Sunday, July 29, 2018

Pop-Up Reflections On The Poor People's Rally And March In Washington, D.C. on June 23, 2018

Pop-Up Reflections On The Poor People's Rally And March In Washington, D.C. on June 23, 2018




By Si Lannon

[This initial report, commentary is expected to be the first of several reports this year as the Poor People's Campaign unwinds. Additional reports through December 2018 will be added to the end of this entry as needed. Greg Green]  



Some stories get written on the fly in our business, the publishing business and it does not matter if it is on-line or the hardest of hard copy. The damn thing falls into somebody’s lap and sometimes it is yours-by default. Here is genesis on my coverage of the Poor People's Campaign rally and march down in Washington, D.C. on June 23rd. I had originally been sent down to Washington by Greg Green our current site manager to do a story about the Cezanne Portrait exhibit at the National Gallery of Art (with a side trip to the small Saint Francis of Assisi exhibit and another of the work on display of Saul Steinberg both of which will be dealt with if I ever get around to actually writing about again after the curtain falls.

Bart Webber has already recently told in this publication the other part of this story, the other part of how I was waylaid even before I was able to write word one about the Cezanne story. Told about how, as is my wont, since I was in town anyway that I would check out to see what was happening at the National Portrait Gallery which is open later than the National Gallery and I figured to do the Cezanne project the next day, a Saturday. The story that developed by Bart out of that experience concerned seeing a remembrance painting of Roy Lichtenstein’s iconic Time magazine cover of Bobby Kennedy in the spring of 1968 which flipped me out when I spied it on the first floor. Got me to thinking about the late Peter Paul Markin who was crazy for Bobby and spent the spring of that year working his ass off for him. My reflections about Markin (always Scribe in the old days) which that night I conveyed to Bart Webber and Sam Lowell, two old friends of his as well and who work at this publication, got turned into that article about the million “might have beens” if Bobby had not been murdered and Markin had not subsequently wound up in hellhole Vietnam which did him no good, no good at all and led to an unsettling early grave. You would not believe the speed Bart was able to put that one together once it got through the grapevine about my “discovery” and others clamored to get their points in about much missed Scribe. It was almost as if some portent, some omen, some invisible hand was at play since nobody here had written word one of original work about the 50th anniversary the effect of Bobby’s murder and had relied on previous sketches to commemorate the event since everybody was busy with some other project.         

Here is where it all ties together, where sainted Bobby and wanna-be saint Scribe are reunited in spirit anyway. That Saturday I was heading to the National Gallery early to beat the crowds. I usually take the Metro since from the hotel where I was staying it was infinitely easier to do so than taking a car, so the natural stop on that line, the Blue line, is the Smithsonian on the National Mall. As I exited the station heading the few blocks to the museum from there I noticed a huge white tent across from the Hirschhorn Museum and further down toward 7th Street a stage complete with a couple of large screens flanking a stage and people milling around. I stopped at the tent to inquire about the event although on any given day you will see tents, usually white, strewn on the Mall for some event or other. It turned out that this was the headquarters for the Poor People’s Campaign during the week of actions they had planned in D.C. and was to culminate later that morning and afternoon in a rally there and a march to the Capitol several blocks away.

Once I understood what was going on, understood that this might be something to check out further, I made the connection. Make another stab at figuring out the invisible hand at work this weekend. This year was also the 50th anniversary of the ill-fated original Poor People’s Campaign led by Martin Luther King before he was assassinated in April of that year and which was carried on in his memory through the summer of 1968. The central physical focus of the original efforts was the establishment of an encampment dubbed Resurrection City which had been highlighted by a large demonstration on June 23rd of that year. Robert Kennedy had before his own assassination put his endorsement of the campaign as part of his political strategy to spark issues around race, poverty and above all the raging, futile war being waged in Southeast Asia then and which was sucking up resources which could have been used to help alleviate the poverty of those times, something still with us all these years later. ( I use Southeast Asia here although at the time we mostly thought it was Vietnam little did we know until later and only by other sources like Daniel Ellsberg’s Pentagon Papers expose that Laos, Cambodia and who knows where else were bombed to perdition as well).I believe that Bobby had also visited the site and I know that his funeral train passed through the city. I thought about the situation and called Greg Green to ask if he wanted me to also cover this event along with the Cezanne assignment. Greg said by all means yes. Actually what Greg said was that if I had wanted to keep my nice art assignments I had better damn well (his expression) cover the event. Greg being a half generation younger that most older writers who go back to the hard copy editions of this publication did not have the 50th anniversary commemoration of the Poor Peoples Campaign on his radar so he was as they say “covering his ass” (my expression).

The following are some reflections taken away from that experience.         

Like in a lot of other things that happen without explanation I don’t believe in resurrection meaning in the context of the Poor People's Campaign, hereafter PPC, trying to jumpstart something like the war on poverty which is what this is all about based on something that happened 50 years ago and that was unsuccessful then seemed anachronistic. Seemed doom to failure as it had previously in  the muddy summer of 1968 once Doctor King’s hand was not there to guide the thing and use his huge authority not only in the black and among other minorities but among white liberals who to this day see him as the guy who could have led his people out of bondage-and assuaged  their guilt for falling down in the struggle after his demise. His authority unlike his successors, and from what I could see on stage this June day, could have pushed things forward. Even then there was no guarantee given the political climate that anything would happen. I confess after looking around, talking to some activists, a few who I recognized from other contexts, other political campaigns I have covered, hearing the endless speeches and trying to decipher what the road forward would look like since everybody emphasized, correctly emphasized that this would only be the start of a long uphill struggle, went into coverage of this event with something of a jaded eye. Whatever  I agree with in principle, whatever I    believe must be done about the vast social and economic inequalities in this country, and internationally.

Nothing said or heard that day has led me to believe that my original assessment was wrong, although this is one time I hope I am. The portents, that invisible hand I seem to have grown committed to using as a metaphor for these strange and worrisome times don’t head that way though. Here is a quick rundown of what the PPC had been up to the previous forty days as they called it, maybe reflecting some forty days in the wilderness although I could not get any rank and file activists to buy into that scenario, in what they have called their “call for a national moral revival.” Such a theme is always tricky and always capable of misintereptation, mainly since it is usually other-worldly Christian evangelicals and bare-bones religious folk who call, usually from the right political perspective or from outside politics, for moral revival. Usually eschewing the worldly poverty problems around them and waiting upon the Lord, and you know who that Lord is.

What the PPC, headed by Revered Barber from North Carolina and others who had been planning this project for several years, wanted to do was highlight the poverty situation and offer remedies. Organize the poor to organize themselves the way one youth activist put it. Saying as well, and I took this as an omen as well, that if it is not done from the bottom up as opposed to most efforts which are lead by middle class professional people on some salvation of their souls mission then once again the thing would be coopted and doomed to failure. Good point.   

In order to drum up support locally and nationally the PPC had the previous five weeks centered their actions, including acts of civil disobedience, on the state capitals each week presenting a different broad issue like homelessness or the war economy and the way those affect the poor, those down at the bottom of the barrel in society. After those five weeks of gathering from what I could tell, and what was noticeable in the crowd I saw at the Mall, a middle class professional cadre with a sprinkling of union activists to further the work, to get to the poor so they can organize themselves they would gather in Washington to see what they had wrought. From my observations of who was in the crowd that day, unlike what I remember and have seen photographs of the original encampment, with a few exceptions this was not the poor masses coming to act as avenging angels against their oppressors. Which made, makes me wonder about that portentous statement that young enthused activist made to me in all candor and which was seconded by a couple of other young people around him who nodded their heads in agreement.

If Sam Lowell or Seth Garth, maybe even Bart Webber although he is not given to straying away from straight reportage, were writing this they would say this was a situation where you “rounded up the usual suspects,” saw people who had been around these issues going back to the 1960s. Frank Jackman would have call it preaching to the choir” if you want another way to say it. These people were good in their time, hell, a bunch of us worked with them when the world was new and were still all sparkling eyes and dewy too, but we have a generational “passing the torch” problem between today’s youth and the generation after ours who came of age under the aegis of Ronald Reagan. The old ways of organizing, the very heavy reliance after all this time and all the times we have been showed nothing but ashes and brimstone of voting as the main organizational tool for change, does not bode well for this PPC program.      

And not so strangely given the moral imperative behind the movement the crowd was treated to such preaching in a literal sense both by the speakers who has some religious or quasi-religious take on the situation and by the “feel” of the event, the feeling that it was a revival meeting of some sort with people being exhorted to join up, to get out there in the mud and organize, to get “religion” as the late Markin used to say once he came back from Vietnam about the issues of war and peace.

The several thousand in attendance and/or who marched to the Capitol were thus treated to this eerie spectacle. But here is where things got a little awry. Got as confused as they did in the 1960s when strategy, basically voting for a regime or going down in the mud for fundamental social change were the two main poles of attraction. Put people, thoughtful people in different camps. The 23rd of June was an almost chemically pure example of that old dilemma-in one place-hell, in one speaker at times. On the one hand speakers, including prime leader Reverend Barber who knew how to work the crowd into a revival spirit no question, spoke of “revolution” which I assumed was meant in the traditional sense like the original American or French revolutions. In the next breath, and this was truest when the Reverend Jessie Jackson brought in for the occasion, a former King aide and later a Democratic Party presidential candidate himself, spent his every word talking about heading to the ballot box come November. Now revolution and voting are by no means mutually exclusive, but I got a very queasy feeling I had been here before, had been cajoled into doing the same old, same old. And you wonder why I am a little eye-jaded about the future prospects of this campaign.          

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth –Henri Barbusse


As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth –Henri Barbusse













By Seth Garth





A few years ago, starting in August 2104 the 100th anniversary of what would become World War I, I started a series about the cultural effects, some of them anyway, of the slaughter which mowed down the flower of the European youth including an amazing number of artists, poets, writers and other cultural figures. Those culturati left behind, those who survived the shellings, the trenches, the diseases, and what was then called “shell shock,” now more commonly Post-Traumatic Stress Disorder (PTSD) which is duly recognized, and compensated for at least in the United States by the Veterans Administration in proven cases reacted in many different ways. Mainly, the best of them, like the ordinary dog soldiers could not go back to the same old, same old, could not revive the certitudes of the pre-war Western world with it distorted sense of decorum and went to what even today seem quirky with moderns like Dada, Minimalism, the literary sparseness of Hemingway, and so on. I had my say there in a general sense but now as we are only a few months away from the 100th anniversary of, mercifully, the armistice which effectively ended that bloodbath I want to do a retrospective of creative artistic works by those who survived the war and how those war visions got translated into their works with some commentary if the spirit moves me but this is their show-no question they earned a retrospective.




Reopening The Emmett Till Case-The Case That Has Not Died, Nor Should It-From The Black Liberation Struggle Archives-The Murder Of Emmett Till- Once Again, "Mississippi Goddam", No, "Double Goddam"- A Film Review


Reopening The Emmett Till Case-The Case That Has Not Died, Nor Should It

A link to an On Point NPR program on the re-opening of the Emmett Till case.



  www.wbur.org/onpoint/2018/07/17/emmett-till-timothy-tyson



By Frank Jackman



I have, as witnessed below, at various times reviewed some aspect of the Emmett Till case as a matter of historical importance although not to me individually directly since Emmett’s death, murder, happened when I was too young to realize what was going on. I picked up on the civil rights movement for black rights in the Mister James Crow South (and as it turned, turns out the North too) in the early 1960s when I went to downtown Boston and walked a picket line at Woolworth’s in support of the lunch counter demonstrators down South who wanted to have a freaking grilled cheese sandwich without having to face a civil war about it. That is when I first heard about the case, and it has never been far from the surface since.           

Now the Department of Justice, Alabama’s Jeff Session’s DOJ, has reopened the Emmett Till case that his family and partisans have tried to have reopened for many years. The DOJ motivation I am not quite sure of. What I know is that in this case justice will never be done, closure will probably never come but only a better idea of what really happened down in Mister James Crow Mississippi in the 1950s. Still some cases, and Emmett’s is one of them, will never die, nor should they.  

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DVD REVIEW

The Untold Story Of Emmett Louis Till, Titlemark Productions, 2005


Earlier this year, in February, as part of honoring various figures for Black History Month, I reviewed a 2003 PBS Productions film documentary on the case of young civil rights figure, Emmett Till. The comments that I made there can, for the most part, stand here as well in this 2005 shorter documentary that reflected the stir in the black and progressive community over the reopening of Till case by the United States Attorney-General’s office. It also reflects the passing of Emmett’s mother in 2003, without having seen justice done for her son after a life time of effort. As I point out at the bottom of this post, real justice for Emmett awaits a socialist society, a society fit for what would have been his children, grandchildren and great-grandchildren. For now though, as I point out in the headline, in the case of Emmett Till- “Mississippi Goddam, Double Goddam”.

******

“This film is a long overdue appreciation of the life the martyred civil rights figure, fourteen year old Chicago resident Emmett Till, down in deeply segregated Mississippi in 1955 at the hands of at least two white men while visiting relatives. Emmett’s crime- “eyeballing”, or whistling, or some such at a white woman while black. Sounds familiar from other, later contexts, right? (Like today blacks being stopped in white neighborhoods, on the roads by white police, etc.) For that childish indiscretion, however, Emmett paid with his young life. That these men, his later self-proclaimed killers were “white trash”, and considered as such by ‘gentile’ Southern society nevertheless insured that they would not suffer for their crimes. At least not under the Mississippi-style ‘justice’ of the times. They were white. And white was right. Case closed.

This documentary is also is a tribute, a much warranted tribute, to Emmett’s mother, the now deceased Mame Till, whose interview clips go a long way to understanding the nature of the case and her lifelong search for justice for her son- somewhere. As pointed out near the end of the film that event never really occurred in her lifetime or the lifetimes of Emmett’s killers. Along the way the film details the why of that statement; the murder is graphically laid out, the ‘justice’ system in Mississippi is laid bare. The reaction of blacks in Chicago at Emmett’s funeral and later at the verdict, as well as those in the South who were just starting to organize for their rights, had a galvanizing effect. As one of the journalist interviewees noted, Emmett’s case highlighted that blacks were under attack, knew they were in a life and death struggle, and had better start doing something about it. Moreover, this case provided the first solid evidence to the North, blacks and whites alike, that something was desperately wrong with the justice system in the Jim Crow South.

The beginnings of my personal awareness of the central role of the black liberation struggle in any fight for fundamental change in America did not stem from the Till tragedy but rather a little latter from the attempts to integrate the schools of Little Rock, Arkansas in 1957. This film and many of the interviewees (journalists, an ex-Governor of Mississippi, field hands who witnessed various aspects of Till’s abduction and/or the cover up of the murder, Southern white liberals, etc.) point to the Till case as the tip of the iceberg that exploded soon after in the famous Rosa Parks bus incident in Montgomery, Alabama. No matter where you trace the beginnings of the modern civil right movement from though, in Emmett Till’s case there is only conclusion- Nina Simone said it best in her song- “Mississippi Goddam”. ’’

Here are the lyrics to Nina Simone's poignant and appropriate "Mississippi Goddam"

Mississippi Goddam
(1963) Nina Simone
The name of this tune is Mississippi Goddam
And I mean every word of it

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

This is a show tune
But the show hasn't been written for it, yet

Hound dogs on my trail
School children sitting in jail
Black cat cross my path
I think every day's gonna be my last

Lord have mercy on this land of mine
We all gonna get it in due time
I don't belong here
I don't belong there
I've even stopped believing in prayer

Don't tell me
I tell you
Me and my people just about due
I've been there so I know
They keep on saying "Go slow!"

But that's just the trouble
"do it slow"
Washing the windows
"do it slow"
Picking the cotton
"do it slow"
You're just plain rotten
"do it slow"
You're too damn lazy
"do it slow"
The thinking's crazy
"do it slow"
Where am I going
What am I doing
I don't know
I don't know

Just try to do your very best
Stand up be counted with all the rest
For everybody knows about Mississippi Goddam

I made you thought I was kiddin' didn't we

Picket lines
School boy cots
They try to say it's a communist plot
All I want is equality
for my sister my brother my people and me

Yes you lied to me all these years
You told me to wash and clean my ears
And talk real fine just like a lady
And you'd stop calling me Sister Sadie

Oh but this whole country is full of lies
You're all gonna die and die like flies
I don't trust you any more
You keep on saying "Go slow!"
"Go slow!"

But that's just the trouble
"do it slow"
Desegregation
"do it slow"
Mass participation
"do it slow"
Reunification
"do it slow"
Do things gradually
"do it slow"
But bring more tragedy
"do it slow"
Why don't you see it
Why don't you feel it
I don't know
I don't know

You don't have to live next to me
Just give me my equality
Everybody knows about Mississippi
Everybody knows about Alabama
Everybody knows about Mississippi Goddam

That's it!