Monday, June 15, 2015

The Marxist Approach to Women’s Liberation-Communism and the Family

Workers Vanguard No. 1068
 

15 May 2015
 
The Marxist Approach to Women’s Liberation-Communism and the Family
(Women and Revolution pages)
(Part One)
 
In the Declaration of Principles and Some Elements of Program, the International Communist League (Fourth Internationalist) lays out our task of “building Leninist parties as national sections of a democratic-centralist international whose purpose is to lead the working class to victory through socialist revolutions throughout the world” (Spartacist [English-language edition] No. 54, Spring 1998). Only through the seizure of power can the proletariat end capitalism as a system and open the road to a world without exploitation and oppression. Crucial to this perspective is the fight for the emancipation of women, whose oppression goes back to the beginning of private property and cannot be eliminated short of the abolition of class society.
The Declaration explains that ultimately our goal is the creation of a new, communist society:
“The victory of the proletariat on a world scale would place unimagined material abundance at the service of human needs, lay the basis for the elimination of classes and the eradication of social inequality based on sex and the very abolition of the social significance of race, nation and ethnicity. For the first time mankind will grasp the reins of history and control its own creation, society, resulting in an undreamed-of emancipation of human potential, and a monumental forward surge of civilization. Only then will it be possible to realize the free development of each individual as the condition for the free development of all.”
It used to be that the goal of a communist society was accepted as the purpose of most tendencies calling themselves Marxist, even as they agreed on little else. But since the collapse of the Soviet Union in 1991-92 this is no longer the case. The ICL alone adheres to the prospect of world communism as first put forward by Karl Marx and Friedrich Engels.
This “death of communism” ideological climate has resulted in the prevalence of false and narrow ideas about Marxism. In popular consciousness, communism has been reduced to economic leveling (equality at a low level of income and consumption) under state ownership of economic resources. On the contrary, the material basis for the realization of the Marxist program is the overcoming of economic scarcity through the progressive increase in the productivity of labor. This will take several generations of socialist development based on a worldwide collectivized economy to come into full being. Thus, a society would develop in which the state (a special coercive apparatus defending the ruling-class order through armed bodies of men) has withered away, national affiliation has disappeared, and the institution of the family—the main source of the oppression of women—has been replaced by collective means of caring for and socializing children and by the fullest freedom of sexual relations.
Marxism and “Human Nature”
In the past, intellectuals who considered such a society undesirable and/or impossible to attain nonetheless recognized that it was what Marxists meant by communism. For example, in Civilization and Its Discontents (1930), a popular exposition of his worldview, Sigmund Freud presented a brief critique of communism. There is no evidence that he had studied the works of Marx and Engels nor read those of V.I. Lenin and other Bolshevik leaders. His understanding (and misunderstanding) of communism was held by many European and American intellectuals of the time, whatever their political persuasions.
Freud based his critique of communism on his view that “the inclination to aggression is an original, self-subsisting instinctual disposition in man.” He concluded that the communist project of a harmonious society was contrary to human nature:
“I have no concern with any economic criticisms of the communist system; I cannot enquire into whether the abolition of private property is expedient or advantageous. But I am able to recognize that the psychological premises on which the system is based are an untenable illusion. In abolishing private property we deprive the human love of aggression of one of its instruments, certainly a strong one, though certainly not the strongest; but we have in no way altered the differences in power and influence which are misused by aggressiveness, nor have we altered anything in its nature.... If we do away with personal rights over material wealth, there still remains prerogative in the field of sexual relations, which is bound to become the source of the strongest dislike and the most violent hostility among men who in other respects are on an equal footing. If we were to remove this factor, too, by allowing complete freedom of sexual life and thus abolishing the family, the germ-cell of civilization, we cannot, it is true, easily foresee what new paths the development of civilization could take; but one thing we can expect, and that is that this indestructible feature of human nature will follow it there.”
Freud rightly understood that in the communist vision of a future society the family will have withered away while there will be “complete freedom in sexual life.” Freud’s view was in error in that Marxists recognize that the family cannot be simply abolished; its necessary functions, especially the rearing of the next generation, must be replaced through socialized means of childcare and housework.
While Freud no longer has the ideological authority he once had, the idea that “human nature” makes a communist world impossible remains a common one, although the specific arguments may differ. Marxists, on the other hand, insist that material scarcity is what gives rise to savage scrambles over scanty resources. This is why communism is conceivable only with unprecedented material abundance, accompanied by a huge leap in the cultural level of society. It is the existence of classes, today in the form of the outmoded capitalist-imperialist order, that infests human society with brutality and violence. As Marxist author Isaac Deutscher wrote in “On Socialist Man” (1967), “Homo homini lupus [man is a wolf to man] is the battle cry against progress and socialism” for those “who operate the bogey of the eternal human lupus in the interest of the real and bloody lupus of contemporary imperialism.” [emphasis in original]
Freud himself identified “innate aggression” in sexual relations as the problem with human nature. And what of that? The social pathology associated with what Freud perceived as sexual rivalry has little reason to exist in a fully free, communal society in which sexual life is independent of access to food, shelter, education and every daily need and comfort. When the family has withered away along with classes and the state, the communal upbringing that replaces it will lead to a new psychology and culture among the people that grow up in those conditions. Patriarchal social values—“my” wife, “my” children—will vanish along with the oppressive system that spawned them. The relationship of children to one another and to the persons who teach and guide them will be many-sided, complex and dynamic. It is the institution of the family that ties sex and love to property, with anything other than the straitjacket of heterosexual monogamy branded as “sin.”
The family under capitalism is the main mechanism for the oppression of women and youth, tied with innumerable, interlocking threads to the basic operations of the “free market” economy. The family, the state and organized religion form a tripod of oppression propping up the capitalist order. In Third World countries, ingrained poverty and backwardness, promoted by imperialist domination, prescribe hideously oppressive practices like the veil, the bride price and female genital mutilation.
In advanced capitalist societies like the United States it may seem as if people’s messy lives bear more resemblance to the TV shows Modern Family or Transparent than the 1950s sitcom Father Knows Best. However, people’s personal choices are constricted by the laws, economics and prejudices of class society; this is especially true of the working class and the poor. Replacing the family with collective institutions is the most radical aspect of the communist program and will bring about the deepest, most sweeping changes in daily life, not least for children.
Our Left Opponents and the Anti-Sex Witchhunt
Today, that vision of a society without the oppressive institution of the family can no longer be found among the overwhelming majority of those who claim to stand for Marxism, socialism and the liberation of women. For the Stalinists, the anti-Marxist dogma of “socialism in one country” meant the abandonment many decades ago of the understanding that a global socialist society was necessary to achieve full human liberation, including of women; one consequence was the Stalinist rehabilitation of the oppressive family as a “socialist” mainstay. In “The Russian Revolution and the Emancipation of Women” (Spartacist [English-language edition] No. 59, Spring 2006), we addressed this subject in depth.
Other putative Marxists today, some claiming to be Trotskyists, simply follow prevailing liberal (bourgeois) feminist doctrine when addressing the question of women’s liberation, implicitly upholding the institutions of the family and the capitalist state. A case in point is their loathing of the Spartacist League/U.S. and the ICL for our defense of the rights of the North American Man/Boy Love Association (NAMBLA), which advocates the legalization of consensual sex between men and boys, and others persecuted for such sexual “deviancy.” The ICL has consistently opposed government intervention into private life and demands an end to all laws against consensual “crimes without victims,” e.g., prostitution, drug use and pornography.
The howls of many radicals and feminists against NAMBLA are an expression of the “family values” pushed by bourgeois politicians and pundits. For decades, a government-sponsored anti-sex backlash has taken many forms: anti-gay bigotry, a witchhunt against day-care workers, the banning of the distribution of birth control devices and information to teens as well as the jailing of “deviants.” This reactionary onslaught was accompanied by such extra-legal terror as the bombing of abortion clinics. Much of this persecution aims to strengthen the bourgeois state in its regulation of the population and to spread panic as a diversion from the real brutality of life in this twisted, mean, bigoted, racist society.
In past articles, we have explored some of the ambiguities of sexuality in a society where the deformities of class inequality and racial and sexual oppression can lead to a lot of personal pain and ugliness. We have stated that while the abuse of children is a vicious and horrible crime, many illegal sexual encounters are entirely consensual and devoid of harm per se. The willful conflation of everything from mutual fondling of siblings to the heinous rape of an infant by an adult creates a social climate of anti-sex hysteria in which the perpetrators of real violence against children often go free. We have pointed out that the sexual proclivities of a group-living mammalian species like homo sapiens are patently ill-suited to the rigid heterosexual monogamy decreed by bourgeois morality.
As a minimum measure of defense against state persecution of youth who want to have sex (or even just “sext”), we oppose reactionary “age of consent” laws through which the state decrees some arbitrary age when sex is deemed okay, never mind that the age determined by these laws changes through the years and differs from state to state. In addressing such questions, we have our eye firmly on opposition to the capitalist state in all its efforts to reinforce and uphold the exploitative bourgeois order. This is the application to today’s conditions of our goal of full sexual freedom for all, including children and teenagers, in a communist future. This is particularly important for young adults, who today are expected to spend years after reaching puberty in the stranglehold of dependence on their parents. We call for full stipends for all students as part of our program for free, quality education for all, so that youth can be genuinely independent of their families.
In sharp contrast, the International Socialist Organization (ISO) refuses to call for the abolition of the existing age-of-consent laws. In an article titled “Youth, Sexuality and the Left,” ISO honcho Sherry Wolf brandished her pitchfork at NAMBLA supporter David Thorstad for being “the most vocal long-time defender of pederasty on the left” (socialistworker.org, 2 March 2010). She quoted from her book Sexuality and Socialism: History, Politics and Theory of LGBT Liberation (Haymarket Books, 2009): “It is incompatible for genuine consent devoid of the inequality of power to be given by a child to a man of 30.” Wolf’s article continues: “Adults and children do not approach each other as emotional, physical, social or economic equals in our society. Children and young teens do not have the maturity, experience or power to make truly free decisions about their relationships with adults. Without those, there can be no genuine consent.”
“Truly free decisions”? Most relationships between adults would not meet this standard for consent. Wolf is effectively handing over youth under 18 and their partners to the power of the bourgeois state. The only guideline for any sexual relationship should be that of effective consent—that is, mutual agreement and understanding by the parties involved—regardless of age, gender or sexual preference.
The ISO’s abandonment of youth to the oppressive sexual status quo reflects its accommodation to the prejudices of the capitalist order and backward attitudes in the general population. Ultimately, this comes from the ISO’s long-standing opposition to any perspective of the revolutionary mobilization of the working class to seize state power, create a workers state—the dictatorship of the proletariat—and open the road to a communist society. For the ISO, socialism is more or less the accumulated application of “democracy” to all sectors of the oppressed, the working class being seen as simply one more sector. The ISO seeks to pressure the capitalists to reform their exploitative order. Its perspective on women’s liberation reflects the same touching faith in the forces of reform.
Why Marxists Are Not Feminists
Interestingly, within the last few years the ISO has been engaged in a discussion in the pages of its newspaper, Socialist Worker, about theories of women’s liberation. This appears to be motivated by a desire to desert the organization’s previous position of opposition to feminism as a bourgeois ideology in favor of actively embracing the feminist or “socialist feminist” label. For example, in a talk at the ISO’s 2013 Socialism conference (printed in “Marxism, Feminism and the Fight for Liberation,” socialistworker.org, 10 July 2013), Abbie Bakan offered, “The theoretical claim that there is grounds for a coherent Marxist approach that is for ‘women’s liberation,’ while against ‘feminism,’ makes no sense.” (Until March of that year, Bakan was a prominent supporter of the Canadian International Socialists, political cousins of the ISO.)
The ISO’s recent, explicit theoretical embrace of “socialist feminism” is simply a different cover for the same liberal content. However, it presents us with an opportunity to restate the long-standing Marxist position on the family and to emphasize that the emancipation of women is fundamental to and inseparable from socialist revolution. Contrary to feminist ideology, full legal equality cannot overcome women’s oppression, which is deeply rooted in the family and private property.
As we have always emphasized, Marxism and feminism are long-standing political enemies. This requires some explanation. In the U.S. and elsewhere, it has become common to use the term “feminist” to describe the belief that men and women should be equal. But in addressing inequality, feminism accepts the confines of the existing capitalist society. Feminism as an ideology was born in the late 19th century, reflecting the aspirations of a layer of bourgeois and petty-bourgeois women who wanted to claim their class prerogatives: property ownership and inheritance, access to education and the professions, and voting rights. Marxists seek far more than this limited idea of “gender equality.”
Marxists recognize that the liberation of women cannot take place without the liberation of the entire human race from exploitation and oppression—and that is our goal. This was spelled out well over a century ago in Woman Under Socialism (1879), a Marxist classic by August Bebel, the venerable leader of the German Social Democratic Party. In various editions, this work was read by millions of workers for generations before World War I. Its rich vision of the emancipation of women is not to be found in any of the ISO’s writings on the question:
“She chooses her occupation on such field as corresponds with her wishes, inclinations and natural abilities, and she works under conditions identical with man’s. Even if engaged as a practical working-woman on some field or other, at other times of the day she may be educator, teacher or nurse, at yet others she may exercise herself in art, or cultivate some branch of science, and at yet others may be filling some administrative function.”
Woman Under Socialism, trans. Daniel De Leon (Schocken Books, 1971)
What is especially significant about Bebel’s description of the self-fulfilling nature of work in a socialist society is that it applies equally to men. That points to the heart of why Marxism and feminism are mutually exclusive and indeed antagonistic. Feminists see the basic division in society as between men and women, while socialists recognize that male and female workers must fight together to end oppression and exploitation by the capitalist class.
Misrepresenting Marx
In its theoretical switch to “socialist feminism,” the ISO is promoting Lise Vogel’s Marxism and the Oppression of Women: Toward a Unitary Theory (Haymarket Books, 2013). This book, originally published in 1983, was reissued as part of the Historical Materialism series with a laudatory introduction by two Canadian academics who are supporters of the ultra-reformist New Socialist Group. Even 30 years ago, the “socialist feminist” milieu that Vogel addressed had already dwindled to nothing. But because Vogel purports to represent a Marxist pole in the “social feminist” movement or intellectual current, it suits the ISO to champion her book today.
In the book’s introductory section, Vogel differentiates herself evenhandedly from non-Marxist feminists and non-feminist Marxists. She sets as her main task to analyze the character of women’s oppression within the structure and dynamics of the capitalist economic system. Her discussion of Marx and Engels is confused, contradictory and turgid. She primarily focuses on the relation between domestic or household labor and the generational reproduction of labor power. For Vogel, the oppression of women rests narrowly on women’s (unpaid) household labor. Explicitly stating, “The category of ‘the family’…is found to be wanting as an analytical starting point,” she ignores the broader questions of the role of the family in the oppression of women and children and its importance as a key prop of the capitalist order. The family serves to atomize the working class, propagating bourgeois individualism as a barrier to class solidarity.
While presenting a narrow understanding of women’s oppression, Vogel slanders Engels as an “economic determinist.” She simply dismisses the cultural and social sides of Engels’ rich arguments in The Origin of the Family, Private Property and the State (1884). To take one example, she complains that Engels “does not clearly link the development of a special sphere associated with the reproduction of labour power to the emergence of class-, or, perhaps, capitalist society.” This seems to mean that Engels does not show how the emergence of class society came to bear on women’s child rearing role. This is simply untrue.
In The Origin of the Family, Private Property and the State, Engels describes how the family originated in the Neolithic Age as society first split into classes. Relying on the information available at the time, Engels drew heavily from the pioneering work of Lewis Henry Morgan among the Iroquois in upstate New York for an understanding of early, pre-class society. Engels described how the invention of agriculture created a social surplus that allowed, for the first time, the development of a leisured ruling class that lived off the labor of others. The family, specifically the monogamy of women, was needed to ensure the orderly transmission of property and power to the patriarch’s heirs, the next generation of the ruling class. While much more has become known of early stages of human society since Engels lived, his fundamental understanding has stood the test of time.
Vogel does not analyze the social role of the family for the working class under capitalism, where it is the means to raise the next generation of wage slaves. In Capital, Marx explained that the cost of labor power is determined by the cost of the maintenance and reproduction of the worker—his daily living expenses, his training and the maintenance of his wife and children. To boost profits, the capitalist seeks to drive down the cost of labor—not just the wages paid into the pockets of the workers but also services like public education and health care, which are necessary to the maintenance of the proletariat.
Feminists sometimes criticize aspects of the family, but usually only to complain about “gender roles,” as if the problem were a lifestyle argument over who should do the dishes or feed the baby its bottle. It is the institution of the family that socializes people from infancy to behave according to certain norms, respect authority and develop the habits of obedience and deference so useful for capitalist profit-making. The family is invaluable to the bourgeoisie as a reservoir of small private property and in some cases petty production, serving as an ideological brake on social consciousness. Vogel ignores these questions and focuses strictly on women’s unpaid “domestic labor.”
The Ultimate Goal
Vogel’s position is even weaker with respect to the ultimate goal of women’s liberation. This is seen especially in what she doesn’t say. Vogel divorces the emancipation of women from overcoming economic scarcity and from the replacement of alienated labor—in the factory as well as the household—by creative, self-satisfying work. Both the ultimate goal of a communist society and the basic means of achieving that goal lie outside the intellectual confines of Vogel’s “socialist feminism.”
When Marx and Engels explained that they subscribed to a materialist understanding of society and social change, they were not only referring to capitalism and earlier class-divided societies (e.g., feudalism). They also provided a materialist understanding of a future classless society. Indeed, that was their fundamental difference with the main socialist currents in the early 19th century—the Owenites, Fourierists and Saint-Simonians—as summarized in Engels’ Socialism: Utopian and Scientific (originally part of his 1878 polemic, Anti-Dühring). Marx and Engels recognized that a socialist society—understood as the initial stage of communism—requires a level of labor productivity far higher than that in even the most economically advanced capitalist countries today. This is to be achieved through the ongoing expansion of scientific knowledge and its technological application.
Vogel has no such conception. This is especially evident in her discussion of early Soviet Russia. Expressing great appreciation for Lenin’s understanding of and commitment to overcoming the oppression of women, she quotes with approval his 1919 speech, “The Tasks of the Working Women’s Movement in the Soviet Republic”:
“You all know that even when women have full rights, they still remain factually downtrodden because all housework is left to them. In most cases housework is the most unproductive, the most barbarous and the most arduous work a woman can do. It is exceptionally petty and does not include anything that would in any way promote the development of the woman.
“In pursuance of the socialist ideal we want to struggle for the full implementation of socialism, and here an extensive field of labour opens up before women. We are now making serious preparations to clear the ground for the building of socialism, but the building of socialism will begin only when we have achieved the complete equality of women and when we undertake the new work together with women who have been emancipated from that petty, stultifying, unproductive work.”
Collected Works, Vol. 30
Vogel wrongly contends that Lenin’s was a lone voice crying in the wilderness. She implies that the main obstacle to overcoming the oppression of women in early Soviet Russia was ideological: the pervasive patriarchal attitudes among working-class and peasant men, combined with the supposed indifference to women’s liberation among the mainly male cadre of the Bolshevik party. Vogel writes:
“Lenin’s remarks about male chauvinism never acquired programmatic form, and the campaign against male ideological backwardness remained at most a minor theme in Bolshevik practice. Nonetheless, his observations on the problem represented an extremely rare acknowledgment of its seriousness.... Lenin’s theoretical contributions failed to make a lasting impression.”
In fact, enormous efforts were made by the Soviet government to relieve working-class women of the burden of housework and childcare through the establishment of communal kitchens, laundries, nurseries and the like. Both the Bolsheviks and the Communist International established special departments for work among women. In the early Soviet workers state, the Zhenotdel was active in both the European and Central Asian regions.
The limits to the liberating policies of the Communist government under V.I. Lenin and Leon Trotsky were not ideological but the result of objective conditions: the poverty of material resources aggravated by years of imperialist war and civil war. Trotsky explained in a 1923 essay, “From the Old Family to the New,” included in the 1924 compilation Problems of Everyday Life (a work that Vogel fails to mention):
“The physical preparations for the conditions of the new life and the new family, again, cannot fundamentally be separated from the general work of socialist construction. The workers’ state must become wealthier in order that it may be possible seriously to tackle the public education of children and the releasing of the family from the burden of the kitchen and the laundry. Socialization of family housekeeping and public education of children are unthinkable without a marked improvement in our economics as a whole. We need more socialist economic forms. Only under such conditions can we free the family from the functions and cares that now oppress and disintegrate it. Washing must be done by a public laundry, catering by a public restaurant, sewing by a public workshop. Children must be educated by good public teachers who have a real vocation for the work.”
Problems of Everyday Life (Pathfinder Press, 1973)
Material scarcity was the source of yet another important area of inequality between men and women in early Soviet Russia (and by extension in any economically backward workers state). This was the scarcity of highly skilled labor requiring advanced knowledge and technical capacity. Skilled industrial workers and members of the technical intelligentsia (e.g., engineers, architects) had to be given higher wages than unskilled workers, although the difference was much less than in capitalist countries. This better-paid stratum of the labor force, inherited from the tiny modern capitalist sector of tsarist Russia, was predominantly male. Although efforts were made to rectify this, the early workers state lacked the material resources to educate and train women to become machinists and engineers in numbers sufficient to overcome male predominance in skilled labor.
Vogel concludes her book by offering a projection of the transition to communism following the overthrow of capitalism:
“Confronted with the terrible reality of women’s oppression, nineteenth-century utopian socialists called for the abolition of the family. Their drastic demand continues to find advocates among socialists even today. In its place, however, historical materialism poses the difficult question of simultaneously reducing and redistributing domestic labour in the course of transforming it into an integral component of social production in communist society. Just as in the socialist transition ‘the state is not “abolished”, it withers away’, so too, domestic labour must wither away. The proper management of domestic labour and women’s work during the transition to communism is therefore a critical problem for socialist society, for only on this basis can the economic, political, and ideological conditions for women’s true liberation be established and maintained. In the process, the family in its particular historical form as a kin-based social unit for the reproduction of exploitable labour-power in class-society will also wither away—and with it both patriarchal family-relations and the oppression of women.” [emphasis in original]
But how is this reduction and redistribution of domestic labor to be achieved? In the transition from the dictatorship of the proletariat to full communism, the transformation of the family is a corollary to expanded production and greater abundance. Its withering away, or disintegration, grows out of economic success. In the process, it will be replaced by new ways of living that will be immeasurably richer, more human and fulfilling. There may well be a need to develop some rules in the course of this transformation as people search for new modes of living. In the transitional period, it will be the job of the workers’ democratic collective, the Soviet, to build alternatives and to guide the process.
Vogel does not pose the crucial question: If women are to be liberated from household drudgery, what then are they liberated to do? Will a reduction in the time spent on housework be offset by a comparable increase in the time spent at work—two fewer hours a day washing clothes and mopping floors, two more hours working on a factory assembly line? That’s certainly not the Marxist idea of women’s liberation.
The replacement of housework and child rearing by collective institutions are aspects of a fundamental change in the relation between production and labor time. Under a planned, socialist economy, all kinds of economic activity—from making steel and computers to cleaning clothes, floors and furniture—will undergo a constant, rapid increase in output per unit of labor input. Long before a communist society is attained, most housework may well be automated. More generally, there will be a steady reduction in the total labor time necessary for the production and maintenance of the means of consumption as well as the means of production.
In a fully communist society, most time will be what is now called “free time.” Necessary labor will absorb such a small share of time and energy that the individual will freely grant it to the social collective. Everyone will have the available time along with the requisite material and cultural resources to engage in creative, self-satisfying work. In the Grundrisse (1857), Marx cited composing music as an example of genuinely free labor.
[TO BE CONTINUED]

Workers Vanguard No. 1069
29 May 2015
 
The Marxist Approach to Women’s Liberation
Communism and the Family
(Women and Revolution pages)
(Part Two)
Part One of the article that concludes here appeared in WV No. 1068 (15 May).
In 2005, Sharon Smith, a leading figure in the International Socialist Organization (ISO) and a self-styled theorist, produced a book, Women and Socialism: Essays on Women’s Liberation (Haymarket Books), which is slated for a revised, expanded edition to appear later this year. An excerpt from this new edition, “Theorizing Women’s Oppression: Domestic Labor and Women’s Oppression,” which appeared in International Socialist Review (March 2013), outlines what the ISO says is its new approach to feminism. Smith’s “theorizing” draws heavily on the concept of unpaid domestic labor as the basis of women’s oppression, as put forth in Lise Vogel’s Marxism and the Oppression of Women: Toward a Unitary Theory (Haymarket Books, 2013).
Smith begins by criticizing Karl Marx and Friedrich Engels, a veritable requirement for entrée into the petty-bourgeois feminist milieu: “Marx’s and Engels’s articulations of women’s oppression often contain contradictory components—in some respects fundamentally challenging the gender status quo while in other respects merely reflecting it.” Smith makes an even stronger criticism of the 1917 Bolshevik Revolution in Russia, an event that liberals, feminist and otherwise, consider as at best a utopian experiment that failed and at worst the birth of a totalitarian police state.
Playing to anti-Communist prejudices, Smith contends that the Bolsheviks supported the traditional role of women by elevating motherhood to the highest social duty: “Despite the enormous achievements of the 1917 Russian Revolution—including the legalization of abortion and divorce, the rights to vote and run for political office, and an end to laws criminalizing both prostitution and gay sexuality—it did not produce a theory that challenged either natural heterosexual norms or the primacy of women’s maternal destinies.” Smith then quotes a statement by John Riddell, a leftist historian who is frequently published in the ISO’s International Socialist Review: “Communist women in that period viewed childbearing as a social responsibility and sought to assist ‘poor women who would like to experience motherhood as the highest joy’.”
By leaning on a quote taken out of context, Smith and Riddell falsify Bolshevik doctrine and practice. The Bolsheviks viewed the replacement of the family by collective means of raising children not as a distant goal in a future communist society but as a program that they were beginning to carry out in the existing Soviet Russian workers state. Alexandra Kollontai, a leader of Bolshevik work among women, advocated that socialized institutions take full responsibility for children, their physical and psychological well-being, from infancy. Speaking at the First All-Russian Congress of Women in 1918, she stated:
“Society is taking upon itself little by little all concerns which previously were parental....
“Homes for infants, crèches, nurseries, kindergartens, children’s colonies and homes, hospitals and sanitoria for curing and healing sick children, as well as children’s cafeterias, school lunches, the distribution of free books to children, the outfitting of schoolchildren with warm clothing, boots—doesn’t this show that caring for children is moving beyond the boundaries of the family, is being taken away from parents and transferred to the collective, to society?”
— “The Family and the Communist State.” Bolshevik Visions: First Phase of the Cultural Revolution in Soviet Russia. Ed. William G. Rosenberg. University of Michigan Press, 1990.
In a socialist society, the nursing and teaching staff in crèches, preschools and kindergartens will consist of both males and females. In this way—and only in this way—will the age-old division of labor between men and women in raising young children be eliminated.
Kollontai’s views on the future of the family were not unusual among leading Bolsheviks. In Women, the State and Revolution: Soviet Family Policy and Social Life, 1917-1936 (Cambridge University Press, 1993), Wendy Goldman, an American academic of liberal feminist sympathies, writes that Alexander Goikhbarg, the primary author of the first (1918) legal Code on Marriage, the Family, and Guardianship, “encouraged parents to reject ‘their narrow and irrational love for their children.’ In his view, state upbringing would ‘provide vastly better results than the private, individual, unscientific, and irrational approach of individually “loving” but ignorant parents’.” The Bolsheviks sought not only to liberate women from household drudgery and patriarchal domination but also to free children from the often malign effects of parental authority.
The Bolsheviks and Collective Childcare
Echoing Vogel, Smith writes:
“If the economic function of the working-class family, so crucial in reproducing labor power for the capitalist system—and at the same time forming the social root of all women’s oppression—were to be eliminated, the material basis for women’s liberation could be created. This outcome can only begin to materialize with the elimination of the capitalist system, replaced by a socialist society that socializes the domestic labor formerly assigned to women.”
Here Smith’s use of the term “domestic labor” is ambiguous. Does she mean only housework and the physical care of young children? What about the “domestic labor” involved in what is considered parenting in the U.S. today? Smith does not say. She simply ignores the question of the interpersonal relations between a mother and her children: listening to and talking to them about their problems, desires and fears; teaching them early language skills and basic hygiene, safety and other practical tasks; playing games with them; helping with their schoolwork. But without viewing such interactions as the province of the collective, Smith’s idea of socialism is entirely compatible with the preservation of the family sans housework.
Why the ambiguity on a question of such central importance? The ISO appeals to young left-liberal idealists by peddling a version of “Marxism” tailored to their views and prejudices. This organization almost never takes a position on any question that is really unpopular in the American radical-liberal milieu. Young feminist-minded women would find the idea of family life without having to do housework quite attractive. But to give up their proprietary family home and their concern for only their “own” children? The petty-bourgeois audience that Smith is addressing would be appalled at the Bolshevik program for the transformation of daily life through collective modes of living. As Kollontai wrote:
“The working woman, becoming a social fighter for the great cause of the freedom of workers, must learn to understand that old divisions need not exist. These are my children, and all my maternal concern, all my love, is for them. And these are your children, the neighbor’s, and I have no concern with them. Let them be hungrier than mine, colder than mine, I have no concern for another’s children! Now the worker-mother who is aware must learn not to make a distinction between yours and mine, but to remember that they are only our children, children of working, communist Russia.” [emphasis in original]
In 1929, the Russian Communist Party (CP) was still calling for the withering away of the family, despite the rise to political power of a conservative bureaucratic caste led by J.V. Stalin five years earlier. But as we wrote in “The Russian Revolution and the Emancipation of Women” (Spartacist [English-language edition] No. 59, Spring 2006), “By 1936-37, when the Russian CP’s degeneration was complete, Stalinist doctrine pronounced this a ‘crude mistake’ and called for a ‘reconstruction of the family on a new socialist basis’.”
The Family as a Social Construct
Whereas Smith and Riddell falsely claim that the early Bolshevik regime supported the traditional role of women as primary caregivers for their young children, Goldman criticizes them for not doing so:
“The Bolsheviks attached little importance to the powerful emotional bonds between parents and their children. They assumed that most of the necessary care for children, even infants, could be relegated to paid, public employees. They tended to slight the role of the mother-child bond in infant survival and early childhood development, although even a rudimentary acquaintance with the work of the prerevolutionary foundling homes would have revealed the shockingly low survival rates for infants in institutional settings and the obstacles to healthy child development.”
This analogy is entirely invalid. The treatment and fate of young children in the impoverished foundling homes of tsarist Russia can by no means be compared to collective childcare in a revolutionary society. A workers state, especially in an economically advanced country, would have the human and material resources to provide far better care for young children in all respects than a mother in the setting of a private, family household.
Furthermore, the Bolsheviks put great emphasis on the health and well-being of mother and child. The 1918 Labor Code provided at least one paid 30-minute break every three hours to feed a baby. The maternity insurance program implemented the same year provided for a fully paid maternity leave of eight weeks, nursing breaks and factory rest facilities for women on the job, free pre- and post-natal care and cash allowances. With its networks of maternity clinics, consultation offices, feeding stations, nurseries and mother and infant homes, this program was perhaps the single most popular innovation of the Soviet regime among women.
Feminists in the U.S. and elsewhere usually denounce the proposition that “biology equals destiny” as an expression of male chauvinism. Yet Goldman makes the assumption that women, or for that matter men, who are not biologically related to infants and young children cannot develop the same protective feelings toward them as their birth mother. Parents of adopted children may well argue with this idea. But modern adoption practices in the U.S. are also based on the concept that only in a “family”—be it biological mother and father, adoptive parents or gay or transgender parents—can a child get the proper care and love. Far from being a fact of nature, the idea that raising children can succeed only in a family setting is a social construct.
When people lived as hunter-gatherers (the vast majority of the 200,000 years our species has been around), the band or tribe, not the “pair bond,” was the basic unit of human existence. One example from the not-too-distant past comes from the testimony of 17th-century Jesuit missionaries among the Naskapi hunting people of Labrador. As related by Eleanor Burke Leacock in her fine introduction to Engels’ Origin of the Family, Private Property, and the State (International Publishers, 1972), Jesuits complained about the sexual freedom of Naskapi women, pointing out to one man that “he himself was not sure that his son, who was there present, was his son.” The Naskapi’s reply is telling: “Thou hast no sense. You French people love only your own children; but we love all the children of our tribe.”
The disappearance of classes and private property under communism would lead inevitably to the full freedom of sexual relations and to the disappearance of any concept of legitimacy or illegitimacy. Everyone would have access to the fullest benefits of society by virtue of being a citizen of the international Soviet.
The Family as Carrier of Bourgeois Ideology
Vogel and Smith implicitly limit the concept of domestic labor to physical activities. Thus Smith writes: “The day-to-day responsibilities of family still center around feeding, clothing, cleaning, and otherwise caring for its members, and that responsibility still falls mainly on women.” But raising children for their future entry into the labor market is not like raising calves and lambs for the livestock market. The reproduction of human labor power has not only a biological but also a social, i.e., ideological character. Taking a child to church or religious instruction is also a form of domestic labor, in its own way important for the maintenance of the capitalist system; likewise, taking a child to a movie that glorifies “family values,” patriotism, etc. The family is the primary institution through which bourgeois ideology in its various forms is transmitted from one generation to the next.
The ABC of Communism (1919), written by two leading Bolsheviks, Nikolai Bukharin and Evgeny Preobrazhensky, explained that the tiny minority of capitalists cannot dominate the working class solely through the use of physical force and coercion carried out by the police and military. The maintenance of the capitalist system also involves the force of ideas:
“The bourgeoisie is well aware that it cannot control the working masses by the use of force alone. It is necessary that the workers’ brains should be completely enmeshed as if in a spider’s web.... The capitalist State maintains specialists to stupefy and subdue the proletariat; it maintains bourgeois teachers and professors, the clergy, bourgeois authors and journalists.”
Bukharin and Preobrazhensky pointed to three main institutions by which bourgeois ideological domination is maintained: the educational system, the church and the press, with the mass media today also including films, television and the Internet.
In the advanced capitalist countries, where children are widely viewed as the property of their parents, the family has a different relationship to each of those institutions. From the age of five or six, children are legally required to attend school (public or private), and younger children often go to preschool. From the time that they’re toddlers, children watch television, with some parents, usually mothers, controlling which programs they watch. Unlike school teachers and TV producers, clergymen have no such automatic direct access to young children—in the U.S. and elsewhere, the parents decide whether or not their children are subjected to religious indoctrination. At least initially, such indoctrination is imposed upon children against their subjective desires. There probably isn’t a four- or five-year-old on the planet who would not rather play games with other children than attend religious services.
Consider a ten-year-old boy whose parents are practicing Catholics. He has been taken to church for as long as he can remember. He has attended Catholic school either in place of public school or supplementary to it. He has heard prayers said before meals at home and experienced multiple expressions of religious belief in everyday domestic life. Such a child may well adhere to Catholic beliefs and doctrines at least until a later stage in life when free of parental authority.
Conversely, consider a ten-year-old whose parents are irreligious. His knowledge of religion is limited to what he has learned in public school, occasional information gleaned from TV programs and movies and discussions with other children who are religious-minded. Such a child will almost certainly be irreligious. But being irreligious does not immunize a child from other, likely “progressive” forms of bourgeois ideology. A child raised by parents who subscribe to “secular humanism” will likely adhere to political liberalism in the U.S. or social democracy in West Europe and possibly intellectual elitism. There is also a current of atheistic libertarianism (associated with Ayn Rand) that glorifies self-centered individualism and “free market” capitalism. Religion is not the only form of reactionary bourgeois ideology.
The family oppresses children as well as women, and it is plenty deforming to men’s consciousness as well. This basic social truth is ignored if not denied by both liberal and “socialist” feminists. For them to recognize that the oppression of children is intrinsic to the family would mean (horror of horrors!) criticizing the socially conditioned behavior of women in their role as mothers. Professed Marxists like Vogel and Smith, who propagate the thesis that domestic labor is the basis of women’s oppression, implicitly treat mothers as only doing good for their children.
Against the Sexual Repression of Children
While most feminists would condemn the physical abuse of children, they are effectively indifferent to psychological abuse. To take one example, the children of fundamentalist Christian parents (whether Catholic or Protestant) suffer mental torture in believing that they will go to hell if they behave badly.
Far more widespread and psychologically damaging is the sexual repression of children extending well into adolescence. Capitalist society is geared to penalize the expression of sexuality in children from birth. Even the most enlightened parents cannot shield children from the anti-sex, moralistic ideology that pervades American society—everywhere from the pink- and blue-themed aisles at Toys “R” Us and the ban on public nudity to the demonization of any sexual activity by children, including masturbation. As infants’ and toddlers’ primary caregivers, mothers more than fathers begin the process of that sexual repression, teaching children to feel shame about their bodies and to suppress their natural curiosity.
August Bebel, a principal leader of German Social Democracy in the late 19th and early 20th centuries, comes off as a radical sexual libertarian compared to today’s “socialist feminists.” In Woman Under Socialism (1879), he insisted:
The satisfaction of the sexual instinct is as much a private concern as the satisfaction of any other natural instinct. None is therefor accountable to others, and no unsolicited judge may interfere.... The simple circumstance that all bashful prudery and affectation of secrecy regarding natural matters will have vanished is a guarantee of a more natural intercourse of the sexes than that which prevails to-day.” [emphasis in original]
One can read hundreds of pages written by today’s “socialist feminists” without finding any argument that a socialist society will enable everyone to better fulfill their sexual needs and desires.
The Communist Future
Under communism, people will be genuinely and truly free to shape and reshape their interpersonal relations. Of course, this freedom is not absolute. Humanity cannot transcend its biological makeup and relation to the natural environment. Communist man and woman, too, will grow old and die. Neither can mankind sweep the slate totally clean and build society anew. Communist humanity will inherit for good and ill the accumulated cultural heritage of our species. We cannot know the sexual practices of communist society because these will be determined in the future. Any projection, much less prescription, would carry the imprint of attitudes, values and prejudices shaped by a repressive class society.
A fundamental difference between Marxists and feminists, whether liberal or professed socialist, is that our ultimate goal is not gender equality as such but rather the progressive development of the human species as a whole. The communal raising of children under conditions of material abundance and cultural richness will produce human beings whose mental capacities as well as psychological well-being will be vastly superior to people in this impoverished, oppressive and class-divided society. In a 1932 speech on the Russian Revolution, “In Defence of October” (Fourth International, July-August 1947), Leon Trotsky said:
“It is true that humanity has more than once brought forth giants of thought and action, who tower over their contemporaries like summits in a chain of mountains. The human race has a right to be proud of its Aristotle, Shakespeare, Darwin, Beethoven, Goethe, Marx, Edison, and Lenin. But why are they so rare? Above all, because almost without exception, they came out of the upper and middle classes. Apart from rare exceptions, the sparks of genius in the suppressed depths of the people are choked before they can burst into flame. But also because the processes of creating, developing and educating a human being have been and remain essentially a matter of chance, not illuminated by theory and practice, not subjected to consciousness and will....
“Once he has done with the anarchic forces of his own society man will set to work on himself, in the pestle and the retort of the chemist. For the first time mankind will regard itself as raw material, or at best as a physical and psychic semi-finished product. Socialism will mean a leap from the realm of necessity into the realm of freedom in this sense also, that the man of today, with all his contradictions and lack of harmony, will open the road for a new and happier race.”
NYU’s Left Front Art Show-Stalinists and Artists in the U.S. “Red Decade” by Helen Cantor






Workers Vanguard No. 1069
 



29 May 2015
 
NYU’s Left Front Art Show-Stalinists and Artists in the U.S. “Red Decade”
by Helen Cantor
 
New York University’s recent art show, “The Left Front: Radical Art in the ‘Red Decade,’ 1929-1940,” which closed April 4, was a bittersweet experience. (An earlier version, based on Northwestern University’s collection, was shown in Chicago last year.) In the present period, with successful workers struggles few and far between, the pro-working-class images—photos, movies of mass May Day parades in New York City, pictures of Great Depression misery, protests, strikes, the fight against Jim Crow segregation—were, of course, moving. The show included over 100 works by artists in the U.S., many of which are lithographs and etchings, reproducible techniques designed to be accessible to workers.
But there was something wrong with this picture. It wasn’t the individual artworks themselves, but the sentimental, prettifying view of and narrow focus on the U.S. Communist Party (CP). The John Reed Clubs and their successor, the American Artists’ Congress, both Stalinist front groups from day one, were the admired centerpiece of the show, to the exclusion of what was a far more complex intersection of politics and art at the time.
The show’s co-curators, Jill Bugajski and John Paul Murphy, Northwestern PhD graduates, did make some observations regarding the American CP’s relations with Moscow. And, of course, an academic art show can’t be about everything; you do need some kind of focus. The problem is that the presentation blurred out the horrible effects of Stalinism’s censorship of intellectual efforts, including art. This censorship was an ideological counterpart to the consolidation of the Moscow bureaucracy headed by Stalin (which had usurped political power from the Soviet working class beginning in 1923-24) and its murderous betrayals of the struggle for proletarian revolution worldwide. The show presented an alternate reality: a provincial “social realism”-style tin-roofed shack on the all-American prairie, false shelter from the wild storms raging internationally.
The “Left Front” referred to 1929-40 as the “red decade,” a term coined by onetime Stalinist admirer turned anti-Communist author Eugene Lyons. The curators, who unlike Lyons were approving in this description, put up a big red 1937 Spanish Civil War poster by the anarcho-syndicalist CNT trade union. Okay, but what about the Stalinists’ murder of anarchists, POUM militants and others after the heroic Barcelona Days? What about Hitler’s rise to power in 1933, unfought by the German Communist Party? What about the 1936-1938 Moscow Trials of the Old Bolsheviks (party members before 1917) and the executions, exiles and mass labor camps for revolutionaries in the USSR? Ending the decade, what about the 1940 assassination of Leon Trotsky in Mexico via a Stalinist killer’s ice axe? This decade runs red with the blood of our comrades, is what I thought.
I found myself wandering around the Village after seeing the show, muttering: “Not revolutionary art, propaganda! Stalinist hacks! But some pieces were sincere, good! But Esenin and Mayakovsky committed suicide!” And so on. So what follows is not an “art review,” except for one comment: There is nothing “revolutionary” or “radical” (terms the curators flung around) about this art as such, whether in terms of experimental technique or new concept. It’s propaganda and genre art, with a few exceptions, by artists who sympathized with the poor, the workers and even with the CP. The pedestrian aesthetic level was not entirely the Stalinists’ fault, since American art in general was pretty provincial until the explosion of abstract expressionism after World War II—the 1913 New York Armory Show that introduced Cubism to the U.S. knocked everybody for a loop. Rather, I want to discuss the politics the pictures don’t show, and the revolutionary Trotskyist alternative to the CP’s lies and crimes regarding culture, as so much else.
Stalinism Lite
The Marxist program of world socialist revolution that animated the Bolsheviks of 1917 was flatly rejected with Stalin’s 1924 invention of “socialism in one country” (meaning “socialism” in only one country). This dogma and the Moscow bureaucracy’s later proclamation of “socialist realism” and ban on “modernist” art encouraged the production of some really dreary art by CP-influenced artists in the U.S. Such works are about what you could expect from a party whose big Popular Front slogan was “Communism is 20th Century Americanism.”
So why is this period popular again? Theodore Draper, in a 1986 “Afterword” to his classic book American Communism and Soviet Russia (1960), writes of a generation of academic social historians (Paul Buhle, Mark Naison, etc.) who were former New Leftists: “Radicals have usually preferred to behold their promised land in the future; these post-New Leftists have been impelled to find it in the past. They have invented a radicalism of nostalgia.”
This now third-hand nostalgia seems to have impelled the New York show. Co-curator John Paul Murphy’s essay “The Left Front: From Revolutionary to Popular” references the 2007 recession and protests like Occupy Wall Street, stating: “In this context, the bracing images by 1930s artist-activists become newly vivid.” The 1930s, that’s okay, but go no further—any earlier, any more vivid, and then they would have to deal with the Bolshevik-led October 1917 Russian Revolution, which actually overthrew the bourgeoisie. That far back these historians don’t want to go. Because then they would have to take a side. So that’s why they start with 1929. It’s not really about the Great Depression.
By 1929, the U.S. CP’s subservience to the conservative Moscow bureaucracy had been solidified. Earlier, when still a revolutionary force under Lenin and Trotsky’s leadership, the Communist International helped “Americanize” the CP by emphasizing that the fight for socialist revolution and the struggle for black liberation are inextricably linked, as a new book, The Communist International and U.S. Communism, 1919-1929 (2014) by Jacob Zumoff, details. But that perspective was dumped by the Stalinized Comintern, which in 1928 ordered the CP to chop off its left wing—the Trotskyists around James P. Cannon—and then in 1929 its right wing, centered on the loathsome Jay Lovestone, who had bet on the Right Opposition of Nikolai Bukharin a little too long. What remained was a crippled, pliant CP, faithfully lurching after every turn of Stalinist policy.
In the U.S., the CP’s “Left Turn” of 1928-29 included policies like dual unionism (leaving the AFL unions to create “red” ones), the demand for self-determination of the so-called Black Belt in the South, and attacks on other leftists, mainly the Social Democracy, as “social fascists” worse than the Nazis. Though sounding very radical, all this allowed the Communists to evade the hard political struggle to crack through the obstacles to an American revolution, a goal the CP leadership had, in fact, abandoned. At the same time, the tremendous authority of the Bolshevik Revolution and some of the CP’s activities, which included leading strikes and fighting for black rights, such as its “Scottsboro Boys” defense work throughout the 1930s, gave the Communists credibility in the eyes of many. This is the period in which the John Reed Clubs were founded, in 1929.
Ultraleftism and “Proletarian Culture”
The “Left Front” displayed the 1932 “Draft Manifesto” of the New York John Reed Club, whose Moscow-inspired Proletkult (proletarian culture) theme was that art must be a class weapon. “This class struggle plays hell with your poetry,” said the actual John Reed, author of Ten Days That Shook the World (1919), a founder of the American CP who died in 1920 and who knew firsthand more about revolution and poetry than anybody in the Stalinist clubs named after him. Then-Trotskyist sympathizer Max Eastman recalled Reed’s statement in Artists in Uniform (1934).
An essay commissioned for the show by University College London art history professor Andrew Hemingway points out that the John Reed Clubs, and especially the Communist writer Mike Gold, held to “the notion of Proletarian Art—the idea that the working class would organically produce a great artistic style, a form of heroic realism, out of the crucible of its own direct experience.” Trotsky’s classic Literature and Revolution (1924) refutes this simple-minded proposition in two ways. First, the proletariat needs to conquer political power because under capitalism it has no access to wealth and leisure and thus cannot possibly create its own culture. Second, and more profoundly, once successful proletarian revolutions begin to create a world socialist society, the proletariat will cease to exist as a class, along with all other classes (thus the withering away of the state), and the new culture will be a truly universal human culture for the first time.
Unless trivialized as genre painting or propaganda, “Proletarian Art” is a contradiction in terms. Trotsky wrote in “The Suicide of Vladimir Mayakovsky” (1930):
“The current official ideology of ‘proletarian literature’ is based—we see the same thing in the artistic sphere as in the economic—on a total lack of understanding of the rhythms and periods of time necessary for cultural maturation. The struggle for ‘proletarian culture’—something on the order of the ‘total collectivization’ of all humanity’s gains within the span of a single five-year plan—had at the beginning of the October Revolution the character of utopian idealism, and it was precisely on this basis that it was rejected by Lenin and the author of these lines. In recent years it has become simply a system of bureaucratic command over art and a way of impoverishing it.”
The John Reed Clubs’ “Manifesto” also intoned that artists must “fight against fascism, whether open or concealed, like social-fascism.” The Stalinist view of social democracy (“social-fascism”) as worse than fascism proved catastrophic in Germany, where the CP refused to initiate a united front with the reformist Social Democratic Party to stop the Nazis’ rise to power in 1933. Maybe this could have stopped the Holocaust. A few cartoons satirizing evil fascists hardly compensate for this betrayal.
The U.S. CP also regarded the “social fascists” as the main enemy. In NYC on 16 February 1934, Alan M. Wald recounts in his useful book, The New York Intellectuals (1987): “The Communist Party, carrying out its line against ‘social fascism,’ violently disrupted a Socialist Party rally at Madison Square Garden organized to protest the Austrian chancellor Dolfus’s [sic] armed attack on workers’ houses in Vienna, which were mainly occupied by Austrian Social Democrats.”
Herding Cats
Organizing artists is like trying to herd cats—and without state power, the American CP had no real coercive force, unlike in the USSR. That’s why there are some good, even famous, artists in this show—like Rockwell Kent, Stuart Davis, Isabel Bishop, Reginald Marsh and the “Ashcan School” among others—who went their own way artistically. But the CP tried to crack down as much as it could.
In his essay, Hemingway remarks that some influential Party cadre “bemoaned the character of much of the membership as ‘uprooted bohemian elements’ and ‘hangers on of the art world,’ and complained of the difficulties they faced” [emphasis in original]. As a general rule, artists and bureaucrats of whatever stripe are oil and water. When artists in the Works Progress Administration art project held a 1937 sit-down strike against cuts in the relief program, its director, Holger Cahill, fumed: “These people are psychopaths, they are basically unemployable, and you can’t do anything with them.”
In our 1992 obituary of Fritz Brosius, a German Expressionist-inspired artist and longtime friend of the Spartacist League, we wrote: “In 1932, when the New York John Reed Clubs had been forced to admit their ‘grave error’ in asking the Mexican muralist Diego Rivera—a supporter of Leon Trotsky—to speak, Fritz [then a CP member] broke discipline by going to Rivera’s New York studio as an act of protest against the party’s campaign” (“Fritz Brosius: Artist and Friend,” WV No. 553, 12 June 1992). Later, in 1938, Fritz married a member of the Socialist Party and was “excommunicated” from the CP; he found out about it by reading the CP press.
Popular Front Abroad, “Socialist Realism” in USSR
In 1935, after the Seventh Congress of the Comintern proclaimed the “Popular Front,” the John Reed Clubs were summarily disbanded and replaced by the American Artists’ Congress, which was shorn of any “class struggle” rhetoric. Today’s “Left Front” co-curator John Paul Murphy writes: “But as the ‘Red Decade’ drew on, it became apparent that the far left could not ostracize itself entirely from mainstream liberalism if it were to have political impact. So new forms of solidarity emerged, coalescing into a ‘Popular Front’.” No, Stalin in Moscow ordered this line for all the CPs of the world, beginning in France in 1934, to further the aims of Soviet foreign policy. Namely, to enlist the imperialist “Western democracies” (formerly known as capitalist swine) in defending the USSR as Germany rearmed, and that meant no more anti-capitalist rhetoric.
George Orwell, just returned from fighting in a POUM militia in the Spanish Civil War, observed in 1937 of the Stalinist line in the British context, “The Popular Front boloney boils down to this: that when the war comes the Communists, labourites etc, instead of working to stop the war and overthrow the Government, will be on the side of the Government provided that the Government is on the ‘right’ side, i.e. against Germany” (“Letter to Geoffrey Gorer,” An Age Like This, 1920-1940 [1968]). For the American CP, it boiled down to: vote Democrat and screw the working class (for example, the CP’s wartime no-strike pledge).
“Left Front” co-curator Jill Bugajski’s essay is more tart, and accurate so far as it goes, though she too skirts unpleasant realities. In “Red Paradise to Red Dilemma,” she mentions the hideous 1936-38 Moscow purge trials of Old Bolsheviks, but politely does not “name names.” In fact, leaders of the American Artists’ Congress put out a letter defending the show trials. This shameful statement was signed by its president, Stuart Davis (a modernist), as well as Raphael Soyer, William Gropper, Max Weber, Harry Gottlieb and other “Left Front” artists. Relentless repression of avowed communists, including the Trotskyists, was a complement to efforts to join hands with bourgeois forces.
Meanwhile, the USSR settled down into the stolid academic style of “socialist realism.” The New Yorker art critic Peter Schjeldahl writes of the American scene in his review of the show (“Left Turns,” 26 January): “The tendency most dramatically missing from the movement is Socialist Realism—utopian subjects, academic forms—which, in 1934, became by diktat the sole style allowed Soviet artists. In America, the nearest equivalents to that ideal were advanced by American Scene painters, such as Thomas Hart Benton and John Steuart Curry, whose patriotic content—folk heroes, sturdy Midwestern farmers—irked leftists.” Yeah, because subject and style were uncomfortably close to what Hitler, with his ban on “degenerate art,” thought uplifting: the most banal, sentimental and somehow disturbing magazine illustrations of old farmstead “just plain folks.”
Many American artists also no doubt realized that giant Stalin figures overseeing the forced collectivization of the peasantry and the crazed breakneck industrialization in the USSR wouldn’t be too popular in the U.S. This was the period of Soviet boy-girl-tractor novels like Ilyin’s The Great Assembly-line, which Trotsky read in exile in 1935, commenting, “The grimmest aspect of the assembly-line romance is the absence of political rights and the lack of individuality on the part of the workers, especially the proletarian youth, who are taught only to obey.”
Disillusionment with Stalinist orders on art took its toll, but the Hitler-Stalin pact of 1939 and the USSR’s invasion of capitalist Finland and Poland set off a wave of hysterical anti-Communism that caused the American Artists’ Congress to lose almost all of its liberal fellow-traveler members. After World War II, the vicious McCarthyite witchhunting of the late 1940s and ’50s further crushed what was already an attenuated movement. The Trotskyists were the most consistent defenders of the USSR throughout its entire existence, upholding its socialized property forms while fighting for the Soviet proletariat to oust the bureaucratic caste that was a roadblock to world revolution. Sweeping away the global capitalist order is the only solution to the horrendous, and ultimately insoluble, problems of an isolated workers state.
Art and Revolution: So Much to Fight For
The censorship imposed in the USSR was an especially bitter blow to artists, because the October Revolution was associated with worldwide cultural upheavals that gave birth to modernism and abstract art. The Revolution offered artists the freedom and resources to explore their new visions. Vasily Kandinsky in 1919 was named Director of the Museum of Pictorial Culture in Russia and put in charge of 22 provincial museums. (At the invitation of the Bauhaus, he left in 1921.) Marc Chagall established a school where Kazimir Malevich and El Lissitzky spread new visual and graphic languages. Lenin, while cringing privately at the freewheeling enthusiasms of culture commissar Lunacharsky—notably the futurists in their bright yellow shirts and decorated faces, painting the trees in front of the Kremlin bright colors for May Day—never considered censorship. Freedom of expression for all, except active counterrevolutionaries, was a fiercely guarded principle during Lenin’s lifetime.
Trotsky in exile rallied still-revolutionary Communists in the fight for a new, Fourth International after the historic defeat in Germany in 1933—and the fact that no opposition had been voiced nor a balance sheet drawn within the Comintern. Trotskyism won significant forces in the U.S., both in the Minneapolis Teamsters 1934 organizing strikes and among the “New York Intellectuals” (see Alan Wald’s book). Trotsky’s continued interest in art and literature brought influential cultural figures to his side for a time.
Northwestern’s “Left Front” catalog printed, amid a mosaic of different takes on art, a shard that glitters with revolutionary truth, shining a critical light on the rest of the show. This was a small excerpt from the “Manifesto: Towards a Free Revolutionary Art” signed by French surrealist Andre Breton and Mexican muralist Diego Rivera, two of the most universally recognized and innovative artists of the period. They had held lengthy discussions with Trotsky in Mexico, resulting in that very powerful statement, first printed in Partisan Review (1938). It observed:
“In the present period of the death agony of capitalism, democratic as well as fascist, the artist sees himself threatened with the loss of his right to live and continue working. He sees all avenues of communication choked with the debris of capitalist collapse. Only naturally, he turns to the Stalinist organizations which hold out the possibility of escaping from his isolation. But if he is to avoid complete demoralization, he cannot remain there, because of the impossibility of delivering his own message and the degrading servility which these organizations exact from him in exchange for certain material advantages. He must understand that his place is elsewhere, not among those who betray the cause of the revolution and mankind, but among those who with unshaken fidelity bear witness to the revolution, among those who, for this reason, are alone able to bring it to fruition, and along with it the ultimate free expression of all forms of human genius.”
From the Archives of Black History and the Class Struggle:An Activist Remembers the Civil Rights Movement-Malcolm X: The Man, the Myth, the Struggle


Workers Vanguard No. 1069
29 May 2015
 
From the Archives of Black History and the Class Struggle
An Activist Remembers the Civil Rights Movement
Malcolm X: The Man, the Myth, the Struggle
 
We reprint below comments by Spartacist League Central Committee member Joseph Seymour at a December 1992 forum in Oakland, California, originally published in the Spartacist pamphlet Black History and the Class Struggle No. 10. That forum featured presentations by three comrades who had participated in the turbulent civil rights struggles of the 1960s, at the time that Malcolm X rose to prominence.
*   *   *
When I was 19 years old, I was involved with a left-wing socialist group at City College, which is located on the fringes of Harlem. We organized for Malcolm X to come and address the student body. Now, he didn’t come with a big entourage, and since I was chairing the meeting, just before he spoke I found myself standing next to him in the auditorium. I felt terribly intimidated and sheepish—I mean, here I am with Malcolm X. Just to make conversation, I noted that the previous summer I had gone to Cuba where I had met some people from the Nation of Islam. Malcolm expressed real interest and sympathy for the Cuban Revolution. He said he didn’t know very much about it and asked what my impressions were. He wasn’t just being polite. He really wanted to know what a 19-year-old college kid thought of the Cuban Revolution.
A few minutes later he spoke to several hundred students, most of them white and generally liberal, and the main point he made was to attack support for and illusions in the Democratic Party. At that particular time, Lyndon Johnson was pushing the Civil Rights Bill and a lot of people thought that the President of the United States had finally taken a hard line against white supremacy. Malcolm said, “Don’t be fooled! Johnson’s best friend in Washington is Georgia Senator Richard Russell who is an arch segregationist.” He said, “When somebody says they are against racism but their best friend is Richard Russell, it’s like somebody saying they are against train robbing and their best friend is Jesse James.”
This incident reveals what’s missing from Spike Lee’s [1992] film Malcolm X—the momentous political struggle in this country and abroad which formed the background of Malcolm’s rise to prominence. The debate that was raging among the activists. Did you support the Cuban Revolution and the Vietnamese Revolution against U.S. imperialism? Or did you support the U.S. government in trying to overthrow Castro and in trying to destroy the Viet Cong in blood in the name of anti-communism? Did you attack John F. Kennedy and Lyndon Johnson as war criminals who oppressed and savaged the dark-skinned peoples of the world? Or did you look to them to bring democracy and civil rights and racial equality to black people in this country? Did you believe that civil rights militants had the right to defend themselves against the cracker sheriffs and the Klan and the White Citizens Councils? Or did you maintain that in fighting for their democratic rights black people could do no more than engage in nonviolent protest?
These were the issues which polarized American society. These were the issues that defined Malcolm’s politics and determined his appeal. Because what he was in the minds of everybody—black, white, left, right, center—he was the best known, the most powerful, the most incisive enemy of what we at the time called the “white power structure.” Spike Lee doesn’t understand that because he doesn’t understand how convulsive and explosive American society was in the early 1960s. The civil rights movement, in the sweep of its mass support, in the aspirations for freedom and equality which it generated among black people, and in bringing into existence a whole generation of young radical activists, had a revolutionary potential.
In the South, the entire black community was mobilized—hundreds of thousands of people were confronting a totalitarian racist police state which they had lived under for three-quarters of a century, since Radical Reconstruction was abandoned and defeated in the aftermath of the Civil War. In the North it was different, because blacks had, legally, the formal democratic rights which the Southern civil rights movement was fighting for. They could vote, they could go into restaurants and ride buses with white people. But blacks in the North as well as in the South did not consider the civil rights movement in this narrow a way. They saw it as a movement for general social equality, even though there was no coherent or agreed-upon program for how to achieve that.
In Spike Lee’s movie, you don’t realize that at one point there were probably more civil rights militants in the town of Albany, Georgia than there were in the entire Nation of Islam nationally. A whole generation had been standing up to the cops in the South and in the North. Like Malcolm X, they came to understand the link between racism in the United States and the oppression by the American government and the big corporations of dark-skinned people throughout the world.
Preachers’ Pacifism vs. Militant Self-Defense for the Movement
That’s why the question of nonviolence at that moment was so decisive and so important. It wasn’t about the right of individuals to defend themselves or their families. In the movie they show Malcolm X’s father (who was a black-nationalist minister) warding off an attack by local Klansmen by threatening them with his pistol. But that wasn’t what the debate was. We were talking about armed self-defense for a mass movementa movement which embraced millions and which was confronting the capitalist state.
The question of nonviolence was basically a question of your attitude toward the system. To say that the civil rights movement had the right to defend itself against racist terror was really to say that you had the right of revolution; that you didn’t accept the rules of the game. And when King pledged nonviolence, what he was really saying is he was pledging allegiance to the white power structure. He was saying that the black movement cannot go beyond the bounds set for it by the liberal wing of the ruling class represented by the Democratic Party. That’s what it meant. And that’s why Malcolm X called King a “20th century Uncle Tom” whose primary concern is to defend the white man.
When Malcolm said that, a lot of people in the civil rights movement, even people who were critical of King, thought that this was exaggerated and unfair. Yet a few months after Malcolm was assassinated, the black ghetto in Watts in Los Angeles rose up. Black youth ran through the streets demonstrating defiance of the ruling class. The police and the National Guard were sent in and killed more than 30 black kids—most of them unarmed, most of them in cold blood. What did King do? Did he call upon the LAPD and the FBI and the National Guard to “turn the other cheek,” to throw away their guns and resort to “nonviolent resistance”? No! He said it was necessary that “as powerful a police force as possible be brought in to check them.” Malcolm X was known above all at the time as a person who said that the oppressed black masses had the right and the duty to overthrow the system which oppressed and degraded them, although he did not have a coherent program to do that.
The Myth of “Black Capitalism”
While Malcolm X was alive, he was slandered as some kind of crazed fanatic and advocate of black violence against white America. But today there is a different kind of falsification, which in its way is no less pernicious. He is now presented as a pioneer advocate of black-owned business, as a man who believed in the economic development of the segregated ghetto within the framework and under the rules set by white-dominated American capitalism. This line and lie is perpetrated not only by nationalist hustlers like Farrakhan, who when Malcolm split from the Nation of Islam said that he deserved death for defying Elijah Muhammad, but it’s also perpetrated by the house organ of international financiers. A recent issue of the London Economist says that Malcolm’s message was “black capitalism.”
It is true that Malcolm sought, both as a Muslim and somewhat later, to break poor blacks from the degrading pathology of ghetto life: alcoholism, drug addiction, wife-beating, prostitution. He told black people that they should stand on their own two feet and not depend on the white man. But by that he did not mean that they should take over grocery stores and dry-cleaning stores and open sweatshops in the ghetto to rip off and exploit their own people! This I will tell you, that while he was alive, no one, absolutely no one believed that Malcolm X was an advocate of “black capitalism” or any other kind of capitalism. Quite the contrary.
If Malcolm X did not advocate liberal integrationism like King, and he did not advocate separatist capitalism like Farrakhan, what did he stand for in a positive sense? The movie shows that it was his pilgrimage to Mecca which broke Malcolm from a narrow, racially defined black nationalism. That is true. But the movie does not show that Malcolm undertook a second trip to North Africa and sub-Saharan Africa which had a profound effect on his political outlook. After that trip Malcolm talked not only about opposing racial or national oppression, but “overthrowing the system of exploitation.”
Does that mean that Malcolm had become a Marxist or was moving toward Marxism? This is the position that was argued by the late George Breitman, for example, a professed Trotskyist who edited a number of Malcolm’s speeches and writings. But that too is a falsification. In the last period of his life, Malcolm X came under the influence of the new bourgeois-nationalist regimes in the Arab East and black Africa; people like Egypt’s Nasser and [Kenya’s] Jomo Kenyatta. These people denounced Western imperialism, Western racism. They talked about “African socialism” or some other kind of “socialism.” Malcolm bought this.
Malcolm X understood American society in his own way. He saw through the lies and hypocrisy of American capitalist politicians, including black Democrats like the slick Harlem Congressman Adam Clayton Powell. But he actually knew very little about the Egyptian or Algerian or Kenyan societies at the base. He took at face value the pretense of these new ruling elites that they were opposed to racism the world over; that they were believers in and champions of social equality. Much of Malcolm’s energy in the last period of his life was directed at getting what he called the Afro-Asian bloc to pass a resolution in the United Nations condemning racism in America. To begin with, there was no way that was going to happen, because all of these regimes depended on money from Washington and London and Paris, even though they denounced Western imperialism at every opportunity. They denounced Western imperialism, they flirted with Moscow, they said they were nonaligned in the Cold War—as a ploy to get more money from Washington and London and Paris. But even if they had passed a resolution in the UN condemning racism in the United States, the American ruling class would have ignored it.
While Malcolm’s campaign to enlist the United Nations in the service of anti-racism was misdirected, he nonetheless understood that simply by its own resources and its own efforts, the American black community could not achieve equality, could not overcome and break the power of the American government and its ruling class. That’s why he was so desirous of finding powerful allies outside the U.S. But Malcolm X did not see that there existed a powerful force within the United States, potentially hostile to the white power structure, namely the racially integrated working class.
He saw American society as racially divided, but not as class-divided. His view was shaped by his own personal experience. He had been a ghetto hustler, then a prisoner for several years, and then the minister of a black-nationalist religious sect. Unlike millions of other American black men and women, he had never worked with whites or Hispanics. He knew nothing of the trade-union movement. He had never been involved in a strike or defending a picket line against the cops and the scabs. He did not understand that it is the strategic role of blacks in the working class which gives them the potential leverage to overturn the racist capitalist system.
Black workers, armed with a revolutionary socialist program, and organized by a multiracial communist party, can lead backward white workers even though they have racist attitudes and prejudices, in struggle against the ruling class. Malcolm X believed and stated very forcefully that black people must fight for equality and freedom “by any means necessary.” The necessary means is working-class revolution. And that revolution when it comes will rightly honor Malcolm X as a courageous fighter and a martyr for the cause of the liberation of humanity.
 
A View From The Left-ILWU Contract-Shipping Bosses Buy Labor Peace, Undermine Union


Workers Vanguard No. 1069
29 May 2015
 
ILWU Contract-Shipping Bosses Buy Labor Peace, Undermine Union
 

Members of the International Longshore and Warehouse Union (ILWU) voted up a new five-year contract with the Pacific Maritime Association (PMA) with 82 percent in favor. By the standards of union contracts these days, when it is considered a “victory” for the union simply to survive, the ILWU contract might appear a veritable pot of gold. In addition to a wage increase totaling $6.50 an hour by the contract’s end and small increases in pensions, there were no cuts to the union’s health plan, which has no co-pay. This means that the ILWU will not have to shoulder the cost of the $150 million a year tax, mandated for so-called “Cadillac” plans under Obama’s Affordable Care Act, which goes into effect in 2018. But as the old saying goes, all that glitters isn’t gold.
Vast changes are posed in the shipping industry with the widening of the Panama Canal, the consolidation of shippers into ever-larger conglomerates operating ships able to carry up to almost double the number of containers and the installation of automated cranes and yard vehicles at the largest terminals in the U.S. Throwing a little money the ILWU’s way, the PMA simply opted to buy itself some time, and five years of labor peace, to see how things shape up. Meanwhile, the shipping bosses obtained provisions that will continue to erode the fighting capacity of the ILWU by heightening already existing divisions in the union. This includes contract language aimed at stopping the ILWU from honoring picket lines of its own members!
With the onset of container shipping, the union was divided in 1959 between A-men who get the first choice of available work and B-men who only get to pick from among the unfilled jobs and are not accorded union membership. The widespread automation accompanying containerization slashed the workforce by a factor of ten and brought yet another division, the “steady men.” A layer of highly paid skilled workers, consisting largely of crane operators and mechanics, the steady men work directly for individual stevedoring companies, bypassing and undermining the ILWU hiring hall that is the embodiment of the union’s power. Later, the workforce was further divided by a category of “casual” workers, who only get work when the A and B lists have been exhausted and have no benefits or union rights. These divisions are a danger to the very existence of the ILWU.
Under the new agreement, casuals and other longshoremen with less work experience will not get the full wage increase, widening the divide between those first entering the industry and the A-men. Mechanics, on the other hand, get a larger increase. It is also widely rumored that the walking bosses—who are organized in their own ILWU locals and are responsible for overseeing union work at different terminals—got a massive wage increase. If so, this is a blatant attempt to bribe the walking bosses into becoming company men. In 1919, a strike by the Riggers’ and Stevedores’ Union, which represented longshore workers in San Francisco, was defeated and the union smashed after the gang bosses of that day split off from the union in the course of the strike. They formed the notorious “blue book” company union that ran the hated “shape up” system, under which corrupt gang bosses in league with the shippers called the shots on who would get work on the docks.
Longshore workers and their union allies literally laid down their lives in the class battles of 1934 to smash the “blue book” and win union control of hiring (see “Then and Now,” WV Nos. 1050 and 1051, 8 August and 5 September 2014). The hiring hall and ILWU-run job dispatch were designed to equalize work opportunity among all longshoremen. This system has been increasingly subverted since the 1960-61 Mechanization and Modernization Agreement negotiated by the ILWU’s historic leader, Harry Bridges. In addition, the coastwide unity of the ILWU has been undermined by unequal manning scales at different ports, creating resentment and tensions between ILWU locals as well as opening the door for the shipping bosses to play port against port.
Any struggle to restore the fighting power of the ILWU must begin with bringing the steady men back to the hall and championing union rights, pay and benefits at the highest rate for all longshore workers. Equal pay for equal work! For equal manning scales, at the highest level, at all West Coast ports!iew
Socialism and Art

Workers Vanguard No. 1069
 

29 May 2015
TROTSKY
LENIN
Socialism and Art
(Quote of the Week)
 
The 1917 October Revolution, which shattered the capitalist order in backward Russia, was animated by the goal of building a society on socialist principles—that is, the satisfaction of people’s material and cultural needs. The birth of the Soviet workers state in what the Bolsheviks viewed as the opening shot of world socialist revolution gave rise to a great wave of artistic experimentation and ferment. This creative energy was later smothered by the Stalin-led bureaucracy that usurped political power from the proletariat beginning in 1923-24 amid the continuing isolation and backwardness of the Soviet Union. In the excerpt below, Bolshevik leader Leon Trotsky explained the material foundation of culture.
 
If the dictatorship of the proletariat should prove incapable, in the next few years, of organizing its economic life and of securing at least a living minimum of material comforts for its population, then the proletarian régime will inevitably turn to dust. The economic problem at present is the problem above all problems.
 
But even a successful solution of the elementary problems of food, clothing, shelter, and even of literacy, would in no way signify a complete victory of the new historic principle, that is, of Socialism. Only a movement of scientific thought on a national scale and the development of a new art would signify that the historic seed has not only grown into a plant, but has even flowered. In this sense, the development of art is the highest test of the vitality and significance of each epoch.
 
Culture feeds on the sap of economics, and a material surplus is necessary, so that culture may grow, develop and become subtle. Our bourgeoisie laid its hand on literature, and did this very quickly at the time when it was growing rich. The proletariat will be able to prepare the formation of a new, that is, a Socialist culture and literature, not by the laboratory method on the basis of our present-day poverty, want and illiteracy, but by large social, economic and cultural means. Art needs comfort, even abundance. Furnaces have to be hotter, wheels have to move faster, looms have to turn more quickly, schools have to work better.
 
—Leon Trotsky, Literature and Revolution (1924)
 

In The Golden Age Of Screw-Ball Comedies-Carole Lombard’s Nothing Sacred




 
 
 
DVD Review

From The Pen Of Frank Jackman

Nothing Sacred, starring Carole Lombard, Fredric March, directed by William Wellman, 1937  

No question the laugh-hungry 1930s Great Depression audiences were entertained by films which represented the golden age of classic screw-ball comedies from the likes of directors Preston Sturgis, Frank Capra and William Wellman the director of the film under review Nothing Sacred, done in early Technicolor (the first such screwball comedy). No question as well that the subject of the media and its foibles, excesses and dishonesties, then and now, are a fit subject for screwball comedy in any age (although one has to go some to be Cary Grant’s The Front Page from that same period). And no question no screw-ball comedy is worth a damn if there isn’t a little romance thrown in to insure a happy ending for those laugh-hungry Great Depression audiences. That my friends is the trifecta.     

Here’s the scoop. Wally Cook (played here rather stiffly by Fredric March who usually played characters with a certain gravitas) a from hunger no-hold-barred field reporter for any newspaper USA in any town USA (although the actual setting in the film is New York City) got burned, got burned badly trying to stage a society charity hoax to run a story to the ground and make a name for himself in the big city. As a result he was relegated to the obits, literally the kiss-of-death for any hot-shot reporter on the make. By hook or by crook he inveigled the big boss to let him run with a story about a woman in Vermont, Hazel Flagg, (played by Carol Lombard also somewhat stiffly since she was known as a comedy star of sorts) who was allegedly dying of incurable radium poisoning (yeah this is before the atom bomb and all that). Wally swears he will have them (those city fervent newspaper readers) crying for more once he sets the story up, and jump the newspaper’s circulation up to boot. The boss buys into that proposition and Wally is on his way to the sticks.       

Things as they always do in screw-ball comedies, get tricky, get complicated once he gets to Podunk though. See Hazel has been misdiagnosed by her, well, stew-ball doctor and she is not dying. Thus she will miss that trip to New York City with all the trimming that she had dreamed about as a farewell to this world (NYC then, and now too although perhaps less so, a Mecca for those who have not been there before, especially small-town types). No problem though as Hazel decided to play “sick” and take Wally up on that trip offer. And off they go.    

Well New York City and its’ attentions to her are everything she expected, and more. But then things got sticky again. She fell for Wally, fell hard and didn’t know how to tell him she was not going to die. He has fallen for her too so that got things all mixed up until she hit on the “bright” idea of committing suicide, of fading from view before every New Yorker who could read found out she was a hoax. Eventually Wally found out about her real state, found out he has no problem with her “suicide” solution and they go off into the sunset to marital bliss. Sure the plot line had been done before, and since, but here it is all wrapped up in bows for you, wrapped up in good feelings if you were in that Great Depression audience needing a little escape from your own woes.      

Sunday, June 14, 2015


As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-The Culturati’s Corner

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the hide-bound Academy filled with its rules, or be damned, spoke the pious words of peace, brotherhood and the affinity of all humankind when there was sunny weather), those who saw the disjointedness of modern industrial society in its squalor, it creation of generations of short, nasty, brutish lives just like the philosophers predicted and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or laying their own heads down for some imperial mission.

They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course. 

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as they marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss his high tea. Jesus what a blasted night that Great War time was.  

And as the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, artists, beautiful artists like Fernand Leger who could no longer push the envelope of representative art because it had been twisted by the rubble of war, by the crashing big guns, by the hubris of commanders and commanded and he turned to new form, tubes, cubes, prisms, anything but battered humankind in its every rusts and lusts, all bright and intersecting once he got the mustard gas out of his system, once he had done his patria duty, like speaking of mustard gas old worn out John Singer Sargent of the three name WASPs forgetting Boston Brahmin society ladies in decollage, forgetting ancient world religious murals hanging atop Boston museum and spewing trench warfare and the blind leading the blind out of no man’s land, out of the devil’s claws, like Umberto Boccioni, all swirls, curves, dashes, and dangling guns as the endless charges endlessly charge, like Gustav Klimt and his endlessly detailed gold dust opulent Asiatic dreams filled with lovely matrons and high symbolism and blessed Eve women to fill the night, Adam’s night after they fled the garden, like Joan Miro and his infernal boxes, circles, spats, eyes, dibs, dabs, vaginas, and blots forever suspended in deep space for a candid world to fret through, fret through a long career, and like poor maddened rising like a phoenix in the Spartacist uprising George Grosz puncturing the nasty bourgeoisie, the big bourgeoisie the ones with the real dough and their overfed dreams stuffed with sausage, and from the bloated military and their fat-assed generals stuff with howitzers and rocket shells, like Picasso, yeah, Picasso taking the shape out of recognized human existence and reconfiguring the forms, the mesh of form to fit the new hard order, like, Braque, if only because if you put the yolk on Picasso you have to tie him to the tether too.          

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….           

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Fred “Muhammad” Burton

 
 


http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)


In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

 

 

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Luis Medina,

 


http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)


In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

 
PRESS RELEASE    PRESS RELEASE    PRESS RELEASE
 
High Court Judge rules that the Detained Fast Track for asylum seekers is unlawful and “inherently unfair”
- one more nail in the coffin for Yarl’s Wood IRC.
 
Black Women’s Rape Action Project (BWRAP) and Women Against Rape (WAR) welcome today’s decision by Judge Nicols that the Detained Fast Track for asylum seekers is unlawful and “inherently unfair”. 
 
Cristel Amiss, from (BWRAP) commented:
“This decision is way overdue. Over the past ten years we have worked with many hundreds of women detained in Yarl’s Wood, many of whom are survivors or rape and other violence.  Many have been put into the Detained Fast Track (DFT) and denied both time to gather evidence of the persecution they faced and appropriate legal representation.  Too many have been disbelieved and rejected and sent back to face further rape and other violence.”
    
Sian Evans from WAR added:
We are shocked however that the Judge agreed for this decision to be put on hold whilst the authorities appeal. This delay could have life-threatening consequences for women whose cases are in the DFT.” 
 
On Monday 15th June, BWRAP, WAR and other supporters will deliver a dossier on rape and sexual violence by guards in Yarl's Wood to MPs. The dossier documents complaints from women since 2005 to the present day and details how Serco, the private company that runs Yarl’s Wood, has systematically condoned and covered up this abuse.
 
Protesters will gather in Parliament Square between 12-2pm to demand the closure of Yarl’s Wood and an end to the detention of all asylum seekers. 30,000 people are currently detained in the UK each year, for indefinite periods and despite committing no crime. Internationally protests are having enormous impact. In Greece, the Syriza government has started to close its detention centres. In Scotland the SNP has called for the closure of Dungavel. In the US, the New York Times is proposing to end detention. A recent 700 strong protest outside Yarl’s Wood brought together detainees with supporters from many walks of life including MPs and celebrities.
 
Women from the All African Women’s Group, a self-help group of women asylum seekers, many of whom have been in detention, will be speaking about their experience. Women from inside detention will address the protest via a sound system.
 
Protest and Speak Out to
CLOSE YARL’S WOOD AND ALL DETENTION CENTRES!
15 June 12 noon to 2pm, Parliament Square
The protest is part of a week of international actions
in Belgium, Greece, Spain, the US and the UK.
Women who have been in Yarl’s Wood are available for interview.
For more information contact 0207 482 2496 or 07456 525227 aawg02@gmail.com
 
14 June 2015
The Protest is organised by All African Women’s Group, Black Women’s Rape Action Project, Payday Men’s Network, Women Against Rape, Women of Colour Global Women's Strike