The Latest From The “Veterans For Peace” Facebook Page-Gear Up For The Spring 2014 Anti-War Season-Troops Out Of Afghanistan Now!-Hands Off The World!

Click below to link to the Veterans For Peace Facebook page for the latest news on what anti-war front the organization is working on.

http://www.facebook.com/#!/pages/Veterans-For-Peace/49422026153

A Stroll In The Park On Veterans Day-Monday November 11, 2013 - Immediate, Unconditional Withdrawal Of All U.S. Troops From Afghanistan! Hands Off Syria! Hands Off Iran! Hands Off The World!

Peter Paul Markin comment:

Back on Veterans Day 2010 I happened to be at the Boston Common located just off the downtown section when I came across some white flags, maybe twenty, waving in the distance over near when Charles Street intersects Beacon Street (the main street of the famous Beacon Hill section of Boston). Since I was heading that way I decided to check out what those flags were all about. Upon investigation I found that the white flags also contained in black outline a peace dove symbol and the words Veterans for Peace. Yah, sign me up, my kind of guys and gals. So, to make a long story short,  I marched with the contingent that year in their spot behind, and not part of, the official parade sponsored by the city (the reason for that separation will be described in more detail below) and have marched each year since, including this year. Previously in promoting and commemorating this peace event I have recycled my sketch from 2010 out of laziness, hubris, or the basic sameness of the yearly event. I have updated that sketch a bit here to reflect on this year’s event.    
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Listen, I have been to many marches and demonstrations for democratic, progressive, and socialist causes in my long political life. Some large, many small but both necessary. However, of all those events none, by far, has been more satisfying that to march alongside my fellow ex-soldiers who have, like I have, “switched” over to the other side, have gotten “religion” on the questions of war and peace and what to do about it, have exposed the better angels of their nature after the long hard thrust of war, and preparations for war have lost their allure, and are now part of the struggle against war, the hard, hard struggle against the permanent war machine that this imperial system has embarked upon.
 

From as far back as in the Vietnam Veterans Against the War (VVAW) days (the days when even guys like the present Secretary of State John Forbes Kerry had to march in the streets to allay their angers and hurts) I have always felt that ex-soldiers (hell, active soldiers too, if you can get them out of the barracks, off the bases, and into the streets as happened a little as the Vietnam War moved relentlessly onward ) have had just a little bit more “street cred” on the war issue than the professors, pacifists and little old ladies in tennis sneakers who have traditionally led the anti-war movements. Maybe those brothers (and in my generation it was mainly only brothers) and now sisters may not quite pose the questions of war and peace the way I do, or the way that I would like them to do, don’t do a bookish analysis, complete with footnotes, of the imperial system and their cog part in it, but they are kindred spirits.

Now normally in Boston, and in most places, a Veterans Day parade means a bunch of Veterans of Foreign Wars (VFW) or American Legion-types taking time off from drinking at their post bars (the infamous “battle of the barstool,” no, battles) and donning the old overstuffed moth-eaten uniform and heading out on to Main Street to be waved at, and cheered on, by like-minded, thankful citizens. And of course that happened in 2010 (and this year) as well. What also happened in Boston this year as in 2010 (and other years but I had not been involved in prior marches) was that the Smedley Butler Brigade of Veterans for Peace (VFP) organized an anti-war march as part of their “Veterans Day” program. Said march to be held at the same place and time as the official one, one o’clock in the afternoon in downtown Boston near the Common.

Previous to 2010 there had been a certain amount of trouble, although I am not sure that it came to blows, between the two groups. (I have only heard third-hand reports on previous events so all I know is that were some heated disputes) You know the "super-patriots" vs. “commie symps” thing that has been going on as long, maybe before, as there have been ex-soldiers (and others) who have differed from the bourgeois parties’ pro-war line. In any case the way this impasse had been resolved previously, and the way the parameters were set in 2010 and this year as well, was that the VFP took up the rear of the official parade, and took up the rear in an obvious way. Separated that year, if you can believe this, from the main body of the official parade by a medical emergency truck. This year by a phalanx of Boston Police motorcycle cops. Nice, right? Something of the old "I’ll take my ball and bat and go home" by the "officials" was in the air on that one on every occasion.

In the event this year’s march went off as usual for both parties, as we waited behind the motorcycle cordon for the “officials” to pass by. While waiting I noticed that while the anti-war contingent was about the same size as it has been for the past few years that I have participated, filled out with other peace activists from Quakers and shakers to ranters and chanters and ant-drone folk (strolling along with a mobile replica of a drone to make their point nicely), all angelic, or at least all also on the right side of the angels, the VFP component looked a little smaller. This reflecting the inevitable aging, can’t make the walk, reality that VFP like myriad peace and social justice-oriented organizations are now peopled, alarmingly so, mainly by older activists who cut their teeth in the struggles of the 1960s (or earlier).

Equally as alarming was the sight of more of my Vietnam era veterans using canes, walkers and other aids to either walk the parade or to get around and listen to the program at the end of the march at the Samuel Adams Park at Fanuiel Hall. The hopeful sign though was an increased number of Iraq (Iraq 2003) and Afghanistan veterans who have had enough time to reflect on their war experiences and made a decision to come over to the side of the angels. One such veteran spoke from platform, as did veterans from the Korean and Vietnam War eras, as well as a speaker on behalf of Chelsea Manning, the heroicWikileaks whistle-blower soldier.            

But here is where there is a certain amount of rough plebeian justice, a small dose for those on the side of the angels, in this wicked old world. In order to form up, and this was done knowingly by VFP organizers in 2010 and this year well, the official marchers, the bands and battalions that make up such a march, had to “run the gauntlet” of dove emblem-emblazoned VFP banners waving frantically directly in front of their faces as they passed by. Moreover, although we again this year formed the caboose of this thing the crowds along the parade route actually waited for us after the official paraders had marched by and waved, clapped, and flashed the ubiquitous peace sign at our procession from the sidelines. Be still my heart.

That response just provides another example of the "street cred” that ex-soldiers have on the anti-war question. Now, if there is to be any really serious justice in the world, if only these fellow vets would go beyond then “bring the troops home” and pacific vigil tactics and embrace- immediate, unconditional withdrawal of all U.S./Allied Troops from everywhere, embrace a more studied response to the nature of war policy “in the belly of the beast” then we could maybe start to get somewhere out on those streets. But today, like at that first white flag sighting in 2010 I was very glad to be fighting for our socialist future among those who know first-hand about the dark side of the American experience. No question.

From The Pen Of Vladimir Lenin -Leader Of The Russian October 1917 Revolution   

Click on the headline to link to the Lenin Internet Archives.

http://www.marxists.org/archive/lenin/

Markin comment from the American Left History blog:

DVD REVIEW

LENIN-VOICE OF THE REVOLUTION, A&E PRODUCTION, 2005

Every militant who wants to fight for socialism, or put the fight for socialism back on the front burner, needs tocome to terms with the legacy of Vladimir Lenin and his impact on 20th century revolutionary thought. Every radical who believes that society can be changed by just a few adjustments needs to address this question as well in order to understand the limits of such a position. Thus, it is necessary for any politically literate person of this new generation to go through the arguments both politically and organizationally associated with Lenin’s name. Before delving into his works a review of his life and times would help to orient those unfamiliar with the period. Obviously the best way to do this is read one of the many biographies about him. There is not dearth of such biographies although they overwhelmingly tend to be hostile. But so be it. For those who prefer a quick snapshot view of his life this documentary, although much, much too simply is an adequate sketch of the highlights of his life. It is worth an hour of your time, in any case.

The film goes through Lenin's early childhood, the key role that the execution of older brother Alexander for an assassination attempt on the Czar played in driving him to revolution, his early involvement in the revolutionary socialist movement, his imprisonment and various internal and external exiles, his role in the 1905 Revolution, his role in the 1917 Revolution, his consolidation of power through the Bolshevik Party and his untimely death in 1924. An added feature, as is usual in these kinds of films, is the use of ‘talking heads’ who periodically explain what it all meant. I would caution those who are unfamiliar with the history of the anti-Bolshevik movement that three of the commentators, Adam Ulam, Richard Daniels and Robert Conquest were ‘stars’ of that movement at the height of the anti-Soviet Cold War. I would also add that nothing presented in this biography, despite the alleged additional materials available with the‘opening’ of the Soviet files, that has not been familiar for a long time.

From The Pages Of The Communist International- In Honor Of The 95th Anniversary Of The Founding Of The Communist International (1919)

Click below to link to the Communist International Internet Archives"

http://www.marxists.org/history/international/comintern/index.htm

Markin comment from the American Left History blog (2007):

BOOK REVIEW

‘LEFT-WING’ COMMUNISM-AN INFANTILE DISORDER, V.I. LENIN, UNIVERSITY PRESS OF THE PACIFIC, CALIFORNIA, 2001

An underlying premise of the Lenin-led Bolshevik Revolution in Russia in 1917 was that success there would be the first episode in a world-wide socialist revolution. While a specific timetable was not placed on the order of the day the early Bolshevik leaders, principally Lenin and Trotsky, both assumed that those events would occur in the immediate post-World War I period, or shortly thereafter. Alas, such was not the case, although not from lack of trying on the part of an internationalist-minded section of the Bolshevik leadership.

Another underlying premise, developed by the Leninists as part of their opposition to the imperialist First World War, was the need for a new revolutionary labor international to replace the compromised and moribund Socialist International (also known as the Second International) which had turned out to be useless as an instrument for revolution or even of opposition to the European war. The Bolsheviks took that step after seizing power and established the Communist International (also known as the Comintern or Third International) in 1919. As part of the process of arming that international with a revolutionary strategy (and practice) Lenin produced this polemic to address certain confusions, some willful, that had arisen in the European left and also attempted to instill some of the hard-learned lessons of the Russian revolutionary experience in them.

The Russian Revolution and after it the Comintern in the early heroic days, for the most part, drew the best and most militant layers of the working class and radical intellectuals to their defense. However, that is not the same as drawing experienced Bolsheviks to that defense. Many militants were anti-parliamentarian or anti-electoral in principle after the sorry experiences with the European social democracy. Others wanted to emulate the old heroic days of the Bolshevik underground party or create a minority, exclusive conspiratorial party.

Still others wanted to abandon the reformist bureaucratically-led trade unions to their then current leaderships, and so on. Lenin’s polemic, and it nothing but a flat-out polemic against all kinds of misconceptions of the Bolshevik experience, cut across these erroneous ideas like a knife. His literary style may not appeal to today’s audience but the political message still has considerable application today. At the time that it was written no less a figure than James P. Cannon, a central leader of the American Communist Party, credited the pamphlet with straightening out that badly confused movement (Indeed, it seems every possible political problem Lenin argued against in that pamphlet had some following in the American Party-in triplicate!). That alone makes it worth a look at.

I would like to highlight one point made by Lenin that has currency for leftists today, particularly American leftists. At the time it was written many (most) of the communist organizations adhering to the Comintern were little more than propaganda groups (including the American party). Lenin suggested one of the ways to break out of that isolation was a tactic of critical support to the still large and influential social democratic organizations at election time. In his apt expression- to support those organizations "like a rope supports a hanging man".

However, as part of my political experiences in America around election time I have run into any number of ‘socialists’ and ‘communists’ who have turned Lenin’s concept on its head. How? By arguing that militants needed to ‘critically support’ the Democratic Party (who else, right?) as an application of the Leninist criterion for critical support. No, a thousand times no. Lenin’s specific example was the reformist British Labor Party, a party at that time (and to a lesser extent today) solidly based on the trade unions- organizations of the working class and no other. The Democratic Party in America was then, is now, and will always be a capitalist party. Yes, the labor bureaucrats and ordinary workers support it, finance it, drool over it but in no way is it a labor party. That is the class difference which even sincere militants have broken their teeth on for at least the last seventy years. And that, dear reader, is another reason why it worthwhile to take a peek at this book.

From The Massachusetts Citizens Against The Death Penalty Website

Click below to link to the Massachusetts Citizens Against The Death Penalty website.

http://www.mcadp.org/

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Markin comment:

I have been an opponent of the death penalty for as long as I have been a political person, a long time. While I do not generally agree with the thrust of the Massachusetts Citizens Against The Death Penalty Committee’s strategy for eliminating the death penalty nation-wide almost solely through legislative and judicial means (think about the 2011 Troy Davis case down in Georgia for a practical example of the limits of that strategy) I am always willing to work with them when specific situations come up. In any case they have a long pedigree extending, one way or the other, back to Sacco and Vanzetti and that is always important to remember whatever our political differences.

In Honor Of May Day 2014-From The American Left History Blog Archives-All Out On May Day 2012: A Day Of International Working Class Solidarity Actions- An Open Letter To The Working People Of Boston From A Fellow Worker

 

 

All Out For May 1st-International Workers Day 2012!

Why Working People Need To Show Their Power On May Day 2012

Wage cuts, long work hours, steep consumer price rises, unemployment, small or no pensions, little or no paid vacation time, plenty of poor and inadequate housing, homelessness, and wide-spread sicknesses as a result of a poor medical system or no health insurance. I will stop there although I could go on and on. Sounds familiar though, sounds like your situation or that of someone you know, right?

Words, or words like them, are taken daily from today’s global headlines. But these were also similar to the conditions our forebears faced in America back in the 1880s when this same vicious ruling class was called, and rightly so, “the robber barons,” and threatened, as one of their kind, Jay Gould, stated in a fit of candor, “to hire one half of the working class to kill the other half,” so that they could maintain their luxury in peace. That too has not changed.

What did change then is that our forebears fought back, fought back long and hard, starting with the fight connected with the heroic Haymarket Martyrs in 1886 for the eight-hour day symbolized each year by a May Day celebration of working class power. We need to reassert that claim. This May Day let us revive that tradition as we individually act around our separate grievances and strike, strike like the furies, collectively against the robber barons of the 21st century.

No question over the past several years (really decades but now it is just more public and right in our face) American working people have taken it on the chin, taken it on the chin in every possible way. Start off with massive job losses, heavy job losses in the service and manufacturing sectors (and jobs that are not coming back except as “race to the bottom” low wage, two-tier jobs dividing younger workers from older workers like at General Electric or the auto plants). Move on to paying for the seemingly never-ending bail–out of banks, other financial institutions and corporations “too big to fail,” home foreclosures and those “under water,” effective tax increases (since the rich refuse to pay, in some cases literally paying nothing, we pay). And finish up with mountains of consumer debt for everything from modern necessities to just daily get-bys, and college student loan debt as a life-time deadweight around the neck of the kids there is little to glow about in the harsh light of the “American Dream.”

Add to that the double (and triple) troubles facing immigrants, racial and ethnic minorities, and many women and the grievances voiced long ago in the Declaration of Independence seem like just so much whining. In short, it is not secret that working people have faced, are facing and, apparently, will continue to face an erosion of their material well-being for the foreseeable future something not seen by most people since the 1930s Great Depression, the time of our grandparents (or, for some of us, great-grandparents).

That is this condition will continue unless we take some lessons from those same 1930s and struggle, struggle like hell, against the ruling class that seems to have all the card decks stacked against us. Struggle like they did in places like Minneapolis, San Francisco, Toledo, Flint, and Detroit. Those labor-centered struggles demonstrated the social power of working people to hit the “economic royalists” (the name coined for the ruling class of that day by their front-man Franklin Delano Roosevelt, FDR) to shut the bosses down where it hurts- in their pocketbooks and property.

The bosses will let us rant all day, will gladly take (and throw away) all our petitions, will let us use their “free-speech” parks (up to a point as we have found out via the Occupy movement), and curse them to eternity as long as we don’t touch their production, “perks,” and profits. Moreover an inspired fight like the actions proposed for this May Day 2012 can help new generations of working people, organized, unorganized, unemployed, homeless, houseless, and just plain desperate, help themselves to get out from under. All Out On May Day 2012.

I have listed some of the problems we face now to some of our demand that should be raised every day, not just May Day. See if you agree and if you do take to the streets on May Day with us. We demand:

 

*Hands Off Our Public Worker Unions! No More Wisconsins! Hands Off All Our Unions!

* Give the unemployed work! Billions for public works projects to fix America’s broken infrastructure (bridges, roads, sewer and water systems, etc.)!

*End the endless wars- Troops And Mercenaries Out Of Afghanistan (and Iraq)!-U.S Hands Off Iran! Hands Off The World!

* Full citizenship rights for all those who made it here no matter how they got here!

* A drastic increase in the minimum wage and big wage increases for all workers!

* A moratorium on home foreclosures! No evictions!

* A moratorium on student loan debt! Free, quality higher education for all! Create 100, 200, many publicly-supported Harvards!

*No increases in public transportation fares! No transportation worker lay-offs! For free quality public transportation!

To order to flex our collective bottom up power on May 1, 2012 we will be organizing a wide-ranging series of mass collective participatory actions:

*We will be organizing within our unions- or informal workplace organizations where there is no union - a one-day strike around some, or all, of the above-mentioned demands.

*We will be organizing at workplaces where a strike is not possible for workers to call in sick, or take a personal day, as part of a coordinated “sick-out”.

*We will be organizing students from kindergarten to graduate school and the off-hand left-wing think tank to walk-out of their schools (or not show up in the first place), set up campus picket lines, and to rally at a central location.

*We will be calling in our communities for a mass consumer boycott, and with local business support where possible, refuse to make purchases on that day.

All out on May Day 2012.

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Five in the morning, maybe five-thirty, still a bit dark due to the heavy rain falling as the dawn was ready to break and he was up and about. Today Frank Jackman was in charge of making sure that the materials, the equipment for today action, today’s May Day action, which had been planned for weeks got to the meeting place by the State Street Bank at the corner of Franklin and Congress in downtown Boston.

He had been working on the organizing committee for the event, an even that came with the imprimatur of the now somewhat faded Occupy movement. The task this day, this international workers holiday, was to do no less than shut down the banks, or rather in Boston a bank, the State Street, if possible. Thus he had come out of his Cambridge home with the materials, signs, mikes, food supplies and other necessities to get the crew expected to show up in proper spirit for the hard day ahead.

As he loaded up the car, made sure that everything on his list has been taken he noticed the rain getting heavier, not a good sign for turn-out from past experiences, especially early morning events, and most especially morning events where  young students and unaffiliated radicals were expected to attend. Still he thought in his most generation of ’68 mood the times called for the big actions in the year 2012 when all hell was being cast among working people and others and the banks, the banks that were central to the cause of the current economic malaise and for the moment a juicy target.

State Street Bank had its tentacles everywhere and was ripe for selection as the target for early morning mass action. The slogan “Close It Down” was on his mind as he headed over the Longfellow Bridge (damn when are they going to finish the never-ending construction on the thing it seems like years already) and to the underground parking facility on Congress where he would later ask for help unloading his materials. Yes, May Day, he had not felt this good about the day since that May Day down in Washington, D.C.in 1971 when they tried a bigger target-the whole freaking government- and got waylaid for their efforts.    

 

***Billie’s Fifteen Minutes of Fame-Bill Haley And The Comet’s Rock Around The Clock

From The Pen Of Frank Jackman

 

I, seemingly, have endlessly gone back to my early musical roots in reviewing a commercially- produced classic rock series over the past few years. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-58, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.

And we, we small time punk in the old-fashioned sense of that word, we hardly wet behind the ears elementary school kids, and that is all we were for those who are now claiming otherwise, listened our ears off. Those were strange times indeed in that be-bop 1950s night when stuff happened, kid’s stuff, but still stuff like a friend of mine, not Billie who I will talk about later, who claimed, with a straight face to the girls, that he was Elvis’ long lost son. Did the girls do the math on that one? Or, maybe, they like us more brazen boys were hoping, hoping and praying, that it was true despite the numbers, so they too could be washed by that flamed-out night.

Well, this I know, boy and girl alike tuned in on our transistor radios (small battery- operated radios that we could put in our pockets, and hide from snooping parental ears at will) to listen to music that from about day one, at least in my household was not considered “refined” enough for young, young pious you’ll never get to heaven listening to that devil music and you had better say about eight zillion Hail Marys to get right Catholic, ears. Yeah right, Ma, like Patti Page or Bob (not Bing, not the Bing of Brother, Can You Spare A Dime? anyway) Crosby and The Bobcats were supposed to satisfy our jail break cravings.

In many ways 1956 was the key year, at least to my recollection. And here is why. Elvis may have been burning up the stages, making all the teenage girls down South sweat, making slightly older women sweat and throw undergarments too, and every guy over about eight years old start growing sideburns before then but that was the year that I actually saw him on television and started be-bopping off his records. Whoa. And the same with Bill Haley and the Comets, even though in the rock pantheon they were old, almost has-been guys, by then. And Chuck Berry. And for the purposes of this particular review, James Brown, ah, sweet, please, please, please James Brown (and the Flames, of course) with that different black, black as the night, beat that my mother (and others too) would not even let in the house, and maybe not even in our whole white working- class neighborhood. But remember that transistor radio and remember when rock rocked.

Of course all of this remembrance is just so much lead up to a Billie story. You know Billie, Billie from “the projects” hills. William James Bradley to be exact. I told you about him once when I was reviewing a 30th anniversary of rock film concert segment by Bo Diddley. I told the story of how he, and we, learned first-hand down at the base, the nasty face of white racism in this society. No even music, and maybe particularly not even music, was excepted then from that dead of night racial divide, North or South if you really want to know. Yes, that Billie, who also happened to be my best friend, or maybe almost best friend we never did get it straight, in elementary school. Billie was crazy for the music, crazy to impress the tender young girls that he was very aware of, much more aware of than I was and earlier, with his knowledge, his love, and his respect for the music (which is where the innocent Bo Diddley imitation thing just mentioned came from although that story was later than the story I want to tell you now).

But see we were “projects kids,” and that meant, and meant seriously, no dough kids. No dough to make one look, a little anyway, like one of the hot male teen rock stars such as Elvis or Jerry Lee Lewis. Now this “projects” idea started out okay, I guess, the idea being that returning veterans from World War II, at least some vets like my father, needed a leg up in order to provide for their families. And low- rent public housing was the answer. Even if that answer was four-family unit apartment buildings really fit for one family, one growing three boy family anyway, and no space, no space at all for private, quiet dreams. Of course by 1955, ‘56 during the “golden age” of working- class getting ahead (or at least to many it must seem so now) there was a certain separation between those who had moved on to the great suburban ranch house dream land and those who were seemingly fated to end up as “the projects” fixtures, and who developed along the way a very identifiable projects ethos, a dog-eat-dog ethos if you want to know the truth. It ain’t pretty down at the base, down at the place where the thugs, drifters, grifters, and midnight sifters feed off the rough-edged working poor.

That didn’t stop Billie, or me for that matter, from having our like everybody else dreams, quiet spaced or not. In fact, Billie had during his long time there probably developed the finest honed-edge of “projects” ethos of anyone I knew, but that came later. For now, for the rock minute I want to speak of, Billie was distractedly, no beyond distraction as you will see, trying to make his big break through as a rock performer. See Billie knew, probably knew in his soul, but anyway from some fan magazine that he was forever reading that old Elvis and Jerry Lee (and many of the rockers of the day, black and white alike) were dirt poor just like us. Rough dirt poor too. Farm land, country, rural, shack, white trash, dirt poor which we with our “high style” city ways could barely comprehend.

And there was Elvis, for one, up in big lights. With all the cars, and not junkie old fin-tailed Plymouths or chromed Fords but Cadillacs, and half the girls in the world, and all of them “hot” (although we did not use that word then), or so it seemed. Billie was hooked and hooked hard on that rock star performer fantasy. It consumed his young passions. And for what purpose? If you answered to impress the girls, “the projects” girls right in front of him, hey, now you are starting to get it. And this is what this little story is about.

This was late 1956, maybe early 1957, anyway it’s winter, a cold hard winter in the projects, meaning all extra dough was needed for heat, or some serious stuff like that. But see here old Billie and I (as his assistant, or manager, it was never clear which but I was to be riding his star, no question) had no time for cold, for snow or for the no dough to get those things because what was inflaming our minds was that a teen caravan was coming to town in a few weeks. No, not to the projects, Christ no, but downtown at the high school auditorium. And what this teen caravan thing was (even though we were not officially teens and would not be so for a while) was a talent show, a big time talent show, like a junior American Bandstand television show, looking for guys and girls who could be the next teen heartthrobs. There were a lot of them in those days, those kinds of backwater talent shows and maybe now too.

This news is where two Billie things came into play so you get an idea of the kind of guy he was back then. First, one night, one dark, snowy night Billie had the bright idea than he and I should go around town and take down all the teen caravan announcement advertisements from the telephone poles and other spots where they were posted. We did, and I need say no more on the matter. Oh, except that a couple of days later, and for a week or so after that, there was a big full-page ad in the local newspaper and ads on the local radio. That’s one Billie thing and the other, well, let me back up.

When Billie got wind of the contest he went into one of his rants, a don’t mess with Billie or his idea of the moment rant and usually it was better if you didn’t, and that rant was directed first to no one else but his mother. He needed dough to get an outfit worthy of a “prince of rock” so that he could stand out for the judges. Moreover the song he was going to do was Bill Haley and The Comet’s Rock Around The Clock. I will say he knew that song cold, and the way I could tell was that at school one day he sang it and the girls went crazy. And some of the guys too. Hell, girls started following old Billie around. He was in heaven (honest, I on the other hand, was indifferent to them, or their charms just then). So the thought that he might win the contest was driving him mad (that same energy would be used later with less purpose but that story is for another day)

Hell, denim jeans, sneakers, and some old hand-down ragamuffin shirt from an older brother ain’t going to get anyone noticed, except maybe to be laughed at. Now, like I said, we were no dough projects boys. And in 1956 that meant serious problems, serious problems even without a damn cold winter. See, like I said before the projects were for those who were on the down escalator in the golden age of post-World War II affluence. In short, as much as he begged, bothered and bewildered his mother there was no dough, no dough at all for the kind of sparkly suit (or at least jacket) that Billie was desperate for. Hell, he even badgered his dad, old Billie, Senior, and if you badgered old Billie then you had better be ready for some hard knocks and learn how to pick yourself up off the ground, sometimes more than once. Except this time, this time something hit Old Billie, something more than that bottle of booze or six, hard stinky-smelling booze, that he used to keep his courage and television-watching up. He told Mrs. Billie (real name, Iris) that he would spring for the cloth if she would make the suit. Whoopee! We are saved and even Billie, my Billie, had a kind word for his father on this one.

I won’t bore you with the details of Mrs. Billie’s (there you have me calling her that, I always called her Mrs. Bradley, or ma’am) efforts on behalf of Billie’s career. Of course the material for the suit came from the Bargain Center located downtown near the bus terminal. You don’t know the Bargain Center? Sure you do, except it had a different name where you lived maybe and it has names like Wal-Mart and K-Mart, etc. now. Haven’t you been paying attention? Where do you think the material came from? Brooks Brothers? Please. Now this Bargain Center was the early low- rent place where I, and about half the project kids got their first day of school and Easter outfits (the mandatory twice yearly periods for new outfits in those days). You know the white shirts with odd-colored pin-stripes, a size or two too large, the black chinos with cuffs, christ with cuffs like some hayseed, and other items that nobody wanted someplace else and got a second life at the “Bargie.” At least you didn’t have to worry about hand-me-downs because most of the time the stuff didn’t wear that long.

I will say that Mrs. B. did pretty good with what she had to work with and that when the coat was ready it looked good, even if it was done only an hour before the show. Christ, Billie almost flipped me out with his ranting that day. And I had seen some bad scenes before. In any case it was ready. Billie went to change clothes upstairs and when he came down everybody, even me, hell, even Old Billie was ooh-ing and ah-ing. Now Billie, to be truthful, didn’t look anything like Bill Haley. I think he actually looked more like Jerry Lee. Kind of thin and wiry, lanky maybe, with brown hair and blue eyes and a pretty good chin and face. I would say now a face that girls would go for; although I am not sure they would all swoon over him, except maybe the giggly ones.

So off we go on the never on time bus, a bus worthy of its own stories, to downtown and the auditorium, even my mother and father who thought Billie was the cat’s meow when I brought him around. Billie’s father, Old Billie of the small dreams, took a pass on going. He had a Friday night boxing match that he couldn’t miss and the couch beckoned (an argument could be made that Old Billie was a man before his time in the couch potato department). However all is forgiven him this night for his big idea, and his savior dough. We got to the school auditorium okay and Billie left us for stardom as we got in our rooting section seats. A few minutes later Billie ran up to us to tell us that he was fifth on the list so don’t go anywhere, like out for a cigarette or something.

We sat through the first four acts, a couple of guys doing Elvis stuff (so-so) and a couple of girls (or rather trios of girls) who did some serious be-bop stuff and had great harmonies. Billie, I sensed, was going to have his work cut out for him this night. Finally Billie came out, prompted the four-piece backup band to his song, and he started for the mike. He started out pretty good, in good voice and a couple of nice juke moves, but then about half way through; as he was wiggling and swiggling through his Rock Around The Clock all of a sudden one of the arms of his jacket fell off and landed in the front row. Billie didn’t miss a beat. This guy was a showman. Then the other jacket arm fell off and also went into the first row. Except this time a couple of swoony girls, girls from our school were tussling, seriously tussling, each other for it. See, they thought it was part of Billie’s act. And what they didn’t know as Billie finished up was that Mrs. Billie (I will be kind to her and not call her what Billie called her) in her rush to finish up didn’t sew the arms onto the body of the jacket securely so they were just held together by some temporary stitches.

Well, needless to say Billie didn’t win (one of those girl trios did, and rightly so, although I didn’t tell Billie that). But next day, and many next days after that, Billie had more girls hanging off his arms than he could shake a stick at. And you know maybe Billie was on to something after all because I started to notice those used-to-been scrawny, spindly-legged, pigeon-toed giggling girls, their new found bumps and curves, and their previously unremarkable winsome girlish charms, especially when Billie would give me his “castoffs.” So maybe his losing was for the best. My “for the best.”

 

***The Roots Is The Toots-The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night

 

 

 

Peter Paul Markin comment on this series:

 

I recently completed the first leg of this series which is intended to go through different stages of the American songbook as it has evolved since the 19^th century, especially music that could be listened to by the general population through radio, later television, and more recently the fantastic number of ways to listen to it all. That first leg dealt with the music of my parents’ generation, that being the parents of the generation of ’68, those who struggled through the Great Depression of the 1930s and World War II in the 1940s. This leg, centered on the music of my generation growing up in the Cold War 1950s, is a natural progression from that first leg since a lot of what we were striving for was to make a big musical break from the music that was wafting through many of our houses in the early 1950s. The music of our “square” parents which was driving us to desperation for a new sound just in case those threatened bombs that we kept being warned about actually were detonated. At least that musical jail-break is the way we will tell the story now, although I, for one, have a little more tolerance for some of their music. Some, I said, since I am unabashedly a child of rock and roll.   

Whether we liked it or not, whether we even knew what it meant, or frankly, during that hellish growing up absurd teenager time in the 1950s trying to figure out our places, if any, in the cold war red scare world, if there was to be a world, and that was a close thing at times, or whether we cared, our tribal music was as dear a thing to us, who were in the throes of finding our own very different musical identities. Whether we knew it or not in the big world- historic picture scheme of things, knew what sacred place the music of the 1950s, rhythm and blues, scat be-bop, rockabilly, doo wop, flat out pure rock and roll, those tunes held a primordial place in our youthful hearts. That was our music, our getting through the tough times music of post-World War II teen alienation and angst, that went wafting through the house on the living room radio (when the parents were out), on the family record player (ditto on the parents), or, for some, the television (double ditto the parents out, especially when American Bandstand hit us like a hurricane), and best of all on that blessed transistor radio that allowed us to while away the time up in our rooms away from snooping parental ears. Yes, that was the pastime of many of those of us who constitute the now graying fading generation of ‘68.

Some of us will pass to the beyond clueless as to why we were attuned to this music when we came of age in a world, a very darkly-etched world, which we too like most of our parents had not created, and had no say in creating. That includes a guy, me, a coalminer’s son who got as caught up in the music of his time as any New York City Jack or Jill or Chi town frill whose father busted out of the tumbled down tarpaper shacks down in some Appalachia hills and hollows, headed north, followed the northern star and never looked back and neither did his son.

Yes we were crazy for the swing and sway of Big Joe Turner snapping those big fingers like some angel- herald letting the world know,  if it did not know already, that it did not mean a thing, could not possibly matter in the universe, if you did not Shake, Rattle, and Roll, if you did not rock with or without Miss LaVern Baker, better with, better with, her hips swaying slightly, lips moistened, swirling every guy in the place on Jim Dandy vowing be her man just for that smile and a chance at those slightly swaying hips. Mr. Elvis Presley, with or without the back- up boys, better with, belting out songs, knocking down walls, maybe Jericho, maybe just some teen-struck Starlight Ballroom in Kansas City blasting the joint with his Jailhouse Rock to the top of the charts. Elegant Bill Haley, with or without that guy blowing that sexy sax out into the ocean air night in some Frisco club, blowing out to the Japan seas on Rock Around The Clock. Bo Diddley, all banded up if there is such a word, making eyes wild with that Afro-Carib beat on Who Do You Love. A young Ike Tina-less Turner too with his own aggregation wailing Rocket 88 that had every high school girl throwing dreamy nickels and dimes into the jukebox, with or without fanfare. Buddy Holly, with or without those damn glasses, talking up Peggy Sue before his too soon last journey. Miss Wanda Jackson, the female Elvis, with or without the blues, personal blues, strung out blues too, singing everybody else’s blues away with that throaty thing she had, that meaningful pause, on yeah, Let’s Have A Party. Miss (Ms.) Patsy Cline, with or without the bad moments, making grown men cry (women too) when she reached that high note fretting about her long gone man on She’s Got You, Jesus. 

Miss (Ms.) Brenda Lee too chiming in with I’m Sorry. Mr. Jerry Lee Lewis doing a million songs fronting that wild piano off the back of a truck in High School Confidential calling out to anybody who wanted to rise in that rocking world, with or without a horde of cashmere sweater girls breaking down his doors, putting everybody else to shame. The Everly Brothers, always with that soft -spoken refrain catch that nobody seemed to tire of, doing teary Wake Up Little Susie. The Drifters with or without those boardwalks. The Sherilles with or without the leader of the pack, the Dixie Cups with or without whatever they were doing at that chapel. Miss Carole King, with or without the boys, writing the bejesus out of Tin Pan Alley. Yeah, our survival music. 

We, the generation of ’68, baby-boomers, decidedly not what Tom Brokaw dubbed rightly or wrongly “the greatest generation,” decidedly not our parents’ generation, finally could not bear to hear their music, could not bear to think anybody in the whole universe would think that stuff was cool. Those of us who came of age, biological, political, and social age kicking, screaming and full of the post-war new age teenage angst and alienation in the time of Jack Kennedy’s Camelot were ready for a jail-break, a jail-break on all fronts and that included from “their song” stuff. Their staid Eisenhower red scare cold war stuff (he their organizer of victory, their gentile father Ike), hell, we knew that the world was scary, knew it every time we were forced to go down into some dank school basement and squat down, heads down too, hoping to high heaven that the Russkies had not decided to go crazy and set off “the bomb,” many bombs. And every righteous teenager had a nightmare that, he or she, was trapped in some fashionable family bunker and those loving parents had thoughtfully brought their records down into the abyss to soothe their savage beasts for the duration. Yelling in that troubled sleep please, please, please if we must die then at least let’s go out to Jerry Lee’s High School Confidential.  

We were moreover, some of us any way and I like to think the best of us, driven by some makeshift dreams, ready to cross our own swords with the night-takers of our time, and who, in the words of Camelot brother Bobby, sweet ruthless Bobby of more than one shed tear, quoting from Alfred Lord Tennyson, were “seeking a new world.” Those who took up the call to action heralded by the new dispensation and slogged through the 60s decade whether it was in the civil rights/black liberation struggle, the anti-Vietnam War struggle or the struggle to find one’s own identity in the counter-culture swirl before the hammer came down were kindred. To the disapproval, anger, and fury of more than one parent who had gladly slept through the Eisenhower times. And that hammer came down quickly as the decade ended and the high white note that we searched for, desperately searched for, drifted out into the ebbing tide. Gone. But enough of that for this series is about our uphill struggles to make our vision of the our newer world, our struggles to  satisfy our hunger a little, to stop that gnawing want, and the music that in our youth  we dreamed by on cold winter nights and hot summer days.

***********

With Warren Smith’s Rock and Roll Ruby In Mind  

 

…he knew, knew deep in his bones, knew on the face of it too that he could not keep her, keep her to himself, keep her settled down and so he accepted that she would blow away like the wind on him sometime and it was just a matter of how long he could keep her. It hadn’t started out that way, at least he did not see it like that at the beginning, see that she was a wayward wind, see that she had deeply imbibed the new wave coming across the continent. They had met conventionally enough senior year at old North Adamsville High, had responded to each other’s furtive glances in Miss Williams’ study hall, had danced around each other at Doc’s Drugstore where all the kids hung out after school to listen the latest music, their music juke box and had finally gone out on a double date (he without car at the time) at the local drive-in theater where she, sitting in the back seat with him, surprised him with her sexual advances. Stuff that he wasn’t all that familiar with but which he liked and which she knew that he liked. When he asked her about it later, not that night but a couple of weeks later, she just said girls knew stuff like that and she had learned it from her first boyfriend who was older. He let it pass.  And so they were an “item” that last year of school.   

Then the music at Doc’s jukebox changed, got more charged, frankly, got more sassy and sexual far different from their parents’ sappy sentimental stuff that didn’t get anybody’s heart rate up. And she changed, well maybe not so much changed as got caught up in the new dispensation, the new moves. When they went on dates it wasn’t to the movies or to some restaurant but to Smiley’s Bar& Grille on the outskirts of town where old Smiley had a hot new cover band, the Rocking Rockets, playing all the latest big beat stuff from guys like Warren Smith with his Rock ‘n’ Roll Ruby that she flipped out on. Not that she, like Warren said, would dance on the tables and stuff like that but that she would dance with lots of guys, would be flirty, tease flirty right before his eyes. When he questioned her on it she just said “don’t be a square, daddy” and refused to discuss it further. And some nights when he called her mother answered to say she was not home, had gone out with the girls, or something like that. Yeah, he knew deep in his bones …       

********

…he had changed, changed too much for her tastes, changed into a “square” just like all the parents in town and all the kids who didn’t want to have fun and just be like them and so she knew, sooner or later she was not sure which, she would have to drop him, drop him for somebody who was fun. The problem was that in square old North Adamsville that someone who was fun had not passed her door, but she had hopes. In the meantime she thought she would stick with old gloomy Gus him as he fretted his life away when she started swaying when the juke-box played some hot, latest rock and roll tune or the cover band at Smiley’s started her dancing to the beat on something like Warren Smith’s Rock ‘n’ Roll Ruby.

Funny, as she thought back to that time a little over a year before when they had eyed each other in Miss Williams’ study hall that she was then attracted to his easy manner, his sly boyish-ness which she thought she could talk him out of with a little coaxing (he had made her laugh when after they became an “item” he said that the eyeing had really been furtive glances-he said funny things like that then). They had not spoken a word until they had spent what seemed like a lifetime dancing around each other at Doc’s Drugstore where he put in endless nickels and dimes in the juke-box and then just sat there dreamy-eyed looking at her until she said enough and went over to him and stood right in front of him and dared him to ignore her with her look. He had surrendered easily enough and they became an “item” after a subsequent drive-in movie date where she had shown him a few things in the back seat of her friend Debbie’s boyfriend’s car. He liked her doing that stuff and she knew he liked her doing that stuff although he was a very shy boy for the first few times. So this was how they had spent their last year of school together in some kind of bliss.

Things changed though, changed when a new breeze came through the town, when Doc’s juke-box started to almost jump off the walls what with the latest rock tunes coming one right after another. But he did not catch on, wanted to stay mired in his parents’ music and so the frets began-his about marriage and settling down, hers about having fun rocking the night away. The worse times had been when  they went to Smiley’s, the hot-spot bar on the outside of town and who had plenty of booze and bop and guys who eyed her, maybe not shy furtively like he had but eyed her like they wanted to have a good time, wanted to have fun rather mope around and be square. He would just sit there and be mopey while she danced with a few guys, a couple of whom she had given her telephone number to although they had not worked out. She got to telling her mother sometimes that when he called to tell him she was out and that she didn’t know when she would be back.  Even when, like this night, she was just sitting up in her room waiting for a new guy who had danced her off her feet the night before was supposed to call and maybe, just maybe, want to have fun …     

***********

 "Rock And Roll Ruby"

Well I took my Ruby jukin'
On the out-skirts of town
She took her high heels off
And rolled her stockings down
She put a quarter in the jukebox
To get a little beat
Everybody started watchin'
All the rhythm in her feet

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

Now Ruby started rockin' 'bout one o'clock
And when she started rockin'
She just couldn't stop
She rocked on the tables
And rolled on the floor
And Everybody yelled: "Ruby rock some more!"

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

It was 'round about four
I thought she would stop
She looked at me and then
She looked at the clock
She said: "Wait a minute Daddy
Now don't get sour
All I want to do
Is rock a little bit more"

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

One night my Ruby left me all alone
I tried to contact her on the telephone
I finally found her about twelve o'clock
She said: "Leave me alone Daddy
'cause your Ruby wants to rock"

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

Rock, rock, rock'n'roll
Rock, rock, rock'n'roll
Rock, rock, rock'n'roll
Rock, rock, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

 

***Laura’s Look- With Roger McGuinn’s “The Lady” In Mind

 

From The Pen Of Frank Jackman

 

…she, Laura she, sat up on the stage, altar or whatever they called it in U-U church land over in Waterville that cold winter night (Universalist-Unitarian showing an interesting weave of Protestant schism when they joined declining forces about forty or fifty years ago and always at the ready for the good of the cause from folk concerts to anti-war struggles), waiting to do angel-voiced back up harmony with her friend and musical companion on a selection of one of that friend’s homemade songs. He, Peter Paul Markin, could tell, tell even from a row in the audience about four or five back, that she had that faintly determined look, that certain tightening of her jaw when she was a little bit nervous about doing some task to perfection. He called that look her “swimming stroke” look, the look he would notice most graphically when she did her little doggie paddle in some sunny land swimming pool in California or Florida and was determined to get from point A to point B in the pool on her own terms come hell or high water. That look however this night was not the look that he was focused on as he got ready to do his sound check, his own personal sound check of her performance. No, that check was not some technician’s sound system gismo affair, far from it, he would not know step one of such a procedure, and would in any case be waved off, decidedly waved off, by knowing hands if he tried anything so rash. He merely lowered his head during the performance, put his elbows on his knees, placed his hands on his eyes and closed them. And listened.

 

And it was while he was doing that ritual listening, listening to get his ear tuned in to that angel thing she beamed out to the world, that he thought about other looks, looks that counted, counted a lot in her favor, the ones that made him glad, glad as hell, that he was sitting in just that fourth or fifth row seat that night, and other nights too for that matter. The look he was thinking about had started way back when he first met her, first met her in some Harvard Square gin mill, all smoky and dark enough to hide in for listening to the live music, mostly country rock in his country minute days, old Johnny Fleet’s, long gone now, of blessed memory, when he, she too, was looking, looking for something to take the curse out of the night, something to hold onto, hold onto tight, in a ramshackle world, a world neither of them had created, and certainly had not been asked about creating either.  That night, the night they met (or “re-met” but that has nothing to do with looks and so is a story for another time), they sat together at the bar, fumbling a little at first to say things that made sense like a lot of people, like a lot sensitive or shy people, like a lot of waifs in this wicked old world do.

 

What he noticed was that she would look straight at him when he had something to say, would look at him with a slight whisper of a smile, her headed at a certain angle like she was urging him to go on with what he had to say. Like what he had to say, important or not, was the most important thing for her to hear in the whole wide world. There is a picture of her with that look, or the instant photographic  representation of that look, on the wall of her dining room, taken up in some desolate summer music camp in New Hampshire that she love-hate’s to attend each summer in order stay connected to her muses. With a pinkish orange summer sleeveless blouse on and sporting a slight summer tan which made a lady not born for colds more perky anyway she gave off that look aura, a picture Peter Paul never tired of peeking at when he wanted  think about that look.  That is the look that intrigued him, held him to her that first night, and many nights thereafter, and still held him.                   

 

And that “still held him” was what took up most of Peter Paul’s thoughts after he flashed on that look. He would, and gladly, harness himself to the work, spent an eternity trying to figure out how a woman who had had her fair share of miseries growing up, growing up in some foreboding upstate New York farming community with farm-centered (he was being kind here) parents, her fair share of feeling like the odd-person out as a result, her fair share of never feeling quite good enough, her fair share of hurts and slights could rear back and kiss the world of those around her like that. Then he thought about her struggles to find herself over her life, her eternal search for some mystical connection, some one-ness with universe, some sense of purpose and some late-found written expression of that search through her music, her simple sweet mama music. And it dawned on him then that that mystical search, a search that he, more prosaic and this worldly-driven, could not take, was what produced that world user-friendly look.

 Oh yah, her performance that night, that head-in-hands night. Weren’t you listening before? I said angel-voiced back-up, didn’t I- if angels had voices, and if they were capable of that winsome look.