Monday, February 02, 2015

Just Before The Sea Change - With The Dixie Cups Going To The Chapel Of Love In Mind

 

There were some things about Edward Rowley’s youthful activities that he would rather not forget, things that defined his life, gave him that fifteen minutes of fame, if only to himself and his, that everybody kept talking about that everyone deserved before they departed this life. That is what got him thinking one sunny afternoon in September about five years ago as he waited for the seasons to turn almost before his eyes about the times around 1964, around the time that he graduated from North Adamsville High School, around the time that he realized that the big breeze jail-break that he had kind of been waiting for was about to bust out over the land, over America. It was not like he was some kind of soothsayer, could read tea leaves or tarot cards like some latter day Madame La Rue who actually did read his future once down at the Gloversville Fair, read that he was made for big events anything like that back then. No way although that tarot reading when he was twelve left an impression for a while.

Edward’s take on the musical twists and turns back then is where he had something the kids at North Adamsville High would comment on, would ask him about to see which way the winds were blowing, would put their nickels, dimes and quarters in the jukeboxes to hear. See his senses were very much directed by his tastes in music, by his immersion into all things rock and roll in the early 1960s where he sensed what he called silly “bubble gum” music that had passed for rock (and which the girls liked, or liked the look of the guys singing the tunes) was going to be buried under an avalanche of sounds going back to Elvis and forward to something else, something with more guitars all amped to bring in the new dispensation. More importantly since the issue of jailbreaks and sea changes were in the air he was the very first kid to grasp what would later be called the folk minute of the early 1960s (which when the tunes, not Dylan and Baez at first but guys like the Kingston Trio started playing on the jukebox at Jimmy Jack’s Diner after school some other girls, not the “bubble gum” girls went crazy over). So that musical sense combined with his ever present sense that things could be better in this wicked old world drilled into him by his kindly old grandmother who was an old devotee of the Catholic Worker movement kind of drove his aspirations. But at first it really was the music that had been the cutting edge of what followed later, followed until about 1964 when that new breeze arrived in the land.

That fascination with music had occupied Edward’s mind since he had been about ten and had received a transistor radio for his birthday and out of curiosity decided to turn the dial to AM radio channels other that WJDA which his parents, may they rest in peace, certainly rest in peace from his incessant clamoring for rock and roll records and later folk albums, concert tickets, radio listening time on the big family radio in the living room, had on constantly and which drove him crazy. Drove him crazy because that music, well, frankly that music, the music of the Doris Days, the Peggy Lees, The Rosemary Clooneys, the various corny sister acts like the Andrews Sisters, the Frank Sinatras, the Vaughn Monroes, the Dick Haynes and an endless series of male quartets did not “jump,” gave him no “kicks,’ left him flat. As a compromise, no, in order to end the family civil war, they had purchased a transistor radio at Radio Shack and left him to his own devises.

One night, one late night in 1955, 1956 when Edward was fiddling with the dial he heard this sound out of Cleveland, Ohio, a little fuzzy but audible playing this be-bop sound, not jazz although it had horns, not rhythm and blues although sort of, but a new beat driven by some wild guitar by a guy named Warren Smith who was singing about his Ruby, his Rock ‘n’ Roll Ruby who only was available apparently to dance the night away. And she didn’t seem to care whether she danced by herself on the tabletops or with her guy. Yeah, so if you need a name for what ailed young Edward Rowley, something he could not quite articulate then call her woman, call her Ruby and you will not be far off. And so with that as a pedigree Edward became one of the town’s most knowledgeable devotees of the new sound. Problem was that new sound, as happens frequently in music, got a little stale as time went on, as the original artists who captured his imagination faded from view one way or another and new guys, guys with nice Bobby this and Bobby that names, Patsy this and Brenda that names sang songs under the umbrella name rock and roll that his mother could love. Songs that could have easily fit into that WJDA box that his parents had been stuck in since about World War II.

So Edward was anxious for a new sound to go along with his feeling tired of the same old, same old stuff that had been hanging around in the American night since the damn nuclear hot flashes red scare Cold War started way before he had a clue about what that was all about. It had started with the music and then he got caught later in high school up with a guy in school, Daryl Wallace, a hipster, or that is what he called himself, a guy who liked “kicks” although being in high school in North Adamsville far from New York City, far from San Francisco, damn, far from Boston what those “kicks” were or what he or Eddie would do about getting those “kicks” never was made clear. But they played it out in a hokey way and for a while they were the town, really high school, “beatniks.”  So Eddie had had his short faux “beat” phase complete with flannel shirts, black chino pants, sunglasses, and a black beret (a beret that he kept hidden at home in his bedroom closet once he found out after his parents had seen and heard Jack Kerouac reading from the last page of On The Road on the Steve Allen Show that they severely disapproved on the man, the movement and anything that smacked of the “beat” and a beret always associated with French bohemians and foreignness would have had them seeing “red”). And for a while Daryl and Eddie played that out until Daryl moved away (at least that was the story that went around but there was a persistent rumor for a time that Mr. Wallace had dragooned Daryl into some military school in California in any case that disappearance from the town was the last he ever heard from his “beat” brother). Then came 1964 and  Eddie was fervently waiting for something to happen, for something to come out of the emptiness that he was feeling just as things started moving again with the emergence of the Beatles and the Stones as a harbinger of what was coming.

That is where Eddie had been psychologically when his mother first began to harass him about his hair. Although the hair thing like the beret was just the symbol of clash that Eddie knew was coming and knew also that now that he was older that he was going to be able to handle differently that when he was a kid.  Here is what one episode of the battle sounded like:                   

“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his conference trip, if you know what is good for you.” That mothers’-song was being endlessly repeated in North Adamsville households (and not just those households either but in places like North Adamsville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where guys were waiting for the new dispensation and wearing hair a little longer than boys’ regular was the flash point) ever since the British invasion had brought longer hair into style (and a little less so, beards, that was later when guys got old enough to grow one without looking wispy, had taken a look at what their Victorian great-grandfathers grew and though it was “cool.” Cool along with new mishmash clothing and new age monikers to be called by.).

Of course when one was thinking about the British invasion in the year 1964 one was not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night and had disappeared without a trace, the 1964 parent world was getting up in arms.

And not just about hair styles either. But about midnight trips on the clanking subway to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements since by 1964 “beat”  except on silly television shows and “wise” social commentary who could have been “Ike” brothers and sisters, was yesterday’s news).

Mrs. Rowley would constantly harp about “why couldn’t Eddie be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX (he hated that name Eddie by the way, Eddie was also what everybody called his father so you can figure out why he hated the moniker just then). Now it was the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that has his attention. And that damn Judy Jackson with her short skirt and her, well her… looks” (Mrs. Rowley like every mother in the post-Pill world refusing to use the “s” word, a throw-back to their girlish days when their mothers did not use such a word.)     

Since Mrs. Rowley, Alice to the neighbors, was getting worked up anyway, she let out what was really bothering her about her Eddie’s behavior, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And you and that damn Peter Dawson, who used to be so nice when all you boys hung around together at Jimmy Jacks’ Diner [Edward: corner boys, Ma, that is what we were] and I at least knew you were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If your father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as you are. Worst though, worst that worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with your talk of nuclear disarmament. Why couldn’t you have just left well enough alone and stuck with your idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."

And since Mrs. Rowley, Alice, to the neighbors had mentioned the name Judy Jackson, Edward’s flame and according to Monday morning before school girls’ “lav” talk, Judy’s talk they had “done the deed” and you can figure out what the deed was let’s hear what was going on in the Jackson household since one of the reasons that Edward was wearing his hair longer was because Judy thought it was “sexy” and so that talk of doing the deed may well have been true if there were any sceptics. Hear this:      

“Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just those mothers either but in places like Gloversville, Hullsville, Shaker Heights, Dearborn, Cambridge any place where gals were waiting for the new dispensation and wearing their skirts a little longer than mid-calf was the flash point) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. She too working up a high horse head of steam continued, "And that Eddie [“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie], and his new found friends like Peter Dawson taking you to those strange coffeehouses in Harvard Square with all the unwashed, untamed, unemployed “beatniks” instead of the high school dances on Saturday night. And that endless talk about the n-----s down South, about get books for the ignorant to read and other trash talk about how they are equal to us, and your father better not hear you talk like that, not at the dinner table since has to work around them and their smells and ignorance over in that factory in Dorchester.  And don’t start with that Commie trash about peace and getting rid of weapons. They should draft the whole bunch of them and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."

Scene: Edward, Judy and Peter Dawson were sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt). Beside them cartons of books that they are sorting to be taken along with them when head South this summer after graduation exercises at North Adamsville High School are completed in June. (By the way Peter’s parents were only slightly less irate about their son’s activities and used the word “Negro” when they were referring to black people, black people they wished their son definitely not to get involved with were only slightly less behind the times than Mrs. Rowley and Mrs. Jackson and so requires no separate screed by Mrs. Dawson. See Peter did not mention word one about what he was, or was not, doing and thus spared himself the anguish that Edward and Judy put themselves through trying to “relate” to their parents, their mothers really since fathers were some vague threatened presence in the background in those households.)

They, trying to hold back their excitement have already been to some training sessions at the NAACP office over on Massachusetts Avenue in the Roxbury section of Boston and have purchased their tickets for the Greyhound bus as far as New York’s Port Authority where they will meet others who will be heading south on a chartered bus. But get this Pete turned to Edward and said, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Yes, we are still just before the sea change after which even Peter will chuckle about “bubble gum” music. Good luck though, young travelers, good luck.

**Poets' Corner- Langston Hughes-The Negro Speaks Of Rivers 

From The Pen Of Frank Jackman

February is Black History Month
 

 

The Negro Speaks of Rivers
 

… she, sable in a stable born or some such as Mister would provide for a fecund mother and maybe his “wife” she, daughter of the Nubian civilized night in times when old Pharaoh and his ilk (and his damn slaves too) up jn Egypt land were still trying to figure out how to turn that straw in bricks and that weed in paper, daughter of the long flow Nile mother of waters in ancient times she, daughter of ancient Mother Africa, Africa before the international slavers came to breakup tribal bonds, break up families and cast seed to the winds, she, Hattie, Aunt Betty, Sarah, Lettie, she, no proud names now but some sour Missy given, she/they now of the Yazoo in the dark Mississippi night (dark for her not giving a damn about Mister’s best 28,000 acres of the best bottomland in the state and his night time crawls), sat washing sheets (and other dirtied wear too but sweated, unfurled sheets first made of fine cool linen as she could feel as she braced the two gentle stones between the folds), riverbank washing sheets (washing sheets for Mister, Missy, Mister Luke, Miss Sarah and old rowdy Mister’s high yella in Jackson, Mona, damn she was the worse by far wanting two sets of sheets to bounce Mister’s lusts) like one thousand generation washing womenfolk forbear crashing ancient stones to bleed the dirt from some exertions she, and wistfully dreaming freedom dreams, small town freedom dreams like Cousin Eddy escaped and followed the Northern star, followed his dreams away from tortured rivers, and away from white sheet sprawls. Dreaming, back to Africa dreaming heard around sullen camp fires with too little wood to keep the devil away and a body dry and warm and in broken down cabins not fit for Mister’s horses (little knowing that some Mister up North and his brethren were chain slaving thoughts of shipping her brethren, Cousin Eddy in that small town for one, back to that strange land that disturbed her sleep, dreaming fourth, or was it fifth generation dreaming of breaking out of Yazoo mucks, of endless dawn to dusk toils, and of unspoken, unspeakable Mister riverbank wants.

But mostly she dreamed of Toby, of freedom river Toby, her oldest, now this night six months fled, now river fled north, north by the guiding light, north from what the tom toms called, what that other Mister, the train conductor Mister called, the underground river, the river up from Yazoo mucks, up from Mississippi Delta stilts, up to Cairo town waters, yah, up that freedom river like some ancient Nile freedom from pharaoh lashes, from hot suns, from dusty, white, white until you hated the sight of white, bottom land cotton and then move.

And now, just now while daydream wondering where in this wicked old Mister world her beloved Toby was, her thoughts turned to Bob, her thirteen year old come summer Bob standing not a hundred yards from her putting those damn sheets to dry, singing softy about old pharaoh times, about Red Sea parting times, about, and this caused her panic, following the drinking gourd, following she knew the guiding light north, away from Yazoo mucks, and Mississippi silts. She knew, knew deep in her bones that some night, and it would not be long, her Bob too would be other Mister- headed Cairo town bound and that she would have two wonders, two wonders to think of every time she came, one thousand womenfolk generation washing, washing Mister’s sheets in Yazoo mucks.

Little did she know, Miss Hattie , Aunt Betty, Miss Sarah, Miss Lettie know, that not far from Yazoo rivers, one Toby X (let’s not call him some Mister name, some misname, but know he was the son of those sweet Yazoo River washings, and so know a man had been born, was part of the crew on a pilot boat attached to old Mister Sherman’s bummers and was raising hell with Mister’s kindred and that before long, all blue-capped and yellow-striped, he would be heading toward Yazoo rivers too.

In The Time Of The Second Mountain Music Revival- A Songcatcher Classic Song- "Come All Ye Fair And Tender Ladies"-Maybelle Carter-Style
 
 
 
 
 
A YouTube film clip of a classic Song-Catcher-type song from deep in the mountains, Come All You Fair And Tender Ladies. According to my sources Cecil Sharpe (a British musicologist in the manner of Francis Child with his ballads, Charles Seeger, and the Lomaxes, father and son)"discovered" the song in 1916 in Kentucky. Of course my first connection to the song had nothing to do with the mountains, or mountain origins, or so I though at the time but was heard the first time long ago in my ill-spent 1960s youth listening to a late Sunday night folk radio show on WBZ in Boston hosted by Dick Summer (who is now featured on the Tom Rush documentary No Regrets about Tom’s life in the early 1960s Boston folk scene) and hearing the late gravelly-voiced folksinger Dave Van Ronk like some latter-day Jehovah doing his version of the song. Quite a bit different from the Maybelle Carter effort here. I'll say.
[By the way that “or so I thought” about mountain music later turned out to be not quite true. My father from coal country Hazard, Kentucky out by the hills and hollows (I refuse to write “hollas”) and my mother left Boston for a time to go back to his growing up home to see if they could make a go of it there after World War II. The could not but while they were there I was conceived and being carried in my mothers’ womb so it turned out the damn stuff was in my DNA. Go figure, right.]     

COME ALL YE FAIR AND TENDER LADIES
(A.P. Carter)
The Carter Family - 1932
Come all ye fair and tender ladies
Take warning how you court young men
They're like a bright star on a cloudy morning
They will first appear and then they're gone
They'll tell to you some loving story
To make you think that they love you true
Straightway they'll go and court some other
Oh that's the love that they have for you
Do you remember our days of courting
When your head lay upon my breast
You could make me believe with the falling of your arm
That the sun rose in the West
I wish I were some little sparrow
And I had wings and I could fly
I would fly away to my false true lover
And while he'll talk I would sit and cry
But I am not some little sparrow
I have no wings nor can I fly
So I'll sit down here in grief and sorrow
And try to pass my troubles by
I wish I had known before I courted
That love had been so hard to gain
I'd of locked my heart in a box of golden
And fastened it down with a silver chain
Young men never cast your eye on beauty
For beauty is a thing that will decay
For the prettiest flowers that grow in the garden
How soon they'll wither, will wither and fade away
******
ALTERNATE VERSION:
Come all ye fair and tender ladies
Take warning how you court young men
They're like a star on summer morning
They first appear and then they're gone
They'll tell to you some loving story
And make you think they love you so well
Then away they'll go and court some other
And leave you there in grief to dwell
I wish I was on some tall mountain
Where the ivy rocks are black as ink
I'd write a letter to my lost true lover
Whose cheeks are like the morning pink
For love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows old
And fades away like the mornin' dew
And fades away like the mornin' dew

Free Chelsea Manning-President Obama Pardon Chelsea Now! 

 

I Hear The Voice Of My Arky Angel-Once Again-With Angel Iris Dement In Mind



 







SWEET FORGIVENESS (Iris DeMent)

(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP


Sweet forgiveness, that's what you give to me


when you hold me close and you say "That's all over"


You don't go looking back,


you don't hold the cards to stack,


you mean what you say.


Sweet forgiveness, you help me see


I'm not near as bad as I sometimes appear to be


When you hold me close and say


"That's all over, and I still love you"


There's no way that I could make up for those angry words I said


Sometimes it gets to hurting and the pain goes to my head


Sweet forgiveness, dear God above


I say we all deserve a taste of this kind of love


Someone who'll hold our hand,


and whisper "I understand, and I still love you"


AFTER YOU'RE GONE (Iris DeMent)


(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP


There'll be laughter even after you're gone


I'll find reasons to face that empty dawn


'cause I've memorized each line in your face


and not even death can ever erase the story they tell to me


I'll miss you, oh how I'll miss you


I'll dream of you and I'll cry a million tears


but the sorrow will pass and the one thing that will last


is the love that you've given to me


There'll be laughter even after you're gone


I'll find reason and I'll face that empty dawn


'cause I've memorized each line in your face


and not even death could ever erase the story they tell to me


Every once in a while I have to tussle, go one on one with the angels, or a single angel is maybe a better way to put it. No, not the heavenly ones or the ones who burden your shoulders when you have a troubled heart but every once in a while I need a shot of my Arky angel, Iris Dement. Every once in a while when I am blue, not a Billie Holiday blue but maybe just a passing blue I need to hear a voice that if there was an angel heaven voice she would be the one I would want to hear.    


I first heard Iris DeMent doing a cover of a Greg Brown tribute to Jimmy Rodgers, the old time Texas yodeller, on Brown's tribute album, Driftless. I then looked for her solo albums and for the most part was blown away by the power of Iris’ voice, her piano accompaniment and her lyrics (which are contained in the liner notes of her various albums, read them, please). It is hard to type her style. Is it folk? Is it Country Pop? Is it semi-torch songstress? Well, whatever it may be that Arky angel is a listening treat, especially if you are in a sentimental mood.


Naturally when I find some talent that “speaks” to me I grab everything they sing, write, paint, or act I can find. In Iris’ case there is not a lot of recorded work, with the recent addition of Sing The Delta just four albums although she had done many back-ups or harmonies with other artists most notably John Prine. Still what has been recorded blew me away (and will blow you away), especially as an old Vietnam War era veteran her There is a Wall in Washington about the guys who found themselves on the Vietnam Memorial probably one of the best anti-war songs you will ever hear. That memorial containing names very close to me, to my heart and I shed a tear each time I even go near the memorial when I am in D.C. It is fairly easy to write a Give Peace a Chance or Where Have All the Flowers Gone? type of anti-war song. It is another to capture the pathos of what happened to too many families when we were unable to stop that war. The streets of my old-time growing up neighborhood are filled with memories of guys I knew, guys who didn’t make it back, guys who couldn’t adjust coming back to the “real world,” or could not get over no going into the service to experience the decisive event of our generation.


Other songs that have drawn my attention like When My Morning Comes hit home with all the baggage working class kids have about their inferiority when they screw up in this world. Walking Home Alone evokes all the humor, bathos, pathos and sheer exhilaration of saying one was able to survive, and not badly, after growing up poor, Arky poor amid the riches of America. (That may be the “connection” as I grew up through my father coal country Hazard, Kentucky poor.)  


Frankly, and I admit this publicly in this space, I love Ms. Iris Dement. Not personally, of course, but through her voice, her lyrics and her musical presence. This “confession” may seem rather startling coming from a guy who in this space is as likely here to go on and on about Bolsheviks, ‘Che’, Leon Trotsky, high communist theory and the like. Especially, as well given Iris’ seemingly simple quasi- religious themes and commitment to paying homage to her rural background in song. All such discrepancies though go out the window here. Why?


Well, for one, this old radical got a lump in his throat the first time he heard her voice. Okay, that happens sometimes-once- but why did he have the same reaction on the fifth and twelfth hearings? Explain that. I can easily enough. If, on the very, very remotest chance, there is a heaven then I know one of the choir members. Enough said. By the way give a listen to Out Of The Fire and Mornin’ Glory. Then you too will be in love with Ms. Iris Dement.


Iris, here is my proposal, once again. If you get tired of fishing the U.P., or wherever, with Mr. Greg Brown, get bored with his endless twaddle about old Iowa farms or going on and on about Grandma's fruit cellar just whistle. Better yet just yodel like you did on Jimmie Rodgers Going Home on that Driftless  CD.
              
 
 


*   *   *   *

http://d3n8a8pro7vhmx.cloudfront.net/nobostonolympics/sites/1/meta_images/original/NBO_Logo_Color.jpg?1411349637Make Your Voice Heard on the Olympics! The City of Boston will hold nine public meetings on Boston2024's bid.  It is important for all residents from across Massachusetts who have questions or concerns about the bid to attend these meetings and to make your voice heard. The City's meetings are separate from the Boston2024 Citizens Advisory Group.  Why Oppose The Games?
Those Who Fought For Our Communist Future Are Kindred Spirits-James P. Cannon



 Click below to link to the James Cannon Internet Archives 

http://www.marxists.org/archive/cannon/works/

Peter Paul Markin comment (2008):

Every January, as readers of this blog are now, hopefully, familiar with the international communist movement honors the 3 Ls-Lenin, Luxemburg and Liebknecht, fallen leaders of the early 20th century communist movement who died in this month (and whose untimely deaths left a huge, irreplaceable gap in the international leadership of that time). January is thus a time for us to reflect on the roots of our movement and those who brought us along this far. In order to give a fuller measure of honor to our fallen forbears this January, and in future Januarys, this space will honor others who have contributed in some way to the struggle for our communist future. That future classless society, however, will be the true memorial to their sacrifices. This year we pay special honor to American Communist Party and American Trotskyist leader  James P. Cannon.

Note on inclusion: As in other series on this site (“Labor’s Untold Story”, “Leaders Of The Bolshevik Revolution”, etc.) this year’s honorees do not exhaust the list of every possible communist worthy of the name. Nor, in fact, is the list limited to Bolshevik-style communists. There will be names included from other traditions (like anarchism, social democracy, the Diggers, Levellers, Jacobins, etc.) whose efforts contributed to the international struggle. Also, as was true of previous series this year’s efforts are no more than an introduction to these heroes of the class struggle. Future years will see more detailed information on each entry, particularly about many of the lesser known figures. Better yet, the reader can pick up the ball and run with it if he or she has more knowledge about the particular exploits of some communist militant, or to include a missing one.
**********
BOOK REVIEW

SPEECHES FOR SOCIALISM- JAMES P. CANNON, PATHFINDER PRESS, NEW YORK, 1971


If you are interested in the history of the American Left or are a militant trying to understand some of the past lessons of our history concerning the socialist response to various social and labor questions this book is for you. This book is part of a continuing series of the writings of James P. Cannon that was published by the organization he founded, the Socialist Workers Party, in the 1970’s. Look in this space for other related reviews of this series of documents on and by an important American Communist.

In the introduction the editors motivate the purpose for the publication of the book by stating the Cannon was the finest Communist leader that America had ever produced. This an intriguing question. The editors trace their political lineage back to Cannon’s leadership of the early Communist Party and later after his expulsion to the Trotskyist Socialist Workers Party so their perspective is obvious. What does the documentation provided here show? This certainly is the period of Cannon’s political maturation, especially after his long collaboration working with Trotsky. The period under discussion- from the 1920’s when he was a leader of the American Communist Party to the red-baiting years after World War II- started with his leadership of the fight against the degeneration of the Russian Revolution and then later against those who no longer wanted to defend the gains of the Russian Revolution despite the Stalinist degeneration of that revolution. Cannon won his spurs in those fights and in his struggle to orient those organizations toward a revolutionary path. One thing is sure- in his prime which includes this period- Cannon had the instincts to want to lead a revolution and had the evident capacity to do so. That he never had an opportunity to lead a revolution is his personal tragedy and ours as well.

This volume is a compendium of Cannon’s speeches over most of his active political life beginning with his leadership role in the early American Communist Party and his secondary role in the Communist International. Some of the selections are also available in other parts of the series mentioned above. I would also note here that in contrast to his "Notebook of an Agitator" (also reviewed in this space) the pieces here tend to be longer and based on more general socialist principles. The socialist movement has always emphasized two ways of getting its message out- propaganda and agitation. The selections here represent a more propagandistic approach to that message. Many of the presentations hold their own even today in 2006 as thoughtful expositions of the aims of socialism and how to struggle for it. I particularly draw the reader’s attention to "Sixty Years of American Radicalism" a speech given in 1959 in which Cannon draws a general overview of the ebbs and flows of the socialist movement from the turn of the 20th century until then. At that time Cannon also predicted a new radical upsurge which did occur shortly thereafter but unfortunately has long since ended.

Cannon’s speech correctly marks the great divide in the American socialist movement at World War I and the socialist response American participation in that war and subsequently to the Russian Revolution. Prior to that time socialist activity was a loose, federated affair driven by a more evolutionary approach to ultimate socialist success i.e. reformism. That trend was symbolized by the work of the great socialist leader, Eugene V. Debs. While that approach had many, ultimately, fatal flaws it did represent a solid attempt to draw a class struggle line for independent (from the capitalist parties) political action by the working class.

Drawing on those lessons the early Communist Party, basing itself on support of the Russian Revolution, became dominant on the American left by expanding on that concept. That is, until the mid-1930’s after it had already long been an agency under orders from Moscow in support, by one means or another, of the Rooseveltian Democratic Party, a capitalist party. That was fatal to long term prospects for independent working class political action and Cannon has harsh words for the party’s policy. He also noted that the next upsurge would have to right that policy by again demanding an independent political expression for the working class. Unfortunately, when that radical upsurge did occur in the 1960’s and early 1970’s the party that he formed, the Socialist Workers Party, essentially replicated in the anti-Vietnam War movement and elsewhere the Communist Party’s class collaborationist policy with the remnants of American liberalism. Obviously, as a man in his sixties Cannon was no longer able or willing to fight against that policy by the party that he had created. Thus, the third wave of radicalism also ebbed and the American Left declined. Nevertheless this speech is Cannon’s legacy to the youth today. A new upsurge, and it will come, must learn this lesson and fight tooth and nail for independent political expression for the working class to avoid another failure.

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The Labor Party Question In The United States- An Historical Overview-Fight For A Worker Party That Fights For A Workers Government


These notes (expanded) were originally intended to be presented as The Labor Question in the United States at a forum on the question on Saturday August 4, 2012. As a number of radicals have noted, most particularly organized socialist radicals, after the dust from the fall bourgeois election settles, regardless of who wins, the working class will lose. Pressure for an independent labor expression, as we head into 2013, may likely to move from its current propaganda point as part of the revolutionary program to agitation and action so learning about the past experiences in the revolutionary and radical labor movements is timely.

I had originally expected to spend most of the speech at the forum delving into the historical experiences, particularly the work of the American Communist Party and the American Socialist Workers Party with a couple of minutes “tip of the hat” to the work of radical around the Labor Party experiences of the late 1990s. However, the scope of the early work and that of those radical in the latter work could not, I felt, be done justice in one forum. Thus these notes are centered on the early historical experiences. If I get a chance, and gather enough information to do the subject justice, I will place notes for the 1990s Labor party work in this space as well.
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The subject today is the Labor Party Question in the United States. For starters I want to reconfigure this concept and place it in the context of the Transitional Program first promulgated by Leon Trotsky and his fellows in the Fourth International in 1938. There the labor party concept was expressed as “a workers’ party that fights for a workers’ government.” [The actual expression for advanced capitalist countries like the U.S. was for a workers and farmers government but that is hardly applicable here now, at least in the United States. Some wag at the time, some Shachtmanite wag from what I understand, noted that there were then more dentists than farmers in the United States. Wag aside that remark is a good point since today we would call for a workers and X (oppressed communities, women, etc.) government to make our programmatic point more inclusive.]

For revolutionaries these two algebraically -expressed political ideas are organically joined together. What we mean, what we translate this as, in our propaganda is a mass revolutionary labor party (think Bolsheviks first and foremost, and us) based on the trade unions (the only serious currently organized part of the working class) fighting for soviets (workers councils, factory committees, etc.) as an expression of state power. In short, the dictatorship of the proletariat, a term we do not yet use in “polite” society these days in order not to scare off the masses. And that is the nut. Those of us who stand on those intertwined revolutionary premises are few and far between today and so we need, desperately need, to have a bridge expression, and a bridge organization, the workers party, to do the day to day work of bringing masses of working people to see the need to have an independent organized expression fighting programmatically for their class interests. And we, they, need it pronto.

That program, the program that we as revolutionaries would fight for, would, as it evolved, center on demands, yes, demands, that would go from day to day needs to the struggle for state power. Today focusing on massive job programs at union wages and benefits to get people back to work, workers control of production as a way to spread the available work around, the historic slogan of 30 for 40, nationalization of the banks and other financial institutions under workers control, a home foreclosure moratorium, and debt for homeowners and students. Obviously more demands come to mind but those listed are sufficient to show our direction.

Now there have historically been many efforts to create a mass workers party in the United States going all the way back to the 1830s with the Workingmen’s Party based in New York City. Later efforts, after the Civil War, mainly, when classic capitalism began to become the driving economic norm, included the famous Terence Powderly-led Knights of Labor, including (segregated black locals), a National Negro Union, and various European social-democratic off -shoots (including pro-Marxist formations). All those had flaws, some serious like being pro-capitalist, merely reformist, and the like (sound familiar?) and reflected the birth pangs of the organized labor movement rather than serious predecessors.

Things got serious around the turn of the century (oops, turn of the 20th century) when the “age of the robber barons” declared unequivocally that class warfare between labor and capital was the norm in American society (if not expressed that way in “polite” society). This was the period of the rise the Debsian-inspired party of the whole class, the American Socialist Party. More importantly, if contradictorily, emerging from a segment of that organization, the Industrial Workers of the World (IWW, Wobblies) was, to my mind the first serious revolutionary labor organization (party/union?) that we could look to as fighting a class struggle fight for working class interests. Everyone should read the Preamble to the IWW Constitution of 1905 (look it up on Wikipedia or the IWW website) to see what I mean. It still retains its stirring revolutionary fervor today.

The most unambiguous work of creating a mass labor party that we could recognize though really came with the fight of the American Communist Party (which had been formed by the sections, the revolutionary-inclined sections, of the American Socialist Party that split off in the great revolutionary/reformist division after the success of the Bolshevik Revolution in Russia in 1917) in the 1920s to form one based on the trade unions (mainly in the Midwest, and mainly in Chicago with the John Fitzgerald –led AFL). That effort was stillborn, stillborn because the non-communist labor leaders who had the numbers, the locals, and, ah, the dough wanted a farmer-labor party, a two class party to cushion them against radical solutions (breaking from the bourgeois parties and electoralism). Only the timely intervention of the Communist International saved the day from a major blunder (Go to the James P. Cannon Internet Archives for more, much more on this movement, He, and his factional allies including one William Z. Foster, later the titular head of the Communist Party, were in the thick of things to his later red-faced chagrin).

Moving forward, the American Communist Party at the height of the Great Depression (the one in the 1930s, that one, not the one we are in now) created the American Labor Party (along with the American Socialist party and other pro-Democratic Party labor skates) which had a mass base in places like New York and the Midwest. The problem though was this organization was, mainly, a left-handed way to get votes for Roosevelt from class conscious socialist-minded workers who balked at a direct vote for Roosevelt. (Sound familiar, again?) And that, before the Labor Party movement of the 1990s, is pretty much, except a few odd local attempts here and there by leftist groups, some sincere, some not, was probably the last major effort to form any kind of independent labor political organization. (The American Communist Party after 1936, excepting 1940, and even that is up for questioning, would thereafter not dream of seriously organizing such a party. For them the Democratic Party was more than adequate, thank you. Later the Socialist Workers Party essentially took the same stance.)

So much then for the historical aspects of the workers party question. The real question, the real lessons, for revolutionaries posed by all of this is something that was pointed out by James P. Cannon in the late 1930s and early 1940s (and before him Leon Trotsky). Can revolutionaries in the United States recruit masses of working people to a revolutionary labor party (us, again) today (and again think Bolshevik)? To pose the question is to give the answer (an old lawyer’s trick, by the way).

America today, no. Russia in 1917, yes. Germany in 1921, yes. Same place 1923, yes. Spain in 1936 (really from 1934 on), yes. America in the 1930s, probably not (even with no Stalinist ALP siphoning). France 1968, yes. Greece (or Spain) today, yes. So it is all a question of concrete circumstances. That is what Cannon (and before him Trotsky) was arguing about. If you can recruit to the revolutionary labor party that is the main ticket. We, even in America, are not historically pre-determined to go the old time British Labor Party route as an exclusive way to create a mass- based political labor organization. If we are not able to recruit directly then you have to look at some way station effort. That is why in his 1940 documents (which can also be found at the Cannon Internet Archives as well) Cannon stressed that the SWP should where possible (mainly New York) work in the Stalinist-controlled (heaven forbid, cried the Shachtmanites) American Labor Party. That was where masses of organized trade union workers were.

Now I don’t know, and probably nobody else does either, if and when, the American working class is going to come out of its slumber. Some of us thought that Occupy might be a catalyst for that. That has turned out to be patently false as far as the working class goes. So we have to expect that maybe some middle level labor organizers or local union officials feeling pressure from the ranks may begin to call for a labor party. That, as the 1990s Socialist Alternative Labor Party archives indicates, is about what happened when those efforts started.

[A reference back to the American Communist Party’s work in the 1920s may be informative here. As mentioned above there was some confusion, no, a lot of confusion back then about building a labor party base on workers and farmers, a two -class party. While the demands of both groups may in some cases overlap farmers, except for farm hands, are small capitalists on the land. We need a program for such potential allies, petty bourgeois allies, but their demands are subordinate to labor’s in a workers’ party program. Fast forward to today and it is entirely possible, especially in light of the recent Occupy experiences, that some vague popular frontist trans-class movement might develop like the Labor Non-Partisan League that the labor skates put forward in the 1930s as a catch basin for all kinds of political tendencies. We, of course, would work in such formations fighting for a revolutionary perspective but this is not what we advocate for now.]


Earlier this year AFL-CIO President Trumka made noises about labor “going its own way.” I guess he had had too much to drink at the Democratic National Committee meeting the night before, or something. So we should be cautious, but we should be ready. While at the moment tactics like a great regroupment of left forces, a united front with labor militants, or entry in other labor organizations for the purpose of pushing the workers party are premature we should be ready.

And that last sentence brings up my final point, another point courtesy of Jim Cannon. He made a big point in the 1940s documents about the various kinds of political activities that small revolutionary propaganda groups or individuals (us, yet again) can participate in (and actually large socialist organizations too before taking state power). He lumped propaganda, agitation, and action together. For us today we have our propaganda points “a workers’ party that fights for a workers (and X, okay) government.” In the future, if things head our way, we will “united front” the labor skates to death agitating for the need for an independent labor expression. But we will really be speaking over their heads to their memberships (and other working class formations, if any, as well). Then we will take action to create that damn party, fighting to make it a revolutionary instrument. Enough said.

FILM: Free Angela and All Political Prisoners

 
 
 
 
 
First Thursday Documentary Films
 
Central Square Cambridge Library 
45 Pearl St Cambridge
Thursday February 5  6:45 –9
 
 
IN HONOR OF BLACK HISTORY MONTH
 
Film: FREE ANGELA AND ALL POLITICAL PRISONERS
An inspiring docudrama that looks at the historical incidents that created an international movement to free activist Angela Davis
Spnsored by Women’s International League for Peace and Freedom