Wednesday, February 11, 2015

As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Writers’ Corner  

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school but the Cubist/Fauvists/Futurists and  Surrealists or those who would come to speak for those movements, those who saw the disjointedness of modern industrial society and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gabezo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man. They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course.  
 
And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful English poets (we will speak of American poets when they slip into war footing in 1917)like Wilfred Owens before he got religion, e.e. cummings madly driving his safety ambulance, beautiful Rupert Brookes wondering which way to go but finally joining the mob in some fated oceans, sturdy Robert Graves all blown to hell and back surviving but just surviving, French , German, Russian, Italian poets tooo all aflutter; artists, reeking of blooded fields, the battle of the Somme Muirhead Bone's nothing but a huge killing field that still speaks of small boned men, drawings, etchings that no subtle camera could make beautiful, that famous one by Picasso, another by Singer Sargent about the death trenches, about the gas, and human blindness for all to see; sculptors, chiseling monuments to the national brave even before the blood was dried before the last tear had been shed, huge memorials to the unnamed, maybe un-nameable dead dragged from some muddied trench half blown away; writers, serious and not, wrote beautiful Hemingway stuff about the scariness of war, about valor, about romance on the fly, among those women. camp-followers who have been around  since men have left their homes to slaughter and maim, lots of writers speaking, after the fact about the vein-less leaders and what were they thinking, and, please, please do not forgot those Whiggish writers who once the smoke had cleared had once again put in a word about the endless line of human progress, musicians, sad, mystical, driven by national blood lusts to the high tattoo, went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate  ….    


   

Seven Pillars of Wisdom: A Triumph (The Authorized Doubleday/Doran Edition)

4.01 of 5 stars 4.01  ·  rating details  ·  3,521 ratings  ·  356 reviews
In his classic book, T.E. Lawrence—forever known as Lawrence of Arabia—recounts his role in the origin of the modern Arab world. At first a shy Oxford scholar and archaeologist with a facility for languages, he joined and went on to lead the Arab revolt against the Ottoman Turks while the rest of the world was enmeshed in World War I. With its richly detailed evocation of ...more

 
Music Down At The Base- Community Sings

 
 

I have spent a lot of cyber-ink in this space going through the litany of the musical influences that I have hitched onto in my life starting with a rejection, for in the end no other reason than it was their music, the music of my parents’ generation, the stuff from Frank Sinatra, Vaughn Monroe, Peggy Lee and the various sister groups that got them through the hungers of the Great Depression and the anxieties of World War II. Naturally as a child of the 1950s I was immersed in the now classic rock and roll music of Elvis, Chuck, Bo, Jerry Lee, and a huge cast of others. Later, in the early 1960s when there was a drought in rock land I gravitated to the new breeze coming through youth nation, folk music, mainly the urban protest stuff from Bob Dylan, Joan Baez, and their comrades. From there I naturally began branching out to the more exotic roots music, country and electric blues, mountain music, and little be-bop jazz before heading back to post-British invasion rock when it got acidified and super-electric.         

All of this introduction to the ups and downs of my musical tastes only to show that I have spent the vast bulk of my sketches and reviews highlighting professional performers working the various genre of the American Songbook. But that is merely the tip of the iceberg of how the traditions stay alive even after fashions change. The music stay alive down at the base through “community sings” done many ways from church basement coffeehouses and formerly smoky bars to uniting in choruses, choirs, and ensembles to make “people’s music.” And not badly either as the program from one such effort attests to. No question trying to make a niche for yourself, or your group, in the professional musical world is a tough dollar at best so many very talented performers make a decision at some point to veer off that road. But they still love the music, still want to play and sing, and along the way keep the traditions going. So although these may be “amateur” performances they still remain of high quality. If not then they can do as I do and go upstairs in my house and be a “third floor folksinger.” Enough said.          

All Honor To The Media, Pa. 1971 Whistle-Blowers-The Documentary 1971 

Free Chelsea Manning! Hands Off Edward Snowden! Hands Off Julian Assange!

From The Pen Of Frank Jackman

Whistle-blowers as we painfully know from the Chelsea Manning case and the others prosecuted to the fullest by the Obama Administration are honored more in the breech than in the observance (certainly by an administration that has the “distinction” of prosecuting and convicting more whistle-blowers than any other). This administration is also still hell-bent on coaxing Edward Snowden back to the United States to face the guns of the “justice” system here. But this administration as egregious as their conduct has been when confronted with truth-tellers (what the hell all Snowden, Manning, et.al have done is release the government’s own document for public inspection so the only made-up stuff comes from the government’s own sources) is not the only one that has clamped down on whistle-blowers as headline to this piece makes clear and as the documentary about the heroic work of the Media Eight, 1971, tells us in graphic detail.        

Probably the most famous whistle-blower from the Vietnam War period was Daniel Ellsberg and his revelations in the Pentagon Papers (also government documents but the veracity of some of those documents should be approached like you would a rattlesnake. Very carefully.) And he rightly deserves his honorable place in history (as well as kudos for continuing to keep up the good fight in his fervent defense of Chelsea Manning). But those were heady times, frustrating times for those who opposed that generation’s (mine too) endless Vietnam war so that by the late 1960s, early 1970s thoughtful citizens were up to all kinds of things, mostly illegal, to stop the madness of the war machine (sound familiar except then we had thousands ready to do what was necessary).

Ordinary citizens were burning draft cards, supporting such actions, sitting down in draft board offices, spilling blood on the files, protesting in front of every conceivable war-related institution, building mass rallies, committing acts of civil disobedience trying to shut down the government's war machine on the streets, and so on. Citizen-soldiers were going AWOL, refusing orders, particularly orders to Vietnam, fragging, and the Army was half in mutiny. Others were a bit more respectful of the institutions and pursued their angers in legal ways. But here is the rub. They, we, were all under surveillance (sound familiar, again) and that is where the story of the Media Eight intersects what was going on back then. The government, the press, the other media as described in the documentary all took a dive and so ordinary citizens did what ordinary citizens who have gotten “religion” do they took action.

The only different from today is that the Media Eight had to actually go and burgle the FBI office putting themselves in immediate personal danger rather than use some computer wizardry to get the information we need to know about. So yes, as the story below expands on, all honor to the heroic Media Eight whistle-blowers. You too have been looked at kindly by history.    

******

The Husband And Wife Who Burgled The FBI


John and Bonnie Raines are pictured with their three children in Glen Lake, Michigan circa August 1969. (1971film.com)
John and Bonnie Raines are pictured with their three children in Glen Lake, Michigan circa August 1969. (1971film.com)

Before Edward Snowden, there was the Citizens’ Commission to Investigate the FBI. In 1971, eight anti-war activists broke into the FBI office in Media, Pennsylvania. Among them were John and Bonnie Raines frequent anti-war protesters and the parents of three kids.

They were looking for proof that the FBI was involved in surveillance and harassment of civil rights and anti-war groups. And they found it in the over 1,000 documents that they stole and sent to three major newspaper: The New York Times, the Los Angeles Times, and The Washington Post.
“The story almost never got published,” John told Here & Now’s  Robin Young. “Whistle-blowers depend on courageous investigative reporters” And those journalists, it seemed, were scarce.
At the time, FBI Director J. Edgar Hoover was so powerful that even presidents feared him. Finally, only The Washington Post published copies of the documents. The response was enormous. The public was outraged.
 “When the law becomes the instrument of the crime, then the only way you can stop that crime is to break that law.”
– John Raines

In a world where personal phones are locked with finger scans, it’s hard to imagine that these eight ordinary people could pull off such a major heist, especially considering they couldn’t even pick the lock on the first door they tried.

But other than that initial setback, the novice burglars succeeded.

“We had prepared so meticulously,” said Bonnie, who posed as a student from Swarthmore College exploring opportunities for women in the FBI in order to get inside the building during business hours to scout out security measures and the layout of the offices.

“We were very careful in our preparations,” John added. “We were not Don Quixotes, we were not martyrs, we were interested in doing the job we thought we had to do because nobody in Washington was doing that job, namely supervising and holding J.Edgar Hoover of the FBI accountable.”

Their actions led directly to the Church Committee hearings, the country’s first congressional investigation of American intelligence agencies. And later, the discovery of Cointellpro, short for Counterintelligence Program, which Hoover ran to secretly collect information on civil rights activists and groups the FBI deemed potentially disruptive to the bureau.

When the job was done, the commission disbanded and the eight members rarely spoke.
“We had to go into hiding of course,” said John. “J. Edgar Hoover sent 200 agents to try and find the Citizens Commission and they flooded the city of Philadelphia. So we knew we needed to go deep underground and the best place to go underground, of course, is in plain sight and we were able to do that here in Philadelphia because there were thousands of resistors back then. I mean our country was in fire in 1970 and 1971. So we decided as a group, the eight of us, that we needed to disappear from the public discourse and return to our private lives and we did that.”

The couple remained active, had a fourth child and raised their family, never revealing what they had done. “We did tell our children when they were older teenagers,” said Bonnie. Accustomed to their parent’s activism, they weren’t shocked. Actually, Bonnie recalls, “they were quite proud.” She hopes that among her four children and seven grandchildren there is a legacy of activism.

Does this include breaking the law? “Yes,” both parents say. “When the law becomes the instrument of the crime, then the only way you can stop that crime is to break that law. We found that out in the civil rights movement in the laws of segregation,” said John.
 “A people that would sacrifice liberty to gain security, deserve neither.”
– John Adams

Now, 43 years later, their story is being told in the new documentary “1971,” which opens in New York today.

While the Commission’s goal was not to be “Don Quixotes,” the film’s trailer suggests an element of heroism in their act. And while some may argue the Commission’s burglary was similar to Snowden’s, other’s say it’s a different time. Some say, in a post-9/11 world, we need to be more protective of the nation’s security.

“I believe our nation is driven by an excessive fear,” John said. “Yes, we have to worry about the terrorists, but even more we have to worry about how to protect the values of our nation that make our nation worth valuing and worth securing. The second president of the United States, John Adams, said something very wise in his time and it’s still true in our time. He said, ‘A people that would sacrifice liberty to gain security, deserve neither.’ What he said back then, those many, many hundreds of years ago, remain true today.”
Watch the trailer for '1971':

Guests

Out Of The Mouths Of Babes In Boston- No Justice, No Peace- Black Lives Matter- You Have Got That Right Young Brothers and Sisters-Speaking Truth To Power-The Struggle Continues  

A lot of people, and I count myself among them, see the new movement against police brutality and their incessant surveillance of minority youth, mainly black and latino, that seems to be building up a head of steam to be the next major axis of struggle. The endemic injustices are so obvious and frankly so outrageous that the pent-up anger at the base of society among we the have-nots is so great that it needed visible expression. The past six months have given us that. But below is an example, a beautiful graphic example, of just how deep the hurts go, and how deep into society these injustices are felt. Read on.
 


        

13 Years Is Enough-Shut Down The Guantanamo Detention Hell-Hole-Return Guantanamo To Cuban Sovereignty!  

 
  


***Poet’s Corner- Langston Hughes- Mother To Son

 

 



From The Pen Of Frank Jackman

 

February is Black History Month

 

Mother To Son

 

Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now—
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.


 

Langston Hughes

 

Clarence Martin knew, knew deep in his bones, that he would now have to talk to his just turned ten son, Lanny (full name Langston, named after the old Harlem Renaissance poet, Langston Hughes, whom he, and the brothers, had learned about and went “max daddy” be-bop hip-hop crazy over in that GED class at Norfolk when he had done his last stretch, that last and no more stretch for that damn liquor store armed robbery), now that he had made that first midget turn toward “the life” with that foolish “clip” he got caught doing over at Mr. Earl’s Jewelry Store in Roxbury Crossing (he would not tell his son, not for the world, that he too had clipped his fair share of jewelry from that very same establishment although he had never gotten caught in those days before every two-bit place had monitors all over the place). He would have to call his ex-wife, Lanny’s mother, Essie, and make arrangements for them to meet in some neutral place and have it out, have it out about the black facts of life in America, and about taking that midget turn back, back to rolling that rock up the mountain like that old Greek guy did.

As Clarence thought about how to approach his son, about how to tell him about his own troubles with the law that he and Essie had kept from him since Lanny had not even been born when, he, young wild buck he, got his wanting habits on and caused his own Mama and Papa some serious hell. He figured that he would just lay it on the line, man to man, even though at ten Lanny might not understand the whole thing. He would try to explain about a boy’s wanting habits, a boy fresh up from deep in the Jim Crow south, a boy born on some Mister’s sharecrop plantation and then early on moved up into a northern ghetto (over on high number Washington Street where his own parents still lived) where it seemed like the streets were paved with gold, although his people had no gold, no gold to satisfy his wanting habits.

So it had started, started simply for him and his corner boys, a hustle here, a jack-roll there, a little time at Morton Street, some street dope, some walking daddy pimp action (of his own girlfriend at the time and her sister for Chrissakes), then his graduate education-armed robberies for quick nickels and dimes to feed a burgeoning coke habit, then the big house. Graduated and done. A normal profile for a couple of generations of black boys, maybe three. He wouldn’t hold back (except that silly clip action at Mister Earl’s because he didn’t want any “like father like son” noise from Lanny, or Essie either).

Then he would point to his own turnaround, his job as head janitor at the John Hancock building in the Back Bay, and the slow and steady rising up of his own life. Nothing big, but he was still alive to talk about it, unlike the five other members of his Uphams Corner jive ass corner boy society who were either six feet under or sitting in some big steel house, mostly the former. He would tell him of Langston Hughes, no not the poet part (although the brother was still the “max daddy” be-bop hip-hop angel high priest) but getting wise in stir, getting wise inside and figuring out after that last stretch that he was either going be dead by thirty or a permanent resident of the underclass either in the big house, or out in some nowhere scene. So he got his GED, picked up some usable trade skills and shook the prison pallor off. And never looked backed, even if the road forward was not going to be blazing guns.

And then he would lay it on the line that ten-year old black boys, Lanny black as the night black boys, were born to die at thirty (maybe earlier), were born to have their wanting habits curtailed, were born to spent time in Mister’s steel boxes, were born to wither and die in some sleepy crack house, were as likely to be blown away just for breathing wrong by some blue-suited bastard or some irate honky, as for anything else. He would leave it at that he thought enough to fill up a grown man’s hurts, to fill up a strong grown man’s hurts and sorrows.

A minute later Clarence Martin, father, black father, black father with a story to tell dialed up Essie’s number on his cellphone and when she answered he said, “Hey, Essie, how’s things, I need to talk to Lanny, I need to talk to my son bad… ’’

 

As Obama, His House And Senate Allies, His “Coalition Of The Willing”    Ramp Up The War Drums-Again- Stop The Bombings-Stop The Incessant Escalations-- Immediate Withdrawal Of All U.S. Troops And Mercenaries From The Middle East! –Stop The U. S. Arms Shipments …





Frank Jackman comment:


Nobel “Peace” Prize Winner, U.S. President Barack Obama (and yes that word peace should be placed in quotation marks every time that award winning is referenced), abetted by the usual suspects in the House and Senate as well as internationally (Britain, France, the NATO guys, etc.),  has over the past several months ordered more air bombing strikes in the north of Iraq and in Syria, has sent more “advisers”, another fifteen hundred most recently, to “protect” American outposts in Iraq and buck up the feckless Iraqi Army, has sent seemingly limitless arms shipments to the Kurds now acting as on the ground agents of American imperialism whatever their otherwise supportable desires for a unified Kurdish state, and has authorized supplies of arms to the cutthroat and ghost-like moderate Syrian opposition if it can be found to give weapons to,  quite a lot of war-like actions for a “peace” guy (maybe those quotation mark should be used anytime anyone is talking about Obama). All these actions, and threatened future ones as well, have made guys who served in the American military during the Vietnam War and who, like me, belatedly, got “religion” on the war issue from the experience, have learned to think long and hard about the war drums rising as a kneejerk way to resolve the conflicts in this wicked old world have made us very skeptical. We might very well be excused for our failed suspension of disbelief when the White House keeps pounding out the propaganda that these actions are limited when all signs point to the slippery slope of escalation (and the most recent hike of fifteen hundred kind of puts paid to that thought).


And during all this deluge Obama and company saying with a straight face the familiar (Vietnam-era familiar updated for the present)-“we seek no wider war”-meaning no American combat troops. Well if you start bombing places back to the Stone Age, or trying to, if you cannot rely on the weak-kneed Iraqi troops who have already shown what they are made of and cannot rely on a now virtually non-existent “Syrian Free Army” which you are willing to give whatever they want and will still come up short what do you think the next step will be? Now not every event in history gets repeated exactly but given the recent United States Government’s history in Iraq those old time Vietnam vets who I like to hang around might be on to something. In any case dust off the old banners, placards, and buttons and get your voices in shape- just in case. No New War In Iraq!–Stop The Bombings !- Stop The Arms Shipments!-Vote Down The Syria-Iraq War Budget Appropriations!     


***

Tuesday, February 10, 2015

He Was He And She Was She-Growing Up Absurd  In The 1950s




From The Pen Of Frank Jackman
 
There was a lot that now seems weird about growing up the keep your head down, don’t make waves, “if your mommie is a commie, turn her in” Cold War red scare 1950s night. Literally on that “keep your head down “part when we did the drill-the nuclear fall-out down in the school basement put your head between your knees drill that haunted every school kid’ s nightmarish dreams. Weird given too that the roles we were forced to play didn’t make sense sometimes. Didn’t make sense except that gentle father Ike called the shots and that was good enough for our parents who like us did not have a say in making that world, or being asked about making it. Some of the terrible psychological burdens we faced as kids would have been infinitely easier to take if we had not been cookie-cutter, one-size-fits-all crammed into some roles that we were ill-fitted for.
A look at the photograph above from my old friend and colleague Jack Dawson’s junior high school days at Myles Standish in his hometown of Carver about thirty miles south of Boston graphically puts that chamber of horrors into perspective. Jack from a young age had his heart set on going to college, to be the first in his family to go to college, and his parents despite their poverty encouraged that goal. A lot of what drove Jack in those days from what he told me one night when we were cutting up old touches over high-shelf scotches at the Sunnyville Grille in Boston was reading, reading every book that he could get his hands on, in pursuit of that goal. What he was not interested in were sports since he had two left un-co-ordinated feet and mechanical things since he had two left un-co-ordinated hands both of which were pushed on him, pushed on all of us by a theory of education that said we needed to be exposed to these skills whether we liked them or not.
Jack was able to fake the sports part since you could lose yourself in some team thing and not be exposed to the glare of being left-footed unless you touched the ball or something. He was not so lucky about the mechanical aspect. See Jack had two problems, one was Mr. Fisher the woodworking teacher who expected every boy in his charge to become a master woodworker under his tutelage. And old man Fisher (he had served in the AEF in World War I by the time Jack came under his loving care so yes he was an old man by Jack’s time) was determined to put the screws to any boy who did not buckle under. Needless to say Jack failed the old man by every measure. The required shelf that he expected every boy to construct to pass the class in Jack’s hand just collapsed under the weight of mis-cut pieces, poorly joined together, and painted like he was some public employee.
Mr. Fisher would not let such a dastardly thing go unpunished. He would place such an errant boy in the Home Economics class by agreement with Miss Foster, the Home Ec teacher to make cookies and clean up the kitchen with the girls. Needless to say in that sex-sensitive coming of age time any boy would be shell-shocked and Jack, a sensitive boy then even more so. So Jack took his beating.
And Jack took it in a manly way if we can put that term to good use today. But that brought up the second problem, the one that was the one that broke it all for him. See Jack was crazy for Melinda Loring, a blonde-haired, blue-eyed junior high school heart-breaker. Who also happened to be aces at making things out of wood since her father owned the lumber yard/hardware store in town. To add insult to injury Mr. Fisher had Melinda come in and make a crackerjack shelf just to show his boys up. The same day Jack exhibited his fallen wreck Melinda was present. She had led the laughter in the class when his shelf crashed like some demolished building just imploded. Needless to say Melinda never gave Jack a tumble, never acknowledged his existence after that episode although word had been out through that infallible teenage grapevine that has the NSA beaten six ways to Sunday for good intelligence that she had been smitten by Jack too. Jack made me laugh when he recalled that his own daughters when they were in junior high school actually elected to take the regardless of sex woodworking shop and rightly so since they made the worst cookies in the world bar none. So the Earth turns.                                
In Black History Month-No Justice, No Peace- Black Lives Matter- You Have Got That Right Brothers and Sisters-Speaking Truth To Power-The Struggle Continues  


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The Smells, Ah, The Smells Of Childhood- Ida's Bakery-With Little Anthony And The Imperials Tears On My Pillow In Mind

 

There are many smells, sounds, tastes, sights and touches stirred up on the memory’s eye trail in search of the old days in North Adamsville. Today though I am in thrall to smells. The why of this thralldom is simply put. I had, a short while ago, passed a neighborhood bakery here on the corner of St. Brendan Street that reeked of the smell of sour-dough bread being baked on the premises. The bakery itself, designated as such by a plainly painted sign-Mrs. Kenney’s Bakery- was a simple extension of someone’s house, living quarters above, and that brought me back to the hunger streets of the old home town and Ida’s holy-of-holies bakery over on Sagamore Street.

Of course one could not dismiss, dismiss at one’s peril, that invigorating smell of the salt air blowing in from North Adamsville Bay when the wind was up. A wind that spoke of high-seas adventures, of escape, of jail break-outs from landlocked spiritual destitutes, of, well, on some days just having been blown in from somewhere else for those who sought that great eastern other shoreline. Or how could one forget the still nostril-filling pungent fragrant almost sickening smell emanating from the Proctor &Gamble soap factory across the channel down in the old Adamsville Housing Authority project that defined many a muggy childhood summer night air instead of sweet dreams and puffy clouds. Or that never to be forgotten slightly oily, sulfuric smell at low- tide down at North Adamsville Beach, the time of the clam diggers and their accomplices trying to eke a living or a feeding out of that slimy mass. Or evade the fetid smell of marsh weeds steaming up from the disfavored Squaw Rock end of the beach, the adult haunts. (Disfavored, disfavored when it counted in the high teenage dudgeon be-bop 1960s night, post-school dance or drive-in movie love slugfest, for those who took their “submarine races” dead of night viewing seriously. And I do not, or will not spell the significance of that teen lingo race expression even for those who did their teenage “parking” in the throes of the wild high plains Kansas night. You can figure that out yourselves.)

Or the smell sound of the ocean floor (or dawn, if you got lucky) at twilight on those days when the usually tepid waves aimlessly splashed against the shoreline stones, broken clam shells, and other fauna and flora turned around and became a real roaring ocean, acting out Mother Nature’s high life and death drama, and in the process acted to calm a man’s (or a man-child’s) nerves in the frustrating struggle to understand a world not of one’s own making. Moreover, I know I do not have to stop very long to tell this retro crowd, the crowd that will read this piece, about the smell taste of that then just locally famous HoJo’s ice cream back in the days. Jimmied up and frosted to take one’s breath away. Or those char-broiled hot dogs and hamburgers sizzling on your back-yard barbecue pit or, better, from one of the public pits down at the beach. But the smell that I am ghost-smelling today is closer to home as a result of a fellow old time classmate’s bringing this to my attention awhile back (although, strangely, if the truth be known I was already on the verge of “exploring" this very subject). Today, after passing that home front bakery, as if a portent, I bow down in humble submission to the smells from Ida’s Bakery.

You, if you are of a certain age, at or close to AARP-eligible age, and neighborhood, Irish (or some other ethnic-clinging enclave) filled with those who maybe did not just get off the boat but maybe their parents did, remember Ida’s, right? Even if you have never set foot one in old North Adamsville, or even know where the place is. If you lived within a hair’s breathe of any Irish neighborhood and if you grew up probably any time in the first half of the 20th century you “know” Ida’s. My Ida ran a bakery out of her living room, or maybe it was the downstairs and she lived upstairs, in the 1950s and early 1960s (beyond that period I do not know). An older grandmotherly woman when I knew her who had lost her husband, lost him to drink, or, as was rumored, persistently rumored although to a kid it was only so much adult air talk, to another woman. Probably it was the drink as was usual in our neighborhoods with the always full hang-out Dublin Grille just a couple of blocks up the street. She had, heroically in retrospect, raised a parcel of kids on the basis of her little bakery including some grandchildren that I played ball with over at Welcome Young field also just up the street, and also adjacent to my grandparents’ house on Kendrick Street.

Now I do not remember all the particulars about her beyond the grandmotherly appearance I have just described, except that she still carried that hint of a brogue that told you she was from the “old sod” but that did not mean a thing in that neighborhood because at any given time when the brogues got wagging you could have been in Limerick just as easily as North Adamsville. Also she always, veil of tears hiding maybe, had a smile for one and all coming through her door, and not just a commercial smile either. Nor do I know much about how she ran her operation, except that you could always tell when she was baking something in back because she had a door bell tinkle that alerted her to when someone came in and she would come out from behind a curtained entrance, shaking flour from her hands, maybe, or from her apron-ed dress ready to take your two- cent order-with a smile, and not a commercial smile either but I already told you that.

Nor, just now, do I remember all of what she made or how she made it but I do just now, rekindled by this morning’s sour-dough yeasty smell, remember the smells of fresh oatmeal bread that filtered up to the playing fields just up the street from her store on Fridays when she made that delicacy. Fridays meant oatmeal bread, and, as good practicing Catholics we were obliged to not eat red meat on that sacred day, so tuna fish. But, and perhaps this is where I started my climb to quarrelsome heathen-dom I balked at such a desecration. See, grandma would spring for a fresh loaf, a fresh right from the oven loaf, cut by a machine that automatically sliced the bread (the first time I had seen such a useful gadget). And I would get to have slathered peanut butter (Skippy, of course) and jelly (Welch’s grape, also of course) and a glass of milk. Ah, heaven.

And just now I memory smell those white-flour dough, deeply- browned Lenten hot-cross buns white frosting dashed that signified that hellish deprived high holy catholic Lent was over, almost. Beyond that I draw blanks. Know this those. All that sweet sainted goddess (or should be) Ida created from flour, eggs, yeast, milk and whatever other secret devil’s ingredient she used to create her other simple baked goods may be unnamed-able but they put my mother, my grandmother, your mother, your grandmother in the shade. And that is at least half the point. You went over to Ida’s to get high on those calorie-loaded goodies. And in those days with youth at your back, and some gnawing hunger that never quite got satisfied, back then that was okay. Believe me it was okay. I swear I will never forget those glass-enclosed delights that stared out at me in my sugar hunger. I may not remember much about the woman, her life, where she was from, or any of that. This I do know- in this time of frenzied interest in all things culinary Ida's simple recipes and her kid-maddening bakery smells still hold a place of honor.

The Latest From The "Jobs With Justice Blog"-The Seemingly One-Sided Struggle Continues-It's High Time To Push Back-Push Back Hard-30 For 40 Is The Slogan Of The Day.


Click below to link to the Jobs With Justice Blog for the latest national and international labor news, and of the efforts to counteract the massively one-sided class struggle against the international working class movement.

http://www.jwjblog.org/
From the American Left History blog-Wednesday, June 17, 2009
 
With Unemployment Too High, Way Too High - The Call "30 For 40"- Now More Than Ever- The Transitional Socialist Program

Click Below To Link To The Full Transitional Program Of The Fourth International Adopted In 1938 As A Fighting Program In The Struggle For Socialism In That Era. Many Of The Points, Including The Headline Point Of 30 Hours Work For 40 Hours Pay To Spread The Work Around Among All Workers, Is As Valid Today As Then.

From The Transitional Program Of The Fourth International In 1938- Sliding Scale of Wages and Sliding Scale of Hours

Under the conditions of disintegrating capitalism, the masses continue to live the meagerized life of the oppressed, threatened now more than at any other time with the danger of being cast into the pit of pauperism. They must defend their mouthful of bread, if they cannot increase or better it. There is neither the need nor the opportunity to enumerate here those separate, partial demands which time and again arise on the basis of concrete circumstances – national, local, trade union. But two basic economic afflictions, in which is summarized the increasing absurdity of the capitalist system, that is, unemployment and high prices, demand generalized slogans and methods of struggle.

The Fourth International declares uncompromising war on the politics of the capitalists which, to a considerable degree, like the politics of their agents, the reformists, aims to place the whole burden of militarism, the crisis, the disorganization of the monetary system and all other scourges stemming from capitalism’s death agony upon the backs of the toilers. The Fourth International demands employment and decent living conditions for all.

Neither monetary inflation nor stabilization can serve as slogans for the proletariat because these are but two ends of the same stick. Against a bounding rise in prices, which with the approach of war will assume an ever more unbridled character, one can fight only under the slogan of a sliding scale of wages. This means that collective agreements should assure an automatic rise in wages in relation to the increase in price of consumer goods.

Under the menace of its own disintegration, the proletariat cannot permit the transformation of an increasing section of the workers into chronically unemployed paupers, living off the slops of a crumbling society. The right to employment is the only serious right left to the worker in a society based upon exploitation. This right today is left to the worker in a society based upon exploitation. This right today is being shorn from him at every step. Against unemployment,“structural” as well as “conjunctural,” the time is ripe to advance along with the slogan of public works, the slogan of a sliding scale of working hours. Trade unions and other mass organizations should bind the workers and the unemployed together in the solidarity of mutual responsibility. On this basis all the work on hand would then be divided among all existing workers in accordance with how the extent of the working week is defined. The average wage of every worker remains the same as it was under the old working week. Wages, under a strictly guaranteed minimum, would follow the movement of prices. It is impossible to accept any other program for the present catastrophic period.

Property owners and their lawyers will prove the “unrealizability” of these demands. Smaller, especially ruined capitalists, in addition will refer to their account ledgers. The workers categorically denounce such conclusions and references. The question is not one of a “normal” collision between opposing material interests. The question is one of guarding the proletariat from decay, demoralization and ruin. The question is one of life or death of the only creative and progressive class, and by that token of the future of mankind. If capitalism is incapable of satisfying the demands inevitably arising from the calamities generated by itself, then let it perish. “Realizability” or “unrealizability” is in the given instance a question of the relationship of forces, which can be decided only by the struggle. By means of this struggle, no matter what immediate practical successes may be, the workers will best come to understand the necessity of liquidating capitalist slavery.
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As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Writers’ Corner  

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school but the Cubist/Fauvists/Futurists and  Surrealists or those who would come to speak for those movements, those who saw the disjointedness of modern industrial society and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gabezo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man. They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course.  
 
And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful English poets (we will speak of American poets when they slip into war footing in 1917)like Wilfred Owens before he got religion, e.e. cummings madly driving his safety ambulance, beautiful Rupert Brookes wondering which way to go but finally joining the mob in some fated oceans, sturdy Robert Graves all blown to hell and back surviving but just surviving, French , German, Russian, Italian poets tooo all aflutter; artists, reeking of blooded fields, the battle of the Somme Muirhead Bone's nothing but a huge killing field that still speaks of small boned men, drawings, etchings that no subtle camera could make beautiful, that famous one by Picasso, another by Singer Sargent about the death trenches, about the gas, and human blindness for all to see; sculptors, chiseling monuments to the national brave even before the blood was dried before the last tear had been shed, huge memorials to the unnamed, maybe un-nameable dead dragged from some muddied trench half blown away; writers, serious and not, wrote beautiful Hemingway stuff about the scariness of war, about valor, about romance on the fly, among those women. camp-followers who have been around  since men have left their homes to slaughter and maim, lots of writers speaking, after the fact about the vein-less leaders and what were they thinking, and, please, please do not forgot those Whiggish writers who once the smoke had cleared had once again put in a word about the endless line of human progress, musicians, sad, mystical, driven by national blood lusts to the high tattoo, went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate  ….    

The Return of the Soldier
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3.68 of 5 stars 3.68  ·  rating details  ·  2,097 ratings  ·  229 reviews
Set during World War I on an isolated country estate just outside London, Rebecca West’s haunting novel The Return of the Soldier follows Chris Baldry, a shell-shocked captain suffering from amnesia, as he makes a bittersweet homecoming to the three women who have helped shape his life. Will the devoted wife he can no longer recollect, the favorite cousin he remembers only ...more