The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-“The Next Girl Who Throws Sand In My Face Is…” Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga.

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-“The Next Girl Who Throws Sand In My Face Is…” Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga.

A YouTube film clip of the Falcons performing You're So Fine.

From The Archives Of Allan Jackson

[Back again since the negotiations between Sam Lowell and current site manager Greg Green have stalled out for now. Sam is fervently negotiating with Greg to get Allan Jackson the previous site manager full attribution and more for his relentless work on this series several years ago when the series was originally posted. A hard sell although by general agreement of both those who had supported Allan like me and those who had opposed like Sam are anxious to see Allan get his just due as that will affect their rights as well which is maybe the real sticking point. Rather than going piece-meal with what is happening on that front I will continue, at Allan’s request, to shoot down the vast swirl of rumors that have surfaced around his name once he went “underground” after his departure (a departure now recognized by all, just ask Sam, as a “purge”).

I have already swatted down the vicious rumor that Greg had Allan “done in,” meaning according to one far-out “conspiracy theory” take that Allan was probably buried out in some arroyo with the stage-brush tumbling over his head out West someplace where they don’t ask so many questions. Swatted down to my relief, Sam’s and probably all the older writers who knew him in his radical 1960s days after that shattering hitch in the Army during the Vietnam War, a rumor that he had for filthy lucre been “turned” and was writing copy for various Mormon publications out in Utah and later tried to mea culpa beg his way on to Mitt Romney’s U.S. Senatorial campaign after ancient Orrin Hatch decided to give up the ghost. 

Couldn’t swat down the big rumor that he was shacked up with some twenty-something surfer girl, a young woman whose name is Damask which tells you quickly all you need to know for now about this California-bred blonde, out in La Jolla who was teaching him to surf  and be her “sugar daddy” or something like that since that was actually true although the whole thing was blown way out of proportion about the sugar daddy part if you knew anything about Allan’s finances with three ex-wives to send checks to a few of his younger kids since creating a serious drain via their college tuitions. The latest we heard from him after we were able track down Allan up in Bar Harbor, Maine was that he was working like seven dervishes to bring her East to check out the surf.  

More recently, and frankly more ominously, Allan’s name had been attached to the Perez cartel, the big Mexican-based cartel (at least at last report that is where the operation was based) which was not above murder and mayhem to get the “product,” these days cocaine and heroin, to the United States market. This was serious stuff not only for what is left of Allan’s fairly well established and positive professional reputation but for his personal legal situation if such a rumor was true. As usual, once we asked him about the matter, the whole thing had once again been blown out of proportion and it never really came to anything once Allan realized that he would be their “mule” forever after he took the first bite.        

I mentioned a minute ago Allan’s generally fraught with peril financial status along with that big desire to bring his lady friend Damask East. Along with no current income Allan said he got a little desperate especially when Damask, who had never been East before, kept pressing him to bring her East. For most of Allan’s adult life he has been a pretty straight legal arrow whatever desperate situations he might find himself in. Of course we all smoked, snorted, swallowed whatever dope was around when we were younger, back in those 1960s days when in some places you could get “high” just breathing in the air, dealt a little to keep the wolves from the door too when necessary.

This thing with Damask had kind of unhinged him a bit figuring this was his last serious grab at the brass ring of romance. Somehow through an old connection (a guy who wrote with him in the days when they both worked for the now long-gone alternative newspaper The East Bay Other whom he had keep in touch with), who knew a connection who knew a connection which is the way such things go he got “connected” with a guy down in Tijuana who represented the Perez cartel. Basically the deal was that he would “mule” some stuff up from Mexico for a while, take a cut and that would be his way to get out from under. When he laid it out for us it sounded pretty good what with the idea of using an old seemingly harmless white guy tourista to run the stuff across the border.   

Stop. Before the thing went to the starting point Allan backed off, backed way off. Reason? The reason which both Sam and I knew the minute he mentioned that he had backed off. Memories of the fate of our old still missed like crazy Scribe, our old friend from the Acre neighborhood of North Adamsville Peter Paul Markin (whose name Allan used for years as an on-line moniker here and elsewhere in his honor) who when he saw the writing on the wall about our dashed hopes of a newer world in the 1960s were going down without a fight got seriously in cocaine. Got so serious he made the fatal mistake of trying to put some gringo idea of making an independent big drug buy down in Sonora in Mexico and got blown away by some bad guys and a potter’s field grave for his foolishness. With that in mind Allan just told Damask that they were through unless she could wait until he got some cash together after he went back East to see what he could put together. As it turned out Damask was not only a wait person at Dave’s Diner out there in La Jolla and a surfer girl but was working on her master’s degree in physical therapy so was not some teeny-bopper (our old time expression) airhead. Surprised Allan when she said she would wait. Pretty good, huh. Jack Callahan]

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No question that Jimmy Callahan and his corner boy comrades, including me, from the old Frankie Riley-led Salducci’s Pizza Parlor hang-out up the Downs from the day high school got out for the summer in the early 1960s drew a bee-line straight to the old-time Adamsville Beach of blessed memory. One day recently he had been thinking back to those times, back a half century at least, as he walked along the beach at Big Sur and had been telling his girlfriend, Miranda, that his love affair with the sea started almost from the day he was born near that beach, a beach that still held his sway although he had seen, and was seeing right there with her better beaches since then. (As far as that girlfriend designation goes with Miranda Jimmy always wondered what the heck do you call somebody whom you are not married to but are intimate with who is along with you pushing the wrong side of sixty, so Jimmy simple girlfriend it is until somebody comes up with something better that “significant other,” “consort,”  or “partner”.) The old Adamsville beach with its marshlands anchoring each end, its stone-laden sands uncomfortable to sit on, its rendezvous teen meet-up yacht clubs, its well-sat upon seawalls, and its thousand and one night stories of late night trysts in fugitive automobiles and while on skimpy beach blankets, its smoldering fried clams at the Clam Shack fit for a king or queen, its Howard Johnson’s many-flavored ice creams still held memories wherever he was in later life.

Although from what Red Rowley, an old corner boy comrade, had told Jimmy a while back when they had touched base for a minute in Sweeney’s Funeral Parlor over in landlocked Clintondale a couple of towns away after the death of a Jimmy family member the old beach had seen serious erosion, serious stinks and serious decay of the already in their day ancient seawalls and no longer held the fancy of the young who back in the day wanted to go parking there at night to “watch the submarine races.” Also no longer served as a coming of age spot for winter-weary guys watching winter-weary well-tanned girls in skimpy bikinis between the yacht clubs hot spot for such activity. In fact Red said that last time he checked on a hot July summer’s day at high noon nobody, young or old, was in that sacred spot.   

Red Rowley who was the youngest boy in the Rowley household and who had been afraid of girls, not gay afraid, but just afraid of girls and their ways had like a lot of Irish guys who took their stern religious upbringing too seriously never married and had stayed in town the whole time, stayed in the same house, and once his mother’s health declined after his father died never thought to leave. So Red could, as an old fixture like the street lights, see what changes had occurred around town. And he would ask young people, some of who were interested in talking to him, what they were up to, what they knew about the old time customs of the high school and of the town.

Hell, Red said, the young guys in the neighborhood didn’t know what he was talking about when he mentioned “watching the submarine races,” that old code word for getting in the back seat of an automobile (or if car-less and desperate on a skimpy beach blanket against that stony sand) with a girl and seeing what was what, coming up for air to check for any midnight submarine sightings. One guy even asked how one could see a submarine at night if one was in the neighborhood of the beach. Jesus. Also they, and here Red meant both sexes, had no idea on this good green earth that those now old tumble-down yacht clubs in dire need of serious paint jobs after the slamming of the seas and the furious winds had done their work had been the site of many a daytime planning for the night heat sessions. Were clueless that guys would ogle girls there, thought it kind of, what did one of them, one of the girls, call it, yeah, sexist. Jesus doubled.   

Red, by the way, was one of those ancient Irish Catholic corner boys who had stayed in town to help mother in order to have clean socks and regular six o’clock suppers without the bother of matrimony but also like Jimmy, hell, like me and every guy who breathed their first breaths off an off-hand sea breeze, also stayed to be near the ocean too. But Red had mainly watched the town change from an old way station for the Irish and Italians to the South Shore upward mobile digs further south to a “stay put” moving from the big city immigrant community which he was not particularly happy about since he could not speak any of the new languages (frankly in high school he had serious trouble with the English language) or understand the cultural differences when they, the collective mix of immigrants none from European homelands, did not bend at the knees in homage on Saint Patrick’s Day. But Red’s trouble with the new world of America (not really so new since these shores since the sixteen hundreds had seen wave after wave of immigrants just back then they had been from Europe, or had been Africa branded), or the real condition of Adamsville Beach was not what had exercised Jimmy on that trip to Big Sur with Miranda but about the old beach days, the now fantastic beach days.

Jimmy had chuckled to himself when he told Miranda- “Did we go to said beach to be “one” with our homeland, the sea? You know to connect with old King Neptune, our father, the father that we did not know, who would work his mysterious furies in good times and bad. Or to connect as one with denizens of the deep, fishes, whales, plankton, stuff like that. No.” Then he went down the litany of other possible motives just as a little good-humored exercise. “Did we go to admire the boats and other things floating by? The fleet of small sailboats that dotted the horizon in the seemingly never-ending tacking to the wind or the fewer big boats, big ocean-worthy boats that took their passenger far out to sea, maybe to search for whales or other sea creatures? No.” “Did we go to get a little breeze across our sun-burned and battered bodies on a hot and sultry August summer day?” Jimmy, a blushed red lobster in short sunlight who was sensitive about that red skin business declared a loud No, although Red, Frankie, Peter, and Josh, his other comrade corner boys less sensitive to the sun would have answered, well, maybe a little.

Jimmy said that he soon tired of those non-reasons, this little badger game, and got to the heart of the matter, laughed to himself as he thought and then mentioned to Miranda-“Come on now we are talking about sixteen, maybe seventeen, year old guys. They, every self-respecting corner boy who could put towel and trunks together, which meant everybody except Johnny Kelly who had to work during the day in the summer to help support his mother and fatherless younger brothers and sisters , were there, of course, because there were shapely teeny-weeny bikini-clad girls [young women, okay, let’s not get technical about that pre-woman’s liberation time] sunning themselves like peacocks for all the world, all the male teenage North Adamsville world, the only world that mattered to guys and gals alike, to see. Had been sunning themselves in such a manner since bikinis and less replaced those old-time bathing suits that were slightly less cumbersome that the street clothes you saw in your old grandmother’s scrapbook. And guys had been hormonally-charged looking at them that long as well.”

“Here is the catch thought,” Jimmy continued. “They, and they could be anywhere from about junior high to the first couple of years in college although they tended to separate themselves out by age bracket were sunning themselves and otherwise looking very desirable and, well, fetching, in not just any old spot wherever they could place a blanket but strictly, as tradition dictated, tradition seemingly going back before memory, between the North Adamsville and Adamsville Yacht Clubs. So, naturally, every testosterone-driven teenage lad who owned a bathing suit, and some who didn’t, were hanging off the floating dock right in front of said yacht clubs showing off, well, showing off their prowess to the flower of North Adamsville maidenhood.” And said show-offs included, Jimmy, of course, Frankie Riley (when he was not working early mornings at the old A&P Supermarket and did not show until later in the afternoon), his faithful scribe, Pete Markin (who seemingly wrote down for posterity every word Frankie uttered and some that he did not, and others including the, then anyway, “runt of the litter,” Johnny Silver. And me too. It is Johnny’s sad beach blanket bingo tale that Jimmy had suddenly thought about when he had driven  pass the old beach one day to confirm Red’s recent beach judgment and wanted to relate to Miranda as the over the top waves pummeling the scarred rock faces in the secluded reaches of Big Sur to give her an idea of what the sea meant to a lot of guys he knew. If, in the Jimmy telling, it all sounds kind of familiar, too familiar even to old time non-corner boys, to those who do not live near the oceans of the world, to the younger set who may have a different view of life than what carried the day back then, it is because, with the exception of the musical selections, it is. 

This is how it all started though:

“The next girl who throws sand in my face is going get it,” yelled Johnny Silver to no one in particular as he came back to the Salducci’s Pizza Parlor corner boy beach front acreage just in front of the seawall facing, squarely facing, the midpoint between the North Adamsville and Adamsville Yacht Clubs. “For the clueless,” and Jimmy assumed Miranda was in that vast company so he told pains to spell it out, “the corner boy world in North Adamsville, hell, maybe every corner boy world everywhere meant that you had certain “turf” issues in your life not all of them settled with fists, although an issue like some alien corner boy looking the wrong way at one of the Salducci girls could only be resolved that way.” But mostly it was a matter of traditions, traditional spots which the “unwritten law” held for certain groups and the spot between the boat clubs was theirs, and had been the “property” of successive generations of Salducci’s Pizza Parlor corner boys since at least the end of World War II when Frankie Riley’s father and his corner boys, some very tough boys transplanted from South Boston to work in the shipyards and some restless guys who had like Frankie’s father served in the war but were not ready to settle down “claimed” the spot.”        

Johnny, after having his say, fumed at no one in particular as the sounds of Elvis Presley’s Loving You came over Frankie Riley’s transistor radio and had wafted down to the sea, almost like a siren call to teenage love. Then one of those “no one in particulars,” Pete Markin replied, “What did you expect, Johnny? That Katy Larkin is too tall, too pretty and just flat-out too foxy for a runt like you. I am surprised you are still in one piece. And I would mention, as well, that her brother, “Jimmy Jukes,” does not like guys, especially runt guys with no muscles bothering his sister.” Johnny came back quickly with the usual, “Hey, I am not that small and I am growing, growing fast so Jimmy Jukes can eat my… ” But Johnny halted just in time as one Jimmy Jukes, James Allen Larkin, halfback hero of many a North Adamsville fall football game running opponent defensive players raggedy in his wake, came perilously close to Johnny and then veered off like Johnny was nothing, nada, nunca, nothing. And after Jimmy Jukes was safely out of sight, and Frankie flipped the volume dial on his radio louder as the Falcons’ You’re So Fine came on heralding Frankie’s attempt by osmosis to lure a certain Betty Ann McCarthy, another standard brand fox in the teenage girl be-bop night, his way Johnny poured out the details of his sad saga.

Seems that Katy Larkin was in one of Johnny’s classes, biology he said, and one day, one late spring day Katy, out of the blue, asked him what he thought about Buddy Holly who had passed away in crash several years before, well before he reached his potential as the new king of the be-bop rock night. Johnny answered that Buddy was “boss,” especially his Everyday, and that got them talking, but only talking, almost every day until the end of school. Of course, Johnny, runt Johnny, didn’t have the nerve, not nearly enough nerve to ask a serious fox like Katy out, big brother or not before school let out for the summer. Not until that very day when he got up the nerve to go over to her blanket, a blanket that also had Sara Bigelow and Tammy Kelly on board, and as a starter asked Katy if she liked Elvis’ That’s When The Heartache Begins.

Katy answered quickly and rather curtly (although Johnny did not pick up on that signal) that it was “dreamy the way Elvis sang it, but sad when you think about all the trouble guys bring when they mess with another boy’s girl.” Then Johnny’s big moment came and he blurted out, “Do you want to go to the Surf Dance Hall with me Saturday night? Crazy Lazy is the DJ and the Rockin’ Ramrods are playing?” And as the reader knows, or should be presumed to know, Johnny’s answer was a face full of sand. And that sad, sad beach saga is the end of another teen angst moment. So to the strains coming from Tammy’s radio of Robert and Johnny’s We Belong Together we will move along.

Well, not quite. It also seems that Katy Larkin, tall (too tall for Johnny, really), shapely (no question of “really” about that), and don’t forget foxy Katy Larkin had had a “crush” since they had first started talking in class on one John Raymond Silver if you can believe that. She was miffed, apparently more than somewhat, that Johnny had not asked her out before school got out for the summer. That “more than somewhat” entailed throwing sand in Johnny’s face when he did get up the nerve to ask. And nothing else happened between them for the rest of the summer, except Johnny always seemed kind of miserable when he leaned up against the wall in front of Salducci’s to confer with his corner boys about life being kind of crazy. But get this- on the first day of school, while Johnny was turning his radio off and putting it in his locker just before school started, after having just listened to the Platters One In a Million for the umpteenth time, Katy Larkin “cornered” (Johnny’s term) Johnny and said in a clear, if excited voice, “I’m sorry about that day at the beach last summer.” And then in the teenage girl imperative, hell maybe all women imperative, “You are taking me to the Fall All-Class Mixer and I will not take ‘no’ for an answer.”

Well, what is a guy to do when that teenage girl imperative, hell, maybe all women imperative voice commands. After that Johnny started to re-evaluate his attitude toward beach sand and thought maybe, after all, it was just a girl being playful. In any case, Johnny had grown quite a bit that summer and it turned out that Katy Larkin was not too tall, not too tall at all, for Johnny Silver to take to the mixer, or anywhere else she decided she wanted to go.

Here is what Jimmy told Miranda that Big Sur day to put a philosophical twist on the whole episode fifty years later.  After stopping his car toward the middle of Adamsville Beach, the place between the two yacht clubs where he and the Salducci corner boys hung out, the two clubs whose appearance that day spoke to a need of paint and other fixing up, the place that had stirred his memoires that day Jimmy Callahan thought Red had it all wrong, all wrong indeed, it had nothing to do with the condition of the clubs, the beach, the sand, the waves or the boats. Mr. John Raymond Silver and Ms. Katy Silver (nee Larkin), now of Naples, Florida, are proof of that statement.    

In The Glory Days Of The Cold War Night-Will The Real Bond, James Bond Stand Up –Timothy Dalton’s “The Living Daylights” (1987)-A Film Review

In The Glory Days Of The Cold War Night-Will The Real Bond, James Bond Stand Up –Timothy Dalton’s “The Living Daylights” (1987)-A Film Review

DVD Review

By Seth Garth

The Living Daylights, starring Timothy Dalton, Maryam d’Abo, 1987

No question guys like John LeCarre, Tom Clancy and the creator of the Bond, James Bond series Ian Fleming although not all the storylines in the long-running series have had tough sailing since the demise of the arch-villain Soviet Union back in 1991-92. Sure there has been plenty of international dramatic tension possibility since, the “war on terror,” the drug trade, cyber-theft but nothing like those glory days when the smooth as silk and just as deadly good guys wore white hats if only metaphorically and the ham-fisted, can’t shoot straight bad guys wore black, no. red and you had something like the world on the edge with every action-and reaction.

Just look at the difference let us say with a non-descript plot against some holy goof outfit (which also cannot shoot straight) in a post-Soviet demise Bond flick like 2015s Spectre and the action in the film under review, The Living Daylight with late Soviet era-Afghan War as a backdrop. You knew who to root for, or thought you did when the action turned to the Afghan situation later in the story. (That “thought you did” courtesy of the hard fact that those “allies” the mujahedeen turned out to be some nasty Taliban guys when the dust settled later in the beginning of the 21^st century).                  

Of course the attentive reader is wondering not so much about plotline as the burning question of the day-who is the real James Bond. Much cyber-ink has been spilled in this space between the lovely Phil Larkin and the pretty boy youngster William Bradley as they have gone into hand to hand combat over whether their respective choices ruggedly handsome Sean Connery for the former and pretty boy Pierce Brosnan for the latter. Here we have another entrant Timothy Dalton who I would while I don’t want to get in an ambush by either partisan does not measure up to their respective choices. Doesn’t portray the rugged individualism of Connery or the charm the pants off you of Brosnan.

But to the story as Sam Lowell always liked us to get to before the reader wondered why he or she spent their precious time reading a film review like this. This is straight up KGB (even those initials today sent shivers up and down the spine thinking about Siberian exiles or being shot in Lybinaka dungeons) versus M-led MI6 and James Bond agent stuff. Seems the bad ass KGB’s new leader is reviving the old policy of death to spies when caught. Meaning some MI6 agents have been wasted forthwith. his though is just a ruse for a corrupt Soviet general “on the take” to whoever will pay the graft in money, dope or armaments to work his plan to make huge profits off the Afghan opium trade and buy arms to supply whoever has the dough and need for such arms.

This Soviet general is really kind of clever, for a while, as he fakes a defection to the West to put the whammy on the new KGB leader who is actually a reformer of sorts maligned by that renegade general. Has the help of his angel-faced girlfriend Kara, played by Maryam d’ Abo (nice name) who also plays a mean classical cello. This is the ruse Timmy, oops, James must breakup at whatever costs. First he has to realize, which he does in short order, that this general’s flight is bogus. Second he has to gain the confidence of Kara to set the trap to grab this bad ass general who is ready to do business with a don’t give a damn American arms dealer who will sell anything from firecrackers to nuclear weapons to whoever has the dough.

Naturally in these thrillers we see the latest in what Q-MI6s master technie has put together, see whatever three hundred actions per minute put Bond (and Kara) in harm’s way across Vienna, the Alps, Tangiers, Afghanistan and who knows where else before that bad ass general and that amoral arms dealer bite the dust. Naturally as well there has to be the little dance between Bond and Kara before they go under the sheets that everybody knows from the minute she shows up on screen is going to happen. Well at least unlike in the past where the women who fall all over whatever Bond is in play are strictly eye candy Kara can play that mean cello too.             

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Gary Ladd Danced The North Adamsville High School Be-Bop Hop Dance Night Away

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-When Gary Ladd Danced The North Adamsville High School Be-Bop Hop Dance Night Away 

From The Archives Of Allan Jackson

A YouTube film clip of The Shirelles performing their 1960s teen angst classic Mama Said

[As of this introduction negotiations between Sam Lowell and current site manager Greg Green around full credit attribution, including 2018 updated introductions and reflections, for previous site manager Allan Jackson are still on-going. There has been something of a groundswell by both older writers who have longtime relations with Allan going back to high school days in their collective 1960s growing up and coming of age in the working class Acre section of North Adamsville and the younger writers who led the charge to have Allan replaced after he lost a vote of no confidence. Probably all are, not unimportantly, worried about their attribution status on a site that is committed to free usage, fair usage and common copyright. In the meantime old high school friend Allan had asked me to respond to any rumors that might surface, have surfaced until he can respond on his own (assuming Greg does the right thing after having done the wrong thing by having somebody else “front” for the series.       

I have already mentioned in a previous introduction rumors that Greg Green had somehow done Allan in, done to him what was characterized as physical harm after the internal struggle which led to Allan’s demise. That far-fetched notion like this was some Stalin-Trotsky fight flight of imagination probably fueled by the older writers who lived and died for such drama back in their 1960s radical pasts. It turned out Greg had put the word out to the media world that Allan was “hard to work with” almost as much a kiss of death as any physical action. That blown-up rumor led to another which proved to be partially true that Allan was out in American Siberia in Utah and that he had sold out to the Mormons and to U.S. Senatorial candidate Mitt Romney to get a job after Greg had “black-listed” him in the major markets. That turned out to be pretty true as Allan did to make his daily bread attempt this end-around. The close-knit Mormons kind of laughed it off given Allan’s reputation for skewering old Mitt back in in 2008 and 2012.       

Allan never had a reputation say like Josh Breslin and Sam Lowell despite his three ex-wives as a womanizer, as a skirt-chaser and especially not as a chaser of younger women so the rumor that he had been holed up in La Jolla out in California with some twenty-something part time waitress met at a diner who was teaching him how to surf and who knows what else did not ring true. When, concerned about his whereabouts in the aftermath of the internal fight, Sam and I tracked him down to old haunt Bar Harbor in Maine we were incredulous when he confided in us that he had done so and that once he raised some cash he was going to bring her out to Maine and see if she liked Eastern surfing. Yes, you can say we were dumbfounded although Allan’s respond was “what of it” both parties were of age and that was that. Christ he has daughters older than that.

What happened as Allan was at pains to lay out once he saw our discomfort was that after the Utah stuff fell through he kind of had given up hope. He knew that Mormon- Mitt Romney thing was a longshot, he knew they took care of their own in such matters and he had heaped as much scorn as anybody on the perfidious Mitt who would say anything, do anything to take his main chance as he saw it. We laughed when Allan, gallow’s humor Allan, mentioned that had he fallen under the wheel and gotten a job he very well might meet some Stalin-like end from those sanctimonious bastards, hell, their whole history of survival in Utah was by running everybody else off-by nay means necessary. Once he saw the writing on the wall and not wanting to head back East he headed to Southern California, toward Carlsbad where he and one of his wives, Mimi Murphy if I recall, had had a time share. Once he got to Carlsbad though he saw too many old memories on the waves and headed further south to La Jolla.  

One day, hungry, he went into Dave’s Diner, a locale we all know both from back in the 1960s when we were all riding on the yellow brick road bus in the Summer of Love, 1967 with Captain Crunch (that whole thing is a long story and one of the sketches in this series will deal with it so let’s move on) and from later golfing outings at near-by Torrey Pines. Dave’s was the spot to get a good meal and look at the eye candy for waitresses (now wait staff but still eye candy) who were classic Southern California corn-fed blondes who a couple of generations before had forbears from places like Oklahoma and Iowa when things where bad there and were strictly from hunger. Now these sleek blondes had lost that look and had the surfer girl look we remember from back in the Beach Boys days except now the surfer girls don’t wait on the beaches for their surfer boys to get that perfect wave but go for it themselves. Make enough to stay alive and surf at jobs like wait-staffing to pursue the dream. Dave’s in any case a good tipping crowd-or else per Dave who still hustles hamburgers on the back of the house stove once in a while.   

It was kind of a slow day when Allan stepped up to the counter stools which are a god-sent for singles when Damask, his blonde, blue-eyed wait person who was tending the counters which truth be told was where in the real tips came from by single guys mostly and not that six person booth with about a three dollar tip for a hundred dollars’ worth of meals asked him if he would like coffee before making his meal selection. He told her that while he once loved coffee he couldn’t deal with it anymore because his system couldn’t take it. That got Damask started on her own inability or desire to drink coffee and made Allan laugh when she said they would put Starbuck’s out of business. That kind of back and forth went on throughout the meal. Along the way Damask mentioned although Allan already had an idea that she loved to surf and did he know how. No, Jesus, no he blurted out although that only elicited a response from her about wouldn’t he like to learn. One thing led to another and out of the blue he flat out asked her if she would like to have dinner with him giving her the sad story about his being down in the dumps and could use the company.(Allan would mention that he now knew how old friend “forever young” Phil Larkin felt a couple of years ago when he wound up with some young thing which formed the basis for a few stories in this series). Just for the company, that was all. To his surprise she said that it would be nice to go to Scudder’s, another local hot spot although very pricey. Done (thank god for credit cards and 401ks said Allan).       

As it turned out Damask was both a surfer and a graduate student in physical therapy at U/Cal-San Diego up the road and while totally clueless about many things, many 1960s things which Allan had the good sense to not  go on and on about she loved literature and they had a grand old time that night. As they went their separate ways from Scudder’s (a good idea on Allan’s part showing that he still knew a thing or two after three marriages about keeping woman feeling safe around him) Damask mentioned that she was going surfing the next day and maybe he could come by the beach around nine and she would show him some surfing stuff. Bingo. (Neither Sam nor I had the heart to look askance at Allan when he mentioned her name without a bit of irony since when we were growing up Mary, Betty, Janice, Sandra and maybe something as exotic Mary Beth formed the female names world).

As for what happened to have Allan once again foot the bill for some love interest and Damask accepting his invitation East (where she had never been unlike us who were all crazy to go to California when we were younger) outside whatever surfing tips she taught him that will have to wait until he can “tell the tale” himself (our old neighborhood expression concerning exploits with women based on each and every one of us lying like crazy about what did, or did not, happen under the covers). Jack Callahan]

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Saturday night from seven to eleven, any third Saturday of the month from September to May, every red-blooded teen boy and girl in the 1961 North Adamsville High School be-bop, be-bop night could only be in one locale, or want to be. That was the night of the monthly seasonally-themed high school hop. The Fall Frolic, Pumpkin Ball, Mistletoe Magic, Frozen Frolic, and so on themes with hop at the end to give the old-timey innocent high school feel to the night in a town which had had such dances since the school’s founding in the 1920s, although the term “hop” had been of more recent vintage reflecting the effect that such cultural phenomena as the afternoon television program American Bandstand and Danny and the Juniors classic song At The Hop had invested the word with significant teen meaning. More importantly this monthly hop, unlike the more exclusive Autumn Leaves, Holly Hock and Spring Fling dances which were meant solely for juniors and seniors and their guests and which were not designated hops or any other such shorthand reflecting the new rock and roll breeze that had been stirring through the nation for some time by then, anyone, even freshmen and sophomores, could ante up the dollar admission and dance the night away.

The large attendance of wallflower-like freshman, girls and boys alike, all red-faced, all sweaty palms, all trying to look nonchalantly like they had been going to these things for ages to hide their wallflower fears who were hanging off the walls in the transformed festooned gym and of sophomores, a little more self-assured and hovering around the bleachers which had been extended to provide some seating, but still worried about whether they, the boys, had put on enough underarm deodorant, had swigged enough mouthwash, had combed enough parted Wild Root-infested  hair, and the girls, whether that stolen mother’s perfume would seem too strong, their permed hair was still in array and that that padded dress showed their figures to good effect were witness to the fact that anyone, sweaty palms or not if they had enough moxie could dance the night away.  

Well almost everybody in attendance had the chance to dance the night away. And that had been the dilemma confronting one freshman, Gary Ladd, he the “wallflower” way off to the side of the gym almost into the wall if you didn’t think you had seen him on one of the third Saturday nights in question. And right next to him is another guy, me, hair-slicked, underarm-protected, Listerine-inhaled, his best friend since junior high days when I moved to town from Clintondale and we have since tried to defend each other against the hardships of American wayward youth times, times when we both would have rather just that moment had cool sunglasses on to stifle our fears. But let’s get back to Gary because the night I am referring to was his night after some many failed efforts and my story can be simply stated. I will wind up going home at intermission kind of defeated since nobody, nobody at all had asked me to dance, believing that I had not put enough deodorant on, enough Wild Root or swilled enough mouthwash and had been defeated by the ever-present bane of the wallflowers-personal hygiene.

[I would find out a couple of days later when I mentioned my defeat to Emma Wilson in History Class that most of the freshman girls that she knew kept an arm’s distance from me not for personal hygiene, some girls thought that I was “cute,” but no girl, no self-respecting girl could permit herself to be barraged by the two thousand odd-ball facts that I would spew out in order to impress them during the dance. I have seen decided to take her comment under advisement. But back to Gary.]   

What had been bothering Gary, though, we might as well have our moment of truth right up front since this is a confessional age and the truth would have come out anyway, is that he can’t dance. Can’t dance a damn, to hell, heaven or any place in between. Couldn’t dance in junior high when I tried to shadow-box teach him a few steps and when the moment of truth came he almost broke poor, beautiful Melinda Loring’s big toe. Such a reputation in a small town is hard to break. My corner boy’s problem: two- left feet. Two left-feet despite the more recent best efforts of one Agnes Ladd, North Adamsville Class of 1961 Vice President, whose own feet have taken a terrible beating, and has earned some kind of medal for service above and beyond the call of duty, trying to teach little brother Gary the elements of the waltz, the fox trot, and hell, even two feet away from your partner rock and roll moves and the twist to no avail.

All of this teaching done under the cover of tight security since Gary had sworn Agnes to secrecy about their doings. Agnes, for her part, one of the smartest and most popular girls in the senior class, had no intention of telling anybody that she was talking to, much less teaching dance to a freshman even if it was her own brother. Those are the school conventions, and nobody, nobody who is smart and popular is going to defy conventions like that. The freshman, as Agnes told Gary, would have their day in a few years and would in turn snub their subordinate freshman. That is the way it is. But Gary, no twerp under his two left-footed exterior, has always, as he put it, exercised his democratic right as a freshman in good standing to be at these universal dances, come hell or high water.

But that night, that warm April Bring Spring Hop night I am talking about, things were destined to be a little different as Gary has already staked his place against the far wall (the wall farthest away from the girl “wallflowers” just in case you wanted an exact location. Mostly wallflowers, boy or girl, although not me, were keeping their respective distances on the odd chance that someone may actually come up and ask them to dance. First off this month, unlike most months when some lame student DJ from Communications class spins platters on a feisty school record player, the local craze rock band sensations, The Rockin’ Ramrods, were performing live on the makeshift bandstand and were guaranteed to have everybody who gets to dance rocking before they are done, including Gary and me who are scared but still hopeful. Just that minute as Gary shifted his weight and places his back to the wall they were tuning up before their first set of three with the appropriately named Please Stay by the Drifters. Secondly but in line with that Gary hopeful, a new girl in town, Elsie Mae Horton, had told Gary that she would be coming to the hop, her first since moving to town a couple of months before. Naturally the mere fact that she said she would come was an added reason why Gary was there  all that exercising democratic rights stuff be damned (and also why he had tortured his sister Agnes to try, try in vain, to teach him some dance steps). See Gary has the “bug” for Elsie Mae, Yeah, as I well know since I had taken a failed and fruitless run at her with my two thousand facts in Civics class and had gotten  the deep freeze, he is smitten.

Now this Elsie Mae is maybe, on a scale of one to ten, about a six so it is not looks that had Gary (and about six other guys, five and me), well, smitten. An okay body, fair legs, nice brown hair and eyes, a so-so dresser like I say a “six” (and Gary agreed with me although in that department although if you see Elsie Mae I never said that, nor did he). See what Elsie Mae has is nothing but smarts, book smarts which is how I made my approach to her in Civics class talking about this book we were reading about President Andrew Jackson and how he broke the back of the aristocrats like the Adams family who wanted to keep political power in the hands of some self-selected elite, themselves and forget the guys going west, yeah I know not exactly the smoothest move. Idea smart too which enthralled Gary since he likes to talk about novels and such which is what Elsie Mae was into, talk smarts you name it smarts and one of the sweetest smiles this side of heaven. And, as Gary found out early on in one of their shared classes, very easy to talk to about anything, if she wanted to talk to you. Yes, he is smitten; the only unknown in his mind is whether she can dance good enough to stay out of his way if it comes to that. That is if he gets up the nerve to ask her. And as the Ramrods started their first set with Gary Bonds’ School Is Out (praise be) he noticed her coming in the door. Heart pounding he started sinking into the wall again. As they finished with Brother Bonds the Ramrods start in on The Impressions’ Gypsy Woman before Gary realized that Elsie Mae has drawn a bee-line straight for him and was standing right in front of him, turning a little red after he did not greet her. “Oh, my god,” Gary whispers under his breathe, “she is going to ask me to dance. No way.” The usually easy to talk to Elsie Mae though said nothing, nothing but turned a little redder as the Ramrods covered the Pips Every Beat Of My Heart (nicely done too). She stood there waiting for Gary to ask her, if you can believe that. Well, two-left feet or not, he did ask her. And she smiled a little smile as she “accepts.” Relief.

Needless to say when they did their dance, The Edsels’ Rama Lama Ding Dong, it was nothing but a disaster. A Gary disaster? Yes. Although you can use fake moves galore on such a tune Gary, maybe nervous, maybe just trying to show off started moving all his arms all over the place so he looked from my wall position like one of those devilish Hindu gods with a ton of arms. And while in motion he hit Ella Mae a couple of times, not hard but not cool either. Once she came close to him and he moved back into another couple, a senior couple and I thought the senior, Bill Daley from the football team, was going to level poor Gary but he just moved away with his date with the meanest look of scorn I had seen in a while. So disaster was the right word. But here is the funny part. Elsie Mae Horton, formerly of Gloversville, a town in farm country a few miles away and known for the Gloversville Amusement Park on Route 9 and nothing else really, and new to North Adamsville so of unknown dance quality, had two-left feet too. When she had been closing in on Gary it was because she had lost her balance and was ready to careen into him. Get this though. When the dance was mercifully finished, and the two had actually survived, Elsie Mae thanked Gary and told him that he was a wonderful dancer and said she wished that she could dance like him. Whee! Here is the real kicker though. Elsie Mae had also been taking dancing lessons on Saturday mornings at the YWCA, unsuccessfully. Dancing lessons solely so that two-left feet Elsie Mae Horton could dance with Gary Ladd. See, she was “smitten” too. And so if you did not see Gary or Elsie Mae at the Mayfair Dance last month you have now solved that mystery. That night they were sitting, sitting very close to each other, on the seawall down at Adamsville Beach laughing about starting a “Two-Left Feet” Club. With just two members.

[As for my fate that night I went to the hop with Emma Wilson. See after she clued me in to what was what I ran into her at the library and we talked, or rather she talked, not two thousand facts, talked but talked. And I let her. And she asked me to escort her, her word, to the hop.]   

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

Coming Of Age In The New Millennium-Kristine Stewart’s “In The Land Of Women” (2007)-A Film Review

DVD Review

By Josh Breslin   

In The Land Of Women, starring Meg Ryan, Kristine Stewart, Adam Brody, 2007   

You know getting old, getting older, whatever you want to call it sucks. Take the genesis of this film review of In The Land Of Women for example. When Greg Green the site manager (and overall editor) asked if I wanted to do this film review I thought he said it starred Adrian Brody. I immediately agreed since I have liked Adrian Brody as far back as when he did that role as rock and roll record producer Leonard Chess in Chess Records. It was not until I saw the film credits as I was watching the start of this movie that I realized that this was a different Brody. Well in for a dime in for a dollar so I watched the thing, although in parts that was a close thing since while I have written many articles about my “coming of age” experiences I don’t necessarily like to see such plotlines in the cinema.  So I am paying penance for some silly borderline senility. Hey, I told you getting old sucks, didn’t I.

Strangely, and maybe not by intent, there are actually five coming of age stories running through this plotline, at least five that were developed enough to recognize. Let’s start with twenty-something Carter, the ADAM Brody role, a writer who had been dumped by his La La Land celebrity starlet girlfriend and decided to go to clean air suburban heartland Michigan to see his aging morbid and cynical grandmother who lives in fear of dying, or something like that (a bit of a different coming of age agreed but part of the general life cycle) and get a fresh start. While in the neighborhood he strikes up a series of conversations with a maybe forty-something woman neighbor of Granny’s Sarah, played by foxy Meg Ryan, who has two daughters one a tween and one a teen, Lucy played by a younger fox Kristine Stewart, and an errant husband having an affair off to the side. (By the way the guy no great shakes was a fool to drop Sarah for some floozy and she was well rid of him.) Sarah was facing the hard coming of middle age fact of breast cancer not unfortunately uncommon among women of her age group. The two daughters, the too precocious tween facing coming puberty and Lucy facing sexual choices straight up round out the theme. So five and that is that. (I didn’t include that errant dad who probably was facing his own male attractiveness age question, the teen guy Lucy winds up with in that same weird sexual choices night as her or that ex-girlfriend of Carter’s who had her own quest to look into since as I said they were never really developed).

As my old friend and fellow writer here likes to say with that preview “here is the skinny.” Out in Michigan after seeing what kind of hell he was going to have to deal with tending to dear deranged Granny he strikes up that friendship with older woman Sarah who lives across the street. No question she is attracted to him and he to her a bit but with her medical problems you know a twenty-something guy on average is not going get tangled into that mess (and then there is that errant husband who may come back to the roost one day). That thing plays out a bit and meanwhile young impressible but smart younger women Lucy seems to be ready to take dead aim at him as some kind of rock she can hold onto since she is in the inevitable “mother doesn’t understand her” stage and as is well worn information by now dad is off with some mistress. (Carter’s mother gave us the key to what is what with the lad when she said to him before he headed East that he had always been attractive to women. Hell even the tween was head over heels for the guy.)     

Things bump along for a while with Sarah taking her treatments, Lucy trying to figure out the sex stuff on her own without mother’s help, and Granny going over the top with her ranting on and on about dying. Through all of this Carter is writing and in a way getting some mature insights and getting over that worthless ex-girlfriend. In a film which is about the land of women that seems odd that he would get his issues resolved as a central outcome but so be it. As Kenny Klein always said “it’s all good.” Sarah comes to terms with her cancer and her relationship with Lucy, Lucy finds some streak of happiness with a soda jerk, sorry showing my age, an Orange Julius server, and comes to terms with her mother and that tween, well, she will have to wait until the hormones settle down. As for Granny maybe she knew herself best of all even if only in the negative. She dies on camera. I don’t know if I can recommend this one in a serious way but what the heck I did the review and I didn’t crucify ADAM Brody for my own mistake.     

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The “Last Waltz”- The Never-Ending Classic Rock Review Tour

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The “Last Waltz”- The Never-Ending Classic Rock Review Tour

From The Archives Of Allan Jackson

[The attentive reader of this series may know already that there was an agreement negotiated by his (and my) old high school friend from their growing up days in the working class Acre section of North Adamsville Sam Lowell and the current site manager Greg Green about publicly acknowledging Allan Jackson, the previous site manager, as the driving force behind this classic days of rock and roll at the creation in the mid-1950s series. The “compromise” (thus far) is that Allan is now amorphously acknowledged to have had the works in his archives without specifying that the whole collection was of his inspiration and perspiration. What even the most attentive reader cannot know is that Sam has been in further negotiations with Greg about giving Allan full public credit with a by-line and including updated introductions by him.

The hook? Here is where politics in the Machiavellian raw, left-wing or not comes into play. Greg owes Sam a “favor.” Essentially Greg owes his job to Sam’s decisive vote in the fall of 2017 when there was a fierce internal struggle at this publication over its future direction and Sam sided with the younger writers to what everybody agrees was a purge of the Jackson leadership after many years of hard copy and on-line publication. To show what kind of guys we are dealing with (who I have been dealing with for fifty years so am not surprised at anything these two do) when Allan found out that Greg had initially rebooted the series using another old friend of ours Frank Jackman as a “front” he went crazy with rage. But also contacted Sam on the sly to get attribution for him on the series.

You have to know that these two had cut their teeth in politics back in their radical past 1960s when nobody thought anything of backstabbing one day and then going out for a long round of drinks the next to understand that even though Sam lost him his job, threw him to the exile woods by-gones were by-gones. Amazing. The hook on Greg’s side was that Sam now knew that Greg had been instrumental in “doing Allan in” in the publishing business after he went into exile. He had put the mark of Cain, had put the kiss of death on Allan telling all who inquired about Allan’s employability that he was “hard to work with.” That would explain as Sam and I found out after we discovered where Allan was hiding out up in old haunt Bar Harbor, Maine the source of a million wild rumors about his fate which will be discussed further below and in a couple more introductions since we, Sam, Allan and I, want the reader to read the sketch more than try to fathom the byzantine politics of the publishing business. In any case Sam and Greg are still negotiating about where Allan will ultimately land in this space.         

One of the most persistent rumors after Allan went “underground” (he, they, we are still addicted to the expressions and attitudes of those by-gone 60’s) was that he was in America Siberia out in Utah sucking up to the Mormons in order to get a by-line, to get work and later after U.S. Senator Orrin Hatch announced his retirement and Mitt Romney declared his candidacy that he attempted to get on the campaign as a press secretary or speechwriter. Sam, Phil, Josh, all the older writer here and some others who don’t but have known Allan for a long time dismissed the whole scheme out of hand especially knowing how he had skewered Mitt as a chameleon, a charlatan who would sell his soul if he had one to the highest bidder to get whatever political office he was looking for in 2008 and 2012 when he ran for the roses. Strangely that rumor proved to be the truest one of all although as usual not exactly as the rumor mill had it. Once Greg put the kiss of death on Allan with that “hard to work with” mantra he was frozen out of the East Coast media hub. Having spent time in California in his younger days he headed out there but also faced a stone wall trying to get a job, any job. Here is where the personal and the political sometimes come into conflict. Allan, despite his age and longtime in the business had over the years accumulated three ex-wives and a parcel of kids, mostly nice and bright and college bound. He is still paying alimony and costs of tuition so he needed, needs money. Hence his bright idea that he would go to out of the way Utah and try to hustle some work.

The basis of that idea that he could get some work from the hard shell Mormons came from a couple of articles he had done during one of the Romney runs for President concerning the ritual of their wearing white underwear and a secret admiration for either Romney’s grandfather or great-grandfather who had five wives at one time and survived tell the tale in the days when the Mormons were seriously polygamous. He did write am OpEd piece for the Salt Lake Star which got printed and some good comments on the sly from a couple of Romney’s aides who thought the polygamy article was “cute.” Of course none of that went anywhere since the secret of Mormonism, of Romney, is that you keep it in the family, hire Mormons. Allan would never have survived a vetting in any case either about his radical past or some other articles about old Mitt which put had put him on the skewer and lit the fire. More later but read this sketch now. Jack Callahan]       

************

Sam Lowell had several years before, maybe in about the middle of 2010, done an extensive survey of a commercially-produced Oldies But Goodies series (this series had fifteen separate CDs, more about its mass in a minute, in twenty to thirty song compilations and had torn his ear off from the endless listening. He had begged for a little gangsta hip-hop to soothe his ravaged soul although he was strictly a white-bread blues guy around that kind of music, around black-burst out roots is the toots music) and he had selected one song in each CD to highlight the music. He sought to highlight in particular the music that he and his corner boys, Frankie Riley the acknowledged leader, Pete Markin (also known as the “Scribe” for his endless “publicity” for the group, especially the fountain of wisdom put forth by one Frankie Riley, who later when the drug craze hit full blossom in the late 1960s went over the edge down in Mexico trying to rip off a couple of bricks of cocaine from the hard boys and Pete got two slugs and a face down in a dusty Sonora back alley for his efforts), Jimmy Jenkins, Rats McGee, Johnny Callahan, and other guys like Luke the Juke, Stubby Kincaid, and Hawk Healey who walked in and out of the group at various high school points, had grown up with. Better, had come of age with the music in Adamsville, that is in Massachusetts (Sam had been born in Clintondale a few towns over before moving to Adamsville, a similar town, in junior high school and taken under Frankie Riley’s corner boy wing but had decidedly not been corner boy in that town for the simple reason that there were, unlike in Adamsville at Doc’s Drugstore and later Benny’s bowling alleys, no stand-out corner to be a corner boy in, for good or evil). Yeah, the music of the great jail-break rock and roll 1950s and early 1960s when Sam and the guys came of age had driven his memory bank at that time, some of that material had been placed in a blog, Rock and Roll Will Never Die, dedicated to classic rock and roll music (the classic period now being deemed to have been between about the mid-1950s to the mid-1960s although Sam flinched every time he heard some young guy, some guy who might be an aficionado but was nevertheless not splashed by that tide, called his time the “classic age,” yeah, that rubbed him raw).

Sam had received some comments at the time, mostly from his generational brethren inquiring about this or that song, asking about where they could get a copy of the song they were seeking and he would inform them of the monstrous beauties of YouTube if you could stand the damn commercials that notoriously plague that site to get to your selection, especially Elvis and Jerry Lee stuff. Asked about whether he knew where a 45 RPM vinyl copy could be had, had at any price, a tougher task and asked about the fate that had befallen various one hit johnnies and janies whose single song had been played unto death at the local hang-out jukebox or on the family record player thus driving some besotted mother to the edge. Many though, with almost the same “religious” intensity that Sam brought to his efforts, wanted to vividly describe how this or that song had impacted their lives. Sam had presumed then, presumed a passing fancy but a few apparently had been in a time warp and should have sought some medical attention (although Sam was too much the gentleman to openly make that suggestion). A lot of times though it came down purely to letting  Sam know what song did they first dance to, a surprising number listing Bill Haley’s Rock Around The Clock  and Danny and the Juniors At The Hop as the choice, surprising since that would have meant a very early introduction not only to rock and roll but to the social etiquettes of dancing with the opposite sex, to speak nothing of the sweaty palms, broken nerves and two left feet which blocked the way, which Sam had not done until he was a freshman in high school. Or what song in what situation had they gotten, or given, their first kiss and to whom, not surprisingly in the golden age of the automobile generation that frequently took place in the back seat of some borrowed car (a few over-the-edgers had gone into more graphic detail than necessary for adults to go into about what happened after that kiss in that backseat). Yeah, got in the back seat of some Chevy to go down to the local lovers’ lane (some very unusual places, the lovers’ lanes not the backseats which were one size fits all) Or had their first fight and make-up to, stuff like that.

As the shelf-life these days for all things Internet is short Sam thought no more about that series, the article or the comments until recently when a young guy (he had presumed a young guy since most devotees of classic rock fall into that demographic, although his moniker of Doo-Wop Dee could have signaled a young woman) who had Googled the words “rock and roll will never die” and had come upon the blog and the article. He sent an e-mail which challenged Sam to tell a candid world (Sam’s expression not Doo-Wop Dee’s who probably would not have known the genesis of that word) why the age of the Stones, Beatles, Animals, Yardbirds, etc., the 1960s age of the big bad guitars, heavy metal, and big backbeat did not do more for classic rock than Elvis (Presley), Chuck (Berry), Roy (Orbison), Bo (Diddley), Buddy (Holly), Jerry Lee (Lewis) and the like did all put together.

Well Sam is a mild-mannered guy usually, has mellowed out some since his rock and roll corner boy slam bang jail-break days, his later “on the road” searching for the great blue-pink great American West night hippie days and his later fighting against his demon addictions days (drugs, con artist larceny, cigarettes, whiskey, hell, even sex, no forget that, drop that from the addiction list) and he had decided, not without an inner murmur, to let the comment pass, to move on to new things, to start work on an appreciation of electric blues in his young life. Then one night late one night he and his lady friend, Melinda (and the reason to forget about that sex addiction stuff above), were watching an old re-run on AMC (the old-time movies channel, featuring mostly black and white films also a relic from his youth and his high school time at the retro-Strand Theater that existed solely to present two such beauties every Saturday afternoon, with or without popcorn) and saw as the film started one ghost from the past Jerry Lee Lewis sitting (hell maybe he had been standing, twirling whirling whatever other energy thing he could do back then to add to the fury of his act) on the back of a flat-bed truck, piano at the ready, doing the title song of the movie, High School Confidential, and then and there Sam had decided that he needed to put old Doo-Wop right. The rest of the movie, by the way, a classic 1950s cautionary tale about the pitfalls of dope, you know marijuana automatically leading to heroin, complete with some poor hooked girl strung out by her fiendish dealer/lover, and of leading an unchaste life, you know that sex addiction stuff that Sam had not been addicted to along his life’s way, as a result was actually eminently forgettable but thanks Jerry Lee for the two minute bailout blast. Here is what Sam had to say to his errant young friend and a candid world:       

First off the term “last waltz” used in the headline is used here as a simple expression of the truth. But that expression will also give Doo Wop and anybody else who asks an idea of the huge amount of material from the classic rock period, like I said in my blog sketch from the mid-50s to the mid-60s, which was good enough, had rung our running home after school to check out the latest dance moves and the cute guys and girls American Bandstand hearts enough, to make the cut. (And that really was true, out of over four hundred songs at least one hundred, a very high percentage, could have had a shot at the one hundred best popular songs of all times lists. When I had started that Oldies But Goodies series a few years ago in a fit of nostalgia related to reconnecting with guys like Frankie Riley, Johnny Callahan and Frank Jackman from the old hometown I had assumed that I had completed the series at Volume Ten.  I then found out that this was a fifteen, fifteen count ‘em, volume series. I flipped out.

Thereafter I whipped off those last five CDs in one day, including individual reviews of each CD and a summing up for another blog, and was done with it. Working frantically all the while under this basic idea; how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in those compilations. How many times could one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough! Until Doo-Wop decided that my coming of age era paled, paled if you can believe this, in comparison to Johnny-come-lately rockers like Mick and Keith, John and Paul, Jerry, Neil, Roger and the like.

No, a thousand times no, as right this minute I am watching a YouTube film clip of early Elvis performing Good Rockin’ Tonight at what looks like some state fairgrounds down south and the girls are going crazy tearing their hair out and crying like crazy because the new breeze they had been waiting for in the death-dry red scare Cold War 1950s night just came through and not soon enough. If Doo-Wop had paid attention to anything that someone like Mick Jagger said all the over whelming influence, the foundation for their efforts it might have held his tongue, or been a bit more circumspect. Guys like Mick, and they were mainly guys just like their 1950s forebears know that much. Yeah, it was mainly guys since I admit the only serious female rocker that I recall was Wanda Jackson whereas Doo-Wop’s time frame had Bonnie Raitt, Linda Ronstadt, Grace Slick, Janis Joplin, just to name a few. If he had argued on the basis of female rockers I would have no argument that the 1960s was a golden age for female rockers but his specified only the generic term “rockers.”

Like I said part of what got me going on the re-tread trail had been that nostalgia thing with my old corner boys and all our nights dropping dimes and quarters in Doc’s or Benny’s jukeboxes, listening on our transistors until our ears turned to cauliflower, and swaying at too many last change dance to mention but I also had been doing a series of commentaries elsewhere at the time on another site on my coming of political age in the early 1960s. You know the age of our own Jack Kennedy, the age of the short-lived Camelot when our dreams seemingly were actually within our grasp, and of the time we began realizing the need for serious struggles against all kinds of wars, and all kinds of discriminations, including getting a fair shake for the working people, those who labor, the people who populated our old time neighborhoods, our parents for chrissakes, in this benighted world. But here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing as the former.

No question that those of us who came of age in the 1950s were truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes from Oklahoma, South Pacific and the like and rhymey Tin Pan Alley pieces hit the transistor radio airwaves. (If you do not know what a transistor radio is then ask your parents or, ouch, grandparents, please. Or look it up on Wikipedia if you are too embarrassed to not know ancient history things. Join the bus.) And, most importantly, we were there when the music moved away from any and all staid arm in arm music that one’s parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. Think Elvis almost any place where there were more than five girls, hell more than one girl, or Jerry Lee and that silly film high school cautionary film that got this whole comment started where he stole the show at the beginning from that flatbed throne or Bill Haley just singing Rock Around The Clock in front of the film Blackboard Jungle. Here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that wallflower fear, the fear of fears that haunted many a teenage dream then, that left many a sad sack teenage boy, girls can speak for themselves, waking up in the middle of the night with cold sweats worrying about sweaty hands, underarms, course breathe, stubble, those damn feet (and her dainty ones mauled), and bravery, bravery to ask that she (or he for shes) for a dance, especially the last dance that you waited all night to have that chance to ask her about, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounded good to a current AARPer, and perhaps some of his fellows who comprise the demographic that such 1950s compilation “speak” to (and some early 60s songs as well). Carl Perkins original Blue Suede Shoes (covered by, made famous by, and made millions for, Elvis). Or the Hank William’s outlaw country classic I’m So Lonesome I Could Cry. Naturally, in a period of classic rock numbers, Buddy Holly’s Peggy Sue (or, like Chuck Berry and Fat Domino from this period, virtually any other of about twenty of his songs).

But what about the now seeming mandatory to ask question the inevitable end of the night high school dance (or maybe even middle school) song that seemed to be included in each of those CD compilations? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, ask a girl to dance (women can relate their own experiences, probably similar). Here Elvis’ One Night With You fills the bill. Hey, I did like this one, especially the soulful, snappy timing and voice intonation. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason than to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you? Touche Doo-Wop!