This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
Cornel West, Immortal
Technique, Marina Sitrin, and
Stanley
Aronowitz ___________________________________
Why revolution now?
What revolution now?
Cornel West is one of America's most
provocative public intellectuals and has been a champion for racial justice
since childhood. His writing, speaking, and teaching weave together the
traditions of the black Baptist Church, progressive politics, and jazz. West has
written more than 20 books and is a professor of Philosophy and Christian
Practices at Union Theological Seminary in the city of New
York.
Felipe Coronel, known as Immortal
Technique, is a recording artist, filmmaker, writer, and activist. Hailing from
Peru, by way of Harlem, New York, he is one of the highest selling independent
artists putting forth a combination of globally themed revolutionary music with
a gritty reality based street Hip-Hop. Not only is he an artist, but also a
human rights advocate having traveled to places like Haiti & Afghanistan to
provide relief through various non-profits. He has also participated in several
teaching workshops for adult prisons and juvenile facilities. As the President
of Viper Records, with 4 full studio albums, 3 mixtapes, with over 250,000
records sold, he has the Hip-Hop community highly anticipating his 5th studio
album, The Middle Passage.
Marina
Sitrin has been active in occupy movements worldwide. She is the
co-author of They Can’t Represent Us: Reinventing Democracy from Greece to
Occupy, author of Everyday Revolutions: Horizontalism and Autonomy in
Argentina and editor of Horizontalism: Voices of Popular Power in
Argentina. She is a student, teacher, dreamer and militant, and a visiting
scholar at the Center for Place Culture and Politics at the City University of
New York. Her work focuses on social movements and justice, specifically looking
at forms of social organization, such as autogestión, horizontalidad, prefigurative politics and new affective social
relationships – and the struggle to build autonomy in the face of State
repression and cooptation.
Stanley Aronowitz is Distinguished
Professor of Sociology at CUNY Graduate Center, where he is Director of The
Center for the Study of Culture, Technology and Work. He has taught at Staten
Island Community College, University of California-Irvine, University of Paris,
Columbia University, and University of Wisconsin. After working in metalworking
factories in New York and New Jersey, Aronowitz became a union organizer for the
Oil, Chemical and Atomic Workers' Union. He is Founding Editor of Social Text
and Situations, and serves on the Editorial Board of Ethnography; Cultural
Critique. He has authored and edited 26 books, including False Promises
(1973), Science as Power (1988), Roll Over Beethoven (1993),
How Class Works (2003), Just Around the Corner: The Paradox of the
Jobless Recovery (2005), Left Turn: Forging a New Political Future
(2006), Against Schooling: For An Education That Matters (2008), and
Taking It Big: C. Wright Mills and the Making of Political Intellectuals
(2012).
365 Fifth Avenue CUNY Graduate Center, c/o Sociology
Dept. New York, NY10016 United States
Friday, April 04, 2014
"America, Where Are You Now...."- Stepphenwolf's The Monster-Take Two
A YouTube Film Clip Of Stepphenwolf Performing Monster. Ah, Those Were The Days
Commentary/CD REVIEW
Steppenwolf: 16 Greatest Hits, Steppenwolf, Digital Sound, 1990
America where are you now?
Don't you care about your sons and daughters?
Don't you know we need you now
We can't fight alone against the monster
The heavy rock band Steppenwolf, one of many that was thrown up by the musical counter-culture of the mid to late 1960's was a cut above and apart from some of the others due to their scorching lyrics provided mainly, but not solely, by gravelly-voiced lead singer John Kay. Some bands played, consciously played, to the “drop out” notion of times, drop out of rat-race bourgeois society and it money imperative, its white picket fence with little e white house visions (from when many of the young, the post-World War II baby-boomer young, now sadly older), drop out and create a niche somewhere, some physical somewhere perhaps but certainly some other mental somewhere and the music reflected that disenchantment, Much of which was ephemeral, merely background music, and has not survived (except in lonely YouTube cyberspace). Others, flash pan “music is the revolution,” period exclamation point, end of conversation bands assumed a few pithy lyrics would carry the day and dirty old bourgeois society would run and hide in horror leaving the field open, open for, uh, us. That music too, except for gens like The Ballad Of Easy Rider, is safely ensconced in vast cyberspace.
Steppenwolf was different. Not all the lyrics worked, then or now. Not all the words are now some forty plus years later memorable. After all every song is written with current audience in mind, and notions of immortality for most songs are displaced. Certainly some of the less political lyrics seem entirely forgettable. As does some of the heavy decibel rock sound that seems to wander at times like, as was the case more often than not, and more often that we, deep in some a then hermetic drug thrall, would have acknowledged, or worried about. But know this- when you think today about trying to escape from the rat race of daily living then you have an enduring anthem Born To Be Wildthat still stirs the young (and not so young). If Bob Dylan's Like A Rolling Stone was one musical pillar of the youth revolt of the 1960's then Born To Be Wild was the other.
And if you needed (or need) a quick history lesson about the nature of American society in the 1960's, what it was doing to its young, where it had been and where it was heading (and seemingly still is as we finish up the Afghan wars and the war signals for intervention into Syria and Iran, or both are beating the war drums fiercely) then the trilogy under the title "The Monster" (the chorus which I have posted above and lyrics below) said it all.
Then there were songs like The Pusher Man a song that could be usefully used as an argument in favor of decriminalization of drugs today and get our people the hell out of jail and moving on with their lives and other then more topical songs like Draft Resister to fill out the album. The group did not have the staying power of others like The Rolling Stones but if you want to know, approximately, what it was like for rock groups to seriously put rock and roll and a hard political edge together give a listen.
Words and music by John Kay, Jerry Edmonton, Nick St. Nicholas and Larry Byrom
(Monster)
Once the religious, the hunted and weary
Chasing the promise of freedom and hope
Came to this country to build a new vision
Far from the reaches of kingdom and pope
Like good Christians, some would burn the witches
Later some got slaves to gather riches
But still from near and far to seek America
They came by thousands to court the wild
And she just patiently smiled and bore a child
To be their spirit and guiding light
And once the ties with the crown had been broken
Westward in saddle and wagon it went And 'til the railroad linked ocean to ocean
Many the lives which had come to an end
While we bullied, stole and bought our a homeland
We began the slaughter of the red man
But still from near and far to seek America
They came by thousands to court the wild
And she just patiently smiled and bore a child
To be their spirit and guiding light
The blue and grey they stomped it
They kicked it just like a dog
And when the war over
They stuffed it just like a hog
And though the past has it's share of injustice
Kind was the spirit in many a way
But it's protectors and friends have been sleeping
Now it's a monster and will not obey
(Suicide)
The spirit was freedom and justice
And it's keepers seem generous and kind
It's leaders were supposed to serve the country
But now they won't pay it no mind
'Cause the people grew fat and got lazy
And now their vote is a meaningless joke
They babble about law and order
But it's all just an echo of what they've been told
***When Prince Love Loved In The 1967 San Francisco Summer Of Love
From The Pen Of Joshua Lawrence Breslin
“Jesus, I never thought I would get here and here I am in San Francisco all in one piece standing at the foot of Russian Hill where all the “hippies” were hanging out before they went over to Golden Gate Park and “blew” their minds,” Joshua Breslin (a.k.a. Prince Love or Prince, and hereafter so identified), late of Olde (very old to hear him tell it) Saco (Maine) High School Class of 1967, but just now of youth nation, youth nation descending on friendly, friend-sized, go West young man (and woman), go West, heaven said to his boon companion of three days, Benny Buzz (real name Lawrence Stein, Brooklyn High School of Science, Class of 1967), also currently of youth nation. It was Benny Buzz who, having the vast experience of having been in ‘Frisco for a week now, and having “been up the hill,” who guided Prince Love to the foot of Russian Hill in preparation for, well, for his first summer of love experience. No, not the eternal teen summer of love at some beach, camp or vacationland amusement park where boys ogle girls (and they back, maybe) but the long expected jail break-out from the squares, from the cradle to grave plan-every-step world, and from the hassles, man, just the hassles.
Yes, Prince Love, could write the book on hassles, hassles followed by man, or not. Just a few week before he, having just graduated from Olde Saco High, had a “job offer,” a job working as a janitor in Shepard’s Textile Mill, yah, the ones who make those “boss” sweaters the girls are all crazy for these days. Crazy for in winter anyway because right now warm suns, California, Denver, hell even Maine suns, require nothing more than some skimpy top, shoulders showing, and a pair of shorts, short shorts depending on the legs or vanity. His father, Prescott, a longtime employee of the mills, the lifeblood of Olde Saco just then, “pulled a few wires” to get him the job for the summer before he went off to State U in the fall. The previous year, last year when he was nothing but a raw hang-out in front of the Colonial Doughnut Shoppe on Main Street (officially U.S. Route 1) with his boys (and occasionally girls, but only for a few moments while they picked up their orders) he would have jumped with both feet, maybe with both hands and feet, at the job to get some money for college.
But that was then and this was now, as they say. Now, or rather the now just a few weeks or so before he got to the foot of Russian Hill, he had received word through that mysterious youth nation grapevine that parents, squares, cops, and authority guys were frantic to figure out, but who, in the end, were clueless about, of a “great awakening” that was going on in ‘Frisco and that news fed, fed deep, into the wells of the discontent he was feeling, thoughts about his own desire to break-out from the squares, from the cradle to grave plan-every-step world, and from the hassles, man, just the hassles mentioned before. The grapevine, by the way, was not all that mysterious. Some young, long-haired, wild-looking guy dressed in a blotted multi-colored shirt (later he found out such things were called tie-dyed) from the West Coast had come east to see his grandparents who lived on Olde Saco Beach a few miles down the road and had run into Prince Love at the doughnut shop when he was looking for some joe and cakes to tide him over before a walk on the beach and told him about what was happening on the West Coast. Simple as that, okay.
That information, those pressing on the brain existential jail-break things, and well, he had just broken up with his girl, his long-time high school honey, Julie Cobb, were what drove him to seek the road west. Simple as that. Well not so simple, really, because, if the truth be known, Julie left him for another guy, an older guy who was already working in the mills (not Shepard’s but Cullen’s, the high society linen-makers), had some dough, had a boss 1964 Mustang and, most importantly, wanted to get married, and pretty soon too. That was the sticking point between the Prince and Julia, the marriage game thing that had been going on in the town since, since, well Prince didn’t know but it was pretty common. Graduate Olde Saco, work in the mills, get a couple of bucks, get married, get a tiny house on Atlantic Avenue, maybe, have two point six children, throw in a dog or two cats, and then finish up whitewashing that picket fence in front of the house with the grandchildren. No sale, not for Prince Love. He was going to college, leave the dust of that old town behind, and make a name for himself at something before he settled down in not-Olde Saco, maybe, maybe on the settle down. And from what he heard on his way west, and since he had arrived in San Fran a lot of people were feeling, wondering, groping for some answers just like him. And, yah, looking to try some dope, listen to some far-out music, grab some cool chick to shack up with, and really leave that hometown dust behind before going back east for the fall semester of school.
Now you are filled in, a little, on the what and the why of Prince (and Benny Buzz who however is right then leaving Prince to go see a man, well, go see a man about something, let’s just leave it at that) being on Russian Hill, that classic San Francisco hill mentioned a while back. A hill not previously known to first time ‘Frisco Prince Love, although maybe to some ancient Native American shaman delighted to see our homeland, the sea, out in the bay working its way to far-off Japans. Or to some Spanish conquistador, full of gold dreams but longing for the hills of Barcelona half a world away.
Now you know everything, everything except how Prince Love got to Frisco which is not a big deal since he took some dough he had originally saved up for college and used it for the Greyhound bus fare to get him here. Not for him the hitchhike road through every back road. Not for him merry prankster buses driven by mad-monk zen masters in the heated western night.
Why? Well, come on now, not everybody got every piece of news, especially in Podunk Maine, about the ways west, VW bus west, stick-out-the-thumb west and that there were people, your kind of people, ready to pick you up and take you down the road a piece. Even backing up on super-highway interstates to pick up a fellow youth nation straggler left on some desolate stretch fair game for hungry police eyes. Besides, after about a two-day bout with his parents about not taking that summer job, using the dough for college for such foolishness (to quote his everywoman mother), and other assorted arguments, family arguments started back in childhood, he had promised them to take the bus west. Let’s just say hassles, man, hassles and be done with it. And now we are done with past.
Right then though, after saying a few things in parting to Benny Buzz about catching up with each other later, as he started walking up the hill toward the entrance to the mini-“people’s park” that was about half way up Russian Hill Prince spied a tall young man, maybe a few years older than him although such things were always hard to tell with older looking beards, drug haggards, and glazed looks. He was, at second glance, tall but not as tall as Prince, lanky, maybe not as lanky as him either and from the look of him his drug stews diet had taken some additional pounds off, and some desire for pounds as well, not really normally lanky.
Dressed, always worthy of description in 1967 “Frisco, male or female, in full “hippie” regalia (faded olive drab World War II army jacket, half-faded blue jeans, bright red bandanna headband to keep his head from exploding, striped checkerboard flannel shirt against the cold bay winds, against the cold bay winds even in summer, and nighttime colds too, and now that we are on the West Coast, with roman sandals on his feet). And to draw the eye more fully to the scene he is sitting with two foxy-looking young women. One, the younger one, maybe a high school student, blonde, blue-eyed, slender, short shorts belying West Coast origin, and de rigueur practical road-worthy peasant blouse. A poster child for San Francisco summer of love if he ever saw one, and of his own feverish Maine night teenage desire summer or winter of love now that Julia was past. The other women, whom he found out later called herself Lupe Matin just then although the Prince found out that she had run through several monikers previously, a college student for sure , dark-haired, dark-eyed, slightly voluptuous, seemingly a little out of place, out of figuring place, with her current male companion completed the entourage. (Her real name, Susan Sharp, Vassar College, Class of 1966, and “trying to find herself.”)
Prince cast several glances at that regal company, nodded slightly, a knowing nod, eyes fixed, as was the fashion just then, and then turned around and asked to no one in particular but kind of zeroing in on the blonde (ya, he had a thing for blondes, see Julia was just that same kind of waspy blonde, minus the tan and year-round sunshine, that he fell for, fell for hard and fast), “Got some dope, for a hungry brother?” The male, who Prince would later come to know as Far-Out Phil (Phillip Larkin, North Adamsville, Massachusetts, Class of 1964), looked at him in a bemused manner (nice touch, right). Except for shorter hair, which only meant that this traveler had either not been on the road very long or had just recently caught the “finding himself” bug he could have, thought Far-Out to himself, been Phil’s brother, biological brother.
That line, that single Prince Love line, could have been echoed a thousand, maybe ten thousand times that day along a thousand hills (well maybe not that many in San Fran), aimed at any small clot of like-minded spirits. And Phil sensing that just that one sentence spoke of kindred said, “Sure, a little Columbia Red for the head, okay?” And so started the long, well hippie long, 1960s long anyway, relationship between one Phillip Larkin and one Joshua Breslin. And, maybe, including the women too.
And, of course, as well was that sense that Far-Out had that he and Prince Love were kindred was based on the way that the Prince posed that first question. His accent spoke, spoke hard of New England, not Boston but farther north. And once the pipe had been passed a couple of times and the heat of day started getting everybody a little talkative then Prince spilled out his story. Yes, he was from Olde Saco, Maine, born and bred, a working-class kid whose family had worked the town mills for a couple of generations, maybe more, but times were getting hard, real hard in those northern mill towns now that the mill-owners had got the big idea to head south and get some cheaper labor, real cheap. So Joshua, after he graduated from high school a few weeks before decided, on a whim (not really a whim though), to head west and check out prospects here on the coast for later use after college. Josh, now fully into his Prince Love persona finished up his story by saying, “And here I am a few weeks later sitting on Russian Hill smoking righteous dope and sitting with some sweet ladies.”
The Prince was just being a little off-handedly flirtatious as was his style when around women, young or old (old being thirty, tops), aiming his ammunition in general but definitely honing in on the blonde, the blonde now identified for all eternity as Butterfly Swirl (real name, Kathleen Clarke, Carlsbad High School, California, Class of 1968). (Phil, by the way, never ever said what his reaction to that last part of the Prince’s spiel, the flirtatious part, which seemed, the way it was spoken, spoken by Phil in the re-telling, filled with menace. Girl-taking menace. Well, old North Adamsville corner boy Phil would have felt that way but maybe in that hazed-out summer of love it just passed by like so much air.) Naturally Phil, a lordly road warrior now, "on the bus" now, whatever his possible misgivings, invited the Prince to stay with them, seeing as they were practically neighbors back home. Prince Love was “family” now, and Butterfly seemed gladder than the others of that fact.
And of course, family, meant home, and home for Far-Out, Butterfly Swirl, and Lupe Matin meant the now locally famous (West Coast local, okay) yellow brick road bus now known as Captain Crunch’s Crash Pad (after the owner of the bus, and “leader,” whatever that meant, of the expedition). Prince Love, from the first night, not only felt that he had found a home, a home that he never felt he had in Olde Saco but that whatever happened out here he would survive. And as more dope-filled pipes were passed that night, and as the music played louder into the sea-mist bay night, and lights gleamed from all directions the Prince grew stronger in that conviction. Especially when Far Out Phil, acting out of some old testament patriarchal script, came sauntering over to the Prince around midnight and whispered in his ear, “Butterfly Swirl wants to be with you, okay?” And that night the Prince and Butterfly Swirl were “married.”
Urgent Medical Appeal for Ex-Political Prisoner Lynne Stewart
Workers Vanguard No. 1041
7 March 2014
Seventy-four years old and suffering from Stage IV breast cancer, radical lawyer Lynne Stewart may have only months to live. The government is dedicated to making that time as painful as possible. After being denied compassionate medical release for nearly a year, Stewart was finally let out of prison on December 31 by a U.S. district judge who cited her “terminal medical condition and very limited life expectancy.” Stewart, whose cancer has metastasized to her back, lung, bones and lymph nodes, discovered after her release that she had been stripped of Medicare coverage while in prison. She will not be enrolled again until July. Medicaid will not cover her because Stewart and her husband’s combined Social Security benefits exceed the monthly income limit. She must now pay the sky-high costs of treatment and medication herself—or go without!
Stewart should never have spent a day in prison. In 2005, she was convicted of giving material support to terrorism for her vigorous defense of an Egyptian Islamic fundamentalist cleric who had been imprisoned for an alleged plot to blow up New York City landmarks in the early 1990s. Stewart’s purported “material support” was to communicate her client’s views to Reuters news service. Her Arabic translator Mohamed Yousry and paralegal Ahmed Abdel Sattar were also convicted. These watershed convictions gave the capitalist government a green light to prosecute lawyers as co-conspirators of their clients—a frontal attack on the Sixth Amendment right to counsel. In 2010, at the instigation of the Obama administration, a federal appeals court instructed the judge who had originally sentenced Stewart to reexamine her sentence. Appeasing his superiors, the judge jacked up the original 28-month sentence to ten years.
Lynne Stewart dedicated her adult life to keeping Black Panthers, radical leftists and others who are reviled by the capitalist state out of the clutches of its prison system. Tens of thousands worldwide supported Stewart’s fight for a medical release. She must not face this new attack alone. The Lynne Stewart Defense Committee has issued an appeal for funds for Stewart’s medical needs. The Partisan Defense Committee, a class-struggle defense organization associated with the Spartacist League, has contributed funds. We urge our readers to contribute now! Make checks payable to “Lynne Stewart Organization” and mail to: Lynne Stewart Organization, 1070 Dean Street, Brooklyn, NY 11216.
Please contribute to Lynne's Immediate Medical Needs! As Valentine's Day approaches, show your continued love and support for Lynne Stewart and her tireless efforts to fight for justice. And if you donate now, your gift will be matched dollar for dollar by a generous friend of the fight for justice for Lynne Stewart.
