*****Once Again On The 1960s Folk Minute-The Cambridge Club 47 Scene

*****Once Again On The 1960s Folk Minute-The Cambridge Club 47 Scene

 

 

From The Pen Of Zack James

Joshua Breslin, Carver down in the wilds of Southeastern Massachusetts cranberry bog country born, had certainly not been the only one who had recently taken a nose-dive turn back in time to that unique moment beginning in the very late 1950s, say 1958, 1959 when be-bop jazz (you know Dizzy, the late Bird, the mad man Monk the guys who bopped swing-a-ling for “cool” high white note searches on the instruments) “beatnik” complete with beret and bop-a-long banter and everybody from suburb land was clad in black, guys in black chinos and flannel shirts, gals in black dresses, black stockings, black shoes, who knows maybe black underwear which in Victoria's Secret time is not hard to image but then something the corner boys in front of Jimmy Jack’s Diner salaciously contemplated about the female side of that "beat" scene (what King Kerouac termed beatitude, the search for holiness or wholeness), was giving way to earnest “folkie” time. And no alluring black-dressed gals but unisex flannel shirts, or sometimes once somebody had been to Mexico peasant blouses, unisex blue jeans and unisex sandals leaving nothing in particular to the fervent corner boy imagination) in the clubs that mattered around the Village (the Gaslight, Geddes Folk City, half the joints on Bleecker Street), Harvard Square (Club Blue, the place for serious cheap dates since for the price of coffees and pastries for two you could linger on, Café Blanc, the place for serious dates since they had a five dollar minimum, Club 47, the latter a place where serious folkies and serious folk musicians hung out) and North Beach (Club Ernie’s, The Hungry Eye, all a step behind the folk surge since you would still find a jazz-poetry mix longer than in the Eastern towns). That scene would go on in earnest to the mid-1960s when folk music had its minute as a popular genre and faded a bit. Even guys like Sam Eaton, Sam Lowell, Jack Callahan and Bart Webber, who only abided the music back in the day, now too, because the other guys droned on and on about it under the influence of Pete Markin a guy Josh had met  in the summer of love, 1967 were diving in too. Diving into the music which beside first love rock and roll got them through the teenage night.

The best way to describe that turn from be-bop beat to earnest folkie, is by way of a short comment by the late folk historian Dave Von Ronk which summed up the turn nicely. Earlier in that period, especially the period after Allen Ginsburg’s Howl out in the Frisco poetry slam blew the roof off modernist poetry with his talk of melted modern minds, hipsters, negro streets, the fight against Moloch, the allure of homosexuality, and Jack Kerouac’s On The Road in a fruitless search for the father he and Neal Cassady never knew had the Army-Navy surplus stores cleaning out their rucksack inventories, when “beat poets” held sway and folkies were hired to clear the room between readings Dave would have been thrown in the streets to beg for his supper if his graven voice and quirky folk songs did not empty the place, and he did (any serious look at some of his earliest compositions will tell in a moment why, and why the cross-over from beat to folkie by the former crowd never really happened). But then the sea-change happened, tastes changed and the search for roots was on, and Von Ronk would be doing three full sets a night and checking every folk anthology he could lay his hands on (including naturally Harry Smith’s legendary efforts and the Lomaxes and Seegers too) and misty musty record store recordings to get enough material.

People may dispute the end-point of that folk minute like they do about the question of when the "turn the world upside down" counter-cultural 1960s ended as a “youth nation” phenomenon but clearly with the advent of acid-etched rock (acid as in LSD, blotter, electric kool aid acid test not some battery stuff ) by 1967-68 the searching for and reviving of the folk roots that had driven many aficionados to the obscure archives like Harry Smith’s anthology, the recording of the Lomaxes, Seegers and that crowd had passed.

As an anecdote, one that Josh would use whenever the subject of his own sea-change back to rock and roll came up, in support of that acid-etched dateline that is the period when Josh stopped taking his “dates” to the formerly ubiquitous home away from home coffeehouses which had sustained him through many a dark home life night in high school and later when he escaped home during college, cheap poor boy college student dates to the Harvard Square coffeehouses where for the price of a couple of cups of coffee, expresso then a favorite since you could sip it slowly and make it last for the duration and rather exotic since it was percolated in a strange copper-plated coffee-maker, a shared pastry of unknown quality, and maybe a couple of dollars admission charge or for the “basket” that was the life-support of the performers you could hear up and coming talent working out their kinks, and took those "dates" instead to the open-air fashion statement rock concerts that were abounding around the town.

The shift also entailed a certain change in fashion from those earnest flannel shirts, denims, lacy blouses and sandals to day-glo tie-dye shirts, bell-bottomed denims, granny dresses, and mountain boots or Chuck Taylor sneakers. Oh yeah, and the decibel level of the music got higher, much higher and the lyrics talked not of ancient mountain sorrows, thwarted triangle love, or down-hearted blues over something that was on your mind but to alice-in-wonderland and white rabbit dreams, carnal nightmares, yellow submarines, satanic majesties, and wooden ships on the water.             

Some fifty years out others in Josh-like fits of nostalgia and maybe to sum up a life’s work there have been two recent documentaries concerning the most famous Harvard Square coffeehouse of them all, the Club 47 (which still exists under the name of the non-profit Club Passim which traces its genealogy to that legendary Mount Auburn Street spot in a similar small venue near the Harvard Co-Op Bookstore off of Church Street).

One of the documentaries put out a few years ago (see above) traces the general evolution of that club in its prime when the likes of Bob Dylan, Joan Baez, Tom Rush, Eric Von Schmidt, the members of the Jim Kweskin Jug Band (the forming of jug bands, a popular musical form including a seemingly infinite number of bands with the name Sheik in them, going back to the early 20^th century itself a part of the roots revival guys like Josh were in thrall to), and many others sharpened up their acts there. The other documentary, No Regrets (title taken from one of his most famous songs) which Josh reviewed for one of the blogs, The American Folk Minute, to which he has contributed to over the years is a biopic centered on the fifty plus years in folk music of Tom Rush. Both those visual references got Josh thinking about how that folk scene, or better, the Harvard Square coffeehouse scene kept Josh from going off the rails, although that was a close thing.        

Like about a billion kids before and after Josh in his coming of age in the early 1960s went through the usual bouts of teenage angst and alienation aided and abetted by growing up “from hunger” among the very lowest rung of the working poor with all the pathologies associated with survival down at the base of society where the bonds of human solidarity are often times very attenuated. All of this “wisdom” complete with appropriate “learned” jargon, of course figured out, told about, made many mistakes to gain, came later, much later because at the time Josh was just feeling rotten about his life and how the hell he got placed in a world which he had not created (re-enforced when questioned by one Delores Breslin with Prescott Breslin as a behind-the scenes back-up about his various doings) and no likely possibilities of having a say what with the world stacked against him, his place in the sun (and not that “safe” white collar civil service job that Delores saw as the epitome of upward mobility for her brood), and how he didn’t have a say in what was going on. Then through one source or another mainly by the accident of tuning in his life-saver transistor radio, which for once he successfully badgered to get from Delores and Prescott one Christmas by threatening murder and mayhem if he didn’t when all his corner boys at Jimmy Jack’s Diner had them, on one Sunday night to listen to a favorite rock and roll DJ that he could receive on that night from Chicago he found a folk music program that sounded interesting (it turned out to be the Dick Summer show on WBZ, a DJ who is featured in the Tom Rush documentary) and he was hooked by the different songs played, some mountain music, some jug, some country blues, some protest songs.

Each week Dick Summer would announce who was playing where for the week and he kept mentioning various locations, including the Club 47, in Harvard Square. Josh was intrigued, wanted to go if only he could find a kindred for a date and if he could scratch up some dough. Neither easy tasks for a guy in high teen alienation mode.           

One Saturday afternoon Josh made connections to get to a Red Line subway stop which was the quickest way for him to get to Harvard Square (and was also the last stop on that line then) and walked around the Square looking into the various clubs and coffeehouses that had been mentioned by Summer and a few more as well. You could hardly walk a block without running into one or the other. Of course during the day all people were doing was sitting around drinking coffee and reading, maybe playing chess, or as he found out later huddled in small group corners working on their music (or poetry which also still had some sway as a tail end of the “beat” scene) so he didn’t that day get the full sense of what was going on. A few weeks later, having been “hipped” to the way things worked, meaning that as long as you had coffee or something in front of you in most places you were cool Josh always chronically low on funds took a date, a cheap date naturally, to the Club Blue where you did not pay admission but where Eric Von Schmidt was to play. Josh had heard his Joshua Gone Barbados covered by Tom Rush on Dick Summer’s show and he had flipped out so he was eager to hear him. So for the price of, Josh thought, two coffees each, a stretched-out shared brownie and two subway fares they had a good time, an excellent time (although that particular young woman and Josh would not go on much beyond that first date since she was looking for a guy who had more dough to spend on her, and maybe a “boss” car too).

Josh would go over to Harvard Square many weekend nights in those days, including sneaking out of the house a few time late at night and heading over since in those days the Red Line subway ran all night. That was his home away from home not only for cheap date nights depending on the girl he was interested in but when the storms gathered at the house about his doing, or not doing, this or that, stuff like that when his mother pulled the hammer down. If Josh had a few dollars make by caddying for the Mayfair swells at the Carver Country Club, a private club a few miles from his house he would pony up the admission, or two admissions if he was lucky, to hear Joan Baez or her sister Mimi with her husband Richard Farina, maybe Eric Von Schmidt, Tom Paxton when he was in town at the 47. If he was broke he would do his alternative, take the subway but rather than go to a club he would hang out all night at the famous Harvard Square Hayes-Bickford just up the steps from the subway stop exit. That was a wild scene made up of winos, grifters, con men, guys and gals working off barroom drunks, crazies, and… almost every time out there would be folk-singers or poets, some known to him, others from cheap street who soon faded into the dust, in little clusters, coffee mugs filled, singing or speaking low, keeping the folk tradition alive, keeping the faith that a new wind was coming across the land and they, Josh, wanted to catch it. Wasn’t that a time.          

 

*****Present At The Creation-The Penguins’ Earth Angel (1955)

*****Present At The Creation-The Penguins’ Earth Angel (1955)

From The Pen Of Bart Webber

Deep in the dark red scare Cold War night, still brewing then even after Uncle Joe fell down in his Red Square drunken stupor spilling potato-etched Vodka all over the Central Committee, the Politburo, or his raggedy-ass cronies who were to pick up the pieces after he breathed his last, one night and never came back, so yeah still brewing after Uncle Joe kissed off in his vast red earth, still brewing as a child remembered in dark back of school dreams about Soviet nightmares, worried about the whether those heathens (later to find out that Miss Todd who first made him and his classmates aware of the scorched red earth menace had been wrong that they were atheists not heathen, a very different thing, but she wanted to make us think they were in need of some high Catholic missionary work and so heathen)under Uncle Joe wondering how the Russkie kids got through it, and still brewing too when Miss Winot in her pristine glory told each and every one of her fourth grade charges, us, that come that Russkie madness, come the Apocalypse, come the big bad ass mega-bombs that each and every one of her charges shall come that thundering god-awful air raid siren call duck, quickly and quietly, under his or her desk and then place his or his hands, also quickly and quietly, one over the other on the top of his or her head, a small breeze was coming to the land (of course being pristine and proper she did not dig down deep to titillate us with such terms as “big bad ass” but let’s face it that is what she meant, and maybe in the teachers' room or some night out in the moonless moors she sued such terms you never know).

Maybe nobody saw it coming although the more I think about the matter somebody, some bodies knew something, not those supposedly in the know about such times, those who are supposed to catch the breezes before they move beyond their power to curtail them, guys in the government who keep an eagle eye on such things, or professors endlessly prattling on about some idea about what the muck of society has turned into due to their not catching that breeze that was coming across their faces like some North wind. 

No those guys, no way they are usually good at the wrap-up. The what it all meant par after the furies were over. Here is what I am talking about when I talk about guys who know what to know, and how to play it to their advantages. Take guys like my older brother Franklin and his friends, Benny, sometimes called "the Knife" and Jimmy, who was called just Jimmy, who were playing some be-bop  stuff up in his room. Ma refused to let Franklin play his songs on the family record player down center stage in the living room or flip the dial on the kitchen radio away from her tunes of the roaring 1940s, her and my father’s coming of age time, so up his room like some mad monk doing who knows what because I was busy worrying about riding bicycles or something. Not girls or dances stuff like that no way. Here’s the real tip-off though he and his boys would go out Friday nights to Jack Slack’s bowling alleys not to bowl, although that was the cover story to questioning mothers, but to hang around Freddie O’Toole’s car complete with turned on amped up radio (station unknown then by me but later identified as WMEX out of Boston and stull in existence the last I heard, including a few hour segment on Saturday replaying the old Arnie "Woo-Woo" Ginsberg shows that drove us wild and drive us to learn about the social customs around drive-in movies and drive-in restaurants when thinking about girls time did come) and dance, dance with girls, get it, to stuff like Ike Turner’s Rocket 88 (a great song tribute to a great automobile which nobody in our neighborhood could come close to affording so hard-working but poorly paid fathers' were reduced to cheapjack Fords and Plymouths, not cool), and guys who even today I don’t know the names of even with YouTube giving everybody with every kind of musical inclination a blast to the past ticket.

Here's something outside the neighborhood just to show it was hard-ass Franklin Webber who was hip to all things rock. So how about the times we, the family, would go up to Boston for some Catholic thing filled with incense and high Latin everybody mumbling prayers for forgiveness, when they did nothing to be forgiven for, into the South End at Holy Cross Cathedral and smack across from the church was the later famous Red Hat Club where guys were blasting away at pianos, on guitars and on big ass sexy saxes and it was not the big band sound my folks listened to or cool, cool be-bop jazz either that drove the "beat" night but music from jump street, etched in the back of my brain because remember I’m still fussing over bikes and stuff like that and not worrying about guys hitting the high white note. Or how about every time we went down Massachusetts Avenue in Boston as the sun went down, the “Negro” part before you hit Huntington Avenue at Symphony Hall (an area that Malcolm X knew well a decade before when he was nothing but a cat hustling the midnight creep with some white girls into kicks and larcenies) and we stopped at the ten billion lights on Mass Ave and all you would hear is this bouncing beat coming from taverns, from the old time townhouse apartments and black guys dressed “to the nines,” all flash dancing on the streets with dressed “to the nines” good-looking black girls. Memory bank.           

So some guys knew, gals too don’t forget after all they had to dig the beat, dig the guys who dug the beat, the beat of  out of some Africa breeze mixed with forbidden sweated Southern lusts if the thing was going to work out. And it wasn’t all dead-ass “white negro” hipsters either eulogized by Norman Mailer (or maybe mocked you never knew with him but he sensed something was in the breeze even if he was tied more closely to an earlier sensibility) or break-out “beats” tired of the cool cold jazz that was turning in on itself, getting too technical and losing the search for the high white note or lumpens of all descriptions who whiled away the nights searching their radio dials for something that they while away the nights searching their radio dials for something that they could swing to while reefer high or codeine low.

If you, via hail YouTube, look at the Jacks and Jills dancing up a storm in the 1950s say on American Bandstand they mostly look like very proper well-dressed middle class kids who are trying to break out of the cookie-cutter existence they found themselves in but they still looked  pretty well-fed and well-heeled so yeah, some guys and gals and it wasn’t always who you might suspect like Franklin, white hipsters, black saints, and sexy sax players that got hip, got that back-beat and those piano riffs etched into their brains.

Maybe though the guys in the White House were too busy worrying about what Uncle Joe’s progeny were doing out in the missile silos of Minsk, maybe the professional television talkers on Meet The Press wanted to discuss the latest turn in national and international politics for a candid world to hear and missed what was happening out in the cookie-cutter neighborhoods, and maybe the academic sociologists and professional criminologists were too wrapped up in figuring out why Marlon Brando was sulking in his corner boy kingdom (and wreaking havoc on a fearful small town world when he and the boys broke out), why  Johnny Spain had that “shiv” ready to do murder and mayhem to the next midnight passer-by, and why well-groomed and fed James Dean was brooding in the “golden age” land of plenty but the breeze was coming.

(And you could add in the same brother Franklin who as I was worrying about bikes, not the two pedal kid powered but some bad ass Vincent Black Lightning kind, getting “from hunger” to get a Brando bike, a varoom bike, so this girl, Wendy, from school, would take his bait, a girl that my mother fretted was from the wrong side of town, her way of saying Wendy was a tramp and maybe she was although she was nice to me when Franklin brought her around still she was as smart as hell once I found out about her school and home life a few years later after she, they, Wendy and Franklin, had left town on some big ass Norton but that is after the creation so I will let it go for now.)               

And then it came, came to us in our turn, came like some Kansas whirlwind, came like the ocean churning up the big waves crashing to a defenseless shoreline, came if the truth be known like the “second coming” long predicted and not just by mad man poet Yeats and his Easter, 1916 mind proclaiming a terrible beauty is born, and the brethren, us,  were waiting, waiting like we had been waiting all our short spell lives. Came in a funny form, or rather ironically funny forms, as it turned out.

Came one time, came big as 1954 turned to 1955 and a guy, get this, dressed not in sackcloth or hair-shirt but in a sport’s jacket, a Robert Hall sport’s jacket from the "off the rack" look of it when he and the boys were “from hunger,” playing for coffee and crullers before on the low life circuit, a little on the heavy side with a little boy’s regular curl in his hair and blasted the whole blessed world to smithereens. Blasted every living breathing teenager, boy or girl, out of his or her lethargy, got the blood flowing. The guy Bill Haley, goddam an old lounge lizard band guy who decided to move the beat forward from cool ass be-bop jazz and sweet romance popular music and make everybody, every kid jump, yeah Big Bill Haley and his Comets, the song Rock Around The Clock.         

Came as things turned to a little more hep cat too, came all duck walk and sex moves, feet moving faster than Bill could ever do, came out of Saint Loo, came out with a crazy beat. Came out in suit and tie all swagger. Came out with a big baby girl guitar that twisted up the chords something fierce and declared to the candid world, us, that Maybelline was his woman. But get this, because what did we know of “color” back then when we lived in an all-white Irish Catholic neighborhoods and since we heard what we heard of rock and roll mostly on the radio we were shocked when we found out the first time that he was a “Negro” to use the polite parlance of the times not always used in the house, the neighborhood, the town, a black man making us go to “jump street.” And we bought into it, bought into the beat, and joined him in saying to Mister Beethoven that you and your brethren best move over because there is a new sheriff in town.   

Came sometimes in slo-mo, hey remember this rock and roll idea was as an ice-breaker with a beat you didn’t  have to dance close to with your partner and get all tied up in knots forgetting when to twirl, when to whirl, when to do a split but kind of free form for the guys (or gals, but mainly guys) with two left feet like me could survive, maybe not survive the big one if the Russkies decided to go over the top with the bomb, but that school dance and for your free-form efforts maybe that she your eyeballs were getting sore over would consent to the last chance  last dance that you waited around for in case she was so impressed she might want to go with you some place later. But before that “some place later” you had to negotiate and the only way to do was to bust up a slow one, a dreamy one to get her in the mood and hence people have been singing songs from time immemorial to get people in the mood, this time Earth Angel would do the trick. Do the trick as long as you navigated those toes of hers, left her with two feet and standing. Dance slow, very slow brother.   

Here is the funny thing, funny since we were present at the creation, present in spite of every command uttered by Miss Winot against it, declaring the music worse than that Russkie threat if you believed her (a few kids, girls mainly, did whether to suck up to her since she would take their entreaties and suck ups seriously although boys were strictly “no go” and I know having spent many a missed sunny afternoon doing some silly “punishment” for her since she was impervious to my sly charms).We were just too young to deeply imbibe the full measure of what we were hearing. See this music, music we started calling rock and roll once somebody gave it a name (super DJ impresario Alan Freed as we found out later after we had already become “children of rock and roll”) was meant, was blessedly meant to be danced to which meant in that boy-girl age we who didn’t even like the opposite sex as things stood then were just hanging by our thumbs.

Yeah, was meant to be danced to at “petting parties” in dank family room basements by barely teenage boys and girls. Was meant to be danced to at teenage dance clubs where everybody was getting caught up on learning the newest dance moves and the latest “cool” outfits to go along with that new freedom. Was meant to serve as a backdrop at Doc’s Drugstore’s soda fountain where Doc had installed a jukebox complete with all the latest tunes as boys and girls shared a Coke sipping slowly with two straws hanging out in one frosted glass. Was meant to be listened to by corner boys at Jack Slack’s bowling alley where Jack eventually had set up a small dance floor so kids could dance while waiting for lanes to open (otherwise everybody would be still dancing out in front of O’Toole’s “boss” car complete with amped-up radio not to Jack’s profit). Was meant to be listened to as the sun went down in the west at the local drive-in restaurant while the hamburgers and fries were cooking and everybody was waiting for darkness to fall so the real night could begin, the night of dancing in dark corners and exploring the mysteries of the universe, or at least the mysteries of Miss Sarah Brown.  Was even meant to be listened to on fugitive transistor radios in the that secluded off-limits to adults and little kids (us) where teens, boys and girls, mixed and matched in the drive-in movie night (and would stutter some nonsense to questioning parents who wanted to know the plot of the movies- what movies, Ma).              

Yeah, we were just a little too young even if we can legitimately claim to have been present at the creation. But we will catch up, catch up with a vengeance.

Scenes Fom An Ordinary Be-Bop 1960s LIfe- Ain’t Got No Time For The Corner Boys-Harry's Variety Store

Scenes From An Ordinary Be-Bop 1960s Life- Ain’t Got No Time For The Corner Boys-Harry's Variety Store

 

 

 A YouTube film clip of Tom Waits performing his song Jersey Girl that formed part of the inspiration for this sketch.

 

Markin comment:

 

Riding down the old neighborhood streets a while back, the old North Adamsville working- class streets, streets dotted with dilapidated, worn out, and ill-repaired triple-deckers housing multiple families (big immigrant families as of yore, just the countries of origin have changed, trying to make up in person per packed space for lack of dough, as of yore, too) along with close-quarter, small cottage-sized single family houses like the one of my own growing to manhood time. Houses, moreover, that reflected, no exclaimed right to their tiny rooftops, that seemingly eternal overweening desire to have, small or not, worth the trouble or not, something of one’s own against the otherwise endless servitude of days. Suddenly, coming to an intersection, I was startled, no, more than that, I was forced into a double-take, by the sight of some guys, some teenage guys hanging, hanging hard, one foot on the ground the other bent holding up the infernal brick wall that spoke of practice and marking one’s territory, against the oncoming night in front of an old time variety store, a mom and pop variety from some extinct times before the 7/11 chain store, fast food shop, no room for corner boys, police take notice, dark night.

 

Memory called it Kelly’s of yore, today Kim’s. From the look of them, baggy-panted (actually double-panted the outer pair hanging low, ground low, the latest fashionista  footwear name sneakered, baseball cap-headed, all items marked, marked with the insignia (secretly, and with no hope of outside decoding) signifying their "homeboy" associations (I would say gang, but that word is charged with deep negative old time juvenile delinquent murder and mayhem associations these days and this is not exactly what it looked like, at least to the public eye, my public eye). They could be the grandsons, certainly not biological because these kids were almost all Asians speckled with a couple of Irish-lookers, red-faced, blue-eyed shanty Irish-lookers,  shanty Irish –lookers out of the ghost be-bop night guys that held me in thrall in those misty early 1960s times.

 

Yah, that tableau, that time-etched scene, got me to thinking of some long lost comrades of the schoolboy night like the hang-around guys in front of Harry’s Variety, although comrades might not be the right word because I was just some punk young kid trying to be a wannabe, or half-wannabe, corner boy and they had no time for punk kids and later when I came of age I had no time for corner boys. Yah, that scene got me to thinking of the old time corner boys who ruled the whole wide North Adamsville night (and day for those who didn’t work or go to school, which was quite a few on certain days, because most of these guys were between sixteen and their early twenties with very jittery school and work histories better left unspoken, or else). Yah, got me thinking about when the white tee-shirted, blue-jeaned, engineer-booted, cigarette-smoking, unfiltered of course, sneering, soda-swilling, Coke, naturally, pinball wizards held forth daily and nightly, and let me cadge a few odd games when they had more important business, more important girl business, to attend to.

 

Yah, I got to thinking too about Harry’s, old Harry’s Variety Store over there near my grandmother’s house, over there in that block on Sagamore Street where the Irish workingman’s whiskey-drinking (with a beer chaser), fist-fighting, sports-betting after a hard day’s work Dublin Grille was. Harry’s was on the corner of that block. Now if you have some image, some quirky, sentimental image, of Harry’s as being run by an up-and-coming just arrived immigrant guy, maybe with a big family, trying to make this neighborhood store thing work so he can take in, take in vicariously anyway, the American dream like you see running such places now forget it. Harry’s was nothing but a “front.” Old Harry, Harry O’Toole, now long gone, was nothing but the neighborhood “bookie” known far and wide to one and all as such. Even the cops would pull up in their squad cars to place their bets, laughingly, with Harry in the days before state became the bookie-of-choice for most bettors. And he had his “book,” his precious penciled-notation book right out on the counter. But see punk kid me, even then just a little too book-unworldly didn’t pick up on that fact until old grandmother, jesus, neighborhood saint old grandmother “hipped” me to what was what in that section of the old neighborhood.

 

Until then I didn’t think anything of the fact that Harry had about three dust-laden cans of soup, two dust-laden cans of beans, a couple of loaves of bread (Wonder Bread, if you want to know) on his dust-laden shelves, a few old quarts of milk and an ice chest full of tonic (now called soda, even by New Englanders) and a few other odds and ends that did not, under any theory of economics, capitalist or Marxist, add up to a thriving business ethos. Unless, of course, something else was going on. But what drew me to Harry’s was not that stuff anyway. What drew me to Harry’s was, one, his pin ball machine complete with corner boy players and their corner boy ways, and, two, his huge Coca Cola ice chest (now sold as antique curiosities for much money at big-time flea markets and other venues) filled with ice cold, cold tonics (see above), especially the local Robb’s Root Beer that I was practically addicted to in those days (and that Harry, kind-hearted Harry, stocked for me).

 

Many an afternoon, a summer’s afternoon for sure, or an occasional early night, I would sip, sip hard on my Robb’s and watch the corner boys play, no sway, sway just right, with that sweet pinball machine, that pin ball machine with the bosomy, lusty-looking, cleavage-showing women pictured on the top glass frame of the machine practically inviting you, and only you the player, on to some secret place if you just put in enough coins. Of course, like many dream-things what those lusty dames really gave you, only you the player, was maybe a few free games. Teasers, right. But I had to just watch at first because I was too young (you had to be sixteen to play) , however, every once in a while, one of the corner boys who didn’t want to just gouge out my eyes for not being a corner boy, would let me cadge a game while Harry was not looking. When you think about it though, now anyway, Harry was so “connected” (and you know what I mean by that) what the hell did he care if some underage kid, punk kid, cadged a few games and looked leeringly at those bosomy babes in the frame.

 

Yah, and thinking about Harry’s automatically got me thinking about Daniel (nobody ever called him that, ever) “Red” Hickey, the boss king of my schoolboy night at Harry’s. Red, the guy who set the rules, set the style, hell, set the breathing, allowed or not and when, of the place. I don’t know if he went to some corner boy school to learn his trade but he was the be-bop daddy (at least all the girls, all the hanging all over him girls, called him that and later alone down at some splash Seal Rock ocean front rendezvous did whatever daddy wanted, although that is strictly hearsay on my part) because he, except for one incident that I will relate below, ruled unchallenged with an iron fist. At least I never saw his regular corner boys Spike, Lenny, Shawn, Ward, Goof (yes, that was his name the only name I knew him by, and he liked it), Bop (real name William) or the Clipper (real name Kenny, the arch-petty Woolworth’s thief of the group hence the name) challenge him, or want to.

 

Yah, Red, old red-headed Red was tough alright, and has a pretty good-sized built but that was not what kept the others in line. It was a certain look he had, a certain look that if I went into describing it now I would get way overboard into describing it as some stone-cold killer look, some psycho-killer look but that would be wrong because it didn’t show that way. But that was what it was. Maybe I had better put it this way. Tommy Thunder, older brother of my middle school and high school best friend and a corner boy king in his own right, Frankie, Francis Xavier Riley, who was a big bruiser of a legendary North Adamsville football player and human wrecking machine and who lived a few doors up from Harry’s went out of his way not to go near the place. Yah, Red was that tough.

 

See, Red was like some general, or colonel or something, an officer at least, and besides being tough, he would “inspect” his troops to see that all and sundry had their “uniform” right. White tee-shirt, full-necked, no vee-neck sissy stuff, no muscle shirt half-naked stuff, straight 100% cotton, American-cottoned, American-textiled, American-produced, ironed, mother-ironed I am sure, crisp. One time Goof (sorry that’s all I knew him by, really) had a wrinkled shirt on and Red marched him up the street to his triple-decker cold-water walk-up flat and berated, berated out loud for all to hear, Goof’s mother for letting him out of the house like that. And Red, old Red like all Irish guys sanctified mothers, at least in public, so you can see he meant business on the keeping the uniform in good form question.

 

And like some James Dean or Marlon Brando tough guy photo, some motorcycle disdainful, sneering guy photo, each white tee-shirt, or the right sleeve of each white tee-shirt anyway, was rolled up to provide a place, a safe haven, for the ubiquitous package of cigarettes, matches inserted inside its cellophane outer wrapping, Luckies, Chesterfields, Camels, Pall Malls, all unfiltered in defiance of the then beginning incessant cancer drumbeat warnings, for the day’s show of manliness smoking pleasures.

 

And blue jeans, tight fit, no this scrub-washed, fake-worn stuff, but worn and then discarded worn. No chinos, no punk kid, maybe faux "beatnik," black chinos, un-cuffed, or cuffed like I wore, and Frankie, Francis Xavier Riley, king of the faux beatnik middle school night, including among his devotees this little too bookish writer, who was as tough a general, colonel, or some officer anyway, as corner boy Red was with his guys. Frankie example: no cuffs on those black chinos, stay home, or go elsewhere, if you are cuffed. Same kingly manner, right? Corner boys blue-jeaned and wide black-belted, black always, black-belt used as a handy weapon for that off-hand street fight that might erupt out of nowhere, for no reason, or many. Maybe a heavy-duty watch chain, also war-worthy, dangly down from those jeans. Boots, engineer boots, black and buckled, worn summer or winter, heavy, heavy-heeled, spit-shined, another piece of the modern armor for street fight nights. Inspection completed the night’s work lies ahead.

 

And most nights work, seemingly glamorous to little too bookish eyes at the time, was holding up some corner of the brick wall in front, or on the side of, Harry’s Variety with those engineer boots, one firmly on the ground the other bent against the wall, small talk, small low-tone talk between comrades waiting, waiting for… Or just waiting for their turn at that Harry’s luscious ladies pictured pinball machine. Protocol, strictly observed, required “General Red” to have first coin in the machine. But see old Red was the master swayer with that damn machine and would rack up free games galore so, usually, he was on that thing for a while.

 

Hey, Red was so good, although this is not strictly part of the story, that he could have one of his several honeys right in front of him on the machine pressing some buttons and he behind pressing some other buttons Red swaying and his Capri-panted honey, usually some blond, real or imagined, swaying, and eyes glazing, but I better let off with that description right now, because like I said it was strictly speaking not part of the story. What is part of the story is that Red, when he was in the mood or just bored, or had some business, some girl business, maybe that blond, real or imagined, just mentioned business would after I had been hanging around a while, and he thought I was okay, give me his leftover free games.

 

Now that was the “innocent” part of Red, the swaying pinball wizard, girl-swaying, inspector general part. But see if you want to be king of the corner boy night you have to show your metal once in a while, if for no other reason than the corner boys, the old time North Adamsville corner boys might be just a little forgetful of who the king hell corner boy king was, or as I will describe, some other corner boy king of some other variety store night might show up to see what was what. Now I must have watched the Harry’s corner boy scene for a couple of years, maybe three, the last part just off and on, but I only remember once when I saw Red show “his colors.” Some guy from Adamsville, some tough-looking guy who, no question, was a corner boy just stopped at Harry’s after tipping a couple, or twenty, at the Dublin Grille. He must have said something to Red, or maybe Red just knew instinctively that he had to show his colors, but all of a sudden these two were chain-whipping each other. No, that’s not quite right, Red was wailing, flailing, nailing, chain-whipping this other guy mercilessly, worst, if that is possible. The guy, after a few minutes, was left in a pool of blood on the street, ambulance ready. And Red just walked way, just kind of sauntering away.

Of course that is not the end of the Red story. Or maybe that particular Red story, for the Reds of the world, the Red of the working poor and lumpen world were/are legion and in that “up the food chain or out world” Reds have to prove themselves every day or go under, get the chain-whipping rather than giving it. Yeah, in the rarified airs that guys from the old neighborhood like Red lived in there was always somebody coming up behind them, somebody just a little harder. At some point a guy named Sonny, Sonny Sullivan, could be seen with Goof and the guys holding forth at Harry’s. Of course this was well after I was no longer enamored of corner boys, maybe something in that bloody melee I saw Red put on with that stranger corner boy made me turn a corner, turn away from that scene as just too much work. Although Frankie, Frankie Riley, always said it was because I with my two thousand facts couldn’t breathe in that whirlwind air, couldn’t cut it really. Said I was the “Scribe” type and nothing else.    

So between me easing my way out of Red’s world and Red’s being eased out of his corner I kind of lost traces of him although if somebody had asked to speculate about what had happened to Red I would not have been far off by saying nothing good, nothing good could come of a guy who thought the world owed him a living. Thought because he was from jump street people should cry tears of sorrow over him as they handed over their hard-earned dough. But the fate of the Reds of the world, and I did check on his fate later when I was writing something about corner boys for another sketch I was doing, is almost written in stone at birth.  

Needless to say, no work, no wanna work Red had to have coin, dough, not just for the silly Madame La Rue pinball machine, those “coffin stick” unfiltered cigarettes, and soda (tonic remember), later booze and dope mainly speed, hell, that was nothing. But for the up-keep on his Chevy (Chevy then being the “boss” car, and not just among corner boys either), and that stream of ever-loving blond honeys, real or imagined blond like I said before, he escorted into the seashore night. So said corner boys did their midnight creep around the area grabbing this and that to bring in a little dough. The easy touch poor being victims of convenience for cheapjack eyes (and frankly a guy like Red would not know how to operate in some swank upscale place filled with stuff you had to fence rather than take to Jimmy the Greek’s in pawn).   

 

The way I heard the story from Goof’s younger brother Lanny a few years, maybe ten, later eventually Red “graduated” to armed robberies when the overhead grew too much for little midnight creeps. Created quite a stir among the younger guys when he, unarmed, robbed the Esso station across town and the gas jockey swore he could not identify the robber who was unmasked as well as unarmed and Red walked on that one. Of such deeds urban legends are created. At some point his number came up, he got careless or was too bend out of shape on speed to give a damn and graduated to one of the branches of the state pen, more than once. Strangely, his end came, although I only heard about this second hand from Lanny so don’t hold me to the truth of the thing since he had heard it second-hand as well, after a shoot-out with the cops down South after he tried to rob some White Hen convenience store. Went up against some off-duty cop who going in the store for milk or something walked into the middle of the hold-up and Red started blaring away, killing that cop but running into a hail of bullets when he tried to escape the parking lot. There is some kind of moral there, although I will be damned if I can figure it out. Red, thanks for those free pinball games though.

As The 100th Anniversary Of World War I (Remember The War To End All Wars) Continues... Some Remembrances-The First Small Anti-War Cries Are Raised To Stop The Madness -Lenin

As The 100th Anniversary Of World War I (Remember The War To End All Wars) Continues... Some Remembrances-The First Small Anti-War Cries Are Raised To Stop The Madness -

 

From The Pen Of Frank Jackman  

The events leading up to World War I (known as the Great War before the world got clogged up with expansive wars in need of other numbers and names and reflecting too in that period before World War II a certain sense of “pride” in having participated in such an adventure even if it did mow down the flower of European youth from all classes) from the massive military armament of almost all the capitalist and imperialist parties in Europe and elsewhere in order to stake their claims to their unimpeded share of the world’s resources had all the earmarks of a bloodbath early on once the industrial-sized carnage set in with the stalemated fronts. Also clogged in the trenches, or rather thrown in the nearest bin were the supposedly eternal pledges not honored by most of the Social-Democrats and other militant leftist formations representing the historic interest of the international working-class to stop those imperialist capitalist powers and their hangers-on in their tracks at the approach of war were decisive for 20^th century history. Other than isolated groups and individuals mostly in the weaker lesser capitalistically developed countries of Europe the blood lust got the better of most of the working class and its allies as young men rushed to the recruiting stations to “do their duty” and prove their manhood.

Decisive as well as we head down the slope to the first months of the second year of the war although shrouded in obscurity early in the war in exile was the soon to be towering figure of one Vladimir Lenin (a necessary nom de guerre in hell broth days of the Czar’s Okhrana ready to send one and all to the Siberian frosts and that moniker business, that nom de guerre not a bad idea in today’s NSA-driven frenzy to know all, to peep at all), leader of the small Russian Bolshevik Party ( a Social-Democratic Party in name anyway adhering to the Second International under the sway of the powerful German party although not for long), architect of the theory of the “vanguard party” building off of many revolutionary experiences in Russia and Europe in the 19^th century), and author of an important, important to the future communist world perspective, study on the monopolizing tendencies of world imperialism, the ending of the age of “progressive” capitalism (in the Marxist sense of the term progressive in a historical materialist sense that capitalism was progressive against feudalism and other older economic models which turned into its opposite at this dividing point in history), and the hard fact that it was a drag on the possibilities of human progress and needed to be replaced by the establishment of the socialist order. But that is the wave of the future as 1914 turns to 1915 in the sinkhole trenches of Europe that are already a death trap for the flower of the European youth.  

Lenin also has a "peace" plan, a peace plan of sorts, a way out of the stinking trench warfare stalemate eating up the youth of the Eurasian landmass. Do what should have been done from the beginning, do what all the proclamations from all the beautifully-worded socialist manifestos called on the international working-class to do. Not a simple task by any means especially in that first year when almost everybody on all sides thought a little blood-letting would be good for the soul, the individual national soul, and in any case the damn thing would be over by Christmas and everybody could start producing those beautifully worded-manifestos against war again. (That by Christmas peace “scare” turned out to be a minute “truce” from below by English and German soldiers hungry for the old certainties banning the barbed wire and stinking trenches for a short reprieve in the trench fronts in France and played soccer before returning to drawn guns-a story made into song and which is today used as an example of what the lower ranks could do-if they would only turn the guns around. Damn those English and German soldiers never did turn the damn things around until too late and with not enough resolve and the whole world has suffered from that lack of resolve.)

Lenin’s hard-headed proposition: turn the bloody world war among nations into a class war to drive out the war-mongers and bring some peace to the blood-soaked lands. But that advanced thinking is merely the wave of the future as the rat and rain-infested sinkhole trenches of Europe were already in the first year a death trap for the flower of the European youth.   

 

The ability to inflict industrial-sized slaughter and mayhem on a massive scale first portended toward the end of the American Civil War once the Northern industrial might tipped the scales their way as did the various German-induced wars attempting to create one nation-state out of various satraps almost could not be avoided in the early 20^th century once the armaments race got serious, and the technology seemed to grow exponentially with each new turn in the war machine. The land war, the war carried out by the “grunts,” by the “cannon fodder” of many nations was only the tip of the iceberg and probably except for the increased cannon-power and range and the increased rapidity of the machine-guns would be carried out by the norms of the last wars. However the race for naval supremacy, or the race to take a big kink out of British supremacy, went on unimpeded as Germany tried to break-out into the Atlantic world and even Japan, Jesus, Japan tried to gain a big hold in the Asia seas.

The deeply disturbing submarine warfare wreaking havoc on commerce on the seas, the use of armed aircraft and other such technological innovations of war only added to the frenzy. We can hundred years ahead, look back and see where talk of “stabs in the back” by the losers and ultimately an armistice rather than decisive victory on the blood-drenched fields of Europe would lead to more blood-letting but it was not clear, or nobody was talking about it much, or, better, doing much about calling a halt before they began the damn thing among all those “civilized” nations who went into the abyss in July of 1914. Sadly the list of those who would not do anything, anything concrete, besides paper manifestos issued at international conferences, included the great bulk of the official European labor movement which in theory was committed to stopping the madness.

A few voices, voices like Karl Liebknecht (who against the party majority bloc voting scheme finally voted against the Kaiser’s war budget, went to the streets to get rousing anti-war speeches listened to in the workers’ districts, lost his parliamentary immunity and wound up honorably in the Kaiser’s  prisons) and Rosa Luxemburg ( the rose of the revolution also honorably prison bound) in Germany, Lenin and Trotsky in Russia (both exiled at the outbreak of war and just in time as being on “the planet without a passport” was then as now, dangerous to the lives of left-wing revolutionaries), some anti-war anarchists like Monette in France and here in America the Big Bill Haywood (who eventually would controversially flee to Russia to avoid jail for his opposition to American entry into war), many of his IWW (Industrial Workers Of the World) comrades and the stalwart Eugene V. Debs (who also went to jail, “club fed” for speaking the truth about American war aims in a famous Cleveland speech and, fittingly, ran for president in 1920 out of his Atlanta Penitentiary jail cell),  were raised and one hundred years later those voices have a place of honor in this space.

Those voices, many of them in exile, or in the deportations centers, were being clamped down as well when the various imperialist governments began closing their doors to political refugees when they were committed to clapping down on their own anti-war citizens. As we have seen in our own times, most recently in America in the period before the “shock and awe” of the decimation of Iraq in 2002 and early 2003 the government, most governments, are able to build a war frenzy out of whole cloth. Even my old anti-war amigo from my hometown who after I got out of the American Army during the Vietnam War marched with me in countless rallies and parades trying to stop the madness (and plenty of other “wise” heads from our generation of ’68 made that sea-change turn with him).

At those times, and in my lifetime the period after 9/11 when we tried in vain to stop the Afghan war in its tracks is illustrative, to be a vocal anti-warrior is a dicey business. A time to keep your head down a little, to speak softly and wait for the fever to subside and to be ready to begin the anti-war fight another day. Be ready to fight the operative words.

So imagine in the hot summer of 1914 when every nationality in Europe felt its prerogatives threatened how the fevered masses, including the beguiled working-classes bred on peace talk without substance, would not listen to the calls against the slaughter. Yes, one hundred years later is not too long or too late to honor those ardent anti-war voices as the mass mobilizations began in the countdown to war, began four years of bloody trenches and death.                   

Over the next period as we continue the long night of the 100^th anniversary of World War I and beyond I will under this headline post various documents, manifestos and cultural expressions from that time in order to give a sense of what the lead up to that war looked like, the struggle against its outbreak before the first frenzied shots were fired, the forlorn struggle during and the massive struggles after it in places like Russia, Germany, Hungary, Bulgaria, and the hodge-podge colonies all over the world map, in order to create a newer world out of the shambles of the battlefields.    


V. I.   Lenin

The Defeat of One’s Own Government in the Imperialist War

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Published: Sotsial-Demorkrat No. 43, July 26, 1915. Published according to the text in Sotsial-Demorkrat.
Source: Lenin Collected Works, Progress Publishers, [197[4]], Moscow, Volume 21, pages 275-280.
Translated:
Transcription\Markup: D. Walters and R. Cymbala
Public Domain: Lenin Internet Archive 2003 (2005). You may freely copy, distribute, display and perform this work; as well as make derivative and commercial works. Please credit “Marxists Internet Archive” as your source.
Other Formats:   Text • README

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During a reactionary war a revolutionary class cannot but desire the defeat of its government.

This is axiomatic, and disputed only by conscious partisans or helpless satellites of the social-chauvinists. Among the former, for instance, is Semkovsky of the Organising Committee (No. 2 of its Izvestia), and among the latter, Trotsky and Bukvoyed,^[2] and Kautsky in Germany. To desire Russia’s defeat, Trotsky writes, is “an uncalled-for and absolutely unjustifiable concession to the political methodology of social-patriotism, which would replace the revolutionary struggle against the war and the conditions causing it, with an orientation—highly arbitrary in the present conditions—towards the lesser evil” (Nashe Slovo No. 105).
This is an instance of high-flown phraseology with which Trotsky always justifies opportunism. A “revolutionary struggle against the war” is merely an empty and meaning less exclamation, something at which the heroes of the Second International excel, unless it means revolutionary action against one’s own government even in wartime. One has only to do some thinking in order to understand this. Wartime revolutionary action against one’s own government indubitably means, not only desiring its defeat, but really facilitating such a defeat. ("Discerning reader”: note that this does not mean “blowing up bridges”, organising unsuccessful strikes in the war industries, and ·in general helping the government defeat the revolutionaries.)
The phrase-bandying Trotsky has completely lost his bearings on a simple issue. It seems to him that to desire   Russia’s defeat means desiring the victory of Germany. (Bukvoyed and Semkovsky give more direct expression to the “thought”, or rather want of thought, which they share with Trotsky.) But Trotsky regards this as the “methodology of social-patriotism"! To help people that are unable to think for themselves, the Berne resolution (Sotsial Demokrat No. 40)[1] made it clear, that in all imperialist countries the proletariat must now desire the defeat of its own government. Bukvoyed and Trotsky preferred to avoid this truth, while Semkovsky (an opportunist who is more useful to the working class than all the others, thanks to his naively frank reiteration of bourgeois wisdom) blurted out the following: “This is nonsense, because either Germany or Russia can win” (Izvestia No. 2).
Take the example of the Paris Commune. France was defeated by Germany but the workers were defeated by Bismarck and Thiers! Had Bukvoyed and Trotsky done a little thinking, they would have realised that they have adopted the viewpoint on the war held by governments and the bourgeoisie, i.e., that they cringe to the “political methodology of social-patriotism”, to use Trotsky’s pretentious language.
A revolution in wartime means civil war; the conversion of a war between governments into a civil war is, on the one hand, facilitated by military reverses ("defeats") of governments; on the other hand, one cannot actually strive for such a conversion without thereby facilitating defeat.
The reason why the chauvinists (including the Organising Committee and the Chkheidze group) repudiate the defeat “slogan” is that this slogan alone implies a consistent call for revolutionary action against one’s own government in wartime. Without such action, millions of ultra-revolutionary phrases such as a war against “the war and the conditions, etc." are not worth a brass farthing.
Anyone who would in all earnest refute the “slogan” of defeat for one’s own government in the imperialist war should prove one of three things: (1) that the war of 1914-15 is not reactionary, or (2) that a revolution stemming from that war is impossible, or (3) that co-ordination and mutual aid are possible between revolutionary movements in all the   belligerent countries. The third point is particularly important to Russia, a most backward country, where an immediate socialist revolution is impossible. That is why the Russian Social-Democrats had to be the first to advance the “theory and practice” of the defeat “slogan”. The tsarist government was perfectly right in asserting that the agitation conducted by the Russian Social-Democratic Labour group in the Duma—the sole instance in the International, not only of parliamentary opposition but of genuine revolutionary anti-government agitation among the masses—that this agitation has weakened Russia’s “military might” and is likely to lead to its defeat. This is a fact to which it is foolish to close one’s eyes.
The opponents of the defeat slogan are simply afraid of themselves when they refuse to recognise the very obvious fact of the inseparable link between revolutionary agitation against the government and helping bring about its defeat.
Are co-ordination and mutual aid possible between the Russian movement, which is revolutionary in the bourgeois- democratic sense, and th  socialist movement in the West? No socialist who has publicly spoken on the matter during the last decade has doubted this, the movement among the Austrian proletariat after October 17, 1905,^[3] actually proving it possible.
Ask any Social-Democrat who calls himself an internationalist whether or not he approves of an understanding between the Social-Democrats of the various belligerent countries on joint revolutionary action against all belligerent governments. Many of them will reply that it is impossible, as Kautsky has done (Die Neue Zeit, October 2, 1914), thereby fully proving his social-chauvinism. This, on the one hand, is a deliberate and vicious lie, which clashes with the generally known facts and the Basle Manifesto. On the other hand, if it were true, the opportunists would be quite right in many respects!
Many will voice their approval of such an understanding. To this we shall say: if this approval is not hypocritical, it is ridiculous to think that, in wartime and for the conduct of a war, some “formal” understanding is necessary, such as the election of representatives, the arrangement of a meeting, the signing of an agreement, and the choice of the day   and hour! Only the Semkovskys are capable of thinking so. An understanding on revolutionary action even in a single country, to say nothing of a number of countries, can be achieved only by the force of the example of serious revolutionary action, by launching such action and developing it. However, such action cannot be launched without desiring the defeat of the government, and without contributing to such a defeat. The conversion of the imperialist war into a civil war cannot be “made”, any more than a revolution can be “made”. It develops out of a number of diverse phenomena, aspects, features, characteristics and consequences of the imperialist war. That development is impossible without a series of military reverses and defeats of governments that receive blows from their own oppressed classes.
To repudiate the defeat slogan means allowing one’s revolutionary ardour to degenerate into an empty phrase, or sheer hypocrisy.
What is the substitute proposed for the defeat slogan? It is that of “neither victory nor defeat” (Semkovsky in Izvestia No. 2; also the entire Organising Committee in No. 1). This, however, is nothing but a paraphrase of the “defence of the fatherland” slogan. It means shifting the issue to the level of a war between governments (who, according to the content of this slogan, are to keep to their old stand, “retain their positions"), and not to the level of the struggle of the oppressed classes against their governments! It means justifying the chauvinism of all the imperialist nations, whose bourgeoisie are always ready to say—and do say to the people—that they are “only” fighting “against defeat”. “The significance of our August 4 vote was that we are not for war but against defeat," David, a leader of the opportunists, writes in his book. The Organising Committee, together with Bukvoyed and Trotsky, stand on fully the same ground as David when they defend the “neither-victory nor-defeat” slogan.
On closer examination, this slogan will be found to mean a “class truce”, the renunciation of the class struggle by the oppressed classes in all belligerent countries, since the class struggle is impossible without dealing blows at one’s “own” bourgeoisie, one’s “own” government, whereas dealing a   blow at one’s own government in wartime is (for Bukvoyed’s information) high treason, means contributing to the defeat of one’s own country. Those who accept the “neither victory-nor-defeat” slogan can only be hypocritically in favour of the class struggle, of “disrupting the class truce”; in practice, such people are renouncing an independent proletarian policy because they subordinate the proletariat of all belligerent countries to the absolutely bourgeois task of safeguarding the imperialist governments against defeat. The only policy of actual, not verbal disruption of the “class truce”, of acceptance of the class struggle, is for the proletariat to take advantage of the difficulties experienced by its government and its bourgeoisie in order to overthrow them. This, however, cannot be achieved or striven for, without desiring the defeat of one’s own government and without contributing to that defeat.
When, before the war, the Italian Social-Democrats raised the question of a mass strike, the bourgeoisie replied, no doubt correctly from their own point of view, that this would be high treason, and that Social-Democrats would be dealt with as traitors. That is true, just as it is true that fraternisation in the trenches is high treason. Those who write against “high treason”, as Bukvoyed does, or against the “disintegration of Russia”, as Semkovsky does, are adopting the bourgeois, not the proletarian point of view. A proletarian cannot deal a class blow at his government or hold out (in fact) a hand to his brother, the proletarian of the “foreign” country which is at war with “our side”, without committing “high treason”, without contributing to the defeat, to the disintegration of his “own”, imperialist “Great” Power.
Whoever is in favour of the slogan of “neither victory nor defeat” is consciously or unconsciously a chauvinist; at best he is a conciliatory petty bourgeois but in any case he is an -enemy to proletarian policy, a partisan of the existing ·governments, of the present-day ruling classes.
Let us look at the question from yet another angle. The war cannot but evoke among the masses the most turbulent sentiments, which upset the usual sluggish state of mass mentality. Revolutionary tactics are impossible if they are not adjusted to these new turbulent sentiments.

What are the main currents of these turbulent sentiments? They are: (1) Horror and despair. Hence, a growth of religious feeling. Again the churches are crowded, the reactionaries joyfully declare. “Wherever there is suffering there is religion," says the arch-reactionary Barr s. He is right, too. (2) Hatred of the “enemy”, a sentiment that is carefully fostered by the bourgeoisie (not so much by the priests), arid is of economic and political value only to the bourgeoisie. (3) Hatred of one’s own government and one’s own bourgeoisie—the sentiment of all class-conscious workers who understand, on the one hand, that war is a “continuation of the politics” of imperialism, which they counter by a “continuation” of their hatred of their class enemy, and, on the other hand, that “a war against war” is a banal phrase unless it means a revolution against their own government. Hatred of one’s own government and one’s own bourgeoisie cannot be aroused unless their defeat is desired; one cannot be a sincere opponent of a civil (i.e., class) truce without arousing hatred of one’s own government and bourgeoisie!
Those who stand for the “neither-victory-nor-defeat” slogan are in fact on the side of the bourgeoisie and the opportunists, for they do not believe in the possibility of inter national revolutionary action by the working class against their own governments, and do not wish to help develop such action, which, though undoubtedly difficult, is the only task worthy of a proletarian, the only socialist task. It is the proletariat in the most backward of the belligerent. Great Powers which, through the medium of their party, have had to adopt—especially in view of the shameful treachery of the German and French Social-Democrats— revolutionary tactics that are quite unfeasible unless they “contribute to the defeat” of their own government, but which alone lead to a European revolution, to the permanent peace of socialism, to the liberation of humanity from the horrors, misery, savagery and brutality now prevailing.

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Notes

[1] See p. 163 of this volume.—Ed.

[2] Bukvoyed-D. Ryazanov.

[3] This refers to the tsar’s manifesto promulgated on October 17 (30), 1905. It promised "civil liberties" and a “legislative Duma”. The manifesto was a concession wrested from the tsarist regime by the revolution, but that concession by no means decided the fate of the revolution as the liberals and Mensheviks claimed, The Bolsheviks exposed the real meaning of the Manifesto and called upon the masses to continue the struggle and overthrow the autocracy.

The first Russian revolution exerted a great revolutionising influence on the working-class movement in other countries, in particular in Austria-Hungary. Lenin pointed out that the news about the tsar’s concession and his manifesto, with its promise of “liberties”, “played a decisive part in the final victory of universal suffrage in Austria”.

Mass demonstrations took place in Vienna and other industrial cities in Austria-Hungary. In Prague barricades were put up. As a result, universal suffrage was introduced in Austria.