Tuesday, March 12, 2013

***Out In The Be-Bop, Be-Bop 1960s Night- The Great San Francisco Summer Of Love Explosion



From The Pen Of Peter Paul Markin

[Peter Paul Markin, in telling somebody else’s story from the old days in the working class neighborhoods of North Adamsville where he grew up, or rather when somebody else, threating murder and mayhem, wanted him to tell their stories usually gave each and every one of that crew enough rope to hang themselves without addition comment. In the case of one Foul-Mouth Phil Larkin he felt, as an elementary act of social hygiene and an effort to keep the facts straight, a need to make such comment which are contained within brackets below.]
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Phil Larkin, just then road-weary “Far-Out” Phil Larkin, for those who want to trace his evolution from North Adamsville early 1960s be-bop night “Foul-Mouth” Phil, then the vocal terror of every mother’s daughter from six to sixty now morphed into full-fledged merry prankster, sat on a June such-and-such 1967 be-bop night a nameless San Francisco.

[Markin: Phil, despite his lewd language was, occasionally, a secret delight of some girls, secret delight of one Minnie Callahan, damn him she had been my girl after all, for just one example of such girl classmates, proper Catholic novena and rosary bead back in that North Adamsville night.]

Alongside him sat new conquest, not conquered with his old time wicked corner boy devil-inspired charm but with mere patter (and dope), new flame Butterfly Swirl met on a La Jolla beach a month or so back, not entirely by accident. And next to her his old flame, old in that quickly met moment, this merry prankster bus flame met in Ames, Iowa last year, accidentally except to those cosmically inclined and Phil was not one of them not one bit, Luscious Lois. Lois, however, now transformed into Lilly Rose, transformed at the flip of a switch, as was her way when some whim, or some word in the air, hit her dead center. Along the road west, again by whimsy she had been variously, Lupe Matin, Loretta Nova, Lance (figure that one) Opal, and so on. (Phil just got to calling her honey, or sweet pea, and left it at that)

[Markin: Sometime, but not now, remind me to give you my take on this name-changing epidemic. Not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. Hell, I got caught up in it myself, and was for a time, Blackie Saint James. Yes, remind me to flesh this whole thing out.]

Yes, it had been one long roller coaster year for Foul-Mouth as he drifted with the new age winds. [Markin: Alright, let’s split the difference on his moniker since I knew him way back when in that weird early 1960s corner boy night when he didn’t know from nothing about which way the winds were blowin’, could have cared less which way they were blowin’, or if they were, and made fun of me, as did Frankie Riley, and a couple of others, although not Sammy Russo, when I said some big changes were coming that would throw off our school, work, green lawn little white house with picket fence, two point four children, mongrel dog futures, and just call him Phil from here on in. Foul-mouthed or far out he was some hell-bound character.] From the bowels of despair rank no serious future retail clerk hustling means’apparel up at Raymond’s Department Store in slowing dying (dying from suburban mall-itis then all the rage) Adamsville Center, harassed beyond endurance at home for lacking some unfathomable ambition from dear mother, with an occasional assist from dad (that ambition entailing pursuing some low-rent, GS-10, government job with security unto the grave, egad), and a late sniffing of that wind that this fellow corner boy had predicted was coming although he was vague on the contours of that change Phil broke out one night.

Literally late one night, one May 1966 night. Around two in the morning, with his all his earthly belongings on his back in an old time World War II army knapsack picked up at Bill’s Army &Navy Store Phil lit out like Walt Whitman way back when to places unknown and Jack Kerouac and his gang just a few years before for the coast, although if you had mentioned those names to him then he would have stared blankly back at you. Maybe now too. But here, let’s let Phil tell the story for a while about how he got to ‘Frisco and then we’ll see what is up with him and his “family” (okay, okay, Butterfly Swirl and Lilly Rose, if that is her name by the time we back) on that nameless 1967 San Francisco hill:

“Hey, I am no slave to convention, whatever the conventions are, but in those days I looked like a lot of young guys. Longish hair, a beard, a light beard at the time, blue jeans, an army jacket, sunglasses, a knapsack over my shoulder, and work boots on my feet. Sandals would not come until later when I got off the road and was settled in a“pad” [Markin: house, rented or maybe abandoned, apartment, hovel, back of a“free” church, back of a store, whatever, a place to rest those weary bones, or“crash”] in La Jolla and were, in any case, not the kind of footwear that would carry you through on those back road places you might find yourself in, places like Deadwood, Nevada at three in the morning with a ten mile walk to the nearest real town in front of you. I mention all this because that “look” gave me the cache to make it on the road when I headed out of the house that Spring 1966 be-bop night after one final argument with dear mother about where I was going, what was I going to do when I got there, and what was I going to do for money. Standard mother fare then, and now I suppose.

So short on dough, and long on nerve and fearlessness then I started to hitchhike with the idea of heading west to California like about eight million people, for about that same number of reasons, have been heading there since the Spanish, or one of those old time traveling by boat nations, heard about the place. Of course, nowadays I would not think to do such a thing in such a dangerous world, unless I was armed to the teeth and that would take a little edge off that “seeking the newer world” Markin has been blabbing about since about 1960. But then, no problem, let’s get going. Especially no problem when just a few miles into my journey a Volkswagen mini-bus (or van, neither in the same league as the yellow brick road school bus, no way, that I will tell you about later but okay for a long ride, and definitely okay when you are in some nowhere, nowhere Nebraska maybe, back road, hostile territory dominate by squares, squares with guns and other evil implements and they, the VW-ites, stoned, stoned to the heavens stop to ask you directions because they are “lost” and invite you on board) stops on Route 128, backs up, and a guy who looks a lot like me, along with two pretty young girls says,“where are you heading?” (Okay, okay, Markin, young women, alright.) West, just west. And then the beautified words, “Hop in.”

Most of the road until the Midwest, Iowa is the Midwest, right was filled with short little adventures like that. A mini-bus frolic for a few hours, or a few days. Maybe a few short twenty miles non-descript square Chevy rides in between but heading west by hook or by crook. Did I like it? Sure I did although I was pretty much an up-tight working-class guy (that was what one of those pretty girls I just mentioned on that first hitchhike ride out called me when I “passed” on smoking a joint and, hell, she was from next door Clintondale for chrissakes) who liked his booze, a little sex [Markin: Phil, come on now, a little?], and just hanging around the old town waiting for the other shoe to drop. But I could see, after a few drug experiences, no, not LSD, that I was starting to dig the scene. And I felt every day that I was out of North Adamsville that I was finally shaking off the layers of dust that I had acquired from that place.

Then one night, sitting in the front seat of a big old Pontiac (not everybody, not every “hip” everybody had the mini-bus, van, or school bus handy for their “search” for the great American night), Big Bang Jane between us, the Flip-Flop Kid driving like god’s own mad driver, smoking a joint, laughing with the couple in back, Bopper Billy and Sweet Pea, we headed into a pay-as- you go roadside camp near Ames out in Iowa. And at that campsite parked maybe five or six places over from where we planted ourselves was god’s own copy of that day-glo merry prankster bus I mentioned before. I flipped out because while I had hear about, and seen from a distance, such contraptions I hadn’t been up close to one before. Wow!

Markin had it just about right when he described that old bus after I told him about it:

“A rickety, ticky-tack, bounce over every bump in the road to high heaven, gear-shrieking school bus. But not just any yellow brick road school bus that you rode to various educationally good for you locations like movie houses, half yawn, science museums, yawn, art museums, yawn, yawn, or wind-swept picnic areas for some fool weenie roast, two yawns there too, when you were a school kid. And certainly not your hour to get home daily grind school bus, complete with surly driver (male or female, although truth to tell the females were worst since they acted just like your mother, and maybe were acting on orders from her) that got you through K-12 in one piece, and you even got to not notice the bounces to high heaven over every bump of burp in the road. No, my friends, my comrades, my brethren this is god’s own bus commandeered to navigate the highways and by-ways of the 1960s come flame or flash-out. Yes, it is rickety, and all those other descriptive words mentioned above in regard to school day buses. That is the nature of such ill-meant mechanical contraptions after all. But this one is custom-ordered, no, maybe that is the wrong way to put it, this is “karma”-ordered to take a motley crew of free-spirits on the roads to seek a “newer world,” to seek the meaning of what one persistent blogger on the subject has described as the search for the great blue-pink American Western night.”

“Naturally to keep its first purpose intact this heaven-bound vehicle is left its mustard yellow body surface underneath but over that primer the surface has been transformed by generations (generations here signifying not twenty-year cycles but trips west, and east) of, well, folk art, said folk art being heavily weighted toward graffiti, toward the psychedelic day-glo splashes and zodiacally meaningful symbols. And the interior. Most of those hardback seats that captured every bounce of childhood have been ripped out and discarded who knows where and replaced by mattresses, many layers of mattresses for this bus is not merely for travel but for home. To complete the “homey”effect there are stored, helter-skelter, in the back coolers, assorted pots and pans, mismatched dishware and nobody’s idea of the family heirloom china, boxes of dried foods and condiments, duffle bags full of clothes, clean and unclean, blankets, sheets, and pillows, again clean and unclean.

Let’s put it this way, if someone wants to make a family hell-broth stew or a made up bed there is nothing in the way to stop them. But also know this, and know it now, as we start to focus on this journey that food, the preparation of food, and the desire, except in the wee hours when the body craves something inside, is a very distant concern for these “campers.” If food was what you desired in the foreboding 1960s be-bop traveling night you took a cruise ship to nowhere or a train (if you could find one), some southern pacific, great northern, union pacific, and worked out your dilemma in the dining car. Of course, no heaven-send, merry prankster-ish yellow brick road school bus would be complete without a high-grade stereo system to blast the now obligatory “acid rock” coming through the radiator practically.”

After we settled in at our campsite, the Flip-Flop Kid (and the guy really could never make up his mind about anything, anything except don’t go too close to Big Bang Jane, no kidding around on that), Bopper Billy (who really thought he was king of the be-bop night, but, hell in the North Adamsville corner boy night Frankie Riley, hell, maybe even Markin, would have out be-bopped him for lunch and had time for a nap), Big Bang Jane (guess what that referred to, and she gave herself that nickname, but I never tried to make a move on her because she was just a little too wild, a little too I would have to keeping looking over my shoulder for me then, probably later too when things got even looser. And then there was the Flip-Flop Kid’s warning ), and Sweet Pea (and she was a sweet pea, if Bopper Billy, wasn’t around, well we both agreed there was something there but in those 1966 days we were still half tied up with the old conventions of not breaking in between a guy and his girl, well that was the convention anyway and whether it was generally honored or not, I did) we headed over once we heard the vibes from the sound system churning out some weird sounds, something like we had never heard before. (Weird then, little did we know that this was the wave of the future, for a few years anyway).

Naturally, well naturally after the fact, once we learned what the inhabitants of the bus were about, they invited us for supper, or really to have some stew from a big old pot cooking on a fireplace that came with the place. And if you didn’t want the hell-broth stew then you could partake of some rarified dope. No, again, no on the LSD thing. It was around, it was around on the bus too, among its various denizens, but mainly it was a rumor, and more of a West Coast thing. In the self-proclaimed, tribal self-proclaimed Summer of Love and after that is when the acid hit, and when I tried it, but not on this trip. This trip was strictly weed, hemp, joint, mary jane, marijuana, herb, whatever you wanted to called that stuff that got you high, got you out of yourself, and got you away from what you were in North Adamsville, Mechanicsville or whatever ville you were from, for a while.

So that night was the introduction to the large economy size search for the freedom we all, as it turned out, were looking for. I remember saying to Sweet Pea as we went back to our campsite (and wishing I wasn’t so square about messing with another guy’s girl, and maybe she was too, maybe wishing I wasn’t so square about it) that we had turned a corner that night and that we had best play it out right then for the chance might not come again.

The next day, no, the next night because I had spent the day working up to it, I became “Far-Out” Phil, or the start of that Phil. Frankly, to not bore you with a pipe by pipe description of the quantity of dope that I smoked (herb, hashish, a little cocaine, more exotic and hard to get then than it became later) or ingested (a tab of mescaline) that day, I was “wasted.” Hell I am getting “high” now just thinking about how high I was that day. By nightfall I was ready for almost anything as that weird music that crept up your spine got hold of me. I just, as somebody put a match to the wood to start the cooking of a tonight pot of stew to keep us from malnutrition, started dancing by myself. Phil Larkin, formerly foul-mouthed Phil, a cagy, edgy guy from deep in corner boy, wise guy, hang-out guy, never ask a girl to dance but just kind of mosey up world started dancing by myself. But not for long because then he, me, took that dance to some other level, some level that I can only explain by example. Have you ever seen Oliver Stone’s film, The Doors, the one that traces the max-daddy rocker of the late 1960s night, Jim Morrison’s career from garage band leader to guru? One of the scenes at one of the outdoor concerts, in a canyon somewhere I think, had him, head full of dope, practically transformed into a shaman. Yah, one of those Indian (Markin: Native American, Phil] religious leaders who did a trance-dance. That was me in late May of 1966, if you can believe that.

And see, although I wasn’t conscious of it first I was being joined by one of the women on the bus, Luscious Lois, whom I had met, in passing, the night before. This Lois, not her real name, as you can tell not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. [Markin: Nice point, Phil, although I already ‘stole’ that point from you before.] Her real name was Sandra Sharp, a college girl from Vassar who, taking some time off from school, was “on the bus” trying to find herself. She was like some delicate flower, a dahlia maybe, like I had never encountered before. I won’t bore you with the forever have to tell what she looked like thing because that is not what made her, well, intriguing, maddeningly intriguing, like some femme fatale in a crime noir film that Markin, from what I can gather, is always running on about. She was pretty, no question, maybe even a dark-haired, dark-eyed beauty if it came to a fair description in the light of day but what made her fetching, enchanting, if that is a different way to say it, was the changes in her facial expressions as she danced, and danced provocatively, dance half-nakedly, around my desire. And I danced, shedding my shirt although I do not remember doing so, and also danced half-naked around her desire. Then, faintly like a buzz from some hovering insect, maybe a bee, and then more loudly I kept hearing the on-lookers, half-mad with dope and with desire themselves, yelling far out, far out. And Far-Out Phil was born.

Oh, as for Luscious Lois and her desire, well, you figure it out. I might not have been wise to the ways of the Vassar world in those days when such places were bastions to place the young women of the elite and keep them away from clawing upstarts from the corner boy night as I should have been but the rest of my time on the bus was spend hovering around Lois, and keeping other guys away. I even worked some plebeian “magic” on her one night when I started using certain swear words in her ear that worked for me with every Sunday at Sacred Heart Catholic Church, Millie Callahan, back in the day. Far-Out Phil got a little something extra that night, proper Vassar girl or not.

No offense against Iowa, well only a little offense for not being near an ocean, I think. No offense against the university there, well only a little offense for not being Berkeley but after about a week of that campsite and its environs I was ready to move on and it did not matter if it was with Flip-Flop and his crowd or with Captain Crunch (the guy who “led” his merry pranksters, real name, Samuel Jackman, Columbia, Class of 1958 who long ago gave up searching, searching for anything, and just hooked into the idea of taking the ride). Captain Crunch, as befitted his dignity (and since it was “his” bus paid for out of some murky deal, probably a youthful drug deal, from what I heard), was merely the “leader” here.

The driving was left to another, older guy. This driver was not your mother-sent, mother-agent, old Mrs. Henderson, who prattled on about keep in your seats and be quiet while she is driving (maybe that, subconsciously, is why the seats were ripped out long ago on the very first “voyage” west) but a very, very close imitation of the god-like prince-driver of the road, the ‘on the road” pioneer, Neal Cassady, shifting those gears very gently but also very sure-handedly so no one noticed those bumps (or else was so stoned, drug or music stoned, that those things passed like so much wind). His name: Cruising Casey (real name, Charles Kendall, Haverford College Class of ’64, but just this minute, Cruising Casey, mad man searching for the great American be-bop night under the extreme influence of one Ken Kesey, the max-daddy mad man of the great search just then). And Cruising was, being just a little older, and about one hundred years more experienced, was also weary, very weary of co-eds, copping dope and, frankly, staying in one place for so long. He also wanted to see his girlfriend or his wife I am not sure which in Denver so I knew that was where we were heading. So off we go, let’s get going.

And the passengers. Nobody from the Flip-Flop Express (although Flip-Flop, as usual lived up to his name and hemmed and hawed about it), they were heading back east, back into the dark Mechanicsville night. I tried, tried like hell, to get Sweet Pea to come along just in case the thing with Lois fell apart or she took some other whim into her head. See, re-invented or not, I still had some all-the angles boyhood rust hanging on me. We knew for sure that Casey was driving, and was still driving effortlessly so the harsh realities of his massive drug intake had not hit yet, or maybe he really was superman. Others whose names I remember: Mustang Sally (Susan Stein, Michigan, Class of 1959, ditto on the searching thing), Captain Crunch’s girlfriend, (although not exclusively, not exclusively by her choice, not his, and he was not happy about it for lots of reasons which need not detain us here). Most of the rest of the “passengers” have monikers like Silver City Slim, Penny Pot (guess why), Moon Man, Flash Gordon (from out in space somewhere, literally, as he told it), Denver Dennis (from New York City, go figure), and the like. They also had real names that indicated that they were from somewhere that had nothing to do with public housing projects, ghettos or barrios. And they were also, or almost all were, twenty-somethings that had some highly-rated college years after their names, graduated or not). And they were all either searching or, like the Captain, were at a stage where they were just hooked into taking the ride.

As for the rest. Well, no one could be exactly sure, by the time the bus approached the outskirts of Denver, as this was strictly a revolving cast of characters depending on who was hitchhiking on that desolate back road State Route 5 in Iowa, or County Road 16 in Wyoming, and desperately needed to be picked up, or face time, and not nice time with a buzz on, in some small town pokey. Or it might depend on who decided to pull up stakes at some outback campsite and get on the bus for a spell, and decide if they were, or were not, on the bus. After all even all-day highs, all-night sex, and 24/7 just hanging around listening to the music is not for everyone. And while we had plenty of adventures on those strange day roads winding up the crest of the rockies to Denver, thinking back on it now, they all came down to drugs, sex, and rock and roll, with a little food on the side.

Well, except that one time, camping on a primitive clearing, not really a campsite, not a commercial site, no way, near ranch land in some Wyoming Podunk we got the hell scared out of us by some ranchers, some nasty-looking cowboys. Three or four but that was all it took, if you to want to know the truth, who moseyed (and that is exactly the right word because this was THEIR god’s country and moseying was just exactly the way you moved when that hard fact is involved. No city scratching and scrambling to claim your little corner, not for these boys). We could see they were armed, armed to the teeth, not on the off-hand chance they would run into some merry prankster dangers, but carrying that full array of armament was just their normal work conditions, god’s country or not.

This was one time that Captain Crunch really showed his mettle, and acted as an upfront leader. Most of the time he was in a running battle with Mustang Sally over who she was, or was not, sleeping with or just controlling the action of the bus indirectly. One maneuver was to always, always, slip off to Cruising any questions about where we were headed or could we stop here or there to see some long lost friend, some scenic view or any one of a thousand things that come up on a prankster trip, or as I found out later even a square’s kiddies –laden family trip. Straight up Captain, who was not skinny guy and was probably pretty well built before he started his prankster gag although there was some sag now, yelled at the top of his lungs, “You, boys hungry?, We’ve got plenty of stew if you are.” Well, for always lean times, eating from the hip, cowboys the idea of having plenty to eat right there in front of you must have been appealing. But the lead cowboy, Joe Bob Buck, was his name, I swear, said in that slow drawl Sam Shepard way, “Nope, but we heard that you guys had some decent dope. Is that straight?” Well, of course that was straight. And in a flash a big pipe of the Captain’s finest was heading Joe Bob’s way. Hey, I guess this was a dope story after all so, yah, I guess it did all come down to just drugs, sex, and rock and roll. But if you want to know what the sixties were all about then just think about a clan of hippies sharing a pipe of high grade Panama with some lonesome cowboys out in Podunk Wyoming and who thought nothing of it and you have got the idea.

Oh, sure, we also had our share of “casualties” of war and basket cases on that trip. It wasn’t all cowboy peace and rockies vistas. I remember, more than once, we had to leave people behind in various emergency rooms suffering from anything from a “bad trip” to normal medical problems or make that call home that spelled the end for some half-dazed kid. Come pick up the wreckage, mom and dad. The worst was some poor bedraggled girl, who probably should not have been allowed to stay because she was a little wacky coming in, who we picked up near some rural bus stop. Captain had a big heart on this “on the bus” question, and unless you proved to be some kind of thief, or something like that you stayed if you wanted to. Anyway this young woman, hardly more than a girl, just started screaming one day, no drugs involved that we knew of , just started screaming and even Captain and Sally couldn’t stop her. We left her in Cheyenne but like a lot of things from that transient time I never did find out what happened to her. Just like some people can’t live in the high altitudes not everybody could survive on the bus. Living out on edge city, and no question we all were, maybe not 24/7 but enough to know that city was our home, is a high wire act and not for the faint of heart.

We, the core of Captain Crunch’s crew anyway, stayed in Denver for a while, for as long as it took Cruising to have his fill (his word) of his wife, or girlfriend, or maybe both and was ready to hit the road again. As fall approached the time was the time and we started heading west again, well southwest because Cruising did not want to get catch up in some Rockies whiteout and the rest of us wanted to get the warmth of some desert sun under our skins. Most, including me who had never been west of New York City and then just for a moment, had never seen the desert although we all, children of the television 1950s, had ‘seen’ it on the screen in the Westerns. So we were all pumped for desert stones, desert “stones,” and seeking the ghost of the lost tribes, the lost tribes whose shamanic powers has us in thrall. I, personally, was looking forward to investigating some ghost-dancing that I had heard about in Denver and which, as I became more drug-steady, I was dying to “see” a vision of off some wayward canyon wall before some blazing fire.

And so Cruising did his merry prankster bus magic (he really was some zen master with that damn bus, especially for a college guy, and especially when we hit some tough spots where the damn thing would give out and he would “breathe” live back into the thing, like, well, like some zen master). A one time example will suffice. We were heading to Gallup, New Mexico in the heart of Indian country [Markin; Native American, Phil], maybe fifty miles away and not really close to anything like a full service gas station, when the clutch seized, just seized. Nada, nunca, nada, nothing as we used to say in our corner boy days. Cruising gets out, opens the hood, fools around with this and that and maybe forty-five minutes later we are on the road again. And whatever he did, whatever zen thing he had with that fickle bus lasted all the way until we hit La Jolla and he had the whole thing worked on. Magic. Captain Crunch mapped out our itinerary and the rest of us got the bus travel-ready, travel-ready being a good cleaning, a re-ordering of the mattresses, and a checking out (and chucking off) of what was necessary and what was not for the trip westward, westward down to New Mexico first.

The desert was all that it was cracked up to be except, being fall it wasn’t as hot as Cruising said it was when he went through various times in the early or late summer (mid-summer, as I later found out, forget about even in the cooler high desert, low desert, Death Valley desert, forget it), the Grand Canyon magnificent, if overused even then and then the high desert in California. By then I was getting homesick, no not homesick for North Adamsville (that would not come until many, many years later), but for my homeland, the sea. I hadn’t been away from an ocean breeze for that long ever and I missed it. And out in that high desert, high Joshua Tree, Twenty-Nine Palms desert I started to “smell” the ocean. By this time I had some “rank” on the bus, some say in what we did, or didn’t do, and the Captain liked me, or liked the idea that a working- class kid with some brains and some thoughts (mostly stuff “cribbed” from what Markin use to talk about in those sometimes long, seemingly boring Salducci’s corner boy nights but it went over, if you can believe that) was traveling alongside him. So when I started my “campaign” to head to the ocean, and gained some allies, especially Lois, just then, going under the name Lupe Matin, I think, and Mustang Sally and, most importantly, Cruising didn’t raise an objection I was home free. Come on, let’s get moving.

We wound up in La Jolla, after a few weeks of stopping here and there to see people the Captain (or Sally) wanted to see in Los Angeles ( I never called it LA or La-La Land then just Los Angeles, city of angels) and down in Laguna. Needless to say the Pacific Ocean around La Jolla and places like that made our East Coast puddles look sick. La Jolla-translation, surfers’ paradise, says it all. But the two most important things about La Jolla were that, after months of bus life, we finally were settled in a “pad.” [Markin: house, in this case, or rather something like an ocean view semi-estate owned by some wealthy drug lord known to the Captain, according to the way Phil told it.] Real toilets, real showers, real fireplaces, real everything. Nice, very nice for a poor old working- class boy who a few months earlier was scratching for change to give dear mother some rent for his two by four room. This was to be our winter quarters (and as it turned out spring ones as well) and all we had to do was act as caretakers, not real caretakers like servants but just make sure nobody stole the family silverware, stole the place, or decided to “squat” there.

This is also where important number two came in. Walking along the rock-strewn cove in front of downtown La Jolla, is where I met Butterfly Swirl, my blonde-haired, blue-eyed angel who was just sixteen at the time, a high school student from up in Carlsbad who was down in La Jolla trying to “find” herself while tagging along with her boyfriend, some eternally blonde, blue-eyed surfer guy from Del Mar, christ. Just then said surfer boy was out looking for the perfect wave, or something, and so I invited Butterfly Swirl (real name, Kathleen Clarke, Carlsbad High School Class of 1968) over to La Grande (the name of the estate, hell, they all had names like that) to smoke a little dope. She brightened at that.

Well, of course, I could see where this was heading, if it was heading anywhere what with my one girl-one guy rule (although I admit, admit now not then, now that I think the statute of limitations is probably over on lying to 1967 girlfriends, I went astray a couple of times in Denver and Joshua Tree but those weren’t really girlfriend-worthy trysts). I brought her home, anyway. We had some dope, and had some sex. Simple. And just when I thought I had her safely out the door (literally and figuratively) Lupe stepped into the room. Instead of exploding though, after checking out Butterfly with a bemused look, she said, “Is she staying?” And before I could get word one out Butterfly chirped out, “Yes.” And Lupe said, “Good” in a kind of distracted way. The new age has dawned, praise be. But that was later. Then I just said out loud to no one in particular, “Damn, women I will never figure them out.” And I never have. [Markin: Brother Phil you are preaching to the choir on this one.] That is why when we headed north for the rumored summer of love in San Francisco a month or so later I had my angel-devil girlfriends, my “family” as Captain Crunch called them, with me.”

Now you are filled in on the what and the why of Phil’s being on that nameless San Francisco hill mentioned a while back. A nameless hill, nameless to first time ‘Frisco Phil, although maybe not to some ancient Native American shaman delighted to see our homeland, the sea, out in the bay working it way to far-off Japans. Or to some Spanish conquistador, full of gold dreams but longing for the hills of Barcelona half a world away. Right then though a tall young man, well taller than Phil, lanky, maybe not as lanky as Phil with his drug stews diet having taken some pounds off, and some desire for pounds as well, dressed in full “hippie” regalia (army jacket, blue jeans, bandana headband to keep his head from exploding, striped flannel shirt against the cold bay winds, against the cold bay winds even in summer, and nighttime colds too, and now that we are on the West Coast, roman sandals) walked up the street that paralleled the hill the entourage was then planted on, cast a glance as that company, nodded slightly, and then turned around and asked to no one in particular but kind of zeroed in on Butterfly,“Got some dope for a hungry brother?” Except for shorter hair, which only meant that this traveler had either not been on the road very long or had just recently caught the “finding himself” bug he could have been Phil’s brother, biological brother.

That line, that single line, could have been echoed a thousand, maybe ten thousand times that day along a thousand hills (well maybe not that many in San Fran), aimed at any small clot of like-minded spirits. And Phil sensing that just that one sentence spoke of kindred said, “Sure, a little Columbia Red for the head, okay?” And so started the long, well hippie long, 1960s long anyway, relationship between one Phillip Larkin and one Joshua Breslin (a.k.a. Prince Love, although don’t hold it against him now if you know or have seen Josh lately). And the women, of course.

And, of course, as well was that sense that Far Out had that he and Prince Love were kindred was based on the way that the prince posed that first question. His accent spoke, spoke hard of New England, not Boston but further north. And once the pipe had been passed a couple of times and the heat of day started getting everybody a little talkative then Josh spilled out his story. Yes, he was from Olde Saco, Maine, born and bred, a working class kid whose family had worked the town mills for a couple of generations, maybe more, but times were getting hard, real hard in those northern mill towns now that the mill-owners had got the big idea to head south and get some cheaper labor, real cheap. So Joshua, after he graduated from high school a few weeks before decided, on a whim (not really a whim though), to head west and check out prospects here on the coast. Josh finished up his story by saying, “And here I am a few weeks later sitting on Russian Hill smoking righteous dope and sitting with some sweet ladies. [Markin: Phil never said what his reaction to that last part was which seemed, the way it was spoken, spoken by Phil in the re-telling, filled with menace. Girl-taking menace. Well, old corner boy Phil menace, hell Markin menace too would have felt that way but maybe in that hazed-out summer it just passed by like so much air.]

Everybody else giggled now that they knew the name of this hill that they had been trying to guess the name of for the last half hour when he blurted that out. Naturally Phil, a road warrior now, whatever his possible misgivings, invited Josh to stay with them, seeing as they were practically neighbors back home. Josh was “family” now, and Butterfly seemed gladder than the others of that fact.

But enough of old-time visions, of old time rites of passage, and of foundling dreams. Phil, and his entourage (nice word, huh, no more girlfriend solo, or as here paired, lovingly paired, to be hung up about, just go with the flow). Phil, Butterfly, hell, even jaded Lilly Rose (formerly known as Luscious Lois in case you forgot, or were not paying attention), and now Prince Love, are a “family,” or rather part of the Captain Crunch extended intentional family of merry pranksters. [Markin: Small case, so as not to be confused with their namesakes and models legendary mad man writer Ken Kesey and his La Honda Merry Pranksters, okay] Just yesterday they hit ‘Frisco and have planted their de rigueur day-glo bus in the environs of Golden Gate Park after many months on the road west, and some sitting down time down south in La Jolla. Hearing the siren call buzzing all spring they have now advanced north to feast on the self-declared Summer of Love that is guaranteed to mend broken hearts, broken spirits, broken rainbows, broken china, and broken, well broken everything. The glue: drug, sex, and rock‘n’ roll, although not just any old-timey be-bop fifties rock and roll but what everybody now calls “acid” rock. And acid, for the squares out there, is nothing but the tribal name for LSD that has every parent from the New York island to the Redwood forests, every public official from ‘Frisco to France, and every police officer (I am being nice here and will not use the oink word) from Boston to Bombay and back, well, “freaked out” (and clueless). Yes, our Phil has come a long way from that snarly wise guy corner boy night of that old town he lammed out from (according to his told story) just about a year ago.

Or had he? Well, sure Phil’s hair was quite a bit longer, his beard less wispy and more manly, his tattered work boots and later Chuck Taylor sneakers transformed into sensible (West Coast ocean sensible) roman sandals and his weight, well, his weight was way down from those weekly bouts with three-day drug escape, and fearful barely eaten four- in-the-morning open hearth stews, and not much else. And as he sat on that Russian Hill looking out into that bay with his brood he could not even look forward, as he originally planned, to the expectation of just trying LSD for the hell of it in ‘Frisco, having licked it (off a blotter), or drank it (the famous, or infamous, kool-aid fix), several times down in La Jolla. In those lazy hazy days watching the surf (and surfers) splashing against the Pacific world with blond-haired, blue-eyed, bouncy Butterfly, and the raven-haired, dark as night-eyed Lilly Rose, or both listening to the music fill the night air. Not square music either (anything pre-1964 except maybe some be-bop wild piano man Jerry Lee Lewis, or some Chicago blues guitar fired by Muddy Waters or microphone-eating Howlin’ Wolf), but moog, boog, foog-filled music.

Just that Russian Hill minute though, and to be honest, while in the midst of another acid trip (LSD, for the squares just in case you forgot), Phil sensed that something had crested in the approaching blue-pink Pacific night and that just maybe this scene would not evolve into the “newer world” that everybody, especially Captain Crunch, kept expecting any day. Worse now that he knew that he couldn’t, no way, go back to some department store clerk’s job, some picket-fenced white house with dog, two point three children, and a wife what was to happen to him when Butterfly, Lilly Rose, Joshua, and even Captain Crunch “find” themselves and go back to school, home, academic careers, or whatever. For now though he would just take it all in.



Socialist Alternative
Hugo Chavez and the Venezuelan Revolution
Join Socialist Alternative for a presentation and discussion on Hugo Chavez's legacy and the lessons from the Venezuelan revolution.
This Wednesday, March 13
6:00 PM
UMass-Boston Campus Center
Fourth Floor, Room 4201

The struggle continues

06/03/2013
Millions of Venezuelan workers, the poor and youth will mourn the death of Venezuelan president, Hugo Chavez
Tony Saunois, CWI Secretary
In an era when the gap between establishment politicians, who defend big business and the super-rich, and the masses seems to widen inexorably Chavez stood out. In fact in the age of austerity the measures he took to alleviate poverty stood out like a beacon.
The workers and youth in Venezuela will be joined by many around the globe who have been inspired to support Hugo Chavez's regime as offering an alternative to imperialism, neoliberalism and capitalism.
Meanwhile the most pernicious right-wing capitalist commentators have wasted neither time nor ink in their outpourings of hatred of his regime.
The mourning of his passing and anger at these attacks must be channelled into a new stage of working class struggle for socialism in Venezuela and internationally.

Capitalist commentators' hypocrisy

Since his death numerous articles have denounced Chavez, and his regime, as an "autocrat", a "dictator", a "caudillo". Some have tried to depict his death as the end of another failed socialist regime.
The torrent of bile from these commentators was first readied in the hope he'd be defeated in the Venezuelan presidential elections in October 2012, but had to be shelved at the time. Against the expectations of the international capitalist media and its politicians Chavez romped home for a third term with 55% of the vote, on a turnout of 80%, a result any incumbent capitalist politician in Europe can only dream of.
These self-same commentators deafened us with their silence during the attempted coup in 2002 - backed by US imperialism. When these alleged champions of democracy attack Chavez they brush to one side the fact that Chavez has faced 17 elections and referendums since 1998 and won 16 of them.
They, and the capitalist politicians behind them, cannot abide the fact that a leader who spoke of "socialism" and the "socialist revolution" and who came into conflict with US imperialism and the capitalist class could win such popular support. They also fear the potential revolutionary movement of the masses which Chavez rested upon.

"Por ahora" - "For now"

Chavez himself did not emerge as a political leader with a rounded out ideology or programme. He has empirically embraced different ideas - swept along by events as they have unfolded.
Chavez was swept to power in 1998 with overwhelming support. Initially he only spoke of a "Bolivarian revolution" and reform of the old corrupt system. Chavez, like thousands in Venezuela, including junior army officers of which he was one, was radicalised by the "Caracazo" which rocked Venezuela in 1989.
Carlos Perez had won an election opposing the neoliberalism of the IMF. However, he undertook a sharp U-turn and introduced a "shock therapy" of neoliberalism. It triggered a mass uprising of the urban poor. The army was deployed and an estimated 3,000 were slaughtered. Chavez's right-wing opponents have little to say on these events. He was however radicalised and affected by these horrors.
He led a left populist military revolt in 1992 against the murderous Perez government. As the coup was defeated he proclaimed the "revolution is ended. For now". "Por ahora" was to become ingrained in the minds of the masses.
Released from prison two years later, he built support and stormed to power in the 1998 election as the mass of the population demanded an end to neoliberalism and demanded change.
The limited but popular reforms his government introduced, paid for with the country's oil wealth, were enough to enrage the ruling elite which attempted a coup in 2002 followed by a lockout. After 48 hours the coup collapsed and Chavez was brought back to Caracas and to power. During the coup the masses poured onto the streets to oppose the new right-wing regime and a revolt by the ranks of the army and its junior officers.

Right-wing coup in 2002

At this moment the situation erupted as the right-wing coup led by Pedro Carmona collapsed, making a decisive blow against the ruling class and capitalism. The working class and poor had the opportunity to take over the running of society. Unfortunately, at this moment Chavez opted to call for "national unity" and an agreement with sections of the capitalist class.
The lockout was broken after a 12-month struggle. On each occasion Chavez was saved by the mass movement from below.
These events enormously radicalised Chavez who by 2005 had begun to speak about the "socialist revolution". It was in this period that he also made reference to the ideas of one of the leaders of the Russian Revolution, Leon Trotsky, as well as to Karl Marx and called for the formation of a Fifth International.
This enraged both the Venezuelan ruling class and US imperialism. Nationalisations and partial nationalisations of significant companies were carried through. The introduction of a basic but free health service and widespread education and literacy programmes enormously enhanced the popularity of the government. Significantly, in the 2006 election - following this turn to the left - Chavez won his largest electoral victory, taking over 62% of the vote!
This development has had an enormously positive effect in putting the issue of socialism back onto the agenda in Venezuela and to an extent in Latin America and internationally. The idea of the "revolution" and even "socialism" and radical reform is overwhelmingly dominant in the consciousness of a majority of Venezuelans. This is Chavez's positive legacy. There is a clear rejection of any idea of returning to the 'ancien régime'.

Blows to capitalism, but no decisive break

However, despite the radical phraseology, in response to the global economic crisis which began in in 2007, Chavez, and the Bolivarian government, rather than drive forward with a programme to break with capitalism, moved in the opposite direction.
Blows were struck but without defeating it the capitalist class remained in control. From within the Bolivarian a new force has also emerged - the 'boli-bourgeoisie', a powerful layer in society which has grown rich on the backs of the Chavez movement.
This, combined with the emergence of a powerful bureaucracy, and deteriorating economic situation, has meant that despite the popular reforms, which the CWI supports, massive social problems of poverty, unemployment, corruption violence and crime remain. These continue and arise from the failure to abolish capitalism.
Combined with a top down administrative approach from the bureaucracy and the lack of a democratic workers' control and management in the revolutionary process, while Chavez has enjoyed massive support, it has also resulted in widespread discontent and frustration. Recent strikes by teachers and metal workers have been repressed by the state, all measures which have given a weapon to the right to beat the regime.

Transform socialist aspirations into a reality

If right-wing candidate Henrique Capriles and the right in Venezuela hope that Chavez's death will mean an easy ride for them back to power then they are mistaken. Despite the discontent the idea of supporting the revolutionary process, of the idea of socialism and defence of the reforms is deeply ingrained in Venezuelan society.
In the short term it is most likely to mean a victory for Nicolas Maduro, the vice-president, named by Chavez as his successor, in the elections. A rallying of Chavez's supporters and the mass of the poor to defeat the right is already developing. Capriles and the right are, like Maduro, appealing for calm, peace and unity. The right feel their weakness and are being careful not to provoke a backlash from the masses.
While the pernicious right-wing commentators have used Chavez's death to beat their hypocritical anti-socialist drum, other sections of capitalism and imperialism have been more cautious. US president Barack Obama's cautious statement, along with British Foreign Secretary William Hague, is aimed at opening a new era of cooperation with a future Maduro-led government. They have concluded the right-wing are unlikely electoral victors and therefore have left the door open for attempts to collaborate with a new "Chavista" government.
Maduro and the leadership will not have the same authority as Chavez and a new era will open following the elections. Divisions between the different currents within Chavismo may open following the elections. Sections of the ruling class are looking for this as a means of ultimately defeating the Chavista movement.
Such prospects underline the urgent necessity of the working class and the poor to rally to defeat the right but then to take the revolutionary process into its own hands with its own independent organisation and programme to transform the "socialist aspirations" raised by Chavez into a reality. The death of Chavez marks not the end of the struggle. A new chapter will now begin.
In Honor Of Women's History Month- Lucy On The Edge Of The World



From The Pen Of Frank Jackman

People, ordinary night owls, hung-over refugees from the now closed bars and cabarets, average vagabond wanderers of the Harvard Square night, the shiftless, the toothless homeless, coming into the all-night Hayes-Bickford seeking, like him, relieve from their collective woes with a cup of weak-kneed coffee and steamed, steamed everything, did not bother Lucy (the first name Lucy was all anybody ever found out about as far as he knew) sitting alone at her “reserved” table in the back of the cafeteria toward the rest rooms. Lucy Lilac (nicknamed by some ancient want-to-be fellow bard perhaps but like her surname the genesis undisclosed to him by the other regular tenants of the night when he asked around) spent her youthful (she was perhaps twenty-two, maybe twenty-three, had just finished college, he had heard, so that age seemed about right) middle of the nights just then hunched over a yellow legal notepad filling up its pages with her writings and occasionally she would speak some tidbit she had written out loud, not harmful out loud like some of the drunks at a few of the tables, or some homeless wailing banshee cry, but just out loud.
Some of it was beautiful, and some of it was, well, doggerel, about par for the course with poets and other writers, But all of it, whatever he heard of it, was centered on her plight in the world as a woman torn, as a woman on the edge, the edge between two societies, between as one professor that he had asked about it later stated it, two cultural gradients if that term has any meaning, and maybe she had been but let him try to reconstruct what it was all about, all about for Lucy Lilac night owl. See he became so fascinated by where she was going with her muse in 1962 summer nights, about how she was going to resolve that battle between “cultural gradients” and about the gist of what she had to say to a callow world in those days that he turned up many a two in morning to try to figure her dream out. He had more than a passing interest in this battle since he was also spooked by those same demons that she spoke of.

[Oh, by the way, Lucy Lilac, was drop-dead beautiful, with long black iron-pressed straight hair as was the style then, alabaster white skin whether from her hours of sleep or by genetic design was not clear, big red lips, which he did not remember whether was the style then or not, the bluest eyes of blue, always wearing dangling earrings and usually wearing some long dress so it was never really possible to determine her figure or her legs important pieces of knowledge to him, and not just to him, in those sex-obsessed days, but he would have said slender and probably nice legs too. Since neither her beauty, nor the idea of sex, at least pick-up sex, enter into this sketch that is all that needs to be pointed out. Except this, her beauty, along with that no-nonsense demeanor, was so apparent that it held him, and others too, off from anything other than an occasional distant forlorn smile. ]
What Lucy Lilac would speak of, like a lot of the young in those days, was her alienation from parents, society, just everything to keep it simple, but not just that. On that she had kindred spirits in abundance. She was also alienated from her race, her white race, her nine to five, go by the rules, we are in charge, trample on the rest of the world, especially the known black world, like lot of the young, him included, were in those days as well. Part of it was that you could not turn open a newspaper or turn on a radio or television without having the ugly stuff going down South in America (and sometimes stuff in the north too confronting you headlong). But part of it was an affinity with black culture (the gradient, okay), mainly through music and a certain style, a certain swagger in the face of a world filled with hostility. Cool, to use just one word.

Now this race thing, this white race thing of Lucy’s had nothing to do, he did not think, at least when she spoke never came through, with some kind of guilt by association with the rednecks and crackers down in places like Alabama and Mississippi goddams. It was more that given the deal going down in the world, the injustices, the not having had any say in what was going on, or being asked either make her feel like she was some Negro in some shack some place. Some mad priestess fellaheena scratching the good earth to make her mark. And as she expanded her ideas (and began to get a little each be-bop flow as she spoke, a flow that he secretly kept time to), each night he got a better sense of what she was trying to say. (He later learned that she was, as he had been, very influenced by Norman Mailer’s essay in The Partisan Review The White Negro, a screed on what he called the white hipster, those who had parted company with their own culture and moved to the sexier, sassy cultural gradient.) And while they both were comfortably ensconced in the cozy Cambridge Hayes (well maybe not cozy but safe anyway) and had some very white skin to not have to James Crow worry about he began to see what she meant.
And Lucy Lilac really hit home when she spoke of how she had, to his surprise since she gave every indication of being some cast-off Mayfair swell’s progeny, minus that important race thing, been brought up under some tough circumstances down in New Jersey. She spoke about being from poor, very poor white folks somewhere around Toms River, her father out of work a lot worrying about the next paycheck and keeping him and his under some roof, her mother harried by taking care of five kids on two kids money, about being ostracized by the other better off kids, about seeking solace in listening to Bessie Smith, Billie, and a ton of other blues names that he recognized. And he too recognized fellahin kindred since his own North Adamsville existence seemed so similar ….

Yes, those nights he knit a secret and unknown bond with Lucy Lilac, Lucy who a few months later vanished from the Hayes-Bickford night, Lucy from the edge of the world, and wherever she wound he knew just what she meant by the white Negro hipster-dom she was seeking, and that maybe he was too…

And hence this Women’s History Month contribution.



Monday, March 11, 2013

***Out In The 1950s Crime Noir Night- Robert Mitchum Watch Out For Fetching Femme Fatales, Will You- His Kind Of Woman- A Review




DVD Review

His Kind Of Woman, starring Robert Mitchum, Jane Russell, Raymond Burr, Vincent Price, produced by Howard Hughes, RKO Pictures, 1951

Just when you think a guy, in this case a Robert Mitchum 1950s crime noir movie actor guy, hasn’t got enough sense to come in out of the rain when some vampish femme fatale displays her charms he finally gets some sense, a little anyway. Previously I had the following to say about Brother Mitchum in a review of Angel Face (co-starring young femme fatale Jean Simmons):

“Some guys never learn, never learn to leave well enough alone, and stay away, far away from femme fatales that have that slightly mad look in their eyes and lust in their hearts, as here in the Otto Preminger-directed crime noir, Angel Face, with Robert Mitchum. See, it is not like Brother Robert hadn’t been down that road before and had all the trouble he could handle and then some with femme fatale Jane Greer in Out Of The Past. Ms. Greer“took him for a ride” six ways to Sunday in that one. But you know when a guy gets heated up by a dame, well, let’s just leave it at you know, okay. Needless to say Brother Robert is set to get “taken for a ride” six ways to Sunday here too, although the femme fatale here is a little younger, and maybe has better manners than Ms. Greer. Maybe. But that all goes for naught when the heat rises. Yes, we guys (and maybe gals too) know, we know, nature.”

And a summary of the plot in the comedic crime noir under review here, His Kind Of Woman, will tell the tale of why I qualified that wising up a little part. Mitchum plays a profession gambler a little off his game, about six aces up the sleeve worth, and so, as anybody is that situation might do, he listens to any proposition that will get him out from under. In this case a proposition about changing his identity for a wad of dough from a deported gangster (played by a non-lawyerly, a very Perry Mason non-lawyerly, Raymond Burr), looking to get back in the old U.S. of A. so he can get his usual infusion of illegal dough. Now this is something that Mitchum might have passed on in sunnier times. But times are hard and suckers are not as plentiful to rope in when you don’t have dough, or a way to get it.

Of course the action here, due to Burr’s, ah, immigration problems, has to take place in, well, sunny Mexico (this is stage-door Mexico before the ax fell down there and crime, and criminals got nastier, very much nastier than that of the criminal skills displayed here) at a tropical seaside resort (naturally). And here is where the dame comes in, also naturally. A sweet-singing down-on-her-heels night club singer (maybe) posing as an heiress, played by Jane Russell (producer Howard Hughes’ paramour at the time), is working her own angles for dough in the person of a vacationing ham, strictly B-movie actor, played by Vincent Price. But when broad-shouldered, bedroom eyes, world-wary Mitchum shows up she is, he is, well, they are smitten (after a little cat and mouse game, as expected). When Mitchum, after putting together some acute observations (putting two and two together, okay) about the set-up, fully realized that he is to be the fall guy and may not get to spend that promised wad of dough everything goes awry. But get this- when things get hairy Ms. Russell, instead of throwing him to the wolves like some of his past female companions, actually tries to help him (trying to provide a gat in the bargain). A lot.

Now Robert this is a woman to hang onto, and she looks, well, fetching in a bathing suit in the bargain. Speaking of which, while he is trying to bring a little justice in this old wicked old world Mitchum shows plenty of beefcake for the ladies, the 1950s ladies I would guess. Plenty of comic moments here too, some corny some clever but the main thing is that Brother Mitchum does not have to keep looking over his shoulder every time he kisses Ms. Russell like with some of that earlier female company he kept. Whee!

Note: Naturally with a hunky guy like Robert Mitchum, he of the broad shoulders to fend off the world’s troubles, or at least any women’s troubles, those smoldering eyes, and that glib world-wary cigarette and whiskey manner, the ladies will surely be flocking to his door. Sorry, in this one heart-of- gold faux gold-digger Russell has him slated as exclusive property. And Mitchum tries, tries like hell, for once to stay in that orbit, unlike in the past, where he let those maddened femme fatale eyes and ruby red lips that speak to some dark adventure get the best of him. Progress, definitely progress, Brother Mitchum.



***Out In The Be-Bop 1960s Night-When Prince Love Loved In The 1967 Summer Of Love


“Jesus, I never thought I would get here and here I am in San Francisco all in one piece standing at the foot of Russian Hill where all the“hippies” were hanging out before they went over to Golden Gate Park and “blew”their minds,” Joshua Breslin (a.k.a. Prince Love or Prince, and hereafter so identified), late of Olde (very old to hear him tell it) Saco (Maine) High School Class of 1967, but just now of youth nation, youth nation descending on friendly, friend-sized, go West young man (and woman), go West, heaven said to his boon companion of three days, Benny Buzz (real name Lawrence Stein, Brooklyn High School of Science, Class of 1967), also currently of youth nation. It was Benny Buzz who, having the vast experience of having been in‘Frisco for a week now, and having “been up the hill,” who guided Prince Love to the foot of Russian Hill in preparation for, well, for his first summer of love experience. No not the eternal teen summer of love at some beach, camp or vacationland amusement park where boys ogle girls (and they back, maybe) but the long expected jail break-out from the squares, from the cradle to grave plan every step world, and from the hassles, man, just the hassles.

Yes, Prince Love, could write the book on hassles, hassles followed by man, or not. Just a few week before he, having just graduated from Olde Saco High, had a “job offer,” a job working as a janitor in Shepard’s Textile Mill, yah, the ones who make those “boss”sweaters the girls are all crazy for these days. Crazy for in winter anyway because right now warm suns, California, Denver, hell even Maine suns, require nothing more than some skimpy top, shoulders showing, and a pair of shorts, short shorts depending on the legs or vanity. His father, Prescott, a longtime employee of the mills, the lifeblood of Olde Saco just then, “pulled a few wires” to get him the job for the summer before he went off to State U in the fall. Last year, last year when he was nothing but a raw hang out in front of the Colonial Doughnut Shoppe on Main Street (officially U.S. Route 1) with his boys (and occasionally girls, but only for a few moments while they picked up their orders) he would have jumped with both feet, maybe with both hands and feet, at the job to get some money for college.

But that was then and this is now, as they say. Now, or rather the now just a few weeks or so before he got to the foot of Russian Hill, he had received word through that mysterious youth nation grapevine that parents, squares, cops, and authority guys were frantic to figure out, but who, in the end, were clueless about, of a “great awakening” that was going on in ‘Frisco and that news fed, fed deep, into the wells of the discontent he was feeling, about his own desire to break-out from the squares, from the cradle to grave plan every step world, and from the hassles, man, just the hassles mentioned before. The grapevine, by the way, was not all that mysterious. Some young, long-haired, wild-looking guy dressed in a blotted multi-colored shirt (later he found out such things were called tie-dyed) from the West Coast had come east to see his grandparents who lived on Olde Saco Beach a few miles down the road and had run into Prince Love at the doughnut shop when he was looking for some joe and cakes to tide him over before a walk on the beach and told him about what was happening on the West Coast. Simple as that, okay.

That information, those pressing on the brain existential jail-break things, and well, he had just broken up with his girl, his long time high school honey, Julie Cobb, were what drove him to seek the road west. Simple as that. Well not so simple, really, because, if the truth be known, Julie left him for another guy, an older guy who was already working in the mills (not Shepard’s but Cullen’s, the high society linen-makers), had some dough, had a boss 1964 Mustang and, most importantly, wanted to get married, and pretty soon too. That was the sticking point between the Prince and Julia, the marriage game thing that had been going on in the town since, since, well Prince didn’t know but it was pretty common. Graduate Olde Saco, work in the mills, get a couple of bucks, get married, get a tiny house on Atlantic Avenue, maybe, have two point six children, throw in a dog or two cats, and then finish up whitewashing that picket fence in front of the house with the grandchildren.

No sale, not for Prince Love. He was going to college, leave the dust of that old town behind, and make a name for himself at something before he settled down in not-Olde Saco, maybe, maybe on the settle down. And from what he heard on his way west, and since he had arrived in San Fran a lot of people were feeling, wondering, groping for some answers just like him. And, yah, looking to try some dope, listen to some far out music, grab some cool chick to shack up with, and really leave that home town dust behind before going back east for the fall semester of school.

Now you are filled in, a little, on the what and the why of Prince (and Benny Buzz who however is right then leaving Prince to go see a man, well, go see a man about something, let’s just leave it at that) being on Russian Hill, that classic San Francisco hill mentioned a while back. A hill not previously known to first time‘Frisco Phil, although maybe to some ancient Native American shaman delighted to see our homeland, the sea, out in the bay working its way to far-off Japans. Or to some Spanish conquistador, full of gold dreams but longing for the hills of Barcelona half a world away. I just remembered, you know everything, everything except how Prince Love got here which is not a big deal since he took some dough he had originally saved up for college and used it for the Greyhound bus fare to get him here. Not for him the hitchhike road through every back road. Not for him merry prankster buses driven by mad monk zen masters in the heated western night.

Why? Well, come on now, not everybody got every piece of news, especially in Podunk Maine, about the ways west, VW bus west, stick out the thumb west and that there were people, your kind of people, ready to pick you up and take you down the road a piece. Even back up on super-highway interstates to pick up a fellow youth nation straggler left on some desolate stretch fair game for hungry police eyes. Besides, after about a two-day bout with his parents about not taking that summer job, using the dough for college for such foolishness (to quote his everywoman mother), and other assorted arguments, family arguments started back in childhood, he had promised them to take the bus west. Let’s just say hassles, man, hassles and be done with it. Now we are done with the past.

Right then though, after saying a few things in parting with Benny Buzz about catching up with each other later, as he started walking up the hill toward the entrance to the mini-“people’s park” that was about half way up Russian Hill Prince spied a tall young man, maybe a few years older than him although such things were always hard to tell with older looking beards, drug haggards, and glazed looks. He was, at second glance, tall but not as tall as Prince, lanky, maybe not as lanky as him either and from the look of him with his drug stews diet having taken some additional pounds off, and some desire for pounds as well, not really normally lanky. Dressed, always worthy of description in 1967‘Frisco, male or female, in full “hippie” regalia (faded olive drab World War II army jacket, half-faded blue jeans, bright red bandana headband to keep his head from exploding, stripped checkerboard flannel shirt against the cold bay winds, against the cold bay winds even in summer, and nighttime colds too, and now that we are on the West Coast, with roman sandals on his feet).

And to draw the eye more fully to the scene he is sitting with two foxy looking young women. One, the younger one, maybe a high school student, blonde, blue-eyed, slender, short shorts belying West Coast origin, and de rigueur practical road-worthy peasant blouse. A poster child for San Francisco summer of love if he ever saw one, and of his own feverish Maine night teenage desire summer or winter of love now that Julia was past. The other women, who called herself Lupe Matin just then although the Prince found out that she had run through several monikers previously, a college student for sure , dark-haired, dark-eyed, slightly voluptuous, seemingly a little out of place with her male companion completed the entourage. (Her real name, Susan Sharp, Vassar College, Class of 1966, and“trying to find herself.”)

Prince cast several glances at that regal company, nodded slightly, a knowing nod eyes fixed as was the fashion just then, and then turned around and asked to no one in particular but kind of zeroing in on the blonde (yah, he had a thing for blondes, see Julia was just that same kind of waspy blonde, minus the tan and year-round sunshine, that he fell for, fell for hard and fast), “Got some dope, for a hungry brother?” The male, who Prince would later come to know as Far-Out Phil (Phillip Larkin, North Adamsville, Massachusetts, Class of 1964), looked at him in a bemused manner (nice touch, right). Except for shorter hair, which only meant that this traveler had either not been on the road very long or had just recently caught the “finding himself” bug he could have, thought Far Out to himself, been Phil’s brother, biological brother.

That line, that single Prince Love line, could have been echoed a thousand, maybe ten thousand times that day along a thousand hills (well maybe not that many in San Fran), aimed at any small clot of like-minded spirits. And Phil sensing that just that one sentence spoke of kindred said, “Sure, a little Columbia Red for the head, okay?” And so started the long, well hippie long, 1960s long anyway, relationship between one Phillip Larkin and one Joshua Breslin. And the women, of course.

And, of course, as well was that sense that Far Out had that he and Prince Love were kindred was based on the way that the prince posed that first question. His accent spoke, spoke hard of New England, not Boston but farther north. And once the pipe had been passed a couple of times and the heat of day started getting everybody a little talkative then Prince spilled out his story. Yes, he was from Olde Saco, Maine, born and bred, a working-class kid whose family had worked the town mills for a couple of generations, maybe more, but times were getting hard, real hard in those northern mill towns now that the mill-owners had got the big idea to head south and get some cheaper labor, real cheap. So Joshua, after he graduated from high school a few weeks before decided, on a whim (not really a whim though), to head west and check out prospects here on the coast for later use after college. Josh, now fully into his Prince Love persona finished up his story by saying, “And here I am a few weeks later sitting on Russian Hill smoking righteous dope and sitting with some sweet ladies.”

The Prince was just being a little off-handedly flirtatious as was his style when around women, young or old (old being thirty, tops), aiming his ammunition in general but definitely honing in on the blonde, the blonde now identified for all eternity as Butterfly Swirl (real name, Kathleen Clarke, Carlsbad High School, California, Class of 1968). (Phil, by the way, never ever said what his reaction to that last part of the Prince’s spiel, the flirtatious part, which seemed, the way it was spoken, spoken by Phil in the re-telling, filled with menace. Girl-taking menace. Well, old North Adamsville corner boy Phil menace would have felt that way but maybe in that hazed-out summer of love it just passed by like so much air) Naturally Phil, a lordly road warrior now, on the bus now, whatever his possible misgivings, invited the Prince to stay with them, seeing as they were practically neighbors back home. Prince Love was “family” now, and Butterfly seemed gladder than the others of that fact.

And of course, family, meant home, and home for Far Out, Butterfly Swirl, and Lupe Matin meant the now locally famous (West Coast local, okay) yellow brick road bus now known as Captain Crunch’s Crash Pad (after the owner of the bus, and “leader,” whatever that meant, of the expedition). Prince Love, from the first night, not only felt that he had found a home, a home that he never felt he had in Olde Saco but that whatever happened out here he would survive. And as more dope-filled pipes were passed that night, and as the music played louder into the sea-mist bay night, and lights gleamed from all directions the Prince grew stronger in that conviction. Especially when Far Out Phil, acting out of some old testament patriarchal script, came sauntering over to The Prince around midnight and whispered in his ear, “Butterfly Swirl wants to be with you, okay?”

And that night the Prince and Butterfly Swirl were “married.”


Out In The 1950s Film Night- Robert Mitchum’s Foreign Intrigue


DVD Review

Foreign Intrigue, starring Robert Mitchum

A while back when I started reviewing film noirs from the 1940s and 1950s I mentioned in reviewing Robert Mitchum’s role as a gumshoe, shamus, peeper, you know, private detective, in the classic film Out Of The Past that perhaps he should seek less physically demanding work. Not that the barrel-chested he-man could not take (or give) a punch or take an off-hand shot or seven from some rooty-toot- toot addled dame but that such work caused lot of wear and tear. But would he listen? Well not for a while. (See in reviewing other Mitchum films in the interval he always seemed to be taking a punch or shot, or giving one so that he seemed, uh, hopelessly addicted to the seamy side of life). So when I heard that he had worked his way out of those tough guy roles in this film, Foreign Intrigue, and was to be merely a press agent, a word slinger, a flak, a smoother of the way, hell, maybe even a semi-intellectual I jumped for joy.

Jumped for joy for a short while until he took his first dodged bullet and had his first punch thrown (or given, it does not matter) and then I was kind of wishing he went back to safe old private sleuthing after he got caught up with the hard boys of international crime and the hard guys of international governmental crime detection. See the guy who his was flacking for, some big dough guy of ill-begotten wealth (as it turned out) died (natural causes) and that event set off more murder and mayhem than you could shake a stick at as a cabal of unreconstructed ex-Nazis who are waiting for just the right next moment (like the shades of some Robert Ludlum novel, maybe) to set up that new regime that would last a thousand years want to know what Robert knows.

As do half the international spy/police agencies of the world. And a couple of other assorted entrants, including a couple of dishy dames (a wayward blonde, and a brunette, that dead rich boss’s not exactly grieving widow) to keep him company on those lonely nights searching for the truth. He is in for it no question. Hey, Robert I still have Jane Greer’s number for you if you want to get out of that no-win racket and just chase dishy dames and irate gangsters. Call me.



Out In The 1950s Film Noir Night-John Ireland’s The Scarf



DVD Review

The Scarf , starring John Ireland

Erza, old codger saint prophet and seeking of some rough plebeian justice on the sly, patron of all the lost strangers, all the lost fellahin in the Joshua Tree high desert California night was pulling for him, for his Johnny boy. Cora, well, Cora too met on some ancient dusty road, maybe a little round at the heels, maybe just a little too jaded for the occasion, and maybe too just a little to city wise for Johnny boy was pulling for him too. Hell, when the deal went down, when things got hot, and when it looked like Johnny boy was going to take the big step off Level Louie, and he earned that sobriquet as he will gladly tell you, put his oar in for Johnny boy too. That left only best friend, the Doc, to gum up the works, to ease the steps to that big step off. So, no, no way, Doc was pulling for Johnny boy, in the beginning, in the middle, and certainly not in the end. So an old ancient desert philosopher –king Ezra (sans those ancient robes), Cora who turned out to be not a bad warbler as well as swell pal, and Level Louie who sticks his neck out for no man, or not recently, have to take up Johnny boy’s cause and scream to high heaven to get him loose.

And he is why. Johnny boy (we can forget the boy after this okay because Johnny is really a thinking man, or trying to be) strangled his ever-loving girlfriend with a scarf, some cheap jack dime store thing not that such low-rent material couldn’t do the job. So he was ready- made to takes the big step off for it. Except, and this is the puzzling part, he doesn’t remember doing the deed and so he had not sense of guilt about it. Yah, I figured it that way too. Bonkers, or doing a good job of faking it. And so they sent him to the prison for the criminally insane. But he can’t figure, bright guy (a lawyer to boot) that he is, how he did the deed and that gets him thinking, thinking and lamming out of the dead end joint to put try and put two and two together. That is where an old desert prophet, a singing waitress and a guy who doesn’t stick neck out for nobody combine to set Johnny from that big edged frame, frame that fits him just right. And notice, if you haven’t already that good old boy Doc hasn’t lifted a finger to help his best friend and he could have because he is nothing but a certified shrink. Johnny has to depend on the kindnesses of strangers for real. Watch this film to see why.