Click on the headline to link to a YouTube film clip of Leslie Gore performing her classic teen dream theme That’s The Way Boys Are.
CD Review
The ‘60s: Jukebox Memories, various artists, Time-Life Music, 1992
Scene: Brought to mind by one of the songs in this compilation, Leslie Gore’s 1960s classic teen dream theme (girl division) song, That’s The Way Boys Are.
I, Diana Nelson, am going to be a big singing star just watch out, watch out and don’t blink because then you will miss it. Hey, it is written in the stars, my stars. Proof? I have just this spring won the 1962 edition of the annual Adamsville Female Vocalist Contest. Hands down! There was no way that any of those other girls could match (and one guy who dressed up as a girl, weird right, although he did a good job on Mary Wells’ Two Lovers and I was a little worried until they found out he was a guy and gave him the boot.) Even Emma Johns and her smoky version of old hat Peggy Lee’s Fever got left behind when I went deep, deep down almost to my soul on Brenda Lee’s I’m Sorry. See that is what the judges were looking for, not smoldering sexy stuff but act of contrition stuff. And the girls who filled up the audience seats and gave their thumbs up and down only wanted to hear stuff that they can listen too when they cry on their pillows after their Johnny doesn’t call, goes cheap on some corny date, or cheats on them, cheats on them with their best friend, usually. I’ve got it all figured out.
Sure, like I was telling my good friend, Peter Paul Markin, the other day during class I was glad to get the one thousand scholarship money that was one of the prizes offered. I can use it if I decide to go to college after we graduate next year. But the big thing for me is to get to sing, sing featured, along with the guys from the Rockin’ Ramrods to back me up, at the Falling Leaves Dance held late in September. That dance is always sponsored by the senior class and it will give me a thrill to go out to please that crowd of fellow seniors, especially Peter Paul, who shares my love of music (although he is not a very good singer, sorry if you see this P.P.) and likes to talk about politics and stuff like I do. The big, big thing though, and I haven’t even told Peter Paul about this is that a recording agent, Jerry Rice, yes, that Jerry Rice, from Ducca Records, the one that signed Connie what’s-her name, has promised to be there and if he likes what he hears, well, like I say it in my stars. Don’t blink, okay.
By the way don’t get thrown off by that good friend Peter Paul thing, especially if you know my own true love boy friend Bobby Swann. There’s nothing to it (sorry again, Peter). Bobby couldn’t be at the contest because he was studying for his finals at State University. He is finishing up his freshman year and so he had to study hard. Peter Paul and I met in ninth grade and we have been good friends ever since. Oh, I suppose I can tell you now, now that I have my handsome blue-eyed Bobby, that if he wasn't such a “stup” P.P could have had his chances with me but all he ever did was stare at my ass in class, and in the corridors. If you don’t believe me ask Emma Johns, she’s the one that noticed him doing it first, although I had an idea. Better yet, ask P.P. he’ll tell you, maybe. The thing was that I couldn’t wait forever for him to get up the nerve to ask me out and then Bobby came along and swooped me up in tenth grade and then I didn’t care for younger guys anymore, except as good friends.
I guess I should tell you since I am telling you everything else that I had a dream when I was very young, maybe seven or eight, that I was going to be a singing star. Maybe it was my mother always playing women singers on the family record like that Peggy Lee when she was young and sprightly with Benny Goodman, Teresa Brewer, and Billie Holiday that got me going because I would sing along all day with the radio on. Later ma had me take singing lessons and I have been going strong ever since. Peter Paul said he went crazy when he first heard me do Brenda’s I Want To Be Wanted and Patsy Cline’s Crazy, although she, Patsy, seemed a little to ah, shucks, countrified when I first heard her. She has gotten less so since she has started turning to more a more popular style. I sure wish I could hit her high notes but Miss French, my vocals teacher, says I will get there soon enough and then I will have to, get this word, “husband” my valuable resource. See, I am a cinch.
Did I tell you that I told, no ordered (and I can do that to him, and he jumps like a puppy dog, sorry again P.P.) to be at the Falling Leaves Dance solo, so we can talk between sets. It looks like Bobby won’t be coming. According to him no big time State University sophomore would be caught dead at a high school dance and also his cross-country team is having a big meet in New York City that weekend. You know, and I hope you won’t tell Bobby, if you know him, because I do love him so, every once in a while I wish P. P. would have done more than just look at my ass in ninth grade.
Showing posts with label be-bop saturday night. Show all posts
Showing posts with label be-bop saturday night. Show all posts
Monday, October 17, 2011
Thursday, October 13, 2011
Out In The Be-Bop Be-Bop 1960s Night- Save The Last Dance For Me-With The Drifters’ Song Of The Same Name In Mind.
Click on the headline to link to a YouTube film clip of The Drifters performing their classic Save The Last Dance For Me
CD Review
AM Gold: The Early ‘60s, various artists, Time-Life Music, 1992
Scene: Brought to mind by one of the songs in this compilation, The Drifters classic end of the night high school dance number, Save The Last Dance For Me.
Recently, when I was reviewing a companion CD in this Time-Life Music series, AM Gold: 1962, I mentioned, in detailing some of the events surrounding the North Adamsville Class of 1962-sponsored version of the traditional late September Falling Leaves Dance that one of the perks that year was getting to hear the vocals of local singer and classmate, Diana Nelson, backed up by local rock band favorite, The Rockin’ Ramrods. I also mentioned that her selection had been the result of a singing competition held by the town fathers and that I would relate some of the details of that competition at a later date. That time has come. Additionally, I related that I had had a “crush” on Miss (Ms.) Nelson since I started staring, permanently staring, at her ass when she sat a few seats in front of me in ninth grade. At the time of the above-mentioned dance she was “going steady” with some college joe, and had not given me the time of day, flirting or encouraging-wise, since about tenth grade, although we always talked about stuff, music and political stuff, two of my passions, and hers too. Here’s the “skinny.”
******
No question that about 1960, maybe into 1961, girl vocalists were the cat’s meow. (Okay, young women, but we didn’t call them that then, no way. Also no way as well is what we called them, called them among we corner boys at Salducci’s Pizza Parlor, especially when we got “no action.” I don’t have to draw you a diagram on what that meant, right?). You can, if you were around then, reel off the names just as well as I can, Connie Francis, Carla Thomas, Patsy Cline, and the sparkplug Brenda Lee. I won’t even mention wanna-bes like Connie Stevens and Sandra Dee, Christ. See, serious classic rock by guys like Elvis, Bo Diddley, Chuck Berry and Jerry Lee Lewis was, well, passé, in that musical counter-revolution night. But music, like lots of other things abhors a vacuum and while guys were still singing, I guess, the girl singers (read young women, okay, and we will leave it at that) “spoke” to us more. Especially to record- buying girls who wanted to hear about teen romance, teen alienation, lost love, unstoppable hurts, betrayal (usually by the girl’s best friend and her boyfriend, although not always), lonely Friday nights, and other stuff that teenagers, boys and girls equally, have been mulling over, well, since they invented teenagers a long time ago.
So it was natural for the musically-talented girls around North Adamsville, and maybe around the country for all I know, to test themselves against the big name talents and see what they had. See if they could make teen heaven- a record contract with all that entailed. In North Adamsville that was actually made easier by the town fathers (and they were all men, mostly old men in those days so fathers is right), if you can believe that. Why? Because for a couple of years in the early 1960s, maybe longer, they had been sponsoring a singing contest, a female vocalist, singing contest. I heard later, and maybe it was true, that what drove them was that, unlike those mid-1950s evil male rockers mentioned above, the women vocalist models had a “calming effect” on the hard-bitten be-bop teen night. And calm was what the town fathers cared about most of all. That, and making sure that everything was in preparedness for any Soviet missile strike, complete with periodic air raid drills, christ again.
In 1962 this contest, as it was in previous years, was held in the spring in the town hall auditorium. And among the contestants, obviously, was that already "spoken for" Diana Nelson who was by even the casual music listener the odds-on favorite. She had prepped a few of us with her unique rendition of Brenda Lee’s I’m Sorry so I knew she was a shoo-in. And she was. What was interesting about the competition was not her victory as much as the assorted talents, so-called, that entered this thing. If I recall there were perhaps fifteen vocalists in all. The way the thing got resolved was a kind of sing-off. A process of elimination sing-off.
Half a dozen, naturally, were some variation of off-key and dismissible out of hand. These girls fought the worst when they got the hook. Especially one girl, Elena G., if anyone remembers her who did one of the worst versions of Connie Francis’ Who’s Sorry Now I had (and have) ever heard. The more talented girls took their lost with more grace, probably realizing as Diana got into high gear that they were doomed. But here is the funny part. One of the final four girls was not a girl at all. Jimmy C. from right down the end of my street dressed himself up as girl (and not badly either although none of us knew much about “drag queen” culture then) and sang a great version of Mary Wells’ Two Lovers. Like I said we knew from nothing about different sexual preferences and thought he just did it as a goof. (I heard a couple of years later that he had finally settled in Provincetown and that fact alone “hipped” me to what he was about, sexually.)
I probably told you before that one part of winning was a one thousand dollar scholarship. That was important, but Diana, when she talked to me about it a couple of days later just before class, said she really wanted to win so she could be featured at the Falling Leaves Dance. Now, like I said, I had a big crush on her, no question, so I was amazed that she also said that she wanted me to be sure to be at the dance that next late September. Well, if you have been paying attention at all then you know I was there. I went alone, because just then I didn’t have a girlfriend, a girlfriend strong enough for me to want to go to the dance with anyway. But I was having a pretty good time. I even danced with Chrissie McNamara, a genuine fox, who every guy had the “hots” for since she, just the night before, had busted up with Johnny Callahan, the football player. And Diana sang great, especially on Brenda Lee’s I Want To Be Wanted. She reached somewhere deep for that one.
Toward the end of the evening, while the Rockin’ Ramrods were doing some heavy rock covers, Chuck Berry’s Sweet Little Sixteen I think, and she was taking a break, Diana came over to me and said, I swear she said it exactly like this- “save the last dance for me.” I asked her to repeat herself. She said Bobby (her college joe) was not here that evening for some reason I do not remember and that she wanted to dance the last dance with someone she liked. Well, what’s a guy to do when someone like Diana gives her imperial command? I checked my dance card and said “sure.” Now this last dance thing has been going on every since they have had dances and ever since they have had teenagers at such events so no big deal, really. Oh, except this, as we were dancing that last dance to the Ramrod’s cover of The Dubs Could This Be Magic Diana, out of the blue, said this. “You know if you had done more than just stared at my ass in class (and in the corridors too, she added) in ninth grade maybe I wouldn’t have latched onto Bobby when he came around in tenth grade.” No, a thousand times no, no, no, no…
CD Review
AM Gold: The Early ‘60s, various artists, Time-Life Music, 1992
Scene: Brought to mind by one of the songs in this compilation, The Drifters classic end of the night high school dance number, Save The Last Dance For Me.
Recently, when I was reviewing a companion CD in this Time-Life Music series, AM Gold: 1962, I mentioned, in detailing some of the events surrounding the North Adamsville Class of 1962-sponsored version of the traditional late September Falling Leaves Dance that one of the perks that year was getting to hear the vocals of local singer and classmate, Diana Nelson, backed up by local rock band favorite, The Rockin’ Ramrods. I also mentioned that her selection had been the result of a singing competition held by the town fathers and that I would relate some of the details of that competition at a later date. That time has come. Additionally, I related that I had had a “crush” on Miss (Ms.) Nelson since I started staring, permanently staring, at her ass when she sat a few seats in front of me in ninth grade. At the time of the above-mentioned dance she was “going steady” with some college joe, and had not given me the time of day, flirting or encouraging-wise, since about tenth grade, although we always talked about stuff, music and political stuff, two of my passions, and hers too. Here’s the “skinny.”
******
No question that about 1960, maybe into 1961, girl vocalists were the cat’s meow. (Okay, young women, but we didn’t call them that then, no way. Also no way as well is what we called them, called them among we corner boys at Salducci’s Pizza Parlor, especially when we got “no action.” I don’t have to draw you a diagram on what that meant, right?). You can, if you were around then, reel off the names just as well as I can, Connie Francis, Carla Thomas, Patsy Cline, and the sparkplug Brenda Lee. I won’t even mention wanna-bes like Connie Stevens and Sandra Dee, Christ. See, serious classic rock by guys like Elvis, Bo Diddley, Chuck Berry and Jerry Lee Lewis was, well, passé, in that musical counter-revolution night. But music, like lots of other things abhors a vacuum and while guys were still singing, I guess, the girl singers (read young women, okay, and we will leave it at that) “spoke” to us more. Especially to record- buying girls who wanted to hear about teen romance, teen alienation, lost love, unstoppable hurts, betrayal (usually by the girl’s best friend and her boyfriend, although not always), lonely Friday nights, and other stuff that teenagers, boys and girls equally, have been mulling over, well, since they invented teenagers a long time ago.
So it was natural for the musically-talented girls around North Adamsville, and maybe around the country for all I know, to test themselves against the big name talents and see what they had. See if they could make teen heaven- a record contract with all that entailed. In North Adamsville that was actually made easier by the town fathers (and they were all men, mostly old men in those days so fathers is right), if you can believe that. Why? Because for a couple of years in the early 1960s, maybe longer, they had been sponsoring a singing contest, a female vocalist, singing contest. I heard later, and maybe it was true, that what drove them was that, unlike those mid-1950s evil male rockers mentioned above, the women vocalist models had a “calming effect” on the hard-bitten be-bop teen night. And calm was what the town fathers cared about most of all. That, and making sure that everything was in preparedness for any Soviet missile strike, complete with periodic air raid drills, christ again.
In 1962 this contest, as it was in previous years, was held in the spring in the town hall auditorium. And among the contestants, obviously, was that already "spoken for" Diana Nelson who was by even the casual music listener the odds-on favorite. She had prepped a few of us with her unique rendition of Brenda Lee’s I’m Sorry so I knew she was a shoo-in. And she was. What was interesting about the competition was not her victory as much as the assorted talents, so-called, that entered this thing. If I recall there were perhaps fifteen vocalists in all. The way the thing got resolved was a kind of sing-off. A process of elimination sing-off.
Half a dozen, naturally, were some variation of off-key and dismissible out of hand. These girls fought the worst when they got the hook. Especially one girl, Elena G., if anyone remembers her who did one of the worst versions of Connie Francis’ Who’s Sorry Now I had (and have) ever heard. The more talented girls took their lost with more grace, probably realizing as Diana got into high gear that they were doomed. But here is the funny part. One of the final four girls was not a girl at all. Jimmy C. from right down the end of my street dressed himself up as girl (and not badly either although none of us knew much about “drag queen” culture then) and sang a great version of Mary Wells’ Two Lovers. Like I said we knew from nothing about different sexual preferences and thought he just did it as a goof. (I heard a couple of years later that he had finally settled in Provincetown and that fact alone “hipped” me to what he was about, sexually.)
I probably told you before that one part of winning was a one thousand dollar scholarship. That was important, but Diana, when she talked to me about it a couple of days later just before class, said she really wanted to win so she could be featured at the Falling Leaves Dance. Now, like I said, I had a big crush on her, no question, so I was amazed that she also said that she wanted me to be sure to be at the dance that next late September. Well, if you have been paying attention at all then you know I was there. I went alone, because just then I didn’t have a girlfriend, a girlfriend strong enough for me to want to go to the dance with anyway. But I was having a pretty good time. I even danced with Chrissie McNamara, a genuine fox, who every guy had the “hots” for since she, just the night before, had busted up with Johnny Callahan, the football player. And Diana sang great, especially on Brenda Lee’s I Want To Be Wanted. She reached somewhere deep for that one.
Toward the end of the evening, while the Rockin’ Ramrods were doing some heavy rock covers, Chuck Berry’s Sweet Little Sixteen I think, and she was taking a break, Diana came over to me and said, I swear she said it exactly like this- “save the last dance for me.” I asked her to repeat herself. She said Bobby (her college joe) was not here that evening for some reason I do not remember and that she wanted to dance the last dance with someone she liked. Well, what’s a guy to do when someone like Diana gives her imperial command? I checked my dance card and said “sure.” Now this last dance thing has been going on every since they have had dances and ever since they have had teenagers at such events so no big deal, really. Oh, except this, as we were dancing that last dance to the Ramrod’s cover of The Dubs Could This Be Magic Diana, out of the blue, said this. “You know if you had done more than just stared at my ass in class (and in the corridors too, she added) in ninth grade maybe I wouldn’t have latched onto Bobby when he came around in tenth grade.” No, a thousand times no, no, no, no…
Monday, October 10, 2011
The Big Time 1962 Teen Angst Night- Johnny Callahan’s Heartbreak Hotel
Click on the headline to link to a YouTube film clip of Brenda Lee performing Break It To Me Gently. Ya, we have all been down that one-way road to perdition.
CD Review
AM Gold: 1962, various artists, Time-Life Music, 1991
Scene: Brought to mind by one of the songs on this CD, Brenda Lee’s Break It Too Me Gently.
Friday night, a late September Friday, I think, because it was just getting cold at night around old North Adamsville. And there was a cold political menace (soon to get hot, very hot) in the air as well from those pesky Cubans and their patrons, the Soviets. In any case a high school Friday night because the night we are talking of was the night of the Falling Leaves Dance that had been an institution (and still is) at North Adamsville High since Hector was a pup. Or at least as far back as my mother’s time, Delores Markin, North Adamsville Class of 1943, the war years, oops, the World War II war years so that you don't get mixed up on which war. Every red-blooded teen angst-ridden boy or girl with the dollar required for entry was going to show up, singly or in couples.
Now I should explain that this dance was no Johnny Jones, the local kid with the most rock and roll records and an arcane knowledge of said records, acting as D.J. at the regular free cheap jack weekly Friday night, well, let’s call it sock hop. (You all had your Johnnies so I don't have to detail his exploits, okay). No, this was a get out you best party dress girls, no tee shirts need apply guys, almost “formal” dance. And two things right away distinguished it for the low-rent sock hop. Yes, of course, it was still held in the crusty old North Adamsville gym but the place, courtesy of the North Adamsville Class of 1962 Senior Dance Committee (whee!), the senior class always sponsored this one, had the place looking, well, like a hotel ballroom. No faded banners and bunting this night. Flowers, tablecloth on the tables, glasses to drink your soda from rather than from the bottle, and so on. Ya, this one was different.
The really big difference though, Johnny Jones’s high opinion of his musicological skills notwithstanding, was that this night there was live music provided by Diana Nelson and her pick-up band, crazed local favorites, the Rockin’ Ramrods. No scratchy records over Jones’ jerry-rigged sound system this night but the real thing. Diana on vocals, and the Ramrods for some serious rock and roll covers. Now the reason that Diana Nelson was featured that night may surprise you, or maybe not. In the year 1962 everybody, boys and girls almost equally, were crazy for girl vocalists singing their hearts out, and singing mushy stuff about heartbreak, loneliness, sorrow, and other stuff than only teenagers in the be-bop 1962 night knew (or cared) about. Patsy Cline, Connie Francis, Brenda Lee, Carla Thomas, and especially of late, Brenda Lee, singers like that with big voices and some serious sadnesses to speak of.
So the town fathers, in their infinite wisdom, decided that such wholesome, if sorrowful, music should have its local representative and sponsored, sponsored out of town funds if you can believe this, a singing contest with a one thousand dollar scholarship prize attached for the winner. More importantly, as least to hear Diana tell it, was the chance to be the female vocalist (with those Ramrods backing her up) at the Falling Leaves Dance.
Sometime I will tell you about that competition because some things that happened there would have amused, or befuddled you. One thing that would not is the fact that Diana Nelson was, by far, the best female vocalist there with her stirring rendition of Brenda Lee'sI'm Sorry. Not a lip-sych-like imitation but in her own style. Even though I was no mushy-headed guy but a regular Salducci's Pizza Parlor corner boy, and took no notice of girlish sentiment, well, little notice anyway, I stood on my chair and applauded. Truth to tell, I had a big thing for Diana, and had been staring at her ass in classes and in the halls ever since about ninth grade so that might have added to my delight at her victory. Of course my Salducci's corner boys will try to tell you that I was one hundred percent skirt-addled and dismissed this Diana thing out of hand. Don't believe it, even though she never gave me a tumble (she was "going steady" with some college guy).
The reason I won't go into that competition thing now is because this story is really about Johnny Callahan, you know the still hallowed "tear 'em up" fullback on the 1962 championship North Adamsville Red Raiders football team. And, well, it really isn't even a story but just another one of those things that have been happening to guys since about Adam, if not before. Now that I think of it, before.
See Johnny and Chrissie McNamara had been going out for the previous couple of years since sophomore year when Chrissie, a young woman not to be messed with when she had a bee in her bonnet, set out to "capture" one Johnny Callahan. No quarter given. Well, she got her man, got him bad. Got him six ways to Sunday. I was there the night, another Friday night if I recall correctly, that Chrissie, by general agreement, general boy agreement anyway, a fox came strolling, no, zeroing in on Johnny and sat right down on his lap and practically dared him to push her off. What she didn't know (nor did we) was that Johnny was crazy for Chrissie, and had been for quite a while. Everybody laughed when Chrissie, red-faced but determined, said "Johnny, I'm going to sit here and it will take the whole football team to pull me off." Of course Johnny was holding her so tight to him that it would have taken the whole football team, maybe the junior varsity thrown in too, to get her off his lap.
But that was then. Of late the freeze had been on between them. Reason: one Lance Duncan, if you can believe that. With a fox like Chrissie, no way. Lance, despite his preppie name out of some F. Scott Fitzgerald Basil and Josephine story, was after all nothing but the local whiz kid Math guy. And just then Chrissie was on a "smart" kick. Now Johnny Callahan could carry twelve guys on his back over the goal line on a granite gray fall Saturday afternoon but, let's say, would be hard-pressed to accurately count the number of guys on his back. So Thursday night, Thursday night the day before the Falling Leaves Dance, for chrissake, Chrissie gave old Johnny the "kiss-off." Gently, nicely, with a soft landing as was Chrissie's way but still a kiss-off.
So Johnny would not be sitting at one of the those freshly laundered tableclothed tables drinking his soda from a glass instead of from the bottle waiting to be crowned king of the dance along with queen, Chrissie. I hoped, hoped to high heaven, when I heard the ugly details, that it would not affect his game that Saturday against tough arch-rival Clintondale High (it didn't). He was so pissed off he went crazy, crazy enough to count those thirteen guys he was carrying on his back when he went over the goal line for his fifth touchdown of the afternoon.
P.S. Even now, maybe especially even now these many years later, do not believe that nonsense from some unnamed corner boys about my "hitting" on Chrissie at that Saturday football game just mentioned (Math whiz Lance did not go to football games, period) now that she was "free." Utter nonsense.
CD Review
AM Gold: 1962, various artists, Time-Life Music, 1991
Scene: Brought to mind by one of the songs on this CD, Brenda Lee’s Break It Too Me Gently.
Friday night, a late September Friday, I think, because it was just getting cold at night around old North Adamsville. And there was a cold political menace (soon to get hot, very hot) in the air as well from those pesky Cubans and their patrons, the Soviets. In any case a high school Friday night because the night we are talking of was the night of the Falling Leaves Dance that had been an institution (and still is) at North Adamsville High since Hector was a pup. Or at least as far back as my mother’s time, Delores Markin, North Adamsville Class of 1943, the war years, oops, the World War II war years so that you don't get mixed up on which war. Every red-blooded teen angst-ridden boy or girl with the dollar required for entry was going to show up, singly or in couples.
Now I should explain that this dance was no Johnny Jones, the local kid with the most rock and roll records and an arcane knowledge of said records, acting as D.J. at the regular free cheap jack weekly Friday night, well, let’s call it sock hop. (You all had your Johnnies so I don't have to detail his exploits, okay). No, this was a get out you best party dress girls, no tee shirts need apply guys, almost “formal” dance. And two things right away distinguished it for the low-rent sock hop. Yes, of course, it was still held in the crusty old North Adamsville gym but the place, courtesy of the North Adamsville Class of 1962 Senior Dance Committee (whee!), the senior class always sponsored this one, had the place looking, well, like a hotel ballroom. No faded banners and bunting this night. Flowers, tablecloth on the tables, glasses to drink your soda from rather than from the bottle, and so on. Ya, this one was different.
The really big difference though, Johnny Jones’s high opinion of his musicological skills notwithstanding, was that this night there was live music provided by Diana Nelson and her pick-up band, crazed local favorites, the Rockin’ Ramrods. No scratchy records over Jones’ jerry-rigged sound system this night but the real thing. Diana on vocals, and the Ramrods for some serious rock and roll covers. Now the reason that Diana Nelson was featured that night may surprise you, or maybe not. In the year 1962 everybody, boys and girls almost equally, were crazy for girl vocalists singing their hearts out, and singing mushy stuff about heartbreak, loneliness, sorrow, and other stuff than only teenagers in the be-bop 1962 night knew (or cared) about. Patsy Cline, Connie Francis, Brenda Lee, Carla Thomas, and especially of late, Brenda Lee, singers like that with big voices and some serious sadnesses to speak of.
So the town fathers, in their infinite wisdom, decided that such wholesome, if sorrowful, music should have its local representative and sponsored, sponsored out of town funds if you can believe this, a singing contest with a one thousand dollar scholarship prize attached for the winner. More importantly, as least to hear Diana tell it, was the chance to be the female vocalist (with those Ramrods backing her up) at the Falling Leaves Dance.
Sometime I will tell you about that competition because some things that happened there would have amused, or befuddled you. One thing that would not is the fact that Diana Nelson was, by far, the best female vocalist there with her stirring rendition of Brenda Lee'sI'm Sorry. Not a lip-sych-like imitation but in her own style. Even though I was no mushy-headed guy but a regular Salducci's Pizza Parlor corner boy, and took no notice of girlish sentiment, well, little notice anyway, I stood on my chair and applauded. Truth to tell, I had a big thing for Diana, and had been staring at her ass in classes and in the halls ever since about ninth grade so that might have added to my delight at her victory. Of course my Salducci's corner boys will try to tell you that I was one hundred percent skirt-addled and dismissed this Diana thing out of hand. Don't believe it, even though she never gave me a tumble (she was "going steady" with some college guy).
The reason I won't go into that competition thing now is because this story is really about Johnny Callahan, you know the still hallowed "tear 'em up" fullback on the 1962 championship North Adamsville Red Raiders football team. And, well, it really isn't even a story but just another one of those things that have been happening to guys since about Adam, if not before. Now that I think of it, before.
See Johnny and Chrissie McNamara had been going out for the previous couple of years since sophomore year when Chrissie, a young woman not to be messed with when she had a bee in her bonnet, set out to "capture" one Johnny Callahan. No quarter given. Well, she got her man, got him bad. Got him six ways to Sunday. I was there the night, another Friday night if I recall correctly, that Chrissie, by general agreement, general boy agreement anyway, a fox came strolling, no, zeroing in on Johnny and sat right down on his lap and practically dared him to push her off. What she didn't know (nor did we) was that Johnny was crazy for Chrissie, and had been for quite a while. Everybody laughed when Chrissie, red-faced but determined, said "Johnny, I'm going to sit here and it will take the whole football team to pull me off." Of course Johnny was holding her so tight to him that it would have taken the whole football team, maybe the junior varsity thrown in too, to get her off his lap.
But that was then. Of late the freeze had been on between them. Reason: one Lance Duncan, if you can believe that. With a fox like Chrissie, no way. Lance, despite his preppie name out of some F. Scott Fitzgerald Basil and Josephine story, was after all nothing but the local whiz kid Math guy. And just then Chrissie was on a "smart" kick. Now Johnny Callahan could carry twelve guys on his back over the goal line on a granite gray fall Saturday afternoon but, let's say, would be hard-pressed to accurately count the number of guys on his back. So Thursday night, Thursday night the day before the Falling Leaves Dance, for chrissake, Chrissie gave old Johnny the "kiss-off." Gently, nicely, with a soft landing as was Chrissie's way but still a kiss-off.
So Johnny would not be sitting at one of the those freshly laundered tableclothed tables drinking his soda from a glass instead of from the bottle waiting to be crowned king of the dance along with queen, Chrissie. I hoped, hoped to high heaven, when I heard the ugly details, that it would not affect his game that Saturday against tough arch-rival Clintondale High (it didn't). He was so pissed off he went crazy, crazy enough to count those thirteen guys he was carrying on his back when he went over the goal line for his fifth touchdown of the afternoon.
P.S. Even now, maybe especially even now these many years later, do not believe that nonsense from some unnamed corner boys about my "hitting" on Chrissie at that Saturday football game just mentioned (Math whiz Lance did not go to football games, period) now that she was "free." Utter nonsense.
Wednesday, September 21, 2011
Out In The Be-Bop Be-Bop 1960s Night- The Rock ‘n’ Rock Era: 1961-When Gary Ladd Danced The North Adamsville High School Dance Night Away- Not-With Chubby Checker In Mind
Click on the headline to link to a YouTube film clip of The Shirelles performing their 1960s teen angst classicMama Said
CD Review
The Rock ‘n’ Rock Era: 1961, various artists, Time-Life Music, 1989
Scene: Brought to mind by one of the pieces of teen life-driven artwork that graces each CD in this series.
Saturday night, any third Saturday of the month from September to May, when every red-blooded teen boy and girl in the 1961 North Adamsville High School be-bop,be-bop night could only be in one locale, or want to be. That was the night of the monthly seasonally-themed high school hop where anyone, even freshmen and sophomores, could ante up the dollar admission and dance the night away. Well, almost dance the night away. And that is the dilemma confronting one freshman, Gary Ladd (he is the “wallflower” way off to the side of the gym almost into the wall if you didn’t think you saw him on one of the nights in question).
Gary, well, we might as well have our moment of truth right up front, can’t dance. Can’t dance a damn, to hell, heaven or any place in between. Two- leftfeet. Two left-feet despite the best efforts of one Agnes Ladd, North Adamsville Class of 1961 Vice President, whose own feet have taken a terrible beating trying to teach little brother Gary the elements of the waltz, the fox trot, and hell, even the twist to no avail. But Gary, no twerp under his two left-footed exterior, has always, as he put it, exercised his democratic right to be at these universal dances, come hell or high water.
But this night, this warm April Springfest Dance night, things might just be a little different as Gary takes his place against the far wall (the wall farthest away from the girl “wallflowers” just in case you wanted an exact location. Mostly wallflowers, boy or girl, are keeping their respective distances on the odd chance that someone may actually come up and ask them to dance). First off this month the local craze rock band sensations, The Rockin’ Ramrods, are here live on the makeshift bandstand. And just this minute they are tuning up with the appropriately named Please Stay by the Drifters. Secondly, a new girl in town, Elsie Mae Horton, is here. Naturally the mere fact that she is here is added reason why Gary is here (and why he tortured his sister Agnes to try, try in vain, to teach him some dance steps). See Gary has the “bug” for Elsie Mae, ya, he is smitten.
Now this Elsie Mae is maybe, on a scale of one to ten, about a six so it is not looks that have Gary (and about six other guys), well, smitten. But what Elsie Mae has is nothing but smarts, book smarts, idea smarts, talk smarts you name it smarts and one of the sweetest smiles this side of heaven. And, as Gary found out early on in one of their shared classes, very easy to talk to about anything. Yes, he is smitten; the only unknown is whether she can dance good enough to stay out of his way. That is if he gets up the nerve to ask her. And as the Ramrods start their first set with Gary Bonds’ School Is Out (praise be) he notices her coming in the door. Heart pounding he starts sinking into the wall again. As they finish with Brother Bonds the Ramrods start in on The Impressions’ Gypsy Woman before Gary realizes that Elsie Mae has drawn a bee-line straight for him and is standing right in front of him, turning a little red. “Oh, my god,” Gary whispers under his breathe, “she is going to ask me to dance. No way.” The usually easy to talk to Elsie Mae though says nothing, nothing but turns a little redder as the Ramrods cover the Pips Every Beat Of My Heart (nicely done too). She is waiting for Gary to ask her, if you can believe that. Well, two-left feet or not, he does ask her. And she smiles a little smile as she “accepts.” Relief.
Needless to say when they did their dance, The Edsels’ Rama Lama Ding Dong, it was nothing but a disaster. A Gary disaster? Yes. But here is the funny part. Elsie Mae Horton, formerly of Gloversville and new to North Adamsville so of unknown dance quality, had two-left feet too. Get this though. When the dance was mercifully finished, and the two had actually survived, Elsie Mae thanked Gary and told him that he was a wonderful dancer and she wished that she could dance like him. Whee! Here is the real kicker though. Elsie Mae had also been taking dancing lessons, unsuccessfully. Dancing lessons so that two-left feet Elsie Mae Horton could dance with Gary Ladd. See, she was “smitten” too. And so if you did not see Gary or Elsie Mae at the Mayfair Dance you have now solved that mystery. They were sitting, sitting very close to each other, on the seawall down at Adamsville Beach laughing about starting a “Two-Left Feet” Club. With just two members.
CD Review
The Rock ‘n’ Rock Era: 1961, various artists, Time-Life Music, 1989
Scene: Brought to mind by one of the pieces of teen life-driven artwork that graces each CD in this series.
Saturday night, any third Saturday of the month from September to May, when every red-blooded teen boy and girl in the 1961 North Adamsville High School be-bop,be-bop night could only be in one locale, or want to be. That was the night of the monthly seasonally-themed high school hop where anyone, even freshmen and sophomores, could ante up the dollar admission and dance the night away. Well, almost dance the night away. And that is the dilemma confronting one freshman, Gary Ladd (he is the “wallflower” way off to the side of the gym almost into the wall if you didn’t think you saw him on one of the nights in question).
Gary, well, we might as well have our moment of truth right up front, can’t dance. Can’t dance a damn, to hell, heaven or any place in between. Two- leftfeet. Two left-feet despite the best efforts of one Agnes Ladd, North Adamsville Class of 1961 Vice President, whose own feet have taken a terrible beating trying to teach little brother Gary the elements of the waltz, the fox trot, and hell, even the twist to no avail. But Gary, no twerp under his two left-footed exterior, has always, as he put it, exercised his democratic right to be at these universal dances, come hell or high water.
But this night, this warm April Springfest Dance night, things might just be a little different as Gary takes his place against the far wall (the wall farthest away from the girl “wallflowers” just in case you wanted an exact location. Mostly wallflowers, boy or girl, are keeping their respective distances on the odd chance that someone may actually come up and ask them to dance). First off this month the local craze rock band sensations, The Rockin’ Ramrods, are here live on the makeshift bandstand. And just this minute they are tuning up with the appropriately named Please Stay by the Drifters. Secondly, a new girl in town, Elsie Mae Horton, is here. Naturally the mere fact that she is here is added reason why Gary is here (and why he tortured his sister Agnes to try, try in vain, to teach him some dance steps). See Gary has the “bug” for Elsie Mae, ya, he is smitten.
Now this Elsie Mae is maybe, on a scale of one to ten, about a six so it is not looks that have Gary (and about six other guys), well, smitten. But what Elsie Mae has is nothing but smarts, book smarts, idea smarts, talk smarts you name it smarts and one of the sweetest smiles this side of heaven. And, as Gary found out early on in one of their shared classes, very easy to talk to about anything. Yes, he is smitten; the only unknown is whether she can dance good enough to stay out of his way. That is if he gets up the nerve to ask her. And as the Ramrods start their first set with Gary Bonds’ School Is Out (praise be) he notices her coming in the door. Heart pounding he starts sinking into the wall again. As they finish with Brother Bonds the Ramrods start in on The Impressions’ Gypsy Woman before Gary realizes that Elsie Mae has drawn a bee-line straight for him and is standing right in front of him, turning a little red. “Oh, my god,” Gary whispers under his breathe, “she is going to ask me to dance. No way.” The usually easy to talk to Elsie Mae though says nothing, nothing but turns a little redder as the Ramrods cover the Pips Every Beat Of My Heart (nicely done too). She is waiting for Gary to ask her, if you can believe that. Well, two-left feet or not, he does ask her. And she smiles a little smile as she “accepts.” Relief.
Needless to say when they did their dance, The Edsels’ Rama Lama Ding Dong, it was nothing but a disaster. A Gary disaster? Yes. But here is the funny part. Elsie Mae Horton, formerly of Gloversville and new to North Adamsville so of unknown dance quality, had two-left feet too. Get this though. When the dance was mercifully finished, and the two had actually survived, Elsie Mae thanked Gary and told him that he was a wonderful dancer and she wished that she could dance like him. Whee! Here is the real kicker though. Elsie Mae had also been taking dancing lessons, unsuccessfully. Dancing lessons so that two-left feet Elsie Mae Horton could dance with Gary Ladd. See, she was “smitten” too. And so if you did not see Gary or Elsie Mae at the Mayfair Dance you have now solved that mystery. They were sitting, sitting very close to each other, on the seawall down at Adamsville Beach laughing about starting a “Two-Left Feet” Club. With just two members.
Tuesday, September 20, 2011
Out In The Be-Bop Be-Bop 1950s Night- The Heart Of Rock ‘n’ Rock: 1958- Betsy And Earl ’s Senior Prom Moment- With Vaughn Monroe In Mind
Click on the headline to link to a YouTube film clip of Tommy Edwards his 1950s teen angst classic It’s All In The Game
CD Review
The Heart Of Rock ‘n’ Roll: 1958, various artists, Time-Life Music, 1995
Scene: Brought to mind by one of the snapshot photos that grace each CD in this series.
The “Big” night, the night that every school boy and girl has been waiting for, well, maybe not waiting for, but hoping for, the night of their senior prom signifying the end of their days at old North Adamsville High School. Of course being a Podunk town away from the big city lights of Boston said senior prom, as has been a tradition since who knows when is held in the school gymnasium. A school gymnasium that, from long experience, has been turned into a faux-elegant hotel-style ballroom for the occasion. No cheap jack bunting and streamers, a few garlands, and maybe a couple of pieces of subdued lightning like at the ho-hum weekly school dances this night. Today the place is filled with well-appointed tables set with the best china and silverware, the bandstand is ablaze with decorations, and the dance floor specially lit to create, well, to create that mood like you were downtown at some swanky hotel. Even Podunk knows how to raise the bar for those now leaving the North Adamsville High family nest and who will soon be facing that hard 1958 Cold War world that keeps menacing everybody’s happiness.
In the middle of the festivities standing, check to check, as they have since sophomore year, eighth grade if you count the hemming and hawing that went on before the two became one, are Betsy Binstock, resplendent in her chiffony, open shoulder mother-made gown, complete with blue dahlia corsage (just what she wanted) and looking very handsome in his rented tuxedo (from Mr. Tuxedos right up in Adamsville Square as always since time immortal), Earl Avery. Children born and bred to rock ‘n’ roll they have just finished dancing up a storm to Robin Luke’s Susie Darlin’, the latest “have to have” record in the 1958 teen be-bop night. Of course this song, as all the music tonight, will be covered by the local rock band sensations The Rockin’ Ramrods hired for the occasion by the Senior Prom committee to keep their fellow seniors happy. As they release cheeks and head for their table Betsy is beaming because Earl has just made his first, tentative, maybe, kind of, move in the direction of asking her to marry him in the not to distant future. And as if on cue Jack Scott’s My True Love come forth from the bandstand and they shuffle back to the floor as if mesmerized by the power of the song.
Of course, after coming off the floor again to the sound of Tommy Edwards It’s All In The Game Betsy cannot wait to get to the Ladies’ (yes, this night Ladies) Powder Room to tell one and all of her conquest. (Really the “powder room” is the legendary Junior and Senior Girls’ Lounge, looking very much the elegant hotel lounge, including real hand towels, that has been the scene of more gossip about who did or did not do what with whom, the what being, naturally “going all the way” than Hollywood could ever conger up in its wildest dreams.) So Betsy excuses herself from the table and starts picking up girlfriends to head to the lounge. Spunky Betsy knows that in this wicked old world only the strong survive, even in the question of marriage. Therefore her strategy is to spread Earl’s kind of, sort of proposal into something like the granite from the quarry that the town was known to produce in the old, old days. Maybe it has something to do with the evening, maybe it was the Ramrods covering Ed Townsend’s For Your Love, maybe it was just something in the early June air but Betsy went all out that night in the lounge, even speculating that she and Earl would be marriage within the year.
Meanwhile poor Earl, still shaky for even going as timidly far as he did on the marriage question had to laugh as the Ramrods played the Chantels Maybe. Earl nevertheless had a sense that the die was cast as a glowing Betsy and her entourage came back into view. As we leave this scene to the strands of Jimmy Clanton and His Rockets’ Just A Dream Earl has shrugged off all evil thoughts for the night, for his senior prom night and has decided to just go with the flow.
P.S. For those who can hardly wait to know how Betsy and Earl made out here is the scoop. Well, yes they were married in the summer of 1959 although not under the circumstances one would have expected. Whether by design or just happenstance Betsy got pregnant and honest and true Earl did the right thing. In the fall of 1959 Earl Avery, Junior came. Betsy a little worn from her pregnancy seems a bewildered just now. Earl on the other hand, with a raise and new job title to go with his junior boy, couldn’t be happier. Go figure, right.
CD Review
The Heart Of Rock ‘n’ Roll: 1958, various artists, Time-Life Music, 1995
Scene: Brought to mind by one of the snapshot photos that grace each CD in this series.
The “Big” night, the night that every school boy and girl has been waiting for, well, maybe not waiting for, but hoping for, the night of their senior prom signifying the end of their days at old North Adamsville High School. Of course being a Podunk town away from the big city lights of Boston said senior prom, as has been a tradition since who knows when is held in the school gymnasium. A school gymnasium that, from long experience, has been turned into a faux-elegant hotel-style ballroom for the occasion. No cheap jack bunting and streamers, a few garlands, and maybe a couple of pieces of subdued lightning like at the ho-hum weekly school dances this night. Today the place is filled with well-appointed tables set with the best china and silverware, the bandstand is ablaze with decorations, and the dance floor specially lit to create, well, to create that mood like you were downtown at some swanky hotel. Even Podunk knows how to raise the bar for those now leaving the North Adamsville High family nest and who will soon be facing that hard 1958 Cold War world that keeps menacing everybody’s happiness.
In the middle of the festivities standing, check to check, as they have since sophomore year, eighth grade if you count the hemming and hawing that went on before the two became one, are Betsy Binstock, resplendent in her chiffony, open shoulder mother-made gown, complete with blue dahlia corsage (just what she wanted) and looking very handsome in his rented tuxedo (from Mr. Tuxedos right up in Adamsville Square as always since time immortal), Earl Avery. Children born and bred to rock ‘n’ roll they have just finished dancing up a storm to Robin Luke’s Susie Darlin’, the latest “have to have” record in the 1958 teen be-bop night. Of course this song, as all the music tonight, will be covered by the local rock band sensations The Rockin’ Ramrods hired for the occasion by the Senior Prom committee to keep their fellow seniors happy. As they release cheeks and head for their table Betsy is beaming because Earl has just made his first, tentative, maybe, kind of, move in the direction of asking her to marry him in the not to distant future. And as if on cue Jack Scott’s My True Love come forth from the bandstand and they shuffle back to the floor as if mesmerized by the power of the song.
Of course, after coming off the floor again to the sound of Tommy Edwards It’s All In The Game Betsy cannot wait to get to the Ladies’ (yes, this night Ladies) Powder Room to tell one and all of her conquest. (Really the “powder room” is the legendary Junior and Senior Girls’ Lounge, looking very much the elegant hotel lounge, including real hand towels, that has been the scene of more gossip about who did or did not do what with whom, the what being, naturally “going all the way” than Hollywood could ever conger up in its wildest dreams.) So Betsy excuses herself from the table and starts picking up girlfriends to head to the lounge. Spunky Betsy knows that in this wicked old world only the strong survive, even in the question of marriage. Therefore her strategy is to spread Earl’s kind of, sort of proposal into something like the granite from the quarry that the town was known to produce in the old, old days. Maybe it has something to do with the evening, maybe it was the Ramrods covering Ed Townsend’s For Your Love, maybe it was just something in the early June air but Betsy went all out that night in the lounge, even speculating that she and Earl would be marriage within the year.
Meanwhile poor Earl, still shaky for even going as timidly far as he did on the marriage question had to laugh as the Ramrods played the Chantels Maybe. Earl nevertheless had a sense that the die was cast as a glowing Betsy and her entourage came back into view. As we leave this scene to the strands of Jimmy Clanton and His Rockets’ Just A Dream Earl has shrugged off all evil thoughts for the night, for his senior prom night and has decided to just go with the flow.
P.S. For those who can hardly wait to know how Betsy and Earl made out here is the scoop. Well, yes they were married in the summer of 1959 although not under the circumstances one would have expected. Whether by design or just happenstance Betsy got pregnant and honest and true Earl did the right thing. In the fall of 1959 Earl Avery, Junior came. Betsy a little worn from her pregnancy seems a bewildered just now. Earl on the other hand, with a raise and new job title to go with his junior boy, couldn’t be happier. Go figure, right.
Friday, September 16, 2011
***Out In The Be-Bop Be-Bop 1960s Night- The Heart Of Rock ‘n’ Rock: 1960-61, Take Two- In The Time Of Donna Blanchard’s Time- With Elvis Presley In Mind
Click on the headline to link to a YouTube film clip of Mark Dinning performing his 1960s teen angst classic, Teen Angel
CD Review
The Heart Of Rock ‘n’ Roll: 1960-61-Take Two, various artists, Time-Life Music, 1997
Scene: Brought to mind by one of the snapshot photos that grace each CD in this series.
Doc’s Drugstore and Soda Fountain(not shown), located in the heart of the North Adamsville shopping streets, and most importantly, just a few minutes walk from North Adamsville High School. The soda fountain counter area is complete with a dozen single stools, a speckled faux-marble formica countertop with assorted pastry trays, candy boxes, pie cabinets and various condiment combinations for Doc’s ‘greasy spoon” hamburgers and hot dogs. Said single stools are strictly for losers, girl friend-less guys (or once in a great while a girl just trying catch a quick soda on the way home) or old people waiting for Doc to fill their ancient medicines prescriptions. They are no factor, no factor at all in this teen-worthy world. No, less than no factor. Every once in a while, however, one of Fritz Cullen’s corner boys takes his foot off the wall in front of Doc’s and enters to get a take out Cherry Coke, the de riguer drink of Fritz’s boyos.
But the fountain is strictly for food and drink, food and drink that is also strictly secondary to why Doc’s is a teen-worthy heaven. The real draw is the quiet booths that line both corner walls and are only for after school boy-girl couples, four-some girls looking for guys to dance with, and at night, mainly school year weekend and summer every nights, Fritz’s Cullen’s corner boys when they tire of holding up Doc’s wall out front (or more realistically when the hour is late and the girl prospects have dimmed). But the booths mean nothing by themselves except as “resting” areas after some fast dance coming from Doc’s super-charged juke box, complete with the very latest records straight from Pete’ Platters Record Shop so you know the are hot.
Right now, just this very teen ear minute, one can hear the sassy sound of The Drifters This Magic Moment in the background as we fix on a boy and girl taking a break from deep conversation (deep conversation related in teen world to either sex, setting up dates, analyzing the state of their eternal relationship, or some combination of all three) and taking a straw sip from their shared Cherry Coke. The Cherry Coke automatically means that rank and file Doc’s corner boy Harry “Red” Radley is present on one of the straws. On the other Donna Blanchard, one of the hottest sixteen year old sophomore girls at North Adamsville High, with a nice shape, a sweet smile, and a “come hither” look that has had more than one boy moony-eyed for her affections. But no dice, no dice at all. In this autumn of the year of our lord nineteen hundred and sixty Miss Donna Blanchard only has eyes, and whatever else she has to give, for one Red Radley. Let’s listen in as the eminently forgettable Booby Vee is droning on in the background about some lost love (and rightfully so, if the truth be known) on Take Good Care Of My Baby.
*********
“What the matter, honey, don’t you want me like that, “ murmered Donna Blanchard after being told for the fifth or sixth time by our corner boy Red Radley that, if you can believe this, no he was not ready for heavy sex (meaning of course, in the language of the young, some variety of “going all the way”). It seems that last Saturday night down at Adamsville Beach, the local “parking” heaven where one and all went to see the ”submarine races” in the local teen code parlance Donna, making no bones that she was ready, more than ready, to go all the way with Red got turned down. Turned down flat. Fortunately for Red Donna, embarrassed by such a fool for a boy friend, had “neglected” to mention this hard fact of life when the obligatory Monday morning Girls’ “Lav” talk got around to the subject of the weekend scorecard. In short, who did, and didn’t do it. Right now Red and Donna are trying to sort things out as a strangely ironic song by Cathy Jean and the Roommates, Please Love Me Forever, spins on the juke box.
What? A member in good standing of Fritz Cullen’s corner boys, corner boys who have, publicly anyway, notched up (went all they way with) more North Adamsville girls than maybe there were girls in North Adamsville turned down a chance at paradise. And turned down a certified fox like Donna Blanchard. No way. Moreover, Red, displaying he not uncommon teen male bravado had lied to his fellow corner boys and said that he had had already “gone all the way” with Donna. Jesus. Did our Red have a medical problem? No. Did he have some religious scruples about pre-martial sex? Hell, no. Our Red, as it turns out was a virgin and was terrified when Donna, a virgin herself but ready for the time of her time, came on so strong. Especially when she went wild on Saturday night when the local 24/7 rock and roll station, WMEX, played a medley of Elvis tunes including his latest, Surrender.
Some times things end right in the teen universe, sometimes they don’t. This time they didn’t. Well, at least for Red. After their little conversation at Doc’s Red and Donna agreed, but mostly Donna agreed, that they should see other people. That’s teen code, and maybe universal code, for “breaking up.” So now one sees the fetching Donna Blanchard riding around in Jimmy Jakes '59 cherry Chevy, and sitting very close indeed. Moreover she has that look, that certain look like she now knows a thing or two about ways of the world. Well, after all it was the time of her time, wasn’t it? As for Red, well, Red is seen more and more occupying one of those single stools at Doc’s counter sipping a Cherry Coke and endlessly throwing nickels, dimes and quarters in the juke box playing Elvis’ It’s Now or Never. Enough said.
CD Review
The Heart Of Rock ‘n’ Roll: 1960-61-Take Two, various artists, Time-Life Music, 1997
Scene: Brought to mind by one of the snapshot photos that grace each CD in this series.
Doc’s Drugstore and Soda Fountain(not shown), located in the heart of the North Adamsville shopping streets, and most importantly, just a few minutes walk from North Adamsville High School. The soda fountain counter area is complete with a dozen single stools, a speckled faux-marble formica countertop with assorted pastry trays, candy boxes, pie cabinets and various condiment combinations for Doc’s ‘greasy spoon” hamburgers and hot dogs. Said single stools are strictly for losers, girl friend-less guys (or once in a great while a girl just trying catch a quick soda on the way home) or old people waiting for Doc to fill their ancient medicines prescriptions. They are no factor, no factor at all in this teen-worthy world. No, less than no factor. Every once in a while, however, one of Fritz Cullen’s corner boys takes his foot off the wall in front of Doc’s and enters to get a take out Cherry Coke, the de riguer drink of Fritz’s boyos.
But the fountain is strictly for food and drink, food and drink that is also strictly secondary to why Doc’s is a teen-worthy heaven. The real draw is the quiet booths that line both corner walls and are only for after school boy-girl couples, four-some girls looking for guys to dance with, and at night, mainly school year weekend and summer every nights, Fritz’s Cullen’s corner boys when they tire of holding up Doc’s wall out front (or more realistically when the hour is late and the girl prospects have dimmed). But the booths mean nothing by themselves except as “resting” areas after some fast dance coming from Doc’s super-charged juke box, complete with the very latest records straight from Pete’ Platters Record Shop so you know the are hot.
Right now, just this very teen ear minute, one can hear the sassy sound of The Drifters This Magic Moment in the background as we fix on a boy and girl taking a break from deep conversation (deep conversation related in teen world to either sex, setting up dates, analyzing the state of their eternal relationship, or some combination of all three) and taking a straw sip from their shared Cherry Coke. The Cherry Coke automatically means that rank and file Doc’s corner boy Harry “Red” Radley is present on one of the straws. On the other Donna Blanchard, one of the hottest sixteen year old sophomore girls at North Adamsville High, with a nice shape, a sweet smile, and a “come hither” look that has had more than one boy moony-eyed for her affections. But no dice, no dice at all. In this autumn of the year of our lord nineteen hundred and sixty Miss Donna Blanchard only has eyes, and whatever else she has to give, for one Red Radley. Let’s listen in as the eminently forgettable Booby Vee is droning on in the background about some lost love (and rightfully so, if the truth be known) on Take Good Care Of My Baby.
*********
“What the matter, honey, don’t you want me like that, “ murmered Donna Blanchard after being told for the fifth or sixth time by our corner boy Red Radley that, if you can believe this, no he was not ready for heavy sex (meaning of course, in the language of the young, some variety of “going all the way”). It seems that last Saturday night down at Adamsville Beach, the local “parking” heaven where one and all went to see the ”submarine races” in the local teen code parlance Donna, making no bones that she was ready, more than ready, to go all the way with Red got turned down. Turned down flat. Fortunately for Red Donna, embarrassed by such a fool for a boy friend, had “neglected” to mention this hard fact of life when the obligatory Monday morning Girls’ “Lav” talk got around to the subject of the weekend scorecard. In short, who did, and didn’t do it. Right now Red and Donna are trying to sort things out as a strangely ironic song by Cathy Jean and the Roommates, Please Love Me Forever, spins on the juke box.
What? A member in good standing of Fritz Cullen’s corner boys, corner boys who have, publicly anyway, notched up (went all they way with) more North Adamsville girls than maybe there were girls in North Adamsville turned down a chance at paradise. And turned down a certified fox like Donna Blanchard. No way. Moreover, Red, displaying he not uncommon teen male bravado had lied to his fellow corner boys and said that he had had already “gone all the way” with Donna. Jesus. Did our Red have a medical problem? No. Did he have some religious scruples about pre-martial sex? Hell, no. Our Red, as it turns out was a virgin and was terrified when Donna, a virgin herself but ready for the time of her time, came on so strong. Especially when she went wild on Saturday night when the local 24/7 rock and roll station, WMEX, played a medley of Elvis tunes including his latest, Surrender.
Some times things end right in the teen universe, sometimes they don’t. This time they didn’t. Well, at least for Red. After their little conversation at Doc’s Red and Donna agreed, but mostly Donna agreed, that they should see other people. That’s teen code, and maybe universal code, for “breaking up.” So now one sees the fetching Donna Blanchard riding around in Jimmy Jakes '59 cherry Chevy, and sitting very close indeed. Moreover she has that look, that certain look like she now knows a thing or two about ways of the world. Well, after all it was the time of her time, wasn’t it? As for Red, well, Red is seen more and more occupying one of those single stools at Doc’s counter sipping a Cherry Coke and endlessly throwing nickels, dimes and quarters in the juke box playing Elvis’ It’s Now or Never. Enough said.
Tuesday, September 13, 2011
Out In The Be-Bop Be-Bop 1960s Night- The Heart Of Rock ‘n’ Rock: 1960-61- Take Three- When Sammy Russo Ran The Skee Ball Lanes- With Bo Diddley In Mind
Click on the headline to link to a YouTube film clip of The Shirelles performing their classic Tonight’s The Night
CD Review
The Heart Of Rock ‘n’ Roll: 1960-61, various artists, Time-Life Music, 1996
Scene: Brought to mind by one of the snapshot photos that grace each CD in this series. The then newly built Gloversville Amusement Park created out of farmland just west of the old home town, Clintondale. Of course it had all the latest rides, including two Ferris wheels, two different-sized roller coasters (one for the faint-hearted, the other for the brave, or fool-hearty) refreshment stands seemingly without end, and other refinements, including for our particular purposes not one by two game pavilions anchored by rows of skee lanes. Skee lanes that Sammy Russo ruled (that‘s the guy eating the proffered popcorn in the photo) claimed kingship over and over which Patty Smith (the popcorn profferee in said photo) sought to be his queen. If she could handle the gaffe.
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“Christ, Patty how many of these damn, god awful kewpie dolls do you need anyway?,” yelled Sammy Russo, the King Of The Skee Ball night at Gloversville Amusement Park and also a 1960s king hell king of a corner boy at Doc Sweeney’s Drugstore (complete with soda fountain, natch, and a juke box too else why be a corner boy there, or anything else) out in the Clintondale be-bop night to his wanna-be sweetie, Patty Smith. And it was a question that he expected an answer to, a prompt, no sass answer, newness wearing off or not, newness of their “steady” hood-ness, that is.
See, Patty got big eyes for Sammy right here at the FUNland game pavilion (no that is not a typo that is the way the name in front of the game pavilion read) at the beginning of summer, right after school let out. School, of course, being North Adamsville High in the year of our lord nineteen hundred and sixty if anybody asks you, and they might. And, for that matter, how else would I know of the Sammy-Patty love story, I ask you, if that wasn’t so. I am one of Sammy’s Doc’s corner boy, uh, associates. Gloversville proper, by the way, is too new and rural raw to have its own high school so kids from Gloversville come over to North Clintondale where there is some extra room just now. But Gloversville kids, farm boys and girls mainly, are strictly squaresville. No dispute. The only reason that anybody from North Clintonville High, any corner boy (or his girl) would even set foot in Gloversville for one minute, no one second, was to pass ever-loving Main Street (really Route 16) through to the edge of town seeking the newly built Gloversville Amusement Park. And that is the reason why Sammy and Patty are standing here in front of the FUNland skee ball lanes having their first “argument.” Well, kind of an argument.
Patty was either in some high funk, or did not hear Sammy the first time over the din of the Gene Daniel’s A Hundred Pounds Of Clay followed immediately by The Chieftains Heart And Soul, blaring over the loudspeaker. A loudspeaker that we finally figured out was used by the management to juice up the pinball/skee ball/games atmosphere so no one could think so he repeated himself. And Patty faux-demurely answered (as was her way when Sammy got this, well, this Sammy Doc’s corner boy way)-“Until I get the whole set of twelve, and not before.” [Markin: For those who are breathlessly on the edge of their seats waiting to know why there are twelve it is simple. There are twelve kewpies representing twelve different nations/major ethnic groups, natch, they had that part of the soft sell down easy] “Christ,” said Sammy under his breathe, “We will be here all night.”
All night skee-ing when Sammy, king of the skees or not, had other things, other wrestling in some secluded spot out back by the artificial lake that formed one of the edges of the park things, on his mind. With one Patty Smith, of course. And that would not be the first time, the first wrestling time. Funny, just then the newest Shirelles' hit came over the speaker, Tonight’s The Night. But just now he knew deep in his bones, knew as if he had been married to Miss Smith for fifty years, that tonight was not going to be the night if she did not go home with not ten, not eleven, but exactly twelve f—king kewpie dolls.
Now this skee thing, on an average night is nothing but a sure thing when Sammy has his motor running. When his mind is on skees, okay. But playing enough games to “win” twelve dolls, or for that matter twelve rabbits’ feet or twelve leis (lesser prizes in the skee universe) requires a certain perseverance and good aim. [Markin: For those who do not know skee it is like bowling, candle-pin bowling (small balls for those not from New England) in that you roll the bowl up a short lane and like darts or rifle target shooting in that you have a target. The idea is to get as many points (and hence coupons) with nine balls as possible. The points convert to coupons which are dispensed near where you place your money to start a game . Get enough coupons and you win prizes from those lame leis to kewpie dolls. Simple.] But, like I said, Sammy’s mind had been elsewhere, especially when Patty, yes, Patty brought up the subject of wrestling down by that lake if things worked out at skee. And as if to punctuate her sentence Brenda Lee’s You Can Depend On Me came on while these “negotiations” were in progress.
But this night Sammy, king hell corner boy is whipped, just plain whipped by the task before him. It is almost closing time (11:00 PM) and Sammy has won exactly five dolls. And Sammy, while he can be as smooth as any Doc’s Drugstore corner boy, except maybe Fritz Gentry, or as cold as any hard-boiled Hell’s Angel motorcycle corner boy from the Blarney Bar&Grille in the hard-night part of Clintondale is ready to explode at Patty. Not for her foolish girl desire for the damn dolls. That is how girls are and what makes them tick. No, Sammy is fed up that his prowess at skee had to be put in play by Patty’s silly notions. So come eleven o'clock and defeat Sammy, cold as ice, says to Patty, “Okay, we are finished, I’ll take you home now but I have had it.” So they walked, walked pretty far apart for two people on the same planet, back to Sammy’s father’s car and he did not even open Patty’s door for her. Bad news, no question. She got in and as the car radio heated up wouldn’t you know in a night filled with omens and portents that just then the local all-night rock ‘n’ roll station would be playing Connie Francis’ Breakin’ In A Brand New Broken Heart. And both Sammy and Patty were absolutely quiet while that song was being played.
CD Review
The Heart Of Rock ‘n’ Roll: 1960-61, various artists, Time-Life Music, 1996
Scene: Brought to mind by one of the snapshot photos that grace each CD in this series. The then newly built Gloversville Amusement Park created out of farmland just west of the old home town, Clintondale. Of course it had all the latest rides, including two Ferris wheels, two different-sized roller coasters (one for the faint-hearted, the other for the brave, or fool-hearty) refreshment stands seemingly without end, and other refinements, including for our particular purposes not one by two game pavilions anchored by rows of skee lanes. Skee lanes that Sammy Russo ruled (that‘s the guy eating the proffered popcorn in the photo) claimed kingship over and over which Patty Smith (the popcorn profferee in said photo) sought to be his queen. If she could handle the gaffe.
***********
“Christ, Patty how many of these damn, god awful kewpie dolls do you need anyway?,” yelled Sammy Russo, the King Of The Skee Ball night at Gloversville Amusement Park and also a 1960s king hell king of a corner boy at Doc Sweeney’s Drugstore (complete with soda fountain, natch, and a juke box too else why be a corner boy there, or anything else) out in the Clintondale be-bop night to his wanna-be sweetie, Patty Smith. And it was a question that he expected an answer to, a prompt, no sass answer, newness wearing off or not, newness of their “steady” hood-ness, that is.
See, Patty got big eyes for Sammy right here at the FUNland game pavilion (no that is not a typo that is the way the name in front of the game pavilion read) at the beginning of summer, right after school let out. School, of course, being North Adamsville High in the year of our lord nineteen hundred and sixty if anybody asks you, and they might. And, for that matter, how else would I know of the Sammy-Patty love story, I ask you, if that wasn’t so. I am one of Sammy’s Doc’s corner boy, uh, associates. Gloversville proper, by the way, is too new and rural raw to have its own high school so kids from Gloversville come over to North Clintondale where there is some extra room just now. But Gloversville kids, farm boys and girls mainly, are strictly squaresville. No dispute. The only reason that anybody from North Clintonville High, any corner boy (or his girl) would even set foot in Gloversville for one minute, no one second, was to pass ever-loving Main Street (really Route 16) through to the edge of town seeking the newly built Gloversville Amusement Park. And that is the reason why Sammy and Patty are standing here in front of the FUNland skee ball lanes having their first “argument.” Well, kind of an argument.
Patty was either in some high funk, or did not hear Sammy the first time over the din of the Gene Daniel’s A Hundred Pounds Of Clay followed immediately by The Chieftains Heart And Soul, blaring over the loudspeaker. A loudspeaker that we finally figured out was used by the management to juice up the pinball/skee ball/games atmosphere so no one could think so he repeated himself. And Patty faux-demurely answered (as was her way when Sammy got this, well, this Sammy Doc’s corner boy way)-“Until I get the whole set of twelve, and not before.” [Markin: For those who are breathlessly on the edge of their seats waiting to know why there are twelve it is simple. There are twelve kewpies representing twelve different nations/major ethnic groups, natch, they had that part of the soft sell down easy] “Christ,” said Sammy under his breathe, “We will be here all night.”
All night skee-ing when Sammy, king of the skees or not, had other things, other wrestling in some secluded spot out back by the artificial lake that formed one of the edges of the park things, on his mind. With one Patty Smith, of course. And that would not be the first time, the first wrestling time. Funny, just then the newest Shirelles' hit came over the speaker, Tonight’s The Night. But just now he knew deep in his bones, knew as if he had been married to Miss Smith for fifty years, that tonight was not going to be the night if she did not go home with not ten, not eleven, but exactly twelve f—king kewpie dolls.
Now this skee thing, on an average night is nothing but a sure thing when Sammy has his motor running. When his mind is on skees, okay. But playing enough games to “win” twelve dolls, or for that matter twelve rabbits’ feet or twelve leis (lesser prizes in the skee universe) requires a certain perseverance and good aim. [Markin: For those who do not know skee it is like bowling, candle-pin bowling (small balls for those not from New England) in that you roll the bowl up a short lane and like darts or rifle target shooting in that you have a target. The idea is to get as many points (and hence coupons) with nine balls as possible. The points convert to coupons which are dispensed near where you place your money to start a game . Get enough coupons and you win prizes from those lame leis to kewpie dolls. Simple.] But, like I said, Sammy’s mind had been elsewhere, especially when Patty, yes, Patty brought up the subject of wrestling down by that lake if things worked out at skee. And as if to punctuate her sentence Brenda Lee’s You Can Depend On Me came on while these “negotiations” were in progress.
But this night Sammy, king hell corner boy is whipped, just plain whipped by the task before him. It is almost closing time (11:00 PM) and Sammy has won exactly five dolls. And Sammy, while he can be as smooth as any Doc’s Drugstore corner boy, except maybe Fritz Gentry, or as cold as any hard-boiled Hell’s Angel motorcycle corner boy from the Blarney Bar&Grille in the hard-night part of Clintondale is ready to explode at Patty. Not for her foolish girl desire for the damn dolls. That is how girls are and what makes them tick. No, Sammy is fed up that his prowess at skee had to be put in play by Patty’s silly notions. So come eleven o'clock and defeat Sammy, cold as ice, says to Patty, “Okay, we are finished, I’ll take you home now but I have had it.” So they walked, walked pretty far apart for two people on the same planet, back to Sammy’s father’s car and he did not even open Patty’s door for her. Bad news, no question. She got in and as the car radio heated up wouldn’t you know in a night filled with omens and portents that just then the local all-night rock ‘n’ roll station would be playing Connie Francis’ Breakin’ In A Brand New Broken Heart. And both Sammy and Patty were absolutely quiet while that song was being played.
Monday, September 12, 2011
On “Sexless” Internet Sex Sites- Or How “Foul-Mouth” Phil Larkin Got His Comeuppance- Finally- With The North Adamsville Salducci's Pizza Parlor Corner Boys In Mind
Normally I provide a link to some relevant topic in the headline on my posts. Do not click on the headline to link to an Internet sex site. Are you kidding? All you have to do is type in the word sex on any search engine and you will be inundated with every type of fetish you every wanted, or didn't want, to know about. We are all adults here-happy hunting-on your own.
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Peter Paul Markin comment:
Hey, everybody knows, or should be presumed to know to use some legal parlance which may become necessary before this latest “fire storm” is over, that this site is an exemplar of politics, mainly communist propaganda politics. No way is it some way station for AARP-worthy sex-starved refugees and fidgety lonely-hearts from back in my corner boy youth days. Although apparently that fate, short of some drastic legal action on my part, is what looms before me after I, unwittingly I think, let an old corner boy friend from the North Adamsville Salducci’s Pizza Parlor high school hang-out night, Johnny Silver, have some space here to tell what turned out to be a pretty salacious story about how he “hooked-up” with some young, very young, barely legal woman that he met through a sex-oriented Internet site.
My permissive attitude on this not strictly politically-driven subject was to let Johnny hold forth on the basis that intergenerational sex is still, more or less, socially taboo in this society and that under a future communist society we will take a much more liberal attitude on the subject as well as on many other now sexually-repressed notions. Johnny’s story, which I admit had even my temperature going up a bit after reading it, however set off this current fire storm.
Not about the struggle against imperialism in Iraq, Afghanistan, and Libya. Not the struggle to make some headway against the bosses and their relentless drive for profits at the workers expense here in America, and internationally. Not even commentary on the death penalty, gay marriage, the perfidy of Barack Obama, or the lunacy of the tea-partiers. No, I have been deluged with e-mails by every AARP-type that I know who want to harass me in order to tell their misbegotten tales of missed sexual opportunities, the sexual discrimination against oldsters by younger, well, younger women okay, or whatever else is on their minds except those much more important subjects. Please, please stop. Tell it to Oprah, or whoever is working that street these days.
The worst of the lot was my old corner boy (part-time corner boy at Salducci’s but full-time at the Surf and Sea Club in summer and whatever and wherever in winter) “Foul-Mouth” Phil Larkin. Now Phil, who I actually met in junior high school (a.k.a. middle school) through my chieftain in those days, Frankie Riley, really did deserve that nickname. Even Frankie and I walked away from Phil when he got going with every swear known to the English language (and some in Gaelic too-at least that is what he said his grandfather taught him). So you can imagine what the girls felt when he went full-bore. Strangely Phil, unlike now as his story below will explain, never lacked for girlfriends, and not just wrong side of the tracks, low-life, slutty girls either but many girls who you could see, see and stare at, every Sunday at 8:00 AM Mass over at Sacred Heart Catholic Church. So, maybe, he touched off something basic in them with his language. Personally, while I could swear like a trooper when necessary, I didn’t around girls or in public that much.
In any case, as I have already telegraphed above Phil, still using that ill-bred language has threatened murder, mayhem, and, more importantly, legal action (something about gross denial of freedom of expression) if I don’t post his sad-ass story. Needless to say that approach by itself does not get one anywhere with me. However in line with my idea in posting Johnny Silver’s salacious little sex tale noted above I have agreed to post Phil’s saga if only to use it as an example of sexual repression under capitalism and why we need, desperately need, that socialist revolution that is the hallmark of the real purpose of this space. Needless to say I take no personal, political, social, linguistic, or, most importantly, legal responsibility for this story. I have edited it lightly for language and content but this is strictly “Foul-Mouth” Phil Larkin’s story. If you want to take legal action against him feel free to do so. Needless to say as well that Phil is in no way (thankfully) political, much less a communist, although he desperately could use a shot, a big shot, of what our communist future promises.
Phillip Larkin comment:
First of all before I get into my f--king hard luck story about my sexless life on the sex sites let me clear the air about something that that twerp Peter Paul Markin said about my “foul-mouth.” You know in junior high school (now known as middle school) young,f--king hormone-juggling guys (and girls I found out later) don’t always know how to deal with that hard fact of growing up and my way was to swear a little. Big deal, right? Big deal then, or now. But you also know, and even f- -king Markin knows this, at that age you get a certain “rep” and it carries around with you like a lead balloon all through school, especially with guys that you hang around with. Like Markin was always from day one that I met him “The Scribe” (always capitalized, by the way) anointed by Frankie Riley and it stuck even though he hated to be called that. [Markin: Okay Phil we get the point. Let’s move on.] And so my little swearing episodes, not much really, got me tagged as, well, foul-mouthed [Markin: Phil must have a slight case of amnesia on this “little” thing. He was the world, well, at least the North Adamsville Junior High, champion swearer. He is the only kid, and Frankie Riley will back me up on this, who was able to make a sentence using only swear words. Some feat. Phil is, apparently, far too “humble” now to take a bow for that now.]
The thing about swearing though is that it never got me in much trouble with the girls. The Scribe [Markin: Watch it, Phil] was always (and Frankie too) very prim and proper in his language around girls although it never got him anywhere. And The Scribe (oops, Markin) could swear worst than me when he got his Irish up. But that is neither here nor there. Unless he wants to make something of it now. What it all ties in with though is that I have always used a certain amount of rough language around girls and they have either found it “cute” or, and here you have to take my word for it, kind of got “turned on” by it. [Markin: Sure thing, Phil]. I’ll give an example and Markin will be surprised. Millie Callahan the best, or one of the best, looking sixteen-year old girls in old North Adamsville was very prim and proper as well as hot-looking. She went to 8:00 AM Sunday Mass at Sacred Heart every week. And every week I would meet her after Mass and walk her to old Adamsville Beach. Sweating like a trooper. Maybe once in a while she would blush but mostly she got “turned on.” Turned on especially by one word that I used in many contexts on our walks. One Sunday, I swear, she got so aroused that, well let’s say we “did it” and you can figure out what the “did it” part was, right down on the beach near the old North Adamsville Yacht Club (there was a little secluded area that everybody knew about). And we were together through the rest of high school, “doing it” just fine. [Markin: Yes, Phil, Millie was a fox, for sure. I used sit a couple of rows in back of her at Mass to look at her ass. By the way everybody knew you two were “doing it.” And I was jealous, no question. It was only because she went to St. Anne’s High and not North Adamsville High that it was not more widely known and commented on. Nice work, Phil.]
The whole point of bringing this swearing thing up this many years later though is that, more often that not, the way I got entangled [Markin: Nice word, Phil] with women later on was that same basic approach. Sure I went through three marriages, and a several girlfriends, so maybe my “sticking” power wasn’t so great but it got short haul, short ashes hauled results. Anyway after the last one left a couple of years ago I started to notice that because of that lost and my changed work situation (working out of the house more with the luxury of the Internet age computer niceness) I wasn’t running into women to swear to, any maybe turn on.
Now I have read Johnny Silver’s wicked little story about his “trials and tribulations” with the young quail and how he was wasting away without it. [Markin: Young women, not quail Phil. Did you hear about the women’s liberation movement in your travels?] And how he finally “got lucky” with some teeny-bopper. Well we all knew Johnny was that way. In fact I had to f--king warn him off of my younger sister, Kate, one time. [Markin: Oh ya, I remember that time. I think you had a baseball bat in hand at the time, right?] Me, I like women a little older, more my own fifty-ish age and so I figured since nothing was happening elsewhere I would, like Johnny did, give one of the Internet sex sites a try. [Markin: Is every lonely-heart guy over the age of about thirty “running” to the sex sites for love and whatever? Am I missing some important sociological trend here? Also what is it with you old corner boy guys. Nobody expects you to tell the whole true to strangers, especially on the Internet, although it helps, but this age thing is weird. We are all sixty-something. That fifty-something was a while back but I never was a snitch, and I won’t be one now.]
I don’t know if you know how these sex sites work. Let’s just call the one I went on Get Laid Fast and you will get the flavor of the thing. [Markin: Phil, you don’t have to tell anybody over the age of about ten about Internet sex sites. All you have to do is Google the word sex on any search engine in the world and you will get more sex sites than you can possibly imagine, including, I assume, your Get Laid Fast site.] Naturally the lure (for an old-time heterosexual man) is sexy, semi-and unclothed women, young and middle- aged (nobody, nobody in their right minds that is, confesses to being, well, mature, hell, I will just say it straight here, old), just waiting to get their hands on you (where I will leave to the reader’s imagination but you get the point) and show you paradise, yes paradise. Just my cup of f-- king tea. Where do I sign up, and how quickly.
That signing up was the easy part. Well, almost easy. See, the hook is that everybody can sign up and put whatever they want on their very own personal profile page. The problem is that unless you pay up, pay up a fee, nobody in the known cyberspace world is going to know about your sex hunger, especially those alluring semi and unclothed young and middle-aged women. Hey, I am a man of the f -- king world so I know that I have to pony up, and gladly to get in on the action. And so I am off to the races for a few ducats.
Well, almost. Almost on two counts. First I have to figure out what my profile message will be and then my “message” to those women’s profiles that strike my fancy. So, naturally I go light on my personal profile. You know how I am looking for the love of my life (already had it). [Markin: I bet six, two, and even it was old time Millie Callahan, hands down. Hell, she might have been the love of my life too if I could have ever gotten beyond staring at her ass during Sunday Mass.] And companionship and all that other crap when everybody knows it a roll in the hay that is driving me, and about three billion (or whatever number of guys are in the world), to sites like this. And, maybe, women too. Or at least that is what I my worldly assumption would have been. The really, the Phil Larkin reality, is that I might have been better off on some mix and match dot com square dating service. Hell, I am willing to bet Markin his six, two and even I would have had more rolls in the hay by now that way than on this “hyper”- sex site.
Here is why. And don’t laugh at a f - - king fifty-something guy for being so silly. [Markin: Phil, I know you, we went to school together, get real-sixty-something, okay.] I went back to my old tried and true strategy with my personal messages to various women who struck my fancy. Nothing like in kid time but still basically- “babe, do you want to f- - k tonight, don’t be a bitch, call me now, here is my cell phone number," and the like. Now the site is loaded with women within about fifty miles of my residence so I naturally click on all those thirty and forty something women who have been around a little, are looking for a little sugar in their bowl, and are bound to go for rough and ready fifty-something guy. No sweat.
Actually my line, as I found out later, was kind of tame and “civilized” compared to some of the younger guys who were swinging their dicks in full view and stuff like that. Hell, it was tame and civilized compared to some of the women’s profile information and photos. I blushed, actually blushed, at some of the stuff they, theoretically, wanted to do, and do right this minute. Notice that word "theoretical" though. For example, first off I got a proposal from a thirty-something woman who wanted me to help her in her new career as a cosmetologist. She had, foolishly, gone to art school when she was younger and when the art-related job that she had didn’t survive the recent economic downturns she saw the light of working the women who are still working hair and nails racket. Still kind of artistic, right?
And I was willing to give the idea some consideration; although unlike Johnny Silver I did not play the older, wiser “sugar-daddy” angle. Or give any thought to such a notion with older women. If I was looking for Johnny’s teeny-boppers sure. But with older women, no way. Here is the hitch though. Said future hairdresser in return for my largesse was only willing to be a companion, a platonic, no sex companion for an “old geezer” (my term, hers was a man “old enough to be her father”).
And it went down from there. Although nobody, absolutely nobody that answered my messages was put off by my so-called lewd language. Case closed on that. What was also case closed though was my faulty understanding of the cyberspace “meat market.” I will not run down every click but just give some observation examples.
Many of the semi- and unclothed women whose profiles spoke of sexual adventure on personal contact wanted, desperately wanted in fact, not be a “one-night stand” and therefore put off any notion of sex with them to the Greek calends. That happened several times. Needless to say, other than the question of false advertising on their part here that I may speak to my lawyer about, I stopped communication very quickly. No sale, no way. Moreover, many women were carrying “baggage” of various sorts. Kids, broken marriages, bad-ass ex-boyfriends, you name it. That would not have put off old Phil but one or two messages was enough to indicate that their “get laid tonight” come-on was nothing more than getting some psychic comfort for their old wounds, and nothing more until the Greek calends. Again, no sale, no way.
So you can begin to see why I suggested the title “sexless” sex sites to Markin. And why he grabbed onto the idea right away (aside from my admittedly incessant badgering him after pure-as-gold Johnny Silver got his say). A couple of “conversations” warrant special attention though. One woman, an otherwise very interesting arty-type woman whom I actually met in person if you can believe that, did not believe that her “aging” thirty-something life would be complete unless she had a lip-enhancement operation so she could have those pouty Angela Jolie lips. Jesus, what the hell has the world come to. I admit I was tempted, sorely tempted, to help her out although her lips looked perfectly kissable to me. But again the notion of sex before I was placed in an assisted- living facility was out of the question. Ya, you have got it by now. No sale, no way.
Another woman, and here she can serve as an example of other similar instances that happened, was fired-up to chat (as I was with her as well) and we e-mailed a blizzard of messages back and forth. She, more than many others, was someone I wanted to meet in person and I brought the subject up in one e-mail after we had been “cyber-chatting” for a few weeks. Kaput. She went off-site the day after that and left no forwarding address, no e-mail address, as they said in the old days. Maybe I have to change my line. Or better, and here I could get back at Markin as well for his silly “comeuppance” remark in the headline. Maybe, Mille Callahan is out there is cyberspace somewhere. Honey, I still remember that swear word that “turned” you on. Help.
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Peter Paul Markin comment:
Hey, everybody knows, or should be presumed to know to use some legal parlance which may become necessary before this latest “fire storm” is over, that this site is an exemplar of politics, mainly communist propaganda politics. No way is it some way station for AARP-worthy sex-starved refugees and fidgety lonely-hearts from back in my corner boy youth days. Although apparently that fate, short of some drastic legal action on my part, is what looms before me after I, unwittingly I think, let an old corner boy friend from the North Adamsville Salducci’s Pizza Parlor high school hang-out night, Johnny Silver, have some space here to tell what turned out to be a pretty salacious story about how he “hooked-up” with some young, very young, barely legal woman that he met through a sex-oriented Internet site.
My permissive attitude on this not strictly politically-driven subject was to let Johnny hold forth on the basis that intergenerational sex is still, more or less, socially taboo in this society and that under a future communist society we will take a much more liberal attitude on the subject as well as on many other now sexually-repressed notions. Johnny’s story, which I admit had even my temperature going up a bit after reading it, however set off this current fire storm.
Not about the struggle against imperialism in Iraq, Afghanistan, and Libya. Not the struggle to make some headway against the bosses and their relentless drive for profits at the workers expense here in America, and internationally. Not even commentary on the death penalty, gay marriage, the perfidy of Barack Obama, or the lunacy of the tea-partiers. No, I have been deluged with e-mails by every AARP-type that I know who want to harass me in order to tell their misbegotten tales of missed sexual opportunities, the sexual discrimination against oldsters by younger, well, younger women okay, or whatever else is on their minds except those much more important subjects. Please, please stop. Tell it to Oprah, or whoever is working that street these days.
The worst of the lot was my old corner boy (part-time corner boy at Salducci’s but full-time at the Surf and Sea Club in summer and whatever and wherever in winter) “Foul-Mouth” Phil Larkin. Now Phil, who I actually met in junior high school (a.k.a. middle school) through my chieftain in those days, Frankie Riley, really did deserve that nickname. Even Frankie and I walked away from Phil when he got going with every swear known to the English language (and some in Gaelic too-at least that is what he said his grandfather taught him). So you can imagine what the girls felt when he went full-bore. Strangely Phil, unlike now as his story below will explain, never lacked for girlfriends, and not just wrong side of the tracks, low-life, slutty girls either but many girls who you could see, see and stare at, every Sunday at 8:00 AM Mass over at Sacred Heart Catholic Church. So, maybe, he touched off something basic in them with his language. Personally, while I could swear like a trooper when necessary, I didn’t around girls or in public that much.
In any case, as I have already telegraphed above Phil, still using that ill-bred language has threatened murder, mayhem, and, more importantly, legal action (something about gross denial of freedom of expression) if I don’t post his sad-ass story. Needless to say that approach by itself does not get one anywhere with me. However in line with my idea in posting Johnny Silver’s salacious little sex tale noted above I have agreed to post Phil’s saga if only to use it as an example of sexual repression under capitalism and why we need, desperately need, that socialist revolution that is the hallmark of the real purpose of this space. Needless to say I take no personal, political, social, linguistic, or, most importantly, legal responsibility for this story. I have edited it lightly for language and content but this is strictly “Foul-Mouth” Phil Larkin’s story. If you want to take legal action against him feel free to do so. Needless to say as well that Phil is in no way (thankfully) political, much less a communist, although he desperately could use a shot, a big shot, of what our communist future promises.
Phillip Larkin comment:
First of all before I get into my f--king hard luck story about my sexless life on the sex sites let me clear the air about something that that twerp Peter Paul Markin said about my “foul-mouth.” You know in junior high school (now known as middle school) young,f--king hormone-juggling guys (and girls I found out later) don’t always know how to deal with that hard fact of growing up and my way was to swear a little. Big deal, right? Big deal then, or now. But you also know, and even f- -king Markin knows this, at that age you get a certain “rep” and it carries around with you like a lead balloon all through school, especially with guys that you hang around with. Like Markin was always from day one that I met him “The Scribe” (always capitalized, by the way) anointed by Frankie Riley and it stuck even though he hated to be called that. [Markin: Okay Phil we get the point. Let’s move on.] And so my little swearing episodes, not much really, got me tagged as, well, foul-mouthed [Markin: Phil must have a slight case of amnesia on this “little” thing. He was the world, well, at least the North Adamsville Junior High, champion swearer. He is the only kid, and Frankie Riley will back me up on this, who was able to make a sentence using only swear words. Some feat. Phil is, apparently, far too “humble” now to take a bow for that now.]
The thing about swearing though is that it never got me in much trouble with the girls. The Scribe [Markin: Watch it, Phil] was always (and Frankie too) very prim and proper in his language around girls although it never got him anywhere. And The Scribe (oops, Markin) could swear worst than me when he got his Irish up. But that is neither here nor there. Unless he wants to make something of it now. What it all ties in with though is that I have always used a certain amount of rough language around girls and they have either found it “cute” or, and here you have to take my word for it, kind of got “turned on” by it. [Markin: Sure thing, Phil]. I’ll give an example and Markin will be surprised. Millie Callahan the best, or one of the best, looking sixteen-year old girls in old North Adamsville was very prim and proper as well as hot-looking. She went to 8:00 AM Sunday Mass at Sacred Heart every week. And every week I would meet her after Mass and walk her to old Adamsville Beach. Sweating like a trooper. Maybe once in a while she would blush but mostly she got “turned on.” Turned on especially by one word that I used in many contexts on our walks. One Sunday, I swear, she got so aroused that, well let’s say we “did it” and you can figure out what the “did it” part was, right down on the beach near the old North Adamsville Yacht Club (there was a little secluded area that everybody knew about). And we were together through the rest of high school, “doing it” just fine. [Markin: Yes, Phil, Millie was a fox, for sure. I used sit a couple of rows in back of her at Mass to look at her ass. By the way everybody knew you two were “doing it.” And I was jealous, no question. It was only because she went to St. Anne’s High and not North Adamsville High that it was not more widely known and commented on. Nice work, Phil.]
The whole point of bringing this swearing thing up this many years later though is that, more often that not, the way I got entangled [Markin: Nice word, Phil] with women later on was that same basic approach. Sure I went through three marriages, and a several girlfriends, so maybe my “sticking” power wasn’t so great but it got short haul, short ashes hauled results. Anyway after the last one left a couple of years ago I started to notice that because of that lost and my changed work situation (working out of the house more with the luxury of the Internet age computer niceness) I wasn’t running into women to swear to, any maybe turn on.
Now I have read Johnny Silver’s wicked little story about his “trials and tribulations” with the young quail and how he was wasting away without it. [Markin: Young women, not quail Phil. Did you hear about the women’s liberation movement in your travels?] And how he finally “got lucky” with some teeny-bopper. Well we all knew Johnny was that way. In fact I had to f--king warn him off of my younger sister, Kate, one time. [Markin: Oh ya, I remember that time. I think you had a baseball bat in hand at the time, right?] Me, I like women a little older, more my own fifty-ish age and so I figured since nothing was happening elsewhere I would, like Johnny did, give one of the Internet sex sites a try. [Markin: Is every lonely-heart guy over the age of about thirty “running” to the sex sites for love and whatever? Am I missing some important sociological trend here? Also what is it with you old corner boy guys. Nobody expects you to tell the whole true to strangers, especially on the Internet, although it helps, but this age thing is weird. We are all sixty-something. That fifty-something was a while back but I never was a snitch, and I won’t be one now.]
I don’t know if you know how these sex sites work. Let’s just call the one I went on Get Laid Fast and you will get the flavor of the thing. [Markin: Phil, you don’t have to tell anybody over the age of about ten about Internet sex sites. All you have to do is Google the word sex on any search engine in the world and you will get more sex sites than you can possibly imagine, including, I assume, your Get Laid Fast site.] Naturally the lure (for an old-time heterosexual man) is sexy, semi-and unclothed women, young and middle- aged (nobody, nobody in their right minds that is, confesses to being, well, mature, hell, I will just say it straight here, old), just waiting to get their hands on you (where I will leave to the reader’s imagination but you get the point) and show you paradise, yes paradise. Just my cup of f-- king tea. Where do I sign up, and how quickly.
That signing up was the easy part. Well, almost easy. See, the hook is that everybody can sign up and put whatever they want on their very own personal profile page. The problem is that unless you pay up, pay up a fee, nobody in the known cyberspace world is going to know about your sex hunger, especially those alluring semi and unclothed young and middle-aged women. Hey, I am a man of the f -- king world so I know that I have to pony up, and gladly to get in on the action. And so I am off to the races for a few ducats.
Well, almost. Almost on two counts. First I have to figure out what my profile message will be and then my “message” to those women’s profiles that strike my fancy. So, naturally I go light on my personal profile. You know how I am looking for the love of my life (already had it). [Markin: I bet six, two, and even it was old time Millie Callahan, hands down. Hell, she might have been the love of my life too if I could have ever gotten beyond staring at her ass during Sunday Mass.] And companionship and all that other crap when everybody knows it a roll in the hay that is driving me, and about three billion (or whatever number of guys are in the world), to sites like this. And, maybe, women too. Or at least that is what I my worldly assumption would have been. The really, the Phil Larkin reality, is that I might have been better off on some mix and match dot com square dating service. Hell, I am willing to bet Markin his six, two and even I would have had more rolls in the hay by now that way than on this “hyper”- sex site.
Here is why. And don’t laugh at a f - - king fifty-something guy for being so silly. [Markin: Phil, I know you, we went to school together, get real-sixty-something, okay.] I went back to my old tried and true strategy with my personal messages to various women who struck my fancy. Nothing like in kid time but still basically- “babe, do you want to f- - k tonight, don’t be a bitch, call me now, here is my cell phone number," and the like. Now the site is loaded with women within about fifty miles of my residence so I naturally click on all those thirty and forty something women who have been around a little, are looking for a little sugar in their bowl, and are bound to go for rough and ready fifty-something guy. No sweat.
Actually my line, as I found out later, was kind of tame and “civilized” compared to some of the younger guys who were swinging their dicks in full view and stuff like that. Hell, it was tame and civilized compared to some of the women’s profile information and photos. I blushed, actually blushed, at some of the stuff they, theoretically, wanted to do, and do right this minute. Notice that word "theoretical" though. For example, first off I got a proposal from a thirty-something woman who wanted me to help her in her new career as a cosmetologist. She had, foolishly, gone to art school when she was younger and when the art-related job that she had didn’t survive the recent economic downturns she saw the light of working the women who are still working hair and nails racket. Still kind of artistic, right?
And I was willing to give the idea some consideration; although unlike Johnny Silver I did not play the older, wiser “sugar-daddy” angle. Or give any thought to such a notion with older women. If I was looking for Johnny’s teeny-boppers sure. But with older women, no way. Here is the hitch though. Said future hairdresser in return for my largesse was only willing to be a companion, a platonic, no sex companion for an “old geezer” (my term, hers was a man “old enough to be her father”).
And it went down from there. Although nobody, absolutely nobody that answered my messages was put off by my so-called lewd language. Case closed on that. What was also case closed though was my faulty understanding of the cyberspace “meat market.” I will not run down every click but just give some observation examples.
Many of the semi- and unclothed women whose profiles spoke of sexual adventure on personal contact wanted, desperately wanted in fact, not be a “one-night stand” and therefore put off any notion of sex with them to the Greek calends. That happened several times. Needless to say, other than the question of false advertising on their part here that I may speak to my lawyer about, I stopped communication very quickly. No sale, no way. Moreover, many women were carrying “baggage” of various sorts. Kids, broken marriages, bad-ass ex-boyfriends, you name it. That would not have put off old Phil but one or two messages was enough to indicate that their “get laid tonight” come-on was nothing more than getting some psychic comfort for their old wounds, and nothing more until the Greek calends. Again, no sale, no way.
So you can begin to see why I suggested the title “sexless” sex sites to Markin. And why he grabbed onto the idea right away (aside from my admittedly incessant badgering him after pure-as-gold Johnny Silver got his say). A couple of “conversations” warrant special attention though. One woman, an otherwise very interesting arty-type woman whom I actually met in person if you can believe that, did not believe that her “aging” thirty-something life would be complete unless she had a lip-enhancement operation so she could have those pouty Angela Jolie lips. Jesus, what the hell has the world come to. I admit I was tempted, sorely tempted, to help her out although her lips looked perfectly kissable to me. But again the notion of sex before I was placed in an assisted- living facility was out of the question. Ya, you have got it by now. No sale, no way.
Another woman, and here she can serve as an example of other similar instances that happened, was fired-up to chat (as I was with her as well) and we e-mailed a blizzard of messages back and forth. She, more than many others, was someone I wanted to meet in person and I brought the subject up in one e-mail after we had been “cyber-chatting” for a few weeks. Kaput. She went off-site the day after that and left no forwarding address, no e-mail address, as they said in the old days. Maybe I have to change my line. Or better, and here I could get back at Markin as well for his silly “comeuppance” remark in the headline. Maybe, Mille Callahan is out there is cyberspace somewhere. Honey, I still remember that swear word that “turned” you on. Help.
Wednesday, August 31, 2011
***Growing Up Absurd In The 1950s- Out In The Teen Dance Night-Penny’s Sweet Sixteen Party
Click on the headline to link to a YouTube film clip of The Dubs performing their 1950s classic, Could This Be Magic?.
CD Review
The Golden Age Of American Rock ‘n’ Roll; Volume 4, various artists, Ace Records, 1994
Scene: Prompted by the cover photograph, the memory cover photograph, which grace each CD in this The Golden Age Of American Rock ‘n’ Roll series. The photo on this CD, as might be expected, shows a girl, a pony-tailed, starch-bloused, woolen-sweatered, wide, flouncy skirt-wearing, Penny Parker, all grown up almost, as the good teen D.J., a.k.a. hostess, that she is, doing her chore of spinning platters, okay, okay, putting records on her portable 45s record player for the guests at her sweet sixteen party, her very first house teen be-bop hop.
We all wish her well, right? And hope she plays a couple of Elvis, Chuck, and Jerry Lee things and not too many slow dances since some of the guys still have not got the hang of that yet. Oh yes, for the clueless, a record player was a machine to put records on in order to hear those guys just mentioned. And records, for the really clueless, were grooved, vinyl plate-like objects that kept the blues away in the 1950s teen night. Just like iPOD, texting, yahoo messaging, etc. keep the blues away from the hip-hop nation teen night.
******
“Don’t come back before one,” Penny Parker, now sweet sixteen party-crowned Penny Parker, as she shouted to her parents leaving out the breezeway door to the garage to take off to places unknown, maybe unknowable, until at least that one o‘clock hour. Peter Parker, Penny proud without showing it, muttered under his breath that he damn well would not be back before one, come hell or high water, while that rock and roll music was infesting, and that was the word that he used, his house. Or at least the downstairs part, rock and roll previously being limited to the Penny upstairs netherworld, and kept away from his ears, well, mainly away form his ears. “Now, Peter,” was all that Delores Parker at first could come up with, and that was usually enough. Tonight however she added, and told him so in no uncertain terms, that her husband was being an old fogy seeing that this was Penny’s sweet sixteen party, she had baby-sat to perdition in order to fund the party (with a little Parker parent help, Delores mainly), had done mostly what they had asked of her, as much as one could expect from a rock-addled post World War II teenager from what she had read in the women’s magazines that she was addicted to reading.
Most importantly tonight was, and here is where woman-girl- female whatever solidarity came in, Penny was going to “coax” Zack Smith into giving her his class ring, the universal teen sign of “going steady,” hands off, and a 180 degree turn in their sometimes stormy relationship since back in about junior high school. If he showed. At least, Delores, thought, she had given that Jimmy Kelly the air, although he was invited, invited tonight for old times sake since Jimmy had been there the night Penny played her first record, Could This Be Magic by the Dubs on her brand new, slave wages-bought record player. But enough of Parker parents, tonight is Penny's night.
Penny night or not, Miss Parker is already starting to fret that Zack will be a no-show. See they had had an argument last week about that “going steady” thing, that eternal love class ring- signifying thing, and Zack for the twenty-third, at least, time stormed off. And Penny for the twenty-second time made peace over the telephone, the midnight blues telephone. But you never knew with Zack. All Penny knew was she wanted him, wanted him bad, and wanted him here tonight to share her sweet sixteen-ness.
So as the couples, maybe a dozen or so of their close friends, started filling up the Parker living room Penny, knowing that she was not the only rock-addled teen in the room, played D.J. And revved up the old Sear& Roebuck recorder player with a stack of platters (records, 45 RPM records okay); Ray Sharpe ‘s Linda Lu; Nappy Brown’s Little by Little; Maybe by the Chantels although she always wondered how they could get their voices that high on that one; a tear-jerker but a slow one by request from Pammy and Sue who had boyfriend troubles of their own, Little Anthony and the Imperials’ Tears On My Pillow which got even hardened corner boys a little weepy as she found out once when Zack and she were “finished” and king corner boy Frankie Riley had asked her out, and she had accepted. Well, she thought that should last this crowd for a while, for a while until Zack gets here, hopefully.
Later, around ten, ten-thirty, just as she was about to give up the thought of Zack’s coming that night, and had resigned herself to playing D.J. putting Buddy Knox’s Party Doll on(although she wasn’t feeling like any party doll then) for this rock-addled crowd Zack came in kind of sneakily through the side door. And instead of coming over to say thanks to Penny for inviting him or any other kind of social graces recognition he began to get into an animated conversation with Jimmy Kelly. Nothing serious but as Penny found out later Zack was miffed at Jimmy, one of his best friends now that the Zack-Jimmy girl wars, or rather Penny wars were over in Zack’s favor, because Jimmy had not told Penny that he was going to be a little late. But that miffed-ness turned into nothing once Zack told the reason for his lateness. See, Penny performing, as it turned out, her last D.J duty for the evening putting on that much requested previously mentioned Could This Be Magic was finally called over by Zack and as the strains of the song echoed through the house he presented her with his class ring, just a while ago engraved with To P.P. Always 10/7/59. Magic.
CD Review
The Golden Age Of American Rock ‘n’ Roll; Volume 4, various artists, Ace Records, 1994
Scene: Prompted by the cover photograph, the memory cover photograph, which grace each CD in this The Golden Age Of American Rock ‘n’ Roll series. The photo on this CD, as might be expected, shows a girl, a pony-tailed, starch-bloused, woolen-sweatered, wide, flouncy skirt-wearing, Penny Parker, all grown up almost, as the good teen D.J., a.k.a. hostess, that she is, doing her chore of spinning platters, okay, okay, putting records on her portable 45s record player for the guests at her sweet sixteen party, her very first house teen be-bop hop.
We all wish her well, right? And hope she plays a couple of Elvis, Chuck, and Jerry Lee things and not too many slow dances since some of the guys still have not got the hang of that yet. Oh yes, for the clueless, a record player was a machine to put records on in order to hear those guys just mentioned. And records, for the really clueless, were grooved, vinyl plate-like objects that kept the blues away in the 1950s teen night. Just like iPOD, texting, yahoo messaging, etc. keep the blues away from the hip-hop nation teen night.
******
“Don’t come back before one,” Penny Parker, now sweet sixteen party-crowned Penny Parker, as she shouted to her parents leaving out the breezeway door to the garage to take off to places unknown, maybe unknowable, until at least that one o‘clock hour. Peter Parker, Penny proud without showing it, muttered under his breath that he damn well would not be back before one, come hell or high water, while that rock and roll music was infesting, and that was the word that he used, his house. Or at least the downstairs part, rock and roll previously being limited to the Penny upstairs netherworld, and kept away from his ears, well, mainly away form his ears. “Now, Peter,” was all that Delores Parker at first could come up with, and that was usually enough. Tonight however she added, and told him so in no uncertain terms, that her husband was being an old fogy seeing that this was Penny’s sweet sixteen party, she had baby-sat to perdition in order to fund the party (with a little Parker parent help, Delores mainly), had done mostly what they had asked of her, as much as one could expect from a rock-addled post World War II teenager from what she had read in the women’s magazines that she was addicted to reading.
Most importantly tonight was, and here is where woman-girl- female whatever solidarity came in, Penny was going to “coax” Zack Smith into giving her his class ring, the universal teen sign of “going steady,” hands off, and a 180 degree turn in their sometimes stormy relationship since back in about junior high school. If he showed. At least, Delores, thought, she had given that Jimmy Kelly the air, although he was invited, invited tonight for old times sake since Jimmy had been there the night Penny played her first record, Could This Be Magic by the Dubs on her brand new, slave wages-bought record player. But enough of Parker parents, tonight is Penny's night.
Penny night or not, Miss Parker is already starting to fret that Zack will be a no-show. See they had had an argument last week about that “going steady” thing, that eternal love class ring- signifying thing, and Zack for the twenty-third, at least, time stormed off. And Penny for the twenty-second time made peace over the telephone, the midnight blues telephone. But you never knew with Zack. All Penny knew was she wanted him, wanted him bad, and wanted him here tonight to share her sweet sixteen-ness.
So as the couples, maybe a dozen or so of their close friends, started filling up the Parker living room Penny, knowing that she was not the only rock-addled teen in the room, played D.J. And revved up the old Sear& Roebuck recorder player with a stack of platters (records, 45 RPM records okay); Ray Sharpe ‘s Linda Lu; Nappy Brown’s Little by Little; Maybe by the Chantels although she always wondered how they could get their voices that high on that one; a tear-jerker but a slow one by request from Pammy and Sue who had boyfriend troubles of their own, Little Anthony and the Imperials’ Tears On My Pillow which got even hardened corner boys a little weepy as she found out once when Zack and she were “finished” and king corner boy Frankie Riley had asked her out, and she had accepted. Well, she thought that should last this crowd for a while, for a while until Zack gets here, hopefully.
Later, around ten, ten-thirty, just as she was about to give up the thought of Zack’s coming that night, and had resigned herself to playing D.J. putting Buddy Knox’s Party Doll on(although she wasn’t feeling like any party doll then) for this rock-addled crowd Zack came in kind of sneakily through the side door. And instead of coming over to say thanks to Penny for inviting him or any other kind of social graces recognition he began to get into an animated conversation with Jimmy Kelly. Nothing serious but as Penny found out later Zack was miffed at Jimmy, one of his best friends now that the Zack-Jimmy girl wars, or rather Penny wars were over in Zack’s favor, because Jimmy had not told Penny that he was going to be a little late. But that miffed-ness turned into nothing once Zack told the reason for his lateness. See, Penny performing, as it turned out, her last D.J duty for the evening putting on that much requested previously mentioned Could This Be Magic was finally called over by Zack and as the strains of the song echoed through the house he presented her with his class ring, just a while ago engraved with To P.P. Always 10/7/59. Magic.
Saturday, July 30, 2011
Rick’s Flying Saucer Rock Moment- The Rock ‘n’ Rock Era; Weird, Wild & Wacky
Click on the headline to link to a YouTube film clip of the Royal Teens performing their classic, Short, Shorts.
CD Review
The Rock ‘n’Roll Era: Weird, Wild & Wacky, various artists, Time-Life Music, 1991
He was glad, glad as hell that angel thing, that guardian angel thing, was over and done with. You know that Sunday school thing they beat you over head with about how your guardian angel was there to keep you on the straight and narrow, or else. Yes, Rick Roberts certainly was glad that was over although now that he thought about it it just kind of passed out of sight as he got older and other things filled his mind. Things like his June ("June Bug" was his pet name for her but he had better not hear you call her that, especially one Freddie Jackson, or else). Yes, Rick was now large, strong enough, and smart enough strong, not to have to worry about some needlepoint guardian angel looking out for him. Although truth to tell he was worried, a little anyway, about this Cold War Russian bear thing coming over here to take his brain away, or maybe put the big heat on him, the A-bomb heat and creating alien things from outer space to haunt his dreams. But only a little.
What was exercising Rick these days was his June (you know her pet name but don’t say it, please) and causing him no end of sleepless nights was that thing about Freddie Jackson, June’s old flame. At least according to his sister, Celia, a reliable source of North Adamsville High gossip, and not afraid to spread it when it pleased her, was that Freddie was taking his peeks at June, and she was peeking back. So, lately, in order to pass those sleepless nights Rick had begun to sit up in his bedroom at night with his transistor radio on, the one that he had forced his parents to buy him, batteries included, for last Christmas, rather than the practical ties they had intended to foist on him. And what Rick listened as the hour turned to midnight was The Crazy Lazy Midnight Madness Show on WMEX, the local be-bop, no stop, all rock radio station the that got the sleepless, the half-awake, the lame and the lazy through the 1950s Cold War night, and into the dawn.
Now this Crazy Lazy Show fare was strictly for night owls, stuff that would not appeal to daytime rockers, you know, those listening to guys like Elvis, Carl, Bo, Little Richard, and Jerry Lee, or just stuff that appealed to Lazy’s off-center, off-beat funny bone. One night, one really restless night, as Rick was revving up the transistor around midnight
he heard Buchanan and Goodman’s silly The Flying Saucer, parts one and two back to back no less, so you see Crazy was serious about presenting goofy stuff. That was followed by Sheb Wooley’s devouring the Purple People Eater, and then, for a change of pace The Royal Teens be-bop Short, Shorts and that got his to thinking about how good June looked in them, and then back to zaniness when Bobby Picketts flattened Monster Mash and, as he got a little drowsy, The Detergents waved over Leader of the Laundromat.
That last one got to him, got to him good, because, believe it or not the song had sentimental value to him. See he met June at the North Adamsville All-Wash Laundromat one day. His mother’s washing machine had broken down and she needed to bring the Roberts laundry to the All-Wash and Rick drove her over. During that time June had passed by, he had said hi, they had talked and then more seriously talked, and that was that. Freddie Jackson was after that dust, a memory, nothing to June.
All this thinking really got Rick tired this night and as the last chords of Laundromat echoed in his head he fell into a deep sleep. Around four o’clock in the morning though he was awoken with a start, with the high pitched whining sound coming from some where outside his window. Next thing he knew a huge disc-like object was hovering over most of Adamsville, and stayed there for maybe a minute before departing just as quickly as it appeared. Rick took this for a sign, a sign that he and June would hang together. And a sign that Freddie Jackson probably should have taken a trip on that flying saucer while he could, or else.
CD Review
The Rock ‘n’Roll Era: Weird, Wild & Wacky, various artists, Time-Life Music, 1991
He was glad, glad as hell that angel thing, that guardian angel thing, was over and done with. You know that Sunday school thing they beat you over head with about how your guardian angel was there to keep you on the straight and narrow, or else. Yes, Rick Roberts certainly was glad that was over although now that he thought about it it just kind of passed out of sight as he got older and other things filled his mind. Things like his June ("June Bug" was his pet name for her but he had better not hear you call her that, especially one Freddie Jackson, or else). Yes, Rick was now large, strong enough, and smart enough strong, not to have to worry about some needlepoint guardian angel looking out for him. Although truth to tell he was worried, a little anyway, about this Cold War Russian bear thing coming over here to take his brain away, or maybe put the big heat on him, the A-bomb heat and creating alien things from outer space to haunt his dreams. But only a little.
What was exercising Rick these days was his June (you know her pet name but don’t say it, please) and causing him no end of sleepless nights was that thing about Freddie Jackson, June’s old flame. At least according to his sister, Celia, a reliable source of North Adamsville High gossip, and not afraid to spread it when it pleased her, was that Freddie was taking his peeks at June, and she was peeking back. So, lately, in order to pass those sleepless nights Rick had begun to sit up in his bedroom at night with his transistor radio on, the one that he had forced his parents to buy him, batteries included, for last Christmas, rather than the practical ties they had intended to foist on him. And what Rick listened as the hour turned to midnight was The Crazy Lazy Midnight Madness Show on WMEX, the local be-bop, no stop, all rock radio station the that got the sleepless, the half-awake, the lame and the lazy through the 1950s Cold War night, and into the dawn.
Now this Crazy Lazy Show fare was strictly for night owls, stuff that would not appeal to daytime rockers, you know, those listening to guys like Elvis, Carl, Bo, Little Richard, and Jerry Lee, or just stuff that appealed to Lazy’s off-center, off-beat funny bone. One night, one really restless night, as Rick was revving up the transistor around midnight
he heard Buchanan and Goodman’s silly The Flying Saucer, parts one and two back to back no less, so you see Crazy was serious about presenting goofy stuff. That was followed by Sheb Wooley’s devouring the Purple People Eater, and then, for a change of pace The Royal Teens be-bop Short, Shorts and that got his to thinking about how good June looked in them, and then back to zaniness when Bobby Picketts flattened Monster Mash and, as he got a little drowsy, The Detergents waved over Leader of the Laundromat.
That last one got to him, got to him good, because, believe it or not the song had sentimental value to him. See he met June at the North Adamsville All-Wash Laundromat one day. His mother’s washing machine had broken down and she needed to bring the Roberts laundry to the All-Wash and Rick drove her over. During that time June had passed by, he had said hi, they had talked and then more seriously talked, and that was that. Freddie Jackson was after that dust, a memory, nothing to June.
All this thinking really got Rick tired this night and as the last chords of Laundromat echoed in his head he fell into a deep sleep. Around four o’clock in the morning though he was awoken with a start, with the high pitched whining sound coming from some where outside his window. Next thing he knew a huge disc-like object was hovering over most of Adamsville, and stayed there for maybe a minute before departing just as quickly as it appeared. Rick took this for a sign, a sign that he and June would hang together. And a sign that Freddie Jackson probably should have taken a trip on that flying saucer while he could, or else.
Wednesday, July 20, 2011
The Blues Ain’t Nothing But A Good Woman On Your Mind- “The Best Of The Chicago Blues”
Click on the headline to link to a YouTube film clip of Muddy Water's performing his classic Chicago blues tune, Mannish Child.
CD Review
The Best Of The Chicago Blues, various artists, Vanguard Records, 1987
Johnny Prescott daydreamed his way through the music that he was listening to just then on the little transistor that Ma Prescott, Martha to adults, had given him for Christmas after he has taken a fit when she quite reasonable suggested that a new set of ties to go with his white long-sleeved shirts might be a better gift, a better Christmas gift and more practical too, for a sixteen year old boy. No, he screamed he wanted a radio, a transistor radio, batteries included, of his own so that he could listen to whatever he liked up in his room, or wherever he was, and didn’t have, understand, didn’t have to listen to some Vaughn Monroe or Harry James 1940s war drum thing on the huge immobile radio downstairs in the Prescott living room. Strictly squaresville, cubed.
But as he listened to this the Shangra-la by The Four Coins that just finished up a few seconds ago and as this Banana Boat song by The Tarriers was starting its dreary trip he was not sure that those ties wouldn’t have been a better deal, and more practical too. Ya, this so-called rock station, WAPX, had sold out to, well, sold out to somebody, because except for late at night, midnight late at night, one could not hear the likes of Jerry Lee, Carl, Little Richard, Fats, and the new, now that Elvis was gone, killer rocker, Chuck Berry who proclaimed loud and clear that Mr. Beethoven had better move alone, and said Mr. Beethoven best tell one and all of his confederates, including Mr. Tchaikovsky that rock ‘n’ roll was the new sheriff in town. As he turned the volume down a little lower (that tells the tale right there, friends) as Rainbow (where the hell do they get these creepy songs from) by Russ Hamilton he was ready to throw in the towel though .
Desperate he fingered the dial looking for some other station when he heard this crazy piano riff starting to breeze through the night air, the heated night air, and all of a sudden Ike Turner’s Rocket 88 blasted the airwaves. But funny it didn’t sound like the whinny Ike’s voice so he listened for a little longer, and as he later found out from the DJ it was actually a James Cotton Blues Band cover. After that performance was finished fish-tailing right after that one was a huge harmonica intro and what could only be mad-hatter Junior Wells doing When My Baby Left Me splashed through. No need to turn the dial further now because what Johnny Prescott had found in the crazy night air, radio beams bouncing every which way, was direct from Chicago, and maybe right off those hard-hearted Maxwell streets was Be-Bop Benny’s Chicago Blues Radio Hour. Be-Bop Benny who started Chuck Berry, Little Richard, and Fats Domino on their careers, or helped.
Now Johnny, like every young high-schooler, every "with it" high schooler in the USA, had heard of this show, because even though everybody was crazy for rock and roll, just now the airwaves sounded like, well, sounded like music your parents would dance to, no, sit to at a dance, some kids still craved high rock. So this show was known mainly through the teenage grapevine but Johnny had never heard it because, no way, no way in hell was his punk little Radio Shack transistor radio with two dinky batteries going to have even strength to pick Be-Bop Benny’s live show out in Chicago. So Johnny, and maybe rightly so, took this turn of events for a sign. And so when he heard that distinctive tinkle of the Otis Spann piano warming up to Spann’s Stomp and up with his Someday added in he was hooked. And you know he started to see what Billie, Billie Bradley from over in Adamsville, meant when at a school dance where he had been performing with his band, Billie and the Jets, he mentioned that if you want to get rock and roll back you had better listen to blues, and if you want to listen to blues, blues that rock then you had very definitely had better get in touch with the Chicago blues as they came north from Mississippi and places like that.
And Johnny thought, Johnny who have never been too much south of Gloversville, or west of Albany, and didn’t know too many people who had, couldn’t understand why that beat, that da,da, da, Chicago beat sounded like something out of the womb in his head. But when he heard Big Walter Horton wailing on that harmonica on Rockin’ My Boogie he knew it had to be in his genes.
CD Review
The Best Of The Chicago Blues, various artists, Vanguard Records, 1987
Johnny Prescott daydreamed his way through the music that he was listening to just then on the little transistor that Ma Prescott, Martha to adults, had given him for Christmas after he has taken a fit when she quite reasonable suggested that a new set of ties to go with his white long-sleeved shirts might be a better gift, a better Christmas gift and more practical too, for a sixteen year old boy. No, he screamed he wanted a radio, a transistor radio, batteries included, of his own so that he could listen to whatever he liked up in his room, or wherever he was, and didn’t have, understand, didn’t have to listen to some Vaughn Monroe or Harry James 1940s war drum thing on the huge immobile radio downstairs in the Prescott living room. Strictly squaresville, cubed.
But as he listened to this the Shangra-la by The Four Coins that just finished up a few seconds ago and as this Banana Boat song by The Tarriers was starting its dreary trip he was not sure that those ties wouldn’t have been a better deal, and more practical too. Ya, this so-called rock station, WAPX, had sold out to, well, sold out to somebody, because except for late at night, midnight late at night, one could not hear the likes of Jerry Lee, Carl, Little Richard, Fats, and the new, now that Elvis was gone, killer rocker, Chuck Berry who proclaimed loud and clear that Mr. Beethoven had better move alone, and said Mr. Beethoven best tell one and all of his confederates, including Mr. Tchaikovsky that rock ‘n’ roll was the new sheriff in town. As he turned the volume down a little lower (that tells the tale right there, friends) as Rainbow (where the hell do they get these creepy songs from) by Russ Hamilton he was ready to throw in the towel though .
Desperate he fingered the dial looking for some other station when he heard this crazy piano riff starting to breeze through the night air, the heated night air, and all of a sudden Ike Turner’s Rocket 88 blasted the airwaves. But funny it didn’t sound like the whinny Ike’s voice so he listened for a little longer, and as he later found out from the DJ it was actually a James Cotton Blues Band cover. After that performance was finished fish-tailing right after that one was a huge harmonica intro and what could only be mad-hatter Junior Wells doing When My Baby Left Me splashed through. No need to turn the dial further now because what Johnny Prescott had found in the crazy night air, radio beams bouncing every which way, was direct from Chicago, and maybe right off those hard-hearted Maxwell streets was Be-Bop Benny’s Chicago Blues Radio Hour. Be-Bop Benny who started Chuck Berry, Little Richard, and Fats Domino on their careers, or helped.
Now Johnny, like every young high-schooler, every "with it" high schooler in the USA, had heard of this show, because even though everybody was crazy for rock and roll, just now the airwaves sounded like, well, sounded like music your parents would dance to, no, sit to at a dance, some kids still craved high rock. So this show was known mainly through the teenage grapevine but Johnny had never heard it because, no way, no way in hell was his punk little Radio Shack transistor radio with two dinky batteries going to have even strength to pick Be-Bop Benny’s live show out in Chicago. So Johnny, and maybe rightly so, took this turn of events for a sign. And so when he heard that distinctive tinkle of the Otis Spann piano warming up to Spann’s Stomp and up with his Someday added in he was hooked. And you know he started to see what Billie, Billie Bradley from over in Adamsville, meant when at a school dance where he had been performing with his band, Billie and the Jets, he mentioned that if you want to get rock and roll back you had better listen to blues, and if you want to listen to blues, blues that rock then you had very definitely had better get in touch with the Chicago blues as they came north from Mississippi and places like that.
And Johnny thought, Johnny who have never been too much south of Gloversville, or west of Albany, and didn’t know too many people who had, couldn’t understand why that beat, that da,da, da, Chicago beat sounded like something out of the womb in his head. But when he heard Big Walter Horton wailing on that harmonica on Rockin’ My Boogie he knew it had to be in his genes.
Saturday, July 02, 2011
Out In The Be-Bop Doo Wop Night- When Lady Bop Doo Wopped
Click on the headline to link to a YouTube film clip of The Charts performing Deserie.
CD Review
25 Vocal Groups Sing About “The Great Ladies Of Doo Wop”, various artists, Collectibles Records Corp., 2002
Jack Fitzgerald thought about it for a while, a long while, before he approached the other guys, the other corner boy guys, junior varsity division, but not in that division when it came to singing, singing harmonic rock stuff, yes, doo wop stuff. They were ready to turn big time, well, local big time anyway. And here is where Jack’s thinking was headed, but wait a minute, maybe some things should be mentioned first. Well, first when the word corner boy comes on the horizon most people think about young male teenage boys, white or black, hell, Hispanic too if you lived in the cities, the big melting-pot cities not cities like Clintondale, a strictly white-bread city, mainly Irish like Jack, with a mix of Italians, or as Lenny, Lenny Smith, one of Jack’s corner boys liked to say Eye-talians. All very much Catholic, very high-roller Roman Catholic, not those off-shoot Orthodox guys who split early on from the real church and got crazy with their ritual stuff. Maybe a few protestant white-breads too left over from the days when Clintondale produced presidents, ran revolutions, and caused holy hell for old mother, England.
But whatever the ethnic identity code, teenage boys clad in white tee-shirts (no vee-necks need apply those are for old grandpa guys, old grandpa railroad guys maybe), blue jeans, work boots, but they better be black engineer boots, with buckles, at least they had better be if you want to be a corner boy in Clintondale, and yes, hanging watch fob chain (no, not to tell the time, what is time to a corner boy, but just in case, just in case something comes up and a chain could come in very handy) and yes, for those who could afford such things (or had the guts to “clip” them), a tight waist-sized leather jack, black, against the New England colds, and the offshore winds that blew up, blew up out of nowhere. And Jack, Lenny and Jack’s other corner boys, Benny, Bobby, Billly, Sean, and Larry were, like Jack thought, junior varsity division copies, minus the singing, of that Clintondale corner boy world.
Oh ya, except they, Jack’s they, didn’t have a corner. See, there was no mom and pop variety store, no bowl-a-whirl bowling alley, no Bop’s pool hall, no Bijou movie house, no Doc’s drugstore; you name it no, in all of the Acre section of Clintondale. So boys, corner boys or not, being inventive, or trying to be “squatted’, squatted out in the back section, the section down by the old-time sailors’ graveyard, of the old Clintondale North Elementary School where they had all just graduated from the sixth grade(called locally, in the neighborhood, the Acre school and everybody knew what school you were talking about). And nobody, no Jimmy’s Smith’s corner boys (Lenny’s older brother), no Acre Low-Riders, the motorcycle-riding corner boys, better come near, or else. Yes, or else, although Jack sometimes worked up a sweat thinking what kind of hell would occur if those older guys decided they wanted to stake a claim to that back section. And definitely no girls, no stick girls, no stick twelve-year old girls unless of course, Jack and The Guys (the name of their budding doo wop group, junior division looking to go big time if you didn’t know) were harmonizing and the girls, the shy and bossy alike, started coming around like lemmings from the sea when the boys started their thing. And that was where the problem was.
No, not what you’d think, as Jack continued thinking about his dilemma. Girls were starting to be okay, very okay, mostly, even when the boys were not doo wopping, if you could believe that, because in fifth grade, just a year ago, generic girls were barred, barred no questions asked, from hell’s little back acre. No, what was on Jack’s mind was break-out. Breaking out of the Acre. And even twelve-year old Jack, twelve-year old corner boy Jack, knew that the only way he, and Lenny and the others, were going to break out was by riding the doo wop wave. And the only way that he could see to ride that wave, was one, by getting a girl singer to give a better balance to the now getting too harsh voice-changing age harmonics. But a girl, one girl, meant trouble and Jack knew deep in his young bones that there would be trouble because the only one who qualified, voice-qualified, looks-qualified, and well, just wanted-her-around qualified, was Lonnie Callahan, Sean’s year older sister. But a bunch of boys, corner boys and one looker spelled trouble, watch-fob chain trouble.
And two, maybe worst trouble, the guys needed an original song, and just then an original song with a girl’s name in it like that longing for Deserie stuff by the Charts, My Juanita by the Crests, Aurelia by the Pelicans, Marlena by the Concords, Linda by the Empires, and Barbara by the The Temptations or some other good girl name song that girls couldn’t get enough of and were buying doo wop 45s of like crazy. See all the names The Guys thought of were girls who they were, individually, looking to make points with and so some girls were going to get the short end of the stick. And short end of the stick meant they would not be coming like lemmings to the sea to listen to Jack and The Guys do doo wop in the Acre be-bop night. So you can see Jack’s problem. Right?
CD Review
25 Vocal Groups Sing About “The Great Ladies Of Doo Wop”, various artists, Collectibles Records Corp., 2002
Jack Fitzgerald thought about it for a while, a long while, before he approached the other guys, the other corner boy guys, junior varsity division, but not in that division when it came to singing, singing harmonic rock stuff, yes, doo wop stuff. They were ready to turn big time, well, local big time anyway. And here is where Jack’s thinking was headed, but wait a minute, maybe some things should be mentioned first. Well, first when the word corner boy comes on the horizon most people think about young male teenage boys, white or black, hell, Hispanic too if you lived in the cities, the big melting-pot cities not cities like Clintondale, a strictly white-bread city, mainly Irish like Jack, with a mix of Italians, or as Lenny, Lenny Smith, one of Jack’s corner boys liked to say Eye-talians. All very much Catholic, very high-roller Roman Catholic, not those off-shoot Orthodox guys who split early on from the real church and got crazy with their ritual stuff. Maybe a few protestant white-breads too left over from the days when Clintondale produced presidents, ran revolutions, and caused holy hell for old mother, England.
But whatever the ethnic identity code, teenage boys clad in white tee-shirts (no vee-necks need apply those are for old grandpa guys, old grandpa railroad guys maybe), blue jeans, work boots, but they better be black engineer boots, with buckles, at least they had better be if you want to be a corner boy in Clintondale, and yes, hanging watch fob chain (no, not to tell the time, what is time to a corner boy, but just in case, just in case something comes up and a chain could come in very handy) and yes, for those who could afford such things (or had the guts to “clip” them), a tight waist-sized leather jack, black, against the New England colds, and the offshore winds that blew up, blew up out of nowhere. And Jack, Lenny and Jack’s other corner boys, Benny, Bobby, Billly, Sean, and Larry were, like Jack thought, junior varsity division copies, minus the singing, of that Clintondale corner boy world.
Oh ya, except they, Jack’s they, didn’t have a corner. See, there was no mom and pop variety store, no bowl-a-whirl bowling alley, no Bop’s pool hall, no Bijou movie house, no Doc’s drugstore; you name it no, in all of the Acre section of Clintondale. So boys, corner boys or not, being inventive, or trying to be “squatted’, squatted out in the back section, the section down by the old-time sailors’ graveyard, of the old Clintondale North Elementary School where they had all just graduated from the sixth grade(called locally, in the neighborhood, the Acre school and everybody knew what school you were talking about). And nobody, no Jimmy’s Smith’s corner boys (Lenny’s older brother), no Acre Low-Riders, the motorcycle-riding corner boys, better come near, or else. Yes, or else, although Jack sometimes worked up a sweat thinking what kind of hell would occur if those older guys decided they wanted to stake a claim to that back section. And definitely no girls, no stick girls, no stick twelve-year old girls unless of course, Jack and The Guys (the name of their budding doo wop group, junior division looking to go big time if you didn’t know) were harmonizing and the girls, the shy and bossy alike, started coming around like lemmings from the sea when the boys started their thing. And that was where the problem was.
No, not what you’d think, as Jack continued thinking about his dilemma. Girls were starting to be okay, very okay, mostly, even when the boys were not doo wopping, if you could believe that, because in fifth grade, just a year ago, generic girls were barred, barred no questions asked, from hell’s little back acre. No, what was on Jack’s mind was break-out. Breaking out of the Acre. And even twelve-year old Jack, twelve-year old corner boy Jack, knew that the only way he, and Lenny and the others, were going to break out was by riding the doo wop wave. And the only way that he could see to ride that wave, was one, by getting a girl singer to give a better balance to the now getting too harsh voice-changing age harmonics. But a girl, one girl, meant trouble and Jack knew deep in his young bones that there would be trouble because the only one who qualified, voice-qualified, looks-qualified, and well, just wanted-her-around qualified, was Lonnie Callahan, Sean’s year older sister. But a bunch of boys, corner boys and one looker spelled trouble, watch-fob chain trouble.
And two, maybe worst trouble, the guys needed an original song, and just then an original song with a girl’s name in it like that longing for Deserie stuff by the Charts, My Juanita by the Crests, Aurelia by the Pelicans, Marlena by the Concords, Linda by the Empires, and Barbara by the The Temptations or some other good girl name song that girls couldn’t get enough of and were buying doo wop 45s of like crazy. See all the names The Guys thought of were girls who they were, individually, looking to make points with and so some girls were going to get the short end of the stick. And short end of the stick meant they would not be coming like lemmings to the sea to listen to Jack and The Guys do doo wop in the Acre be-bop night. So you can see Jack’s problem. Right?
Saturday, June 18, 2011
***Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- Early Girls, Volume Four
Click on the headline to link to a YouTube film clip of The Cookies performing Don't Say Nothing Bad About My Baby.
Early Girls, Volume Four, various singers, Ace Records , 2005
As I mentioned in a review of a two-volume set of, for lack of a better term, girl doo wop some of the songs which overlaps in this five-volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, and that was just fine, agreed), and that of my generation, the generation of ’68. Naturally one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton, and Big Joe Turner. And, of course, the rockabilly influences from Elvis, Carl Perkins, Wanda Jackson, and Jerry Lee Lewis on. Additionally, I have spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right). I noted there that I had not done much with the female side of the doo wop night, the great ‘girl’ groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I would expand that observation here to include girls’ voices generally. As there, I make some amends for that omission here.
As I also noted in that earlier review one problem with the girl groups, and now with these generic girl vocals for a guy, me, a serious rock guy, me, was that the lyrics for many of the girl group songs, frankly, did not “speak to me.” After all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like this writer have for a girl who breaks a guy's heart after leading him on, yes, leading him on, just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken lad off in the Angels' My Boyfriend’s Back. Or some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' I Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And how about this, some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect, very incorrect and rightly so, "beating" in Joanie Sommers’ Johnny Get Angry.
And reviewing the material in this volume gave me the same flash-back feeling I felt listening to the girl doo wop sounds. I will give similar examples of that teen boy alienation for this volume, and this approach will drive the reviews of all five of these volumes in the series. Dum Dum leaves me with no choice but to be dumb dumb;Sincerely by the McGuire Sisters,hell I would have taken insincerely but just call; Sad Movies (Make Me Cry), alone in the dark, dungeon balcony; It Hurts To Be In Love, say that again; and The Cookies Don't Say Nothin' Bad (About My Baby), I wish I could have had that choice. I might add here that as we have, with volume four, gone over one hundred songs in this series not only have we worked over, and worked over hard, the “speak to” problem but have now run up against the limits of songs worthy of mention, mention at the time or fifty years later, your choice.
So you get the idea, this stuff could not “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful guy had it all wrong and should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls’ minds back in the day, and maybe now a little too, and if I could have decoded this I would have had, well, the beginning of knowledge, girl knowledge. Damn. But that is one of the virtues, and maybe the only virtue of age. Ya, and also get this- you had better get your do-lang, do-lang, your shoop, shoop, and your best be-bop, be-bop into that good night voice out and sing along to the lyrics here. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now this stuff sounds great.
Early Girls, Volume Four, various singers, Ace Records , 2005
As I mentioned in a review of a two-volume set of, for lack of a better term, girl doo wop some of the songs which overlaps in this five-volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, and that was just fine, agreed), and that of my generation, the generation of ’68. Naturally one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton, and Big Joe Turner. And, of course, the rockabilly influences from Elvis, Carl Perkins, Wanda Jackson, and Jerry Lee Lewis on. Additionally, I have spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right). I noted there that I had not done much with the female side of the doo wop night, the great ‘girl’ groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I would expand that observation here to include girls’ voices generally. As there, I make some amends for that omission here.
As I also noted in that earlier review one problem with the girl groups, and now with these generic girl vocals for a guy, me, a serious rock guy, me, was that the lyrics for many of the girl group songs, frankly, did not “speak to me.” After all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like this writer have for a girl who breaks a guy's heart after leading him on, yes, leading him on, just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken lad off in the Angels' My Boyfriend’s Back. Or some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' I Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And how about this, some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect, very incorrect and rightly so, "beating" in Joanie Sommers’ Johnny Get Angry.
And reviewing the material in this volume gave me the same flash-back feeling I felt listening to the girl doo wop sounds. I will give similar examples of that teen boy alienation for this volume, and this approach will drive the reviews of all five of these volumes in the series. Dum Dum leaves me with no choice but to be dumb dumb;Sincerely by the McGuire Sisters,hell I would have taken insincerely but just call; Sad Movies (Make Me Cry), alone in the dark, dungeon balcony; It Hurts To Be In Love, say that again; and The Cookies Don't Say Nothin' Bad (About My Baby), I wish I could have had that choice. I might add here that as we have, with volume four, gone over one hundred songs in this series not only have we worked over, and worked over hard, the “speak to” problem but have now run up against the limits of songs worthy of mention, mention at the time or fifty years later, your choice.
So you get the idea, this stuff could not “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful guy had it all wrong and should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls’ minds back in the day, and maybe now a little too, and if I could have decoded this I would have had, well, the beginning of knowledge, girl knowledge. Damn. But that is one of the virtues, and maybe the only virtue of age. Ya, and also get this- you had better get your do-lang, do-lang, your shoop, shoop, and your best be-bop, be-bop into that good night voice out and sing along to the lyrics here. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now this stuff sounds great.
Wednesday, June 15, 2011
Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- Early Girls, Volume Two
Click on the headline to link to a YouTube film clip of Ruby & The Romantics performing the classic, Our Day Will Come.
Early Girls, Volume Two, various singers, Ace Records, 1997
As I mentioned in a review of a two-volume set of, for lack of a better term, girl doo wop some of the songs which overlaps in this six volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, and that was just fine, agreed), and that of my generation, the generation of ’68. Naturally one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton, and Big Joe Turner. And, of course, the rockabilly influences from Elvis, Carl Perkins, Wanda Jackson, and Jerry Lee Lewis on. Additionally, I have spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right). I noted there that I had not done much with the female side of the doo wop night, the great ‘girl’ groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I would expand that observation here to include girls’ voices generally. As there, I make some amends for that omission here.
As I also noted in that earlier review one problem with the girl groups, and now with these generic girl vocals for a guy, me, a serious rock guy, me, was that the lyrics for many of the girl group songs, frankly, did not “speak to me.” After all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like this writer have for a girl who breaks a guys heart after leading him on, yes, leading him on, just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken lad off in the Angels' My Boyfriend’s Back. Or some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' I Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And how about this, some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect, very incorrect and rightly so, "beating" in Joanie Sommers’ Johnny Get Angry.
And reviewing the material in this volume gave me the same flash-back feeling I felt listening to the girl doo wop sounds. I will give similar examples of that teen boy alienation for this volume, and this approach will drive the reviews of all six of these volumes in the series. I won’t even go into such novelty silly songs as the title self-explanatory My Boy Lollipop by Barbie Gaye; the teen angst hidden behind the lyrics to Bobby's Girl by Marcie Blane; or, the dreamy, wistful blandness of A Thousand Stars by Kathy Young & The Innocents that would have set any self-respecting boy’s, or girl’s, teeth on edge. And prayed, prayed out loud and to heaven that the batteries in that transcendent transistor would burn to hell before having to continue sustained listening to such, well, such… and I will leave it at that. I will rather concentrate on serious stuff like the admittedly great harmonics on Our Day Will Come by Ruby & The Romantics that I actually, secretly, liked but I had no one to relate it to, no our to worry about that day, or any day, or Tonight You Belong To Me by Patience & Prudence that I didn’t like secretly or openly but gave me that same teen angst feeling of having no one, no girl one, belonging to, me.
And while today it might be regarded as something of a pre-feminist feminist anthem for younger women, You Don't Own Me by Lesley Gore, was meaningless for a guy who didn’t have girl to own, or not own, to fret over her independent streak, or not. Moreover, since I was never, at least I never heard otherwise, that I was some damsel in distress’ pining away boy next store The Boy Next Door by The Secrets was wrapped with seven seals. And while I had many a silent, lonely, midnight waiting by the phone night how could Cry Baby by The Bonnie Sisters, Lonely Blue Nights by Rosie & The Originals, and Lonely Nights by The Hearts give me comfort when even Jerry Lee Lewis and Chuck Berry hard-rockin’ the night away could not console me, and take away that blue heart I carried like a badge, a badge of almost monastic honor. Almost.
So you get the idea, this stuff could not “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful guy had it all wrong and should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls’ minds back in the day, and maybe now a little too, and if I could have decoded this I would have had, well, the beginning of knowledge, girl knowledge. Damn. But that is one of the virtues, and maybe the only virtue of age. Ya, and also get this- you had better get your do-lang, do-lang, your shoop, shoop, and your best be-bop, be-bop into that good night voice out and sing along to the lyrics here. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now this stuff sounds great.
And from girls even.
Early Girls, Volume Two, various singers, Ace Records, 1997
As I mentioned in a review of a two-volume set of, for lack of a better term, girl doo wop some of the songs which overlaps in this six volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, and that was just fine, agreed), and that of my generation, the generation of ’68. Naturally one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton, and Big Joe Turner. And, of course, the rockabilly influences from Elvis, Carl Perkins, Wanda Jackson, and Jerry Lee Lewis on. Additionally, I have spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right). I noted there that I had not done much with the female side of the doo wop night, the great ‘girl’ groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I would expand that observation here to include girls’ voices generally. As there, I make some amends for that omission here.
As I also noted in that earlier review one problem with the girl groups, and now with these generic girl vocals for a guy, me, a serious rock guy, me, was that the lyrics for many of the girl group songs, frankly, did not “speak to me.” After all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like this writer have for a girl who breaks a guys heart after leading him on, yes, leading him on, just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken lad off in the Angels' My Boyfriend’s Back. Or some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' I Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And how about this, some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect, very incorrect and rightly so, "beating" in Joanie Sommers’ Johnny Get Angry.
And reviewing the material in this volume gave me the same flash-back feeling I felt listening to the girl doo wop sounds. I will give similar examples of that teen boy alienation for this volume, and this approach will drive the reviews of all six of these volumes in the series. I won’t even go into such novelty silly songs as the title self-explanatory My Boy Lollipop by Barbie Gaye; the teen angst hidden behind the lyrics to Bobby's Girl by Marcie Blane; or, the dreamy, wistful blandness of A Thousand Stars by Kathy Young & The Innocents that would have set any self-respecting boy’s, or girl’s, teeth on edge. And prayed, prayed out loud and to heaven that the batteries in that transcendent transistor would burn to hell before having to continue sustained listening to such, well, such… and I will leave it at that. I will rather concentrate on serious stuff like the admittedly great harmonics on Our Day Will Come by Ruby & The Romantics that I actually, secretly, liked but I had no one to relate it to, no our to worry about that day, or any day, or Tonight You Belong To Me by Patience & Prudence that I didn’t like secretly or openly but gave me that same teen angst feeling of having no one, no girl one, belonging to, me.
And while today it might be regarded as something of a pre-feminist feminist anthem for younger women, You Don't Own Me by Lesley Gore, was meaningless for a guy who didn’t have girl to own, or not own, to fret over her independent streak, or not. Moreover, since I was never, at least I never heard otherwise, that I was some damsel in distress’ pining away boy next store The Boy Next Door by The Secrets was wrapped with seven seals. And while I had many a silent, lonely, midnight waiting by the phone night how could Cry Baby by The Bonnie Sisters, Lonely Blue Nights by Rosie & The Originals, and Lonely Nights by The Hearts give me comfort when even Jerry Lee Lewis and Chuck Berry hard-rockin’ the night away could not console me, and take away that blue heart I carried like a badge, a badge of almost monastic honor. Almost.
So you get the idea, this stuff could not “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful guy had it all wrong and should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls’ minds back in the day, and maybe now a little too, and if I could have decoded this I would have had, well, the beginning of knowledge, girl knowledge. Damn. But that is one of the virtues, and maybe the only virtue of age. Ya, and also get this- you had better get your do-lang, do-lang, your shoop, shoop, and your best be-bop, be-bop into that good night voice out and sing along to the lyrics here. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now this stuff sounds great.
And from girls even.
Tuesday, June 14, 2011
Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- Early Girls, Volume One
Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- Early Girls, Volume One
http://www.youtube.com/watch?v=MZFIMeg15BA
Click on the headline to link to a YouTube film clip of Carol King performing It Might As Well Rain Until September.
Early Girls, Volume One, various singers, Ace Records ,1997
As I mentioned in a review of a two-volume set of, for lack of a better term, girl doo wop some of the songs which overlap in this five volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, about what I was listening to, and that was just fine, agreed), and that of my generation, the generation of ’68. Naturally one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton, and Big Joe Turner. And, of course, the rockabilly influences from Elvis, Carl Perkins, Wanda Jackson, and Jerry Lee Lewis on. Additionally, I have spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right). I noted there that I had not done much with the female side of the doo wop night, the great "girl" groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I would expand that observation here to include girls’ voices generally. As there, I make some amends for that omission here.
As I also noted in that earlier review one problem with the girl groups, and now girl vocals for a guy, me, a serious rock guy, me, was that the lyrics to many of the girl group songs, frankly, did not “speak to me.” After all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like this writer have for a girl who breaks a guy's heart after leading him on, yes, leading him on, just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken lad off in the Angels' My Boyfriend’s Back. Or some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And how about this, some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect "beating" in Joanie Sommers’ Johnny Get Angry.
And reviewing the material in this volume gave me the same flash-back feeling I felt listening to girl doo wop sounds. I will give examples of that for this volume, and this approach will drive the reviews of all five of these volumes in the series. Ya, for starters what is a girl-shy boy to make of a song that when some big-voiced woman is telling one and all that her man is no good just because he was catting on her around in Betty Everett’s Your No Good; or some girl all chained up by a guy (not S&M stuff but worst, in a way, chains of mixed-up love) in Chains by The Cookies; or get all weepy about the trauma of a girl who is boy-less all summer by a girl-less guy for all seasons in It Might As Well Rain Until September by Carole King.
And how could a young ragamuffin get catch a break listening to some girl spreading the glad tidings about her new found love in the girls' lav Monday morning in I'm Into Something Good by Earl-Jean; or, the same kind of message, except maybe at the local pizza parlor, in I've Told Every Little Star by Linda Scott. And it goes on and on. Christ, even guys wearing pink shoe laces and looking like some goof have their devotees (but what about no song poor boy, plaid flannel-shirted, black chino-ed, with cuffs, Thom McAn-shoed guy, no way right) in Pink Shoe Laces by Dodie Stevens. And the love eternal love-style songs were worst, for example, a giggling, gaffing girl all plushed up by her boy in I Love How You Love Me by The Paris Sisters. Jesus, that could have been me.
And is there a place for such a lad even in the love’s trials and tribulations-type songs like when the moon took a holiday from looking out for lovers in Dark Moon by Bonnie Guitar; or when it didn’t in You by The Aquatones and was absolutely beaming in the incredible paean to everlasting love, 'Til by The Angels. Hell, even no account, long gone, no stamps, no stationary, no pen, no time to write Eddie has someone pining over him pining big time in Eddie My Love by The Teen Queens. And Eddie was nothing but long gone and never coming back. But the one that gets me, gets me big time, is a total song homage by some sweet girl just because he is her guy in Dedicated To The One I Love by The Shirelles. Lordy, lord.
So you get the idea, this stuff could not “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful guy had it all wrong and should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls’ minds back in the day, and maybe now a little too, and if I could have decoded this I would have had, well, the beginning of knowledge, girl knowledge. Damn. But that is one of the virtues, and maybe the only virtue of age. Ya, and also get this- you had better get your do-lang, do-lang, your shoop, shoop, and your best be-bop, be-bop into that good night voice out and sing along to the lyrics here. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now this stuff sounds great. And from girls even.
http://www.youtube.com/watch?v=MZFIMeg15BA
Click on the headline to link to a YouTube film clip of Carol King performing It Might As Well Rain Until September.
Early Girls, Volume One, various singers, Ace Records ,1997
As I mentioned in a review of a two-volume set of, for lack of a better term, girl doo wop some of the songs which overlap in this five volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, about what I was listening to, and that was just fine, agreed), and that of my generation, the generation of ’68. Naturally one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton, and Big Joe Turner. And, of course, the rockabilly influences from Elvis, Carl Perkins, Wanda Jackson, and Jerry Lee Lewis on. Additionally, I have spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right). I noted there that I had not done much with the female side of the doo wop night, the great "girl" groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I would expand that observation here to include girls’ voices generally. As there, I make some amends for that omission here.
As I also noted in that earlier review one problem with the girl groups, and now girl vocals for a guy, me, a serious rock guy, me, was that the lyrics to many of the girl group songs, frankly, did not “speak to me.” After all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like this writer have for a girl who breaks a guy's heart after leading him on, yes, leading him on, just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken lad off in the Angels' My Boyfriend’s Back. Or some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And how about this, some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect "beating" in Joanie Sommers’ Johnny Get Angry.
And reviewing the material in this volume gave me the same flash-back feeling I felt listening to girl doo wop sounds. I will give examples of that for this volume, and this approach will drive the reviews of all five of these volumes in the series. Ya, for starters what is a girl-shy boy to make of a song that when some big-voiced woman is telling one and all that her man is no good just because he was catting on her around in Betty Everett’s Your No Good; or some girl all chained up by a guy (not S&M stuff but worst, in a way, chains of mixed-up love) in Chains by The Cookies; or get all weepy about the trauma of a girl who is boy-less all summer by a girl-less guy for all seasons in It Might As Well Rain Until September by Carole King.
And how could a young ragamuffin get catch a break listening to some girl spreading the glad tidings about her new found love in the girls' lav Monday morning in I'm Into Something Good by Earl-Jean; or, the same kind of message, except maybe at the local pizza parlor, in I've Told Every Little Star by Linda Scott. And it goes on and on. Christ, even guys wearing pink shoe laces and looking like some goof have their devotees (but what about no song poor boy, plaid flannel-shirted, black chino-ed, with cuffs, Thom McAn-shoed guy, no way right) in Pink Shoe Laces by Dodie Stevens. And the love eternal love-style songs were worst, for example, a giggling, gaffing girl all plushed up by her boy in I Love How You Love Me by The Paris Sisters. Jesus, that could have been me.
And is there a place for such a lad even in the love’s trials and tribulations-type songs like when the moon took a holiday from looking out for lovers in Dark Moon by Bonnie Guitar; or when it didn’t in You by The Aquatones and was absolutely beaming in the incredible paean to everlasting love, 'Til by The Angels. Hell, even no account, long gone, no stamps, no stationary, no pen, no time to write Eddie has someone pining over him pining big time in Eddie My Love by The Teen Queens. And Eddie was nothing but long gone and never coming back. But the one that gets me, gets me big time, is a total song homage by some sweet girl just because he is her guy in Dedicated To The One I Love by The Shirelles. Lordy, lord.
So you get the idea, this stuff could not “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful guy had it all wrong and should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls’ minds back in the day, and maybe now a little too, and if I could have decoded this I would have had, well, the beginning of knowledge, girl knowledge. Damn. But that is one of the virtues, and maybe the only virtue of age. Ya, and also get this- you had better get your do-lang, do-lang, your shoop, shoop, and your best be-bop, be-bop into that good night voice out and sing along to the lyrics here. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now this stuff sounds great. And from girls even.
Saturday, June 11, 2011
Out In The Be-Bop 1960s Night- Ain’t Got No Time For Corner Boys Down In The Street Making All That Noise-The Complete Corner Boy Stories
Click on the headline to link to a YouTube film clip of Tom Waits performing his song Jersey Girl that formed part of the inspiration for this post.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise, producing all their hopeless hubris, swirling all around just to stay in one place. Yes, now fifty years later it is easy to dismiss those guys, write them off as losers, wannabe somethings, and guys to turn your back to but there was a time, a time day and night, when they, the corner boys, ruled, ruled my imagination, and, and almost caught me in their fix. Oh, for those who are clueless on the great stream corner boy night that probably no longer exists except in wayward urban ghetto/barrio corners, or some mall-less hick small town this was the mode of existence for guys, working class guys, with no dough, no hopes of getting dough (getting dough legally anyway), or maybe, just plain not wanting to work for dough like drudge fathers, uncles and older brothers and hang out in the mom and pop variety store, drugstore, pizza parlor, bowling alley corner waiting,… ya, mainly waiting.
You will get it all wrong if you think though it was all waiting, sipping Coke waiting, smoking some endless cigarette smoke waiting, white tee-shirt, (a leather jacket against the wind on colder nights), jeans, engineer boots, wide black-buckled belts, maybe a chain handing down. The uniform, or else.
You will get it all wrong because you will have missed the patter, the constant patter, the dream patter that animated those sidewalk nights, those dreams, pipe-dreams maybe, of jail-break out working class life, of moving “uptown” one way or another. You would have heard such talk if you walked by Harry’s Variety on any given night, some guy taking a pinball wizard break to tell how his luck is going to change any day now. Or leader Red, Red Hickey, mapping out the night’s midnight creep work, shortcut to the good life work, at least to keep the heap running and honey in clover. Of cars, stolen or refinished, mainly stolen. Ya, and talk of sex, of what this girl would do and that one wouldn’t, and why to go with those cars. A rough crowd not to be trifled with for certain, but from the edges fascinating to watch, and learn about some stuff, some stuff never mentioned at home.
Or, on other corners, the gang around Doc’s Drugstore, a place where all the neighborhood boys, all the sixteen year old boys, and maybe some girls too, all the plaid-shirted, black-chinoed, “cool”, max daddies came of drinking age, for medicinal purposes of course. They could tell of magic elixirs from rums and raw whiskies, and confess, yes, confess that that whisky taste was nasty.
Or, on earlier, easier corners, really not corners, but the back of old Adamsville South Elementary School, when Billie Bradley would wind us up, a few wayward boys with dreams, musical dreams, Elvis riches dreams, and begin to sing in a low voice, then a little higher and we would back him up, drawing, drawing like lemmings from the sea, girls, stick girls and shapes, but girls and that was dream enough for twelve year old boys with wanderlust, or maybe just lust in their hearts
Or, even holy of holies, Salducci’s Pizza Parlor up the Downs when Frankie, Francis Xavier Riley, was king of the night (and a few days too) and I was his lord chamberlain. Maybe he'd tell us of some pizza dough secrets, or how to snag a girl with just the right jukebox combination. But no, no one has come forth to spew their whitewashed stories almost a half a century later so I must tell the tales. Probably, on some of the stuff, some of the kiddish schoolboy night stuff, those old corner boys don’t realize that the statue of limitations ran out, and ran out long ago. But that’s not my problem.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise. Ah.
*********
Harry's Variety Store
Riding down the old neighborhood streets a while back, the old North Adamsville working class streets, streets dotted with triple-deckers housing multiple families along with close-quarter, small cottage-sized single family houses like the one of my own growing to manhood time. Houses, moreover, that reflected, no exclaimed right to their tiny rooftops, that seemingly eternal overweening desire to have, small or not, worth the trouble or not, something of one’s own against the otherwise endless servitude of days. Suddenly, coming to an intersection, I was startled, no, more than that I was forced into a double-take, by the sight of some guys, some teenage guys hanging, hanging hard, one foot on the ground the other bent holding up the infernal brick wall that spoke of practice and marking one’s territory, against the oncoming night in front of an old time variety store, a mom and pop variety from some extinct times before the 7/11 chain store, fast shop, no room for corner boys, police take notice, dark night. Memory called it Kelly’s, today Kim’s. From the look of them, baggy-panted, latest fashion footwear name sneakered, baseball cap-headed, all items marked, marked with the insignia (secretly, and with no hope of outside decoding) signifying their "homeboy" associations (I would say gang, but that word is charged these days and this is not exactly what it looked like, at least to the public eye, my public eye) they could be the grandsons, probably not biological because these kids were almost all Asians speckled with a couple of Irish-lookers, shanty Irish-lookers, of the ghost be-bop night guys that held me in thrall in those misty early 1960s times.
Ya, that tableau, that time-etched scene, got me to thinking of some long lost comrades of the schoolboy night like the hang-around guys in front of Harry’s Variety, although comrades might not be the right word because I was just some punk young kid trying to be a wannabe, or half-wannabe, corner boy and they had no time for punk kids and later when I came of age I had no time for corner boys. Ya, that scene got me to thinking of the old time corner boys who ruled the whole wide North Adamsville night (and day for those who didn’t work or go to school, which was quite a few on certain days, becasue most of theses guys were between sixteen and their early twenties with very jittery school and work histroies better left unspoken, or else). Ya, got me thinking about where the white tee-shirted, blue-jeaned, engineer-booted, cigarette-smoking, unfiltered of course, sneering, soda-swilling, Coke, naturally, pinball wizards held forth daily and nightly, and let me cadge a few odd games when they had more important business, more important girl business, to attend to.
Ya, I got to thinking too about Harry’s, old Harry’s Variety over there near my grandmother’s house, over there in that block on Sagamore Street where the Irish workingman’s whiskey-drinking (with a beer chaser), fist-fighting, sports-betting after a hard day’s work Dublin Grille was. Harry’s was on the corner of that block. Now if you have some image, some quirky, sentimental image, of Harry’s as being run by an up-and-coming just arrived immigrant guy, maybe with a big family, trying to make this neighborhood store thing work so he can take in, take in vicariously anyway, the American dream like you see running such places now forget it. Harry’s was nothing but a “front.” Old Harry, Harry O’Toole, now long gone, was nothing but the neighborhood “bookie” known far and wide to one and all as such. Even the cops would pull up in their squad cars to place their bets, laughingly, with Harry in the days before state became the bookie-of-choice for most bettors. And he had his “book”, his precious penciled-notation book right out on the counter. But see punk kid me, even then just a little too book-unworldly didn’t pick up on that fact until, old grandmother, jesus, grandmother “hipped” me to it.
Until then I didn’t think anything of the fact that Harry had about three dust-laden cans of soup, two dust-laden cans of beans, a couple of loaves of bread (Wonder Bread, if you want to know) on his dust-laden shelves, a few old quarts of milk and an ice chest full of tonic (now called soda, even by New Englanders) and a few other odds and ends that did not, under any theory of economics, capitalist or Marxist, add up to a thriving business ethos. Unless, of course, something else was going on. But what drew me to Harry’s was not that stuff anyway. What drew me to Harry’s was, one, his pin ball machine complete with corner boy players and their corner boy ways, and, two, his huge Coca Cola ice chest (now sold as antique curiosities for much money at big-time flea markets and other venues) filled with ice cold, cold tonics (see above), especially the local Robb’s Root Beer that I was practically addicted to in those days (and that Harry, kind-hearted Harry, stocked for me).
Many an afternoon, a summer’s afternoon for sure, or an occasional early night, I would sip, sip hard on my Robb’s and watch the corner boys play, no sway, sway just right, with that sweet pinball machine, that pin ball machine with the bosomy, lusty-looking, cleavage-showing women pictured on the top glass frame of the machine practically inviting you, and only you the player, on to some secret place if you just put in enough coins. Of course, like many dream-things what those lusty dames really gave you, only you the player, was maybe a few free games. Teasers, right. But I had to just watch at first because I was too young (you had to be sixteen to play) , however, every once in a while, one of the corner boys who didn’t want to just gouge out my eyes for not being a corner boy, would let me cadge a game while Harry was not looking. When you think about it though, now anyway, Harry was so “connected” (and you know what I mean by that) what the hell did he care if some underage kid, punk kid, cadged a few games and looked at those bosomy babes in the frame.
Ya, and thinking about Harry’s automatically got me thinking about Daniel (nobody ever called him that, ever) “Red” Hickey, the boss king of my schoolboy night at Harry’s. Red, the guy who set the rules, set the style, hell, set the breathing, allowed or not and when, of the place. I don’t know if he went to some corner boy school to learn his trade but he was the be-bop daddy (at least all the girls, all the hanging all over him girls, called him that) because he, except for one incident that I will relate below, ruled unchallenged with an iron fist. At least I never saw his regular corner boys Spike, Lenny, Shawn, Ward, Goof (yes, that was his name the only name I knew him by, and he liked it), Bop (real name William) or the Clipper (real name Kenny, the arch-petty Woolworth’s thief of the group hence the name) challenge him, or want to.
Ya, Red, old red-headed Red was tough alright, and has a pretty good-sized built but that was not what kept the others in line. It was a certain look he had, a certain look that if I went into describing it now I would get way overboard into describing it as some stone-cold killer look, some psycho-killer look but that would be wrong because it didn’t show that way. But that was what it was. Maybe I had better put it this way. Tommy Thunder, older brother of my middle school and high school best friend and a corner boy king in his own right, Frankie, Francis Xavier Riley, a big bruiser of a legendary North Adamsville football player and human wrecking machine who lived a few doors up from Harry’s went out of his way not to go near the place. Ya, Red was that tough.
See, he was like some general, or colonel or something, an officer at least, and besides being tough, he would “inspect” his troops to see that all and sundry had their “uniform” right. White tee-shirt, full-necked, no vee-neck sissy stuff, no muscle shirt half-naked stuff, straight 100% cotton, American-cottoned, American-textiled, American-produced, ironed, mother-ironed I am sure, crisp. One time Goof (sorry that’s all I knew him by, really) had a wrinkled shirt on and Red marched him up the street to his triple-decker cold-water walk-up flat and berated, berated out loud for all to hear, Goof’s mother for letting him out of the house like that. And Red, old Red like all Irish guys sanctified mothers, at least in public, so you can see he meant business on the keeping the uniform right question.
And like some James Dean or Marlon Brando tough guy photo, some motorcycle disdainful, sneering guy photo, each white tee-shirt, or the right sleeve of each white tee-shirt anyway, was rolled up to provide a place, a safe haven, for the ubiquitous package of cigarettes, matches inserted inside its cellophane outer wrapping, Luckies, Chesterfields, Camels, Pall Malls, all unfiltered in defiance of the then beginning incessant cancer drumbeat warnings, for the day’s show of manliness smoking pleasures.
And blue jeans, tight fit, no this scrub-washed, fake-worn stuff, but worn and then discarded worn. No chinos, no punk kid, maybe faux "beatnik," black chinos, un-cuffed, or cuffed like I wore, and Frankie, Francis Xavier Riley, king of the faux beatnik middle school night, including among his devotees this little too bookish writer, who was as tough a general, colonel, or some officer anyway, as corner boy Red was with his guys. Frankie example: no cuffs on those black chinos, stay home, or go elsewhere, if you are cuffed. Same kingly manner, right? Corner boys blue-jeaned and wide black-belted, black always, black-belt used as a handy weapon for that off-hand street fight that might erupt out of nowhere, for no reason, or many. Maybe a heavy-duty watch chain, also war-worthy, dangly down from those jeans. Boots, engineer boots, black and buckled, worn summer or winter, heavy, heavy-heeled, spit-shined, another piece of the modern armor for street fight nights. Inspection completed the night’s work lies ahead.
And most nights work, seemingly glamorous to little too bookish eyes at the time, was holding up some corner of the brick wall in front or on the side of Harry’s Variety with those engineer boots, one firmly on the ground the other bent against the wall, small talk, small low-tone talk between comrades waiting, waiting for… Or just waiting for their turn at that Harry luscious ladies pictured pinball machine. Protocol, strictly observed, required “General Red” to have first coin in the machine. But see old Red was the master swayer with that damn machine and would rack up free games galore so, usually, he was on that thing for a while.
Hey, Red was so good, although this is not strictly part of the story, that he could have one of his several honeys right in front of him on the machine pressing some buttons and he behind pressing some other buttons Red swaying and his Capri-panted honey, usually some blond, real or imagined, swaying, and eyes glazing, but I better let off with that description right now, because like I said it was strictly speaking not part of the story. What is part of the story is that Red, when he was in the mood or just bored, or had some business, some girl business, maybe that blond, real or imagined, just mentioned business would after I had been hanging around a while, and he thought I was okay, give me his leftover free games.
Now that was the “innocent” part of Red, the swaying pinball wizard, girl-swaying, inspector general part. But see if you want to be king of the corner boy night you have to show your metal once in a while, if for no other reason than the corner boys, the old time North Adamsville corner boys might be just a little forgetful of who the king hell corner boy was, or as I will describe, some other corner boy king of some other variety store night might show up to see what was what. Now I must have watched the Harry’s corner boy scene for a couple of years, maybe three, the last part just off and on, but I only remember once when I saw Red show “his colors.” Some guy from Adamsville, some tough-looking guy who, no question, was a corner boy just stopped at Harry’s after tipping a couple, or twenty, at the Dublin Grille. He must have said something to Red, or maybe Red just knew instinctively that he had to show his colors, but all of a sudden these two are chain-whipping each other. No, that’s not quite right, Red is wailing, flailing, nailing, chain-whipping this other guy mercilessly, worst, if that is possible. The guy, after a few minutes, was left in a pool of blood on the street, ambulance ready. And Red just walked way, just kind of sauntering away.
Of course that is not the end of the Red story. Needless to say, no work, no wanna work Red had to have coin, dough, not just for the pinball machine, cigarettes, and soda, hell, that was nothing. But for the up-keep on his Chevy (Chevvies then being the “boss” car, and not just among corner boys either), and that stream of ever-loving blond honeys, real or imagined, he escorted into the seashore night. So said corner boys did their midnight creep around the area grabbing this and that to bring in a little dough. Eventually Red “graduated” to armed robberies when the overhead grew too much for little midnight creeps, and graduated to one of the branches of the state pen, more than once. Strangely, his end came, although I only heard about this second hand, after a shoot-out with the cops down South after he tried to rob some White Hen convenience store. There is some kind of moral there, although I will be damned if I can figure it out. Red, thanks for those free games though.
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Doc's Drugstore
It wasn’t all be-bop night, rock ‘n’ roll sock hop, midnight drifter, midnight sifter, low-rider, hard-boiled corner boy 1950s life in old down and out working class dregs North Adamsville. Not at all. But a lot of it was, a lot that bespoke of the early phases of American deindustrialization, although we would not have called that then, if we had been aware of it even, with the demise of the local mainstay ship building ad its associated industries, great world war warship shipbuilding and then later gigantic oil tankers and then, then nothing, maybe a sailboat, or a row boat for all I know, I just don’t know more, or why.
All I know, or at least all that I know from what I heard my father, and other fathers say, was that that industry was the life’s blood of getting ahead, ahead in the 1950s life in that beat down, beat up, beat thirteen ways to Sunday town (ya, I know it is only six but it sure did seem like thirteen on some hard father unemployed days). And so low-rider, hard-boiled corner boy, the easy life of pinball wizardry, dime store lurid magazines, slow-drinking Cokes (or Pepsis, but make mine local Robb’s Root Beer), draped around mascara-eyed, heavy form-filled girls, and the occasional armed robbery to break up the day, and bring in some much needed dough held a higher place that it might have, and almost certainly would in some new town West.
But what was a guy to do if to get out of the house, get away from ma’s nagging (and it was almost always ma, every ma house in those days), siblings heckling, and just breathe in some fresh air, some fresh be-bop rock corner boy air, if at all possible.
See, this is way before mall rat-dom came into fashion since the nearest mall was way too far away to drag yourself to, and it also meant traveling through other corner boy, other maybe not friendly corner boy lands. So if you didn’t want to tie yourself down to some heavy felony on some soft misty, foggy better, night by hanging around tough corner boy, Red Hickey-ruled Harry’s Variety, or your tastes did not run to trying to cadge some pinball games from those same toughs, or you were too young, too innocent, too poor, too car-less or too ragamuffiny for those form-filled, Capri-panted girls with their haunting black mascara eyes then you had to hang somewhere else, and Doc’s, ya, Doc’s Drugstore is where you hung out in the more innocent section of that be-bop 1950s night.
Wait a minute I just realized that I had better explain, and do it fast before you get the wrong idea, that I am not talking about some CVS, Rite-Aid, or Osco chain-linked, no soliciting, no trespassing, no loitering, police take notice, run in and run out with your fistful of drugs, legal drugs, places. Or run in for some notions or sundries, whatever they are. No way, no way in hell would you want to hang out where old-timers like your mothers and fathers and grandparents went to help them get well.
No this was Doc’s, Doc-owned (ya, Doc, Doc Adams, I think, or I think somebody told me once that he was part of some branch of that Adams crowd, the presidential Adams crowd that used to be big wheels in the town), Doc-operated, and Doc-ruled. And Doc let, unless it got too crazy, kids, ordinary kids, not hard-boiled white tee-shirted corner boys but plaid-shirted, chino pant-wearing (no I am not going to go on and on about the cuffs, no cuffs controversy, okay, so keep reading), maybe loafers (no, inserted pennies, please, and no, no, no, Thom McAn’s), a windbreaker against some ocean-blown windy night on such nights, put their mark on the side walls, the side brick walls of his establishment. And let the denizens of the Doc night (not too late night either) put as will every self-respecting corner boy, tee-shirted or plaid, make his mark by standing, one loafer-shod foot on the ground, and the other knee-bent against the brick wall holding Doc’s place together. True-corner boydom. Classic pose, classic memory pose.
And see, Doc, kindly, maybe slightly mad Doc, and now that I think about it slightly girl-crazy himself maybe, let girls, girls even hang against the wall. Old Harry’s Variety Red Hickey would have shot one of his girls in the foot if they ever tried that stunt. Girls were to be draped, preferably draped around Red not around Harry’s wall, brick or not. Now, after what I just described you know that you’re into a new age night because no way Harry, and definitely not Red (Daniel, don’t ever call him that though) Hickey, king hell king of the low-rider night that I told you about before, just a couple minutes ago would let some blond, real or imagined, Capri-panted, cashmere swearing wearing (tight, very tight cashmere sweater-wearing, if you didn’t know), boffed, bimbo (ouch, but that is what we called them, so be it) stand around his corner even. Dames (better, right) were for hot-rod Chevy, hard-driving, low-riding sitting on the seat next to, and other stuff. But plaid-shirted guys (loafer-shod) liked, do you hear me Red and Harry, liked having girls hanging with them to while away the be-bop hard night corner boy lands.
And before you even ask, Doc’s had not pinball machine and no pinball wizards (as far as I remember, although a couple of guys and a girl were crackerjack bowlers). But see, Doc’s had the things that mattered, mattered for plaid-shirted guys with a little dough (their allowances, no snickering please for any hard-boiled readers, or poor ones) in their pockets, and lust chaste lust maybe, in their hearts. Doc’s had a soda fountain, one,
and, two, a juke box. Where the heck do you think we heard a zillion times all those songs from back then that I keep telling you about? Come on now, smarten up.
And, of course if you have corner boys, even nice corner boys, you have to have a king hell king corner boy. Red, Red Hickey understood that instinctively, and acted on it, whip chain in hand. Other boys in other corners acted on it in that same spirit, although not that crudely. And corner boy king, Doc’s Drugstore corner boy king, Brian Pennington, plaid-shirted king of the soft-core corner boy night acted on that same Red premise. How Brian (“Bri” to most of us) came to be king corner boy is a good story, a good story about how a nowhere guy (a my characterization nowhere guy) used a little influence to get ahead in this wicked old world. Red did it by knocking heads around and was the last man standing, accepting his “crown” from his defeated cronies. Brian took a very different route.
Now I don’t know every detail of his conquest because I only touched the edges of his realm, and of his crowd, as I was moving out of the neighborhood thralldom on to other things, Frankie, Francis Xavier Riley, scribe things. Apparently Doc had a granddaughter, a nice but just then wild granddaughter whom Doc was very fond of as grandfathers will be. And of course he was concerned about the wildness, especially as she was coming of age, and nothing but catnip (and bait) for Red and his corner boys if Doc didn’t step in and bring Brian into the mix. Now, no question, Brian was a sharp dresser of the faux-collegiate type that was just starting to come into its own in that 1960s first minute. This time of the plaid shirts was a wave that spread, and spread quickly, among those kids from working class families that were still pushing forward on the American dream, and maybe encouraging their kids to take college courses at North Adamsville High, and maybe wind up in that burgeoning college scene that everybody kept talking about as the way out.
Brian was no scholar, christ he was no scholar, although he wasn’t a dunce either. At least he had enough sense to see which way things were going, for public consumption anyway and put on this serious schoolboy look. That sold Doc, who had been having conversations with Brian when he came into the drugstore with books in one arm, and a girl on the other. I’ll give you the real low-down sometime about how book-worthy, book-worshipping Brian really was. Let me just relate to you this tidbit for now. One day, one school vacation day, Brian purposefully knocked the books out of my hands that I had borrowed when I was coming out of the Thomas Crane Public Library branch over on Atlantic Avenue (before it moved to Norfolk Downs) and yelled at me, “bookworm.” Like I didn’t know that already. But enough about that because this is about Brian's rise, not mine. Somehow Brian and Lucy, Doc’s granddaughter came together, and without going into all the details that like I said I don’t really know anyway, they hit it off. And see, this is where Brian’s luck really held out, from that point on not only did Brian get to hang his loafer-ed shoe on Doc’s brick wall but he was officially, no questions asked, the king of that corner boy night. That’s how I heard the story and that seems about right because nobody ever challenged him on it, not that I heard.
Now like I mentioned before, Doc’s was a magnet for his juke box-filled soda fountain and that drew a big crowd at times, especially after school when any red-blooded kid, boy or girl, needed to unwind from the pressure-cooker of high school, especially we freshmen who not only had to put up with the carping teachers, but any upper classman who decided, he or she, to prank a frosh. That’s my big connection with Doc’s, that after school minute freshman year, but, and here I am getting my recollections second-hand, Doc’s was also a coming-of-age place for more than music, soft ice cream, and milk shakes. This is also the place where a whole generation of neighborhood boys, and through them, the girls as well had their first taste of alcohol.
How you say? Well, Brian, remember Brian, now no longer with Lucy (she went off to a private finishing school and drifted from the scene) but was still Doc’s boy, Doc’s savior boy, and somehow conned old Doc into giving him his first bottle of booze. Not straight up, after all Brian was underage but Bri said it was, wink, wink, for his grandmother. Now let me explain, in those days in the old neighborhood, and maybe all over, a druggist could, as medicine, sell small bottles of hard liquor out of his shop legally. The standard for getting the prescription wasn’t too high apparently, and it was a neighborhood drugstore and so you could (and this I know from personal experience) tell Doc it was for dear old grandma, and there you have it. Known grandma tee-totalers and their grand kids would be out of the loop on this one but every self-respecting grandma had a “script” with Doc. Now Doc knew, had to know, about this con, no question, because he always had a chuckle on him when this came up. And he had his own Doc standards- no one under sixteen (and he was sharp on that) and no girls. So many a night the corner boys around Doc’s were probably more liquored up that Red and his boys ever were. Nice, right?
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When Billie Ruled The Roost- First Take
He was the first. A certified 1958 A-One prime custom model first. Yes, Billie was the first. Billie, William James Bradley that is if you did not know his full moniker, was the first. No question about it, no controversy, no alternate candidates, no hemming and hawing agonizing about this guy’s attributes or that guy’s style and how they lined up against Billie’s shine in order to pick a winner. No way, get it. Billie, first in what anyway? Billie, first, see, first in line of the then ever sprouting young schoolboy king corner boy wannabes. Wannabes because the weres, the corner boy weres, the already king corner boy weres, the older, mainly not schoolboys or, christ, not for long schoolboys, mainly not working, jesus, mainly not working, mainly just hanging around (laying about was a name for it, a fit name at that) were already playing, really hip-swaying, lazily hip-swaying if you wanted to win games, wizard pinball machines in the sacred corner boy small town mom and pop variety night or cueing up in some smoke-filled big town pool hall.
Or working on hot souped-up cars, a touch of grease pressed, seemingly decaled pressed, into their uniform white tee-shirts (no vee-necks need apply) and always showed, showed an oily speck anyway, on their knuckles. But the cars were to die for, sleek tail-finned, pray to god cherry red if you put the finish on right (no going to some hack paint shop, no way, not for this baby, not for that ’57 Chevy), dual exhaust, big cubic engine numbers that no amateur had a clue to but just knew when sighted that thing would fly (well, almost fly) into the boulevard night, that sea air, sex-charged boulevard night. Tuned-up just right for that cheap gas to make her run, ya, that cheap City Service gas that was even cheaper than the stuff over at the Merit gas station, by two cents.
Or talking some boffo, usually blonde, although not always, maybe a cute rosy red-lipped and haired number or, in a pinch, a soft, sultry, svelte brunette, tight cashmere sweater-wearing, all, Capri pant-wearing, all, honey out of her virtue (or maybe into her virtue) down by the seashore after some carnival-filled night. A night that had been filled with arcade pinball wizardry, cotton candy, salt-water taffy, roller coaster rides, and a few trips in the tunnel of love, maybe win a prize from the wheel of fortune game too. A night capped with a few illicit drinks from some old tom, or johnny, Johnny Walker that is, rotgut to make that talking easier, and that virtue more questionable, into or out of. All while the ocean waves slap innocently against the shore, drowning out the night’s heavy breathed, hard-voiced sighs.
Or, get this, because it tells a lot about the byways and highways of the high-style corner boy steamy black and white 1950s night, preparing, with his boys, his trusted unto death boys, his omerta-sworn boys, no less to do some midnight creep (waylaying some poor bedraggled sap, sidewalk drunk or wrong neighborhooded, with a sap to the head for dough, or going through some back door, and not gently, to grab somebody’s family heirlooms or fungibles, better yet cash on hand) in order to maintain that hot car, cheap gas or not, or hot honey, virtuous or not. Ya, things cost then, as now.
And, ya, in 1958, in hard look 1958, those king hell corner boy weres already sucked up the noteworthy, attention-getting black and white television, black and white newsprint night air. Still the lines were long with candidates and the mom and pop variety store-anchored, soda fountain drugstore-anchored, pizza parlor-anchored, pool hall-anchored corners, such as they were, were plentiful in those pre-dawn mall days. But see that is the point, the point of those long lines of candidates in every burg in the land or, at least became the point, because in 1948, or 1938, or maybe even 1928 nobody gave a rat’s ass, or a damn, about corner boys except to shuffle them out of town on the first Greyhound bus.
Hell, in 1948 they were still in hiding from the war, whatever war it was that they wanted no part of, which might ruin their style, or their dough prospects. They were just getting into those old Nash jalopies, revving them up in the "chicken run" night out in the exotic west coast ocean night. In 1938 you did not need a Greyhound bus coming through your town because these guys were already on the hitchhike road, or were bindled-up in some railroad jungle, or getting cracked over the head by some “bull”, in the great depression whirlwind heading west for adventure, or hard-scrabble work. And in 1928 these hard boys were slugging it out, guns at the ready, in fast, prohibition liquor-load filled cars, and had no time for corners and silly corner pinball wizard games (although maybe they had time for running the rack at Gus’s pool hall, if they lived long enough).
That rarified, formerly subterranean corner boy way of life, was getting inspected, dissected, rejected, everything but neglected once the teen angst, teen alienation wave hit 1950s America. You heard some of the names, or thought you heard some of the names that counted, but they were just showboat celebrities, celebrities inhabiting Cornerboy, Inc. complete with stainless tee-shirt, neatly pressed denim jeans, maybe a smart leather jacket against the weather’s winds, unsmoked, unfiltered cigarettes at the ready, and incurably photogenic faces that every girl mother could love/hate.
Forget that. Down in the trenches, ya, down in the trenches is where the real corner boys lived, and lived without publicity most days, thank you. Guys like Red Hickey, tee-shirted, sure, denim-jeaned, sure, leather-jacketed, sure, chain-smoking (Lucky Strikes, natch), sure, angelic-faced, sure, who waylaid a guy, put him in an ambulance waylaid, just because he was a corner boy king from another cross-town corner who Red thought was trying to move in, or something like that. Or guys like Bruce “The Goose” McNeil, ditto shirted, jeaned, jacketed, smoked (Camels), faced who sneak-thieved his way through half of the old Adamsville houses taking nothing but high-end stuff from the swells. Or No Name McGee, corner boy king of the liquor store clip. Ya, and a hundred other guys, a hundred no name guys, except maybe to the cops, and to their distressed mothers, mainly old-time Irish and Italian novena-praying Catholic mothers, praying against that publicity day, the police blotter publicity day.
But you did not, I say, you did not hear those Hickey, McNeil, No Name stories in the big town newspapers or in some university faculty room when those guys zeroed in on the corner boy game trying to explain, like it was not plain as the naked eye to see, and why, all that angst and alienation. And then tried to tell one and all that corner boy was a phase, a minute thing, that plentiful America had an edge, like every civilized world from time immemorial had, where those who could not adjust, who could not decode the new American night, the odorless American night, the pre-lapsarian American night shifted for themselves in the shadows. Not to worry though it was a phase, just a phase, and these guys too will soon be thinking about that ticky-tack little white house with the picket fence.
Ya, but see, see again, just the talk through the grapevine about such guys as Red, The Goose, No Name, the legendary jewelry store clip artist, Brother Johnson (who set himself apart because he made a point of the fact that he didn’t smoke, smoke cigarettes anyway), and a whole host of guys who made little big names for themselves on the corners was enough to get guys like Billie, and not just primo candidate Billie either, hopped-up on the corner boy game. Ya, the corner boys whose very name uttered, whose very idea of a name uttered, whose very idea of a name thought up in some think-tank academy brain-dust, and whose very existence made a splash later (after it was all over, at least the public, publicity all over, part), excited every project schoolboy, every wrong side of the tracks guy (and it was always guys, babes were just for tangle), every short-cut dreaming boy who could read the day’s newspaper or watch some distended television, or knew someone who did.
And Billie was the first. The star of the Adamsville elementary schoolboy corner boy galaxy. No first among equals, or any such combination like that either, if that is what you are thinking. Alone. Oh sure his right-hand man, Peter Paul Markin, weak-kneed, bookwormy, girl-confused but girl-addled, took a run at Billie but that was seen, except maybe by Peter Paul himself, as a joke. Something to have a warm chuckle over on dreary nights when a laugh could not be squeezed out any other way. See, Peter Paul, as usual, had it all wrong on his figuring stuff. He thought his two thousand facts knowledge about books, and history, and current events, and maybe an off-hand science thing or two entitled, get this, entitled him to the crown. Like merit, or heredity, or whatever drove him to those two thousand facts meant diddly squat against style, and will.
Billie tried to straighten him out, gently at first, with a short comment that a guy who had no denim blue jeans, had no possibility of getting denim blue jeans, and was in any case addicted to black chinos, black cuffed chinos, has no chance of leading anybody, at any time, in anything. Still Peter Paul argued some nonsense about his organizing abilities. Like being able to run a low-rent bake sale for some foolish school trip, or to refurbish the U.S.S. Constitution, counted when real dough, real heist dough, for real adventures was needed. Peter simmered in high-grade pre-teen anguish for a while over that one, more than a while.
Billie and Peter Paul, friends since the first days of first grade, improbably friends on the face of it although Billie’s take on it was that Peter Paul made him laugh with that basketful of facts that he held on to like a king’s ransom, protecting them like they were gold or something, finally had it out one night. No, not a fist fight, see that was not really Billie’s way, not then anyway or at least not in this case, and Peter Paul was useless at fighting, except maybe with feisty paper bags or those blessed facts. Billie, who not only was a king corner contender but a very decent budding singer, rock and roll singer, had just recently lost some local talent show competition to a trio of girls who were doing a doo wop thing. That part was okay, the losing part, such things happen in show biz and even Billie recognized, recognized later, that those girls had be-bopped him with their cover of Eddie, My Love fair and square. Billie, who for that contest was dressed up in a Bill Haley-style jacket made by his mother for the occasion, did the classic Bill Haley and the Comets Rock- Around-The-Clock as his number. About halfway through though one of the arms of his just made suit came flying off. A few seconds later the other arm came off. And the girls, the coterie of Adamsville girls in the audience especially, went crazy. See they thought it was part of the act.
After that, at school and elsewhere, Billie was besieged daily by girls, and not just stick-shaped girls either, who hung off all his arms, if you want to know. And sensitive soul Peter Paul didn’t like that. He didn’t care about the girl part, because as has already been noted, and can be safely placed on golden tablets Peter Paul was plenty girl-confused and girl-addled but girl-smitten in his funny way. What got him in a snit was that Billie was neglecting his corner boy king duty to be on hand with his boys at all available times. Well, this one night the words flew as Billie tired, easily tired, of Peter Paul’s ravings on the subject. And here is the beauty of the thing, the thing that made Billie the king corner boy contender. No fists, no fumings, no forget friendships. Not necessary. Billie just told Peter Paul this- “You can have my cast-offs.” Meaning, of course, the extra girls that Billie didn’t want, or were sticks, or just didn’t appeal to him. “Deal,” cried Peter Paul in a flash. Ya, that was corner boy magic. And you know what? After that Peter Paul became something like Johnson’s Boswell and really started building up Billie as the exemplar corner boy king. Nice work, Billie.
You know Freddie Jackson too took his shots but was strictly out of his league against the Billie. Here it was a question not of facts, or books, or some other cranky thing bought off, bought off easily, by dangling girls in front of a guy a la Peter Paul but of trying to out dance Billie. See Freddie, whatever else his shortcomings, mainly not being very bright and not being able to keep his hands out of his mother’s pocketbook when he needed dough so that he had to stay in many nights, worst many summer nights, could really dance. What Freddie didn’t know, and nobody was going to tell him, nobody, from Peter Paul on down if they wanted to hang with Billie was that Billie had some great dance moves along with that good and growing singing voice. See, Freddie never got to go to the school or church dances and only knew that Billie was an ace singer. But while Freddie was tied to the house he became addicted to American Bandstand and so through osmosis, maybe, got some pretty good moves too.
So at one after-school dance, at a time when Freddie had kept his hands out of his mother’s pocketbook long enough not to be house-bound, he made his big move challenge. He called Billie out. Not loud, not overbearing but everybody knew the score once they saw Freddie’s Eddie Cochran-style suit. The rest of the guys (except Billie, now wearing jeans and tee-shirt when not on stage in local talent contests where such attire got you no where) were in chinos (Peter Paul in black-cuffed chinos, as usual) and white shirts, or some combination like that, so Freddie definitely meant business. Freddie said, “If I beat you at dancing I’m running the gang, okay?” (See corner boys was what those professors and news hawks called them but every neighborhood guy, young or old, knew, knew without question, who led, and who was in, or not in, every, well, gang). Billie, always at the ready when backed up against the wall, said simply, “Deal.” Freddie came out with about five minutes of jitter buggery, Danny and the Juniors At The Hop kind of moves. He got plenty of applause and some moony-eyedness from the younger girls (the stick girls who were always moony-eyed until they were not stick girls any more).
Billie came sauntering out, tee-shirt rolled up, tight jeans staying tight and just started to do the stroll as the song of the same name, The Stroll, came on. Now the stroll is a line dance kind of thing but Billie is out there all by himself and making moves, sexual-ladened moves, although not everybody watching would have known to call them that. And those moves have all the girls, sticks and shapes, kind of glassy-eyed with that look like maybe Billie needed a partner, or something and why not me look. Even Freddie knew he was doomed and took his lost pretty well, although he still had that hankering for mom’s purse that kept him from being a real regular corner boy when Billie got the thing seriously organized.
Funny thing, Lefty Wright, who actually was on the dance floor the night of the Freddie-Billie dance-off, pushed Billie with the Freddie challenge. And Freddie was twenty times a better dancer than Lefty. Needless to say, join the ranks, Lefty. Canny Danny O’Toole (Cool Donna O’Toole’s, a stick flame of Billie’s, early Billie, brother) was a more serious matter but after a couple of actions (actions best left unspecified) he fell in line. Billie, kind of wiry, kind of quick-fisted as it turned out, and not a guy quick to take offense knew, like a lot of wiry guys, how to handle himself without lots of advertising of that fact. He was going to need that fist-skill when the most serious, more serious than the Canny Danny situation came up. And it did with Badass Bobby Riley, Badass was a known quality, but he was a year older than the others and everybody knew was a certified psychopath who eventually drifted out of sight. Although not before swearing his fealty to Billie. After taking a Billie, a wiry Billie, beating the details of which also need no going into now. And there were probably others who stepped up for a minute, or who didn’t stay long enough to test their metal. Loosey Goosey Hughes, Butternut Walsh, Jimmy Riley (no relation to Badass), Five Fingers Kelly, Kenny Ricco, Billy Bruno, and on and on.
But such was the way of Billie’s existence. He drew a fair share of breaks, for a project kid, got some notice for his singing although not enough to satisfy his huge hunger, his way out, he way out of the projects, projects that had his name written all over them(and the rest of his boys too). And then he didn’t draw some breaks after a while, got known as a hard boy, a hard corner boy when corner boy was going out of style and also his bluesy rockabilly singing style was getting crushed by clean-cut, no hassle, no hell-raising boy boys. And then he started drawing to an outside straight, first a couple frame juvenile clip busts, amid the dreaded publicity, the Roman Catholic mother novena dread publicity, police blottered. Then a couple of house break-ins, taking fall guy lumps for a couple of older, harder corner boys who could make him a fall guy then, as he would others when his turn came. All that was later, a couple of years later. But no question in 1958, especially the summer of 1958 when such things took on a decisive quality, Billie, and for one last time, that’s William James Bradley, in case anyone reading needs the name to look up for the historical record was Billie's time. Ya, 1958, Billie, ah, William James Bradley, and corner boy king.
Funny, as you know, or you should know, corner boys usually gain their fleeting fame from actually hanging around corners, corner mom and pop variety stores, corner pizza parlors, corner pool halls, corner bowling alleys, corner pinball wizard arcades, becoming fixtures at said corners and maybe passing on to old age and social security check collection at said corner. Or maybe not passing to old age but to memory, memory kid’s memory. But feature this, in Billie’s great domain, his great be-bop night kingship, and in his various defenses of his realm against smart guys and stups alike, he never saw so much as a corner corner to rest his laurels on. And not because he did not know that proper etiquette in such matters required some formal corner to hang at but for the sheer, unadulterated fact that no such corner existed in his old-fashioned housing project (now old-fashioned anyway because they make such places differently today), his home base.
See, the guys who made the projects “forgot” that, down and out or not, people need at least a mom and pop variety store to shop at, or nowadays maybe a strip mall, just like everybody else. But none was ever brought into the place and so the closest corner, mom and pop corner anyway, was a couple of miles away up the road. But that place was held by a crowd of older corner boys whose leader, from what was said, would have had Billie for lunch (and did in the end).
But see here is where a guy like Billie got his corner boy franchise anyway. In a place where there are no corners to be king of the corner boy night there needs to be a certain ingenuity and that is where “His Honor” held forth. Why not the back of the old schoolhouse? Well, not so old really because in that mad post-World War II boom night (no pun intended), schools, particularly convenient elementary schools even for projects
kids were outracing the boomers. So the school itself was not old but the height of 1950s high-style, functional public building brick and glass. Boxed, of course, building-boxed, classroom-boxed, gym-boxed, library-ditto boxed. No cafeteria-boxed, none necessary reflecting, oddly, walk to school, walk home for lunch, stay-at-home mom childhood culture even in public assistance housing world. And this for women who could have, if they could have stood the gaff from neighbor wives, family wives, society wives screamed to high heaven for work, money work. That was Billie world too, Billie day world. Billie September to June world.
But come dusk, summer dusk best of all, Billie ruled the back end of the school, the quiet unobserved end of the school, the part near the old sailors’ graveyard, placed there to handle the tired old sailors who had finished up residing at the nearby but then no longer used Old Sailors’ Rest Home built for those who roamed the seven seas, the inlet bays, and whatever other water allowed you to hang in the ancient sailors’ world. There Billie held forth, Peter Paul almost always at hand, seeking, always seeking refuge from his hellfire home thrashings. Canny Danny, regularly, same with Lefty and Freddie (when not grounded), and Bobby while he was around. And other guys, other unnamed, maybe unnamable guys who spent a minute in the Billie night. Doing? Ya, just doing some low murmur talking, most nights, mostly some listening to Billie dreams, Billie plans, Billie escape route. All sounding probable, all wistful once you heard about it later. All very easy, all very respectful, in back of that old school unless some old nag of a neighbor, fearful that the low murmur spoke of unknown, unknowable conspiracies against person, against the day, hell, even against the night. Then the cops were summoned. But mainly not.
And then as dusk turned to dark and maybe a moon, an earth moon (who knew then, without telescope, maybe a man-made moon), that soft talk, that soft night talk, turned to a low song throat sound as Billie revved up his voice to some tune his maddened brain caught on his transistor radio (bought fair and square up at the Radio Shack so don’t get all huffy about it). Say maybe Frankie Lymon and The Teenagers Why Do Fools Fall In Love? and then the other ragamuffins would do harmony. Ya, that was twelve, maybe thirteen year old night, most nights, the nights of no rough stuff, the nights of dreams, maybe. But like some ancient siren call that sound penetrated to the depths of the projects and soon a couple of girls, yes, girls, twelve and thirteen year old girls, what do you expect, stick girls and starting shape girls, would hover nearby, maybe fifty yards away but the electricity was in the air, and those hardly made out forms drove Billie and his choir corner boys on. Maybe Elvis’ One Night as a come on. Then a couple more girls, yes, twelve and thirteen year old girls, have you been paying attention, sticks and starting shapes, join those others quietly swaying to the tempo. A few more songs, a few more girls, girls coming closer. Break time. Girl meet boy. Boy meet girl. Hell, even Peter Paul got lucky this night with one of Billie’s stick rejects. And as that moon turned its shades out and the air was fragrance with nature’s marshlands sea air smells and girls’ fresh soap smells and boys’ anxiety smells the Billie corner boy wannabe world seemed not so bad. Ya, 1958 was Billie’s year. Got it.
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When Frankie Was A Corner Boy King Of The North Adamsville Night
Pallid Peter Paul Markin, no way, two thousand facts bundled up and at hand or not. Nix "Fingers" Kelly (formerly known as "Five Fingers" Kelly but he gave that up and went respectable), "High Boy" McNamara (and no, not in the post-drug world that kind of high, the other older one), "Jumpin’ Johnny" O’Connor (and do not, please do not, ask what he was jumping, or trying to) as well. Hell, double nix no nickname Benny Brady, "Billy Bop" O’Brian (and do not, ditto Johnny O’Connor, ask what he bopped, or tried to), Ricardo Ricco, "Timid Timmy" McPartlin and a bunch of other, no name, guys who passed, passed fast, through the be-bop Salducci’s Pizza Parlor schoolboy night. No question, no question at all though that the king hell corner boy king of the early 1960s North Adamsville schoolboy night was one Frankie, Francis Xavier Riley, and no other. And here is why.
In a recent series of entries that formed of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time, it was noted that there had been about a thousand truck stop diner stories left over from those old hitchhike road days. On reflection though, this writer realized that there really had been about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).
Ya, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.
More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our high school days. It’s that story, that drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.
And who was Frankie? Frankie of a thousand stories, Frankie of a thousand treacheries, Frankie of a thousand kindnesses, and, oh ya, Frankie, my bosom friend in high school. Well let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.
Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.
But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want, I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.
Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom. What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way. But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls that's girls. Okay?)
As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.
Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Some times people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.
Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.
So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape, please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you call, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.
But here is where it all comes together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).
And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungareed, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to "the connected" or not, not every young tough in any working class town, not having studied, and studied hard, the sociology of the town, is going to know that some young Irish punk, one kind of "beatnik' Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney is going to know that said pizza parlor owner and its “king”, king hell king, are tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hits the fore. But they learn, and learn fast.
Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before is strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.
So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (its getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet me so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (ya, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.
Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (ya, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking, I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.
We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy like a loon.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise, producing all their hopeless hubris, swirling all around just to stay in one place. Yes, now fifty years later it is easy to dismiss those guys, write them off as losers, wannabe somethings, and guys to turn your back to but there was a time, a time day and night, when they, the corner boys, ruled, ruled my imagination, and, and almost caught me in their fix. Oh, for those who are clueless on the great stream corner boy night that probably no longer exists except in wayward urban ghetto/barrio corners, or some mall-less hick small town this was the mode of existence for guys, working class guys, with no dough, no hopes of getting dough (getting dough legally anyway), or maybe, just plain not wanting to work for dough like drudge fathers, uncles and older brothers and hang out in the mom and pop variety store, drugstore, pizza parlor, bowling alley corner waiting,… ya, mainly waiting.
You will get it all wrong if you think though it was all waiting, sipping Coke waiting, smoking some endless cigarette smoke waiting, white tee-shirt, (a leather jacket against the wind on colder nights), jeans, engineer boots, wide black-buckled belts, maybe a chain handing down. The uniform, or else.
You will get it all wrong because you will have missed the patter, the constant patter, the dream patter that animated those sidewalk nights, those dreams, pipe-dreams maybe, of jail-break out working class life, of moving “uptown” one way or another. You would have heard such talk if you walked by Harry’s Variety on any given night, some guy taking a pinball wizard break to tell how his luck is going to change any day now. Or leader Red, Red Hickey, mapping out the night’s midnight creep work, shortcut to the good life work, at least to keep the heap running and honey in clover. Of cars, stolen or refinished, mainly stolen. Ya, and talk of sex, of what this girl would do and that one wouldn’t, and why to go with those cars. A rough crowd not to be trifled with for certain, but from the edges fascinating to watch, and learn about some stuff, some stuff never mentioned at home.
Or, on other corners, the gang around Doc’s Drugstore, a place where all the neighborhood boys, all the sixteen year old boys, and maybe some girls too, all the plaid-shirted, black-chinoed, “cool”, max daddies came of drinking age, for medicinal purposes of course. They could tell of magic elixirs from rums and raw whiskies, and confess, yes, confess that that whisky taste was nasty.
Or, on earlier, easier corners, really not corners, but the back of old Adamsville South Elementary School, when Billie Bradley would wind us up, a few wayward boys with dreams, musical dreams, Elvis riches dreams, and begin to sing in a low voice, then a little higher and we would back him up, drawing, drawing like lemmings from the sea, girls, stick girls and shapes, but girls and that was dream enough for twelve year old boys with wanderlust, or maybe just lust in their hearts
Or, even holy of holies, Salducci’s Pizza Parlor up the Downs when Frankie, Francis Xavier Riley, was king of the night (and a few days too) and I was his lord chamberlain. Maybe he'd tell us of some pizza dough secrets, or how to snag a girl with just the right jukebox combination. But no, no one has come forth to spew their whitewashed stories almost a half a century later so I must tell the tales. Probably, on some of the stuff, some of the kiddish schoolboy night stuff, those old corner boys don’t realize that the statue of limitations ran out, and ran out long ago. But that’s not my problem.
Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise. Ah.
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Harry's Variety Store
Riding down the old neighborhood streets a while back, the old North Adamsville working class streets, streets dotted with triple-deckers housing multiple families along with close-quarter, small cottage-sized single family houses like the one of my own growing to manhood time. Houses, moreover, that reflected, no exclaimed right to their tiny rooftops, that seemingly eternal overweening desire to have, small or not, worth the trouble or not, something of one’s own against the otherwise endless servitude of days. Suddenly, coming to an intersection, I was startled, no, more than that I was forced into a double-take, by the sight of some guys, some teenage guys hanging, hanging hard, one foot on the ground the other bent holding up the infernal brick wall that spoke of practice and marking one’s territory, against the oncoming night in front of an old time variety store, a mom and pop variety from some extinct times before the 7/11 chain store, fast shop, no room for corner boys, police take notice, dark night. Memory called it Kelly’s, today Kim’s. From the look of them, baggy-panted, latest fashion footwear name sneakered, baseball cap-headed, all items marked, marked with the insignia (secretly, and with no hope of outside decoding) signifying their "homeboy" associations (I would say gang, but that word is charged these days and this is not exactly what it looked like, at least to the public eye, my public eye) they could be the grandsons, probably not biological because these kids were almost all Asians speckled with a couple of Irish-lookers, shanty Irish-lookers, of the ghost be-bop night guys that held me in thrall in those misty early 1960s times.
Ya, that tableau, that time-etched scene, got me to thinking of some long lost comrades of the schoolboy night like the hang-around guys in front of Harry’s Variety, although comrades might not be the right word because I was just some punk young kid trying to be a wannabe, or half-wannabe, corner boy and they had no time for punk kids and later when I came of age I had no time for corner boys. Ya, that scene got me to thinking of the old time corner boys who ruled the whole wide North Adamsville night (and day for those who didn’t work or go to school, which was quite a few on certain days, becasue most of theses guys were between sixteen and their early twenties with very jittery school and work histroies better left unspoken, or else). Ya, got me thinking about where the white tee-shirted, blue-jeaned, engineer-booted, cigarette-smoking, unfiltered of course, sneering, soda-swilling, Coke, naturally, pinball wizards held forth daily and nightly, and let me cadge a few odd games when they had more important business, more important girl business, to attend to.
Ya, I got to thinking too about Harry’s, old Harry’s Variety over there near my grandmother’s house, over there in that block on Sagamore Street where the Irish workingman’s whiskey-drinking (with a beer chaser), fist-fighting, sports-betting after a hard day’s work Dublin Grille was. Harry’s was on the corner of that block. Now if you have some image, some quirky, sentimental image, of Harry’s as being run by an up-and-coming just arrived immigrant guy, maybe with a big family, trying to make this neighborhood store thing work so he can take in, take in vicariously anyway, the American dream like you see running such places now forget it. Harry’s was nothing but a “front.” Old Harry, Harry O’Toole, now long gone, was nothing but the neighborhood “bookie” known far and wide to one and all as such. Even the cops would pull up in their squad cars to place their bets, laughingly, with Harry in the days before state became the bookie-of-choice for most bettors. And he had his “book”, his precious penciled-notation book right out on the counter. But see punk kid me, even then just a little too book-unworldly didn’t pick up on that fact until, old grandmother, jesus, grandmother “hipped” me to it.
Until then I didn’t think anything of the fact that Harry had about three dust-laden cans of soup, two dust-laden cans of beans, a couple of loaves of bread (Wonder Bread, if you want to know) on his dust-laden shelves, a few old quarts of milk and an ice chest full of tonic (now called soda, even by New Englanders) and a few other odds and ends that did not, under any theory of economics, capitalist or Marxist, add up to a thriving business ethos. Unless, of course, something else was going on. But what drew me to Harry’s was not that stuff anyway. What drew me to Harry’s was, one, his pin ball machine complete with corner boy players and their corner boy ways, and, two, his huge Coca Cola ice chest (now sold as antique curiosities for much money at big-time flea markets and other venues) filled with ice cold, cold tonics (see above), especially the local Robb’s Root Beer that I was practically addicted to in those days (and that Harry, kind-hearted Harry, stocked for me).
Many an afternoon, a summer’s afternoon for sure, or an occasional early night, I would sip, sip hard on my Robb’s and watch the corner boys play, no sway, sway just right, with that sweet pinball machine, that pin ball machine with the bosomy, lusty-looking, cleavage-showing women pictured on the top glass frame of the machine practically inviting you, and only you the player, on to some secret place if you just put in enough coins. Of course, like many dream-things what those lusty dames really gave you, only you the player, was maybe a few free games. Teasers, right. But I had to just watch at first because I was too young (you had to be sixteen to play) , however, every once in a while, one of the corner boys who didn’t want to just gouge out my eyes for not being a corner boy, would let me cadge a game while Harry was not looking. When you think about it though, now anyway, Harry was so “connected” (and you know what I mean by that) what the hell did he care if some underage kid, punk kid, cadged a few games and looked at those bosomy babes in the frame.
Ya, and thinking about Harry’s automatically got me thinking about Daniel (nobody ever called him that, ever) “Red” Hickey, the boss king of my schoolboy night at Harry’s. Red, the guy who set the rules, set the style, hell, set the breathing, allowed or not and when, of the place. I don’t know if he went to some corner boy school to learn his trade but he was the be-bop daddy (at least all the girls, all the hanging all over him girls, called him that) because he, except for one incident that I will relate below, ruled unchallenged with an iron fist. At least I never saw his regular corner boys Spike, Lenny, Shawn, Ward, Goof (yes, that was his name the only name I knew him by, and he liked it), Bop (real name William) or the Clipper (real name Kenny, the arch-petty Woolworth’s thief of the group hence the name) challenge him, or want to.
Ya, Red, old red-headed Red was tough alright, and has a pretty good-sized built but that was not what kept the others in line. It was a certain look he had, a certain look that if I went into describing it now I would get way overboard into describing it as some stone-cold killer look, some psycho-killer look but that would be wrong because it didn’t show that way. But that was what it was. Maybe I had better put it this way. Tommy Thunder, older brother of my middle school and high school best friend and a corner boy king in his own right, Frankie, Francis Xavier Riley, a big bruiser of a legendary North Adamsville football player and human wrecking machine who lived a few doors up from Harry’s went out of his way not to go near the place. Ya, Red was that tough.
See, he was like some general, or colonel or something, an officer at least, and besides being tough, he would “inspect” his troops to see that all and sundry had their “uniform” right. White tee-shirt, full-necked, no vee-neck sissy stuff, no muscle shirt half-naked stuff, straight 100% cotton, American-cottoned, American-textiled, American-produced, ironed, mother-ironed I am sure, crisp. One time Goof (sorry that’s all I knew him by, really) had a wrinkled shirt on and Red marched him up the street to his triple-decker cold-water walk-up flat and berated, berated out loud for all to hear, Goof’s mother for letting him out of the house like that. And Red, old Red like all Irish guys sanctified mothers, at least in public, so you can see he meant business on the keeping the uniform right question.
And like some James Dean or Marlon Brando tough guy photo, some motorcycle disdainful, sneering guy photo, each white tee-shirt, or the right sleeve of each white tee-shirt anyway, was rolled up to provide a place, a safe haven, for the ubiquitous package of cigarettes, matches inserted inside its cellophane outer wrapping, Luckies, Chesterfields, Camels, Pall Malls, all unfiltered in defiance of the then beginning incessant cancer drumbeat warnings, for the day’s show of manliness smoking pleasures.
And blue jeans, tight fit, no this scrub-washed, fake-worn stuff, but worn and then discarded worn. No chinos, no punk kid, maybe faux "beatnik," black chinos, un-cuffed, or cuffed like I wore, and Frankie, Francis Xavier Riley, king of the faux beatnik middle school night, including among his devotees this little too bookish writer, who was as tough a general, colonel, or some officer anyway, as corner boy Red was with his guys. Frankie example: no cuffs on those black chinos, stay home, or go elsewhere, if you are cuffed. Same kingly manner, right? Corner boys blue-jeaned and wide black-belted, black always, black-belt used as a handy weapon for that off-hand street fight that might erupt out of nowhere, for no reason, or many. Maybe a heavy-duty watch chain, also war-worthy, dangly down from those jeans. Boots, engineer boots, black and buckled, worn summer or winter, heavy, heavy-heeled, spit-shined, another piece of the modern armor for street fight nights. Inspection completed the night’s work lies ahead.
And most nights work, seemingly glamorous to little too bookish eyes at the time, was holding up some corner of the brick wall in front or on the side of Harry’s Variety with those engineer boots, one firmly on the ground the other bent against the wall, small talk, small low-tone talk between comrades waiting, waiting for… Or just waiting for their turn at that Harry luscious ladies pictured pinball machine. Protocol, strictly observed, required “General Red” to have first coin in the machine. But see old Red was the master swayer with that damn machine and would rack up free games galore so, usually, he was on that thing for a while.
Hey, Red was so good, although this is not strictly part of the story, that he could have one of his several honeys right in front of him on the machine pressing some buttons and he behind pressing some other buttons Red swaying and his Capri-panted honey, usually some blond, real or imagined, swaying, and eyes glazing, but I better let off with that description right now, because like I said it was strictly speaking not part of the story. What is part of the story is that Red, when he was in the mood or just bored, or had some business, some girl business, maybe that blond, real or imagined, just mentioned business would after I had been hanging around a while, and he thought I was okay, give me his leftover free games.
Now that was the “innocent” part of Red, the swaying pinball wizard, girl-swaying, inspector general part. But see if you want to be king of the corner boy night you have to show your metal once in a while, if for no other reason than the corner boys, the old time North Adamsville corner boys might be just a little forgetful of who the king hell corner boy was, or as I will describe, some other corner boy king of some other variety store night might show up to see what was what. Now I must have watched the Harry’s corner boy scene for a couple of years, maybe three, the last part just off and on, but I only remember once when I saw Red show “his colors.” Some guy from Adamsville, some tough-looking guy who, no question, was a corner boy just stopped at Harry’s after tipping a couple, or twenty, at the Dublin Grille. He must have said something to Red, or maybe Red just knew instinctively that he had to show his colors, but all of a sudden these two are chain-whipping each other. No, that’s not quite right, Red is wailing, flailing, nailing, chain-whipping this other guy mercilessly, worst, if that is possible. The guy, after a few minutes, was left in a pool of blood on the street, ambulance ready. And Red just walked way, just kind of sauntering away.
Of course that is not the end of the Red story. Needless to say, no work, no wanna work Red had to have coin, dough, not just for the pinball machine, cigarettes, and soda, hell, that was nothing. But for the up-keep on his Chevy (Chevvies then being the “boss” car, and not just among corner boys either), and that stream of ever-loving blond honeys, real or imagined, he escorted into the seashore night. So said corner boys did their midnight creep around the area grabbing this and that to bring in a little dough. Eventually Red “graduated” to armed robberies when the overhead grew too much for little midnight creeps, and graduated to one of the branches of the state pen, more than once. Strangely, his end came, although I only heard about this second hand, after a shoot-out with the cops down South after he tried to rob some White Hen convenience store. There is some kind of moral there, although I will be damned if I can figure it out. Red, thanks for those free games though.
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Doc's Drugstore
It wasn’t all be-bop night, rock ‘n’ roll sock hop, midnight drifter, midnight sifter, low-rider, hard-boiled corner boy 1950s life in old down and out working class dregs North Adamsville. Not at all. But a lot of it was, a lot that bespoke of the early phases of American deindustrialization, although we would not have called that then, if we had been aware of it even, with the demise of the local mainstay ship building ad its associated industries, great world war warship shipbuilding and then later gigantic oil tankers and then, then nothing, maybe a sailboat, or a row boat for all I know, I just don’t know more, or why.
All I know, or at least all that I know from what I heard my father, and other fathers say, was that that industry was the life’s blood of getting ahead, ahead in the 1950s life in that beat down, beat up, beat thirteen ways to Sunday town (ya, I know it is only six but it sure did seem like thirteen on some hard father unemployed days). And so low-rider, hard-boiled corner boy, the easy life of pinball wizardry, dime store lurid magazines, slow-drinking Cokes (or Pepsis, but make mine local Robb’s Root Beer), draped around mascara-eyed, heavy form-filled girls, and the occasional armed robbery to break up the day, and bring in some much needed dough held a higher place that it might have, and almost certainly would in some new town West.
But what was a guy to do if to get out of the house, get away from ma’s nagging (and it was almost always ma, every ma house in those days), siblings heckling, and just breathe in some fresh air, some fresh be-bop rock corner boy air, if at all possible.
See, this is way before mall rat-dom came into fashion since the nearest mall was way too far away to drag yourself to, and it also meant traveling through other corner boy, other maybe not friendly corner boy lands. So if you didn’t want to tie yourself down to some heavy felony on some soft misty, foggy better, night by hanging around tough corner boy, Red Hickey-ruled Harry’s Variety, or your tastes did not run to trying to cadge some pinball games from those same toughs, or you were too young, too innocent, too poor, too car-less or too ragamuffiny for those form-filled, Capri-panted girls with their haunting black mascara eyes then you had to hang somewhere else, and Doc’s, ya, Doc’s Drugstore is where you hung out in the more innocent section of that be-bop 1950s night.
Wait a minute I just realized that I had better explain, and do it fast before you get the wrong idea, that I am not talking about some CVS, Rite-Aid, or Osco chain-linked, no soliciting, no trespassing, no loitering, police take notice, run in and run out with your fistful of drugs, legal drugs, places. Or run in for some notions or sundries, whatever they are. No way, no way in hell would you want to hang out where old-timers like your mothers and fathers and grandparents went to help them get well.
No this was Doc’s, Doc-owned (ya, Doc, Doc Adams, I think, or I think somebody told me once that he was part of some branch of that Adams crowd, the presidential Adams crowd that used to be big wheels in the town), Doc-operated, and Doc-ruled. And Doc let, unless it got too crazy, kids, ordinary kids, not hard-boiled white tee-shirted corner boys but plaid-shirted, chino pant-wearing (no I am not going to go on and on about the cuffs, no cuffs controversy, okay, so keep reading), maybe loafers (no, inserted pennies, please, and no, no, no, Thom McAn’s), a windbreaker against some ocean-blown windy night on such nights, put their mark on the side walls, the side brick walls of his establishment. And let the denizens of the Doc night (not too late night either) put as will every self-respecting corner boy, tee-shirted or plaid, make his mark by standing, one loafer-shod foot on the ground, and the other knee-bent against the brick wall holding Doc’s place together. True-corner boydom. Classic pose, classic memory pose.
And see, Doc, kindly, maybe slightly mad Doc, and now that I think about it slightly girl-crazy himself maybe, let girls, girls even hang against the wall. Old Harry’s Variety Red Hickey would have shot one of his girls in the foot if they ever tried that stunt. Girls were to be draped, preferably draped around Red not around Harry’s wall, brick or not. Now, after what I just described you know that you’re into a new age night because no way Harry, and definitely not Red (Daniel, don’t ever call him that though) Hickey, king hell king of the low-rider night that I told you about before, just a couple minutes ago would let some blond, real or imagined, Capri-panted, cashmere swearing wearing (tight, very tight cashmere sweater-wearing, if you didn’t know), boffed, bimbo (ouch, but that is what we called them, so be it) stand around his corner even. Dames (better, right) were for hot-rod Chevy, hard-driving, low-riding sitting on the seat next to, and other stuff. But plaid-shirted guys (loafer-shod) liked, do you hear me Red and Harry, liked having girls hanging with them to while away the be-bop hard night corner boy lands.
And before you even ask, Doc’s had not pinball machine and no pinball wizards (as far as I remember, although a couple of guys and a girl were crackerjack bowlers). But see, Doc’s had the things that mattered, mattered for plaid-shirted guys with a little dough (their allowances, no snickering please for any hard-boiled readers, or poor ones) in their pockets, and lust chaste lust maybe, in their hearts. Doc’s had a soda fountain, one,
and, two, a juke box. Where the heck do you think we heard a zillion times all those songs from back then that I keep telling you about? Come on now, smarten up.
And, of course if you have corner boys, even nice corner boys, you have to have a king hell king corner boy. Red, Red Hickey understood that instinctively, and acted on it, whip chain in hand. Other boys in other corners acted on it in that same spirit, although not that crudely. And corner boy king, Doc’s Drugstore corner boy king, Brian Pennington, plaid-shirted king of the soft-core corner boy night acted on that same Red premise. How Brian (“Bri” to most of us) came to be king corner boy is a good story, a good story about how a nowhere guy (a my characterization nowhere guy) used a little influence to get ahead in this wicked old world. Red did it by knocking heads around and was the last man standing, accepting his “crown” from his defeated cronies. Brian took a very different route.
Now I don’t know every detail of his conquest because I only touched the edges of his realm, and of his crowd, as I was moving out of the neighborhood thralldom on to other things, Frankie, Francis Xavier Riley, scribe things. Apparently Doc had a granddaughter, a nice but just then wild granddaughter whom Doc was very fond of as grandfathers will be. And of course he was concerned about the wildness, especially as she was coming of age, and nothing but catnip (and bait) for Red and his corner boys if Doc didn’t step in and bring Brian into the mix. Now, no question, Brian was a sharp dresser of the faux-collegiate type that was just starting to come into its own in that 1960s first minute. This time of the plaid shirts was a wave that spread, and spread quickly, among those kids from working class families that were still pushing forward on the American dream, and maybe encouraging their kids to take college courses at North Adamsville High, and maybe wind up in that burgeoning college scene that everybody kept talking about as the way out.
Brian was no scholar, christ he was no scholar, although he wasn’t a dunce either. At least he had enough sense to see which way things were going, for public consumption anyway and put on this serious schoolboy look. That sold Doc, who had been having conversations with Brian when he came into the drugstore with books in one arm, and a girl on the other. I’ll give you the real low-down sometime about how book-worthy, book-worshipping Brian really was. Let me just relate to you this tidbit for now. One day, one school vacation day, Brian purposefully knocked the books out of my hands that I had borrowed when I was coming out of the Thomas Crane Public Library branch over on Atlantic Avenue (before it moved to Norfolk Downs) and yelled at me, “bookworm.” Like I didn’t know that already. But enough about that because this is about Brian's rise, not mine. Somehow Brian and Lucy, Doc’s granddaughter came together, and without going into all the details that like I said I don’t really know anyway, they hit it off. And see, this is where Brian’s luck really held out, from that point on not only did Brian get to hang his loafer-ed shoe on Doc’s brick wall but he was officially, no questions asked, the king of that corner boy night. That’s how I heard the story and that seems about right because nobody ever challenged him on it, not that I heard.
Now like I mentioned before, Doc’s was a magnet for his juke box-filled soda fountain and that drew a big crowd at times, especially after school when any red-blooded kid, boy or girl, needed to unwind from the pressure-cooker of high school, especially we freshmen who not only had to put up with the carping teachers, but any upper classman who decided, he or she, to prank a frosh. That’s my big connection with Doc’s, that after school minute freshman year, but, and here I am getting my recollections second-hand, Doc’s was also a coming-of-age place for more than music, soft ice cream, and milk shakes. This is also the place where a whole generation of neighborhood boys, and through them, the girls as well had their first taste of alcohol.
How you say? Well, Brian, remember Brian, now no longer with Lucy (she went off to a private finishing school and drifted from the scene) but was still Doc’s boy, Doc’s savior boy, and somehow conned old Doc into giving him his first bottle of booze. Not straight up, after all Brian was underage but Bri said it was, wink, wink, for his grandmother. Now let me explain, in those days in the old neighborhood, and maybe all over, a druggist could, as medicine, sell small bottles of hard liquor out of his shop legally. The standard for getting the prescription wasn’t too high apparently, and it was a neighborhood drugstore and so you could (and this I know from personal experience) tell Doc it was for dear old grandma, and there you have it. Known grandma tee-totalers and their grand kids would be out of the loop on this one but every self-respecting grandma had a “script” with Doc. Now Doc knew, had to know, about this con, no question, because he always had a chuckle on him when this came up. And he had his own Doc standards- no one under sixteen (and he was sharp on that) and no girls. So many a night the corner boys around Doc’s were probably more liquored up that Red and his boys ever were. Nice, right?
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When Billie Ruled The Roost- First Take
He was the first. A certified 1958 A-One prime custom model first. Yes, Billie was the first. Billie, William James Bradley that is if you did not know his full moniker, was the first. No question about it, no controversy, no alternate candidates, no hemming and hawing agonizing about this guy’s attributes or that guy’s style and how they lined up against Billie’s shine in order to pick a winner. No way, get it. Billie, first in what anyway? Billie, first, see, first in line of the then ever sprouting young schoolboy king corner boy wannabes. Wannabes because the weres, the corner boy weres, the already king corner boy weres, the older, mainly not schoolboys or, christ, not for long schoolboys, mainly not working, jesus, mainly not working, mainly just hanging around (laying about was a name for it, a fit name at that) were already playing, really hip-swaying, lazily hip-swaying if you wanted to win games, wizard pinball machines in the sacred corner boy small town mom and pop variety night or cueing up in some smoke-filled big town pool hall.
Or working on hot souped-up cars, a touch of grease pressed, seemingly decaled pressed, into their uniform white tee-shirts (no vee-necks need apply) and always showed, showed an oily speck anyway, on their knuckles. But the cars were to die for, sleek tail-finned, pray to god cherry red if you put the finish on right (no going to some hack paint shop, no way, not for this baby, not for that ’57 Chevy), dual exhaust, big cubic engine numbers that no amateur had a clue to but just knew when sighted that thing would fly (well, almost fly) into the boulevard night, that sea air, sex-charged boulevard night. Tuned-up just right for that cheap gas to make her run, ya, that cheap City Service gas that was even cheaper than the stuff over at the Merit gas station, by two cents.
Or talking some boffo, usually blonde, although not always, maybe a cute rosy red-lipped and haired number or, in a pinch, a soft, sultry, svelte brunette, tight cashmere sweater-wearing, all, Capri pant-wearing, all, honey out of her virtue (or maybe into her virtue) down by the seashore after some carnival-filled night. A night that had been filled with arcade pinball wizardry, cotton candy, salt-water taffy, roller coaster rides, and a few trips in the tunnel of love, maybe win a prize from the wheel of fortune game too. A night capped with a few illicit drinks from some old tom, or johnny, Johnny Walker that is, rotgut to make that talking easier, and that virtue more questionable, into or out of. All while the ocean waves slap innocently against the shore, drowning out the night’s heavy breathed, hard-voiced sighs.
Or, get this, because it tells a lot about the byways and highways of the high-style corner boy steamy black and white 1950s night, preparing, with his boys, his trusted unto death boys, his omerta-sworn boys, no less to do some midnight creep (waylaying some poor bedraggled sap, sidewalk drunk or wrong neighborhooded, with a sap to the head for dough, or going through some back door, and not gently, to grab somebody’s family heirlooms or fungibles, better yet cash on hand) in order to maintain that hot car, cheap gas or not, or hot honey, virtuous or not. Ya, things cost then, as now.
And, ya, in 1958, in hard look 1958, those king hell corner boy weres already sucked up the noteworthy, attention-getting black and white television, black and white newsprint night air. Still the lines were long with candidates and the mom and pop variety store-anchored, soda fountain drugstore-anchored, pizza parlor-anchored, pool hall-anchored corners, such as they were, were plentiful in those pre-dawn mall days. But see that is the point, the point of those long lines of candidates in every burg in the land or, at least became the point, because in 1948, or 1938, or maybe even 1928 nobody gave a rat’s ass, or a damn, about corner boys except to shuffle them out of town on the first Greyhound bus.
Hell, in 1948 they were still in hiding from the war, whatever war it was that they wanted no part of, which might ruin their style, or their dough prospects. They were just getting into those old Nash jalopies, revving them up in the "chicken run" night out in the exotic west coast ocean night. In 1938 you did not need a Greyhound bus coming through your town because these guys were already on the hitchhike road, or were bindled-up in some railroad jungle, or getting cracked over the head by some “bull”, in the great depression whirlwind heading west for adventure, or hard-scrabble work. And in 1928 these hard boys were slugging it out, guns at the ready, in fast, prohibition liquor-load filled cars, and had no time for corners and silly corner pinball wizard games (although maybe they had time for running the rack at Gus’s pool hall, if they lived long enough).
That rarified, formerly subterranean corner boy way of life, was getting inspected, dissected, rejected, everything but neglected once the teen angst, teen alienation wave hit 1950s America. You heard some of the names, or thought you heard some of the names that counted, but they were just showboat celebrities, celebrities inhabiting Cornerboy, Inc. complete with stainless tee-shirt, neatly pressed denim jeans, maybe a smart leather jacket against the weather’s winds, unsmoked, unfiltered cigarettes at the ready, and incurably photogenic faces that every girl mother could love/hate.
Forget that. Down in the trenches, ya, down in the trenches is where the real corner boys lived, and lived without publicity most days, thank you. Guys like Red Hickey, tee-shirted, sure, denim-jeaned, sure, leather-jacketed, sure, chain-smoking (Lucky Strikes, natch), sure, angelic-faced, sure, who waylaid a guy, put him in an ambulance waylaid, just because he was a corner boy king from another cross-town corner who Red thought was trying to move in, or something like that. Or guys like Bruce “The Goose” McNeil, ditto shirted, jeaned, jacketed, smoked (Camels), faced who sneak-thieved his way through half of the old Adamsville houses taking nothing but high-end stuff from the swells. Or No Name McGee, corner boy king of the liquor store clip. Ya, and a hundred other guys, a hundred no name guys, except maybe to the cops, and to their distressed mothers, mainly old-time Irish and Italian novena-praying Catholic mothers, praying against that publicity day, the police blotter publicity day.
But you did not, I say, you did not hear those Hickey, McNeil, No Name stories in the big town newspapers or in some university faculty room when those guys zeroed in on the corner boy game trying to explain, like it was not plain as the naked eye to see, and why, all that angst and alienation. And then tried to tell one and all that corner boy was a phase, a minute thing, that plentiful America had an edge, like every civilized world from time immemorial had, where those who could not adjust, who could not decode the new American night, the odorless American night, the pre-lapsarian American night shifted for themselves in the shadows. Not to worry though it was a phase, just a phase, and these guys too will soon be thinking about that ticky-tack little white house with the picket fence.
Ya, but see, see again, just the talk through the grapevine about such guys as Red, The Goose, No Name, the legendary jewelry store clip artist, Brother Johnson (who set himself apart because he made a point of the fact that he didn’t smoke, smoke cigarettes anyway), and a whole host of guys who made little big names for themselves on the corners was enough to get guys like Billie, and not just primo candidate Billie either, hopped-up on the corner boy game. Ya, the corner boys whose very name uttered, whose very idea of a name uttered, whose very idea of a name thought up in some think-tank academy brain-dust, and whose very existence made a splash later (after it was all over, at least the public, publicity all over, part), excited every project schoolboy, every wrong side of the tracks guy (and it was always guys, babes were just for tangle), every short-cut dreaming boy who could read the day’s newspaper or watch some distended television, or knew someone who did.
And Billie was the first. The star of the Adamsville elementary schoolboy corner boy galaxy. No first among equals, or any such combination like that either, if that is what you are thinking. Alone. Oh sure his right-hand man, Peter Paul Markin, weak-kneed, bookwormy, girl-confused but girl-addled, took a run at Billie but that was seen, except maybe by Peter Paul himself, as a joke. Something to have a warm chuckle over on dreary nights when a laugh could not be squeezed out any other way. See, Peter Paul, as usual, had it all wrong on his figuring stuff. He thought his two thousand facts knowledge about books, and history, and current events, and maybe an off-hand science thing or two entitled, get this, entitled him to the crown. Like merit, or heredity, or whatever drove him to those two thousand facts meant diddly squat against style, and will.
Billie tried to straighten him out, gently at first, with a short comment that a guy who had no denim blue jeans, had no possibility of getting denim blue jeans, and was in any case addicted to black chinos, black cuffed chinos, has no chance of leading anybody, at any time, in anything. Still Peter Paul argued some nonsense about his organizing abilities. Like being able to run a low-rent bake sale for some foolish school trip, or to refurbish the U.S.S. Constitution, counted when real dough, real heist dough, for real adventures was needed. Peter simmered in high-grade pre-teen anguish for a while over that one, more than a while.
Billie and Peter Paul, friends since the first days of first grade, improbably friends on the face of it although Billie’s take on it was that Peter Paul made him laugh with that basketful of facts that he held on to like a king’s ransom, protecting them like they were gold or something, finally had it out one night. No, not a fist fight, see that was not really Billie’s way, not then anyway or at least not in this case, and Peter Paul was useless at fighting, except maybe with feisty paper bags or those blessed facts. Billie, who not only was a king corner contender but a very decent budding singer, rock and roll singer, had just recently lost some local talent show competition to a trio of girls who were doing a doo wop thing. That part was okay, the losing part, such things happen in show biz and even Billie recognized, recognized later, that those girls had be-bopped him with their cover of Eddie, My Love fair and square. Billie, who for that contest was dressed up in a Bill Haley-style jacket made by his mother for the occasion, did the classic Bill Haley and the Comets Rock- Around-The-Clock as his number. About halfway through though one of the arms of his just made suit came flying off. A few seconds later the other arm came off. And the girls, the coterie of Adamsville girls in the audience especially, went crazy. See they thought it was part of the act.
After that, at school and elsewhere, Billie was besieged daily by girls, and not just stick-shaped girls either, who hung off all his arms, if you want to know. And sensitive soul Peter Paul didn’t like that. He didn’t care about the girl part, because as has already been noted, and can be safely placed on golden tablets Peter Paul was plenty girl-confused and girl-addled but girl-smitten in his funny way. What got him in a snit was that Billie was neglecting his corner boy king duty to be on hand with his boys at all available times. Well, this one night the words flew as Billie tired, easily tired, of Peter Paul’s ravings on the subject. And here is the beauty of the thing, the thing that made Billie the king corner boy contender. No fists, no fumings, no forget friendships. Not necessary. Billie just told Peter Paul this- “You can have my cast-offs.” Meaning, of course, the extra girls that Billie didn’t want, or were sticks, or just didn’t appeal to him. “Deal,” cried Peter Paul in a flash. Ya, that was corner boy magic. And you know what? After that Peter Paul became something like Johnson’s Boswell and really started building up Billie as the exemplar corner boy king. Nice work, Billie.
You know Freddie Jackson too took his shots but was strictly out of his league against the Billie. Here it was a question not of facts, or books, or some other cranky thing bought off, bought off easily, by dangling girls in front of a guy a la Peter Paul but of trying to out dance Billie. See Freddie, whatever else his shortcomings, mainly not being very bright and not being able to keep his hands out of his mother’s pocketbook when he needed dough so that he had to stay in many nights, worst many summer nights, could really dance. What Freddie didn’t know, and nobody was going to tell him, nobody, from Peter Paul on down if they wanted to hang with Billie was that Billie had some great dance moves along with that good and growing singing voice. See, Freddie never got to go to the school or church dances and only knew that Billie was an ace singer. But while Freddie was tied to the house he became addicted to American Bandstand and so through osmosis, maybe, got some pretty good moves too.
So at one after-school dance, at a time when Freddie had kept his hands out of his mother’s pocketbook long enough not to be house-bound, he made his big move challenge. He called Billie out. Not loud, not overbearing but everybody knew the score once they saw Freddie’s Eddie Cochran-style suit. The rest of the guys (except Billie, now wearing jeans and tee-shirt when not on stage in local talent contests where such attire got you no where) were in chinos (Peter Paul in black-cuffed chinos, as usual) and white shirts, or some combination like that, so Freddie definitely meant business. Freddie said, “If I beat you at dancing I’m running the gang, okay?” (See corner boys was what those professors and news hawks called them but every neighborhood guy, young or old, knew, knew without question, who led, and who was in, or not in, every, well, gang). Billie, always at the ready when backed up against the wall, said simply, “Deal.” Freddie came out with about five minutes of jitter buggery, Danny and the Juniors At The Hop kind of moves. He got plenty of applause and some moony-eyedness from the younger girls (the stick girls who were always moony-eyed until they were not stick girls any more).
Billie came sauntering out, tee-shirt rolled up, tight jeans staying tight and just started to do the stroll as the song of the same name, The Stroll, came on. Now the stroll is a line dance kind of thing but Billie is out there all by himself and making moves, sexual-ladened moves, although not everybody watching would have known to call them that. And those moves have all the girls, sticks and shapes, kind of glassy-eyed with that look like maybe Billie needed a partner, or something and why not me look. Even Freddie knew he was doomed and took his lost pretty well, although he still had that hankering for mom’s purse that kept him from being a real regular corner boy when Billie got the thing seriously organized.
Funny thing, Lefty Wright, who actually was on the dance floor the night of the Freddie-Billie dance-off, pushed Billie with the Freddie challenge. And Freddie was twenty times a better dancer than Lefty. Needless to say, join the ranks, Lefty. Canny Danny O’Toole (Cool Donna O’Toole’s, a stick flame of Billie’s, early Billie, brother) was a more serious matter but after a couple of actions (actions best left unspecified) he fell in line. Billie, kind of wiry, kind of quick-fisted as it turned out, and not a guy quick to take offense knew, like a lot of wiry guys, how to handle himself without lots of advertising of that fact. He was going to need that fist-skill when the most serious, more serious than the Canny Danny situation came up. And it did with Badass Bobby Riley, Badass was a known quality, but he was a year older than the others and everybody knew was a certified psychopath who eventually drifted out of sight. Although not before swearing his fealty to Billie. After taking a Billie, a wiry Billie, beating the details of which also need no going into now. And there were probably others who stepped up for a minute, or who didn’t stay long enough to test their metal. Loosey Goosey Hughes, Butternut Walsh, Jimmy Riley (no relation to Badass), Five Fingers Kelly, Kenny Ricco, Billy Bruno, and on and on.
But such was the way of Billie’s existence. He drew a fair share of breaks, for a project kid, got some notice for his singing although not enough to satisfy his huge hunger, his way out, he way out of the projects, projects that had his name written all over them(and the rest of his boys too). And then he didn’t draw some breaks after a while, got known as a hard boy, a hard corner boy when corner boy was going out of style and also his bluesy rockabilly singing style was getting crushed by clean-cut, no hassle, no hell-raising boy boys. And then he started drawing to an outside straight, first a couple frame juvenile clip busts, amid the dreaded publicity, the Roman Catholic mother novena dread publicity, police blottered. Then a couple of house break-ins, taking fall guy lumps for a couple of older, harder corner boys who could make him a fall guy then, as he would others when his turn came. All that was later, a couple of years later. But no question in 1958, especially the summer of 1958 when such things took on a decisive quality, Billie, and for one last time, that’s William James Bradley, in case anyone reading needs the name to look up for the historical record was Billie's time. Ya, 1958, Billie, ah, William James Bradley, and corner boy king.
Funny, as you know, or you should know, corner boys usually gain their fleeting fame from actually hanging around corners, corner mom and pop variety stores, corner pizza parlors, corner pool halls, corner bowling alleys, corner pinball wizard arcades, becoming fixtures at said corners and maybe passing on to old age and social security check collection at said corner. Or maybe not passing to old age but to memory, memory kid’s memory. But feature this, in Billie’s great domain, his great be-bop night kingship, and in his various defenses of his realm against smart guys and stups alike, he never saw so much as a corner corner to rest his laurels on. And not because he did not know that proper etiquette in such matters required some formal corner to hang at but for the sheer, unadulterated fact that no such corner existed in his old-fashioned housing project (now old-fashioned anyway because they make such places differently today), his home base.
See, the guys who made the projects “forgot” that, down and out or not, people need at least a mom and pop variety store to shop at, or nowadays maybe a strip mall, just like everybody else. But none was ever brought into the place and so the closest corner, mom and pop corner anyway, was a couple of miles away up the road. But that place was held by a crowd of older corner boys whose leader, from what was said, would have had Billie for lunch (and did in the end).
But see here is where a guy like Billie got his corner boy franchise anyway. In a place where there are no corners to be king of the corner boy night there needs to be a certain ingenuity and that is where “His Honor” held forth. Why not the back of the old schoolhouse? Well, not so old really because in that mad post-World War II boom night (no pun intended), schools, particularly convenient elementary schools even for projects
kids were outracing the boomers. So the school itself was not old but the height of 1950s high-style, functional public building brick and glass. Boxed, of course, building-boxed, classroom-boxed, gym-boxed, library-ditto boxed. No cafeteria-boxed, none necessary reflecting, oddly, walk to school, walk home for lunch, stay-at-home mom childhood culture even in public assistance housing world. And this for women who could have, if they could have stood the gaff from neighbor wives, family wives, society wives screamed to high heaven for work, money work. That was Billie world too, Billie day world. Billie September to June world.
But come dusk, summer dusk best of all, Billie ruled the back end of the school, the quiet unobserved end of the school, the part near the old sailors’ graveyard, placed there to handle the tired old sailors who had finished up residing at the nearby but then no longer used Old Sailors’ Rest Home built for those who roamed the seven seas, the inlet bays, and whatever other water allowed you to hang in the ancient sailors’ world. There Billie held forth, Peter Paul almost always at hand, seeking, always seeking refuge from his hellfire home thrashings. Canny Danny, regularly, same with Lefty and Freddie (when not grounded), and Bobby while he was around. And other guys, other unnamed, maybe unnamable guys who spent a minute in the Billie night. Doing? Ya, just doing some low murmur talking, most nights, mostly some listening to Billie dreams, Billie plans, Billie escape route. All sounding probable, all wistful once you heard about it later. All very easy, all very respectful, in back of that old school unless some old nag of a neighbor, fearful that the low murmur spoke of unknown, unknowable conspiracies against person, against the day, hell, even against the night. Then the cops were summoned. But mainly not.
And then as dusk turned to dark and maybe a moon, an earth moon (who knew then, without telescope, maybe a man-made moon), that soft talk, that soft night talk, turned to a low song throat sound as Billie revved up his voice to some tune his maddened brain caught on his transistor radio (bought fair and square up at the Radio Shack so don’t get all huffy about it). Say maybe Frankie Lymon and The Teenagers Why Do Fools Fall In Love? and then the other ragamuffins would do harmony. Ya, that was twelve, maybe thirteen year old night, most nights, the nights of no rough stuff, the nights of dreams, maybe. But like some ancient siren call that sound penetrated to the depths of the projects and soon a couple of girls, yes, girls, twelve and thirteen year old girls, what do you expect, stick girls and starting shape girls, would hover nearby, maybe fifty yards away but the electricity was in the air, and those hardly made out forms drove Billie and his choir corner boys on. Maybe Elvis’ One Night as a come on. Then a couple more girls, yes, twelve and thirteen year old girls, have you been paying attention, sticks and starting shapes, join those others quietly swaying to the tempo. A few more songs, a few more girls, girls coming closer. Break time. Girl meet boy. Boy meet girl. Hell, even Peter Paul got lucky this night with one of Billie’s stick rejects. And as that moon turned its shades out and the air was fragrance with nature’s marshlands sea air smells and girls’ fresh soap smells and boys’ anxiety smells the Billie corner boy wannabe world seemed not so bad. Ya, 1958 was Billie’s year. Got it.
********
When Frankie Was A Corner Boy King Of The North Adamsville Night
Pallid Peter Paul Markin, no way, two thousand facts bundled up and at hand or not. Nix "Fingers" Kelly (formerly known as "Five Fingers" Kelly but he gave that up and went respectable), "High Boy" McNamara (and no, not in the post-drug world that kind of high, the other older one), "Jumpin’ Johnny" O’Connor (and do not, please do not, ask what he was jumping, or trying to) as well. Hell, double nix no nickname Benny Brady, "Billy Bop" O’Brian (and do not, ditto Johnny O’Connor, ask what he bopped, or tried to), Ricardo Ricco, "Timid Timmy" McPartlin and a bunch of other, no name, guys who passed, passed fast, through the be-bop Salducci’s Pizza Parlor schoolboy night. No question, no question at all though that the king hell corner boy king of the early 1960s North Adamsville schoolboy night was one Frankie, Francis Xavier Riley, and no other. And here is why.
In a recent series of entries that formed of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time, it was noted that there had been about a thousand truck stop diner stories left over from those old hitchhike road days. On reflection though, this writer realized that there really had been about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).
Ya, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.
More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our high school days. It’s that story, that drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.
And who was Frankie? Frankie of a thousand stories, Frankie of a thousand treacheries, Frankie of a thousand kindnesses, and, oh ya, Frankie, my bosom friend in high school. Well let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.
Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.
But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want, I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.
Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom. What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way. But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls that's girls. Okay?)
As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.
Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Some times people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.
Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.
So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape, please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you call, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.
But here is where it all comes together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).
And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungareed, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to "the connected" or not, not every young tough in any working class town, not having studied, and studied hard, the sociology of the town, is going to know that some young Irish punk, one kind of "beatnik' Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney is going to know that said pizza parlor owner and its “king”, king hell king, are tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hits the fore. But they learn, and learn fast.
Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before is strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.
So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (its getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet me so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (ya, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.
Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (ya, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking, I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.
We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy like a loon.
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