The Working Class Buries One Of Its Own

Commentary

This space is usually devoted to ‘high’ politics and the personal is usually limited to some experience of mine that has a direct political point. Sometimes, however, a story is so compelling and makes the point in such a poignant manner that no political palaver is necessary. Let me tell the tale. But first, as always, let us have a little historical context for this commentary.

In the 20th century January was traditionally the month to honor fallen working class leaders such as Lenin, Liebknecht and Rosa Luxemburg. That tradition still goes on, however, more in the European working class movement than here. January can and should, however, also be a time to honor other working class people, those down at the base, as well. Over the last year I have posted a couple of such stories (See Hard Times in Babylon and An Uncounted Casualty of War in the May 2007 archives.) Here in its proper place is another about a fallen daughter of the class who died this January.

In An Uncounted Casualty of War (hereafter, Uncounted), written last May, I noted that I had then recently returned to the old working class neighborhood where I grew up. Maybe it is age, maybe it is memory, maybe it is the need at this late date to gain a sense of roots but that return has haunted me ever since. I have gone back a couple of times since then to hear more of what had happened to those in the old neighborhood from a woman who continues to live there and had related the above story to me. This one is about the fate of my childhood friend Kenny's (the subject of the Uncounted commentary) mother Margaret. Read it and weep.

As I mentioned in Uncounted our little family started life in the housing projects, at that time not the notorious hell holes of crime and deprivation that they later became but still a mark of being low, very low, on the social ladder at a time when others were heading to the Valhalla of the newly emerging suburbs. By clawing and scratching my parents saved enough money to buy an extremely modest single-family house. The house was in a neighborhood that was, and is, one of those old working class neighborhoods where the houses are small, cramped and seedy, the leavings of those who have moved on to bigger and better things.

The neighborhood nevertheless reflected the desire of the working poor in the 1950’s, my parents and others, to own their own homes and not be shunted off to decrepit apartments or dilapidated housing projects, the fate of those just below them on the social ladder. That is where I met Kenny and through him his family, including his mother Margaret. She seemed like a nice woman although I never got to know her well.

As I also mentioned in Uncounted in my teens I had lost track of Kenny who as he reached maturity took the death of a friend who died in Vietnam very hard. Harder than one can even imagine. The early details are rather sketchy but they may have involved drug use. The overt manifestations were acts of petty crime and then anti-social acts like pulling fire alarms and walking naked down the street. At some point Kenny was diagnosed as schizophrenic. I make no pretense of having adequate knowledge about the causes of mental illnesses but someone I trust has told me that such a traumatic event as his friend’s death can trigger the condition in young adults. In any case, the institutionalizations inevitably began. And later the halfway houses and all the other forms of control for those who cannot survive on the mean streets of the world on their own. Apparently, with drugs and therapy, there were periods of calm but for over three decades poor Kenny struggled with his inner demons. In the end the demons won and he died a few years ago while in a mental hospital.

Needless to say Kenny’s problems were well beyond his mother and father’s ability to comprehend or control. His father, like mine, had limited education and meager work prospects. In short, there were no private resources for Kenny and he and they were thus consigned to public institutionalization schemes. The shame of this, among other things, led to his father’s early death many, many years ago. His mother, strong Irish Catholic working class woman that she was, shouldered the burden by herself until Kenny’s death. The private and public horrors and humiliations that such care entailed must have taken a toll on her most of us could not stand. Apparently in the end it got to her as well as she let her physical appearance go down, became more reclusive and turned in on herself reverting in conversation to dwelling on happier times as a young married woman in the mid-1940’s.

Kenny’s woes, however, as I recently found out were only part of this sad story. Kenny had two older brothers whom I did not really know well because they were not around. Part of that reason was they were in and out of trouble or one sort or another and were not around the neighborhood much. My neighborhood historian related to me that at some point both sons had dropped out of sight and had not been seen by their mother for over thirty years. They are presumed to be dead or that is the story Margaret told my historian. In any case, since Kenny’s death Margaret’s health, or really her will to live went down hill fairly rapidly. Late last year she was finally placed in a nursing home where she died this month. Only a very few attended her funeral and her memory is probably forgotten by all except my historian friend and myself in this poor commentary.

I am a working class political person. That is the great legacy that my parents left me, intentionally or not. Are there any great political lessons to be learned here? No, but I swear that when we build the new society that this country and this world needs we will not let the Kennys of the world be shunted off to the side. And we will not let the Margarets of the world, our working class mothers, die alone and forgotten. As for Kenny and Margaret may they rest in peace.

Quote Of The Day-The Class Struggle

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Lady Day Is In The House-With Torch Singer Billie Holiday In Mind

Lady Day Is In The House-With Torch Singer Billie Holiday In Mind

 

 

 

 

 

I remember one day many years ago now, although it could have been any number of years before or since, a winter day for sure since I still can feel the frosty feeling I had while the events were unfolding, and so to add to the depression I was feeling over the latest serious quarrel I had had with my wife the chill and bluster had me down as well as I entered a bookstore in Harvard Square (that wife soon to be my ex-wife, an ex-wife who had plenty to do with the particular depression I felt that time but don’t blame the winter for that, don’t ask for the particulars of the dispute, that time, that is another story, a story already done and wrapped up in a bow, and so don’t blame Billie for either the cold or subsequent divorce since people have blamed Billie enough for what ails them and I have come to honor that fresh flower lady day).  I want to say that on that day I was entering the old long gone Paperback Booksmith store but it might have been the still there Harvard Book Store up the street so don’t hold me to the particular bookstore just know that it was a bookstore, in Harvard Square, in the cold raw winter (and you know about the depression part so onward).

In any case that is the day and place where I heard this low sad torchy female voice coming out of the sound system most of those places had (have) to liven things up while you were (are) browsing (or “cruising” as I found out later when somebody told bookstores were the “hot” spot if you were looking for a certain kind of woman [or man], needless to say my kind of woman, bookish, sassy and, well, a little neurotic but the dating circling ritual among the bookish, sassy whatever is also a story for another day).  Not placing the alluring voice since my torch singers of choice then were the likes of Bessie Smith, Dinah Washington, or Peggy Lee I asked one of the clerks who was singing that song, the old Cole Porter tune, Night and Day with such sultry, swaying feeling on the PA. She, looking like a smarmy college student, probably a senior and therefore wise to the worldly now who didn’t mind the job she was doing but was not in the habit of answering questions about who or what was being played over the loudspeaker since she had been hired to cater to where such-and-such a best seller, academic book, or guide book was located,  looked at me like I was some rube from the sticks when she said Billie Holiday, of course (and she could have added stupid, which is what that look meant).      

Now that event was memorable for two things, listening to that song and a follow-up one, All of Me, almost immediately thereafter got me out of my funk despite the fact that the subjects of the songs were about love, or romance anyway, something I was at odds with just that moment (remember the wife, ex-wife business). The other, as is my wont when I hear, see, read something that grabs my attention big time also was the start of my attempt to get every possible Billie Holiday album or tape (yeah, it’s been a while) I could get my hands on. So thereafter any time that I felt blue I would put on a Billie platter or tape and feel better, usually.

In my book, and I am hardly alone on this, Billie Holiday is the torch singer's torch singer. Maybe it is the phrasing on her best songs. That well-placed hush. The hinted pause which sets the next line up. Maybe it is the unbreakable link between her voice when she is on a roll and the arrangements. Hell, maybe in the end it was the dope but, by Jesus, she could sing a modern ballad of love (Cole Porter show tunes, Irving Berlin goof stuff, Gershwin boys white boy soul), lost or both like no other. And if in the end it was the dope, let me say this- a “normal” nice singer could sing for a hundred years and never get it right, the way Billie could get it right when she was at her best. Dope or no dope. Was she always at her best? Hell no, as a review of all her recorded material makes clear. Some recordings, a compilation, for example, done between 1945 and her death in 1959 for Verve show the highs but also the lows as the voice faltered a little and the dope put the nerves on edge toward the end.

Here is the funny thing though, no, the strange thing now that I think about the matter, the politically correct strange thing although those who insist on political correctness in everyday civil life should lay off anybody’s harmless cultural preferences and personal choices if you ask me. One time I was touting Billie’s virtues to a group of younger blacks who I was working with on some education project and the talk came around to music, music that meant something other than background noise, other than a momentarily thrill and I mentioned how I had “met” Billie and under what circumstances she had sung my blues away when times were tough. A few of these young blacks, smart kids who were aware of  more than hip-hop nation and interested in roots music to an extend that I found somewhat surprising, when they heard me raving about Billie startled me when they wrote her off as an empty-headed junkie, a hophead, and so on. Some of their responses reflecting, I think, the influence of the movie version of her life (Lady Sings the Blues with Diana Ross) or some unsympathetic black history 'uplift' “you don’t want to wind up like her so keep your eyes on the prize and stay away from dopers, hustlers, corner boys and the like, or else” views on her life that have written her off as an “addled” doper. I came back on them though, startled them when I said the following, “if Billie needed a little junk, a little something for the head, a little something to get through the night, to keep her spirits up I would have bought her whatever she needed just to hear her sing that low, sultry and sorrowful thing she did that chased my blues away.” Enough said.     

 

Present At The Creation-Who Put The Rock In Rock And Roll Roll-Fat’s Domino’s Ain’t It A Shame (1955)

Present At The Creation-Who Put The Rock In Rock And Roll Roll-Fat’s Domino’s Ain’t It A Shame (1955)

 

 

From The Pen Of Bart Webber

Deep in the dark red scare Cold War night, still brewing then even after Uncle Joe fell down in his Red Square drunken stupor one night and never came back, so yeah still brewing after he kissed off in his vast red earth, still brewing as a child remembered in dark back of school dreams about Soviet nightmares under Uncle Joe wondering how the kids got through it, and still brewing too when Miss Winot in her pristine glory told each and every one of her fourth grade charges, us, that come that Russkie madness, come the Apocalypse, come the big bad ass mega-bombs (of course being pristine and proper she did not dig down to such terms as “big bad ass” but let’s face it that is what she meant) that each and every one of her charges shall come that thundering god-awful air raid siren call duck, quickly and quietly, under his or her desk and then place his or his hands, also quickly and quietly, one over the other on the top of his or her head, a small breeze was coming to the land.

Maybe nobody saw it coming although the more I think about the matter somebody, some bodies knew something, not those supposedly in the know about such times, those who are supposed to catch the breezes before they move beyond their power to curtain them. Take guys like my older brother Franklin and his friends, Benny and Jimmy, who were playing some be-bop stuff up in his room. (Ma refused to let him play his songs on the family record player down center stage in the living room or flip the dial on the kitchen radio away from her tunes of the roaring 1940s, her and my father’s coming of age time, so up his room like some mad monk doing who knows what because I was busy worrying about riding bicycles or something). Here’s the real tip-off though he and his boys would go out Friday nights to Jack Slack’s bowling alleys not to bowl, although that was the cover story to questioning mothers, but to hang around Freddie O’Toole’s car complete with turned on amped up radio (station unknown then but later found to be WMEX) and dance, dance with girls, get it, to stuff like Ike Turner’s Rocket 88 (a great song tribute to a great automobile which nobody in our neighborhood could come close to affording so reduced to cheapjack Fords and Plymouths), and guys who even today I don’t know the names of despite YouTube archival vaults giving everybody with every kind of musical inclination a blast to the past ticket. Or, how about the times we, the family would go up to Boston for some Catholic thing in the South End at Holy Cross Cathedral and smack across from the church was the later famous Red Hat Club where guys were blasting away at pianos, on guitars and on big ass sexy saxes and it was not the big band sound my folks listened to or cool, cool be-bop jazz either but music from jump street, etched in the back of my brain because remember I’m still fussing over bikes and stuff like that. Or how about every time we went down Massachusetts Avenue in Boston as the sun went down, the “Negro” part before Huntington Avenue (an area that Malcolm X knew well a decade before) and we stopped at the ten billion lights and all you would hear is this bouncing beat coming from taverns, from the old time townhouse apartments and black guys dressed “to the nines,” all flash dancing on the streets with dressed “to the nines” good-looking black girls. Memory bank.            

So some guys knew, gals too don’t forget after all they had to dig the beat, dig the guys who dug the beat, the beat of  out of some Africa breeze mixed with forbidden sweated Southern lusts if the thing was going to work out. And it wasn’t all dead-ass “white negro” hipsters either eulogized by Norman Mailer (or maybe mocked you never knew with him but he sensed something was in the breeze even if he was tied more closely to an earlier sensibility) or break-out “beats” tired of the cool cold jazz that was turning in on itself, getting too technical and losing the search for the high white note or lumpens of all descriptions who whiled away the nights searching their radio dials for something that they while away the nights searching their radio dials for something that they could swing to while reefer high or codeine low. If you, via hail YouTube, look at the Jacks and Jills dancing they mostly look like very proper well-dressed middle class kids who are trying to break out of the cookie-cutter existence they found themselves but they still looked   pretty well-fed and well-heeled so yeah, some guys and gals and it wasn’t always who you might suspect that got hip, got that back-beat and those piano riffs etched into their brains.

Maybe though the guys in the White House were too busy worrying about what Uncle Joe’s progeny were doing out in the missile silos of Minsk, maybe the professional television talkers on Meet The Press wanted to discuss the latest turn in national and international politics for a candid world to hear and missed what was happening out in the cookie-cutter neighborhoods, and maybe the academic sociologists and professional criminologists were too wrapped up in figuring out why Marlon Brando was sulking in his corner boy kingdom (and wreaking havoc on a fearful small town world when he and the boys broke out), why  Johnny Spain had that “shiv” ready to do murder and mayhem to the next midnight passer-by, and why well-groomed and fed James Dean was brooding in the “golden age” land of plenty but the breeze was coming.

(And you could add in the same brother Franklin who as I was worrying about bikes, the two pedal two kind getting “from hunger” to get a Brando bike, a varoom bike, so this girl, Wendy, from school, would take his bait, a girl that my mother fretted was from the wrong side of town, her way of saying a tramp but she was smart as hell once I found out about her a few years later after she, they had left town on some big ass Norton but that is after the creation so I will let it go for now.)               

And then it came, came to us in our turn, came like some Kansas whirlwind, came like the ocean churning up the big waves crashing to a defenseless shoreline, came if the truth be known like the “second coming” long predicted and the brethren, us,  were waiting, waiting like we had been waiting all our short spell lives. Came in a funny form, or rather ironically funny forms, as it turned out.

Came one time, came big as 1954 turned to 1955 and a guy, get this, dressed not in sackcloth or hair-shirt but in a sport’s jacket, a Robert Hall sport’s jacket from the off the rack look of it when he and the boys were “from hunger,” playing for coffee and crullers before on the low life circuit, a little on the heavy side with a little boy’s regular curl in his hair and blasted the whole blessed world to smithereens. Blasted every living breathing teenager, boy or girl, out of his or her lethargy, got the blood flowing. The guy Bill Haley, goddam an old lounge lizard band guy who decided to move the beat forward from cool ass be-bop jazz and sweet romance popular music and make everybody, every kid jump, yeah Big Bill Haley and his Comets, the song Rock Around The Clock.         

Came a little more hep cat too, came all duck walk and sex moves, feet moving faster than Robert Hall-clad Bill could ever do, came out of Saint Loo, came out with a crazy beat. Came out in suit and tie all swagger. Came out with a big baby girl guitar that twisted up the chords something fierce and declared to the candid world, us, that Maybelline was his woman. But get this, because what did we know of “color” back then when we lived in an all-white Irish Catholic neighborhoods and since we heard what we heard of rock and rock mostly on the radio we were shocked when we found out the first time that he was a “Negro” to use the parlance of the times, a black man making us go to “jump street.” And we bought into it, bought into the beat, and joined him in saying Mister Beethoven you and your brethren best move over.   

 

Came sometimes in slo-mo, hey remember this rock and roll was an ice-breaker with a beat you didn’t  have to dance close to with your partner and get all tied up in knots forgetting when to twirl, when to whirl, when to do a split but kind of free form for the guys (or gals but mainly guys) with two left feet like me could survive, maybe not survive the big one if the Russkies decided to go over the top with the bomb, but that school dance and for your free-form efforts maybe that she your eyeballs were getting sore over would consent to the last chance  last dance that you waited around for in case she was so impressed she might want to go with you some place later. But before that “some place later” you had to negotiate and the only way to do was to bust up a slow one, a dreamy one to get her in the mood and hence people have been singing songs from time immemorial to get people in the mood, this time Earth Angel would do the trick. Do the trick as long as you navigated those toes of hers, left her with two feet and standing. Dance slow, very slow brother.   

Came sometimes in very slo-mo if you could believe my older brother Franklin and the stories that he would tell us younger guys, not in 1955 remember we were worried about two-wheel bikes then but later when we came of age and were salaciously curious about the girl scene, what made them tick, about how he scored with this or that girl, put the moves on this way or that on some other one and some girl’s panties came tumbling down as if by magic. Although I should have been a little suspicion of Franklin’s big sky talk because when my time came the problem of garter belts and girdles would make that quick panties coming down a little suspect, no, very suspect when I had a hard enough and cumbersome enough time unhooking some silly training bra. Jesus.

But here is the big truth, the skinny. See Franklin was not, most guys were not including me, very honest about sex and about sexual conquests when guys got together on the corners at Jack Slack’s or Doc’s Drugstore or in the guy’s gym locker room or in the school’s boys’ lav Monday morning. No guy wanted to seem to be “light on his feet” one of the kinder expressions we used for gay guys in the days when “fag-baiting” was something of a rite of passage so guys would lie like hell about this or that score. Later when you would find yourself doing the very same thing you would find that about sixty to seventy percent, maybe more, of what guys said about conquests was b.s.

In any case one time Franklin was hot after this girl, Betsy Sanders, who even when I wasn’t that into girls (before I came of age, not that “light on my feet” if that is what you are thinking) was “hot,” definitely pretty and smart and just plain nice. She had a reputation, according to Franklin, of being an “ice queen,” no go, but he said that only made him want to go after her more. One high school dance night, maybe the Spring Frolic of 1955, Franklin went stag, although stag with six or seven other guys, as did a lot of guys because that kind of dance was set up by the school to have everybody mix and mingle unlike the prom let’s say which was strictly couples or stay home and wait by the midnight phone for some lost Janey or Jack. Of course Betsy was there, with a few of whatever they call a cohort of single girls, looking at hot as hell, all flouncy full length dress and some smell to drive a man wild, jasmine Franklin thought.

These school dance things like I said were held occasionally by the school to keep an eye on what was happening to their charges with this rock and roll craze beginning to stir up concerns (the churches also held them for the same reason). Basically a “containment” policy of “if you can’t fight them, keep two eyes on each and every one of them” copied I presume from the Cold War foreign policy wonks like George Kennan who ran the anti-Soviet establishment in Washington. So the thing was chaperoned unto death, had some frilly crèche paper decorations to spice up the woe begotten gym which didn’t really work, some refreshments to cool out the tranced dancers periodically, and a lame DJ, a young goof teacher recruited because he could “relate” to the kids who “spun” the platters (records for the unknowing) on a dinky turntable with an equally woeful sound system. None of that meant a thing because all that mattered was that there were boys and girls there, maybe somebody for you and music, music to dance to. Yeah.        

Now as Franklin weaved his story it seems that the usually reserved Betsy was in high form (according to Franklin she looked like maybe she had had a couple of drinks before the dance not unheard of but usually that was guys but we will let that pass), dancing to every fast dance with lots of guys, not hanging with any one in particular, getting more and more into the dancing as the night went on. Franklin approached her after intermission to dance Bill Haley’s latest big one, Rock Around The Clock, the one that everybody went to the Strand Theater up the Square to see that really lame movie about J.D.s, Blackboard Jungle, just to see him and the Comets blast away and she accepted. Danced very provocatively from what Franklin said, gave moves only the “fast” girls, the known school tramps threw into the mix and that was that until the end of the night when last chance last dance time came.   

This last chance last dance as I know from personal experience is a very dicey thing, especially if you have been eying a girl all night and she says “no”-end of evening. See this was a slow one so you could maybe make a last minute pitch or negotiate what was what after the dance. Franklin said he went up to Betsy and asked her for that dance when Mister Miles, that lame DJ I told you about already, announced that the Moonglows’ Sincerely a song he really liked. Here’s her answer-“Yes.” And so they danced and while dancing she allegedly wondered out loud why he had not asked her to dance other dances that night, she expected him to do since she had heard through the super-reliable “grapevine” that he was interested in her. Bingo. The rest of the dance consisted of negotiations about her getting her cloak, about giving the guys and gals they respectively came with the heave-ho and heading toward old Adamsville Beach in Franklin’s Hudson, really our father’s car borrowed for the evening. Down there while he did not go into all the juicy details about what they did, or didn’t do, she let him have his way with her (that “panties came tumbling down” business). Of course that kind of stuff happened all the time with good boys and girls, and bad but when Franklin asked Betsy what stirred her up she said the music and dancing got her going, made her all loose and everything she couldn’t explain it all but she got all warm. Enough, okay.     

Enough except what always bothered me about what parents, the authorities, hell, even older guys on the street, thought about rock and roll as the devil’s music came to mind. Some communist plot to “brainwash” the youth of America and make them Kremlin stooges was hard to figure when a girl like Betsy, an All-American girl if there ever was one, who later in life ran for Congress, unsuccessfully, as a Republican, got all warm when the drums started rolling the intro and the guitars built up that back-beat. Hard to make sense of the idea that maybe the Moonglows should have been brought before the House Un-American Activities Committee of the times or something for singing a doo wop classic like Sincerely, a last chance last dance song. Yeah, that has always bothered me.   

Came in very, very slo-mo for some guys, guys like me who even with big brothers to guide the way were after all is said and done rather clumsy picking up the first few tips (well “half guide the way” since a lot of what Franklin said about the ease of girl conquests was so much hot air, same with other guys but worse, worse than the hot air was the bad, plain wrong information about sex, sexual activity, which he, they had learned like everybody else from the streets, certainly not out of up-tight “asexual” parents who were not telling us anything, nor the churches and definitely not at school although some teachers would allude to stuff but you had to be pretty slick to pick it up. All this information, misinformation really, was far more dangerous that just plain ignorance as Franklin, and I, almost learned the hard way, very closely indeed).

Who knows when you get that first inkling, you know the exact date, when those last year’s girls who were nothing but sticks (that was our dividing line then, “sticks” and “shapes”) and bothered you endlessly when you were just trying to ride your bike or something, maybe reading a book in school turned into being well kind of interesting and had something to say after all. It wasn’t necessarily coming of age time, puberty, but close when all the confusion started, all the little social graces began to count. So, yeah, in fifth grade, toward the end of the year, I was smitten, smitten by Theresa Wallace, my first flamed out flame. So Theresa and rock and roll kind of go hand in hand in my mind since around that time I also started getting that rock beat in my head that Franklin kept telling me that would come at some point.

Naturally with no social graces to speak of the whole heart-throbbing thing with Theresa was a source of endless confusion. Of course as probably is true of half the guys and gals in the world I kept my feelings to myself, would moon, pine, twist, turn, and whatever else a smitten person does without quite knowing what to do about the feelings. Except to kind of be surly toward her in class, and, and, endlessly walk by her house at all hours, all kid hours, in the hopes that I might see her and she might wave, or something. Yeah, no social graces. Then one day the logjam broke, she spoke to me, asked me if I wanted to go to her birthday party the next week. Yes. Although the abruptness going from nowhere to being invited to her house kind of startled me (later I had heard that Slim Jackson, a friend of mine, whom I casually mentioned to that Theresa seemed nice told some girl that fact and it eventually got through the super-speed teen grapevine that I “liked” her).

And so the party was be held in the family room down in the basement of her house (which in the specific case of her house also served as the air raid shelter with signs, supplies, and defense materials which made me realize that I would rather take my chances above ground when I saw that included in the supplies were a record player and records of Patti Page, Frank Sinatra, Harry James, Benny Goodman, Glenn Miller and the crowd, yeah, I would definitely take my chances above ground with that scenario) and was to be unchaperoned meaning no adults would be in the room (although present, very present upstairs). I don’t know about now, about the customs of the young in these matters now, but then these pre-teen parties were called “petting parties” where somehow the first fresh bout of serious kisses were to be bestowed, or at least the first few innocent kisses. I was scared, scared two ways first that I would not be able to do the “deed” and secondly that if I was close to a girl how my grooming fit in, how I smelled and looked, something like that before we all got wise to mouthwash, deodorant and hair oil.

See it wasn’t only in sex matters that my parents were deficient but grooming and health matters as well what with five growing boys and nothing going my mother just didn’t give us the word. I know one guy at school said I smelled funny one day. And I probably did although I don’t know the why of it, maybe not washing under my underarms or something. So one of the things that Franklin was straight on was hygiene which he got from a friend of his when he was my age who had told him that he smelled and hipped him to what guys had to do to keep from being rogues. He clued me in on showering (really just an attached hose to the bathtub in our house), a little deodorant (nobody told me I smelled after that), a little Listerine (although the first time I used it I almost threw up since I used about half a bottle) and Wild Root Crème Oil for my always cowlick-driven unruly hair. I was off, thanks that one time Franklin (there would be other later times when I lent him money, cars, and other stuff that I never got back when I would curse his name, still do)                  

If you think that party of Theresa’s was some big Mayfair swell debutante affair well you know right now you are wrong but it was okay. About a dozen or fifteen kids, a couple more girls than boys but that was alright then (maybe now too), all dressed up and clean smelling presided over by Theresa who had a pretty dress on and who when she greeted me (and everybody else so don’t make a big deal out of it) smelled like I don’t know what, not perfume I don’t think but some exotic bath soap. Nice. The party itself was the standard music, guys and girls dancing (sometimes two girls dancing together but never guys remember that ‘light on your feet” jab), a little nice food, party food, kid party food, finger food and of course the cake, the birthday cake and Happy Birthday song. What was different, at least for me were these two little remembrances as this. Every few records when people were not dancing the lights would go out. That was the cue, although at first I was clueless, for everybody to grab somebody of the opposite sex to give a kiss to, an innocent kiss okay. Some girl, and I still am not sure who but it was not Theresa of the exotic bath soap smells, gave me my first official opposite sex boy-girl kiss. I bridled a little at first since I didn’t realize that was what was going on but it was okay, yeah, okay. So that was one thing. The other was toward the end of the party Theresa came up to me and a little coquettishly (although I didn’t know such a word or what it meant then) asked me to save the last dance for her. No problem. And the last dance, well you know what it was if you have paid attention to the title of this piece The Platters’ Only You. Only You and the lights went out during the song and Theresa planted a long kiss on my chaste lips, yeah, nice. We were an “item” for a while, maybe a month a long time as such things went then and then a new guy came into town, some tow-headed kid that all the girls went crazy over and I was reduced to sitting by the lonely midnight phone waiting in vain for some call to come my way.

Came in, well how should I put it, in awkward ways, ways around the way the world whirled, the American world in that cold, cold war night where lots of things were hidden from view. Things like race, class gender that are upfront and talked about in a usually rational manner today. Here’s what I mean as race, maybe class too, intersects with rock and roll, with who put the rock in rock and roll. And that is not a rhetorical question, or not only a rhetorical question because sixty years out it is still relevant as least in an historical perspective. We found out the hard way, or my best friend, Steve Malloy, in elementary school down in the Carver projects where we grew up at least until we came of age found out the hard way. And I learned my lesson from him. 

See when that rock beat got into our heads, got in like my older brother Franklin said in one of the few times he was absolutely right about something, something important, it came in our heads listening to the radio, car, family living room (although not much in my family since Ma forbade it and I, we, would only play the radio, WMEX, of course when she and Pa were out), later, have mercy on our private up-in-our-rooms transistor radios so what we heard was what we knew about. The sounds all had a classic beat, at least the serious rock beat one, whoever was singing played to. I don’t know that we were all that curious about what the singers looked like at that point, except maybe Elvis who we did know what he looked like from seeing him on the Ed Sullivan Show (a variety acts show popular on Sunday nights then). I don’t think so, it was really the music that moved our souls.       

In any case lots of guys, guys who could sing, not me, guys like Steve Malloy were always crooning away, always trying to sing like one, or more of the voices that we heard on the radio. Steve was particularly interested in those imitations because he really did have a great voice and if you closed your eyes you could almost heard the similarities. He was also like the rest of us in the projects, from hunger. He, once he got the Elvis rags-to-riches story down (and lots of girls too), was driven by the idea that he would be the next big thing in rock, or if not the next big thing then soon.

And that idea was not as fantastic as it sounded because in those days a lot of record companies and radio stations were sponsoring rock talent shows like they did back in the 1920s when they were looking for new talent to fill the airwaves. So one night WJDA, the local rock station (at least they played one show for four hours in the afternoon with DJ Tommy Swirl spinning the platters), staged a talent show up in the center of town looking for the next best thing that maybe they could latch onto, or at least expand their listening audience to the young in order to sell soda, soap, and sundries. So Steve was pumped, thought this would be the first break-through minute for him. But what to sing, whose style to project. He, even I knew this, that there would for guy singers be a ton of Elvis-imitators, and since he didn’t particular like Elvis at that moment since he had lost a girl to a guy who that girl said looked all dreamy like Elvis he decided on Bo Diddley who was all the craze with his song Bo Diddley that had this great beat to it.

So the night of the talent show Steve and maybe twenty other guys and maybe fifteen girls of all ages, all young ages, showed up to perform with a few obviously looking like Elvis imitators what with the long sideburns and slick backed hair in his style.  Steve told me as we walked in that he felt pretty good about his chances and that he was glad he chose Bo to separate himself out. Steve was about number eight on the list and so we fidgeted through the first seven acts, a few pretty good but most awful. Then it was Steve’s turn, Steve dressed in his best (and only) sport’s jacket looking like any teenage kid from Carver in those days, and he started to sing Bo’s song. About half way through though, Jack Kelly, an older guy from the projects, who was known as nothing but a hoodlum yelled out “Hey the kid is trying to sing a n----r jungle voodoo song.” That broke the whole mood, Steve barely finished.              

Needless to say Steve did not win (and probably would not have as three sisters stole the show with some Connie Francis cover) but after that he “got back in line” doing Elvis stuff since he knew Elvis was white. But his heart was no longer in it, and a while later his voice changed and he lost whatever rock energy he had. But he, we learned the hard way about the vagaries of race, learned the very hard way how important the black sound that even Elvis was stealing from was to what put the rock in rock and roll.    

 

 

Came in different flavors too, had different root as we would call it now all messed together to give a different beat. You had the rhythm and blues which drove a lot of the early stuff you know the Ike Turner Rocket 88 stuff, Big Joe Turner swinging and swaying that big ass of his to beat the band on Shake, Rattle and Roll, had guys like Jimmy Preston way back in the late 1940s putting in a bid to go into history as the “first rock and roll” song although you can see stuff going all the way back, going back to certain riffs (not whole songs I would say) in the 1920s with Furry Lewis, Lonnie Johnson guys like that who latter guys, Elvis (think Tomorrow Night, That’s When Your Heartache Begins) especially would cover with their own twists and step up the beat for the whole song.

Or take something like Rockabilly which a whole lot of good old boys, white boys okay, from places like Tennessee and Mississippi from hunger farm boys and small town kids would speed up some Les Paul riffs throw a few Saturday night barroom brawl Sunday morning confess all to Preacher Jack and get the girls to come around, come close if they looked good and has some sassy ass licks in and some Rock and Roll Ruby was born. So those big time sounds mixed and mended together to give a great new sound.

But get this, there were other sounds that mixed and matched, Bo Diddley of slurred memory mentioned above down in my growing up town with a definite Afro-Carib thing that bounced a little showing some other possibilities. Cajun too. Down in sweat filled Lafayette and Lake Charles where another of my high school friends, corner boys really, Rene Dubois, was born, where he learned to say pretty things like Jolie Blon in blasphemous crooked French and the girls down there, the cheris’ he called them went wild over him. (Not so in old Carver where his father had been transferred to as an oilrig guy when Nantucket Sound was being fished for oil exploration and Rene was taken for a redneck, a good old boy from the sticks, this in a town where half the population one way or the other was connected to the cranberry bog for which it was known, boggers for crying out loud and rednecks there were as thick as thieves). But Rene was not just into the Cajun stuff because his father, since he had spent a great deal of time fishing for oil in the Gulf of Mexico would take Rene with him when he went to New Orleans. Would take him to the joints down in Frenchtown, down on the avenue.

One time and this is where the spread of rock among the youth really started to take off, get people, young people of course on jump street Rene’s father took him to Lenny’s down by Jackson Square. Lenny’s was great because it had an open air front so Rene could sit out in the café chairs for hours. One late afternoon when it was starting to get dark so it was winter time but there is, or was no such thing as winter in funky, sweaty, steamy New Orleans a guy, a fat guy, maybe not fat but definitely heavy set came to the small stage over by the bar and sat down at the piano. Started playing some very fast boogie-woogie that got people dancing, played a lot of left-hand variations very smoothly creating a rock-like beat, a beat he thought had a Cajun flavor too. But get this, get this straight from me because I checked it out after Rene had told different guys the story about six different ways. When the fat man, the man named Jack Reed, who would go on on later to take the stage name, Fats Domino, played a song, Ain’t That A Shame this foxy girl, smooth dark skin, mulatto, high yellas they call them down there maybe seventeen, eighteen came over and asked him to dance. Of course he did, and of course he told the story that they got along, she invited him to her place up on Bourbon Street a few blocks away and “took him to paradise.”

I don’t think the story held up from what I was able to gather (for one Fats name was not Jack Reed and depending on when he said he had been there Lenny’s would not have been open)   by the time he changed it about sixteen times. But if it did happen then thanks Fats, thanks for the big ass piano addition to rock, our homeland rock and roll. And sorry about how Katrina took all your archives down the river.                  

Despite all these great hits that came our way that first big rock and roll year when it kind of came out from the underground here is the funny thing, funny since we were present at the creation, present in spite of every command uttered by Miss Winot against it, declaring the music worse than that Russkie threat if you believed her (a few kids, girls mainly, did whether to suck up to her since she would take their entreaties although boys were strictly “no go” and I know having spent many a missed sunny afternoon doing some silly “punishment” for her). We were just too young to deeply imbibe the full measure of what we were hearing. See this music, music we started calling rock and roll once somebody gave it a name (super DJ impresario Alan Freed as we found out later after we had already become “children of rock and roll”) was meant, was blessedly meant to be danced to which meant in that boy-girl age we who didn’t even like the opposite sex as things stood then were just hanging by our thumbs.

Yeah, was meant to be danced to at “petting parties” in dank family room basements by barely teenage boys and girls. Was meant to be danced to at teenage dance clubs where everybody was getting caught up on learning the newest dance moves and the latest “cool” outfits to go along with that new freedom. Was meant to serve as a backdrop at Doc’s Drugstore’s soda fountain where Doc had installed a jukebox complete with all the latest tunes as boys and girls shared a Coke sipping slowly with two straws hanging out in one frosted glass. Was meant to be listened to by corner boys at Jack Slack’s bowling alley where Jack eventually had set up a small dance floor so kids could dance while waiting for lanes to open (otherwise everybody would be still dancing out in front of O’Toole’s “boss” car complete with amped-up radio not to Jack’s profit). Was meant to be listened to as the sun went down in the west at the local drive-in while the hamburgers and fries were cooking and everybody was waiting for darkness to fall so the real night could begin, the night of dancing in dark corner and exploring the mysteries of the universe, or at least of Miss Sarah Brown.  Was even meant to be listened to on fugitive transistor radios in the that secluded off-limits to adults and little kids (us) where teens, boys and girls, mixed and matched in the drive-in movie night (and would stutter some nonsense to questioning parents who wanted to know the plot of the movies, what movies, Ma).              

Yeah, we were just a little too young even if we can legitimately claim to have been present at the creation. But we will catch up, catch up with a vengeance.

Those Who Fought For Our Communist Future Are Kindred Spirits-James P. Cannon

 Click below to link to the James Cannon Internet Archives 

http://www.marxists.org/archive/cannon/works/

 

From The Pen Of Josh Breslin

Back in the early 1970s after they had worked out between themselves the rudiment of what had gone wrong with the May Day 1971 actions in Washington, D.C. Sam Eaton and Ralph Morris began some serious study of leftist literature from an earlier time, from back earlier in the century. Those May Day anti-Vietnam War actions, ill-conceived as they in the end turned out to be, centered on the proposition that if the American government would not close down the damn blood-sucking war then they, those thousands that participated in the actions, would close down the government. All Sam, Ralph and those thousands of others got for their efforts was a round-up into the bastinado. Sam had been picked off in the round-up on Pennsylvania Avenue as his group (his “affinity group” for the action) had been on their way to “capture” the White House. Ralph and his affinity group of ex-veterans and their supporters were rounded-up on Massachusetts Avenues heading toward the Pentagon (they had no plans to capture that five-sided building, at least they were unlike Sam’s group not that naïve, just surround it like had occurred in an anti-war action in 1967 which has been detailed in Norman Mailer’s prize-winning book Armies Of The Night). For a time RFK (Robert F. Kennedy) Stadium, the home of the Washington Redskins football team) had been the main holding area for those arrested and detained. The irony of being held in a stadium named after the martyred late President’s younger brother and lightening rod for almost all anti-war and “newer world” political dissent before he was assassinated in the bloody summer of 1968 and in a place where football, a sport associated in many radical minds with all that was wrong with the American system was lost on Sam and Ralph at the time and it was only later, many decades later, as they were sitting in a bar in Boston across from the JFK Federal Building on one of their periodic reunions when Ralph was in town that Sam had picked up that connection.

Sam, from Carver in Massachusetts, who had been a late convert to the anti-war movement in 1969 after his closest high school friend, Jeff Mullin, had been blown away in some jungle town in the Central Highlands was like many late converts to a cause a “true believer,” had taken part in many acts of civil disobedience at draft boards, including the one in hometown Carver, federal buildings and military bases. From an indifference, no that’s not right, from a mildly patriotic average young American citizen that you could find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, he had become a long-haired bearded “hippie anti-warrior.” Not too long though by the standards of “youth nation” of the day since he was running a small print shop in Carver in order to support his mother and four younger sisters after his father had passed away suddenly of a massive heart attack in 1965 which exempted him from military service. Not too short either since those “squares” were either poor bastards who got tagged by the military and had to wear their hair short an appearance which stuck out in towns like Cambridge, Ann Arbor, Berkeley and L.A. when the anti-war movement started embracing the increasingly frustrated and anti-war soldiers that  they were beginning to run across or, worse, cops before they got “hip” to the idea that guys wearing short hair, no beard, looked like they had just taken a bath, and wore plaid short-sleeved shirts and chinos might as well have a bulls-eye target on their backs surveilling the counter-cultural crowd.

Ralph, from Troy, New York, had been working in his father’s electrical shop which had major orders from General Electric the big employer in the area when he got his draft notice and had decided to enlist in order to avoid being an 11B, an infantryman, a grunt, “cannon fodder,” although he would not have known to call it that at the time, that would come later. He had expected to go into something which he knew something about in the electrical field at least that is what the recruiting sergeant in Albany had “promised” him. But in the year 1967 (and 1968 too since he had extended his tour six months to get out of the service a little early) what the military needed in Vietnam whatever else they might have needed was “cannon fodder,” guys to go out into the bushes and kill commies. Simple as that. And that was what Ralph Morris, a mildly patriotic average young American citizen, no that is not right, a very patriotic average young American citizen that you could also find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, did. But see he got “religion” up there in Pleiku, up there in the bush and so when he had been discharged from the Army in late 1969 he was in a rage against the machine. Sure he had gone back to the grind of his father’s electrical shop but he was out of place just then, out of sorts, needed to find an outlet for his anger at what he had done, what had happened to buddies very close to him, what buddies had done, and how the military had made them animals, nothing less. (Ralph after his father retired would take over the electric shop business on his own in 1991 and would thereafter give it to his son to take over after he retired in 2011.)

One day he had gone to Albany on a job for his father and while on State Street he had seen a group of guys in mismatched military garb marching in the streets without talking, silent which was amazing in itself from what he had previously seen of such marches and just carrying a big sign-Vietnam Veterans Against The War (VVAW) and nobody stopped them, no cops, nobody, nobody yelled “commie” either or a lot of other macho stuff that he and his hang out guys used to do in Troy when some peaceniks held peace vigils in the square. The civilian on-lookers held their tongues that day although Ralph knew that the whole area still retained a lot of residual pro-war feeling just because America was fighting somewhere for something. He parked his father’s truck and walked over to the march just to watch at first. Some guy in a tattered Marine mismatched uniform wearing Chuck Taylor sneakers in the march called out to the crowd for anybody who had served in Vietnam, served in the military to join them shouting out their military affiliation as they did so. Ralph almost automatically blurred out-“First Air Cav” and walked right into the street. There were other First Air Cav guys there that day so he was among kindred. So yeah, Ralph did a lot of actions with VVAW and with “civilian” collectives who were planning more dramatic actions. Ralph always would say later that if it hadn’t been for getting “religion” on the war issue and doing all those political actions then he would have gone crazy, would have wound up like a lot of guys he would see later at the VA, see out in the cardboard box for a home streets, and would not until this day have supported in any way he could, although lately not physically since his knee replacement, those who had the audacity to march for the “good old cause.”                           

That is the back story of a relationship has lasted until this day, an unlikely relationship in normal times and places but in that cauldron of the early 1970s when the young, even the not so very young, were trying to make heads or tails out of what was happening in a world they did not crate, and were not asked about there were plenty of such stories, although most did not outlast that search for the newer world when the high tide of the 1960s ebbed in the mid-1970s. Ralph had noticed while milling around the football field waiting for something to happen, waiting to be released, Sam had a VVAW button on his shirt and since he did not recognize Sam from any previous VVAW action had asked if he was a member of the organization and where. Sam told him the story of his friend Jeff Mullin and of his change of heart about the war, and about doing something about ending the damn thing. That got them talking, talking well into the first night of their captivity when they found they had many things in common coming from deeply entrenched working-class cultures. (You already know about Troy. Carver is something like the cranberry bog capital of the world even today although the large producers dominate the market unlike when Sam was a kid and the small Finnish growers dominated the market and town life. The town moreover has turned into something of a bedroom community for the high-tech industry that dots U.S. 495.) After a couple of days in the bastinado Sam and Ralph hunger, thirsty, needing a shower after suffering through the Washington humidity heard that people were finding ways of getting out to the streets through some side exits. They decided to surreptiously attempt an “escape” which proved successful and they immediately headed through a bunch of letter, number and state streets on the Washington city grid toward Connecticut Avenue heading toward Silver Springs trying to hitchhike out of the city. A couple of days later having obtained a ride through from Trenton, New Jersey to Providence, Rhode Island they headed to Sam’s mother’s place in Carver. Ralph stayed there a few days before heading back home to Troy. They had agreed that they would keep in contact and try to figure out what the hell went wrong in Washington that week. After making some connections through some radicals he knew in Cambridge to live in a commune Sam asked Ralph to come stay with him for the summer and try to figure out that gnarly problem. Ralph did, although his father was furious since he needed his help on a big GE contract for the Defense Department but Ralph was having none of that.    

So in the summer of 1971 Sam and Ralph began to read that old time literature, although Ralph admitted he was not much of a reader and some of the stuff was way over his head, Sam’s too. Mostly they read socialist and communist literature, a little of the old IWW (Wobblie) stuff since they both were enthrall to the exploits of the likes of Big Bill Haywood out West which seemed to dominate the politics of that earlier time. They had even for a time joined a loose study group sponsored by one of the myriad “red collectives” that had sprung up like weeds in the Cambridge area. Both thought it ironic at the time, and others who were questioning the direction the “movement” was heading in stated the same thing when they were in the study groups, that before that time in the heyday of their anti-war activity everybody dismissed the old white guys (a term not in common use then like now) like Marx, Lenin, Trotsky, and their progeny as irrelevant. Now everybody was glued to the books.

It was from that time that Sam and Ralph got a better appreciation of a lot of the events, places, and personalities from the old time radicals. Events like the start of May Day in 1886 as an international working class holiday which they had been clueless about despite the   May Day actions, the Russian Revolutions, the Paris Commune, the Chinese Revolutions, August 1914 as a watershed against war, the Communist International, those aforementioned radicals Marx, Lenin, Trostky, adding in Mao, Che, Fidel, Ho whose names were on everybody’s tongue (and on posters in every bedroom) even if the reason for that was not known. Most surprising of all were the American radicals like Haywood, Browder, Cannon, Foster, and others who nobody then, or almost nobody cared to know about at all.

As they learned more information about past American movements Sam, the more interested writer of such pieces began to write appreciation of past events, places and personalities. His first effort was to write something about the commemoration of the 3 Ls (Lenin, Luxemburg, and Liebknecht) started by the Communist International back in the 1920s in January 1972, the first two names that he knew from a history class in junior college and the third not at all. Here is what he had to say then which he recently freshly updated. Sam told Ralph after he had read and asked if he was still a “true believer” said a lot of piece he would still stand by today:       

“Every January, as readers of this piece are now, hopefully, familiar with the international communist movement honors the 3 Ls-Lenin, Luxemburg and Liebknecht, fallen leaders of the early 20th century communist movement who died in this month (and whose untimely deaths left a huge, irreplaceable gap in the international leadership of that time). January is thus a time for us to reflect on the roots of our movement and those who brought us along this far. In order to give a fuller measure of honor to our fallen forbears this January, and in future Januarys, this space will honor others who have contributed in some way to the struggle for our communist future. [Sam did so for a few years but as the times changed, he expanded his printing business and started a family he gave that up.] That future classless society, however, will be the true memorial to their sacrifices. This year we pay special honor to American Communist Party and American Trotskyist leader James P. Cannon.

Note on inclusion: this year’s honorees do not exhaust the list of every possible communist worthy of the name. Nor, in fact, is the list limited to Bolshevik-style communists. There will be names included from other traditions (like anarchism, social democracy, the Diggers, Levelers, Jacobins, etc.) whose efforts contributed to the international struggle. Also this year’s efforts are no more than an introduction to these heroes of the class struggle. Future years will see more detailed information on each entry, particularly about many of the lesser known figures. Better yet, the reader can pick up the ball and run with it if he or she has more knowledge about the particular exploits of some communist militant, or to include a missing one.

**********

BOOK REVIEW

SPEECHES FOR SOCIALISM- JAMES P. CANNON, PATHFINDER PRESS, NEW YORK, 1971

If you are interested in the history of the American Left or are a militant trying to understand some of the past lessons of our history concerning the socialist response to various social and labor questions this book is for you. This book is part of a continuing series of the writings of James P. Cannon that was published by the organization he founded, the Socialist Workers Party. [Cannon died in 1974.]

In the introduction the editors motivate the purpose for the publication of the book by stating the Cannon was the finest Communist leader that America had ever produced. This an intriguing question. The editors trace their political lineage back to Cannon’s leadership of the early Communist Party and later after his expulsion to the Trotskyist Socialist Workers Party so their perspective is obvious. What does the documentation provided here show? This certainly is the period of Cannon’s political maturation, especially after his long collaboration working with Trotsky. The period under discussion- from the 1920’s when he was a leader of the American Communist Party to the red-baiting years after World War II- started with his leadership of the fight against the degeneration of the Russian Revolution and then later against those who no longer wanted to defend the gains of the Russian Revolution despite the Stalinist degeneration of that revolution. Cannon won his spurs in those fights and in his struggle to orient those organizations toward a revolutionary path. One thing is sure- in his prime which includes this period- Cannon had the instincts to want to lead a revolution and had the evident capacity to do so. That he never had an opportunity to lead a revolution is his personal tragedy and ours as well.

This volume is a compendium of Cannon’s speeches over most of his active political life beginning with his leadership role in the early American Communist Party and his secondary role in the Communist International. Some of the selections are also available in other parts of the series mentioned above. I would also note here that in contrast to his "Notebook of an Agitator" the pieces here tend to be longer and based on more general socialist principles. The socialist movement has always emphasized two ways of getting its message out- propaganda and agitation. The selections here represent a more propagandistic approach to that message. Many of the presentations hold their own even today in 1972 [and in 2015] as thoughtful expositions of the aims of socialism and how to struggle for it. I particularly draw the reader’s attention to "Sixty Years of American Radicalism" a speech given in 1959 in which Cannon draws a general overview of the ebbs and flows of the socialist movement from the turn of the 20th century until then. At that time Cannon also predicted a new radical upsurge which did occur shortly thereafter [the blazing 1960s of Sam, Frank and my youth.] but unfortunately has long since ended.

Cannon’s speech correctly marks the great divide in the American socialist movement at World War I and the socialist response American participation in that war and subsequently to the Russian Revolution. Prior to that time socialist activity was a loose, federated affair driven by a more evolutionary approach to ultimate socialist success i.e. reformism. That trend was symbolized by the work of the great socialist leader, Eugene V. Debs. While that approach had many, ultimately, fatal flaws it did represent a solid attempt to draw a class struggle line for independent (from the capitalist parties) political action by the working class.

Drawing on those lessons the early Communist Party, basing itself on support of the Russian Revolution, became dominant on the American left by expanding on that concept. That is, until the mid-1930’s after it had already long been an agency under orders from Moscow in support, by one means or another, of the Rooseveltian Democratic Party, a capitalist party. That was fatal to long term prospects for independent working class political action and Cannon has harsh words for the party’s policy. He also noted that the next upsurge would have to right that policy by again demanding an independent political expression for the working class. Unfortunately, when that radical upsurge did occur in the 1960’s and early 1970’s the party that he formed, the Socialist Workers Party, essentially replicated in the anti-Vietnam War movement and elsewhere the Communist Party’s class collaborationist policy with the remnants of American liberalism. Obviously, as a man in his sixties Cannon was no longer able or willing to fight against that policy by the party that he had created. Thus, the third wave of radicalism also ebbed and the American Left declined. Nevertheless this speech is Cannon’s legacy to the youth today. [2015] A new upsurge, and it will come, must learn this lesson and fight tooth and nail for independent political expression for the working class to avoid another failure.