Present At The Creation-Chuck Berry’s Maybelline (1955)

Present At The Creation-Chuck Berry’s Maybelline (1955)

 

 

From The Pen Of Bart Webber

Deep in the dark red scare Cold War night, still brewing then even after Uncle Joe fell down in his Red Square drunken stupor one night and never came back, so yeah still brewing after he kissed off in his vast red earth, still brewing as a child remembered in dark back of school dreams about Soviet nightmares under Uncle Joe wondering how the kids got through it, and still brewing too when Miss Winot in her pristine glory told each and every one of her fourth grade charges, us, that come that Russkie madness, come the Apocalypse, come the big bad ass mega-bombs (of course being pristine and proper she did not dig down to such terms as “big bad ass” but let’s face it that is what she meant) that each and every one of her charges shall come that thundering god-awful air raid siren call duck, quickly and quietly, under his or her desk and then place his or his hands, also quickly and quietly, one over the other on the top of his or her head, a small breeze was coming to the land.

Maybe nobody saw it coming although the more I think about the matter somebody, some bodies knew something, not those supposedly in the know about such times, those who are supposed to catch the breezes before they move beyond their power to curtain them. Take guys like my older brother Franklin and his friends, Benny and Jimmy, who were playing some be-bop  stuff up in his room (Ma refused to let him play his songs on the family record player down center stage in the living room or flip the dial on the kitchen radio away from her tunes of the roaring 1940s, her and my father’s coming of age time, so up his room like some mad monk doing who knows what because I was busy worrying about riding bicycles or something).Here’s the real tip-off though he and his boys would go out Friday nights to Jack Slack’s bowling alleys not to bowl, although that was the cover story to questioning mother, but to hang around Freddie O’Toole’s car complete with turned on amped up radio (station unknown then but later WMEX) and dance, dance with girls, get it, to stuff like Ike Turner’s Rocket 88 (a great song tribute to a great automobile which nobody in our neighborhood could come close to affording so reduced to cheapjack Fords and Plymouths), and guys who even today I don’t know the names of even with YouTube giving everybody with every kind of musical inclination a blast to the pass ticket. Or, how about the times we, the family would go up to Boston for some Catholic thing in the South End at Holy Cross Cathedral and smack across from the church was the later famous Red Hat Club where guys were blasting away at pianos, on guitars and on big ass sexy saxes and it was not the big band sound my folks listened to or cool, cool be-bop jazz either but music from jump street, etched in the back of my brain because remember I’m still fussing over bikes and stuff like that. Or how about every time we went down Massachusetts Avenue in Boston as the sun went down, the “Negro” part before Huntington Avenue (an area that Malcolm X knew well a decade before) and we stopped at the ten billion lights and all you would hear is this bouncing beat coming from taverns, from the old time townhouse apartments and black guys dressed “to the nines,” all flash dancing on the streets with dressed “to the nines” good-looking black girls. Memory bank.            

So some guys knew, gals too don’t forget after all they had to dig the beat, that beat out of some Africa breeze mixed with sweated Southern lusts if the thing was going to work out. Maybe though the guys in the White House were too busy worrying about what Uncle Joe’s progeny were doing out in the missile silos of Minsk, maybe the professional television talkers on Meet The Press wanted to discuss the latest turn in national and international politics for a candid world to hear and missed what was happening out in the cookie-cutter neighborhoods, and maybe the academic sociologists and professional criminologists were too wrapped up in figuring out why Marlon Brando was sulking in his corner boy kingdom (and wreaking havoc on a fearful small town world when he and the boys broke out), why  Johnny Spain had that “shiv” ready to do murder and mayhem to the next midnight passer-by, and why well-groomed and fed James Dean was brooding in the “golden age” land of plenty but the breeze was coming.

(And you could add in the same brother Franklin who as I was worrying about bikes, the two pedal two kind getting “from hunger” to get a Brando bike, a varoom bike, so this girl, Wendy, from school, would take his bait, a girl that my mother fretted was from the wrong side of town, her way of saying a tramp but she was smart as hell once I found out about her a few years later after she, they had left town on some big ass Norton but that is after the creation so I will let it go for now.)               

And then it came, came to us in our turn, came like some Kansas whirlwind, came like the ocean churning up the big waves crashing to a defenseless shoreline, came if the truth be known like the “second coming” long predicted and the brethren, us,  were waiting, waiting like we had been waiting all our short spell lives. Came in a funny form, or rather ironically funny forms, as it turned out.

Came one time, came big as 1954 turned to 1955 and a guy, get this, dressed not in sackcloth or hair-shirt but in a sport’s jacket, a Robert Hall sport’s jacket from the off the rack look of it when he and the boys were “from hunger,” playing for coffee and crullers before on the low life circuit, a little on the heavy side with a little boy’s regular curl in his hair and blasted the whole blessed world to smithereens. Blasted every living breathing teenager, boy or girl, out of his or her lethargy, got the blood flowing. The guy Bill Haley, goddam an old lounge lizard band guy who decided to move the beat forward from cool ass be-bop jazz and sweet romance popular music and make everybody, every kid jump, yeah Big Bill Haley and his Comets, the song Rock Around The Clock.         

Came a little more hep cat too, came all duck walk and sex moves, feet moving faster than Bill could ever do, came out of Saint Loo, came out with a crazy beat. Came out in suit and tie all swagger. Came out with a big baby girl guitar that twisted up the chords something fierce and declared to the candid world, us, that Maybelline was his woman. But get this, because what did we know of “color” back then when we lived in an all-white Irish Catholic neighborhoods and since we heard what we heard of rock and rock mostly on the radio we were shocked when we found out the first time that he was a “Negro” to use the parlance of the times, a black man making us go to “jump street.” And we bought into it, bought into the beat, and joined him in saying Mister Beethoven you and your brethren best move over.    

Here is the funny thing, funny since we were present at the creation, present in spite of every command uttered by Miss Winot against it, declaring the music worse than that Russkie threat if you believed her (a few kids, girls mainly, did whether to suck up to her since she would take their entreaties although boys were strictly “no go” and I know having spent many a missed sunny afternoon doing some silly “punishment” for her). We were just too young to deeply imbibe the full measure of what we were hearing. See this music, music we started calling rock and roll once somebody gave it a name (super DJ impresario Alan Freed as we found out later after we had already become “children of rock and roll”) was meant, was blessedly meant to be danced to which meant in that boy-girl age we who didn’t even like the opposite sex as things stood then were just hanging by our thumbs.

Yeah, was meant to be danced to at “petting parties” in dank family room basements by barely teenage boys and girls. Was meant to be danced to at teenage dance clubs where everybody was getting caught up on learning the newest dance moves and the latest “cool” outfits to go along with that new freedom. Was meant to serve as a backdrop at Doc’s Drugstore’s soda fountain where Doc had installed a jukebox complete with all the latest tunes as boys and girls shared a Coke sipping slowly with two straws hanging out in one frosted glass. Was meant to be listened to by corner boys at Jack Slack’s bowling alley where Jack eventually had set up a small dance floor so kids could dance while waiting for lanes to open (otherwise everybody would be still dancing out in front of O’Toole’s “boss” car complete with amped-up radio not to Jack’s profit). Was meant to be listened to as the sun went down in the west at the local drive-in while the hamburgers and fries were cooking and everybody was waiting for darkness to fall so the real night could begin, the night of dancing in dark corner and exploring the mysteries of the universe, or at least of Miss Sarah Brown.  Was even meant to be listened to on fugitive transistor radios in the that secluded off-limits to adults and little kids (us) where teens, boys and girls, mixed and matched in the drive-in movie night (and would stutter some nonsense to questioning parents who wanted to know the plot of the movies, what movies, Ma).              

Yeah, we were just a little too young even if we can legitimately claim to have been present at the creation. But we will catch up, catch up with a vengeance.

The Honeydripper Parts 1 & 2 -Joe Liggins

Young Jessie - Hit Git & Split

Don't Be Angry - Nappy Brown

jimmy preston - oh babe

Joe Turner - Adam Bit The Apple

Big Tiny Kennedy - Strange Kind Of Feeling

In The Time Of The Second Mountain Music Revival- A Song-Catcher Classic Song- "Come All Ye Fair And Tender Ladies"-Maybelle Carter-Style

In The Time Of The Second Mountain Music Revival- A Song-Catcher Classic Song- "Come All Ye Fair And Tender Ladies"-Maybelle Carter-Style

From The Pen Of Josh Breslin

 

 

 

Listen above to a YouTube film clip of a classic Song-Catcher-type song from deep in the mountains, Come All You Fair And Tender Ladies. According to my sources Cecil Sharpe (a British musicologist looking for roots in the manner of Francis Child with his ballads in the 1850s, Charles Seeger (and maybe his son Peter too in the 1920s and 1930s, and the Lomaxes, father and son, in the 1930s and 1940s)"discovered" the song in 1916 in the deep back hills and hollows of rural Kentucky. (I refuse to buy into that “hollas” business that folk-singers back in the early 1960s, guys and gals some of who went to Harvard and other elite schools and who would be hard-pressed to pin-point say legendary Harlan County or story and song insisted on pronouncing and writing hollows to show their one-ness with the roots, the root music of the desperately poor and uneducated. So hollows.)     

Of course my first connection to the song had nothing to do with the mountains, or mountain origins, certainly with not the wistful or sorrowful end of the love spectrum about false true lovers although  even then I had been through that experience, more than once I am sorry to say, implied in the lyrics. Or so I though at the time. I had heard the song the first time long ago in my ill-spent 1960s youth listening on my transistor radio up in my room in Carver where I grew up to a late Sunday night folk radio show on WBZ in Boston that I could pick up at that hour hosted by Dick Summer (who is now featured on the Tom Rush documentary No Regrets about Tom’s life in the early 1960s Boston folk scene). That night I heard the late gravelly-voiced folksinger Dave Van Ronk singing his version of the old song like some latter-day Jehovah or Old Testament prophet something that I have mentioned elsewhere he probably secretly would have been proud to acknowledge. (Secretly since then he was some kind of high octane Marxist/Trotskyist/Socialist firebrand in his off-stage hours and hence a practicing atheist.) His version of the song quite a bit different from the Maybelle Carter effort here. I'll say.

All this as prelude to a question that had haunted me for a long time, the question of why I, a child of rock and roll, you know Bill Haley, La Verne Baker, Wanda Jackson, Elvis, Carl Perkins, Bo Diddley, Chuck Berry, Jerry Lee Lewis and the like had been drawn to, and am still drawn to the music of the mountains, the music of the hills and hollows, mostly, of Appalachia. You know it took a long time for me to figure out why I was drawn, seemingly out of nowhere, to the mountain music most famously brought to public, Northern public, attention by the likes of the Carter Family, Jimmy Rodgers, The Seegers and the Lomaxes back a couple of generations ago.

The Carter Family hard out of Clinch Mountain down in Virginia someplace famously arrived via a record contract in Bristol, Tennessee in the days when fledgling radio and record companies were looking for music, authentic American music to fill the air and their catalogs. Fill in what amounted to niche music since the radio’s range back then was mostly local and if you wanted to sell soap, perfume, laundry detergent, coffee, flour on the air then you had to play what the audience would listen to and buy the advertiser’s products once they were filled into how wonderful they smelled, tasted, or felt. The Seegers and Lomaxes and a host of others, mainly agents of the record companies looking to bring in new talent, went out into the sweated dusty fields sweaty handkerchiefs in hand to talk to some guy who they had heard played the Saturday night juke joints, out to the Saturday night red barn dance with that lonesome fiddle player bringing on the mist before dawn sweeping down from the hills, out to the Sunday morning praise Jehovah gathered church brethren to seek out that brother who jammed so well at that juke joint or red barn dance, out to the juke joint themselves if they could stand Willie Jack’s freshly brewed liquor, un-bonded of course since about 1789, down to the mountain general store to check with Mister Miller and grab whatever, or whoever was available maybe sitting right there in front of the store. Some of it pretty remarkable filled with fiddles, banjos and mandolins.

But back to the answer to my haunting question. The thing was simplicity itself. See my father, Prescott, hailed (nice word, right) from Kentucky, Hazard, Kentucky, tucked down in the mountains near the Ohio, long noted in song and legend as hard coal country. When World War II came along he left to join the Marines to get the hell out of there, get out of a short, nasty, brutish life as a coalminer, already having worked the coal as had a few of his older brothers and his father and grandfather. During his tour of duty after having fought and bled a little in his share of the Pacific War against the Japanese before he was demobilized he had been stationed for a short while at the Portsmouth Naval Base. During that stay he attended like a lot of lonely soldiers, sailors and Marines who had been overseas a USO dance held in Portland where he met my mother who had grown up in deep French-Canadian Olde Saco. Needless to say he stayed in the North, for better or worse, working the mills in Olde Saco until they closed or headed south for cheaper labor in the late 1950s and then worked at whatever jobs he could find. (Ironically those moves south for cheaper labor were not that far from his growing up home although when asked by the bosses if wanted move down there he gave them an emphatic “no.”)

All during my childhood though along with that popular music, you know the big band sounds and the romantic and forlorn ballads that got many mothers and fathers through the war mountain music, although I would not have called it that then filtered in the background on the family living room record player and the mother’s helper kitchen radio.

But here is the real “discovery,” a discovery that could only be disclosed by my parents. Early on in their marriage they had tried to go back to Hazard to see if they could make a go of it there. This was after my older brother Prescott, Junior was born and while my mother was carrying me. Apparently they stayed for several months before they left to go back to Olde Saco before I was born since I was born in Portland General Hospital. So see that damn mountain music and those sainted hills and hollows were in my DNA, was just harking to me when I got the bug. Funny, isn’t it.            

[Sometimes life floors you though, comes at you not straight like the book, the good book everybody keeps touting and fairness dictates but through a third party, through some messenger for good or ill, and you might not even be aware of how you got that sings-song in your head. Aware of where you are, how you got that sings-song in your head and why a certain song or set of songs “speaks” to you despite every fiber of your being clamoring for you to go the other way. Some things, some cloud puff things maybe going back to before you think you could remember like your awestruck father in way over his head with three small close together boys, no serious job prospects, little education, maybe, maybe not getting some advantage from the G.I. Bill that was supposed lift all veteran boats, all veterans of the bloody atolls and islands, hell, one time savagely fighting over a coral reef against the Japanese occupiers if you can believe that, who dutifully and honorably served the flag singing some misbegotten melody. A melody learned in his childhood down among the hills and hollows, down where the threads of the old country, old country being British Isles and places like that. The stuff collected in Child ballads back then in the 1850s that got bastardized by ten thousand no longer used for its original purpose red barn dance singers when guys like Buell or Hobart added their take on what they thought the words meant and passed that on to kindred and the gens. The norm of the oral tradition of the folk so don’t get nervous unless there had been some infringement of the copyright laws, not likely.  

Passed on too that sorrowful sense of life of people who stayed sedentary too long, too long on Clinch Mountain or Black Mountain or Missionary Mountain long after the land ran out and he, that benighted father of us all, in his turn sang it as a lullaby to his boys. And the boys’ ears perked up to that song, that song of mountain sadness about lost blue-eyed boys, about forsaken loves when the next best thing came along, about spurned brides resting fretfully under the great oak, about love that had no place to go because the parties were too proud to step back for a moment, about the hills of home, lost innocence, you name it, and although he/they could not name it that sadness stuck.

Stuck there not to bear fruit for decades and then one night somebody told one of the boys a story, told it true as far as he knew about that father’s song, about how his father had worked the Ohio River singing and cavorting with the women, how he bore the title of “the Sheik” in remembrance of those black locks and those fierce charcoal black eyes that pierced a woman’s heart. So, yes, Buell and Hobart, and the great god Jehovah come Sunday morning preaching time did their work, did it just fine and the sons finally knew that that long ago song had a deeper meaning than they could ever have imagined.]         

   

COME ALL YE FAIR AND TENDER LADIES
(A.P. Carter)

The Carter Family - 1932

Come all ye fair and tender ladies

Take warning how you court young men

They're like a bright star on a cloudy morning

They will first appear and then they're gone

They'll tell to you some loving story

To make you think that they love you true

Straightway they'll go and court some other

Oh that's the love that they have for you

Do you remember our days of courting

When your head lay upon my breast

You could make me believe with the falling of your arm

That the sun rose in the West

I wish I were some little sparrow

And I had wings and I could fly

I would fly away to my false true lover

And while he'll talk I would sit and cry

But I am not some little sparrow

I have no wings nor can I fly

So I'll sit down here in grief and sorrow

And try to pass my troubles by

I wish I had known before I courted

That love had been so hard to gain

I'd of locked my heart in a box of golden

And fastened it down with a silver chain

Young men never cast your eye on beauty

For beauty is a thing that will decay

For the prettiest flowers that grow in the garden

How soon they'll wither, will wither and fade away

******

ALTERNATE VERSION:

Come all ye fair and tender ladies

Take warning how you court young men

They're like a star on summer morning

They first appear and then they're gone

They'll tell to you some loving story

And make you think they love you so well

Then away they'll go and court some other

And leave you there in grief to dwell

I wish I was on some tall mountain

Where the ivy rocks are black as ink

I'd write a letter to my lost true lover

Whose cheeks are like the morning pink

For love is handsome, love is charming

And love is pretty while it's new

But love grows cold as love grows old

And fades away like the mornin' dew

And fades away like the mornin' dew

The Latest From The United National Anti-War Coalition (UNAC) Website- Immediate, Unconditional Withdrawal Of All U.S./Allied Troops, Mercenaries, Contractors, Etc. From Afghanistan!

The Latest From The United National Anti-War Coalition (UNAC) Website- Immediate, Unconditional Withdrawal Of All U.S./Allied Troops, Mercenaries, Contractors, Etc. From Afghanistan! -Hands Off Syria! No New War In Iraq- Stop The Bombings-Stop The Arms Shipments To The Kurds And Shia-Stay Out Of The Civil War! No Intervention In Ukraine! Defend The Palestinians! No U.S. Aid To Israel! No One Penny, Not One Person For Obama’s War Machine!

 

Click below for link to the United National Anti-War Coalition (UNAC) website for more information about various anti-war, anti-imperialist, anti-capitalist actions around the country.

https://unacpeace.org.

 

Sam Eaton thought it was funny that every time that he and his old time comrade from the anti-war struggles here in America, Ralph Morris, seemed to run out of steam the government would, under both Democratic and Republican Presidents, force them to dust off the old “Stop The War” you fill in the blank which war banners, write up some new leaflet denouncing the latest government rationale for blowing people in other countries to smithereens or raise dough from their circle of ex-radical and left liberal friends guilty about having left the struggle to send people to D.C. or New York to once against voice their opposition. Sam had thought it funny just then as the President had just authorized another escalation (you fill in the President and the country) because the pair had been doing this kind of fairly lonesome work for a long time although they too had had some fairly long periods of inactivity for personal reasons like raising kids and the like.

They had thought, and had talked about the matter several times when they would get together for a few drinks when Ralph was in town and to talk about the old days, that they would be able to “retire” from the anti-war fights once they had reached occupation retirement age. But that was not to be, not the way they were built. See they had met down in Washington, D.C. on May Day 1971 when a lot of radicals, revolutionaries and just plain thoughtful liberals who were totally fed up with the seemingly never-ending Vietnam War (fed up about other issues too, but that was the burning one) and decided to take matters into their own hands by trying to shut down the government if the government did not shut down the war. Now the idea of civil disobedience has a long and proud history and if any situation required civil disobedience to try and stop the madness it was that damn war but the whole scheme was as Ralph called it at the time “utopian” since the anti-war forces were totally inadequate for the array of forces the government had sent out to stop them in their tracks that day. So for their efforts Sam, Ralph and many thousands of others wound up in the bastinado, would up in their case spending about four days in detention inside the Robert F. Kennedy football stadium that on autumn Sundays was the home field of the Washington Redskins before they just walked out of a side exit and nobody stopped them.

They had met in the stadium after Ralph had been picked off by the police around Massachusetts Avenue and Sam on his way up Pennsylvania Avenue headed to the White House. Ralph had noticed that Sam was wearing the button of a supporter of Vietnam Veterans Against The War (VVAW) and had asked Sam if he was a veteran. Sam answered no but that a close friend had been killed there and that had triggered something inside him to oppose the war after he had been rather indifferent about it previously. He told Ralph he felt most comfortable with VVAWers once he told them his motivation for supporting their efforts and they had welcomed him. So one the things that drew them together was that they had similar motives for being in Washington at that time. Sam from Carver (the cranberry bog capital of the world) a working class town about thirty miles south of Boston and Ralph from General Electric-dominated working class Troy in upstate New York had had very personal reasons at the time. Sam like he had said had lost a close hang around guy from high school, Jeff Mullins, out in some jungle outpost in the Central Highlands of Vietnam. Although he was exempted from the drat as the sole support of his mother and four younger sisters after his father had passed away from a heart attack in 1965 that lost affected him deeply, at the time more deeply than any intellectual argument anybody could have presented. Those arguments would come later. Ralph had served in Vietnam (1967-1969) and although he survived what he had seen there led him to total opposition to the war once he got back. So the unlikely pair struck up a friendship that has lasted ever since.

What both Ralph and Sam did not figure on was that they would still be at it with some breaks over forty years later. At a point sometime in the mid-1970s they both had figured out that the big wave of the 1960s had ebbed and so they slipped away from the movement, or at least their 24/7 devotion to it to go back to “normalcy,” Sam to restart his print shop that he had left behind after he got “religion” on the war question and raise a family and Ralph to take over his father’s electrical shop when he retires and raise a family. They would stay in contact, periodically as their kids got older would have shared vacations together in the Adirondacks and sniff around whatever struggles needed a little help like the opposition to the American government in Central America, the fight against apartheid in South Africa and the fast over first Iraq War in 1991. Nothing big but they had a profile.     

Then all hell broke loose after 9/11 when with the same kind of governmental hubris that Sam and Ralph were very familiar with from Vietnam War days began to rear its head in places like Afghanistan and Iraq, particularly Iraq. In late 2002 when the drums of war were being beaten savagely by the Bush administration they met at Jack Higgin’s Grille in Boston, Sam’s in-town watering hole and vowed now that they again had some time that they would wage “peace” as Sam called it until the American troops left the Middle East. Knowing that such efforts requires some kind of organizational affiliation Ralph as a member and Sam as a supporter joined Veterans for Peace a group Sam had heard about in Boston at an anti-war march. And they have been involved as best they can ever since, although Ralph has had some medical issues of late.     

Along the way, especially after the furor over the Iraq War faded once that war actually started (that faded something both men could not understand having witnessed the rise of the opposition to the Vietnam War go in the other direction as that war escalated and dragged on), the would run into and join the dwindling other groups and individuals who wanted to oppose the permanent war policies of the American government. Around 2010 or so in the “dog days” of the anti-war opposition when Barack Obama was riding high they would attend meetings of the United National Anti-War Coalition (UNAC) which was trying to unite all the various, mostly small, groupings under one umbrella. Sam, a little better at writing stuff than Ralph, after their most recent discussion about how long they had been at the struggle against war, wrote something to try to make sense of what they were doing. Here is what he had to say and see if that helps at all:      

“A while back, maybe last year [Fall, 2014] as things seemed to be winding down in the Middle East, or at least the American presence was scheduled to decrease in places like Afghanistan and Iraq, and before Ukraine, Syria, Gaza and a number of other flash points erupted I mentioned that every once in a while it is necessary, if for no other reason than to proclaim from the public square that we are alive, and fighting, to show “the colors,” our anti-war colors. I also mentioned at the time that while endless marches are not going to end any war the imperialists decide to provoke the street opposition to the war in what appeared then to be the fading American presence in Afghanistan or whatever else the Obama/Kerry cabal has lined up for the military to do in the Middle East, Ukraine or the China seas as well as protests against other imperialist adventures had been under the radar of late.

Over the summer there had been a small uptick in street protest over the Zionist massacre in Gaza (a situation now in “cease-fire” mode but who knows how long that will last) and the threat of yet a third American war in Iraq with the increasing bombing campaign and escalating troop levels now expanded to Syria. Although not nearly enough. As I mentioned at that earlier time it is time, way beyond time, for anti-warriors, even his liberal backers, to get back where we belong on the streets in the struggle against Nobel Peace Prize winner Obama’s seemingly endless wars. And his surreptitious “drone strategy” to "sanitize" war when he is not very publicly busy revving up the bombers and fighter jets in Iraq, Syria and wherever else he feels needs the soft touch of American “shock and awe, part two.”

The UNAC for a while now, particularly since the collapse of the mass peace movement that hit the streets for a few minutes before the second Iraq war in 2003, appears to be the umbrella clearing house these days for many anti-war, anti-drone, anti-imperialist and anti-capitalist actions. Not all the demands of this coalition are ones that I would raise, or support but the key ones of late are enough to take to the streets. More than enough to whet the appetite of even the most jaded anti-warrior.

So as the Nobel Peace Prize Winner, U.S. President Barack Obama, abetted by the usual suspects in the House and Senate as well as internationally, orders more air bombing strikes in the north and in Syria,  sends more “advisers” to “protect” American outposts in Iraq, and sends arms shipments to the Kurds, supplies arms to the moderate Syrian opposition if it can be found to give weapons to, guys who served in the American military during the Vietnam War and who, like my friend Ralph Morris who has kept the faith, belatedly, got “religion” on the war issue as a kneejerk way to resolve the conflicts in this wicked old world might very well be excused for disbelief when the White House keeps pounding out the propaganda that these actions are limited when all signs point to the slippery slope of escalation. And all the time saying the familiar (Vietnam era familiar updated for the present)-“we seek no wider war”-meaning no American combat troops.

 Well if you start bombing places back to the Stone Age, cannot rely on the Iraqi troops who have already shown what they are made of and cannot rely on a now non-existent “Syrian Free Army” which you are willing to get whatever they want and will still come up short what do you think the next step will be? Now not every event in history gets exactly repeated but given the recent United States Government’s history in Iraq those old time vets might be on to something. In any case dust off the old banners, placards, and buttons and get your voices in shape- just in case. No New War In Iraq –Stop The Bombings- Hands Off Syria! 

Here is something to think about:  

Workers and the oppressed have no interest in a victory by one combatant or the other in the reactionary Sunni-Shi’ite civil war. However, the international working class definitely has a side in opposing imperialist intervention in Iraq and demanding the immediate withdrawal of all U.S. troops and mercenaries. It is U.S. imperialism that constitutes the greatest danger to the world’s working people and downtrodden. 

 [Whatever unknown sister or brother put that idea together sure has it right] ”




Here’s a plug for UNAC
Immediate, Unconditional Withdrawal Of All U.S./Allied Troops, Mercenaries, Contractors, Etc. From Afghanistan! Hands Off Syria! No New War In Iraq- Stop The Bombings-Stop The Arms Shipments To The Kurds And Shia-Stay Out Of The Civil War! No Intervention In Ukraine! Defend The Palestinians! No U.S. Aid To Israel! Not One Penny, Not One Person For Obama’s War Machine!

BostonUNAC.org | 781-285-8622 | BostonUNAC(S)gmail.com

Okay, Rosalie Sorrels Have You Seen Starlight On The Rails?

Okay, Rosalie Sorrels Have You Seen Starlight On The Rails?

 

From The Pen Of Frank Jackman

Every hobo, tramp, and bum and there are social distinctions with the hobo, “the kings and queens of the transient peoples,” merely a migrant or walking through the land rucksack on the back day laborer-type worker, what Oswald Spengler and Jack Kerouac called the fellahin, the outcasts, who has not forgotten the dignity of labor, just not for him (or occasionally her) the nine to five grind and such brethren can be found out back in many a restaurant through the land especially diners and truck shop eateries “diving for pearls” as dishwashers. Every hobo has some problem, usually some Phoebe Snow problem, a woman problem, that forced him or her on the road (I don’t know what it would be for the distaff side so call him Jack Snow, any other sexual combination more acceptable today although definitely not unknown in the male-heavy “jungle camps” along the transcontinental railroad lines). But fear of work is not what drove the person out on to the roads.

See that royalty, the hobo, and his or her ability to work is why the Industrial Worker of the World (IWW, Wobblies, moniker origin unknown so Wobblies) went into the jungle camps (and gin mills too) in order to recruit labor fighters against the bosses when the deal went down, particularly in the West (although more famously in the great Lawrence, Massachusetts “Bread and Roses” textile strike of 1912. Of course that transient work habit was also the down side when it came to defending the unions over the long hauler. As for the other two, the tramp who only worked when forced to like on some thirty day county jailhouse for vagrancy gig or some Salvation Army work program to keep the body and soul together for a few days and the bum, Jesus, the bum wouldn’t work if he was Rockefeller himself, the dregs, winos, the crippled up, and the dumb to put the matter plainly in the old- fashioned parlance.   

Now that you are all caught up on the differences, the “class differences,” between each cohort recognized among themselves, oh how recognized, and subject to fierce dispute including some faux fists, if not quite so definitely by rump sociologists who lump them all together but that is a story for another day. What they do have in common since they are out in the great outdoors more than the rest of us gentile folk is that they to a person have seen starlight on the rails. Yeah, had their fill of train smoke and dreams. Now all these sullen subtle distinctions among the brethren I probably would have not been able to draw in my youth when I would have lumped the lot together as collective losers and riff-raff, before I hit the hitchhike road heading west at one time in search of the blue-pink great American West out there somewhere. I had on one more than one occasion along with the late Peter Paul Markin who led the way among the North Adamsville corner boys on that trail been forced to stop along a railroad trestle “jungle camp,” under a cardboard city bridge, or out in the arroyos if you got far enough west to live for a few days and rest up for the road further west.

The hobos of the “jungle” were princes among men (there was no room for women then in such a male-dominated society, not along the jungle although at the missions and Sallys, Salvation Army Harbor-lights, that might be a different story) as long as you did not ask too many damn questions. Shared olio stews, cigarettes, cheap rotgut wine, Thunderbird or Ripple whichever was cheapest after cadging the day’s collective pennies together. Later, after the big dream American West busted me up when my “wanting habits” (getting many worldly goods off easy street paid for by working the drug trade down south of the border along with Markin before he became the late Markin face down in some dusty Mexican bracero fellahin town when a drug deal he was trying to finagle caught him short, two slugs to the head short) built up from the edges of that sullen youth got the better of me and my addictions placed me out in that same “jungle” for keeps for a while that distinction got re-enforced.  

But hobo, bum or tramp each had found him or herself (mainly hims though like I said out on the “jungle” roads) flat up against some railroad siding at midnight having exhausted every civilized way to spent the night. Having let their, our, collective wanting habits get the best of them, us. Maybe penniless, maybe thrown out of some flophouse in arrears and found that nobody bothers, or did bother you out along the steel rails when the train lost its luster to the automobile and plane and rusted and abandoned railroads gone belly up for lack of use provided safe haven from the vagaries of civilization. So sure I too have seen with the brethren the stars out where the spots are darkest and the brilliance of the sparkle makes one think of heaven for those so inclined, think of the void for the heathen among them. Has dreamed penitent dreams of shelter against life’s storms, had dreamed while living for the moment trying to get washed clean after the failure of the new dispensation to do the job (hell, what did they/Markin/me think just because the drugs or alcohol flowed freely once, just because the fixer man fixed, fixed fine, that that was the Garden of Eden, that was Nirvana, hell, those ancient forebears all after they had been expelled from the earthly paradise saw that same starlight as they/he did).   

Maybe this will explain it better. An old man, or at least he has the marks of old age, although among the iterant travelling peoples, the hoboes, tramps, and bum, who have weathered many of life’s storms bottle or needle in hand, panhandled a million quarters now lost, old age, or their marks wear a soul down early so a guy who has been on the road enough years if he is say thirty looks about fifty by the time the train smoke and the busted dreams have broken his will, white beard, unkempt, longish hair, also unkempt, a river of lines in his face, deep crow’s feet setting off his vacant eyes, a second-hand soiled hat atop his head, a third-hand miner’s jacket “clipped” off some other lonesome traveler (“clipped- stolen for clueless or those who lead sheltered childhood and did not in order to satisfy some youthful wanting habit stakeout a jewelry store say and grab a few trinkets while the salesperson was looking the other way), shredded at the cuffs chino pants of indeterminate hand, and busted up shoes, soles worn, heels at forty-five degree angles from crooked walks on crooked miles and game legs is getting ready to unroll his bedroll, ground cloth a tablecloth stolen from Jimmy Jack’s Diner’s somewhere, a blanket stolen from a Sally [Salvation Army] Harbor Light house in salad days, rolled newspapers now for a mattress for the hundredth, hundredth time against the edge of the railroad trestle just outside Gallup, New Mexico. Do not ask him, if you have the nerve to approach him, and that is an iffy proposition just ask a guy going under the moniker of Denver Shorty how he got that deep scar across his face, where he is going or where he has come from because just that moment, having scratched a few coins in the town together for a jug of Thunderbird he is ready to sleep his sleep against the cold-hearted steel of the Southern Pacific railroad tracks just ten yards from where he stands.      

And this night, this starlit brown, about eight colors of brown, desert night he hopes that he will not dream, not dream of that Phoebe Snow whom he left behind in Toledo when he had no beard, no longish unkempt hair, and no rivers of lines on his misbegotten face. (Why the brethren called every long gone sweetheart Phoebe Snow, why they would get misty over the dying campfire after some younger traveler stopped by and told his tale of leaving some young thing behind is unknown except, according to some old wizened geezer who might have just made the story up, in the old, old day when the railroads finally figured out how to keep people from being blackened by the train smoke every trip they took they started advertising this the fact with this white-dressed  virginal young woman who went under the name Phoebe Snow. That’s probably as good an explanation as any since whatever the name, or the young woman almost every guy in camp would in his sorrows get weepy about that situation.) Dream as he always did about whatever madness made him run from all the things he had created, all the things that drove him west like a million other guys who needed to put space between himself and civilization.

Dream too about the days when he could ride the rails in the first-class cars (having not only left Phoebe Snow behind but a growing specialty printing business started from scratch before the alcohol, and later the dope although now back to cheapjack alcohol got the better of him), and about the lure of the rails once he got unhinged from civilization. About how the train pace had been chastised by fast cars and faster planes when a the speed of a train fitted a man’s movements, about the days when they first built the transcontinental, this line that he was about to lie his head down beside, about the million Chinks, Hunkies, Russkies, Hibernians, hell, Micks, Dagos who sweated to drive the steel in unforgiving ground, many who laid down their heads down to their final rest along these roads, and later guys he knew on the endless road like Butte Bobby, Silver Jones, Ding-dong Kelly, who did not wake up the next morning and were carried out to the carcass vulture desert having left no way to get a hold of kin. Almost all guys had left no forwarding address, no real one anyway, no back address, for fear of the repo man or some other dunning, an angry wife or about ten thousand other reasons. So the desert was good enough as a potter’s field as any other place.

As he settled in to sleep the wine’s effect settling down too he noticed the bright half- moon out that night reflecting off the trestle, and the arroyos edges, and thought about what a guy, an old wizard like himself told him about the rails one time when he was laid up Salt Lake City, in the days when he tried to sober up. The guy, a guy who had music in his soul or something said to him that it was the starlight on the rails that had driven him, rumble, stumble, tumble him to keep on the road, to keep moving away from himself, to forget who he was. And here he was on a starlit night listening down the line for the rumble of the freight that would come passing by before the night was over. But as he shut his eyes, he began to dream again of Phoebe Snow, always of Phoebe Snow.         

But not everybody has the ability to sing to those starlit heavens (or to the void if that is what chances to happen as the universe expands quicker than we can think, bang- bang or get smaller into dust if that is the deal once the philosopher-king physicists figure out the new best theory) about the hard night of starlight on the rails and that is where Rosalie Sorrels, a woman of the American West out in the Idahos, out where, as is said in the introduction to the song by the same name ripping some wisdom from literary man Thomas Wolfe who knew from whence he spoke, the states are square (and at one time the people, travelling west people and so inured to hardship, played it square, or else), sings old crusty Utah Phillips’ song to those hobo, tramp, bum heavens. Did it while old Utah was alive to teach the song (and the story behind the song) to her and later after he passed on in a singular tribute album to his life’s work as singer/songwriter/story-teller/ troubadour.         

Now, for a fact, I do not know if Rosalie in her time, her early struggling time when she was trying to make a living singing and telling Western childhood stories had ever along with her brood of kids been reduced by circumstances to wind up against that endless steel highway but I do know that she had her share of hard times. Know that through her friendship with Utah she wound up bus-ridden to Saratoga Springs up in the un-squared state of New York where she performed and got taken under the wing of Lena from the legendary Café Lena during some trying times. And so she flourished, flourished as well as any folk-singer could once the folk minute burst it bubble and places like Café Lena, Club Passim (formerly Club 47), a few places in the Village in New York City and Frisco town became safe havens to flower and grow some songs, grow songs from the American folk songbooks and from her own expansive political commentator songbook. And some covers too as her rendition of Starlight on the Rails attests to as she worked her way across the continent.

Worked her way to a big sold out night at Saunders Theater at Harvard too when she called the road quits a decade or so ago. Sang some nice stuff speaking about the west, about the Brazos, about the great Utah desert which formed Utah Phillips a little too, formed him like his old friend Ammon Hennessey, the old saint Catholic Worker brother who sobered some guys up, made them take some pledges, made them get off the railroad steel road. Sobered me up too, got me off that railroad track too, but damn if I didn’t see that starlight too. So listen up, okay.