Showing posts with label segregation. Show all posts
Showing posts with label segregation. Show all posts

Friday, October 23, 2015

*Unfinished Business Of The Black Liberation Struggle-In Honor Of Emmett Till

Reopening The Emmett Till Case-The Case That Has Not Died, Nor Should It*Unfinished Business Of The Black Liberation Struggle-In Honor Of Emmett Till


Reopening The Emmett Till Case-The Case That Has Not Died, Nor Should It

A link to an On Point NPR program on the re-opening of the Emmett Till case.



 www.wbur.org/onpoint/2018/07/17/emmett-till-timothy-tyson  



By Frank Jackman



I have, as witnessed below, at various times reviewed some aspect of the Emmett Till case as a matter of historical importance although not to me individually directly since Emmett’s death, murder, happened when I was too young to realize what was going on. I picked up on the civil rights movement for black rights in the Mister James Crow South (and as it turned, turns out the North too) in the early 1960s when I went to downtown Boston and walked a picket line at Woolworth’s in support of the lunch counter demonstrators down South who wanted to have a freaking grilled cheese sandwich without having to face a civil war about it. That is when I first heard about the case, and it has never been far from the surface since.           

Now the Department of Justice, Alabama’s Jeff Session’s DOJ, has reopened the Emmett Till case that his family and partisans have tried to have reopened for many years. The DOJ motivation I am not quite sure of. What I know is that in this case justice will never be done, closure will probably never come but only a better idea of what really happened down in Mister James Crow Mississippi in the 1950s. Still some cases, and Emmett’s is one of them, will never die, nor should they.  





HONOR THE MEMORY OF EMMETT TILL

The following is an appreciation of the life the martyred civil rights figure Emmett Till. It was originally printed in Workers Vanguard, newspaper of the Spartacist League of the United States and reprinted in their Black History series. The beginnings of my personal awareness of the central role of the black liberation struggle in any fight for fundamental change did not stem from the Till tragedy but rather a little latter from the attempts to integrate the schools of Little Rock, Arkansas in 1957. The main political point of the article- the centrality of the black liberation struggle to the overall revolutionary struggle against American imperialism and for a socialist solution to the problems of modern society is also my own position on that question. Although the particular case of what happened to Emmett Till may be resolved before that solution occurs it will take such black liberation in order to do proper justice to his name.



Workers Vanguard No. 852 5 August 2005

The Lynching of Emmett Till and the Fight for Black Liberation
50 Years Later

"Before Emmett Till's murder, I had known the fear of hunger, hell, and the Devil. But now there was a new fear known to me—the fear of being killed just because I was black. This was the worst of my fears.... I didn't know what one had to do or not do as a Negro not to be killed. Probably just being a Negro period was enough, I thought."
—Anne Moody, Student Non-Violent Coordinating Committee Organizer, 14 years old in 1955, in Coming of Age in Mississippi (1968)

Fifty years ago this month the name Emmett Eouis Till became synonymous with the brutal American tradition of lynching. Till was only 14 years old that summer when he left his home in Chicago to join his cousin on a trip to stay with relatives in Mississippi. Within days of his arrival, young Emmett was kidnapped, tortured and brutally murdered for allegedly whistling at a white woman. Till's gruesome murder, and his mother's courageous campaign to ensure that the world saw at first hand the stark reality of race-terror by displaying her son's mutilated body at his funeral, provoked horror and outrage against racist oppression in America. The lynching of Emmett Till, along with Rosa Parks' defiant stand in Montgomery, Alabama in December of that same year, were key in galvanizing many thousands to join the burgeoning civil rights movement.

Today, a half-century later, black people still sit in the cross hairs of this bloody capitalist ruling class. The explosive struggles of the civil rights movement smashed Jim Crow segregation in the South and broke the back of the anti-Communist McCarthy era. But the social reality remains—black oppression is the cornerstone of capitalist class rule in America. Contrary to assertions that the worst abuses against black people are a thing of the past, a quick survey of the massive prison population, unemployment, miserable ghetto conditions, poverty, deteriorating health care and increasingly segregated schools proves the opposite, not only in the South but throughout the country.

The current federal investigation of the Emmett Till atrocity is one of a handful of decades-old cases reopened beginning with the 1994 conviction of Byron De La Beckwith for the 1963 assassination of Mississippi civil rights leader Medgar Evers. One reason these cases are being opened is to polish the tarnished image of the South. But union-busting "right to work" laws, attacks on black voting rights, Ku Klux Klan terror like the cross-burnings in Durham, North Carolina this May along with Confederate flags, monuments and Dixie anthems still mark the landscape of the "New South." Meanwhile, Northern ghettos trap black people into holding pens, and kill-crazy cops stalk the streets.

Bush's Republican regime pushes ahead to wipe out the remaining gains of the civil rights movement that had been under attack by Democratic as well as Republican administrations for the last three decades. On the heels of the government launching a vindictive IRS tax investigation of the NAACP, the chairman of the Republican National Committee cynically professed at the NAACP's convention in July, which Bush refused to attend, that the Republican Party's decades-long campaign of courting the racist Southern vote away from the Democrats by opposing civil rights legislation, the "Southern Strategy," was "wrong."

The re-opening of Till's case was largely sparked by the determined nine-year effort of a young filmmaker, Keith Beauchamp, and his 2002 documentary The Untold Story of Emmett Louis Till. The Feds recently exhumed Till's body to seek forensic evidence, additionally claiming it is necessary to verify that it was indeed Till in the grave. The only people who ever cast doubt on this question were the defenders of the lynchers. For America's capitalist rulers, such re-investigations are nothing more than hypocritical attempts to foster the illusion that today's FBI and Department of Justice are different from the very same state institutions that worked hand in hand with the Klan in the South. By the mid 1960s, nearly 20 percent of Klan members were FBI "informants" serving as loyal double agents of both organizations. Even when the Senate passed a meaningless resolution this June apologizing for never passing anti-lynching legislation, several senators, including the two from Mississippi, refused to sponsor the bill.

Capitalism is a system based on exploitation of labor, and, in the U.S., a unique and critical mainstay continues to be the subjugation of the black population at the bottom of society. American Trotskyist Richard Fraser wrote in the same year that Emmett Till was murdered: "The dual nature of the Negro struggle arises from the fact that a whole people regardless of class distinction are the victims of discrimination. This problem of a whole people can be solved only through the proletarian revolution, under the leadership of the working class" ("For the Materialist Conception of the Negro Struggle," January 1955). We of the Spartacist League base our program for black liberation upon Eraser's perspective of revolutionary integrationism, premised on the understanding that black freedom requires smashing the capitalist system and constructing an egalitarian socialist society. One of our founding documents written at the time of the ghetto upheavals of the 1960s states:

"The Negro people arc an oppressed race-color caste, in the main comprising the most exploited layer of the American working class. Because of the generations of exceptional oppression, degradation and humiliation, Black people as a group have special needs and problems necessitating additional and special forms of struggle. It is this part of the struggle which has begun today, and from which the most active and militant sections of Black people will gain a deep education and experience in the lessons of struggle. Because of their position as both the most oppressed and also the most conscious and experienced section, revolutionary black workers are slated to play an exceptional role in the coming American revolution."
—"Black and Red—Class Struggle Road to Negro Freedom," 1967, Marxist Bulletin No. 9

The Lynching of Emmett Till
By all accounts Emmett Till was an amazing kid. He was bright, fun-loving and considerate. His mother, Mamie Till-Mobley (earlier known as Mamie Till Bradley), and her family had migrated from Mississippi along with hundreds of thousands of other black farmers and sharecroppers fleeing the Jim Crow South in hopes of finding a better life in the "Promised Land" known as Chicago. She knew firsthand the strict social and racial codes of the South that literally spelled life or death if not followed to the letter. So, when she reluctantly allowed Emmett to accompany his cousin Wheeler to Mississippi, she did her best to instill some sense of the dangers and she recounted that she held "the talk that every black parent had with every child sent down South back then" (Death of Innocence: The Story of the Hate Crime That Changed America by Mamie Till-Mobley and Christopher Benson, 2003).

By the summer of 1955, white racists in Mississippi were seething in bitterness in the aftermath of the 1954 Brown v. Board of Education ruling, which opened the door for integrating schools, albeit hedged with limitations and the reservation of "deliberate speed." The Supreme Court decision to allow school integration was a reflection of a growing movement for black civil rights, for the right to vote and for integration. Black men fought on the front lines in World War II, a war proclaimed to make the world "safe for democracy." Black women migrated to the cities to toil in defense plants. When the soldiers returned, they were determined to have a better life. The end of the war ushered in the beginning of the Cold War against the Soviet Union, the preparation for new imperialist wars to "roll back Communism" everywhere on the planet. Most black people were concerned about the "cotton curtain," the iron grip of the racist Southern police state here at home, and were less likely to buy into or embrace the American bourgeoisie's propaganda about an "Iron Curtain" Soviet threat.

The response of the racist Southern Democrats (the Dixiecrats) to the Brown ruling was one of organized terror and defiance from the highest-ranking officials on down. Francis M. Wilhoit described the role of the Democratic Party in The Politics of Massive Resistance'.
"For it was, after all, the region's political parties—particularly the dominant Democrats—that bore the chief responsibility for politicizing the segregationist masses and getting them to the polls on election day to vote for anti-integration candidates. Furthermore, since membership in Southern parties overlapped with membership in the Klan, the Councils, and other resistance groups, it appeared for a time that the segregationists would get a stranglehold on policy making in the racial area, and prevent even tokenism."

White Citizens' Councils, the suit-and-tie incarnation of the Ku Klux Klan, formed to terrorize blacks through vigilante violence and uphold Jim Crow segregation, flourished throughout Mississippi. These councils, claiming a membership of 60,000, were headquartered in the very county that Emmett was preparing to visit. In May that year in Belzoni, Mississippi, Reverend George Lee, local NAACP organizer, was shot to death from a passing car. Just days prior to Till's arrival, WW II veteran Lamar Smith was gunned down in broad daylight on a crowded courthouse lawn in Brookhaven, Mississippi for urging black people to vote. This was the murderous atmosphere that a lively, self-confident teenager from the North journeyed into that fateful August.

On August 24, after picking cotton all morning, Emmett, his cousins and some friends drove into Money, Mississippi to purchase some candy and sodas at the local grocery store that serviced the black population. The white owner, Roy Bryant, was out of town and his young wife, Carolyn, was tending the store. There are conflicting stories of what happened at the store. Did he whistle? Was he trying to control his stutter? Did he speak up? The only thing that happened that day at the store for sure is that Emmett Till was seen as having "stepped out of line," ignoring "the customs of the South" in the presence of a white woman where this was punishable by death. On August 28, Roy Bryant and his half brother, J. W. Mi lam, came looking for Emmett at his relatives' home, kidnapping him in the dead of night. Three days later the hideously battered corpse of Emmett Till was found in the Tallahatchie River with a 75-pound cotton gin fan tied around his neck with barbed wire. Mose Wright, Emmett's great uncle, was able to identify his body only by a ring belonging to his lather that the child wore on his finger.

For the vast majority of unnamed lynch mob victims that have filled American history, the story would end here and would have also for Emmett Till if not for the courage and determination of his mother and family. Mamie Till-Mobley immediately alerted the press upon hearing that her son was missing. She fought to have her son's body returned to Chicago after the local sheriff hastily tried to bury the evidence—literally. She defied the Mississippi authorities by opening the padlocked and sealed casket. Most courageously, she insisted that the casket be displayed openly for the world to see, and ensured that graphic photos circulated internationally. An estimated 100,000-250,000 people waited in line for hours at Chicago's Roberts Temple Church of God in Christ to view the open casket. So shocking was Emmett's horrifically mutilated body that an estimated one out of every five individuals needed assistance out of the building. Emmett's death was transformed from "just another lynching" into an internationally known scandal. Although there had been thousands of Southern black men, women and children that met such horrible deaths, this was one that would spark a generation into action.

Mamie Till-Mobley set the tone by immediately demanding an investigation and publicizing the case. Although President Eisenhower and FBI chief J. Edgar Hoover stonewalled her requests for an investigation, she persisted in bringing national attention to her son's lynching. Till-Mobley, her father and her cousin Rayfield Mooty, an Inland Steel worker, traveled to Sumner, Mississippi for the trial of Emmett's murderers and braved a gauntlet of white racists each morning as they entered the courthouse. Her uncle, Mose Wright, who had pleaded with Bryant and Milam not to take his nephew, did what virtually no black man in Mississippi had dared to do for nearly a century. He stood up in court and identified the two white men as the kidnappers. According to Wright's son, Simeon, who was in the same bed when Emmett was dragged away, Mose Wright was determined to testify. Knowing full well that he was risking the same fate as Emmett, he told his family that he didn't know if he would live or die, but he knew for sure that he was going to testify. Before Wright testified, the rest of his family had to be spirited away to Chicago. He joined them immediately following his testimony. Similarly an 18-year-old field hand, Willie Reed, came forward as a surprise witness for the prosecution to testify that he had heard Emmett's screams coming from Milam's barn. As soon as Reed stepped off the stand, he went directly to the train station and left for Chicago, rightly fearing for his life. He suffered a nervous breakdown upon arriving in Illinois. It took a tremendous amount of courage for these black witnesses to stand up to white racists in Mississippi, knowing they might not live to see another day, knowing that the only way to save themselves from the lynch rope was to leave everything behind and escape North. Their actions were not unlike slaves fleeing on the Underground Railroad nearly one hundred years earlier.

At this time, Medgar Evers, a Mississippi NAACP organizer, gained national attention. Evers understood that the only way a case would be built against Bryant and Milam was if he took it into his own hands and mobilized his forces. The NAACP recruited volunteers to dress as sharecroppers and sent them out to gather information. These brave individuals knew full well what lay in store for them should they be detected. Civil rights lawyer Conrad Lynn worked on the case and identified others involved in the killing, but they were never prosecuted. Dr. T. R. M. Howard, leader of the all-black town of Mound Bayou, Mississippi, helped organize and contributed to pay the costs of the investigation and relocation of the witnesses. He also was eventually forced to flee North. He made speaking tours of the country to expose the reign of terror in Mississippi. For the smallest shred of hope that justice might be served, these people put their lives on the line.

But that smallest shred was really no shred at all in the mid '50s in the Mississippi Delta. The ensuing murder trial of Bryant and Milam was exactly what one would expect. All five lawyers in the county joined the defense team so that none could be appointed special prosecutor in the case. Neither of the defendants denied kidnapping Emmett. The jury came back with a verdict of not guilty in just over an hour. It took them "that long" because they stopped to get a soda, hoping to stretch the time for appearance's sake. The jury came up with the lie that the bloated, rotting body that was dragged out of the Tallahatchie River might not be Emmett at all, but a body planted by his mother and the NAACP. Emmett was supposedly alive and well in Detroit, according to the Southern racists. A grand jury would not even indict them on kidnapping charges. Then, just months after the acquittal, Look magazine published a confession by Bryant and Milam boasting of their lynching of Till.

A campaign orchestrated by plantation owner, arch-segregationist Mississippi Senator, James O. Eastland, tried to smear Emmett Till and his dead father Louis as rapists. The U.S. army had executed Louis Till in 1945. While serving in Italy, he was charged with raping two white women and killing another, charges that many who served with him stated were lies. The same man, Dwight D. Eisenhower, who as a general signed the execution order of the elder Till, sat as U.S. president and refused to investigate the lynching of the son. When Eastland managed to secure the army death records of Louis Till—the same records that Mamie Till-Mobley had been denied—and leaked them to the press, the

NAACP took a step back from the case, concerned to maintain their image of "respectability."
Louis Till was not the only man to be executed or "disappear" under such dubious circumstances during World War II. In her autobiography, Mamie Till-Mobley spoke to the chilling stories she heard from other black soldiers and friends of Louis Till of the "problem that followed them overseas from the United States." She described 3 a.m. line-ups of black soldiers by racist white officers and Military Police. A woman would be brought in to identify one of the soldiers and the "black soldiers who got pointed out at three in the morning were always taken away. They were not brought back." As Mamie Till-Mobley astutely pointed out,

"It seemed that the army really didn't need much more proof than a late-night identification to take black soldiers out. But based on what Louis's friends told me, it seemed the real offense wasn't always against white women. Often, it was really against white men. A number of women in those late-night lineups, it seems, were only identifying the men who slept with them, not men they were accusing of rape.... But for many of the white officers and soldiers from the South, there also was a custom about that sort of thing.... Louis died before he could see what would happen to his son. Bo [Emmett's nickname] died before he could learn about what had happened to his father. Yet they were connected in ways that ran as deep as their heritage, as long as their bloodline.... Maybe Emmett did wind up like his father, an echo of what had happened ten years earlier. Maybe they were both lynched."

Lynching—"As American as Baseball and Church Suppers"
In 1924, a young Communist from Indochina named Nguyen Ai Quoc—later known as Ho Chi Minh—wrote:

"It is well known that the Black race is the most oppressed and the most exploited of the human family. It is well known that the spread of capitalism and the discovery of the New World had as an immediate result the rebirth of slavery, which was for centuries a scourge of the Negroes and a bitter disgrace for mankind. What everyone does not perhaps know is that after sixty-five years of so-called emancipation, American Negroes still endure atrocious moral and material sufferings, of which the most cruel and horrible is the custom of lynching."

The story of Emmett Till lays bare the harsh reality of black life in a country built on human bondage. The fight for genuine black equality remains an unfinished task of the American Civil War. The 200,000 ex-slaves and Northern blacks who fought in that war helped turn the tide of the war in favor of the Union Army, but the victorious Northern capitalists betrayed the promise of equality. Radical Reconstruction was the most democratic period in U.S. history. But the Northern capitalists looked at the devastated South and saw opportunity—not for building radical democracy, but for profitably exploiting Southern resources and the freedmen. With the "Compromise of 1877," the last of the Northern troops were pulled from the South and Reconstruction came to an end. Freed blacks were disenfranchised, politically expropriated and kept segregated at the bottom of society. The institution of Jim Crow segregation began to take shape, marked by strict racial codes, returning the black population to a position of complete subservience, enforced by violence. How or when to address whites, where to live, eat, sit, shop, wash your hands, or take a drink of water were all strictly regulated and backed up through a system of race terror—the omnipresent threat of the lynch rope.

In the period following Reconstruction, in the late 19th century, lynching reached its height. Lynching is rightfully equated with the summary torture and execution of black people. But this was not always the case. The term "lynch law" is believed to have come from Judge Charles Lynch, a patriot in the American Revolutionary War. Upon discovery of a Tory conspiracy in 1780, Lynch was said to have presided over an extralegal court that meted out summary punishment to the pro-British Loyalists. Such methods were given free rein in a burgeoning young country with a vast frontier and a roughly established legal system. The evolution of lynching into an act of race terror is organically linked to the history of black chattel slavery. Lynching became a form of sadistic black subjugation in reaction to the rise of the anti-slavery abolition movement, developing into a widespread social phenomenon in the wake of the defeat of Reconstruction. By the end of the 19th century, "lynch law" had a specific meaning. At its height in the 1880s and 1890s, as many as two to three black people were lynched per week. Sociologist John Dollard wrote in 1937: "Every Negro in the South knows that he is under a kind of sentence of death; he does not know when his turn will come, it may never come, but it may also be any time."

American historian Leon F. Litwack has found that of the thousands of recorded lynchings, about 640 involved "accusations of a sexual nature"—the most notorious and hysteria-inducing accusation. The targets of the race terrorists were often those who owned competitive businesses and farms, the man who managed to acquire some property and was deemed by the racists to not have enough humility, the man who challenged the system, the man who was educated and/or prosperous. W. E. B. Dubois put it this way: "There was one thing that the white South feared more than Negro dishonesty, ignorance and incompetency, and that was Negro honesty, knowledge, and efficiency" (Leon F. Litwack, Trouble in Mind: Black Southerners in the Age of Jim Crow [1998]).

In many cases, lynchings were not spontaneous mob violence but planned and advertised events bringing trainloads of spectators from near and far. These were ordinary, "church-going, upstanding" citizens, drawn together in a grotesque racist ritual. The "pillars of the community" were often directly involved or had prior knowledge, and they always approved afterward. "Lynching was an undeniable part of daily life, as distinctly American as baseball and church suppers. Men brought their wives and children along to the events, posed for commemorative photographs, and purchased souvenirs of the occasion as if they had been at a company picnic" (Philip Dray, At The Hands of Persons Unknown [2002]). Celebratory postcards of mutilated and charred bodies were sent through the U.S. mail to friends and relatives. James Baldwin noted on seeing the red clay hills of Georgia for the first time, "I could not suppress the thought that this earth had acquired its color from the blood that had dripped down from these trees."

The Civil Rights Movement
As Mamie Till-Mobley remarked in a TV documentary, "When people saw what had happened to my son, men stood up who had never stood up before. People became vocal who had never vocalized before. Emmett's death was the opening of the civil rights movement." Ten thousand people rallied in Harlem the Sunday following the acquittal. Thousands packed meeting halls and overflowed into the streets to hear Mamie speak around the country. Labor rallies and demonstrations were held to protest the lynching of Emmett Till and race-terror in Mississippi. The CIO Steelworkers Union to which Fill's grandfather belonged wired the Mississippi governor demanding justice.

In the convulsive years that followed, social protest exploded into the civil rights movement. Eventually, Jim Crow, the poll taxes and sham rules that prevented black people from voting were abolished, and segregated schools and other public facilities were formally opened up. However, the civil rights movement was stopped cold when it came North and confronted the hardened economic foundations of black oppression, rooted in American capitalism. The heroic struggles of many thousands of black and white activists were betrayed by the liberal perspective of the leadership of the civil rights movement. Much as the organizers of the demonstrations against Till's murder appealed to Eisenhower, the strategy of the liberal-led civil rights movement was based on appeals to a section of the American bourgeoisie to right the historic wrongs done against black people, as though black freedom could be attained under the capitalist system.

There were important exceptions to this, exemplified by militant black leaders such as Robert F. Williams, the head of the NAACP branch in Monroe, North Carolina, which heavily recruited from the black working class of the area. Williams, who was denounced by liberal civil rights leaders like Martin Luther King, put forward a program of armed self-defense to fight race-terror as opposed to reliance on the capitalist state and its politicians. This earned him the enmity of the liberal NAACP, which disowned him, as the FBI hounded him out of the country. Williams found refuge in Cuba in 1961 and then China, before returning to the U.S. in 1969. In 1965, the Louisiana-based Deacons for Defense and Justice organized patrols to protect blacks and civil rights workers. At about the same time, in Gulfport, Mississippi, the black longshoremen's union threatened to close the port down if civil rights activists were injured or arrested.

But despite determined struggle to fulfill the unfinished promise of the Civil War—the promise of black freedom— the civil rights movement could only go so far. The Democratic Party co-opted many of the black leaders into their ranks. They and their political heirs today sit on Capitol Hill, in the statehouses and city halls, administering this system which is based on racial injustice and class oppression, while posing as defenders of black and working people.
For Black Liberation Through Socialist Revolution!

The lynching of Emmett Till was not an aberration. Such inhuman acts of violence were part of the fabric of the American Jim Crow South—a system that could only be enforced through violence. Nor did the smashing of Jim Crow mark the end of racial oppression in the U.S., in the North or the South. The laws enforcing segregation may be abolished, but segregation and inequality remain as facts. The death penalty represents the lynch rope as the ultimate form of institutionalized state terror, backed in the streets by racist cops who carry out their own summary executions. The continued oppression of black people some 40 years after the inauguration of formal, legal equality demonstrates that black oppression is an intrinsic component of the capitalist order in the U.S.

The capitalist rulers promote the poison of racism to keep the working class divided—to pit white workers against black workers—in order to more easily maintain their rule. But black people are not simply victims. Black workers represent a large component of the organized labor movement. The way forward lies in multiracial class struggle. A key obstacle to this perspective is the pro-capitalist trade-union bureaucracy, which ties the working class to its exploiters, particularly by promoting illusions in the Democratic Party as a "friend" of labor and blacks.

The road to black freedom lies in the struggle to shatter this racist capitalist system through proletarian socialist revolution, and the power to do that lies with the working class. But this power cannot and will not be realized unless a class-struggle labor movement actively champions the cause of black liberation. The key to unlocking the chains that shackle labor to its exploiters is the political struggle to build a revolutionary internationalist leadership of the working class.

At the time of the Civil War, Karl Marx, the founder of modern communism, captured a fundamental truth of American society in his statement that "labor cannot emancipate itself in the white skin where in the black it is branded." The Spartacist League fights to build a multiracial revolutionary workers party that will wrest the tremendous productive resources of this country out of the hands of the capitalist owners and put these resources into the hands of the working class, those who produce the wealth of this society. Only then will racial oppression be a thing of the past. Finish the Civil War! For black liberation through socialist revolution!

Thursday, July 09, 2015

*Songs To While Away The Struggle -Nina Simone's "Mississippi Goddam"-Make Sure To See The Netflix Documentary What Happened, Miss Simone?

Click on the title to link a "YouTube" film clip of Nina Simone performing her "Mississippi Goddam. Thanks, Nina.

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Markin comment:

50 years later and even the mere mention of Mississippi puts me directly in mind of Nina Simone's no-nonsense song about the struggle down South in the early part of the civil rights movement in the 1960s. Thanks, Nina.

Mississippi Goddam Lyrics
(1963) Nina Simone


The name of this tune is Mississippi Goddam
And I mean every word of it

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

This is a show tune
But the show hasn't been written for it, yet

Hound dogs on my trail
School children sitting in jail
Black cat cross my path
I think every day's gonna be my last

Lord have mercy on this land of mine
We all gonna get it in due time
I don't belong here
I don't belong there
I've even stopped believing in prayer

Don't tell me
I tell you
Me and my people just about due
I've been there so I know
They keep on saying "Go slow!"

But that's just the trouble
"do it slow"
Washing the windows
"do it slow"
Picking the cotton
"do it slow"
You're just plain rotten
"do it slow"
You're too damn lazy
"do it slow"
The thinking's crazy
"do it slow"
Where am I going
What am I doing
I don't know
I don't know

Just try to do your very best
Stand up be counted with all the rest
For everybody knows about Mississippi Goddam

I made you thought I was kiddin' didn't we

Picket lines
School boycotts
They try to say it's a communist plot
All I want is equality
for my sister my brother my people and me

Yes you lied to me all these years
You told me to wash and clean my ears
And talk real fine just like a lady
And you'd stop calling me Sister Sadie

Oh but this whole country is full of lies
You're all gonna die and die like flies
I don't trust you any more
You keep on saying "Go slow!"
"Go slow!"

But that's just the trouble
"do it slow"
Desegregation
"do it slow"
Mass participation
"do it slow"
Reunification
"do it slow"
Do things gradually
"do it slow"
But bring more tragedy
"do it slow"
Why don't you see it
Why don't you feel it
I don't know
I don't know

You don't have to live next to me
Just give me my equality
Everybody knows about Mississippi
Everybody knows about Alabama
Everybody knows about Mississippi Goddam

That's it for now! see ya' later

Tuesday, December 27, 2011

Junior League Jim Crow- “The Help”- A Film Review

Click on the headline to link to a Wikipedia entry for the film, The Help.

DVD Review

The Help, starring Emma Stone, based on the novel of the same name, 2011

Every once in a while I get thrown off by a film. No, not the usual disappointment of a hyped movie that goes flat. Or films that come out of nowhere to attract my attention against all reason like the Swedish Girl With The Dragon Tattoo series. Here my dilemma is of a different sort. And, perhaps, I have only myself to blame. See, I saw the film under review, The Help, under “false pretenses.” As a short-cut for not having to read the book, a book about the trials and tribulations of black maids and their junior league jim crow employers having their stories publicized, once someone told me that the film pretty well followed the lines of the book. Of course not reading the book before-hand meant that while I was vaguely familiar with the theme I was not prepared for what was to come.

And this is where taking a short-cut, while not always fatal, played me false this time. Not that there was anything particularly wrong with the film as a piece of feel good, moral uplift, pseudo-post racial society fluff. At that level it did what one reading the novel would have expected (according to my source who had read the book and seen the film). See the time frame of the film, in the cauldron of the black civil rights movement down South in Mississippi burning in 1963 or so is all wrong for the light-hearted treatment. So it is very hard, very, very hard for a man of the “generation of ‘68” to take in a “fluff” film about those very maids, gardeners, janitors, steelworker, laundresses, and seamstresses who, along with the SNCC students, formed the core of the civil rights struggle back then. So maybe, just maybe in another fifty or one hundred years when we are meaningfully closer to that post-racial society that some benighted politicians and academic keep heralding this film might seem appropriate look at a primitive time well past. Until then just enjoy this one as after dinner entertainment.

Tuesday, February 01, 2011

February Is Black History Month- Hats Off To The Heroes Of The Civil Rights Movement

Februray Is Black History Month

Hats Off To Heroes of the Civil Rights Movement

DVD Review

Free at Last: Civil Rights Heroes, film documentary, Image Entertainment, 2005

Every major (and most minor) progressive social struggle in America from the struggle for independence from Great Britain through to the struggle for slavery abolition up to the struggle for women’s rights and gender equality today has had more than its share of heroes and martyrs. The purpose of the documentary under review, Free At Last: Civil Rights Heroes, rightly, highlights some of those lesser known heroes and martyrs from the struggle for black civil rights that came to national prominence in the 1950s and 1960s (although arguably that conscious struggle against the manifestations of Jim Crow goes back to the 1930s and before).

Although, in the end, the question of black equality had to be addressed (and still has to be addressed) nationally the thrust of the black civil rights movement that is featured in this film is the struggle for something like a democratic revolution by blacks and their supporters in the police state-like American South. That barbaric de jure and de facto Jim Crow system officially, as a matter state and social policy, held blacks in second class citizenship (or lower). The struggle to overcome that ingrained (and profitable, profitable for whites of almost all social strata) was almost, of necessity, going to create more than it share of heroes and martyrs.

The case of fourteen year old Chicago resident Emmett Till and his horrible murder at the hands of white marauders in Mississippi in 1955, the first of the three separate segments that make up the film graphically, highlights the problem. For the mere allegation of “whistling at a white woman while black” (if that allegation had any substance) young Emmett was brutally mangled and thrown into the local river. When his mother, righteously, made a cause out of this bestial murder all hell broke loose, at least on the surface. And the case galvanized blacks and whites nationally, alerting many for the first time to the hard fact that something was desperately wrong down in Mississippi (and not just there). But justice, Mississippi justice, to paraphrase poet Langston Hughes, is justice deferred. As detailed in almost all the cases highlighted in the film those directly responsible for the actions against the civil rights workers were either never brought to justice or only brought after something like a long drawn out legal civil war. No one should forget that aspect of the struggle either.

The other cases highlighted from the assassinated Medgar Evers, to the four Birmingham girls murdered in their church when it was bombed, to the three civil rights workers slain in Philadelphia, Mississippi that drew nation-wide attention, to slain white civil rights workers Viola Liuzzo and Reverend James Reeb, murdered for “being white while working for black civil rights” exhibit those same kinds of sickening results as in the Till case. Let me put it this way after viewing the film footage here, especially Bull Connor’s attack dogs being let loose on civil rights demonstrators in the streets of Birmingham, Alabama that was one of the first visual images that drove me into the civil rights struggle, I still wanted to throw something at the screen. And you wonder why fifty or so years later I still say Mississippi (or fill in your preferred state) goddam. Kudos here.

Friday, January 28, 2011

From The Pages Of "Workers Vanguard"-Mississippi’s Scott Sisters-Racist U.S. Justice: Cruel and Unusual"- Nina Simone Was Right- "Mississippi Goddam"

Markin comment:

1961 in Mississippi, Mississippi burning time. No, 2011 Mississippi time, Mississippi burning time. The case of the Scott sisters just brings to mind, for the umpteenth time, Nina Simone righteous "Mississippi Goddam" (lyrics below). And as we head into celebrations of the 150th anniversary of the beginning of the American Civil War expect more blather from the "secesh" side. It already started in December with "jubilee" celebrations of South Carolina's ordinances of secession. Where is the Massachusetts 54th when you need it?
********

Workers Vanguard No. 972
21 January 2010

Mississippi’s Scott Sisters

Racist U.S. Justice: Cruel and Unusual


In October 1994, two black women, sisters Jamie and Gladys Scott, were sentenced to double life prison terms for their alledged involvement in an $11 armed robbery. On January 7 the Scott sisters were freed after 16 years of incarceration. But, with their sentences suspended, they will be on parole for the rest of their lives and have to pay the state $52 monthly. Benjamin Todd Jealous, president of the NAACP, proclaimed, “The victory of their release encourages us to press on in our nationwide efforts to convince more governors to use their clemency powers to free more people who desperately deserve it.” This is the pathetic voice of black petty-bourgeois protest inspired by the administration of Barack Obama, chief overseer of racist U.S. capitalism, pleading on behalf of a few who “deserve” when 2.3 million people, 70 percent black or Latino, languish in prison hellholes.

In Mississippi the legacy of slavery is self-evident in its bloody history. The viciously vindictive frame-up of the Scott sisters reeks of the stench of this legacy. The Scott sisters had no prior criminal record. Prosecution witnesses revealed that they were all threatened by the deputy sheriff and forced to sign false statements written in advance. The jury deliberated for 36 minutes. All appeals to reverse the draconian sentence were denied.

Behind Mississippi governor Haley Barbour’s decision to grant clemency to the sisters stood the Grim Reaper. Jamie Scott, who entered prison a healthy young woman, is now suffering complete kidney failure. After enduring the abuse of prison health care, she is in the final stage of this disease. As protests over the sisters’ ordeal mounted in Mississippi and across the country, Governor Barbour made his decision. But he made it clear that a big reason for Jamie’s release was that her medical treatment was a financial burden on the state. The macabre condition of Gladys’ release is that she donate a kidney to her sister.

It should come as no surprise that Barbour treats these black women as figures in an account ledger, balancing out an expense with a kidney. In a 2010 CNN interview, Barbour was asked if Virginia governor Bob McDonnell made a mistake by omitting any mention of slavery when he proclaimed April “Confederate History Month.” Barbour replied that omitting a mention of slavery “doesn’t matter for diddly.” He added that, as Republican governor of Mississippi, he joined bipartisan Confederate commemorations with the Democratic legislature that had “done exactly the same thing in Mississippi for years.” Indeed, Mississippi did not ratify the Thirteenth Amendment, which abolished slavery, until 1995. The last segregationist Jim Crow laws were removed from the state books in 2009, deleted without fanfare in fear of a politically embarrassing racist backlash.

It should also come as no surprise that the trial judge, Marcus Gordon, would treat the lives of these black women as simply trash to be disposed. The same Judge Gordon presided over the trial of notorious Klansman Edgar Ray Killen, the Klan organizer who ordered the 1964 murder of the three civil rights workers Michael Schwerner, James Chaney and Andrew Goodman. For 41 years Killen was a free man. Then in 2005, at age 80, he was convicted on three counts of manslaughter and sentenced to serve 60 years. A grand jury member who had reviewed the evidence stated with confidence that Killen “was the one every order went out from.” In sentencing Killen, an unrepentant race terrorist, Gordon said that “he took no pleasure in the task” (AP, 23 June 2005). Gordon showed no such regrets in sentencing the Scott sisters based on coerced witnesses.

Workers Vanguard readers are well aware of the brutally racist nature of the U.S. criminal injustice system. U.S. capitalism is based on black oppression—and its destruction will require a Third American Revolution, a socialist revolution. As we wrote in “From Slavery to Mass Incarceration: Black Liberation and the Fight for a Socialist America” (WV No. 955, 26 March 2010):

“From slavery to convict labor, from the chain gang to the assembly line, American capitalism has been built upon the lash-scarred backs of black labor. Any organization that claims a revolutionary perspective for the United States must confront the special oppression of black people—their forced segregation at the bottom of capitalist society and the poisonous racism that divides the working class and cripples its struggles.”
********
Mississippi Goddam Lyrics
Nina Simone


The name of this tune is Mississippi Goddam
And I mean every word of it

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

This is a show tune
But the show hasn't been written for it, yet

Hound dogs on my trail
School children sitting in jail
Black cat cross my path
I think every day's gonna be my last

Lord have mercy on this land of mine
We all gonna get it in due time
I don't belong here
I don't belong there
I've even stopped believing in prayer

Don't tell me
I tell you
Me and my people just about due
I've been there so I know
They keep on saying "Go slow!"

But that's just the trouble
"do it slow"
Washing the windows
"do it slow"
Picking the cotton
"do it slow"
You're just plain rotten
"do it slow"
You're too damn lazy
"do it slow"
The thinking's crazy
"do it slow"
Where am I going
What am I doing
I don't know
I don't know

Just try to do your very best
Stand up be counted with all the rest
For everybody knows about Mississippi Goddam

I made you thought I was kiddin' didn't we

Picket lines
School boycotts
They try to say it's a communist plot
All I want is equality
for my sister my brother my people and me

Yes you lied to me all these years
You told me to wash and clean my ears
And talk real fine just like a lady
And you'd stop calling me Sister Sadie

Oh but this whole country is full of lies
You're all gonna die and die like flies
I don't trust you any more
You keep on saying "Go slow!"
"Go slow!"

But that's just the trouble
"do it slow"
Desegregation
"do it slow"
Mass participation
"do it slow"
Reunification
"do it slow"
Do things gradually
"do it slow"
But bring more tragedy
"do it slow"
Why don't you see it
Why don't you feel it
I don't know
I don't know

You don't have to live next to me
Just give me my equality
Everybody knows about Mississippi
Everybody knows about Alabama
Everybody knows about Mississippi Goddam

That's it for now! see ya' later

Sunday, December 19, 2010

*On The 150th Anniversary of South Carolina’s Secession Jubilee- Send In The Massachusetts 54th Black Volunteer Infantry Regiment- Again

Click on the headline to link to an Associated Press online article about the preparations for "celebration" of the 150th anniversary of secession.

Markin comment:

No question that on most occasions the victors in war, like everything else, get to write the narrative of that victory. The exceptions, however, in some cases prove the rule. In this case the exception is the very, very checkered bourgeois historical interpretation of the American Civil War. In the immediate aftermath of the Union victories the narrative ran something like Sherman’s “scorched earth” policy in the war itself. In the aftermath of the defeat of Reconstruction, especially it more radical phases in the late 1860’s and early 1870s though, and for an absurdly long time afterward the South, and Southern historians (like those of the U.B. Phillips school), chipped away at that clear-cut victory for union and abolition of slavery. The black-led Civil Rights movement of the 1950's and early 1960s, as a by-product, produced some much needed historical correctives to that distorted Jim Crow narrative.

Know this, however, there always has been, and is, an undertow reaction to their fate in the Civil War by many descendants on the Southern side of that war. From the more recent controversies over the using the Confederate flag as all, or part, of various state flags (South Carolina, Alabama, Mississippi, etc.) to the place of various generals, like Robert E. Lee and Stonewall Jackson, in American military history the conflict has never died for them, or for us. For the pro-unionist, pro-abolitionist side there has been a certain laxness in appreciation that for many down there (yes, down there) the Civil War never ended. And for once they are right, it hasn’t. Those social and economic tasks around the race question, around the black question as those of us on the left have termed it, from education to housing to jobs still confront us.

Now comes word that South Carolina, the heart and brains of the Confederacy, has planned a celebration, a jubilee if you will, around the 150th anniversary of the signing of the articles of secession by their forbears in December 1860. Every red-blooded leftist, every ardent slavery abolitionist, every admirer of Captain John Brown of Harpers Ferry should burn with rage over this affront to history and protest this event as the NAACP has called to do.

Except, unlike the NAACP, an organization that has historically seen only the need for some “tweaking” of the American capitalist system to bring justice we cry out- Finish The Civil War!. Come to think of it, in addition to that slogan, we should also call for the heroic Massachusetts 54th Black Volunteer Infantry Regiment, or its righteous political descendants, to go down to Charleston and straighten these fools out- again. And, like in 1865, do it while singing John Brown’s Body through the streets of Charleston.

Tuesday, July 27, 2010

*From The Wilds Of Cyberspace-The Latest From The "Black Agenda Report" Website

Click on the title to link to the website mentioned in the headline for the latest news and opinion from that site.

Tea Partyers, Fox News, "Negativity" Against the President? Are These Really Black America's Most Pressing Problems?
Wed, 07/21/2010 - 10:36 — Bruce A. Dixon

Black Misleadership Class | Tea Party | Republicans | Obamarama | Democrats


From the established civil rights organizations like the NAACP to legions of elected Democrats and preachers and even people like our good friends at Color of Change, the main activity these days is an endless circling of wagons around the president, defending him against the flood of racist bile that spews daily from the likes of Fox News, the Tea Partyers and naysaying Republicans. But is that really where so much of our energy and creativity should be going? Aren't there other urgent matters more deserving of the attention of black America's political leadership, our pastors and spokespeople and self-described activists? Matters like black mass incarceration, record unemployment, and the sinking of vast resources into multiple wars abroad?



Tea Partyers, Fox News, "Negativity" Against the President? Are These Really Black America's Most Pressing Problems?

By BAR managing editor Bruce A. Dixon

On July 19, an item popped up on the email listserv of SNCC veterans and supporters.

Like anything on these kinds of mailing lists, it was the opinion of whoever posted it, no more and no less. But it pretty much summed up the current strategic thinking of a lot of what passes for African American political leadership, our black intelligensia and a lot of self-identified activists. It was bright red and in bold typeface several times normal size, and before going out to the triple digit number of subscribers to the SNCC list, it had obviously been forwarded to hundreds more. It went like this, (only much larger):

We call on ALL who support President Obama to take action. On August 4th, the President's birthday, we ask those who support him to wear any campaign item from the Presidential election as a demonstration of our ongoing support. Bring out your old campaign paraphernalia.

If you don't have caps, buttons or tee shirts, wear a red, white, and blue tri-color ribbon or clothing on August 4th. If nothing else, this simple demonstration of support for our President will provide a counteraction to the negativity that spews forth daily. We can do this. YES WE CAN. YES WE WILL.

Mark Your Calendar for August 4th! Pass the word on...

As far as most of the black leadership class --- most of our pastors, politicians, professors and such tell it, those are our marching orders. On the president's birthday, we're all supposed to break out those old Obama stickers, shirts and hats, and like the citizens of Oz in The Wiz, we'll flaunt red, white and blue on the president's birthday. Thus we will show our united opposition to the flood of racist invective against the president. We will demonstrate that we are Thus black America will demonstrate that we are the president's millions strong shield against the torrents of “negativity” that issue forth daily from the likes of Fox News and the tea party. That'll show 'em.

Am I the only one who thinks this is just plain dumb? Are the number one problems of black America really the insults and negativity directed at the president by a bunch of crazy people who are not even in power? Are these the times of Shakespeare's Richard III, when the only political yardstick that mattered was whether and how much you did or didn't love the king? Why should Fox News, the tea party, and insults and negativity directed at the president even rank among black America's top ten or twenty problems? And if black America is called upon to make some kind of united political statement in this season of unprecedented joblessness, homelessness, family debt, privatizations and mass incarceration, is flying the red, white and blue to support the president really the most useful thing we can do?

Does “negativity” against the president keep him from addressing mass black incarceration, unemployment, crushing family and student debt, homelessness & ending US imperial wars abroad?

The short answer is no. A longer answer is that we have other matters which are real problems with far greater effect upon the lives of millions of families than the torrent of “negativity” directed at the president.

At the top of any list of black America's real problems is the nation's policy of black mass incarceration, described most thoroughly and eloquently by Michelle Alexander, and a recurring topic in BAR and its predecessors since 2005. The carceral state has been government's main channel of interaction with young blacks for a generation now, despite the fact that their rates of drug use are statistically indistinguishable from those of white youth. African Americans have been locked up and criminalized in such vast numbers that the integrity of millions of our families have been undermined, and the economic futures of entire communities devastated. We are an eighth the nation's population and just under half its prisoners. Why don't our leaders tell us how to make a united political statement about that?

This is the kind of real problem millions of black Americans expected the Obama administration to address.

Does “negativity” against the president keep his administration from addressing black mass incarceration? Of course it doesn't.

Congressional Democrats or the White House could propose tomorrow to sunset all the two strikes, three strikes and mandatory sentencing legislation. It's just a matter of leadership. But instead of calling all Americans together to re-assess the nation's policy of mass incarceration, we have a president and a class of black political misleaders who would just rather not go there.

What about unemployment? Is “negativity” from Fox News, Republicans and the cartoonish tea party the roadblock to creating those millions green jobs that are just over the horizon. Again, the answer is no.

Unemployment is at a six decade high, and the gap between black and white employment is also at a similar high and widening daily. President Roosevelt and the Democratic congresses of the 1930s simply signed checks to put millions of Americans to work. They created public wealth by building bridges and dams, digging new subway lines in cities like Chicago, and constructing thousands of state of the art new schools. The Roosevelt administration even put teaches in local school districts directly on the federal payroll to keep the schools open, the communities viable and the quality of life acceptable.

Does this “negativity” against the president keep him signing the checks to put millions of Americans into new, green, wealth creating jobs? Again, the answer is no.

What keeps the Obama administration from going there is its blind loyalty to Wall Street bankers and their bipartisan neoliberal trickle-down ideology. The economic vision of Barack Obama and congressional Democratis is far closer to Ronald Reagan than to Franklin Roosevelt, even though Republicans have been out of power in Congress since the end of 2006.

Does “negativity” against the president keep him from cutting the military budget?

Does it prevent him from closing a few hundred of America's thousand or so overseas military bases, and ending our direct and proxy wars in places from Iraq and Afghanistan to Colombia, Somalia and Yemen? We know the history and we know the answer.

Early in his campaign Obama pledged withdrawal of one brigade a month from Iraq, and vowed to erase what he called “the mindset” that produced America's unjust wars. By the time he wrapped up the nomination, he had endorsed Bush-Cheney's phony “surge” in Iraq, forgotten his withdrawal pledges, and promised to double the troops in Afghanistan. In his first 36 hours as president, Obama launched drones and cruise missiles against civilians and children in Afghanistan, and soon afterward, in Pakistan, Yemen and Somalia, as had his predecessor. Did the tea party make him do that? Was it the relentless negativity of Fox News? Was it those naysaying Republicans?

From doubling down on Bush's original Wall Street bailout, to stepping up the Bush-Cheney policies of kidnapping, torture and secret imprisonment, to reversing his opposition to offshore drilling once he secured the Democratic nomination and more, not one of the Obama administration's failures to redeem the promises black America imagined it heard can be laid at the feet of Republicans, Fox News or the tea party. Not one.

In a real sense, the lunatic tea party, cartoonish Republicans, and the outrageous lies of Fox News provide our lazy class of black misleaders in the administration and Congress, and the class of politicians, preachers, professors, business people, self-described activists and wannabes around them a fine distraction from what they can and ought to be doing. The energy and creativity devoted to endlessly circling the wagons around the president sucks the air from every room in the house of black politics. It excuses inaction on matters like black mass incarceration and unemployment, runaway privatizations, and the ever-expanding national security state. It keeps our black misleadership class from having to openly oppose the wars and bailouts that suck up the resources which should be creating jobs and opportunities at home. It's almost God's gift to the administration.

The president doesn't need our protection. He's got the secret service, the armed forces, the CIA and FBI and agencies we don't even know the names of. Our families, our communities and our permanent interests, not the career of one man or the racist insults directed against him, ought to be our chief concern.

What would it look like if the folks on the SNCC listserv, and if our black misleadership class and their acolytes today truly possessed the spirit SNCC had half a century ago? Where would a spirit well grounded in the realities of black America, a spirit impatient with injustice, a spirit reaching through the present for a better world tomorrow lead us? Not to reanimating the tired corpse of the 2008 presidential campaign. Just as SNCC fifty years ago reached well outside and beyond what the wise old political heads believed possible, a spirit of creative struggle would take aim at targets the old political heads of today think are impossible.

If the spirit of SNCC fifty years ago where alive today, it might tell us we ought to wear black and green ribbons, black for the 1.2 million African Americans in prison, and green for those millions of green jobs that are somewhere just over the rainbow.
And we wouldn't be wearing them for just a day. This would not be about the president or his birthday, which matters little to most black families. We could wear them till the administration created 8 million new green jobs, the number vice president Biden admitted have been lost in what he called the Great Recession. We could wear them till the number of African Americans in prison had been reduced by at least half. That wouldn't be a perfect world, but who's asking for perfection. We'd just be asking for progress. Halving the black prison population would not be a perfect world either. It would only bring us down to the level of the Latino prison population, and Latinos are severely over-incarcerated too. But it would be undeniable progress. Is that too much to reach for?

So we won't be wearing red white and blue on the 4th of August. Bet on that. But what about those black and green ribbons? There's an idea....

Bruce Dixon is managing editor at Black Agenda Report and based in Atlanta, and will not be wearing red white and blue any time soon. He's a member of the state committee of the GA Green Party and can be reached at bruce.dixon(at) blackagendareport, or by clicking his name anywhere it appears in red on this site.

Wednesday, July 21, 2010

From 'The Rag Blog- Jonah Raskin : 'Mockingbird' is Muddleheaded and Superficial- A Very Different View

Click on the headline to link to a The Rag Blog entry reviewing Harper Lee's To Kill A Mocking Bird on its 50th anniversary- Jonah Raskin : 'Mockingbird' is Muddleheaded and Superficial Different View.

Markin comment:

I, and most leftists, especially those about six of us still left from the 1960s, can appreciate the critique by Mr. Raskin. However, he has the advantage of 50 years of improving political consciousness on the question of race in America, formally anyway. At the time the book , and later the movie, had a powerful effect, if for no other reason that they were (and are) good literature and cinema. Beyond that, as literary critic and great Russian revolutionary Leon Trotsky noted, one cannot reasonably go. The other stuff, the political fight for black liberation in "real time" stuff, was (and is) up to us-forward in the black liberation struggle.

Note: Needless to say any two pages of Richard Wright's Black Boy or Native Son or any of James Baldwin's work, especially The Fire Next Time has more truth about the racial core of American society than all of Lee's book. But that is a different non-literary question.

Friday, June 18, 2010

*Reflections On The Class-War Prisoners Freedom Campaign And The Black Liberation Struggle- On The Imprisoned Black Liberation Army (BLA) Fighters

Click on the headline to link to a "Wikipedia" entry for the Black Liberation Army (BLA). As always be careful with this source when politics, especially left politics, are at issue. The real import of this entry is the list provided of those class-war prisoners still behind bars who were associated with the BLA.

*Reflections On The Class-War Prisoners Freedom Campaign And The Black Liberation Struggle- On The Imprisoned Black Liberation Army (BLA) Fighters-A Short Note

Markin comment:


Over the past several days I have placed a large number of posts centered on the struggle to get some publicity for the class-war prisoners now languishing in American prisons. I took the list of class-war prisoners from the National Jericho Movement site as that seemed to be the most complete listing (and also overlapped with some of the prisoners supported by the Partisan Defense Committee, an organization that I support). Putting this campaign together: reading about the individual cases, looking for sites that gave added information on those cases and the like I became aware, or became more aware, of how close the struggle to free the American class-war prisoners is with the black liberation struggle.

The list of class-war prisoner cases include some old time white radicals, notably recently imprisoned people’s attorney and grandmother Lynne Stewart, the last two members remaining behind bars of the Ohio 7, Tom Manning and Jaan Laaman, and 1960s SDS- style activists like David Gilbert and Marilyn Buck. It also includes younger activists from more recent movements like animal rights liberation and the ecological struggle. Missing, although given the low level of class struggle over the past few decades understandable, are labor militants like the old time Wobblies (IWW) or Tom Mooney. Also missing are younger versions of 1960s student activists like Gilbert and Buck mentioned above, although given the lack of serious campus struggles (at least until recently over budget cuts) that too is understandable.

What is truly amazing, however, and should give us pause, is how many of the prisoners listed are old time black liberation fighters from the Black Panthers and other black nationalist organizations, particularly the Black Liberation Army (BLA). In the cases of the remaining old time white radicals still imprisoned, there are also some connections to that black liberation struggle as some of those activists saw themselves as aiding black and “Third World” liberation movements from “inside the heart of the beasts.” But the black liberation fighters are the real subject of this commentary.

Now these fighters are not Martin Luther King wannabes, although some of them may have started out their political careers with that prospective. A great number of them may have started looking at that King “turn the other cheek” strategy as the way to deliverance from black oppression. But when things got “hot” in America in the late 1960s and the deep racism inherent in an American society bedrock born on the bones of black slaves was exposed for all to see, at least those who wanted to that approach went by the boards. When the fight went beyond some simple white liberal support for the right to vote, down South, these fighters gravitated to black nationalist organizations like the Black Panthers. Some stayed and some moved on.

Every radical, certainly every white radical, in the 1960s fawned; there is no other word for it, over the Black Panthers, rightly or wrongly, as the vanguard of the revolution, or at least the vanguard of the black liberation struggle. And that, moreover, is the way that organization, and its leaders, saw themselves. There was no room for criticism of strategy, hell, at one point there was no room for white radicals even talking to black militants. Until the “heat” came down. The American government “heat” that made no secret about the fact that if one wanted to be a black revolutionary then one was going to be a dead black revolutionary. And, frankly, as the class-war case histories and other evidence demonstrate they basically succeeded in that objective. In response the Black Panthers fractured, some like Bobby Seale, Bobby Rush and Huey Newton heading “home” to the Democratic Party, other went off to form organizations dedicated to various black urban guerrilla warfare strategies.

And that is where the Black Liberation Army (BLA) comes in. The names of the Cuba-exiled Assata Shakur (yes, Tupac’s “auntie”), imprisoned Doctor Mutulu Shakur (yes, Tupac’s father), and imprisoned Sundiata Acoli should come to mind. It is almost mind-boggling how many of those still behind bars for revolutionary activity are connected, one way or another, with that organization. Now the BLA came at the tail end of the struggle of the 1960s and so it has gotten short shrift both by those 1960s radicals who should know better and by a wall of ignorance by later activists caught up in the mighty grip of a lack of historic interest in the struggles of those who came before them.

I have enclosed a link to a “Wikipedia” entry on the BLA and will be writing more about that organization later, including criticism of speratist urban guerilla warfare strategies. But today listen to this. I know that the only justice these fighters will get is by a successful socialist revolution but in the meantime let’s fight and fight like demons to get them out of those hellhole prisons. Free the Black Liberation Army (BLA) fighters- Hands Off Assata Shakur!

Friday, May 21, 2010

Books To While Away The Class Struggle By- James Baldwin's-"Tell Me How Long The Train's Been Gone"-Get On The Train To The Liberation Struggle

Click on the headline to link to a "Wikipedia" entry for James Baldwin's "Tell Me How Long The Train's Been Gone"

Get On The Train- To Black Liberation Struggle

Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin

Book Review

"Tell Me How Long The Train's Been Gone", James Baldwin, The Dial Press, New York, 1968


Recently I started a review of a film documentary, “Lenny Bruce: Without Tears”, using the following lines that I found appropriate to use to set the same kind of tone in reviewing James Baldwin’s his 1974 novel, “If Beale Street Could Talk”. I also find it useful to do so here as well in reviewing "Tell Me How Long The Train's Been Gone":

“Okay, the average black male kid on the average ghetto city block today knows, and knows without blinking, and knows from some seemingly unspoken source deep within his genetic structure that the cards are stacked against him. That the cops, the courts, or some other part of the “justice” system will, eventually, come knocking at the door or grab him off the street for something, usually dope. The average Latino male kid on the average barrio city block pretty much knows that same thing, again usually on some bogus drug charge. And nowadays young black and Latina women are getting that same message coded into their psyches.”

And that sums up the message behind almost all of Baldwin’s’ best work, at least the message that will last and that should be etched in the memory of every fighter for social justice.

Now I have been, as is my wont when I get “hooked” on some writer, on something of a James Baldwin tear of late, reading or re-reading everything I can get my hands on. At the time of this review I have already looked at “Go Tell It On The Mountain”, the play “Blues For Mr. Charlie”, and "If Beale Street Could Talk. Frankly, those works, caught my attention more so that this work of "black uplift". Although it is well-written and powerful in spots it did not remind me why I was crazy to read everything that Baldwin wrote when I was a kid.

Why? Well, while I could definitely relate to the main character, Leo's, struggle to make a career for himself in the very white theater of his day and I could also sympathize with his struggle against the ingrained racism that he faced in daily life, even when he was successful, there was just a little too much self-satisfaction to move me into his direction. I will say that Baldwin's use, as on previous occasions, of the two-tier past and present interspersed literary format to tell Leo's early story (and his brother Caleb's and his white paramour Barbara's as well) and his current ill-health induced dilemma makes the novel move better than expected when I started reading the book.

That said, Baldwin is at his best when he creates situations where his characters have to confront the hard, hard reality of up-front racism in American. Little scenes like "being black" while in small town New Jersey, being black while in big time Broadway, and being black while dealing with a white (female) lover bring home the point nicely. And of those racial nodal points the strongest is when Baldwin has the bi-sexual Leo's male paramour, Black Christopher, who represents the "new" post- civil rights movement young black draws just the right historical parallel to the Jewish experience in World War II when he states, in effect- we will not go sheepishly into the concentration camps that the whites have ready for us when things get too hot. Powerful stuff. To bad it got buried in a story line that in the end has Leo traipsing off to Europe and not worthy of such insights.

Thursday, May 13, 2010

*From "The Rag Blog" -Amy Goodman : In Praise of Lena Horne

Click on the headline to link to a "The Rag Blog" entry-Amy Goodman : In Praise of Lena Horne.

Markin comment:

I have made my own comments about Lena Horne elsewhere in this space. But the point that Lena made about the studios cutting her out of films shown in the South makes me want to scream one more time- Mississippi Goddam.

Sunday, April 25, 2010

*From The Archives Of "Women And Revolution"-"The Color Purple" -A Guest Book Review

Click on the headline to link to a "Wikipedia" entry for author Alice Walker.

Markin comment:

The following is an article from the Spring 1988 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.

**************

Race, Sex and Class:
The Clash Over The Color Purple

By Don Alexander and Christine Wright


"Well, you know wherever there's a man, there's trouble."

—Alice Walker, The Color Purple

'"Why do you always feel the need to castrate the black man?'"

—Ishmael Reed, Reckless Eyeballing

When The Color Purple, Stephen Spielberg's film of Alice Walker's Pulitzer Prize-winning novel, was released in 1985, it roused loud debates among blacks, picketing and furious letters to the editor across the country. Painting a compelling picture of a terribly abused black woman in rural Georgia between the two world wars, the film really hit a nerve; the controversy quickly got much bigger than the novel. While debates raged in community meetings, feminist supporters of Walker and her liberal and black nationalist critics took up their pens to wage a feud which still soaks up gallons of ink.

Many of Alice Walker's critics accuse her of presenting an image of the black male as a violent monster. Walker has responded that black men don't want to face her "truth-telling." As Marxists, we find what amounts to a highly literary contest for the status of "most oppressed" somewhat beside the point. Nonetheless, the furor over The Color Purple has raised some basic questions about the clash of race and sex in this deeply bigoted, anti-sex society, not least about the explosive tensions between black men and women bred by the destruction of the fabric of life through poverty and oppression.

The Color Purple tells the story of Celie and her struggle to survive and defeat a series of physical and psychological assaults by men. She is raped repeatedly by her father, who gives away her two children against her will. She is married off to a man (Mister) who only agrees to take her if he gets the cow too. Mister treats her worse than a dog, beats her, and has kids as rotten as you can get. As she is later mocked by her husband, "Look at you. You black, you pore, you ugly, you a woman. Goddam...you nothing at all."Then, through her relationship with Mister's lover, the blues singer Shug, Celie finds love and sexual pleasure, leaves her husband, goes into business making pants, discovers she is heiress to a fortune and is eventually reunited with her children, who have been raised in Africa by her missionary sister, Nettie.

Alice Walker's novel begins as a masterly evocation of Celie's nightmarish oppression through a series of letters in Celie's own words. But this artistic promise is betrayed to Walker's feminist agenda at the end of the book, which degenerates into a hokey miracle solution: Walker's "message" is that black women, however rotten and wretched their lives may be, can "make it." Celie embodies the liberal idealist myth that sheer individual will—and in her case, rather unbelievably good luck—can break the chains of oppression.

The novel largely ignores the social misery of the black sharecroppers in the rural Jim Crow South, and fails to so much as hint at the convulsive social struggles in the U.S. in the 1930s. The one exception is Celie's daughter-in-law, Sofia, who is destroyed when she tries to stand up to the white boss. Even then, no one else attempts to combat the vicious racism; Walker is already laying the basis for a retreat into "personal liberation." The novel also describes Nettie's experiences as a missionary in Africa, where she witnesses the destruction of tribal life by imperialism. All Walker can counterpose to this brutality is black Christian missionaries and throwbacks to such vicious, anti-woman tribal practices as ritual sexual mutilation.

Walker's brand of bourgeois feminism, which she calls "womanism," celebrates gooey, mystical "female bonding" not one whit different from the standard line in Ms., where she served on the editorial staff for years. Bourgeois feminism, preoccupied with the career advancement of female yuppies and closing porn shops in Times Square, cannot address the very real sexual and racial oppression of black women.

Who's Afraid of Alice Walker?

Most critics of The Color Purple enthusiastically embrace the liberal lies disguised in it. (Although the controversy exploded when Spielberg's movie was released, it's important to differentiate between Walker's novel and Spielberg's unintended parody.) Walker has been accused of reinforcing racist stereotypes because she wrote about a black woman who had been abused, raped and beaten by black men. There has also been a disgusting, moralistic streak in the outcry over The Color Purple, centering on opposition to Walker's sympathetic portrayal of black lesbianism. Black journalist/TV host Tony Brown, sounding like a Moral Majority Reaganite bigot, claims that anyone who liked the movie was either a "closet homosexual, a lesbian, a pseudo-intellectual or white."

Certain layers of the black establishment intelligentsia denounce as "racist" anything that presents black people in a negative or critical light. But this is another liberal lie just as dangerous as Walker's. Blacks are by no means exempt from 'social backwardness, such as anti-abortion and anti-gay bigotry. The real point (and Walker herself has made this point in previous novels such as The Third Life of Grange Copeland) is tha't terrible poverty and oppression breed personal cruelty and degradation such as that described in 7"he Color Purple. For example, in the eloquent film Nothing But a Man (1964), a spirited young black man, Duff, lives in a small Alabama town, where he is targeted by the racists for his independence and sense of pride. In one of the key scenes in the movie, Duff, blacklisted and unable to support his family, goes home to his wife feeling humiliated by racist mistreatment. Thinking that he sees his failure as a man reflected in his woman's eyes, he turns on her in rage, and their marriage is almost destroyed. Both Duff and his wife are victims of the
racist system which denies the black man his dignity.

When Richard Wright's Native Son was published in 1940, controversy broke out over his gripping portrayal of a brutalized and alienated young black man whose poverty and desperation turn him into a vicious anti-social criminal. Wright, influenced by the Stalinist Communist Party in the late '30s and early '40s, had been disturbed that even "bankers' daughters" were weeping over his earlier short stories, Uncle Tom's Children. As he said, "I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears." And so Wright brought his readers face to face with the starkness of brutal racial oppression in the U.S., implicitly suggest¬ing that there was no room for sentimental liberal drivel.

While Walker seems to have even the bankers' granddaughters bawling, many of her critics are no different from Wright's. Such critics want to perpetuate the myth that blacks owe their condition of savage oppression to the fact that they "don't stick together"—another version of blaming the victim. These critics seek merely to uphold the "respectable" image of the petty-bourgeois black establishment, personified by the "black family life" portrayed on TV's The Bill Cosby Show. And guilty liberals—both white and black—cannot acknowledge the truth about racist America: the ugly degradation of brutalized ghetto life that strips its victims of their dignity and humanity.

Clash of Race and Sex

Of all Walker's critics, the novelist and poet Ishmael Reed has made the best case against The Color Purple. Moving beyond concerns with mere image, Reed has raised some of the hard questions, and for this he has been smeared as a "misogynist" by the feminists. But Reed, whose seven novels are brilliant parables against American racism, is no more a misogynist than Walker is a racist. What the feminists can't stand is that he has got their number: drawing a simplistic sex line in society can put you on the wrong side on some fundamental questions. It simply is not woman-hating point out that Walker's man-hating is relentless. Celie says to Mister, "You a lowdown dog is what's,
wrong It's time to leave you and enter into Creation. And your dead body is just the welcome m need." And Celie berates her stepson, "If you had tried to rule over Sofia the white folks never would Pu caught her."

Reed's barbed and effective satire of feminism, Reckless Eyeballing, is the story of Ian Ball, a black dramal who has been "sex-listed" for his play about a black woman who likes having sex (with men). To make peace with the feminists Ball writes a new play in whi the body of a young black man, lynched by a racist mob for ogling (called "reckless eyeballing" in the South white woman, is exhumed so he can be tried for his se ist crime, which the feminists denounce as equally bad as the murder.

Those who think Reed is exaggerating should thir back about ten years to Susan Brown miller's Again Our Will, one of the bibles of contemporary Americc feminism. As part of her thesis that rape (or the threat of rape) is the main way that all women are controlled t all men, Brownmiller reviewed the famous case of Emmett Till, a 14-year-old black youth who was lynched in Mississippi in 1955 for whistling at a white man's wife.

This monstrous racist murder was a touchstone on th race question. But as a feminist, Brownmiller disgustingly insisted that Till and J.W. Millam (one of th murderers) had something in common: "They both understood that... it was a deliberate insult just short o physical assault, a last reminder to Carolyn Bryant tha this black boy, Till, had in mind to possess her." As result, Brownmiller says, "Today a sexual remark on the street causes within me a fleeting but murderous rage.' Brownmiller's sex-war politics put her in bed with i racist lynch mob.

In the course of Reckless Eyeballing, successful black woman playwright Tremonisha Smarts (who some say was modeled after Alice Walker) was accosted by a man who:
"tied her up, and shaved all of her hair off. His twisted explanation: this is what the French Resistance did to those women who collaborated with the Nazis. The man had said that because of her 'blood libel' of black men, she was doing the same thing. Collaborating with the enemies of black men."

The horrifying racist murder at Howard Beach in December 1986 inspired Reed to make his definitive argument against Alice Walker and other black feminists in an essay serialized in the Amsterdam News in January-February 1987. But when Reed takes his argument out of the realm of fiction, where poetic license allows him to get at a core of truth, he goes astray. Citing the fact that Jon Lester, the teenager who led the lynch mob that murdered Michael Griffith, was said toj be "real emotional" about the film The Color Purple Reed argues that the description of black male violence incites race-terror. He claims that black feminism's "group libel campaign" against black men "is the kind of propaganda spread by the Ku Klux Klan and the American Nazi Party." Reed has a point when he describes his "justifiable paranoia"—he knows it could have been him killed on that highway in Queens. (As black comedian Godfrey Cambridge said , "Paranoia is the occupational disease of black people.")

But the strutting little Mussolinis in Howard Beach could care less what black men do to black women in Harlem, and to lay the blame on "bad propaganda" is a dangerous trivialization of the real threat the race-terrorists pose. It is, however, to Reed's credit that in the days of the black nationalist anti-Semitic demagogue Farrakhan, Reckless Eyeballing savagely denounces anti-Semitism. The book's title page quotes an epigram: "What's the American dream? A million blacks swimming back to Africa with a Jew under each arm." Characters in Reed's novel include a psychotic New York City cop notorious for blowing away blacks and Puerto Ricans, and a Jewish writer who is beaten to death by a mob at the mythical Mary Phegan College. (Mary Phegan was in fact a young white woman murdered in Georgia in 1915; a Jewish businessman, Leo Frank, was framed up for the crime and lynched. The racist upsurge led to the resurgence of the Ku Klux Klan.) Reed uses such themes to calculate by sex and ethnic group the chances of being murdered in the U.S. As the critic Darryl Pinckney said: "Reed's subtext might be that the rape of black women and the lynching of black men are part of the same historical tragedy" (New York Review of Books, 29 January 1987). As a vivid picture of the viciousness of social relations in the United States, Reckless Eyebslling is eons ahead of The Color Purple—and a much better read, too.

The Talented Tenth Squares Off

In a certain sense, the literary debate over The Color Purple reflects the careerist interests of the black intelligentsia, struggling over shrinking economic opportunities in the absence of any movement for radical change. Thus Walker can snipe at black men from her sanctuary at Ms., the darling of white bourgeois feminists, while Reed raves that there is a publishing conspiracy against black male writers. (We thought this was even nuttier than it is, until we tried to buy his books and discovered they were all out of print!) While seemingly Reed and Walker are at loggerheads, they have at bottom the same program. Walker envisages a female Horatio Alger; Reed sees the "solution" in independent black art. Both posit individual struggle within capitalist society, which necessarily pits one section of the oppressed against another. Their message is, "see, you can pull yourself up by your bootstraps," ignoring the fact that the majority have no boots.

What lies behind these squabbles is the frustration of the "talented tenth"—the tiny selection of minority people who have been able to integrate into the professional layers of American society. In the face of the swift elimination of the token and reversible gains of the civil rights movement and in the absence of any mass struggle for social change, such debates among the black intelligentsia take on the air of a dispute over the shrinking job market.

But we must say in passing that even during the heyday of the civil rights movement the reality of sexual oppression was never addressed. The ensuing black social struggle under revolutionary leadership which today allows the fundamentally despairing ideologies of black nationalism and feminism to flourish among those who see themselves as spokesmen for the oppressed. Walker and Reed, in their different ways accepting the basically hopeless framework of the capitalist status quo, see black women's progress as necessarily coming at the expense of black men—and vice versa. Only an anti-capitalist perspective provides the basis for uniting all the oppressed in a fight for freedom at the expense of the class enemy which aims to keep us divided and in chains.

Capitalism and "American Apartheid"

In the 1980s the harsh realities of a decaying class system have become ever more bleak. Especially for blacks, capitalism has less and less to offer. The unemployment rate has soared with the closing of giant industrial plants in the Midwest, which once provided decent union wages and basic social power to a crucial component of the working class. Funding for educa¬tion has been slashed, while segregation in schools and
in housing has increased. Blacks are not safe in many neighborhoods throughout the U.S. as lynch mob terrorists are emboldened by racist government policy. "Political power" for blacks has come to mean more black elected officials, who the Democratic Party has deemed useful to preside over the deterioration of the big cities, where they exact racist cutbacks and enforce "law and order." Philadelphia mayor Wilson Goode, whose police firebombed an entire black neighbor¬hood in order to wipe out eleven MOVE members, including five of their children, is no more a champion of black rights than New York's fascistic Ed Koch.

With the exception of a very few who have "made it," the hellish conditions are compounded for black women through sexual oppression. Unskilled black women remain confined to the lowest-paying, most menial jobs, earning starvation wages as maids, laundresses and waitresses. Black women are made to bear the brunt of devastating cutbacks in social welfare. In the U.S., twice as many black girls are pregnant before the age of 18 as whites, twice the number of black infants die. The American bourgeoisie has long upheld the lie that ghetto poverty and degradation are the fault of the "deviant" promiscuous black "matriarch." In 1969 Daniel Moynihan argued that the black "matriarchy" was responsible for the breakdown of the black family and suggested that young black men should learn the right values by joining Uncle Sam's army. Over the years the black woman has been variously stereotyped as a presumed tower of strength, a sexless and obese mammy, a promiscuous baby machine, an emasculating fiend.

Yet the picture for black men is not much less bleak. The unemployment rate in big cities for a young black man is 50 to 60 percent. There is also the problem of "permanent unemployability"—e.g., black industrial workers, "last hired, first fired," who under today's conditions will never be rehired. Women account for two-thirds of all the professional jobs held by blacks: black women are seen by racist employers as docile,non-criminal, non-militant, non-violent, an upgraded version of what used to scrub floors; whereas that young black man in a suit who seems articulate and ambitious is suspected of being Malcolm X in disguise. In the 3 December 1987 New York Review of Books, the article "American Apartheid" describes the grim reality:
"...black men are more likely [than whites] to be in prisons or the military, or die at an early age. The fact that upward of 20 percent are missed by the census would point up their lack of stable jobs or even settled addresses. Moreover, of those black men the census manages to reach, fewer than half have full-time jobs."

It all comes home to roost in the black family. In a society which defines manhood as the ability to support a family, black men are often denied that very ability. "Single-parent households" are growing throughout the U.S., a phenomenon which affects blacks more heavily but by no means exclusively. Over 56 percent of black families are headed by women. Capitalist society needs the institution of the nuclear family not only to produce the next generation of wage laborers, but as an important force for social conservatism. At the same time, capitalist decay undermines the family through grinding poverty and oppression. The family is the main social institution by which women are oppressed. But in the absence of alternatives, those who fall outside the classic pattern of the family have nothing at all. Thus, this vicious racist system cannot but lead to embittered personal relations between men and women. Out of this rises the frustration which takes The Color Purple controversy out of the literary realm into the community, where it exploded in angry debates.

In this sense, Alice Walker triumphed as an artist: the depth of the controversy shows that she began to lay bare a painful reality. The solution to the reality she and Ishmael Reed have described in their novels lies not in the realm of art or bourgeois politics, but in the struggle for the socialist transformation of society."