who was President, and other momentous events from some important year like a high school graduation to be looked at in later years and ahhed over.
That yellowed sheet brought back not just memories of that faded long ago year but of Elizabeth in the not so faded past. So, yes, it was always some damn thing, always some damn woman thing.       


Maybe we had better take you back to the beginning though, back to how the year 1964 and the woman Elizabeth Drury had been giving one Jeffery Higgins late of North Quincy nothing but pains. Jeff had been for many, many years agnostic about attending class reunions, had early on after graduation decided that he needed to show his back to the whole high school experience which was a flat-out zero once he thought about every indignity and hurt he had suffered for one reason or another, and to show that same back to the town, a small hick town anyway which needed to be fled to see the big old world.

A lot of that teenage angst having to do with his humble beginnings as a son of a “chiseler,” not meant as a nice term, a father who worked in the then depleting and now depleted granite quarries when there was work for which the town was then famous and which represented the low-end of North Quincy society. The low-end which others in the town including his fellow classmates in high school who were as socially class conscious as any Mayfair swells made him feel like a nobody and a nothing for no known reason except that he was the son of a chiseler which after all he could not help. Of course those social exclusions played themselves out under the veil of his not dressing cool, living off the leavings of his older brothers, living off of Bargain Center rejected materials not even cool when purchased, you know, white shirts with stripes when that was not cool, black chinos with cuffs like some farmer, ditto, dinky Thom McAn shoes with buckles for Chrissake, just as his younger brothers lived off his in that tight budget world of the desperate working poor, of his not having money for dates even with fellow bogger’s daughters, and hanging corner dough-less, girl-less corners with fellow odd-ball bogger outcasts. So Jeff had no trouble drifting away from that milieu, had no trouble putting dust on his shoes to get out and head west when the doings out west were drawing every wayward youth to the flame, to the summers of love.


And there things stood in Jeff’s North Quincy consciousness for many years until maybe 2012, 2013 when very conscious that a hallmark 50th class reunion would be in the works and with more time on his hands as he had cut back on the day to day operation of his small law practice in Cambridge he decided that he would check out the preparations, and perhaps offer his help to organize the event. He had received notification of his class’ fortieth reunion in 2004 (which he had dismissed out of hand only wondering how the reunion committee had gotten his address for while he was not hiding from anything or anyone he was also not out there publicly since he did not have clients other than other lawyers whom he wrote motions, briefs, appeals and the like for, until he realized that as a member of the Massachusetts bar he would have that kind of information on his very publicly-accessible bar profile page) so via the marvels of modern day technology through the Internet he was able to get hold of Donna Marlowe (married name Rossi) who had set up a Facebook page to advertise the event.


That connection led to Jeff drafting himself onto the reunion committee and lead directly to the big bang of pain that he would subsequently feel. Naturally in a world filled with social media and networking those from the class who either knew Donna or the other members of the committee or were Internet savvy joined the class’ Facebook page and then were directed to a class website (as he found out later his generation unlike later ones was on the borderline of entering the “information superhighway” and so not all classmates, those still alive anyway, were savvy that way). On that website set up by tech savvy Donna (she had worked in the computer industry at IBM during her working career) each classmate who joined the site had the ability to put up a personal profile next to their class photograph like he had done on many other such sites and that is where Jeff had seen Elizabeth Drury’s profile and a flood of memories and blushes.            


In high school Jeff had been smitten by Elizabeth, daughter of a couple of school teachers who worked in the upscale Marshfield school system  and therefore were stationed well above the chiselers of the town. But in things of the heart things like class distinctions, especially in democratically-etched America, are forgotten, maybe not rightly or fully forgotten when the deal goes down but there is enough of façade to throw one off if one gets feeling a certain way, gets the love bug, and sometime in the  genes makes one foolhardy. That had almost happened to Jeff in Elizabeth's case, except his corner boy Jack Callahan had put him wise, had kept him from one more teenage angst hurt.

Jeff and Elizabeth had had several classes together senior year and sat across from each other in English class and since both loved literature and were school-recognized as such they had certain interests in common. So they talked, talked in what Jeff thought was very friendly and somewhat flirty manner (or as he thought later after the youthful lame had burned out and he drifted west maybe he just hoped that was the case) and he had "formed an intention" (that is the way he said it the night he related the story to me so forgive the legal claptrap way he said it) to ask her out even if only to Doc’s Drugstore for an after school soda and a listen to the latest platters on Doc’s jukebox which had all the good stuff that kids were dancing to in those days. He figured from there he could work up to a real date. But sometimes the bumps and bruises of the chiseler life left one with a little sense and so before making attempts at such a conquest Jeff consulted with Jack Callahan to see if Elizabeth was “spoken for” (Jeff’s term if you can believe that like this was some 17th century Pilgrim forebears time).


See Jack, a star football player even if he was also a chiseler's son got something of an exemption from the rigid routine of the social structure of the senior class just by being able to run through defensive lines on any given granite grey autumn afternoon and so had excellent “intelligence” on the whole school system’s social network, in other words who was, or was not, spoken for. (By the way that “grapevine” any high school grapevine, maybe middle school too would put the poor technicians at the CIA and the spooks at NSA to shame with the accuracy of the information. It had to be that resourceful and accurate otherwise fists would fly.) The word on Elizabeth, forget it, off-limits, an “ice queen.” So Jeff saved himself plenty of anguish and he moved on with his small little high school life.


Seeing Elizabeth's name and profile though that many years later made him curious, made him wonder what had happened to her and since he was now again “single” he decided he would write a private e-mail to her profile page something which the website was set up to perform and which the reunion committee was recommending the still standing alumnus to do. That “single” a condition that he now considered the best course after three shifts of alimony, child support and college tuitions made him realize that it was infinitely cheaper to just live with a woman and be done with it.

Jeff wrote a short message asking whether she remembered him and she replied that she very well did remember him and their “great” (her term) conversations about Thomas Hardy, Ernest Hemingway and Edith Wharton. That short message and reply “sparked” something and they began a flurry of e-mails giving outlines of their subsequent history, including the still important one to Jeff whether she was “spoken for.” She was not having had two divorces although no kids in her career as a professor at the State University.


Somehow these messages led Jeff to tell her about his talk with Jack Callahan. And she laughed not at the “intelligence” which was correct but not for the reasons that Jack gave (her father was an abusive “asshole,” her term for her standoffishness and reputation as an “ice queen”). She laughed because despite her being flirty when they talked in English class, at least that was what she thought she was attempting to do because she certainly was interested when they would talk Jeff had never asked her out and then one day just stopped talking to her for no known reason. Damn.                    


They say, or at least Thomas Wolfe did in the title of one of his novels-you can’t go home again but neither Jeff nor Elizabeth after that last exchange of e-mails about the fateful missing chance back in senior year would heed the message. They decided to meet in Cambridge one night to see if that unspoken truth had any substance. They did meet, got along great, had many stories to exchange and it turned out many of the same interests (except golf a sport which relaxed Jeff when he was all wound up but which Elizabeth’s second husband had tried to teach her to no avail). And so their little affair started, started with great big bursts of flames but wound up after a few months smoldering out and being blown away like so much dust in the wind once Elizabeth started talking about marriage. Jeff was willing to listen to living together but his own strange marital orbit had made him very strongly again any more marriages. So this pair could not go home again, not at all, and after some acrimonious moments they parted.           


Jeff knew that was the best course, knew he had to break it off but it still hurt enough that any reference to 1964 made him sad. As he took a look at the sentiments expressed in that tattered yellowed document he had a moment reprieve as he ahh-ed over the information presented. Had he really forgotten that there was no Vice President then since there was no Vice-Presidential succession when Lyndon Johnson became President after the assassination of home state Irish Jack Kennedy. That My Fair Lady was a  popular Broadway show then as now. That the Beatles had appeared on Ed Sullivan’s Show and done a film, that Chapel of Love had been a hit that year as well. That 1964 was the year the Mustang that he would have died for came out into a candid  world. That gas was only about thirty cent a gallon, and that another Elizabeth, Elizabeth Taylor, married one Richard Burton for the first time (although not the last). And on that sour note he put the yellowed tattered document he had accidently come across in the trash pile with other tattered documents. He would remember things past in his own way. 

**Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of Elsa Alva (nee Daley), Class Of 1964

***Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of  Elsa Alva (nee Daley), Class Of 1964





Alex James , North Adamsville Class Of 1964, comment:

I have been dedicating some of my sketches to various people. When I first wrote this one in 2008 I had not one in particular in mind but when I recently rewrote it I did have Elsa in mind. I did not know her well at North Adamsville, and do not know her now much better now, but I felt her presence very strongly when I was rewriting this thing. So here it is.>
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Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and the Adamsville Old Sailor’s Home (and cemetery about a quarter of a mile away, closed now but the final resting place for many a sea-faring man, known and unknown). Yes, those names and places from the old housing project down in South Adamsville where I came of age surely evoke imagines of the sea, of long ago sailing ships, and of desperate, high stakes battles fought off shrouded, mist-covered coasts by those hearty enough to seek fame and fortune. And agile enough to keep it. Almost from my first wobbly, halting first baby steps down at “the projects” I have been physically drawn to the sea, a seductive, foam-flecked siren call that has never left me. Moreover, ever since this writer was a toddler his imagination has been driven by the sea as well. Not so much of pirates and prizes but of the power of nature, for good or evil.

Of course, anyone with even a passing attachment to Adamsville has to have an almost instinctual love of the sea; and a fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But enough of those imaginings. If being determines consciousness, and if you love the ocean, then it does not hurt to have been brought up in Adamsville with its ready access to the bay and water on three sides. That said, the focal point for any experience with the ocean in Adamsville centers, naturally, around its longest stretch of beach, aptly, if not ingeniously, named Adamsville Beach.

For those of us of a certain age, including this writer, one cannot discuss Adamsville Beach properly without reference to such spots such as Howard Johnson's famous landmark ice cream stand (now a woe-begotten clam shack of no repute). For those who are clueless as to what I speak of, or have only heard about it in mythological terms from older relatives, or worst, have written it off as just another ice cream joint I have provided a link to a Wikipedia entry for the establishment. That should impress you of the younger set, I am sure. Know this: many a hot, muggy, sultry, sweaty summer evening was spent in line impatiently, and perhaps, on occasion, beyond impatience, waiting for one of those 27 (or was it 28?) flavors to cool off with. In those days the prize went to cherry vanilla in a sugar cone (backup: frozen pudding). I will not bore the reader with superlative terms and the “they don’t make them like they use to” riff, especially for those who only know “HoJo’s” from the later, pale imitation franchise days out on some forsaken great American West-searching highway, but at that moment I was in very heaven.

Nor can one forget those stumbling, fumbling, fierce childish efforts, bare-footed against all motherly caution about the dreaded jellyfish, pail and shovel in hand, to dig for seemingly non-existent clams down toward the Merrymount end of the beach at the, in those days, just slightly oil-slicked, sulfuric low tide. Or the smell of charcoal-flavored hot dogs on those occasional family barbecues (when one in a series of old jalopies that my father drove worked well enough to get us there) at the then just recently constructed old barren old Treasure Island (now named after some fallen Marine, and fully-forested, such is time) that were some of the too few times when my family acted as a family. Or the memory of roasted, really burnt, sticky marshmallows sticking to the roof of my mouth. Ouch!

But those thoughts and smells are not the only ones that interest me today. No trip down memory lane would be complete without at least a passing reference to high school Adamsville Beach. The sea brings out many emotions: humankind's struggle against nature, some Zen notions of oneness with the universe, the calming effect of the thundering waves, thoughts of immortality, and so on. But it also brings out the primordial longings for companionship. And no one longs for companionship more than teenagers. So the draw of the ocean is not just in its cosmic appeal but hormonal, as well. Mind you, however, we are not discussing here the nighttime Adamsville Beach, the time of "parking" and the "submarine races." [For the heathens, or those from Kansas or some such place, going to watch the submarine races was a localism meaning going, via car, down to the beach at night, hopefully on a very dark night, with a, for a guy, girl and, well, start groping each other, and usually more, a lot more, if you were lucky and the girl was hot, while occasionally coming up for air and looking for that mythical submarine race. Many guys (and gals) had there first encounter with oral sex that way, if the Monday morning before school boys’ lav talk, and maybe girls’ lav talk too, was anything but hot air.] Our thoughts are now pure as the driven snow. We will save that discussion for another time when kids and grand-kids are not around. Here we will confine ourselves to the day-time beach.

Virtually from the day school we got out of school for summer vacation I headed for the beach. And not just any section of that beach but the section directly between the Squaw Rock and Adamsville Heights Yacht Clubs. Now was situating myself in that spot done so that I could watch all the fine boats at anchor? Or was this the best swimming location on the beach? Hell no, this is where we heard (and here I include my old running pal and classmate, Bill Bailey) all the "babes" were. We were, apparently, under the influence of Beach Blanket Bingo or some such early 1960s Frankie Avalon-Annette Funicillo (sic) teenage beach film. (For those who are again clueless this was a “boy meets girl” saga like Avatar, except on the beach...and on Earth.)

Well, for those who expected a movie-like happy ending to this piece, you know, where I meet a youthful "Ms. Right" to the strains of Sea of Love, forget it. (That is the original Sea of Love, by the way, not the one used in the movie of the same name sung by Tom Waits at the end, and an incredible cover that you should listen to on YouTube.) I will keep the gory details short, though. As fate would have it there may have been "babes" aplenty down there but not for this lad. I don't know about you but I was just too socially awkward (read: tongue-tied) to get up the nerve to talk to girls (female readers substitute boys here). And on reflection, if the truth were to be known, I would not have known what to do about it in any case. No job, no money and, most importantly, no car for a date to watch one of those legendary "submarine races" that we have all agreed that we will not discuss here. But we can hardly fault the sea for that, right?
*****
The above piece came about as a result of a response to some correspondence, via, a manically hard-working and determined North Adamsville High School class reunion committee member who shall remain nameless (except for gender, she) concerning old-time memories of Adamsville Beach which formed one of the backdrops to our high school experiences. In the wake of my commentary everybody and their brother (or sister) who ever came within fifty miles of smelling the sulfuric-flecked sea air at that beach has felt some kind of ‘civic duty’ to bring out his or her own salt-encrusted memories of the place. Below, mainly unedited (who could edit someone’s civic duty), is the traffic in response to the above piece. No one is required to wade through all the blather but to make a New York Times-like offical record seems appropriate under the circumstances.
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Betty Gilroy 1985 (view profile)
Posted: Jul 22 2008 11:00pm PST
In reply to Peter Paul Markin 1964


I grew up close to Adamsville Beach...I used to ride my bike there, runaway there... was a great bike path, I loved it as a kid. I used to hang out with friends from school, had some great jelly fish fights there. Ahhh, my friend and her boy fell asleep on the beach divider {Markin: sea-wall]with his hand on her stomach. How was she going to explain that one to mom and dad? (And, no, you dirty old man, they were not having oral sex or anything like that, although I learned later from my own experience that this was a “hot” spot for such things being so secluded and all. She, maybe they, didn’t know anything about sex then according to her, although later she told me about a couple of things, nasty-sounding things then but nice now, to do with guys. I am blushing now, and getting a little funny-feeling too, when I think about it now but the sound of the ocean in the background was a great place to do those things, those so-called nasty things. I know it got me going.)

I lived in Adamsville Central in the ‘70s to the early 80s and then moved to North Adamsville. I love the views, and the clam shack, the ice cream, all the clam diggers... the pond on the way from Marlboro Street, jumping the fence trying to catch the bull frogs going to the swamp cemetery swinging from the willow tree I think... I live in California and have a son that’s 7 (I hope he doesn't read what I wrote above, about that sex stuff I mean, but the ocean did turn me on, a lot) around the age that I would ride my bike the freedom, the safeness I had skate boarding around losing track of time, I haven't been back since my 10 year reunion I miss it, my friends, but then again I'm older with responsibilities maybe some day again I will take my son and show him Adamsville Beach and throw a few jelly fish his way??

Betty
North Adamsville High 85
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Memories Of Adamsville Beach

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:31am PST
In reply to Betty Gilroy, 1985


Betty- Thanks for the reply. The glint of silver off the Treasure Island Bridge when the sun hit it at a certain time. The early morning winter sun coming up over the horizon on the bay. The Boston skyline at dusk (pre-Marina Bay times when there was an unimpeded view). Well, we could go on and on with our memories but the one thing that caught my eye in your reply was the word “escape.” In one sense I was using Adamsville Beach as a metaphor for that idea in my story. I do not know about you and your family but, to be kind, I had a very rocky time growing up and certainly by the time I got to high school I was in desperate need of a sanctuary. It is no accident that I (and my old running mate, Bill Bailey) spent a fair amount of time there.

I went back to Adamsville last year (2007) while they were doing some reconstruction and cleaning the place up. I wrote about that in a sketch entitled Do You Know Adamsville Beach? that I posted here but then deleted. My original idea was to draw a comparison between the old hazy, happy memories of Adamsville in our youth and looking at it with today's older eyes. Somehow it just didn't fit right as a discussion item with the things I was trying to write then. If you would kindly reply to this message I will place it as a reply to some of what you have mentioned in your message about 'coming home.' By the way the jellyfish are still there in all their glory and please, take mother's advice, do not step on them, they might be poisonous.

Finally, I will not let you off the hook. I won’t comment on the "dirty old man" remark as I will take it as just a cute “fresh,” maybe flirty remark on your part. Yes, and I know as well as you that this is a family-friendly site but how did your friend explain away her 'sleeping' on the old wall to mom and dad? That bit about how she (they) didn’t know anything about sex, oral or otherwise, just doesn’t wash. Everybody “knew,” including parents who probably invented the spot, you only went to that particular spot with one thing in mind. You can send me a private e-mail with the real details if you like and then you can see if I am really a dirty old man or not. Regards, Peter Paul Markin

[Markin: Betty, by the way did send me an e-mail, several in fact, and I am still blushing, blushing profusely over some of her information old and ‘mature’ as I am. Let's put it this way my temperature was rising not a little. Frankly, some of the stuff (various sexual positions) she spoke of have to defy the laws of nature, but so be it. We were young and flexible (in more that one way) then. Forward.]
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Craig Wallace, North Adamsville High,1957 (view profile)
Posted: Jul 23 2008 10:34am PST
In reply to Peter Paul Markin,1964


Peter Paul: I heard from a younger friend, a woman friend (of my ex-wife’s actually) who knew you back in the day Professor Joan Murphy from over at MIT, who used to call you P.P., and that you liked it. [Markin: Tolerated it from her only because she was Frankie Riley’s ever-loving girlfriend. You remember the Riley family, the one with all the great North Adamsville raider red football players, Frankie was my corner boy chieftain up in front of Salducci’s Pizza Parlor. And she was, well, let's leave it as Frankie's ever-loving girlfriend.]

I don't have an awful lot to say about the beach, since I lived in a few other places while growing up. I do remember walking along the old sea wall and jumping across the openings trying to grab the rail to avoid falling. I once caught the rail, but hit the edge of the concrete wall with my shin. It hurt, but I didn't think it was broken.

Once a friend ran into a guy at the beach, and for some reason began to "exchange words." They were about to go at each other, but the lifeguard told them to take their dispute elsewhere. They went across the street to the grass in front of a stand where clams and other goodies were sold. The friend proceeded to tear the other guy apart. It didn't last that long. The friend was 5'-7" tall and the other guy 6'-3". I heard that some years later they ran into each other again and had a big laugh about the whole thing. Kids do grow up.

When I visited Massachusetts with my wife and two kids in 1983, my brother took us through some of the "old haunts," and we roamed the beach a bit. They got a kick out of a pair of horseshoe crabs skittering along the edge of the low tide line. I also went back there in 2007 and took a few walks along the beach. I did miss the old candle pin bowling alley, which appears to have been replaced by condos as was the old Adamsville Grammar School where I went through 1st grade (Miss Gray) and most of 2nd grade (Miss Lindberg).

Oh, yeah. I believe the Adamsville East Elementary School on Huckins Avenue is still in operation. I read that there's a boundary somewhere in North Adamsville and that kids who live east of the line go to Adamsville East School and those west of that line go to Parker Elementary on Billings Road. What is now North Adamsville High School included grades 7 through 12 till 1958 or 1959. So, even though I lived in 3 or 4 places, I was able to attend all 6 years at the same school.

Overall, most memories of Adamsville Beach are pretty good.

Craig S. Warren, 1957
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Peter Paul Markin reply:
Craig

Nobody has to stay on the subject at hand, all information about the old times in North Adamsville is welcome, but did you ever go to the beach? From the way you described it I thought maybe you knew about it from some picture postcard, of any beach, anywhere. Were you one of those, and there were not a few if I recall, who "rode," hot-rod rode the Adamsville Shore Boulevard and never touched down on the sand, or caught a fresh sea breeze on a hot summer day. Just kept cruising, eyes forward or left honed in on the ice cream, bowling alley, clam shack side, looking for the be-bop night, girls, or something. Like old Adamsville was Kansas or some sod town.

Peter Paul Markin,1964
Posted: Jul 23 2008 12:51pm PST
In reply to Craig Wallace, 1957 

This entry started as a short sketch in this space but I deleted it because it did not fit in with what I was trying to evoke in these pages then. Now the sketch does serve as a decent reply though for Betty Gilroy's,(1985) and Craig Wallace's (1957) comments above. I, moreover, actually am writing about the old-time beach here and not everything else under the sun like hot sex spots and Adamsville school locations. Christ. Peter Paul Markin

*****
Okay, in the sketch above(Daydream Visions Of Adamsville Beach, Circa 1964) this writer got all misty-eyed about the old days at Adamsville Beach. I went on and on about things like the various flavors of ice cream at HoJo's, the local king-of-the-hill ice cream stand, the vagaries of clam-digging in the oil-soaked flats and about the smell of charcoal- broiled hot dogs at Treasure Island. And I did not fail to mention the obligatory teenage longings for companionship and romantic adventure associated with the sea. But enough of magical realism. Today, as we are older and wiser, we will junk that memory lane business and take a look at old Adamsville in the clear bright light of day.

Last year, as part of the trip down the memory lane that I have been endlessly writing about in this space, I walked the length of Adamsville Beach from the Squaw Rock Causeway to the bridge at Adamsville Shore. At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, redo the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.

Oh sure, most of the natural landmarks are still there, as well as some of the structural ones. Those poor, weather-beaten yacht clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered Beachcomber gin mill in much the same condition is still there as are the inevitable clam shacks with their cholesterol-laden goods. That is not what I mean-what I noticed were things like the odd smell of low-tide when the sea is calm, the tepidness of the water as it splashed, barely, to the shore-when a man craved the roar of the ocean-and the annoying gear-grinding noise caused by the constant vehicular traffic on the near-by boulevard. Things that I was, frankly, oblivious to back in the days.

There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville Beach and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were things to conquer and now. The lesson to be learned- beware the perils of memory lane. But don't blame the sea for that, please.

.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album). That seems about right.
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On Our 'Code Of Honor'

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:42am PST
In reply to Craig Wallace, 1957 

Craig- I am very interested in having you fill out this story about the fight between your friend and the other guy down at Adamsville Beach that you mentioned before (see above). I do not need to know the gory details nor what happened years later. What I am looking for is your take on what the whole incident meant at the time. This was hardly an unusual event at then(or now for that matter), right?

I am trying to put together an entry based on our working class “code of honor”- male version- at the time before women's liberation and other social phenomena helped us to expand our sense of the world and how we should act in it. Even “loner” types like me would not back down on certain 'turf' issues (girls, giving way while walking on the street, who you "hung" with, where your locker was, which “lav” you used, etc.) and took a beating rather than concede the point. Enough for now but give this some thought. 

Regards, Peter Paul
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Fight . . . ?

Craig Wallace,1957 (view profile)
Posted: Jul 28 2008 09:09am PST
In reply to Peter Paul Markin,1964 

Peter Paul (I won’t call you P.P., okay). [Markin: Watch it old man. The days of the bogus 'code of honor' may be long gone but every working-class corner boy still has a slight edge on, even fifty years later, okay.]

The scuffle between a friend of mine and a much bigger guy at Adamsville Beach was not really "earth shaking." It started a couple days before when the friend and I were walking along one of the streets leading to the beach, Bayfield Road, perhaps. The "other guy" passed by in a car with some of his friends, including a couple girls. That guy yelled some insult at my friend in reference to his "eye-wear." He probably was trying to impress the girls by showing them he could insult anyone and all could get a good laugh out of it. Of course, my friend yelled something equally offensive at those in the passing car, which kept going. The "incident" appeared to have terminated.

A few days later the friend and I crossed the road to the beach near one of the yacht clubs and there was the guy who had yelled the insulting remarks. Apparently, he thought he could continue the verbal abuse without suffering the consequences, because he yelled something similar again. My friend went after the kid, but was informed by the lifeguard that they better take their "dispute" elsewhere. They went across the road to a grassy area and, encouraged by a small crowd that was gathering around them, proceeded to "get it on." My friend was usually a fairly pacific person, but when "pushed," he was like a cornered wolverine that would take on anybody or anything. The scuffle didn't last long, and the bigger kid got the worst of it. That time was the end of the dispute. Apparently nobody was seriously hurt, but maybe some had a bit more respect for the smaller kids after that. Some years later the two met, and remembering the incident, shared a good laugh over the whole thing.

Then, as now, I saw no esoteric meaning to the "battle." It didn't seem like the medieval days when one would "defend his honor" or that of a "damsel in distress." It was just an exchange of words that developed into a short round of what may be referred to these days as "ultimate fighting" where no rules are observed. I had a couple scuffles in elementary school and my son did in middle school, but we more-or-less outgrew such things. Sadly, nowadays those "scuffles" can become more deadly and end with somebody paying the "ultimate price." Are we reverting to the "Dark Ages." I hope not.

Anyway, enough said of a "juvenile incident."

Craig, 1957
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The "Code of Honor"

Peter Paul Markin, 1964
Posted: Aug 03 2008 11:31am PST
In reply to Craig Wallace, 1957 

Craig, thanks for story. It gives me an angle for a story that I will write about on our youthful sense of “honor.” This story that you related, especially the part about impressing the girls, etc. really says something about that code.

Regards, Peter Paul
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Day and Night At Adamsville Beach

Peter Paul Markin, 1964
Posted: Aug 02 2008 06:21am PST
In reply to Betty Gilroy, 1985 

I mentioned in my original story that all of us would talk about daytime Adamsville Beach (although once the kids are out of sight-the nighttime is the right time- can come into play). I hope that at some point Betty Gilroy will expand on her comment about her girlfriend down at the day time beach and the incident alluded in her comment about her falling asleep. Ms. Gilroy is more than capable of telling her own version of the story. [Markin: She did via e-mail, private e-mail, and it would take a civil war to get the information out of me, or a few bucks. Let me put it this way. I was blushing for days, maybe now even, as I mentioned above]. The only point I want to make here is that some of these day time remembrances are as funny as what might have happened at night. Funny now, that is.

Regards, Peter Paul
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Anyone Remember Adamsville Beach?

Robina Moore, 1978 (view profile)
Posted: Aug 15 2008 04:35pm PST
In reply to Peter Paul Markin, 1964 

Totally agree that growing up on Adamsville Beach was an experience. So natural at the time, but looking back I now see how fortunate I was. I don’t remember the HoJo’s but I do remember the 19 cent hotdogs sold on the beach that was a few blocks from my house. What a treat for the neighborhood kids to get together and go get a dog.

As far the beach was concerned as kids, we followed the tides. Some parent would parade a group us kids and watch over us. Generally for two hours before high tide, and two hours after, and they always had snacks and drinks in tow…just gotta love the moms for that! Swim, dig in the sand, play catch in the water and when finally tired, lay on a towel and listen to WRKO or WMEX on the transistor radio.

Once I hit teenage years, I choose not to venture near the beach. I think my parents knew about the cosmic and hormonal appeal as well as primordial longings going on there. I was taught at a young age, the beach is not a good place at night. I totally thank them for instilling this and letting Adamsville Beach be filled with wonderful childhood memories. With that said, I am thrilled at the revitalization, and hope this generation of children will have a chance to create memories that they can cherished forever.
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Back In The Days

Peter Paul Markin, 1964
Posted: Aug 18 2008 02:49pm PST
In reply to Robina Moore, 1978 

Robina-Very nicely told memories. That is the thing that I was trying to evoke in writing this particular commentary. A few points.

*The reason for the boxes in your entry [Markin:since deleted] is that when you transfer from a word processor to the message space here the apostrophes and quotation marks turn into some Serbo-Croatian dialect in the process. It happens to me all the time. You have to change them in this space to avoid that.

* Do you, or anyone else, know when HoJo's left the Adamsville Beach site?

* Did you mean 19 dollars for a hot dog? You put 19 cents but that can't be right. Nothing ever cost 19 cents.

• You realize, of course, that this is a generic North Adamsville site and therefore members of generations X, Y or Z may not be familiar with the term “transistor radio.” For their benefit, that was a little battery-powered gizmo that allowed you to listen to music, the 'devil's music,' rock 'n' roll, without your parents going nuts. And no, sorry, you could not download whatever you wanted. Yes, I know, the Stone Age.

Regards, Peter Paul Markin
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The Nighttime Is The Right Time....

Peter Paul Markin, 1964
Posted: Aug 21 2008 08:08am PST
In reply to Robina Moore, 1978 

...to be with the one you love. Yes, that classic Ray Charles tune (covered by many, including a steamy tribute version by The Rolling Stones in their 2005 Fenway Park concert) is a good lead in to what I want to mention here. Most of the comments on this entry have concerned day time Adamsville Beach but I have been thinking that it is time to open up to the night time episodes. Here are my reasons:

• Hey, it is entirely possible that some of our fellow alumni never went to Adamsville Beach during the day. They might have a legitimate grip against us for that. Remember we are using this cyberspace so that everyone has their "15 minutes of fame."

• The heck with protecting the kids and grandkids. They know this stuff already. Let's face it, as well, no self-respecting member of the hip-hop/iPod/Sidekick/texting generations (or younger) would dream of reading this far down into the entry. Ugh!

• Frankly, there is only so far we can go with the day-time Adamsville Beach. While there have been some nice comments there is only so far you can go with jellyfish, 19 cent hot dogs, teenage romantic longings and getting sand kicked in your face. We need to spice this up. In short, sex, or the hint of it, sells.

These are all good and sufficient reasons but, as usual, my real reason for arguing inclusion here is personal curiosity. I have been waiting some forty-four years to ask this simple question. Why, while we were driving down Adamsville Shore Boulevard on those cold October nights, let's say, were most of the cars all fogged up? What, were their defrosters not working? Come on, please, tell me.