Friday, May 26, 2017

Trump's Budget Wars-Join And Build The Resistance Now



Tr
 
 
 
 
 
 
Trump's Budget Wars
 
We knew some of what to expect in President Trump’s first full budget proposal, based on his first budget blueprint and foreboding media stories. What we didn’t know was the full extent of whom Trump’s budget would seek to help, and at what cost.

If President Trump has shown us anything with this budget, it’s that he will seek to increase military spending, even if he doesn’t know why he’s doing it.

For more on Trump's war on the poor, and just plain war, read our statement.
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Trump’s Budget Calls For Cuts To VA Benefits As Tradeoff For Extending Choice Program

Trump’s Budget Calls For Cuts To VA Benefits As Tradeoff For Extending Choice Program

By
Nikki Wentling, Stars and Stripes
on May 24, 2017
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President Donald Trump’s budget released Tuesday proposes cutting monthly stipends to some disabled, unemployed veterans and reducing veterans’ cost-of-living adjustments as offsets to continue a program that allows veterans to seek care outside the Department of Veterans Affairs.
The $186.5 billion budget calls for $2.9 billion in new spending in fiscal 2018, which begins Oct. 1, to fund the Veterans Choice Program, which was created as a temporary measure and allows veterans, in certain instances, to seek health care in the private sector at the VA’s expense. Trump’s budget also asks for $3.5 billion more for the program in 2019 and every subsequent year.The increase would bring the total amount that the VA spends through its various community care programs to $13.2 billion in fiscal 2018.
The Choice program — created in response to the system-wide scandal of veterans suffering long waits for health care — was set to end Aug. 7, 2017. Congress passed legislation in April allowing it to continue beyond the expiration date with the approximately $1 billion remaining of $10 billion appropriated for the program in 2014.
It’s now authorized to continue until it runs out of money. VA Secretary David Shulkin is working on improvements to the program, which has been criticized by veterans and lawmakers as confusing and complex.
“Veterans’ access to timely, high-quality health care is one of this administration’s highest priorities,” the budget states. “The budget provides mandatory funding to extend the Veterans Choice Program, enabling eligible veterans to receive timely care, close to home.”
Listed as one of the offsets for the extra cost is a new restriction on compensation for veterans through the VA’s “individual unemployability” program.
Currently, veterans eligible for the program have a 60 to 100 percent disability rating through the VA and are unable to secure a job because of their service-connected disability. The program allows them to get paid at the highest compensation rate. For 2017, the monthly rate for a 100 percent disabled veteran living alone is $2,915 per month.
The change, which the budget describes as a “modernization,” would stop the higher payments once a veteran who is eligible for Social Security payments reaches the minimum age to receive them. Veterans who have already reached the age to receive Social Security would be removed from the VA benefit program if Congress approves the proposal.
The change would save $3.2 billion for the VA in fiscal 2018, according to budget documents.
Also listed as an offset to the Choice program is a practice to round down cost-of-living adjustments to all veterans who receive disability compensation. The practice was standard until 2013.
The Office of Management and Budget estimates reinstating the round-down policy would decrease payments by a total of $12 annually per veteran. It would save $20 million for the VA in fiscal 2018, the documents show.
The last offset would be to cap student veterans’ Post-9/11 GI Bill benefits for flight training. Flight programs tend to be more expensive than other courses of study, the budget states. It proposes capping benefits for flight training at the maximum the VA will provide to students at private schools, which is about $21,000 each year. The cap would save $42 million for the VA for fiscal 2018, according to the budget.
“Through these tradeoffs, VA will focus its budgetary resources on providing veterans with the most efficient and effective care and benefits,” the budget reads.
In total, the president’s budget calls for $82.1 billion in discretionary spending for the VA, an increase of about 6 percent from fiscal 2017. Once mandated funding is included, the budget surpasses $186 billion.
If passed by Congress, the VA’s budget would be another in a succession of increases for the agency. When former President Barack Obama took office in 2008, the VA budget was about $90 billion. In 2012, it was $130 billion.
Shulkin said at a congressional hearing earlier this month that he would not be seeking a budget increase for the VA in future years, but needed one in fiscal 2018 for modernization efforts.
He is set to testify about the budget Wednesday morning before the House Committee on Veterans’ Affairs.
“The 2018 budget request reflects the strong commitment of the president to provide the services and benefits that our nation’s veterans have earned,” Shulkin said in a statement issued Wednesday. “VA has made significant progress in improving its service to veterans and their family members. We are fully committed to continuing the transformation across the department, so we can deliver the standards of performance our veterans expect and deserve.”
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©2017 the Stars and Stripes. Distributed by Tribune Content Agency, LLC.
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Email your senators today! Urge them to support Senator Rand Paul's bill to block critical parts of a $110 billion arms deal to Saudi Arabia

Politics Makes Strange Bedfellows but here we are!



 Email your senators today!
Urge them to support Senator Rand Paul's bill to block critical parts of a $110 billion arms deal to Saudi Arabia
Dear Douglas ,

You may have heard that President Trump -- apparently unsatisfied with the pace of military escalations across the Middle East -- recently signed a $110 billion arms deal to the Kingdom of Saudi Arabia. Not surprisingly, weapons industry stock prices soared in response to the news, including stocks that Trump has a personal stake in.[1]

This arms deal is the largest arms deal in U.S. history, and it’s being offered to a country that’s been indiscriminately bombing Yemen with U.S. support for over two years, killing thousands of civilians in the process.

Thankfully, Sen. Rand Paul (R-KY) is planning to introduce a bill anytime now to block a key component of the arms deal; the portion containing munitions being used against civilians in Yemen. Thanks to the Arms Export Control Act, Paul can actually force a vote in the Senate, making this a crucial time for your Senators to hear from you.

Please email your senators today and ask them to support Sen. Paul’s bill to stop Trump from putting more U.S.-made bombs into the hands of human rights violators and war criminals.

The truth is the U.S. was simply wrong from the start to offer support for Saudi Arabia’s intervention in Yemen back in March 2015. Since then, with arms sales, logistical support, and political support from the U.S., the Saudi-led military coalition has brought the people of Yemen to their knees, killing thousands of civilians directly by bombing schools, hospitals, and other critical civilian infrastructure, and indirectly putting millions of lives at risk by cutting off access to food and medical supplies.

But since taking office, President Trump has not only escalated U.S. military involvement in Yemen, he’s also offered Saudi Arabia an arms deal worth nearly as much as the combined value of arms deals offered to Saudi Arabia under President Obama’s entire time in office.

The U.S. is already complicit in countless war crimes and human rights violations carried out at the hands of the Saudi-led coalition. Awarding Saudi Arabia with any additional arms, let alone the largest single arms deal in U.S. history, is simply unconscionable.

Please email your senators today and ask them to cosponsor and support Sen. Paul’s bill to stop a key portion of the Trump-Saudi arms deal.

Last September, Senators Rand Paul (R-KY), Chris Murphy (D-CT), Mike Lee (R-UT) and Al Franken (D-MN) introduced the same type of bill to block a comparatively small arms deal; a $1.15 billion sale of tanks and other military hardware. Their effort didn’t succeed outright, but with 27 Senators on board with blocking the arms deal, it had a real impact on U.S. policy, contributing to the Obama administration’s decision to suspend a sale of precision-guided missiles to Saudi Arabia late last year.

With Trump’s behemoth arms deal, the precision guided missiles are back, as are new shipments of jets, helicopters, ships, and more, all weapons systems that Saudi Arabia has used to devastating effect against the people of Yemen. This time around, with a stronger case for stopping the sale of weapons being used in Yemen to commit war crimes, we have a real chance to stop the worst parts of this arms deal in their tracks.

Email your senators today so they know their constituents won’t stand for their complacency on this issue. Ask them to cosponsor and vote for Sen. Paul’s bill to block a key portion of the largest arms deal in U.S. history to one of the worst possible candidates for it.

Thank you for standing with us.

Humbly for peace,

Jon Rainwater
Executive Director
Peace Action and the Peace Action Education Fund

P.S. We have a real shot at stopping significant parts of this arms deal right here and now, but there’s only a short 30-day window in which Congress can act. Please email your senators today and demand that they support Sen. Paul’s bill to stop Trump from giving Saudi Arabia more munitions to kill civilians in Yemen.

References:
[1] “Donald Trump personally profited from missile-maker Raytheon’s stock jump after his Syria attack,” Raw Story, April 8, 2017

Veterans For Peace In D.C To Struggle Against The War Machine -Can You Help Us Get the Word Out?



Can you help us get the word out? 
We have a TV advertisement, which we will run in the Washington, DC area on MSNBC.   Can you help us let as many people know as possible that veterans are gathering against war, against militarism and against the system that is destroying our society, our future and our planet?
Click On Image To See Video
Click On Image to See Video
"If you can give $5, $20 or more we can let millions of people know we will be there, in DC, the heart of the Empire, so they can join us and so they, thousands of them, may join us outside the Lincoln Memorial, march to the White House and fight for Peace and against war; for Life and against death; for Love and against hate; for those things we need and we cherish in our society; and against the greed and the destruction that we have too much already in our society." -Matt Hoh, Veteran, Member of Veterans For Peace
You contribution no matter how small or large will help us make a difference.
As veterans who took an oath to defend the Constitution “against all enemies foreign and domestic” We cannot stand by and let this happen.
More Information on VFP's Memorial Day Action "Stop Endless War! Build For Peace!"

Veterans For Peace is a 501c3 nonprofit veterans organization. Your donation well help us make this a significant stand for Peace. Please give what you can and share this with your family and friends.


Poets' Corner- On Memorial Day For Peace-War And Remembrance

Poets' Corner- On Memorial Day For Peace-War And Remembrance 

 

Not all war poetry can stand the test of literary greatness or longevity but it is almost all very poignant and to the point


Riverdale Blues-For Allen Ginsburg On The 60th Anniversary Of “Howl” (1956)

Riverdale Blues-For Allen Ginsburg On The 60th Anniversary Of “Howl” (1956)





By Lance Lawrence

A sad-eyed dope hung around the back of the old-fashioned framed schoolhouse lazily drawing the summer breeze (he lied since the school had only recently been constructed in the big post World II baby boom and he had gone to school here since the place opened-he lied for the sake of lying,  lying to himself mostly especially about his sexual longing just then as he hoped to get some chick who was hanging out by the bushes to give him a hand job, give him one like Lucinda had given him that time at the movies when sitting up in the balcony she had unzipped his pants and let her hand move so fast he jerked off after about a minute he was so excited and she only twelve imagine what she will be like when she gives it all up but fat chance he would have to grab that piece since his quick spurt, his sperm, his cum,  had gotten all over her dress and she was pissed off at him when it dried and got all crusty on the way home so some other guy would grab her cherry-that  was only a matter of time), wished he could get “washed clean,” washed clean real clean which is what the guys around school called it when their Lucindas moved their hands fast, get his sperm count down, his hot flash temperature, whatever that was.
Cock sore, cock was what the guys called their hanging things, their pulsating penises, so he followed although he got flushed when some guy maybe Billy, Billy Bradley the guy who always seemed to be the first guy with the sex knowledge, first said the word and he had asked what that was-damn. Cock and cocksuckers, waiting on his corner boy, waiting on Billy, waiting on his secret comrade in arms the hazy night as he looked around over heaven’s nightshade (and the guy who would probably be the first to get into Lucinda’s panties since she had already given him her fast hand action and according to Billy something more although Billy wouldn’t  specify but at least that action which is why he had, on Billy’s solemn advise taken Lucinda to the movies in the first place, had asked if she wanted to go to the balcony and when she said yes he knew he was going to get his clock cleaned-he just wished he hadn’t gotten off so fast with Lucinda since Billy’s older brother, Max, had given them a vivid description of what was what when you got a girl all wet and then stuck your stick in her and listened to her moan, moan like humankind had been doing for a million years, and he sure could have put his stick wherever she wanted it-probably laugh at him if he got off too fast-again).
Billy at first nowhere to be found, nowhere to be found that is if he did not want to be found and then the next thing you knew Billy, secret comrade in arms, came sauntering, his style just then before puberty would turn his feet around and he would thereafter walk like some Western movie cowboy would now sing his life-song, what did the poet, the old Solomonic poet call to the high heaven’s, oh yes, plainsong for a candid world, a world before massive bombings, massive unacknowledged deaths for shady ladies and other figment s of his imagination. Come sauntering in the bejesus night looking both ways to see some straggling ungainly girls, some young Lucinda who knew the score, knew if they had hung around that back of the school just then that they had heard about Lucinda, had maybe asked their older sisters or brothers what a hand job was and how to do that. They were eager if they were hanging in the shadows and the dope was hoping that some innocent would get moved by the Billy plainsong (he would learn later that plainsong was more religious that any old rock song even big bop doo wop song but by then rock and roll was his religion anyway) hovering around the fence waiting for something, anything to happen and then a word, a sullen word came off his tongue and the night’s work had begun, maybe a generation was on its way to immortality, was ready to break out of the quiet of the 1950s night without shame and without confession.
Tripping over “she’s so fine, so fine, wish she were mine doo lang doo lang” or the corner boys, the male version of He’s So Fine by the Chiffons, the big bopping song of 1956, the guys, including the dope, backing Billy up in the doo wop frenzy that had swept tween and teen just then and the scent of the jasmine coming from the girl-shadows by the harbor, the marsh’s fetid mephitic smell giving way to the night’s splendor, maybe stolen perfumes from mother’s dresser or some girlish bath-soap all fresh and dewy. Doo lang, doo lang  along with Eddie, Jason, Frank and beloved Peter Paul slapping time and those wanderlust girls along the fences came drifting to the scent of Old Spice that the boys had splashed on father’s bureau, father’s time, father’s sweat but not to  be thought of in the hazy summer night. And as the moon hovered against the sun the girls got closer and closer, one Lucinda’s younger sister, Laura, all the sisters in that family playing off mother Lottie having “L” –encrusted first letter names,  aimed his way and he waved her over to head toward old dead sailors’ graveyard down the far corner of the school lot (oh what those sailors could have told those young bucks from their rotted graves and pock-marked burial stones about hand jobs and blow jobs too when the ante was up about what a girl had to come across with-and if out to sea some young sailor boy plaything but that latter knowledge would not click until later).  A few minutes later the dope came back out of the sailor shadows looking like the king of the hill and Laura wiping her hand with a handkerchief with a faint smile (they had already agreed to meet that next night down at that sailors’ last rest, down among the mortal stone forsaking the last ship out  and by-past the foreplay plainsong-the young learn fast so maybe those sailors would have been stating the obvious when the poured forth in their dank, damp waterfront taverns about blow jobs and hand jobs). 
But hell all that was coming of age, coming of age in a time when things were moving too fast even for quick learners and the corner boys got further and further along in their primitive sex lessons and no more stupid thoughts of red scares, Uncle Joe’s scourge in Moscow town, and Cold War down in the basement hide your ass under some oaken desk and somebody said that was real, that was okay but that scent lingered against the jimson in the jeans from Satan’s tower, look homeward, look homeward angels. Ecstasy-pure ecstasy in the hazy night of some youthful dream. 
Billy would declare (and the dope would secretly agree and write every word down to be passed around later like some latter day glad tiding-like some Mount Sinai-filched grainy stone tablet) that they were in a spin, the world was changing and although he had no empirical evidence, when did the king of the hill need hard-boiled evidence going back to Adam’s time, facts,  he had heard from his oldest brother who already had graduated from high school that not only was the music changing, not only were people, and not just kids, starting to laugh at the idea that going down some rat hole of a basement and hiding under some rotten oaken desk when the big one came [the bomb] would do anybody any good. Started to challenge everything from the whole idea of the red scare night, the whole idea that everybody needed to live their ticky-tacky lives in dread of the reds, having a big ass finned gas-eating car and not “keeping up with the Jones.” Especially day to day the latter.
Billy didn’t get most of what that oldest brother said (and neither did the dope who dutifully wrote it all down anyway which he had “contracted” with his secret comrade Billy to do, to act as scribe which became his nickname at first resented as part of the price of Billy letting a dope hang around with him and his boys and through that circumstance to get to the girls already mentioned above) but he did get that the way things were couldn’t be the future, couldn’t be the way they would have to operate in the world. Couldn’t be the down at the heel existence that he, his family and all the poor bedraggled families that resided in the Five Points “wrong side of the tracks” neighborhood. His oldest brother, Jack to give him a name, the guy telling him all this stuff with the idea of making him wise to the world he was about to face in the not too distant future, had been something of the family rebel.
Jack was always heading to Harvard Square even in high school which was no mean task by bus and later by car when he came of age for a driver’s license, since that place was about forty miles from Riverdale to soak up whatever rebellion was going down (that family rebel designation would fall on Billy later in a very different way when it came his turn to figure out the freaking world and after a short attempt at a break-out rock and roll musical career turned to armed robberies and such eventually getting killed in a shoot- out with cops down in North Carolina trying to all doped up rob a White Hen convenience store). Jack was always talking about “beat” this, “beat” that, some kind of fraternity of rebels who wanted to turn the world upside down (and it was mostly a fraternity the women were mainly around for decoration and whatever sex they wanted to provide). Or maybe better resign from the “square” world and find a little breathing space to do their thing-to write, drink, travel, do dope, have sex but mostly to write for a candid world, a world where the rules didn’t make sense-no way.      
One night when Jack was home for minute during summer semester break from college-he went on a scholarship, how else would the family get the money to send the first in the family to go to college, to Boston University, Class of 1959- he decided to tell Billy and his boys in an excited manner his latest tale “what was what,” the expression all the guys used then to signify, well, they had an idea of what was what. Tell them what it was to be a “beat daddy” (not literally a daddy okay but Jack had had to make the distinction because you never knew when somebody in the neighborhood might be a daddy having knocked up some older Lucinda and had to head out of town or get hitched under the sign of the paternal shotgun). Said it was all summed up, everything that was pushing the world forward in a poem, a “beat” poem not like those rhyming simon poems Mister Riley, the old-time Jazz Age English teacher at Riverdale High  a would spout forth from some old Englishman’s pen, Alfred Lord Tennyson or Byron or Browning, guys like that, a guy named Ginsburg, Allen Ginsburg, a smart Jewish guy who was the chief propagandist for the beat-ness thing in a poem, Howl,  that was making the rounds in Harvard Square and would have its fair share of legal problems but that was later. (Jack was not exactly right about who had been the “real” max daddy of the beats-influence wise it was probably Jack Kerouac when he boiled the 1950s youth nation with his wild men travelogue On The Road, the immediate post-war whirlwind adventures of him and his buddy, Adonis personified Neal Cassady with Ginsburg playing a bit role in that one. But Ginsburg was right in the mix with that fucking long mad monk poem-Brother Jack’s exact words remembered by the Scribe-written down).              
Jack said that Ginsburg had had it right-had seen in the great American blue-pink western night stuff that would drive a guy crazy with what was happening to the world as the machine was getting the upper-hand. Ginsburg had had some kind of vision, one of the guys who hung around the Hayes-Bickford in Harvard claiming that it was dope, marijuana favored by the down-trodden cold fields braceros from old Mexico, or peyote buttons, the stuff favored by the Hopis and the “ghost dancers” out where the states are square that fueled the visions. Visions of an unkempt, unruly world where the philosopher-king was a guy named Carlo Solomon who had the whole thing down cold. Knew the West had been saturated, that there was nowhere else to go but the China seas and so he hammered home the idea that out in the Coast was where humankind had to make a last stand against the Molochs, against the fucking night-takers who have been with us forever. Only the righteous warrior-poets would enter the garden. That Hayes-Bickford clarion calling claimed Ginsburg was talking about the Garden of Eden before the Fall.   


The madness, the sheer madness making everybody from the hunger days of the 1930s and the rat rationing days of World War II hustle to the sound of steel and iron and not the freaking sound of waves slashing timidly to shore. Started ripping up words a minute not all complete phrases and without some kind of formal pacing sense, although if you heard the thing out loud it would have its own jazz-like cadence somebody who was at the recital in Frisco town had been quoted in a newspaper as saying, jazz cadence and stoned on dope or liquor was all you needed that same source ventured. Ginsburg was not hung up on form, like those old fart Englishman who were totally hung up on form almost as bad as those sonnet bastards Riley made the class memorize but talking about post-war modern minds beaten down by the sound of industry humming away talking about a meltdown, talking crazy stuff about angel hipsters (portraying a sentence of 1940s pre-beat daddies hanging around Times Square hustling and conning an unsuspecting world), talking about Negro streets which they all knew as “n----r streets” over in the Acre section of Boston, a place to stay away from, talking about taking on the monster in the mist Moloch mano y mano, talking about the new heroes of the American night all-American swordsman Jack and secret love that dare not speak its name crush on Adonis of the New Western night courtesy of Laramie Street in mile-high Denver Neal Cassady to be exact the new model of the  last cowboy standing. Neal some amazing cocksman to be envied and emulated screwing every honey who was not tied down to a chastity belt on farms, in the restrooms of diners and out in the back alley if the restroom was occupied. Damn. 

Ginsburg had actually been in the nut house in New York someplace, had dedicated the poem to some fellow inmate who was crazier that he was or dedicated to all the crazies, the looney bin Jack had called the place like the place all the guys in Riverdale did when they talked about where screwballs and goofs, even Kerouac’s holy goofs learned about later, should have landed, so he knew what deal was going down, knew that America had turned into a cesspool even if nobody else saw the drain coming. Jack had made Billy and the dope laugh when he told them the reason Ginsburg was in the looney bin was he had been sent there by some judge after he got into legal trouble, committed or was present at some unknown crime, an event which made the pair respect this Ginsburg more since cons in the old Riverdale neighborhood were looked up to with respect and admiration, to try to get rid of his faggot-ness, his homosexuality, his liking boys and not girls. (They laughed not because they knew that Jack hated fags and queers which he did and had put paid to that idea having gone down to Provincetown where all the fags and queers hung out all dressed up and all leering at anybody who came off the Provincetown boat from Boston with his own boys and raised hell with them-more than once. Beat a couple up who were eyeing him too closely and one in drag whom he thought was a girl until he got close enough to see some slight stubble on “her” face. Seems that Jack was giving Ginsburg a pass on his sexual preference just because he was a beat guy-Billy and the dope wouldn’t have given the fucker the time of day even if the guy was a prophet if he hadn’t been a con when they talked about it later since they shared Jack’s hatred of fags-and dykes like every red-blooded guy did then.)     

Jack knew what the unholy kid goofs were laughing about, about his seeing literary merit even if the guy was a faggot. The minute he said “faggot” he knew they would goof but he thought they should know what else the guy had to say. He told them a lot of good writers and poets were “light on their feet” and that was something you had to deal with if you wanted to read anything worth reading and let the faggot stuff slide, you don’t have to meet them in person anyway. So he told Billy and the dope to forget the stuff he said about Ginsburg’s queer as a three dollar bill situation and “dig” (that was the word Jack used) what he had to say to the world, to the young really. The stuff about machines devouring humankind and making the world crazier than it already was. That maybe the guys in mental hospitals like the ones who were his comrades at the time were the sane ones-that what they knew was too powerful to let them stay out on the mean streets for long. That the Molochs were in charge (“what the fuck is a Moloch,” Billy asked, interrupting, not comprehending what Jack was talking about as he droned on about stuff that seemed weird). Tried to tell the kids that this thing was Ginsburg plainsong, his way of putting in raw language his spiritual trip, his karma on the world. (the dope would run into Ginsburg later at an anti-war rally in New York City in his later incantation as a Buddhist so karma was the right word even though they were clueless about what it really meant in Buddhist traditions).


After about fifteen minutes Jack could see his audience’s eyes glazing over and so he stopped, stopped and told them that when they got his age they would be thinking about all the stuff Ginsburg laid out in that not-fit-for-public-school-classrooms poem. They laughed, snickered really and wondered what Lucinda and Laura were up to just then. The hell with Jack and his fucking homo poem.            

Thursday, May 25, 2017

The 100th Anniversary Year Of The October Bolshevik Revolution In Russia-Lessons Of The Resistance Then

The 100th Anniversary Year Of The October Bolshevik Revolution In Russia-Lessons Of The Resistance Then 

Workers Vanguard No. 1103
13 January 2017
TROTSKY
LENIN
Lenin and the Bolshevik Revolution
(Quote of the Week)
This year marks the 100th anniversary of the Russian October Revolution, which swept away the capitalist exploiters and landlords and established the working class in power. Key to the success of the Revolution was the Bolshevik Party and its leader V.I. Lenin. January is also the month in which communists honor the “Three Ls”: Lenin, who died on 21 January 1924, and German Communist leaders Rosa Luxemburg and Karl Liebknecht, who were assassinated on 15 January 1919 at the behest of the German Social Democratic government as part of its suppression of a mass working-class uprising.
What were the advantages of Bolshevism? A clear and thoroughly thought-out revolutionary conception at the beginning of the revolution was held only by Lenin. The Russian cadres of the party were scattered and to a considerable degree bewildered. But the party had authority among the advanced workers. Lenin had great authority with the party cadres. Lenin’s political conception corresponded to the actual development of the revolution and was reinforced by each new event. These advantages worked wonders in a revolutionary situation, that is, in conditions of bitter class struggle. The party quickly aligned its policy to correspond with Lenin’s conception; to correspond, that is, with the actual course of the revolution. Thanks to this, it met with firm support among tens of thousands of advanced workers. Within a few months, by basing itself upon the development of the revolution, the party was able to convince the majority of the workers of the correctness of its slogans. This majority, organized into soviets, was able in its turn to attract the soldiers and peasants.
How can this dynamic, dialectical process be exhausted by a formula of the maturity or immaturity of the proletariat? A colossal factor in the maturity of the Russian proletariat in February or March 1917 was Lenin. He did not fall from the skies. He personified the revolutionary tradition of the working class. For Lenin’s slogans to find their way to the masses, cadres had to exist, even though numerically small at the beginning; the cadres had to have confidence in the leadership, a confidence based on the entire experience of the past. To cancel these elements from one’s calculations is simply to ignore the living revolution, to substitute for it an abstraction, the “relationship of forces”; because the development of the revolution precisely consists of the incessant and rapid change in the relationship of forces under the impact of the changes in the consciousness of the proletariat, the attraction of the backward layers to the advanced, the growing assurance of the class in its own strength. The vital mainspring in this process is the party, just as the vital mainspring in the mechanism of the party is its leadership. The role and the responsibility of the leadership in a revolutionary epoch is colossal.
—Leon Trotsky, “The Class, the Party, and the Leadership,” August 1940, reprinted in The Spanish Revolution (1931-39) (Pathfinder, 1973)

"Our Side of Town" – A Red House Records 25th Anniversary Collection”- A CD Review

"Our Side of Town" – A Red House Records 25th Anniversary Collection”- A CD Review






CD Review

“Our Side of Town – A Red House Records 25th Anniversary Collection”
Various Artists, Red House Records, 2008



I have, except as the occasion called for it as in the case of Sun Records or Chess Records, not spent much time discussing the various ups and downs of particular record labels and their attempts to corner a piece of the music market. There is certainly history there, sometimes very interesting history as in the cases of those labels mentioned above, but I leave that for others to toil over. I prefer to concentrate on various musical influences that flow through the folk world, except that here one can not avoid, or should not avoid, paying some respect to the Red House Record label that has been a mainstay of post-1960s folk revival folk music and artists.

Frankly, I know Red House mainly as the long time vehicle for one of the artists performing on this anniversary CD, Greg Brown. And also for a few late efforts by Rosalie Sorrels, especially her tribute to Utah Phillips last year. Of course, those two names tell you much about what this label is about and about the musical traditions of not just the past 25 years of folk and folk rock but the last half century.

This label has also been the launching pad for some lesser known names like Jimmy LaFave, Lucy Kaplansky, Eliza Gilkyson, and the Wailin’ Jenny’s. What you have here, my friends, are tributes by the performers who have struggled, and sometimes struggled in lonely spots, to keep the folk genre part of the great American songbook. So match up the performers and the label and you have quite a piece of history and a primer of the latter-day folk scene. Listen up.