Saturday, August 03, 2013

Free Bradley Manning Now !

Govt. wants to blame Manning for harm yet to come from WikiLeaks releases: trial report, day 26

By Nathan Fuller, BMSN. August 2, 2013.
Susan Swart, formerly of the State Dept., drawn by Debra Van Poolen
Susan Swart, formerly of the State Dept., drawn by Debra Van Poolen
Today the government called former State Department Chief Information Officer Susan Swart to testify about how the State Dept. responded to WikiLeaks’ release of diplomatic cables. Swart testified that the Net-Centric Diplomacy (NCD) database, which housed the records that Pfc. Bradley Manning downloaded and sent to WikiLeaks, was first implemented to give those on classified networks greater ease of access to those cables. No technical limitations were in place, so those with access could simply search for and find any cable they needed, as opposed to waiting for it to be pushed out through various channels as it had before.
After WikiLeaks’ releases, the State Dept. pulled the database from the Secret-level network and kept it only in the Top Secret network, and Swart reviewed possibilities for furthering limiting access to the NCD.
The government started to ask about what the State Department did to prevent future conduct similar to Manning’s, and the defense objected that this type of “aggravating evidence” was outside the scope of what should be legally allowed.
After Swart’s testimony, the parties argued the defense’s motion to limit that very scope, under Rule for Court Martial 1001(b)(4), which says (emphasis mine),
The trial counsel may present evidence as to any aggravating circumstances directly relating to or resulting from the offenses of which the accused has been found guilty. Evidence in aggravation includes, but is not limited to, evidence of financial, social, psychological, and medical impact on or cost to any person or entity who was the victim of an offense committed by the accused and evidence of significant adverse impact on the mission, discipline, or efficiency of the command directly and immediately resulting from the accused’s offense.
Defense lawyer David Coombs explained that while the merits (guilt v. innocence) phase of the trial dealt with “potential damage” (Manning was convicted on six Espionage counts for disclosing information he should have known “could” harm the United States or aid a foreign nation), the sentencing phase is supposed to deal with “actual damage.” Yet the government is trying to extend that out as far as possible, calling witnesses to speculate about how limited actual damage could have a domino effect down the line.
Yesterday in a classified session, John Feeley testified about (it was suggested, we can’t know because the court was closed to the press) how WikiLeaks’ release of the cables caused diplomatic relationships with some Latin American countries to erode. In open court, Feeley discussed estranged ties with countries like Venezuela and Nicaragua, whom he admitted have had longstanding ideological differences with the United States. But Coombs says that Feeley made few specific points about actual harm caused, and could have testified in about ten minutes instead of the hours they took yesterday. The government, he said, was attempting to lay the “many so-called ills of world” at Bradley Manning’s feet.
Furthermore, Coombs argued that if the government is allowed to present evidence of events not directly related to WikiLeaks releases, the defense should be allowed to present evidence of indirectly related events that were beneficial:
Moreover, if the Government were to be permitted to advance an attenuated chain of events that seek to place many of the ills of the world at PFC Manning’s feet, then the Court would have to allow the Defense to rebut this with evidence that PFC Manning’s disclosures actually effected meaningful change in the world. For instance, PFC Manning’s disclosures have been credited with empowering people in the Middle East and with precipitating “Arab Spring.” See http://www.thedailybeast.com/articles/2013/06/03/how-bradley-manning-changed-the-war-on-terror.html (“Some commentators have credited Manning’s leak with providing a spark for the revolutions that toppled the governments of Egypt and Tunisia and triggered uprisings in Bahrain, Libya, and Yemen, collectively known as the Arab Spring. Files leaked by Manning disclosed a secret relationship between the U.S. government and President Ali Abdullah Saleh of Yemen, to allow drone strikes inside the country where the United States was not in a declared war. Another cable detailed the private investments and holdings of the Tunisian ruling family.”) The Defense submits that allowing the Government or the Defense to go down this road would be improper aggravation or mitigation and would run afoul of R.C.M. 1001(b)(4) and R.C.M. 1001(c)(1)(B) respectively.
The prosecution defended its approach, contending that the testimony it elicited was “directed related to or resulted from” Manning’s disclosures. It didn’t go into specifics about yesterday’s testimony.
But prosecutor Maj. Ashden Fein admitted that the government did intend to elicit information regarding future harm. He said he would call terrorism experts (likely to include Youssef Aboul-Enein) to discuss information that terrorists now have due to WikiLeaks’ releases, but also to opine on what they will do with that information in the future.
Military judge Col. Denise Lind is taking the matter under advisement, and will rule on the defense motion on Monday.
This afternoon, the government will call Ambassador Michael Kosack (profiled here) from the Persons-At-Risk Working Group, which attempted to identify people vulnerable due to WikiLeaks’ releases and mitigate potential harm.
Amb. Kozak on “chilling effect” and protecting sources
Ambassador Michael Kozak, from the State Department’s Bureau of Democracy, Human Rights, and Labor, led the Persons-At-Risk Working Group, which around Christmas of 2011 branched off from the broader 24/7 WikiLeaks response group. The Persons-At-Risk group reviewed the WikiLeaks-released diplomatic cables and determined if some people identified by name were at risk of death, violence, or incarceration. These people were largely human rights and democracy activists who could be vulnerable to retribution if their government or nonstate actors discovered they’d cooperated with the United States. The group determined that if the State Dept. could do something about it, it would offer to assist that person discretely, he testified. Kozak testified the group felt a “moral obligation” to mitigate potential harm to people who trusted the State Dept. to keep their work secret, but also said that the State Dept. didn’t always commit to helping out, at first merely determining what was needed. Prosecutors asked him to give a general approximation of how many such sources needed help, but Kozak said he’d have to answer that in a classified session.
This assistance sometimes involved paying airfare for the activist to relocate and then helping him or her “regularize” (meaning help with immigration paperwork and then gain employment) in the new country.
But asked about the “greatest damage” that resulted from WikiLeaks’ Cablegate release, Kozak discussed the “chilling effect” it instilled in these activists, who then felt they might not be able to trust the State Dept. to keep their work secret. He compared diplomacy to journalism, in that a newspaper similarly wants to protect its credibility: if it outs a source, he or she will probably stop talking.
Kozak said that while members of the Persons-At-Risk team have resumed their previous duties, they are still in the process of assisting some people (one of whom had slipped through the cracks in 2010-11, and a few of whom have simply needed more assistance “regularizing” in their new countries). He couldn’t say when the group would ever be done, because journalists continue to cite cables in new reporting, and so new sources and cooperative activists could be at risk in the future. Referring back to its motion and this morning’s argument over aggravating damage, the defense objected to the judge considering this speculative damage that has not occurred.
Ambassador Patrick Kennedy is expected to testify all day on Monday, beginning at 10:00am.
From The #Occupied Boston (#TomemonosBoston) Archives -Day Forty-Two- An Injury To One Is An Injury To All!-Defend All The Occupation Sites And All The Occupiers!–No Mas- The Class-War Lines Are Being Drawn-There Is A Need To Unite And Fight-Random Sights From Life At Dewey Square-An Encore Sketch


********
Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
********
#TomemonosBoston

Somos la Sociedad conformando el 99% -Dewey Square, Cercerde South Station

#Tomemonos Boston se reuniarin en el Dewey Square en Downtown Boston a discutir cambios que la ciudadania puede hacer en el gobierno que afecte un cambio social positivo.
********
Peter Paul Markin comment November 9, 2011:

“Hey brother, can you help me put this tarp over my tent? It got cold as hell last night and the winds were blowing fierce,” yelled a youthfully-faced male, but now a few weeks-seasoned Occupy Boston grizzly veteran resident to a middle-aged man casually walking by. “Sure thing, let’s get to it” replied that passer-by.

“Can you bring this hot pot of soup to the kitchen? Some lady, a lady who would not give her name and would not acknowledge anything but thanks, drove up on the Atlantic Avenue side and asked me to unload some stuff for her,” said one young woman in shorts to another young woman dressed for colder climates.

“If you want a meal, a nice hot meal, could you wash some dishes to help us out,” barked, barked above the din in front of him, a man who had daily volunteered to help out in the makeshift kitchen. And a couple of older guys, older guys who knew the streets and the lore of the streets backward and forward, stepped behind the tent and got to work while another passed on the request.

“Man, play us a Hendrix tune on that thing, ‘cause you are smokin’, man” earnestly requested a young bearded man, obviously a student, an ardent musical student from the look of him. “Okay man, if you play a little drum behind me.” came the reply from the reincarnation of Jimi, complete with tie-dyed headband to hold his head together.

“Say, can I have cigarette, man, I’m out?” said another older man weary, street weary, getting ready to enter a tent to catch a few winks. “I’m rolling Bull, okay?,” answered a red-headed dread-locked young man.

Such were, are, the random sights and sounds of the Occupy Boston encampment on any given day, or any given minute if you can be in seven places at one time, as the camp continues to organize itself in the tradition of the old westward pioneers seeking that great American west night, and still are seeking it generations later.

“Hey man, don’t be cheap give me a fucking cigarette, I’m all shaky,” shouted out a razor- edged guy, obviously working off some hang-over, although not necessarily an alcoholic or drug one. “I’m down to my last one, what the fuck do you want from me,” came the surly reply. And the tension passed away in the midday air.

“This place is neat, three squares and a cot, and nobody hassles you and you don’t have to work for your grub, or nothing,” murmured a street veteran to no one in particular in a crowd of suburban tourists who have made the site at Dewey Square a place on their “must see” map.

“You had better stay the fuck away from my woman, and stay way away,” threatened a young guy, a young white guy, not a street guy, not a student but just the kind of guy who drifts in and out of things. “Fuck you and your woman,” came the reply from a young Spanish-looking dude who had daggers in his eyes as the two nearly came to blows. Just then someone yelled “rainbow” and several people appeared to calm the situation down.

This too is a part of the “new world a-borning” as not everybody is quite ready yet to shift gears, or just has too much, much too much, baggage from old bourgeois society to make the leap of faith just yet.

Five minutes ago the sidewalk along the Atlantic Avenue side of the encampment was deserted, a lonely yellow-jacketed cop shifting back and forth on his heels to make his duty time pass more quickly. Now the first sign of the day, “Tax The Rich,” along with it human holder, here a well-dressed, well-reserved older woman, a woman who looks like she has seen many battles for social justice in her time hits the sidewalk. And her action acts as a catalyst because now here come a couple of young students carrying a banner-“Banks got bailed out, we got sold out,” one of the anthems of the Occupy movement, to stand beside her. They smile, she smiles, nothing more is needed they understand each other completely.

Then a convoy of about twelve middle-aged and older Universalist-Unitarians from out in some suburban town, who have rented a bus for the occasion, begin filling in the sidewalk with their “peace, this,” “peace, that,” “good will toward all” signs. Upon investigation this group had made a solemn decision to come weekly to Boston to stand in solidarity with the efforts in Dewey Square.

A few minutes later, from out of nowhere, came a nomadic resident of the “village” with a plateful of cookies, chocolate chip perhaps, and offers them to those “working the line” on Atlantic Avenue.

An older model automobile, frankly a heap, driven by a menacing-looking man in lumberjack jacket with fierce eyes stopped just in front of the entrance to the encampment and yells out, “Hey, where do I put these sleeping bags, tarps, shovels, and pots? I can’t stay but I am with you, with you all the way.” Of such acts by such desperate looking men, revolutions are made, big-time revolutions.

Toward late afternoon the Atlantic Avenue traffic gets heavier, bumper to bumper, as people try to leave the city, and city cares behind. A guy in a big dump truck, a flat-top hair cut showing yells out, “Get a job” at a group of street people standing on the avenue. Later a pedestrian muttered to that cop on duty, who was still rocking his heel, about how he payed taxes and isn’t it a shame what these people are up to. The call of the day though goes to a guy, a light-skinned Cuban-looking guy in a late model sports car driving on the far right lane away from the encampment, who yells out, “Commies, go back to where you came from.” Yah, I know not everybody got the news, not everybody gets what is going on, and not everybody, despite the sleek street slogan of ninety-nine percent is with us. But just remember that guy, that lumberjack jacket guy who gave what he had, and gave it all the way.

***Out In The Be-Bop 1960s Night- When The Music’s Over-On The 41st Anniversary Of Janis Joplin’s Death-An Encore Sketch




A YouTube film clip of Janis Joplin and Big Brother and the Holding Company performing the bluesy classic, Piece Of My Heart.

Classic Rock : 1968: Shakin’ All Over, various artists, Time-Life Music, 1989


Scene: Brought to mind by the cover art on this CD of a Janis Joplin-like female performer belting out some serious blues rock in the heat of the “Generation of ‘68” night.

Josh Breslin (a. k. a. the Prince of Love, although some yellow bus wit made a joke of that moniker calling him the Prince of Lvov, some Podunk town in bleak old Poland, or some place like that) was weary, weary as hell, road- weary, drug-weary, Captain Crunch’s now Big Sur–based magical mystery tour, merry prankster, yellow brick road bus-weary, even hanging around with his “papa,” “Far-Out” Phil Larkin who had gotten him through some pretty rough spots weary. Hell, he was girl-weary too, girl weary ever since his latest girlfriend, Gypsy Lady (nee Phyllis McBride), decided that she just had to go back to her junior year of college at Berkeley in order to finish some academic paper on the zodiac signs and their meaning for the new age rising. Yah, okay Gypsy, do what you have to do. Moreover this summer of 1968, June to be exact, after a year of bouncing between summers of love, autumns of drugs, winters of discontent, and springs of political madness what with Johnson’s resignation, Robert Kennedy’s assassination piled on to that of King’s had taken a lot out of him, including his weight, weight loss that his already slim runner’s frame could not afford.

Moreover, now the chickens were coming home to roost. Before he had joined Captain Crunch’s merry prankster crew in San Francisco, got “on the bus,” in the youth nation tribal parlance, last summer he had assumed that he would enter State U in the fall (University of Maine, for those who did not know). After a summer of love with Butterfly Swirl though (his temperature rose every time he thought about her and her cute little tricks to get him going sexually even now) and then a keen interest in a couple of other young women before Gypsy Lady landed on him, some heavy drug experiences that he was still trying to figure out, his start–up friendship with Phil, and the hard fact that he just did not want to go home now that he had found “family” he decided that he needed to “see the world” for a while instead. And he had, at least enough to weary him.

What he did not figure on, or what got blasted into the deep recesses of his brain just a couple of days before, was a letter from his parents with a draft notice from his local board enclosed. Hell’s bells he had better get back, weary or not, and get some school stuff going real fast, right now fast. There was one thing for sure, one nineteen-year old Joshua Peter Breslin, Olde Saco, Maine High School Class of 1967, was not going with some other class of young men to ‘Nam to be shot at, or to shoot.

Funny, Josh thought, as he mentally prepared himself for the road back to Olde Saco, how the past couple of months had just kind of drifted by and that he really was ready to get serious. The only thing that had kind of perked him up lately was Ruby Red Lips (nee Sandra Kelly), who had just got “on the bus” from someplace down South like Georgia, or Alabama and who had a great collection of blues records that he was seriously getting into (as well as seriously into Ruby although she seemed slow, very slow, to get his message). Josh, throughout high school and even on the bus, was driven by rock ‘n’ roll. Period. He got surprised one day when he heard Ruby playing Shake, Rattle, and Roll. He asked, “Is that Carl Perkins?” Ruby laughed, laughed a laugh that he found appealing and said, “No silly, that's the king of be-bop blues, Big Joe Turner. Want to hear more stuff?” And that was that. Names like Skip James, Howlin’ Wolf, Robert Johnson, Son House, Muddy Waters and Little Walter started to fill his musical universe.

What got him really going though were the women singers, Sippie Wallace, mad Bessie Smith, a whole bunch of other barrelhouse blues-singers named Smith, Memphis Minnie and the one that really, really got to him, “Big Mama” Thornton. The latter belting out a bluesy rendition of Hound Dog that made Elvis' seem kind of punk, and best of all Piece Of My Heart.

Then one night Ruby took him to club over in Monterrey, the Blue Note, a club for young blues talent, mainly, that was a stepping-stone to getting work at the Monterrey Pop Festival each year. There he heard, heard if you can believe this, some freckled, red-headed whiskey-drinking off the hip girl, yah just a wisp of a girl, from Podunk, Texas, or maybe Oklahoma who was singing Big Mama’s Piece of My Heart. And then Ball and Chain, Little School Girl, and Little Red Rooster. Hell, she had the joint jumping until the early hours for just as long as guys kept putting drinks in front of her. What a night, what a blues singer.

Just now though Ruby Red Lips came over to him, kind of perky and kind of with that look in her that he was getting to catch on to when a girl was interested in him and said, “Hey, Janis, that singer from the Blue Note, is going to be at Monterrey Pops next month with a band to back her up, want to go? And, do you want to go to the Blue Note with me tonight?” After answering, yes, yes, to both those questions the Prince of Love (and not some dinky Lvov either) figured he could go back to old life Olde Saco by late August and still be okay but he had better grab Ruby now while he could.

***40th Anniversary Of The Death Of The Doors' Jim Morrsion- AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors-An Encore Review


From American Left History

Wednesday, December 23, 2009

*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
CD Review

Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007


Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".

A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.

The Unknown Soldier Lyrics

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh

Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…
***40th Anniversary Of The Death Of The Doors' Jim Morrsion- AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors-An Encore Review


From American Left History

Wednesday, December 23, 2009

*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors
CD Review

Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007


Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".

A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.

The Unknown Soldier Lyrics

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh

Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…

***On The 40th Anniversary Of The Death Of The Doors' Jim Morrsion- Greil Marcus' New Book -"The Doors: A Lifetime of Listening to Five Mean Years"-An Encore Review




Click on the headline to link to an On Point (NPR) broadcast of Greil Marcus discussing ...The Doors: A Lifetime of Listening to Five Mean Years.
********
From American Left History

Wednesday, December 23, 2009

*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors

CD Review

Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007

Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".

A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.

The Unknown Soldier Lyrics

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh

Hut!
Hut!

Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…
*Nick And Nora To The Rescue- Dashiell Hammet's "The Thin Man"



Click on the headline to link to a Wikipedia entry for Dashiell Hammett's classic detective novel, The Thin Man.

Book Review

The Thin Man, Dashiell Hammett, Alfred A. Knopf, new York, 1934


Dashiell Hammett, along with Raymond Chandler, reinvented the detective genre in the 1930's and 1940's. They moved the genre away from the amateurish and simple parlor detectives that had previously dominated the genre to hard-boiled action characters who knew what was what and didn't mind taking a beating to get the bad guys. And along the way they produced some very memorable literary characters as well. Nick Charles (and wife Nora), Sam Spade and Phillip Marlowe are well known exemplars of the action detective. Hammett, on the way to creating these literary works of art did journeyman's work at the detective genre in various pulp detective magazines. Moreover, in the beginning he hid his detectives behind the anonymous, although not faceless or without personality, average detectives of a national detective agency, the Continental Op series(shades of his own past). One of those efforts is an early almost totally unrelated version of The Thin Man that those who have read the later version (or know Nick, Nora and Asta only from the film series) would not recognize.

Dashiell Hammett is perhaps better known for creating the classic modern proto-typical detective, one Sam Spade the detective-hero (or anti-hero, if you prefer) of the literary (and film) noir The Maltese Falcon. With The Thin Man he took a different tack in providing a model detective- the urbane Nick Charles, his side-kick society wife, Nora, and their ever present faithful dog companion, Asta. The story line here centers on a missing eccentric inventor/businessman who it is suspected has been a victim of foul play. Enter Nick, Nora and Asta at the request of his wondering society family (wondering, that is, about the fate of the dough necessary to keep them in their luxuries) and after a series of misadventures and false leads Nick grabs the villain. That is what old Nick has in common with the illustrious Mr. Spade-the dogged (not pun, intended) and tenacious search for the truth and the killer, come what may. If you like your detectives with a light touch this is for you. If you like your detective novels to be minor works of literary art this is also for you. Hammett (along with the above-mentioned Raymond Chandler) practically reinvented the previously rather shabby art of the early detective story into literature. Kudos.

Note: It is not altogether clear to me what Hammett’s political sympathies (or rather more to the point, organization connections) were in the period of his great detection-writing period, the early 1930s, although one can speculate they were at least progressive. I should note for those who are only familiar with the detective novels and crime short stories that Hammett was a make-no-bones-about-it supporter of the American Communist Party during the hard, don’t trust your neighbor, see reds under every bed, your mommie is a commie turn her in, prison house, American night of the red scare, Cold War, post World War II period (and earlier as well, during the Popular Front all the way with FDR (Franklin Delano Roosevelt), Joe Stalin, our father can do no wrong, Moscow Trials liquidate the Old Bolsheviks, the makers of the revolution, time but this post-war period is what concerns me here).

This was period when anything to the left of Herbert Hoover, including probably red tablecloths on restaurant tables, was suspect. This is also the period of the unlamented Joe McCarthy, the equally unlamented Richard Nixon, the deep, fatal, anti-communist purges in the labor unions from which we still suffer today (and anti-red purges in many other political and cultural institutions as well), and of the time of “the naming of names.” The high watermark time of the “fink” and of the “blacklist.” I have vilified, rightly so, no, righteously so, the likes of movie director Elia Kazan (Viva Zapata, On The Waterfront) for their “stool pigeon” scab actions before the "committees".

Kazan was, unfortunately, not alone in that dark, witch-hunt, keep your eyes down, keep walking straight ahead with blinkers on, and tell them what they want to know although they already know it, night. I have also heaped tons of well-deserved praise on the heroic Rosenbergs, Julius and Ethel, for holding their ground under intense pressure and under penalty of paying the ultimate price, their lives, for their steadfastness. For defending the Soviet Union, not in our Trotskyist way, but in their own honorable way, and didn’t complain about it when they were called on it, unjustly, by the American imperial state.

Dashiell Hammett was called, tooth brush in hand, before the “red scare” committees and just said no. Hats off. Now there is no need to get mushy about it, and one should not forget that in the end Hammett’s Stalinist politics (and vilification of leftist political opponents like our Trotskyist forbears) made us not less political opponents, but isn’t there something in old Hammett’s actions, that sense of “tilting to the windmills,” that leads right back to Sam Spade (and Nick and Nora in an oblique, half-funny way). Yes, I thought you would think so.
***Out In The 1950s Crime Noir Night, Kind Of- Beauty Is Only Skin Deep, Right, “Stolen Face” –A Film Review


From The Pen Of Frank Jackman

DVD Review

Stolen Face, starring Paul Henreid, Lizabeth Scott, Hammer Film Productions, 1952

Love, as almost everybody knows from personal experience, will make you do crazy thing sometimes. It will drive a seemingly rational calm and thoughtful man or woman over the edge every once in while. Make “evil” in the world without missing a beat. That, my friends, is the premise behind the film under review, Stolen Face, one of a long line of films that portray the bad results of fooling around with Mother Nature too much, and with getting fogged up in that love embrace.

A British doctor, a plastic surgeon, (played Paul Henreid last seen leading the anti-fascist resistance as Victor Lazlo in early World War II in the film Casablanca) in post-World War II London working apparently for the National Health Service, and working very hard and diligently, thank you, takes a little vacation to the wilds of coastal England. He winds up in an inn along the way, an inn which also is hosting a beautiful American pianist ready to go on a European tour (played by smoky-voiced Lizabeth Scott) with a cold. Well, naturally, Doc comes to the rescue, and as part of the "cure" they fall head over heels in love. However, Lizabeth is already “spoken for,” leaving Doc very unhappy. So back to work he goes with a vengeance.

And that vengeance, as previously, entailed working on the faces of criminal types to give them a chance to change their ways (okay, Doc, if you say so). As part of that work he runs up against a disfigured dregs of the working-class young woman (okay, lumpen-proletarian), Lily, whom he thinks that he can help by use of the surgeon’s scalpel. After much ado he gives her a new beautiful face, a face that is strangely very, very, very similar to his lost love’s. On top of that he goes off and marries her. But here is where things get dicey and the scriptwriter proves to be no Marxist or other believer in the ever upward rise of human progress. Lily, skin beautiful or not, goes back to her old ways “proving” that you cannot teach an old dog new tricks. Worst Lizabeth comes back; ready to get back into Doc’s arms. Fortunately Lily, drunk as a skunk riding on the train with hubby Doc, falls out of the train door (or was she pushed) just as Lizabeth shows up. Very convenient, very convenient indeed although no one is looking to make a court case out of it. Yes I guess beauty is really only skin deep, but no question love can drive you screwy. No question.
***Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of Elsa Alva (nee Daley), Class Of 1964


Peter Paul Markin, North Adamsville Class Of 1964, comment:
I have been dedicating some of my sketches to various people. When I first wrote this one in 2008 I had not one in particular in mind but when I recently rewrote it I did have Elsa in mind. I did not know her well at North Adamsville, and do not know her now much better now, but I felt her presence very strongly when I was rewriting this thing. So here it is.>
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Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and the Adamsville Old Sailor’s Home (and cemetery about a quarter of a mile away, closed now but the final resting place for many a sea-faring man, known and unknown). Yes, those names and places from the old housing project down in South Adamsville where I came of age surely evoke imagines of the sea, of long ago sailing ships, and of desperate, high stakes battles fought off shrouded, mist-covered coasts by those hearty enough to seek fame and fortune. And agile enough to keep it. Almost from my first wobbly, halting first baby steps down at “the projects” I have been physically drawn to the sea, a seductive, foam-flecked siren call that has never left me. Moreover, ever since this writer was a toddler his imagination has been driven by the sea as well. Not so much of pirates and prizes but of the power of nature, for good or evil.

Of course, anyone with even a passing attachment to Adamsville has to have an almost instinctual love of the sea; and a fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But enough of those imaginings. If being determines consciousness, and if you love the ocean, then it does not hurt to have been brought up in Adamsville with its ready access to the bay and water on three sides. That said, the focal point for any experience with the ocean in Adamsville centers, naturally, around its longest stretch of beach, aptly, if not ingeniously, named Adamsville Beach.

For those of us of a certain age, including this writer, one cannot discuss Adamsville Beach properly without reference to such spots such as Howard Johnson's famous landmark ice cream stand (now a woe-begotten clam shack of no repute). For those who are clueless as to what I speak of, or have only heard about it in mythological terms from older relatives, or worst, have written it off as just another ice cream joint I have provided a link to a Wikipedia entry for the establishment. That should impress you of the younger set, I am sure. Know this: many a hot, muggy, sultry, sweaty summer evening was spent in line impatiently, and perhaps, on occasion, beyond impatience, waiting for one of those 27 (or was it 28?) flavors to cool off with. In those days the prize went to cherry vanilla in a sugar cone (backup: frozen pudding). I will not bore the reader with superlative terms and the “they don’t make them like they use to” riff, especially for those who only know “HoJo’s” from the later, pale imitation franchise days out on some forsaken great American West-searching highway, but at that moment I was in very heaven.

Nor can one forget those stumbling, fumbling, fierce childish efforts, bare-footed against all motherly caution about the dreaded jellyfish, pail and shovel in hand, to dig for seemingly non-existent clams down toward the Merrymount end of the beach at the, in those days, just slightly oil-slicked, sulfuric low tide. Or the smell of charcoal-flavored hot dogs on those occasional family barbecues (when one in a series of old jalopies that my father drove worked well enough to get us there) at the then just recently constructed old barren old Treasure Island (now named after some fallen Marine, and fully-forested, such is time) that were some of the too few times when my family acted as a family. Or the memory of roasted, really burnt, sticky marshmallows sticking to the roof of my mouth. Ouch!

But those thoughts and smells are not the only ones that interest me today. No trip down memory lane would be complete without at least a passing reference to high school Adamsville Beach. The sea brings out many emotions: humankind's struggle against nature, some Zen notions of oneness with the universe, the calming effect of the thundering waves, thoughts of immortality, and so on. But it also brings out the primordial longings for companionship. And no one longs for companionship more than teenagers. So the draw of the ocean is not just in its cosmic appeal but hormonal, as well. Mind you, however, we are not discussing here the nighttime Adamsville Beach, the time of "parking" and the "submarine races." [For the heathens, or those from Kansas or some such place, going to watch the submarine races was a localism meaning going, via car, down to the beach at night, hopefully on a very dark night, with a, for a guy, girl and, well, start groping each other, and usually more, a lot more, if you were lucky and the girl was hot, while occasionally coming up for air and looking for that mythical submarine race. Many guys (and gals) had there first encounter with oral sex that way, if the Monday morning before school boys’ lav talk, and maybe girls’ lav talk too, was anything but hot air.] Our thoughts are now pure as the driven snow. We will save that discussion for another time when kids and grand-kids are not around. Here we will confine ourselves to the day-time beach.

Virtually from the day school we got out of school for summer vacation I headed for the beach. And not just any section of that beach but the section directly between the Squaw Rock and Adamsville Heights Yacht Clubs. Now was situating myself in that spot done so that I could watch all the fine boats at anchor? Or was this the best swimming location on the beach? Hell no, this is where we heard (and here I include my old running pal and classmate, Bill Bailey) all the "babes" were. We were, apparently, under the influence of Beach Blanket Bingo or some such early 1960s Frankie Avalon-Annette Funicillo (sic) teenage beach film. (For those who are again clueless this was a “boy meets girl” saga like Avatar, except on the beach...and on Earth.)

Well, for those who expected a movie-like happy ending to this piece, you know, where I meet a youthful "Ms. Right" to the strains of Sea of Love, forget it. (That is the original Sea of Love, by the way, not the one used in the movie of the same name sung by Tom Waits at the end, and an incredible cover that you should listen to on YouTube.) I will keep the gory details short, though. As fate would have it there may have been "babes" aplenty down there but not for this lad. I don't know about you but I was just too socially awkward (read: tongue-tied) to get up the nerve to talk to girls (female readers substitute boys here). And on reflection, if the truth were to be known, I would not have known what to do about it in any case. No job, no money and, most importantly, no car for a date to watch one of those legendary "submarine races" that we have all agreed that we will not discuss here. But we can hardly fault the sea for that, right?
*****
The above piece came about as a result of a response to some correspondence, via, a manically hard-working and determined North Adamsville High School class reunion committee member who shall remain nameless (except for gender, she) concerning old-time memories of Adamsville Beach which formed one of the backdrops to our high school experiences. In the wake of my commentary everybody and their brother (or sister) who ever came within fifty miles of smelling the sulfuric-flecked sea air at that beach has felt some kind of ‘civic duty’ to bring out his or her own salt-encrusted memories of the place. Below, mainly unedited (who could edit someone’s civic duty), is the traffic in response to the above piece. No one is required to wade through all the blather but to make a New York Times-like offical record seems appropriate under the circumstances.
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Betty Gilroy 1985 (view profile)
Posted: Jul 22 2008 11:00pm PST
In reply to Peter Paul Markin 1964


I grew up close to Adamsville Beach...I used to ride my bike there, runaway there... was a great bike path, I loved it as a kid. I used to hang out with friends from school, had some great jelly fish fights there. Ahhh, my friend and her boy fell asleep on the beach divider {Markin: sea-wall]with his hand on her stomach. How was she going to explain that one to mom and dad? (And, no, you dirty old man, they were not having oral sex or anything like that, although I learned later from my own experience that this was a “hot” spot for such things being so secluded and all. She, maybe they, didn’t know anything about sex then according to her, although later she told me about a couple of things, nasty-sounding things then but nice now, to do with guys. I am blushing now, and getting a little funny-feeling too, when I think about it now but the sound of the ocean in the background was a great place to do those things, those so-called nasty things. I know it got me going.)

I lived in Adamsville Central in the ‘70s to the early 80s and then moved to North Adamsville. I love the views, and the clam shack, the ice cream, all the clam diggers... the pond on the way from Marlboro Street, jumping the fence trying to catch the bull frogs going to the swamp cemetery swinging from the willow tree I think... I live in California and have a son that’s 7 (I hope he doesn't read what I wrote above, about that sex stuff I mean, but the ocean did turn me on, a lot) around the age that I would ride my bike the freedom, the safeness I had skate boarding around losing track of time, I haven't been back since my 10 year reunion I miss it, my friends, but then again I'm older with responsibilities maybe some day again I will take my son and show him Adamsville Beach and throw a few jelly fish his way??

Betty
North Adamsville High 85
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Memories Of Adamsville Beach

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:31am PST
In reply to Betty Gilroy, 1985


Betty- Thanks for the reply. The glint of silver off the Treasure Island Bridge when the sun hit it at a certain time. The early morning winter sun coming up over the horizon on the bay. The Boston skyline at dusk (pre-Marina Bay times when there was an unimpeded view). Well, we could go on and on with our memories but the one thing that caught my eye in your reply was the word “escape.” In one sense I was using Adamsville Beach as a metaphor for that idea in my story. I do not know about you and your family but, to be kind, I had a very rocky time growing up and certainly by the time I got to high school I was in desperate need of a sanctuary. It is no accident that I (and my old running mate, Bill Bailey) spent a fair amount of time there.

I went back to Adamsville last year (2007) while they were doing some reconstruction and cleaning the place up. I wrote about that in a sketch entitled Do You Know Adamsville Beach? that I posted here but then deleted. My original idea was to draw a comparison between the old hazy, happy memories of Adamsville in our youth and looking at it with today's older eyes. Somehow it just didn't fit right as a discussion item with the things I was trying to write then. If you would kindly reply to this message I will place it as a reply to some of what you have mentioned in your message about 'coming home.' By the way the jellyfish are still there in all their glory and please, take mother's advice, do not step on them, they might be poisonous.

Finally, I will not let you off the hook. I won’t comment on the "dirty old man" remark as I will take it as just a cute “fresh,” maybe flirty remark on your part. Yes, and I know as well as you that this is a family-friendly site but how did your friend explain away her 'sleeping' on the old wall to mom and dad? That bit about how she (they) didn’t know anything about sex, oral or otherwise, just doesn’t wash. Everybody “knew,” including parents who probably invented the spot, you only went to that particular spot with one thing in mind. You can send me a private e-mail with the real details if you like and then you can see if I am really a dirty old man or not. Regards, Peter Paul Markin

[Markin: Betty, by the way did send me an e-mail, several in fact, and I am still blushing, blushing profusely over some of her information old and ‘mature’ as I am. Let's put it this way my temperature was rising not a little. Frankly, some of the stuff (various sexual positions) she spoke of have to defy the laws of nature, but so be it. We were young and flexible (in more that one way) then. Forward.]
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Craig Wallace, North Adamsville High,1957 (view profile)
Posted: Jul 23 2008 10:34am PST
In reply to Peter Paul Markin,1964


Peter Paul: I heard from a younger friend, a woman friend (of my ex-wife’s actually) who knew you back in the day Professor Joan Murphy from over at MIT, who used to call you P.P., and that you liked it. [Markin: Tolerated it from her only because she was Frankie Riley’s ever-loving girlfriend. You remember the Riley family, the one with all the great North Adamsville raider red football players, Frankie was my corner boy chieftain up in front of Salducci’s Pizza Parlor. And she was, well, let's leave it as Frankie's ever-loving girlfriend.]

I don't have an awful lot to say about the beach, since I lived in a few other places while growing up. I do remember walking along the old sea wall and jumping across the openings trying to grab the rail to avoid falling. I once caught the rail, but hit the edge of the concrete wall with my shin. It hurt, but I didn't think it was broken.

Once a friend ran into a guy at the beach, and for some reason began to "exchange words." They were about to go at each other, but the lifeguard told them to take their dispute elsewhere. They went across the street to the grass in front of a stand where clams and other goodies were sold. The friend proceeded to tear the other guy apart. It didn't last that long. The friend was 5'-7" tall and the other guy 6'-3". I heard that some years later they ran into each other again and had a big laugh about the whole thing. Kids do grow up.

When I visited Massachusetts with my wife and two kids in 1983, my brother took us through some of the "old haunts," and we roamed the beach a bit. They got a kick out of a pair of horseshoe crabs skittering along the edge of the low tide line. I also went back there in 2007 and took a few walks along the beach. I did miss the old candle pin bowling alley, which appears to have been replaced by condos as was the old Adamsville Grammar School where I went through 1st grade (Miss Gray) and most of 2nd grade (Miss Lindberg).

Oh, yeah. I believe the Adamsville East Elementary School on Huckins Avenue is still in operation. I read that there's a boundary somewhere in North Adamsville and that kids who live east of the line go to Adamsville East School and those west of that line go to Parker Elementary on Billings Road. What is now North Adamsville High School included grades 7 through 12 till 1958 or 1959. So, even though I lived in 3 or 4 places, I was able to attend all 6 years at the same school.

Overall, most memories of Adamsville Beach are pretty good.

Craig S. Warren, 1957
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Peter Paul Markin reply:
Craig

Nobody has to stay on the subject at hand, all information about the old times in North Adamsville is welcome, but did you ever go to the beach? From the way you described it I thought maybe you knew about it from some picture postcard, of any beach, anywhere. Were you one of those, and there were not a few if I recall, who "rode," hot-rod rode the Adamsville Shore Boulevard and never touched down on the sand, or caught a fresh sea breeze on a hot summer day. Just kept cruising, eyes forward or left honed in on the ice cream, bowling alley, clam shack side, looking for the be-bop night, girls, or something. Like old Adamsville was Kansas or some sod town.

Peter Paul Markin,1964
Posted: Jul 23 2008 12:51pm PST
In reply to Craig Wallace, 1957

This entry started as a short sketch in this space but I deleted it because it did not fit in with what I was trying to evoke in these pages then. Now the sketch does serve as a decent reply though for Betty Gilroy's,(1985) and Craig Wallace's (1957) comments above. I, moreover, actually am writing about the old-time beach here and not everything else under the sun like hot sex spots and Adamsville school locations. Christ. Peter Paul Markin

*****
Okay, in the sketch above(Daydream Visions Of Adamsville Beach, Circa 1964) this writer got all misty-eyed about the old days at Adamsville Beach. I went on and on about things like the various flavors of ice cream at HoJo's, the local king-of-the-hill ice cream stand, the vagaries of clam-digging in the oil-soaked flats and about the smell of charcoal- broiled hot dogs at Treasure Island. And I did not fail to mention the obligatory teenage longings for companionship and romantic adventure associated with the sea. But enough of magical realism. Today, as we are older and wiser, we will junk that memory lane business and take a look at old Adamsville in the clear bright light of day.

Last year, as part of the trip down the memory lane that I have been endlessly writing about in this space, I walked the length of Adamsville Beach from the Squaw Rock Causeway to the bridge at Adamsville Shore. At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, redo the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.

Oh sure, most of the natural landmarks are still there, as well as some of the structural ones. Those poor, weather-beaten yacht clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered Beachcomber gin mill in much the same condition is still there as are the inevitable clam shacks with their cholesterol-laden goods. That is not what I mean-what I noticed were things like the odd smell of low-tide when the sea is calm, the tepidness of the water as it splashed, barely, to the shore-when a man craved the roar of the ocean-and the annoying gear-grinding noise caused by the constant vehicular traffic on the near-by boulevard. Things that I was, frankly, oblivious to back in the days.

There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville Beach and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were things to conquer and now. The lesson to be learned- beware the perils of memory lane. But don't blame the sea for that, please.

.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album). That seems about right.
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On Our 'Code Of Honor'

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:42am PST
In reply to Craig Wallace, 1957

Craig- I am very interested in having you fill out this story about the fight between your friend and the other guy down at Adamsville Beach that you mentioned before (see above). I do not need to know the gory details nor what happened years later. What I am looking for is your take on what the whole incident meant at the time. This was hardly an unusual event at then(or now for that matter), right?

I am trying to put together an entry based on our working class “code of honor”- male version- at the time before women's liberation and other social phenomena helped us to expand our sense of the world and how we should act in it. Even “loner” types like me would not back down on certain 'turf' issues (girls, giving way while walking on the street, who you "hung" with, where your locker was, which “lav” you used, etc.) and took a beating rather than concede the point. Enough for now but give this some thought.

Regards, Peter Paul
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Fight . . . ?

Craig Wallace,1957 (view profile)
Posted: Jul 28 2008 09:09am PST
In reply to Peter Paul Markin,1964

Peter Paul (I won’t call you P.P., okay). [Markin: Watch it old man. The days of the bogus 'code of honor' may be long gone but every working-class corner boy still has a slight edge on, even fifty years later, okay.]

The scuffle between a friend of mine and a much bigger guy at Adamsville Beach was not really "earth shaking." It started a couple days before when the friend and I were walking along one of the streets leading to the beach, Bayfield Road, perhaps. The "other guy" passed by in a car with some of his friends, including a couple girls. That guy yelled some insult at my friend in reference to his "eye-wear." He probably was trying to impress the girls by showing them he could insult anyone and all could get a good laugh out of it. Of course, my friend yelled something equally offensive at those in the passing car, which kept going. The "incident" appeared to have terminated.

A few days later the friend and I crossed the road to the beach near one of the yacht clubs and there was the guy who had yelled the insulting remarks. Apparently, he thought he could continue the verbal abuse without suffering the consequences, because he yelled something similar again. My friend went after the kid, but was informed by the lifeguard that they better take their "dispute" elsewhere. They went across the road to a grassy area and, encouraged by a small crowd that was gathering around them, proceeded to "get it on." My friend was usually a fairly pacific person, but when "pushed," he was like a cornered wolverine that would take on anybody or anything. The scuffle didn't last long, and the bigger kid got the worst of it. That time was the end of the dispute. Apparently nobody was seriously hurt, but maybe some had a bit more respect for the smaller kids after that. Some years later the two met, and remembering the incident, shared a good laugh over the whole thing.

Then, as now, I saw no esoteric meaning to the "battle." It didn't seem like the medieval days when one would "defend his honor" or that of a "damsel in distress." It was just an exchange of words that developed into a short round of what may be referred to these days as "ultimate fighting" where no rules are observed. I had a couple scuffles in elementary school and my son did in middle school, but we more-or-less outgrew such things. Sadly, nowadays those "scuffles" can become more deadly and end with somebody paying the "ultimate price." Are we reverting to the "Dark Ages." I hope not.

Anyway, enough said of a "juvenile incident."

Craig, 1957
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The "Code of Honor"

Peter Paul Markin, 1964
Posted: Aug 03 2008 11:31am PST
In reply to Craig Wallace, 1957

Craig, thanks for story. It gives me an angle for a story that I will write about on our youthful sense of “honor.” This story that you related, especially the part about impressing the girls, etc. really says something about that code.

Regards, Peter Paul
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Day and Night At Adamsville Beach

Peter Paul Markin, 1964
Posted: Aug 02 2008 06:21am PST
In reply to Betty Gilroy, 1985

I mentioned in my original story that all of us would talk about daytime Adamsville Beach (although once the kids are out of sight-the nighttime is the right time- can come into play). I hope that at some point Betty Gilroy will expand on her comment about her girlfriend down at the day time beach and the incident alluded in her comment about her falling asleep. Ms. Gilroy is more than capable of telling her own version of the story. [Markin: She did via e-mail, private e-mail, and it would take a civil war to get the information out of me, or a few bucks. Let me put it this way. I was blushing for days, maybe now even, as I mentioned above]. The only point I want to make here is that some of these day time remembrances are as funny as what might have happened at night. Funny now, that is.

Regards, Peter Paul
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Anyone Remember Adamsville Beach?

Robina Moore, 1978 (view profile)
Posted: Aug 15 2008 04:35pm PST
In reply to Peter Paul Markin, 1964

Totally agree that growing up on Adamsville Beach was an experience. So natural at the time, but looking back I now see how fortunate I was. I don’t remember the HoJo’s but I do remember the 19 cent hotdogs sold on the beach that was a few blocks from my house. What a treat for the neighborhood kids to get together and go get a dog.

As far the beach was concerned as kids, we followed the tides. Some parent would parade a group us kids and watch over us. Generally for two hours before high tide, and two hours after, and they always had snacks and drinks in tow…just gotta love the moms for that! Swim, dig in the sand, play catch in the water and when finally tired, lay on a towel and listen to WRKO or WMEX on the transistor radio.

Once I hit teenage years, I choose not to venture near the beach. I think my parents knew about the cosmic and hormonal appeal as well as primordial longings going on there. I was taught at a young age, the beach is not a good place at night. I totally thank them for instilling this and letting Adamsville Beach be filled with wonderful childhood memories. With that said, I am thrilled at the revitalization, and hope this generation of children will have a chance to create memories that they can cherished forever.
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Back In The Days

Peter Paul Markin, 1964
Posted: Aug 18 2008 02:49pm PST
In reply to Robina Moore, 1978

Robina-Very nicely told memories. That is the thing that I was trying to evoke in writing this particular commentary. A few points.

*The reason for the boxes in your entry [Markin:since deleted] is that when you transfer from a word processor to the message space here the apostrophes and quotation marks turn into some Serbo-Croatian dialect in the process. It happens to me all the time. You have to change them in this space to avoid that.

* Do you, or anyone else, know when HoJo's left the Adamsville Beach site?

* Did you mean 19 dollars for a hot dog? You put 19 cents but that can't be right. Nothing ever cost 19 cents.

• You realize, of course, that this is a generic North Adamsville site and therefore members of generations X, Y or Z may not be familiar with the term “transistor radio.” For their benefit, that was a little battery-powered gizmo that allowed you to listen to music, the 'devil's music,' rock 'n' roll, without your parents going nuts. And no, sorry, you could not download whatever you wanted. Yes, I know, the Stone Age.

Regards, Peter Paul Markin
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The Nighttime Is The Right Time....

Peter Paul Markin, 1964
Posted: Aug 21 2008 08:08am PST
In reply to Robina Moore, 1978

...to be with the one you love. Yes, that classic Ray Charles tune (covered by many, including a steamy tribute version by The Rolling Stones in their 2005 Fenway Park concert) is a good lead in to what I want to mention here. Most of the comments on this entry have concerned day time Adamsville Beach but I have been thinking that it is time to open up to the night time episodes. Here are my reasons:

• Hey, it is entirely possible that some of our fellow alumni never went to Adamsville Beach during the day. They might have a legitimate grip against us for that. Remember we are using this cyberspace so that everyone has their "15 minutes of fame."

• The heck with protecting the kids and grandkids. They know this stuff already. Let's face it, as well, no self-respecting member of the hip-hop/iPod/Sidekick/texting generations (or younger) would dream of reading this far down into the entry. Ugh!

• Frankly, there is only so far we can go with the day-time Adamsville Beach. While there have been some nice comments there is only so far you can go with jellyfish, 19 cent hot dogs, teenage romantic longings and getting sand kicked in your face. We need to spice this up. In short, sex, or the hint of it, sells.

These are all good and sufficient reasons but, as usual, my real reason for arguing inclusion here is personal curiosity. I have been waiting some forty-four years to ask this simple question. Why, while we were driving down Adamsville Shore Boulevard on those cold October nights, let's say, were most of the cars all fogged up? What, were their defrosters not working? Come on, please, tell me.