*****From The Archives Of The International Labor Defense (ILD)-1925-1946)-The Scottsboro Boys

*****From The Archives  Of The International Labor Defense (ILD)-1925-1946)-In Defense of Political Prisoners 

Click below to link to an introduction to the work of the ILD-

https://www.marxists.org/history/usa/eam/other/ild/ild.html

Click below to the Scottsboro Boys' Case

http://www.pbs.org/wgbh/amex/scottsboro/peopleevents/p_ild.html

From The Pen Of Frank Jackman

Introducing The Committee For International Labor Defense

Mission Statement

The Committee for International Labor Defense (CILD) is a legal and political defense organization working on behalf of the international working class and oppressed minorities providing aid and solidarity in legal cases. We stand today in the traditions of the working-class defense policies of the International Labor Defense (ILD) 1925-1946, the defense arm of the American Communist Party which won its authority as a defense organization in cases like Sacco and Vanzetti, the Scottsboro Boys, defense of Black Sharecropper’ Union and Birmingham steelworkers union efforts in the South in the 1930s and 1940s, and garnering support in the United States for the Republican side in the Spanish Civil War. 

The ILD takes a side. In the struggles of working people to defend their unions and independent political organizations and to organize themselves we stand in solidarity against their exploiters. In the struggles of the oppressed and other socially marginalized peoples to defend their communities and to organize themselves we stand in solidarity with their efforts against their oppressors.  While favoring all possible legal proceedings for the cases we support, we recognize that the courts, prisons and police exist to maintain the ruling class’ dominance over all others. To paraphrase one of the founding members of the original ILD said “we place 100% of our faith in the power of the masses to mobilize to defend their own and zero faith, none, in the ‘justice’ of the courts or other tribunals.”

As we take the side of working people and oppressed minorities we also strive to be anti-sectarian. We will, according to our abilities, critically but unconditionally support movements and defend cases of organizations or individuals with whose political views we do not necessarily agree. We defend, to paraphrase the original statement of purpose of the old ILD, “any member of the workers and oppressed movement, regardless of their views, who has suffered persecution by the capitalist courts and other coercive institutions because of their activities or their opinions.” As the old labor slogan goes-“an injury to one is an injury to all.”

More information-  c_for_intl_labor_defense@lists.digitalexplorations.org

In the long arc, the now fifty years long arc of Sam Lowell’s left-wing political activism, the question of the plight of political prisoners, class-war prisoners to distinguish them from death squad Nazis and thugs and the commonality of other criminals has always played a central role in his work. Part of this was out of necessity in the old days when the American government was whipping away drafter resisters for their righteous opposition to the Vietnam War then raging and threatening to take a whole generation down with it both soldiers and civilians, military resisters who once a critical mass of soldiers started coming back and telling the real story of the war became more prevalent as the American Army was in near mutiny before the thing got closed down by the heroic Vietnamese resistance fighters, the civilly disobedient from little old ladies in tennis sneakers, Quakers, Shakers and later radicals and reds, rowdy according to them anti-war protesters, Black Panthers, at least the ones they did not try to just outright kill in their beds like Fred Hampton and Mark Clark or frame up almost to death like Geronimo Pratt (when he was going by that name before his conversion to a Muslim name he could not remember) or anybody else who got in their way when they pulled the hammer down and began the long “night of the long knives” that we have been subject to ever since without any apparent end in sight.

Since then through the vagaries of whatever small struggles he and what he calls the “remnant,” those who still hold the torch seeking the “newer world” and those too few who have joined those old new leftists political prisoner work has been the one constant when other struggles have failed like the now endless wars of the American government or situations that have been resolved at least partially like the struggle against apartheid in South Africa.

(Sam by the way has this very big thing about not calling the government “our government” ever since those days, those days when his best friend from high school, Jeff Mullins, was killed in Vietnam and in letters home begged Sam to tell a candid world what the hell was going on over there and he saw what the hell it was doing to young kids, kids out of high school just like him making them nothing but animals and so unless you want, and I don’t, a ration of grief we will stick with his designation.)

So Sam Lowell in his time has defended, has tried to publicize the plight of political prisoners as they have come up starting back in the day with the various anti-war protestors rounded up on May Day, 1971 (including himself), the Panthers and other black nationalists when they were under the gun of the American government, the victims of the coup in Chile in 1973, the aforementioned anti-apartied fighters led by the later Nelson Mandela in South Africa, the British coal-miners in the 1980s, many anti-death penalty struggles including the Mumia Abu Jamal (now serving a “living death” life without parole sentence) Troy Davis (executed by the state of Georgia in 2011)cases (and lately the case of the surviving member of the Boston Marathon bombings now under death sentence when he stood shoulder to shoulder in front of the Federal Courthouse in Boston down by the waterfront with Catholic Workers and Veterans for Peace but not anybody from Amnesty International or Massachusetts Committee Against the Death Penalty), and lots of others. All done, whether Sam was conscience of it at the time or not under the old slogan from the Wobblie days (Industrial Workers of the World, IWW)-“an injury to one is an injury to all.”

Lately Sam has been thinking, as he has reduced his law practice work, let others run the day to day operations of his small practice down in Carver about thirty miles from Boston, about that slogan, about the history of that idea. On the face of it the proposition makes total sense but what Sam was looking at was how that proposition was made concrete at least since the high holy hell days when the Wobblies needed all the defense they could muster against the bosses and their state. Now Sam, and you need to know this about him as well, has some method to his madness when he is thinking along such lines and this is the case here as well. Back in August of 2015 he had been invited to a planning meeting of an ad hoc group of Boston left-wing political activists who were interested in setting up a Committee for International Labor Defense (CILD). That name was not accidentally picked since what the group was trying to do was revive the traditions of the International Labor Defense (ILD) which been set up under the aegis of the American Communist Party in 1925 to deal organizationally with the continuing struggle for freedom for left-wing and labor militants under ban from the American government by Jim Cannon, Bill Haywood and others. That organization in turn had been affiliated with the International Red Aid which had previously been set up by the Communist International shortly after its own establishment in 1919.

Sam’s first reaction to the invitation and afterward thinking about the meeting which he had attended that August was that you cannot go home again, that whatever virtues the old ILD had any they were many especially in the 1920s and 1930s well before the operation went out of business in1946, that was over and done with. Then one night he began to think about that “traditions” part, about what the ILD had actually done in its best days. Back then, back in the 1920s when it all started the Wobblies had been decimated by the American government in its vendetta against that organization for its opposition to the First World War and a goodly number were still languishing in jail. Bill Haywood, a Wobblie founder, contacted Jim Cannon then a big wheel in the leadership of the CP and former Wobblie himself about setting up a non-sectarian pro-labor, political prisoner defense group since despite the low level of struggle then the CP was the only organization with the political, financial and legal resources to put together an effective organization. The ILD first won its spurs as a labor defense organization in the unsuccessful fight to save the framed anarchists Sacco and Vanzetti who were executed by the Commonwealth of Massachusetts in 1927. The organization was critical in the 1930s in saving the lives of the Scottsboro boys, nine young black men who were accused of raping two white women and who were being railroaded to death row by the state of Alabama. All through the 1930s the ILD helped out labor militants in nasty strike actions and other social struggles like support for the Spanish Republican.

Sam had to admit that in its heyday the ILD did very good work and it would not be disrespectful to try to try to resurrect the traditions of such an organization. But know this about Sam as well he is a devout student of history  so he has to dig into the archives and find material that might be helpful in working through the logistics of “an injury ot one is an injury to all.” Hence this archival piece.                        

                      

The Trouble With Royalty-Gregory Peck and Audrey Hepburn’s Roman Holiday

The Trouble With Royalty-Gregory Peck and Audrey Hepburn’s Roman Holiday 

DVD Review

By Sam Lowell

Roman Holiday, starring Gregory Peck, Audrey Hepburn, story by Dalton Trumbo, a Hollywood Ten member not originally created in the red scare Cold War 1953s but only in 2003 on the re-released

 

No question it was tough being royalty in say the 16^th, 17^th,18^th, 19^th centuries especially in places like England, France and Russia where you very likely might lose your head, literally, if you made a false move, or were just in the way of human progress. Not so in the 1950s when the royal remnant was just hanging around collecting payments, kissing babies and opening fairs. The film under review, Roman Holiday, puts a little different spin of the toughness question, the problem with celebrity, acting royally in a democratic age, and being in the spotlight without any relief for what after all is an accident of birth. Of course this romantic comedy written by the red scare Cold War Hollywood Ten member Dalton Trumbo doesn’t deal seriously with the issue of why there is a need for even a remnant of royalty in a democratic age but does in a whimsical romantic comic way deal with that problem of just trying to be an ordinary Jill when the world is always watching you.       

Here is the dilemma, here is Princess Anne, played by fetching Audrey Hepburn, of some unnamed European country who is on a whirlwind tour of that continent trying to drum up support for her country and do the whole endless scheduled obligatory rounds that royal prestige requires. But our Princess is a bit feisty, is ready to fly the coop, has had it with ceremony, schedule and formality. That flying the coop is what drives this storyline.

Once she flies the coop from her country’s embassy in Rome (after having been given a sedative to calm her nerves when she freaked out with the routine she had to put up with) she is picked up by Joe, played by Gregory Peck, an average democratic American Joe who just so happened to be a newspaper reporter in exile in Rome waiting for his big scoop to fly away from his own coop. Because the Princess was acting dopey he eventually chastely brought her to his apartment to sleep it off. Naturally too once the embassy found out she had escaped they were in a frenzy to find her, bring her back to the fold. The chase is on.  

Of course Joe did not know at first who he had on his hands, but once he got wise he saw nothing by blue skies and big bylines in his future. A big fat exclusive on the secret life of a real live Princess, guys would have killed, would still today do so maybe worse, for that kind of up close and personal story. Complete with photographs (to be provided surreptitiously by a “flash” friend and associate). The Princess of course wants to remain anonymous and the game of cat and mice proceeds. But Anne really did want to see how the other half lived, had her own wish list of fantasies she would like to play out. And Joe obliged her. Things got sticky though as Anne had to turn back into Cinderella at midnight because this unlikely pair fell in love just that quickly. But commoners and princesses don’t mix in the real world, usually, and princesses of presumably small and unnamed countries have certain duties and responsibilities to uphold so they part, part to eventually go their separate ways. Without a hint of scandal since Joe forsook his big chance once the deal went down. This one was slow in spots but is a prime example of a feel good classic romance even if thwarted, 1950s style. And Audrey Hepburn still looks fetching over fifty years later.       

***Poet’s Corner- Langston Hughes- Mother To Son

***Poet’s Corner- Langston Hughes- Mother To Son

 

 

From The Pen Of Frank Jackman

 

February is Black History Month

 

Mother To Son

 

Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now—
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.

 

Langston Hughes

 

Clarence Martin knew, knew deep in his bones, that he would now have to talk to his just turned ten son, Lanny (full name Langston, named after the old Harlem Renaissance poet, Langston Hughes, whom he, and the brothers, had learned about and went “max daddy” be-bop hip-hop crazy over in that GED class at Norfolk when he had done his last stretch, that last and no more stretch for that damn liquor store armed robbery), now that he had made that first midget turn toward “the life” with that foolish “clip” he got caught doing over at Mr. Earl’s Jewelry Store in Roxbury Crossing (he would not tell his son, not for the world, that he too had clipped his fair share of jewelry from that very same establishment although he had never gotten caught in those days before every two-bit place had monitors all over the place). He would have to call his ex-wife, Lanny’s mother, Essie, and make arrangements for them to meet in some neutral place and have it out, have it out about the black facts of life in America, and about taking that midget turn back, back to rolling that rock up the mountain like that old Greek guy did.

As Clarence thought about how to approach his son, about how to tell him about his own troubles with the law that he and Essie had kept from him since Lanny had not even been born when, he, young wild buck he, got his wanting habits on and caused his own Mama and Papa some serious hell. He figured that he would just lay it on the line, man to man, even though at ten Lanny might not understand the whole thing. He would try to explain about a boy’s wanting habits, a boy fresh up from deep in the Jim Crow south, a boy born on some Mister’s sharecrop plantation and then early on moved up into a northern ghetto (over on high number Washington Street where his own parents still lived) where it seemed like the streets were paved with gold, although his people had no gold, no gold to satisfy his wanting habits.

So it had started, started simply for him and his corner boys, a hustle here, a jack-roll there, a little time at Morton Street, some street dope, some walking daddy pimp action (of his own girlfriend at the time and her sister for Chrissakes), then his graduate education-armed robberies for quick nickels and dimes to feed a burgeoning coke habit, then the big house. Graduated and done. A normal profile for a couple of generations of black boys, maybe three. He wouldn’t hold back (except that silly clip action at Mister Earl’s because he didn’t want any “like father like son” noise from Lanny, or Essie either).

Then he would point to his own turnaround, his job as head janitor at the John Hancock building in the Back Bay, and the slow and steady rising up of his own life. Nothing big, but he was still alive to talk about it, unlike the five other members of his Uphams Corner jive ass corner boy society who were either six feet under or sitting in some big steel house, mostly the former. He would tell him of Langston Hughes, no not the poet part (although the brother was still the “max daddy” be-bop hip-hop angel high priest) but getting wise in stir, getting wise inside and figuring out after that last stretch that he was either going be dead by thirty or a permanent resident of the underclass either in the big house, or out in some nowhere scene. So he got his GED, picked up some usable trade skills and shook the prison pallor off. And never looked backed, even if the road forward was not going to be blazing guns.

And then he would lay it on the line that ten-year old black boys, Lanny black as the night black boys, were born to die at thirty (maybe earlier), were born to have their wanting habits curtailed, were born to spent time in Mister’s steel boxes, were born to wither and die in some sleepy crack house, were as likely to be blown away just for breathing wrong by some blue-suited bastard or some irate honky, as for anything else. He would leave it at that he thought enough to fill up a grown man’s hurts, to fill up a strong grown man’s hurts and sorrows.

A minute later Clarence Martin, father, black father, black father with a story to tell dialed up Essie’s number on his cellphone and when she answered he said, “Hey, Essie, how’s things, I need to talk to Lanny, I need to talk to my son bad… ’’

*****Okay, Rosalie Sorrels Have You Seen Starlight On The Rails

*****Okay, Rosalie Sorrels Have You Seen Starlight On The Rails

 

From The Pen Of Frank Jackman

Okay, Rosalie Sorrels Have You Seen Starlight On The Rails

 

 

From The Pen Of Frank Jackman

Every hobo, tramp, and bum and there are known social distinctions long recognized among the brethren even if with a touch of envy by those not among the elect although the general population, you know, the honest citizenry who make the rules against vagrancy and pay the enforcers to keep the riffraff out of their towns called the whole heap nothing but bums knows the road is hard, but that is the road they have chosen, or had chosen for them by their whole freaking life choices. Despite the claims of oneness for the whole heap of bummery by those honest citizens of small town America (or these days the world) where the fear exists every really honest person, even every thoughtful amateur sociologist should know that among the wandering tribes the hobos, “the kings and queens of the transient peoples,” are merely migrant or walking through the land rucksack on the back day laborer-type worker, what Oswald Spengler and Jack Kerouac called the fellahin, the outcasts, who has not forgotten the dignity of labor, just not for him (or occasionally her) the nine to five grind and such brethren can be found out back in many a restaurant throughout the land especially at diners and truck shop eateries “diving for pearls, working,” working as dishwashers.

Every hobo has some problem, usually some Phoebe Snow problem, a woman problem, that forced him or her on the road (I don’t know what it would be for the distaff side so call him Jack Snow, any other sexual combination more acceptable today although definitely not unknown in the male-heavy “jungle camps” along the transcontinental railroad lines). That Phoebe Snow designation from some old time railroad advertisement when they finally figured how to keep their respectable passengers from looking like coalminers after alighting from a train by changing the way the engine was maneuvered and to express that new found discovery they had a virginal young woman in white getting on their trains ready for every civilized adventure in some faraway place (or maybe an illicit tryst but we will ask no questions). And so many a campfire night as the trains went westbound, or wherever bound, you would find many a man, maybe in his cups just then, dreaming back to their own Phoebes and wondering damn why they ever left Peoria, Lima, Scranton and that white dress with flowers in her hair standing in the wind. So, make no mistake, fear of work is not what drove the hobo out on to the roads.

See that royalty, the hobo, and his or her ability to work is why the Industrial Worker of the World (IWW, Wobblies, moniker origin unknown so Wobblies) went into the jungle camps (and gin mills too) in order to recruit labor fighters against the bosses when the deal went down, particularly in the West. (Although more famously in the great Lawrence, Massachusetts “Bread and Roses” textile strike of 1912 when they gathered in the nations of immigrants that the textile bosses recruited on the assumption that they could “divide and conquer.” Yid and gentile, Mick and Dago, Hunky and Frog, name your national derogatory moniker but didn’t they get a surprise that first morning when the nations gathered against the Wasp oligarchy.) Of course that transient work habit was also the down side of that organization as the kings of the transient road hit the road west, or somewhere, when it came to defending the unions over the long haul.

As for the other two, the tramp who only worked when forced to like on some thirty day county jailhouse for vagrancy gig or some Salvation Army work program to keep the body and soul together for a few days when whatever con, what grift was played out and the bum, Jesus, the bum wouldn’t work if he was Rockefeller himself, the dregs, winos, jack-rollers, sappers, petty crooks, mother’s purse stealers, the crippled up, sorry, and the dumb, sorry again, to put the matter plainly in the old- fashioned parlance how the hell could you organize them. You might as well try to organize air, might as well go down without a fight since they have probably already sold you out and the boss man will be waiting arms in hand, you can bet on that. There was a very good reason that the beloved heroic Paris Communards in 1871 as desperate as they were for fighters placed the placate “Death to Thieves” above the Hotel de Ville. Yeah, they had that right, don’t give the lumpen a change to breathe or he will steal your breathe just for kicks, or a jug of low-grade wine.          

Now that you are all caught up on the differences, the “class differences,” between each cohort recognized among themselves, oh how recognized, and subject to fierce dispute including some faux fists, if not quite so definitely by rump academic sociologists who lump them all together but that is a story for another day (there is some hope for the amateur versions as long as the avoid the graduate schools of social work the bane of every person on the road, and rightly so). What they do have in common since they are out in the great outdoors more than the rest of us gentile folk is that they to a person have seen starlight on the rails. Yeah, had their fill of train smoke and dreams.

Now all these sullen subtle distinctions among the brethren I probably would have not been able to draw in my youth when I would have lumped the lot together as collective losers and riff-raff, the bums to honest citizens, before I hit the hitchhike road heading west at one time in search of the blue-pink great American West night out there somewhere. Thought I found it for a minute out in Mendocino with a sweet Lorraine all long hair, long granny dress and flowers, garlands really around her neck and in her hair. Go check out a  Botticelli painting if you are near an art museum something or google up the man’s name on the Internet if you can’t wait, my own Phoebe Snow, before the hordes descended.  Thought I had it another time in a hash/opium dream outside of Monterey after the jazz festival and some dark-haired, dark laughing eyes, hot-blooded, Juanita curled my toes for a while until I fought there were seventeen burn down the country club golf course and I had not enough matches and fled. Ah, you know and man’s reach should exceed his grasp like the Jack poet said.

I had, broken dreams aside, broken but not forgotten Botticelli dreams included, on one more than one occasion along with the late Peter Paul Markin who led the way among the North Adamsville corner boys on that trail been forced to stop along a railroad trestle “jungle camp,” under a cardboard city bridge, or out in the arroyos if you got far enough west to live for a few days and rest up for the road further west.

The hobos of the “jungle” were princes among men (there was no room for women then in such a male-dominated society, not along the jungle although at the missions and Sallys, Salvation Army Harbor Lights, that might be a different story) as long as you did not ask too many damn questions. Shared olio stews, cigarettes, cheap rotgut wine, Thunderbird “what’s the word, Thunderbird, what’s the price, forty twice” and that eighty cents tough to gather some days no matter how smooth the pan-handle, or Ripple, ‘save the nipple, cripple” sorry, whichever was cheapest after cadging the day’s collective pennies together. Later, after the big dream American West busted me up when my “wanting habits” (getting many worldly goods off easy street paid for by working the drug trade down south of the border along with Markin before he became the late Markin face down in some dusty Mexican bracero fellahin town when a drug deal he was trying to finagle caught him short, two slugs to the head short by some angry hombre who didn’t like gringos messing with their trade, or their dark-haired, dark laughing-eyed, hot-blooded women) built up from the edges of that sullen youth got the better of me and my addictions placed me out in that same “jungle” for keeps for a while that distinction got re-enforced.  

But hobo, bum or tramp each had found him or herself (mainly hims though like I said out on the “jungle” roads) flat up against some railroad siding at midnight having exhausted every civilized way to spent the night. Having let their, our, collective wanting habits get the best of them, us. Maybe penniless, maybe thrown out of some flophouse in arrears and found that nobody bothers, or did bother you out along the steel rails, I won’t vouch for that now with all the weirdness in the world, when the train lost its luster to the fast speed Interstate automobile and one coast in the morning the other in the afternoon plane and rusted and abandoned railroads gone belly up, Union Pacific, SP, Denver, Rio Grande, Baltimore and Ohio, Illinois Central, all train smoke names for lack of use provided safe haven from the vagaries of civilization. So sure I too have seen with the brethren, those nameless hobos, tramps, and bums  (to you they had among themselves monikers like Railroad Shorty, Black River Red, Smokestack, Philly Jack, mine, the Be-Bop Kid although I always had to explain what the be-bop was since these guys were well behind the curve, back in Benny Goodman swing time)     the stars out where the spots are darkest and the brilliance of the sparkle makes one think of heaven for those so inclined, think of the void for the heathen among them. Has dreamed penitent dreams of shelter against life’s storms, had dreamed while living for the moment trying to get washed clean after the failure of the new dispensation to do the job (hell, what did they/Markin/me think just because the drugs or alcohol flowed freely once, just because the fixer man fixed, fixed fine, that that was the Garden of Eden, that was Nirvana, hell, those ancient forebears all after they had been expelled from the earthly paradise saw that same starlight as they/he/we/I did).   

Maybe this will explain it better. An old man, or at least he has the marks of old age, although among the iterant travelling peoples, the hoboes, tramps, and bum, who have weathered many of life’s storms bottle or needle in hand, panhandled a million quarters now lost, old age, or their marks wear a soul down early so a guy who has been on the road enough years if he is say thirty looks about fifty by the time the train smoke and the busted dreams have broken his will, white beard, unkempt, longish hair, also unkempt, a river of lines in his face, deep crow’s feet setting off his vacant eyes, a second-hand soiled hat atop his head, a third-hand miner’s jacket “clipped” off some other lonesome traveler (“clipped”- stolen for clueless or those who led sheltered childhood and did not in order to satisfy some youthful wanting habit stakeout a jewelry store say and grab a few trinkets while the salesperson was looking the other way), shredded at the cuffs chino pants of indeterminate age, and busted up shoes, soles worn, heels at forty-five degree angles from crooked walks on crooked miles and game legs is getting ready to unroll his bedroll, ground cloth a tablecloth stolen from Jimmy Jack’s Diner’s somewhere, a blanket stolen from a Sally [Salvation Army] Harbor Light house in salad days, rolled newspapers now for a mattress for the hundredth, hundredth time against the edge of the railroad trestle just outside Gallup, New Mexico.

Do not ask him, if you have the nerve to approach him, and that is an iffy proposition just ask a guy going under the moniker of Denver Shorty how he got that deep scar across his face, where he is going or where he has come from because just that moment, having scratched a few coins in the town together for a jug of Thunderbird he is ready to sleep his sleep against the cold-hearted steel of the Southern Pacific railroad tracks just ten yards from where he stands.      

And this night, this starlit brown, about eight colors of brown, desert night he hopes that he will not dream, not dream of that Phoebe Snow whom he left behind in Toledo when he had no beard, no longish unkempt hair, and no rivers of lines on his misbegotten face. (Why the brethren called every long gone sweetheart Phoebe Snow, why they would get misty over the dying campfire after some younger traveler stopped by and told his tale of leaving some young thing behind is unknown except, according to some old wizened geezer who might have just made the story up, in the old, old day when the railroads finally figured out how to keep people from being blackened by the train smoke every trip they took they started advertising this the fact with this white-dressed  virginal young woman who went under the name Phoebe Snow. That’s probably as good an explanation as any since whatever the name, or the young woman almost every guy in camp would in his sorrows get weepy about that situation. Hey, didn't I tell that story before, Jesus, the dope or old age is getting to me but what the hell maybe that Phoebe Snow dream is worth a repeat I know it got me through many a restless night thinking about sweet Botticelli Lorraine and Goya Juanita.) Dream as he always did about whatever madness made him run from all the things he had created, all the things that drove him west like a million other guys who needed to put space between himself and civilization.

Dream too about the days when he could ride the rails in the first-class cars (having not only left Phoebe Snow behind but a growing specialty printing business started from scratch before the alcohol, and later the dope although now back to cheapjack alcohol got the better of him), and about the lure of the rails once he got unhinged from civilization. About how the train pace had been chastised by fast cars and faster planes when a the speed of a train fitted a man’s movements, about the days when they first built the transcontinental, this line that he was about to lie his head down beside, about the million Chinks, Hunkies, Russkies, Hibernians, hell, Micks, Dagos who sweated to drive the steel in unforgiving ground, many who laid down their heads down to their final rest along these roads, and later guys he knew on the endless road like Butte Bobby, Silver Jones, Ding-dong Kelly, who did not wake up the next morning and were carried out to the carcass vulture desert having left no way to get a hold of kin. Almost all guys had left no forwarding address, no real one anyway, no back address, for fear of the repo man or some other dunning, an angry wife or about ten thousand other reasons. So the desert was good enough as a potter’s field as any other place.

As he settled in to sleep the wine’s effect settling down too he noticed the bright half- moon out that night reflecting off the trestle, and the arroyos edges, and thought about what a guy, an old wizard like himself told him about the rails one time when he was laid up in Salt Lake City, in the days when he tried to sober up. The guy, a guy who had music in his soul or something said to him that it was the starlight on the rails that had driven him, rumble, stumble, tumble him to keep on the road, to keep moving away from himself, to forget who he was. And here he was on a starlit night listening down the line for the rumble of the freight that would come passing by before the night was over. But as he shut his eyes, he began to dream again of Phoebe Snow, always of Phoebe Snow.         

But not everybody has the ability to sing to those starlit heavens (or to the void if that is what chances to happen as the universe expands quicker than we can think, bang- bang or get smaller into dust if that is the deal once the philosopher-king physicists figure out the new best theory) about the hard night of starlight on the rails and that is where Rosalie Sorrels, a woman of the American West out in the Idahos, out where, as is said in the introduction to the song by the same name ripping some wisdom from literary man Thomas Wolfe who knew from whence he spoke, the states are square (and at one time the people, travelling west people and so inured to hardship, played it square, or else), sings old crusty Utah Phillips’ song to those hobo, tramp, bum heavens. Did it while old Utah was alive to teach the song (and the story behind the song) to her and later after he passed on in a singular tribute album to his life’s work as singer/songwriter/story-teller/ troubadour.         

Now, for a fact, I do not know if Rosalie in her time, her early struggling time when she was trying to make a living singing and telling Western childhood stories had ever along with her brood of kids been reduced by circumstances to wind up against that endless steel highway but I do know that she had her share of hard times. Know that through her friendship with Utah she wound up bus-ridden to Saratoga Springs up in the un-squared state of New York where she performed and got taken under the wing of Lena from the legendary Café Lena during some trying times. And so she flourished, flourished as well as any folk-singer could once the folk minute burst it bubble and places like Café Lena, Club Passim (formerly Club 47), a few places in the Village in New York City and Frisco town became safe havens to flower and grow some songs, grow songs from the American folk songbooks and from her own expansive political commentator songbook. And some covers too as her rendition of Starlight on the Rails attests to as she worked her way across the continent.

Worked her way to a big sold out night at Saunders Theater at Harvard too when she called the road quits a decade or so ago. Sang some nice stuff speaking about the west, about the Brazos, about the great Utah desert which formed Utah Phillips a little too, formed him like his old friend Ammon Hennessey, the old saint Catholic Worker brother who sobered some guys up, made them take some pledges, made them get off the railroad steel road. Sobered me up too, got me off that railroad track too, but damn if I didn’t see that starlight too. So listen up, okay.         

    

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To Seek A Newer World- With Alfred Lord Tennyson In Mind

To Seek A Newer World- With Alfred Lord Tennyson In Mind

 

 

 

 

I have used the expression “to seek a newer world” or variations of that expression any number of times the past several years when presenting sketches and pieces about what made my generation tick, the politically and culturally progressive active part of it anyway, who tried might and main to change the course of American history and sensibilities in the 1960s, my Generation of ’68 which I use for shorthand. The expression cribbed from a Bobby Kennedy pre-1968 presidential campaign book that I had read about what the world was in desperate need of in the face of the bloodbath in Vietnam and other pressing social problems who cribbed it from the 19^th century English poet Alfred Lord Tennyson seemed to me all these many cyberspace years later a fitting way to describe what the Generation of ‘68 was in search of. What we are still in search of since we have been, mostly unsuccessfully, fighting a rearguard action against the progeny of the night-takers we faced in the 1960s. Here, in any case, is the original poem from which Bobby (or his speechwriter although I sense that he probably picked that one himself) and I cribbed our expression.

Many of those sketches can be found on the American Left History blog.  

Ulysses

Ulysses

By Alfred, Lord Tennyson 1809–1892 Alfred, Lord Tennyson

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It little profits that an idle king,

By this still hearth, among these barren crags,

Match'd with an aged wife, I mete and dole

Unequal laws unto a savage race,

That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink

Life to the lees: All times I have enjoy'd

Greatly, have suffer'd greatly, both with those

That loved me, and alone, on shore, and when

Thro' scudding drifts the rainy Hyades

Vext the dim sea: I am become a name;

For always roaming with a hungry heart

Much have I seen and known; cities of men

And manners, climates, councils, governments,

Myself not least, but honour'd of them all;

And drunk delight of battle with my peers,

Far on the ringing plains of windy Troy.

I am a part of all that I have met;

Yet all experience is an arch wherethro'

Gleams that untravell'd world whose margin fades

For ever and forever when I move.

How dull it is to pause, to make an end,

To rust unburnish'd, not to shine in use!

As tho' to breathe were life! Life piled on life

Were all too little, and of one to me

Little remains: but every hour is saved

From that eternal silence, something more,

A bringer of new things; and vile it were

For some three suns to store and hoard myself,

And this gray spirit yearning in desire

To follow knowledge like a sinking star,

Beyond the utmost bound of human thought.

         This is my son, mine own Telemachus,

To whom I leave the sceptre and the isle,—

Well-loved of me, discerning to fulfil

This labour, by slow prudence to make mild

A rugged people, and thro' soft degrees

Subdue them to the useful and the good.

Most blameless is he, centred in the sphere

Of common duties, decent not to fail

In offices of tenderness, and pay

Meet adoration to my household gods,

When I am gone. He works his work, I mine.

         There lies the port; the vessel puffs her sail:

There gloom the dark, broad seas. My mariners,

Souls that have toil'd, and wrought, and thought with me—

That ever with a frolic welcome took

The thunder and the sunshine, and opposed

Free hearts, free foreheads—you and I are old;

Old age hath yet his honour and his toil;

Death closes all: but something ere the end,

Some work of noble note, may yet be done,

Not unbecoming men that strove with Gods.

The lights begin to twinkle from the rocks:

The long day wanes: the slow moon climbs: the deep

Moans round with many voices. Come, my friends,

'T is not too late to seek a newer world.

Push off, and sitting well in order smite

The sounding furrows; for my purpose holds

To sail beyond the sunset, and the baths

Of all the western stars, until I die.

It may be that the gulfs will wash us down:

It may be we shall touch the Happy Isles,

And see the great Achilles, whom we knew.

Tho' much is taken, much abides; and tho'

We are not now that strength which in old days

Moved earth and heaven, that which we are, we are;

One equal temper of heroic hearts,

Made weak by time and fate, but strong in will

To strive, to seek, to find, and not to yield.