Saturday, December 20, 2014

First Night Against the Wars: Stop Bombing Syria and Iraq

Stop Bombing Syria & Iraq
Ring in the new year -- with a spirited rally against a new war!
Our war in Iraq destroyed that country and triggered the creation of ISIS.
Who knows what death and calamities our government’s bombing of Syria and Iraq might lead to -- unless we stop it!
President Obama is seeking Congressional authorization to bomb ISIS not only in Iraq and Syria – but anywhere he wants.
Join us on

New Year’s Eve 2014

for a First Night peace rally

anytime noon to 6pm

Copley Square, Boston

Dartmouth street side of Boston Public Library

Bring your signs or help hold our banners
 
After 6pm we will join in the First Night Parade with banners & signs

Humor for Humanity! Jimmy Tingle January 3

Jimmy Tingle: Humor for Humanity
Dear friends,
Join Timmy Tingle at Harvard's Sanders Theater on Saturday, January 3 for an evening of comedy and commentary that benefits Massachusetts Peace Action Education Fund!
Brown Paper Tickets
From 60 Minutes II and MSNBC, comedian and commentator Jimmy Tingle captures the sweet spot between Jon Stewart and Jay Leno. His unique brand of topical yet timeless comedy is as insightful as it is hilarious. Jimmy Tingle will make you laugh, make you think, and make you feel better. Clean, funny intelligent humor for all audiences.
Humor for Humanity is an evening of comedy, commentary and conversation with comedian Jimmy Tingle. Join Massachusetts Peace Action for a fun social evening which also benefits Massachusetts Peace Action Education Fund!
Mingle with Tingle: Post-show reception included with Premium Seating tickets. Join us for the post show meet & greet in the Queens Head Pub on the ground floor of Memorial Hall. It will feature complimentary appetizers, cash bar and the family, friends and fans of Sanders Theatre and Jimmy Tingle. We hope you can make it!
Brown Paper Tickets
General admission tickets $35
Reserved Seats Mezzanine $50
Orchestra Premium (Wheelchair Accessible) $80
Purchase tickets online.  Or make check payable to Massachusetts Peace Action Education Fund, write “Tingle” on memo line, and mail to 11 Garden St, Cambridge, MA 02138 (must arrive by Dec. 31). Or call 617-354-2169 to reserve your seats with a credit card.  A portion of the ticket price is tax-deductible!
*Please note FREE PARKING is available at the Broadway Garage, 7 Felton St., with your ticket stub.
DINNER/SHOW DISCOUNTS:10% off the food portion of your bill with ticket stub at  Grendel’s Den, Hong Kong Restaurant Daedalus, and Grafton Street Pub & Grille .
Cole Harrison Because sometimes all you can do is laugh!
Cole Harrison
Executive Director
Massachusetts Peace Action
 

***He and She-With Warren Smith’s Rock and Roll Ruby In Mind  
 
 
 
A Sketch From The Pen Of Frank Jackman
 
…he knew, knew deep in his bones, knew on the face of it too that he could not keep her, keep her to himself, keep her settled down and so he accepted that she would blow away like the wind on him sometime, that same wind would take her away as the one on which they had proclaimed, or maybe better he had proclaimed and she went along with, that their love was written on, and it was just a matter of how long he could keep her. It was not that he was perceptive about women and their needs, wants, desires, nothing like that, not women in any case, girls really since he did not know anything at all about women who were older than say twenty, twenty-one except relative women, mothers, aunts, grandmothers and what was there to know about them to help him, help him with a wild side woman they all placid and proper, or about anything like that. And even on the girl thing he was filled with as much mystery and awe as with any real knowledge, his knowledge like everybody else, every guy, in town acquired on the street, in the boys’ sports locker rooms, and on the corner when he hung out with guys, or did before she took up his time but a lot of that was just flat-out wrong, half church-truth, half-just getting it wrong, about what made them tick, and about how to hang onto them.

And it was not like he could lay claim to as a wet-behind-the ears high school kid trying to survive in the doldrums 1950s some inside knowledge about what was going to happen when his generation, the generation which would post-war born be called baby boomers and who would not fall into the false security, or at least he did not think that then, that their from hunger parents craved, broke out of the straitjacket but he just knew that she was like the wind and would get caught up in everything that was breezing across the land. He knew in his knotted stomach that what was happening in the cold war red scare night could not be the end of things, the end of the world and that when the time came for the break-out all hell would break loose. She would imbibe, joyfully imbibe the “newer world” was the way she put it to him one night when she wanted to go to a dance and he wanted to just hold hands or something at the movies (they went to the dance and she danced like Fred Astaire going up the walls in some movie they had seen), everything that was coming whether about ways of getting high not just the illicit liquor but some drugs that were beginning to make their way into the neighborhoods among the hipped; ways of dressing, especially ways of dressing sexy without old prudes scolding or guys leering; ways of dancing, dancing free from the old forms; and ways of hearing the music that always seemed to exist in her head just below the surface of what drove her personality.   

Him, well, he was what she called when she was angry at him when he would not dance, wanted to square parent hold hands, or got mad when she did dance with other guys or he was smothering her with his forever plans (her take, not his) a “square.” Jesus, a square and with his strict Jehovah upbringing and his “get out of from hunger and get ahead dreams” maybe he was. He knew that he would not be able to go with her when she broke out, knew that for sure. Knew from that one time some guy at a dance at the Surf Ballroom down by the beach gave them a couple of shots of rotgut Southern Comfort which she dug and on which he just threw up, knew that other time in downtown Boston when some college guy was giving her the once over and passed them a “joint” (marijuana for the squares like him) and she got all high and flirty (and he did too except he could not go with the flow of the thing); knew when she started wearing her dresses shorter showing her well-turned legs and challenging guys to look; knew when she got all esoteric in her dancing like she was of the she with the seven veils; knew that when she began to dig electric blues and some helter-skelter hipster jazz, that he would not be able to go with her. No question.       

It hadn’t started out that way, at least he did not see it like that at the beginning, see that she was a wayward wind, see that she had the desire to  deeply imbibe the new wave coming across the continent. That wind born of the wild reckless feckless boys sunk knee-deep in alienation and angst, of outlaw motorcycle bikers who played for real and played rough, of surf city guys searching for perfect waves with golden-haired girls waiting patiently on shore for that event, of hot rod Lincoln “chicken run” guys with boffo girls sitting high-breasted wearing cashmere sweaters in that coveted passenger seat turning the radio dial reaction against the staid Great Depression and World War II parents’ generation search for the security blanket in a hostile red scare Cold War world where they, the parents, just wanted their Johnny coming home from the war music, big Cadillac, two car garage with two cars and stardust memories.

You know what he meant, don’t you, the undefined but vital mood change that started when Elvis and a bunch of other hungry guys [and a few women like Wanda Jackson and Laverne Baker] ripped it up with a new sound, a new not your parents’ tinny sound, but blessed, no, twice blessed rock and roll. And then other guys, other be-bop guys who had been around but were just then getting noticed called the beat, called the beat down to rise up and play themselves true, no hassles man, no hassles. All under the umbrella of dropping that dragged out, square, red scare cold war night thing the ancients had everybody stirred up about. Yeah and all their old has-been crowd. A little later, in Billy and Jenny time, the he and she here to introduce them but they could have been any of ten thousand kids hooked on the visual bible of the new religion American Bandstand, standing on corners looking be-bop beat, or throwing nickels and dimes at some Doc’s Drugstore jukebox complete with soda fountain to abate hungers in order to hear the latest about twenty times the music changed up again, and square was nowhere to be. Billy sensed it, sensed before Jenny even but he with ten thousand worries in his head blew it off, called it at first a passing fad then got real scared when his Jenny got testy with him more often.       

They had met conventionally enough in senior year at old North Adamsville High, although they had seen each other around for ages as most of the kids in town had been at endless school assemblies, rallies, dances together but what of that in teen life had, for as such things go, they had not paid particular attention to kids they knew for ages, or kids that were not in their clique.. Had moreover grown up together on the wrong side of the tracks and wore a few scars to prove it although mostly they just acknowledged the slights from the Brahmins, noticed the no nods, the no look of approval, their slightly under-cool cheap Bargain Center dressing against the latest hip thing from Filene’s or Macy’s and didn’t talk about it thinking it was uncool to talk about roots, about yesterday, about anything but the moment, and Billy all bunched up about the future.

Something clicked though in that senior year as they both had responded to each other’s furtive glances in Miss Williams’ study hall, had furtively danced around each other at Doc’s Drugstore where all the kids hung out after school to listen the latest music, their music juke box, and had finally gone out on a double-date (he without a car at the time and so they had doubled up with her girlfriend Terry in her beau’s car, a “boss” Chevy since that beau was out of school and working as a welder down at the shipyard) at the local drive-in theater where she, sitting in the back seat with him, surprised him with her sexual advances.

Stuff that Billy wasn’t all that familiar with but which he liked and which she knew that he liked. He, at least, was embarrassed when Terry and Eddie kept telling them to quiet down a little while Jenny was doing her thing on him. She on the other hand just to show how wild she could be if provoked took that as a signal to make him go   crazier. Terry later told Jenny there would be no more double-dates after she told her that Eddie had asked her to do what he called “doing the Jenny” on him before he left her off at her house. Terry said she did not know how to do that mouth thing and refused him flat when he said he would show her how. Jenny told Billy later after she had taught Terry the technique and Eddie coaxed her into doing it one afternoon after school she would chide Terry with a little “so did you do the Terry” again Saturday night down at the beach when they compared notes on their respective weekends before school on Monday morning. Somehow that “do the Terry” got around school and when Terry dumped Eddie guys would try to coax her into it. Sometimes yes, sometimes no. That is when Billy and Jenny would go back to double-dating with whatever new beau with a car that Terry had.

Yeah, Billy liked it, liked it like any guy would, especially since Jenny was one of the prettiest girls in class and had a reputation for being kind of “unapproachable.”  (Billy later found out it was not so much the stuck-up thing as that she had been dating a college guy and at that time was strictly under his sway after they had a few sexual experiences which had kind of loosened her up. Joe College eventually took off with some girl from some college in Michigan once he was done with Jenny.) Yeah, he liked it but also thought to himself that night and the several other nights Jenny and he found themselves in some secluded spot on the beach (the Squaw Rock end not the Seal Rock end where parents and young kids hung out) when she did her thing to him, those times when she got all loud and screamy when he touched her where had she picked up that knowledge of what made a guy moan (and a girl all screamy). When he asked her about it later, not any of the nights when they were alone down the beach but a couple of weeks later, she just said girls knew stuff like that and she had learned it from her first boyfriend (that Joe College) who was older. Said that older guys, older guys who had been out in the world, guys who knew how to turn a woman on, and who expected to be turned on showed girls like her what was what. He let it pass.  So they were an “item” that last year of school and many a Monday morning before school when the other guys were speaking of so-called weekend conquests by the billion he just smiled a knowing silent smile.   

Then, a couple, a few years out of high school, Billy working taking a few classes at the local junior college at night, Jenny working a couple or three nights a week as a high end restaurant waitress, the music at Doc’s jukebox changed, got more charged, frankly, got more sassy and sexual far different from their parents’ sappy sentimental stuff that didn’t get anybody’s heart rate up. And Jenny changed, well maybe not so much changed as got caught up in the new dispensation, the new moves. When they went on dates then it wasn’t to the movies or to some restaurant but to Smiley’s Bar & Grille on the outskirts of town where old Smiley had a hot new cover band, the Rocking Rockets, playing all the latest big beat stuff from guys like Warren Smith with his Rock ‘n’ Roll Ruby that she flipped out on. Not that she, like Warren said, would dance on the tables and stuff like that but that she would dance with lots of guys, would be flirty, tease flirty right before his eyes. When he questioned her on it she just said “don’t be a square, daddy” and refused to discuss it further. And then it began. Some nights when he called her mother answered to say she was not home, had gone out with the girls, or something like that. Yeah, he knew deep in his bones …       

********

…he had changed, Billy had changed too much for her tastes, changed into a “square” just like all the parents in town and all the kids who didn’t want to have fun and just be like them, be like their parents and worry like Billy’s parents’ Jehovah worried about the new devil’s music coming on the scene to replace, square, square Pat Boone and those clowns. Billy, Jesus, Billy worrying and just barely out of high school about some house, kids, dogs and two cars. Funny though he never complained, not one word, when she did her thing, her “doing the Jenny” thing they laughingly called it when they were in that mood, with him down at the beach. Oh, he asked, Jehovah hypocrite asked where she learned how to satisfy a man but he never asked her to stop but just moaned like every other man. She had learned all about sex from a college guy she had been dating before Billy when she was in high school but who had ditched her for some college girl from Michigan. Had done a couple of sexy turn on one-night stands with some other college guys before latching onto Billy who she suddenly became attracted to senior year when they shared a study class together and she kept taking furtive glances his way until they began talking to each other after school at Doc’s Drugstore, the one place in town which had an up-to-date jukebox and a soda fountain, and that was that.

He was fun at first, fun when she did her thing with him and he got all soft and stuff and she could have gotten anything she wanted from him. Then he started on his ten million plans for them. So she knew, knew sooner or later she was not sure which, she would have to drop him, drop him for somebody who was fun, who liked what she did and didn’t act the hypocrite about it. Hell, in one of her fantasy moments maybe drop him for the first guy who wanted to dance with her close and fast, maybe had some reefer or Scotch and didn’t ask forever how she knew what she knew about sex and just enjoy it (and enjoy her).

The problem was that in square old North Adamsville that someone who was fun and the rest had not passed her door, but she had hopes. In the meantime she thought she would have to stick with old gloomy Gus as he fretted his life away.  As long as he kept his mouth shut  when she started swaying when the juke-box played some hot, latest rock and roll tune or the cover band at Smiley’s started her dancing to the beat on something like Warren Smith’s Rock ‘n’ Roll Ruby. Started guys looking through Billy her way too, and licking their chops.

Funny, as she thought back to that time a little over a year before when they had eyed each other in Miss Williams’ study hall that she was then attracted to his easy manner, his sly boyish-ness which she thought she could talk him out of with a little coaxing (he had made her laugh when after they became an “item” he said that the eyeing had really been furtive glances-he said funny things like that then). They had not spoken a word until they had spent what seemed like a lifetime dancing around each other at Doc’s Drugstore where he put in endless nickels and dimes in the juke-box and then just sat there dreamy-eyed looking at her until she had said enough and went over to him and stood right in front of him and dared him to ignore her with her look. He had surrendered easily enough and they became an “item” after a subsequent drive-in movie date where she had shown him a few things in the back seat of her friend Terry’s boyfriend’s car. He liked her doing that stuff and she knew he liked her doing that stuff although he was a very shy boy for the first few times. So this was how they had spent their last year of school together in some kind of bliss.

Things changed though, changed a couple of years later when a new breeze came through the town, when Doc’s juke-box started to almost jump off the walls what with the latest rock tunes coming one right after another. But Billy did not catch on, wanted to stay mired in his parents’ music and so the frets began-his about marriage and settling down, hers about having fun rocking the night away. The worse times had been when  they went to Smiley’s, the hot-spot bar on the outside of town where there was plenty of booze and bop and guys who eyed her, maybe not  furtively shy like Billy had  but eyed her like they wanted to have a good time, wanted to have fun rather mope around and be square. He would just sit there and be mopey while she danced with a few guys, a couple of whom she had given her telephone number to although they in the end had not worked out. She began telling her mother sometimes that when Billy called to tell him she was out and to tell him that she didn’t know when she would be back.  Even when, like this night, she was just sitting up in her room waiting for a new guy who had danced her off her feet the night before who said he would definitely call and maybe, just maybe, want to have fun …     

***********

 "Rock And Roll Ruby"

Well I took my Ruby jukin'
On the out-skirts of town
She took her high heels off
And rolled her stockings down
She put a quarter in the jukebox
To get a little beat
Everybody started watchin'
All the rhythm in her feet

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

Now Ruby started rockin' 'bout one o'clock
And when she started rockin'
She just couldn't stop
She rocked on the tables
And rolled on the floor
And Everybody yelled: "Ruby rock some more!"

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

It was 'round about four
I thought she would stop
She looked at me and then
She looked at the clock
She said: "Wait a minute Daddy
Now don't get sour
All I want to do
Is rock a little bit more"

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

One night my Ruby left me all alone
I tried to contact her on the telephone
I finally found her about twelve o'clock
She said: "Leave me alone Daddy
'cause your Ruby wants to rock"

She's my rock'n'roll Ruby, rock'n'roll
Rock'n'roll Ruby, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

Rock, rock, rock'n'roll
Rock, rock, rock'n'roll
Rock, rock, rock'n'roll
Rock, rock, rock'n'roll
When Ruby starts a-rockin'
Boy it satisfies my soul

 
Finally The Last Of The Cuban Five Are Free- Next Steps -End The Blockade Now! U.S. Out Of Guantanamo Now!



A link to the National Committee to Free the Five website

http://www.freethefive.org/

Frank Jackman comment:

Those of us who have for the past several years been pushing hard to gain freedom for the heroic Cuban Five who did their duty as they saw it to defend the gains of the Cuban Revolution greet the latest change in American foreign policy and freedom for the remaining imprisoned Five with a great deal of satisfaction. We can also note that the normalization of diplomatic relations is welcome after an incredible and fruitless denial of reality by the American government for the past fifty-five years. There are still some issues that are not clear yet about the parameters of the deal and certainly about a Congressionally-mandated the end of the economic blockade and about the pressing issue of returning Guantanamo to Cuban sovereignty. That said I have today updated a blog entry from several years ago which describes this writer’s relationship to the Cuban Revolution.    

For The Final Time- The Defense Of The Cuban Revolution Begins With The Defense Of The Cuban Five-Free The Last Of Them Now!


 From the American Left History blog, July 2006


END THE U.S. BLOCKADE!-U.S. OUT OF GUANTANAMO!

This year marks the 53rd anniversary of the Cuban July 26th movement, the 47th anniversary of the victory of the Cuban Revolution and the 39th anniversary of the execution of Ernesto ‘Che’ Guevara by the Bolivian Army (aided and abetted by the American CIA)after the defeat of his guerilla forces and his capture in godforsaken rural Bolivia. I have reviewed the life of Che elsewhere in this space (see blog, dated July 5, 2006). Thus it is fitting to remember the anniversary of the Cuban Revolution, an event in which he was a central actor. Additionally, the Cuban Revolution stood for my generation, the Generation of '68, and, hopefully, will for later generations as a symbol of revolutionary intransigence against United States imperialism.

Let us be clear about two things. First, this writer has defended the Cuban revolution since its inception; initially under a liberal- democratic premise of the right of nations, especially applicable to small nations pressed up against military forces of the imperialist powers, to self-determination; later under the above-mentioned anti-imperialist premise and also that it should be defended on socialist grounds, not my idea of socialism- the Bolshevik, 1917 kind- but as an anti-capitalist, anti-imperialist revolution nevertheless. That prospective continues to be this writer’s position today. Secondly, my conception of revolutionary strategy and thus of world politics has for a long time been far removed from Fidel Castro’s (and Che’s) strategy, which emphasized military victory by guerrilla forces in the countryside, rather than my position of mass action by the urban proletariat leading the rural masses in such situations. That said, despite those strategic political differences this militant leftist can honor the Cuban revolution as a symbol of a fight that all anti-imperialist militants should defend.

Let me expand on these points, the first point by way of reminiscences. I am old enough to have actually seen Castro’s Rebel Army on black and white television as it triumphantly entered Havana in 1959. Although I was only a low-end teenager at the time and hardly politically sophisticated I, like others of my generation, saw in that ragtag, scruffy group the stuff of romantic revolutionary dreams. I was glad Batista had to flee and that ‘the people’ would rule in Cuba.

Later, in 1960 as the nationalizations occurred in response to American imperialist pressure, I defended them. In fact, as a general proposition I was, hazily and without any particular thought, in favor of nationalizations everywhere as a step forward in the way humankind does its business. In 1961, despite my then deeply felt affinity for the Kennedys, especially the sweet ruthless younger brother Bobby, I was pleased that the counterrevolutionaries were routed at the Bay of Pigs.

Increased Soviet aid and involvement in the economic and political infrastructure of beleaguered Cuba? No problem once the American night descended on that then impoverished one crop economy. The Cuban Missile Crisis, however, left me and virtually everyone in the world, shaking in our boots. Frankly, I saw this crisis (after the fact) as a typical for the time Cold War confrontation between the United States and the Soviet Union with Cuba as the playground. Not as some independent Cuban ploy. In short, my experiences at that time can be summed up by the slogan- Fair Play for Cuba. So far, a conclusion that a good liberal could espouse as a manifestation of a nation’s, particularly a small nation’s, right to self-determination. It is only later, during the radicalization of the Vietnam War period and my own left-ward political movement that I moved beyond that position.

Now to the second point and the hard politics. If any revolution is defined by one person the Cuban revolution can stand as that example. From its inception it was Fidel’s show, for better or worse. The military command, the strategy, the political programs, and the various national and international alliances all filtered through him. On reflection, that points out the basic problem and my major difference with the Fidelistas, in Cuba and here. And it starts with question of revolutionary strategy. Taking power based on a strategy of guerilla warfare is fundamentally difference from an urban insurrection led by a workers party (or parties) allied with, as in Cuba, landless peasants and agricultural workers responsible to workers and X (fill in the blank for whatever allies apply in the local situation) councils. And it showed those distortions then and continues to show them as the basis for decision making –top down. It is necessary to move on from there.

Believe me, this writer as well as countless others, all went through our phase of enthusing over the guerrilla road to socialism. But, as the fate of Che and others makes clear, the Cuban victory was the result of exceptional circumstances. Many revolutionaries stumbled over that hard fact and the best, including Che, paid for it with imprisonment or their lives. In short, the Bolshevik, 1917 model still stands up as a damn good model for the way to take power and to try to move on to the road to socialism. Still, although I have made plenty of political mistakes in my life I have never regretted my defense of the Cuban Revolution. And neither should militants today. As Che said- the duty of every revolutionary is to make the revolution- and to defend them too. Enough said. U.S. END THE BLOCKADE! U.S. OUT OF GUANTANAMO!


 
Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-The Songs of Tom Waits-Take Five


From The Pen Of Peter Paul Markin



A YouTube film clip of Tom Waits performing Looking For The Heart Of Saturday Night

If you, as I do, every once in a while, every once in a while when the norms of the today’s bourgeois-driven push, you know grab goods, grab the dough, grab some shelter from the storm, the storm that these days comes down like a hard rain falling, to get ahead in this wicked old world have to step back and take stock, maybe listen to some words of wisdom, or words that help explain how you got into that mess then you have come to the right address. Okay, okay on that bourgeois-driven today thing  maybe going back further to Calvinist Puritan avenging angels times with John Winthrop and the Mayflower boys but you best ask Max Weber about that since he tried to hook the boys to the wheel of the capitalist profit, profit for you at the expense of me, system with the new dispensation coming out like hellfire from Geneva and points east and west. But you get the point.

If all that to-ing and fro-ing (nice touch, right) leaves you wondering where you fell off the edge, that edge city (edge city where you danced around with all the conventions of the days, danced around the get ahead world with blinkers on) where big cloud outrageous youthful dreams were dreamt and you took risks, damn did you take risks, thought nothing of that fact either, landed on your ass more than a few time but just picked yourself up and dusted your knees off and done stick around and listen up. Yeah, so if you are wondering,  have been pushed off your saintly wheels, yeah, pushed you off your sainted wheels, and gotten yourself  into some angst-ridden despair about where you went off that angel-driven dream of your youth, now faded, tattered, and half- forgotten(but only half, only half, the wisp of the dream, the eternal peace dream, the figuring out how to contain that fire, that wanting habits fire in your belly dream sisters and brothers), and need some solace (need some way to stop the fret counting the coffee cups that while away your life), need to reach back to roots (reach back to roots that the 1950s golden age of America kicked the ass out of to make us crave oneness, to forget about those old immigrant customs, made us forget that simple country blues, mountain breeze songs, cowboy ballads, Tex-Mex, Cajun Saturday night that make the people feel good times), reach back to the primeval forest maybe, put the headphones on some Tom Waits platter (oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay) and remember what it was like when men and women sang just to sing the truth of what they saw and heard.

If the norms of don’t rock the boat (not in these uncertain times like any times in human existence were certain, damn, there was always something coming up from the first man-eating beast to the human race-eating nuclear bombs), the norms of keep your head down (that’s right brother, that’s right sister keep looking down, no left or rights for your placid world), keeping your head down being an art form now with appropriate ritual (that ritual looking more and more like the firing squad that took old Juan Romero’s life when he did bad those days out in Utah country), and excuses, because, well, because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, very dark like some deathless, starless night disturbing your sleep, begging, I swear, begging you to put that gun in full view on the table,   speaking some unknown language, maybe A-rab, maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need, desperately need, to listen to those ancient drum beats, those primeval forest leave droppings maybe, that old time embedded DNA coda long lost to, oh yes, civilization, to some civilizing mission (think of that Mayflower gang or ask Max Weber), that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half remember, ruled your days. Turn up the volume up another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.

If you need to hear things, just to sort things out, just to recapture that angel-edge, recapture the time when you did no fear, you and everybody else’s sisters and brothers, that thing you build and from which you now should run, recapture that child-like wonder that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side. And I have the list of brothers and sisters who took that wrong road, when he wound up face down in some dusty back road arroyo down Sonora way when the deal went bust or when she, maybe a little kinky for all I know, decided that she would try a needle and a spoon, I swear, or she swore just for kicks and she wound up in Madame LaRue’s whorehouse working that bed to perdition, hey, sweet dreams baby I tried to tell you when you play with fire, watch out.

So if you need to sort things out about boozers (and about titanic booze-crazed struggles in barrooms, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night), losers (those who have lost their way, gotten it taken away from them like some maiden virginity), those who never had anything but lost, not those who never had a way to be lost, dopesters inhaling, in solitary hotel rooms among junkie brethren, gathering a needle and spoon in some subterranean dank cellar, down in dark alleys jack-rolling some poor drunk stiff out of his room rent for kicks (how uncool to drink low-shelf whiskeys or rotgut wines hell the guy deserved to be rolled, should feel lucky he got away with just a flipped wallet), out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote (the sweet dreams of ten million years of ghost warriors working the canyon walls flickering against the campfire flames) if that earth angel connection comes through (Aunt Sally, always, some Aunt Sally coming up the stairs to ease the pain, to make one feel, no, not feel, better than any AMA doctor without a prescription pad), creating visions of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night, hipsters (all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, maybe pimping some street urchin, maybe cracking some guy’s head to create a “new world order” of the malignant, always moving), fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhoods, some paintings or whatever is not saleable left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card Monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japans ), the drift-less (cramped into one room hovels, shelters, seedy rooming houses afraid to stay in-doors or to go outside, afraid of the “them” too, afraid to be washed clean, angel clean), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.

If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore –mentioned classes of brethren once told to me by a forlorn grand master hobo, a guy down on his luck moving downward to bum), out in the railroad jungles in some Los Angeles ravine, some Gallup, New Mexico Southern Pacific  trestle (the old SP the only way to travel out west if you want to get west), some Hoboken broken down pier (ha, shades of the last page of Jack Kerouac’s classic), the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, some gringa for a change of pace, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books, big academic books with great pedigrees could be written on that subject so let’s just pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely but not worthy of study, academic study anyway), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world, then Tom Waits is your stop.

Tom Waits is, frankly, an acquired taste, one listen will not do, one song will not do, but listen to a whole record (CD okay) and you won’t want to turn the thing off, high praise in anyone’s book, so a taste well worth acquiring as he storms heaven in words, in thought-out words, in cribbed, cramped, crumbled words, to express the pain, angst and anguish of modern living, yes, modern living, looking for busted black-hearted angels (who left him short one night in some unnamed, maybe nameless, gin mill), for girls with Monroe hips (swaying wickedly in the dead air night, and flaming desire, hell lust, getting kicked out of proper small town hells (by descendants of those aforementioned Mayflower boys promising the world for one forbidden night), get real, and left for dead with cigar wrapping rings, for the desperate out in forsaken woods who need to hold on to something, and for all the misbegotten. 

Tom Waits gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). The, frankly, white trash Dove Linkhorns of the world, genetically broken before they begin, broken before they hit these shores (their forbears thrown out of Europe for venal crimes and lusts, damn them, the master-less men and women, ask old Max about them too), having been chased out, cast out of Europe, or some such place. In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, the wretched of the earth and their kin, far from it, but those who surely, and desperately could use one. If, additionally, you need a primordial grizzled gravelly voice to attune your ear and occasional dissonant instrumentation to round out the picture go no further. Finally, if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.
As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Poets’ Corner  
 



In say 1912 in the time of the supposedly big deal Basle Socialist Conference which got reflected in more circles than just workingmen, small shopkeepers and small farmers, or 1913 for that matter when the big deal European powers were waging "proxy" war, making ominous moves, but most importantly working three shifts in the munitions plants, oh hell, even in the beginning of 1914 before the war clouds got a full head of steam that summer they all profusely professed their undying devotion to peace, to wage no war for any reason. Reasons: artists who saw the disjointedness of modern industrial society, freaked out at what humankind had produced, was producing to place everybody in an inescapable box and hence their cubic fascinations from which to run, put the pieces to paint; sculptors who put twisted pieces of scrape metal juxtaposed to each other  to get that same effect, an effect which would be replicated on all those foreboding trenched fronts; writers, not all of them socialists either, some were conservatives that saw empire, their particular empire, in grave danger once the blood started flowing  who saw the v   of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy; writers of not so serious novels drenched in platitudes and hidden gabezo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do to denigrate themselves by crying the warrior’s cry and for the sweet nothing maidens to spent their waking hours strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they with all their creative brethren would go to the hells, literary Dante's rings, before touching the hair of another human, that come the war drums they all would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist, world and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels.

And then the war drums intensified and they, they made of ordinary human clay as it turned out, they who could not resist the call, could not resist those maidens now busy all day strewing flowers on the bloodlust streets for their soldier boys, those poets, artists, sculptors, writers, serious and not, musicians went sheepishly to the trenches with the rest of the flower of European youth to die deathless deaths in their thousands for, well, for ….            


 


THE OLD SOLDIER


Lest the young soldiers be strange in heaven,
  God bids the old soldier they all adored
Come to Him and wait for them, clean, new-shriven,
  A happy doorkeeper in the House of the Lord.

Lest it abash them, the strange new splendour,
  Lest it affright them, the new robes clean;
Here's an old face, now, long-tried, and tender,
  A word and a hand-clasp as they troop in.

"My boys," he greets them: and heaven is homely,
  He their great captain in days gone o'er;
Dear is the friend's face, honest and comely,
  Waiting to welcome them by the strange door.

_Katharine Tynan_




LORD KITCHENER


Unflinching hero, watchful to foresee
  And face thy country's peril wheresoe'er,
  Directing war and peace with equal care,
Till by long duty ennobled thou wert he
Whom England call'd and bade "Set my arm free
  To obey my will and save my honour fair,"--
  What day the foe presumed on her despair
And she herself had trust in none but thee:

Among Herculean deeds the miracle
  That mass'd the labour of ten years in one
  Shall be thy monument. Thy work was done
Ere we could thank thee; and the high sea swell
Surgeth unheeding where thy proud ship fell
  By the lone Orkneys, at the set of sun.

_Robert Bridges_

_June 8, 1916_




KITCHENER


There is wild water from the north;
The headlands darken in their foam
As with a threat of challenge stubborn earth
Booms at that far wild sea-line charging home.

The night shall stand upon the shifting sea
As yesternight stood there,
And hear the cry of waters through the air,
The iron voice of headlands start and rise--
The noise of winds for mastery
That screams to hear the thunder in those cries.
But now henceforth there shall be heard
From Brough of Bursay, Marwick Head,
And shadows of the distant coast,
Another voice bestirred--
Telling of something greatly lost
Somewhere below the tidal glooms, and dead.
Beyond the uttermost
Of aught the night may hear on any seas
From tempest-known wild water's cry, and roar
Of iron shadows looming from the shore,
It shall be heard--and when the Orcades
Sleep in a hushed Atlantic's starry folds
As smoothly as, far down below the tides,
Sleep on the windless broad sea-wolds
Where this night's shipwreck hides.

By many a sea-holm where the shock
Of ocean's battle falls, and into spray
Gives up its ghosts of strife; by reef and rock
Ravaged by their eternal brute affray
With monstrous frenzies of their shore's green foe;
Where overstream and overfall and undertow
Strive, snatch away;
A wistful voice, without a sound,
Shall dwell beside Pomona, on the sea,
And speak the homeward- and the outward-bound,
And touch the helm of passing minds
And bid them steer as wistfully--
Saying: "He did great work, until the winds
And waters hereabout that night betrayed
Him to the drifting death! His work went on--
He would not be gainsaid....
Though where his bones are, no man knows, not one!"

_John Helston_




THE FALLEN SUBALTERN


The starshells float above, the bayonets glisten;
  We bear our fallen friend without a sound;
Below the waiting legions lie and listen
  To us, who march upon their burial-ground.

Wound in the flag of England, here we lay him;
  The guns will flash and thunder o'er the grave;
What other winding sheet should now array him,
  What other music should salute the brave?

As goes the Sun-god in his chariot glorious,
  When all his golden banners are unfurled,
So goes the soldier, fallen but victorious,
  And leaves behind a twilight in the world.

And those who come this way, in days hereafter,
  Will know that here a boy for England fell,
Who looked at danger with the eyes of laughter,
  And on the charge his days were ended well.

One last salute; the bayonets clash and glisten;
  With arms reversed we go without a sound:
One more has joined the men who lie and listen
  To us, who march upon their burial-ground.

_Herbert Asquith_

_1915_




THE DEBT UNPAYABLE


What have I given,
  Bold sailor on the sea,
In earth or heaven,
  That you should die for me?

What can I give,
  O soldier, leal and brave,
Long as I live,
  To pay the life you gave?

What tithe or part
  Can I return to thee,
O stricken heart,
  That thou shouldst break for me?

The wind of Death
  For you has slain life's flowers,
It withereth
  (God grant) all weeds in ours.

_F.W. Bourdillon_
29th Annual Partisan Defense Committee Holiday Appeal...The Struggle That Passes Through The Prisons-Free the Class-War Prisoners!




Workers Vanguard No. 1057
 











28 November 2014
 
29th Annual PDC Holiday Appeal
Free the Class-War Prisoners!
 
(Class-Struggle Defense Notes)
 
For nearly three decades, the Partisan Defense Committee has provided stipends to class-war prisoners—those behind bars for opposing varied expressions of racist capitalist oppression. The PDC is now organizing our annual Holiday Appeal fundraisers on behalf of 16 such prisoners. We send them $50 monthly stipends and provide holiday gifts for them and their families. The prisoners generally use the funds for basic necessities, from supplementing the inadequate prison diet to buying stamps and writing materials, or to pursue literary, artistic and musical endeavors that help ameliorate the living hell of prison life.
 
The PDC’s stipend program is modeled on a tradition of the early Communist movement, specifically the International Labor Defense (ILD) under its first secretary, James P. Cannon, from 1925-28. The ILD sent monthly contributions to more than 100 people imprisoned for fighting in the interests of the working people and the oppressed. As Cannon observed: “The procession that goes in and out of the prison doors is not a new one.... All through history those who have fought against oppression have constantly been faced with the dungeons of a ruling class” (“The Cause That Passes Through a Prison,” Labor Defender, September 1926).
 
This past year, we added Albert Woodfox as a stipend recipient. Along with other Black Panther Party members known as the Angola Three, Woodfox stood up against the hideous racism at Louisiana’s notorious Angola prison. In retaliation, prison authorities have subjected him to more than four decades of solitary confinement.
 
Others who had received stipends are now outside prison walls. After months of medical neglect and with thousands demanding her release, Lynne Stewart was finally let out of federal prison last New Year’s Eve. Suffering serious complications from breast cancer, Stewart is undergoing special treatment at Memorial Sloan Kettering hospital in New York City. She reports that she is struggling with drug side effects and is having difficulty walking. Other former PDC stipend recipients are the young anti-fascist activists known as the Tinley Park 5, who were released at various times over the last 12 months or so. They had been tossed into prison for heroically dispersing a Chicago-area meeting of fascists in May 2012.
 
As Cannon said, “The class-conscious worker accords to the class-war prisoners a place of singular honor and esteem.” Join us in this vital work of solidarity. The 16 class-war prisoners receiving stipends from the PDC are listed below.
*   *   *
Mumia Abu-Jamal is a former Black Panther Party spokesman, a well-known supporter of the MOVE organization and an award-winning journalist known as “the voice of the voiceless.” Framed up for the 1981 killing of a Philadelphia police officer, Mumia was sentenced to death explicitly for his political views. Federal and state courts have repeatedly refused to consider evidence proving Mumia’s innocence, including the sworn confession of Arnold Beverly that he, not Mumia, shot and killed the policeman. In 2011 the Philadelphia district attorney’s office dropped its longstanding effort to legally lynch America’s foremost class-war prisoner. Mumia remains condemned to life in prison with no chance of parole.
 
Leonard Peltier is an internationally renowned class-war prisoner. Peltier’s incarceration for his activism in the American Indian Movement has come to symbolize this country’s racist repression of its native peoples, the survivors of centuries of genocidal oppression. Peltier was framed up for the 1975 deaths of two FBI agents marauding in what had become a war zone on the South Dakota Pine Ridge Reservation. Although the lead government attorney has admitted, “We can’t prove who shot those agents,” and the courts have acknowledged blatant prosecutorial misconduct, the 70-year-old Peltier is not scheduled to be reconsidered for parole for another ten years! Peltier suffers from multiple serious medical conditions and is incarcerated far from his people and family.
 
Eight MOVE members—Chuck Africa, Michael Africa, Debbie Africa, Janet Africa, Janine Africa, Delbert Africa, Eddie Africa and Phil Africa—are in their 37th year of prison. After the 8 August 1978 siege of their Philadelphia home by over 600 heavily armed cops, they were sentenced to 30-100 years having been falsely convicted of killing a police officer who died in the cops’ own cross fire. In 1985, eleven of their MOVE family members, including five children, were massacred by Philly cops when a bomb was dropped on their living quarters. After more than three decades of unjust incarceration, these innocent prisoners are routinely turned down at parole hearings. None have been released.
 
Albert Woodfox is the last of the Angola Three still incarcerated. Along with Herman Wallace and Robert King, Woodfox fought the vicious, racist and dehumanizing conditions in Louisiana’s Angola prison and courageously organized a Black Panther Party chapter at the prison. Authorities framed up Woodfox and Wallace for the fatal stabbing of a prison guard in 1972 and falsely convicted King of killing a fellow inmate a year later. For over 42 years, Woodfox has been locked down in Closed Cell Restricted (CCR) blocks, the longest stretch in solitary confinement ever in this country. His conviction has been overturned three times! According to his lawyers, he suffers from hypertension, heart disease, chronic renal insufficiency, diabetes, anxiety and insomnia—conditions no doubt caused and/or exacerbated by decades of vindictive and inhumane treatment.
 
Jaan Laaman and Thomas Manning are the two remaining anti-imperialist activists known as the Ohio 7 still in prison, convicted for their roles in a radical group that took credit for bank “expropriations” and bombings of symbols of U.S. imperialism, such as military and corporate offices, in the late 1970s and ’80s. Before their arrests in 1984 and 1985, the Ohio 7 were targets of massive manhunts. The Ohio 7’s politics were once shared by thousands of radicals but, like the Weathermen before them, the Ohio 7 were spurned by the “respectable” left. From a proletarian standpoint, the actions of these leftist activists against imperialism and racist injustice are not crimes. They should not have served a day in prison.
 
Ed Poindexter and Wopashitwe Mondo Eyen we Langa are former Black Panther supporters and leaders of the Omaha, Nebraska, National Committee to Combat Fascism. They are victims of the FBI’s deadly COINTELPRO operation, under which 38 Black Panther Party members were killed and hundreds more imprisoned on frame-up charges. Poindexter and Mondo were railroaded to prison and sentenced to life for a 1970 explosion that killed a cop, and they have now spent more than 40 years behind bars. Nebraska courts have repeatedly denied Poindexter and Mondo new trials despite the fact that a crucial piece of evidence excluded from the original trial, a 911 audio tape long suppressed by the FBI, proved that testimony of the state’s key witness was perjured.
 
Hugo Pinell, the last of the San Quentin 6 still in prison, has been in solitary isolation for more than four decades. He was a militant anti-racist leader of prison rights organizing along with George Jackson, his comrade and mentor, who was gunned down by prison guards in 1971. Despite numerous letters of support and no disciplinary write-ups for over 28 years, Pinell was again denied parole in 2009. Now in his late 60s, Pinell continues to serve a life sentence after having finally been released from the notorious torture chamber Pelican Bay SHU in California, a focal point for hunger strikes against grotesque inhuman conditions.
 
Send your contributions to: PDC, P.O. Box 99, Canal Street Station, New York, NY 10013; (212) 406-4252.