Friday, May 27, 2016

Scenes From An Ordinary Be-Bop, Be-Bop 1960s Life - The Great San Francisco Summer Of Love Explosion

Scenes From An Ordinary Be-Bop, Be-Bop 1960s Life - The Great San Francisco Summer Of Love Explosion





A YouTube film clip of Jim Morrison and The Doors performing their signature “acid” rock classic, The End to set the mood for this piece.

 

The Great San Francisco Summer Of Love Explosion

From The Pen Of [The Late] Peter Paul Markin

[For those not in the know Phil Larkin was one of a number of guys, some say wise guys but we will let that pass who hung around successively Harry’s Variety Store over on Sagamore Street, Doc’s Drugstore complete with soda fountain and more importantly his bad ass jukebox complete with all the latest rock and roll hits as they came off the turntable and Salducci’s Pizza “up the Downs,” don’t worry nobody in the town could figure that designation out either, as their respective corners as the older guys in their turn moved up and eventually out of corner boy life.

More importantly Phil was one of the guys who followed in “pioneer” Markin’s wake when he headed west in 1966 after he had finished up his sophomore year in college and made a fateful decision to drop out of school in order to “find himself.” Fateful in that without a student deferment it would eventually lead him to induction into the U.S. Army at the height of the Vietnam War, an experience which he never really recovered from for a lot of reasons that had nothing to do directly with that war but which honed his “wanting habits” for a different life than he had projected when he naively dropped out of college to see “what was happening” out in the West. Phil, Sam Lowell, Frankie Riley, Jimmy Jenkins and me all headed out after him. Phil though was the one who was most dramatically changed by the experience-for the better. And although Markin met a tragic end murdered down in Mexico several years later over a still not well understood broken drug deal with some small cartel down there he can take full credit for Phil’s transformation-Bart Webber]      

 

Phil Larkin, just then road-weary “Far-Out” Phil Larkin, for those who want to trace his evolution from North Adamsville early 1960s be-bop night “Foul-Mouth” Phil, and at that time the vocal terror of every mother’s daughter from six to sixty now morphed into full-fledged merry prankster, sat on a June such-and-such 1967 be-bop night on a nameless San Francisco hill.

[Markin: Phil, despite his excessive lewd language in his school days fully worthy of that “foul-mouth” moniker, was nevertheless, occasionally, a secret delight of some girls, had been the secret delight of one Minnie Callahan for one, damn him since she had been my girl after all, for just one example of such girl classmates. She proper Catholic novena and rosary beads in public and in Sunday chapel pew and me late for the service as usual a couple of rows behind her so I could watch her ass without drawing attention as it turned out had been endowed as well with a little venal sin heart which responded to Phil’s utterances with a titter at first and then got more interested, went out with him and to the senior prom as well, and here I was treating her like the second coming of a convent nun back then (except that ass-watching but that only a venal sin when you think about all the real madness in this wicked old world in that North Adamsville night. Besides through her best friend Helen Curley I found out that she was well aware that I had been watching her ass during Sunday Mass and during school while she was walking down the corridors between classes and Helen eventually told me she tittered at that too only wondering why I hadn’t “hit” on her before Phil swept her away. Damn, damn.]

Alongside newly transformed “Far-Out” Phil sat new conquest, not conquered with his old time wicked corner boy devil-inspired charm like with Minnie Callahan who he claimed he took under the satin sheets but everybody, all his corner boys including Markin but he was so disappointed in Minnie’s rejection of him that he half-hoped that it was true, assumed Phil was lying as we all did about girls and our prowess to bed them, sometimes true but usually teenage boy fantasy,   in those days but with mere patter (and dope, dope the new magic elixir to pave the way to sexual conquests or just jumping to bed for the sake of the song), new flame Butterfly Swirl met on a La Jolla beach a month or so back, not entirely by accident.

And next to Butterfly his old flame, old in that quickly met moment when old was measured in days, weeks, months and year or years were hardly comprehensible, this merry prankster bus flame met in Ames, Iowa late the previous year, accidentally except to those cosmically inclined and Phil was not one of them not one bit, Luscious Lois. Lois, however, now transformed into Lilly Rose, transformed at the flip of a switch, as was her way when some whim, or some word in the air, hit her dead center. Along the road west, again by whimsy she had been variously, Lupe Matin, Loretta Nova, Lance Opal (figure that one since as every guy on the bus and lots of guys off bus  knew she was a flaming hetero, certainly no dyke excuse the term but that was familiar corner boy usage then and Phil had no other term to use since was unaware of the Isle of Lesbos or of Sappho’s daughters then and if they didn’t know she would make it clear, clear as day despite her tease), and so on. Phil just gave up and started calling her honey, or sweet pea, and left it at that.      

[Markin: Sometime, but not now, remind me to give you my take on this name-changing epidemic. Not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. Hell, I got caught up in moniker stuff myself, and was for a time, Blackie Saint James. Yes, remind me to flesh this whole thing out.]

It had been one long roller-coaster year for Foul-Mouth as he drifted with the new age winds. [Markin: Alright, let’s split the difference on his moniker and just call him Phil from here on in since I knew him way back when in that weird early 1960s corner boy night when he didn’t know from nothing about which way the winds were blowin’, could have cared less which way they were blowin’, or if they were,  and made fun of me, as did Frankie Riley, and a couple of others, although not Sammy Russo, when I said some big changes were coming that would throw off our old school, work, green lawn little white house with picket fence, two point four children, mongrel dog futures notions. Foul-mouthed or far out Phil was some hell-bound character.]

After high school, no college Joe he, from the bowels of despair rank no serious future retail clerk hustling mens’ apparel  up at Raymond’s Department Store in slowly dying (dying from suburban mall-itis, then all the rage) Adamsville Center, harassed beyond endurance at home for lacking some unfathomable ambition from dear mother, with an occasional assist from dad to further infuriate him (that ambition entailing pursuing some low-rent, GS-10, government job with security unto the grave, egad), and a late sniffing of that wind that fellow corner boy Markin had predicted was coming although he was vague on the contours of that change Phil broke out one night.

Literally late one night, one May 1966 night.  Around two in the morning, with his all his earthly belongings on his back in an old time World War II army knapsack picked up at Bill’s Army& Navy Store Phil lit out like Walt Whitman way back when to places unknown and Jack Kerouac and his gang just a few years before for the coast, although if you had mentioned those names to him then he would have stared blankly back at you. Maybe now too. But here, let’s let Phil tell the story for a while about how he got to ‘Frisco and then we’ll see what is up with him and his “family” (okay, okay, Butterfly Swirl and Lilly Rose, if that is her name by the time we get back) on that nameless 1967 San Francisco hill:

“Hey, I am no slave to convention, whatever the conventions are, but in those days I looked like a lot of young guys. Longish hair, a beard, a light beard at the time, blue jeans, an army jacket, sunglasses, a knapsack over my shoulder, and work boots on my feet. Sandals would not come until later when I got off the road and was settled in a “pad” [Markin: house, rented or maybe abandoned, apartment, hovel, back of a “free” church, back of a store, whatever, a place to rest those weary bones, or “crash”] in La Jolla and were, in any case,  not the kind of footwear that would carry you through on those back road places you might find yourself in, places like Deadwood, Nevada at three in the morning with a ten mile walk to the nearest real town in front of you. I mention all this because that “look” gave me the cache to make it on the road when I headed out of the house that Spring 1966 be-bop night after one final argument with dear mother about where I was going, what was I going to do when I got there, and what was I going to do for money. Standard mother fare then, and now I suppose.  

So short on dough, and long on nerve and fearlessness then I started to hitchhike with the idea of heading west to California like about eight million other people, for about that same number of reasons, have been heading there since the Spanish, or one of those old time traveling by boat nations, heard about the place.  Of course, nowadays I would not think to do such a thing in such a dangerous world, unless I was armed to the teeth and that would take a little edge off that “seeking the newer world” Markin has been blabbing about since about 1960. But then, hard to believe that it was only a few years ago, problem, let’s get going. Especially no problem when just a  few miles into my journey a Volkswagen mini-bus (or van, neither in the same league as the yellow brick road school bus, no way, that I will tell you about later but okay for a long ride, and definitely okay when you are in some nowhere, nowhere Nebraska maybe,  back road, hostile territory dominate by squares, squares with guns and other evil implements and they, the VW-ites, stoned, stoned to the heavens stop to ask you directions because they are “lost” and invite you on board) stops on Route 128, backs up, and a guy who looks a lot like me, along with two pretty young girls says, “where are you heading?” (Okay, okay, Markin, young women, alright.)  West, just west. And then the beatified words, “Hop in.” 

 

Most of the road until the Midwest, Iowa is the Midwest right, was filled with short little adventures like that. A mini-bus frolic for a few hours, or a few days. Maybe a few short twenty miles non-descript square Chevy rides in between but heading west by hook or by crook. Did I like it? Sure I did although I was pretty much an up-tight working-class guy (that was what one of those pretty girls I just mentioned on that first hitchhike ride out called me when I “passed” on smoking a joint and, hell, she was from next door Clintondale for chrissakes) who liked his booze, a little sex [Markin: Phil, come on now, a little?], and just hanging around the old town waiting for the other shoe to drop. But I could see, after a few drug experiences, no, not LSD, that I was starting to dig the scene. And I felt every day that I was out of North Adamsville that I was finally shaking off the layers of dust that I had acquired from that place.

Then one night, sitting in the front seat of a big old Pontiac (not everybody, not every “hip” everybody had the mini-bus, van, or school bus handy for their “search” for the great American night), Big Bang Jane between us, the Flip-Flop Kid driving like god’s own mad driver, smoking a joint, laughing with the couple in back, Bopper Billy and Sweet Pea, we headed into a pay-as- you go roadside camp near Ames, the college town, out in Iowa. And at that campsite parked maybe five or six places over from where we planted ourselves was god’s own copy of that day-glo merry prankster bus I mentioned before. I flipped out because while I had hear about, and seen from a distance, such contraptions I hadn’t been up close to one before. Wow!      

 

Markin had it just about right when he described that old bus after I told him about it:

“A rickety, ticky-tack, bounce over every bump in the road to high heaven, gear-shrieking school bus. But not just any yellow brick road school bus that you rode to various educationally good for you locations like movie houses, half yawn, science museums, yawn, art museums, yawn, yawn, or wind-swept picnic areas for  some fool weenie roast, two yawns there too, when you were a school kid. And certainly not your hour to get home daily grind school bus, complete with surly driver (male or female, although truth to tell the females were worst since they acted just like your mother, and maybe were acting on orders from her) that got you through K-12 in one piece, and you even got to not notice the bounces to high heaven over every bump of burp in the road. No, my friends, my comrades, my brethren this is god’s own bus commandeered to navigate the highways and by-ways of the 1960s come flame or flash-out. Yes, it is rickety, and all those other descriptive words mentioned above in regard to school day buses. That is the nature of such ill-meant mechanical contraptions after all. But this one is custom-ordered, no, maybe that is the wrong way to put it, this is “karma”-ordered to take a motley crew of free-spirits on the roads to seek a “newer world,” to seek the meaning of what one persistent writer on the subject has described as the search for the great blue-pink American Western night.”       

“Naturally to keep its first purpose intact this heaven-bound vehicle is left its mustard yellow body surface underneath but over that primer the surface has been transformed by generations (generations here signifying not twenty-year cycles but trips west, and east) of, well, folk art, said folk art being heavily weighted toward graffiti, toward the psychedelic day-glo splashes and zodiacally meaningful symbols.  And the interior. Most of those hardback seats that captured every bounce of childhood have been ripped out and discarded who knows where and replaced by mattresses, many layers of mattresses for this bus is not merely for travel but for home. To complete the “homey” effect there are stored, helter-skelter, in the back coolers, assorted pots and pans, mismatched dishware and nobody’s idea of the family heirloom china, boxes of dried foods and condiments, duffle bags full of clothes, clean and unclean, blankets, sheets, and pillows, again clean and unclean.

Let’s put it this way, if someone wants to make a family hell-broth stew or a made up bed there is nothing in the way to stop them. But also know this, and know it now, as we start to focus on this journey that food, the preparation of food, and the desire, except in the wee hours when the body craves something inside, is a very distant concern for these “campers.” If food was what you desired in the foreboding 1960s be-bop traveling night you took  a cruise ship to nowhere or a train (if you could find one), some southern pacific, great northern, union pacific, and worked out your dilemma in the dining car. Of course, no heaven-send, merry prankster-ish yellow brick road school bus would be complete without a high- grade stereo system to blast the now obligatory “acid rock” coming through the radiator practically.”

Thanks Markin. After we settled in at our campsite, the Flip-Flop Kid (and the guy really could never make up his mind about anything, anything except don’t go too close to Big Bang Jane, no kidding around on that), Bopper Billy (who really thought he was king of the be-bop night, but, hell in the North Adamsville corner boy night Frankie Riley, hell, maybe even Markin, would have out be-bopped him for lunch and had time for a nap), Big Bang Jane (guess what that referred to, and she gave herself that nickname, but I never tried to make a move on her because she was just a little too wild, a little too “I would have to keeping looking over my shoulder for” me then, probably later too when things got even looser.

And then there was the Flip-Flop Kid’s warning ), and Sweet Pea (and she was a sweet pea, if Bopper Billy, wasn’t around, well we both agreed there was something there but in those 1966 days we were still half tied up with the old conventions of not breaking in between a guy and his girl, well that was the convention anyway and whether it was generally honored or not, I did) we headed over once we heard the vibes from the sound system churning out some weird sounds, something like we had never heard before. (Weird then, little did we know that this was the wave of the future, the “acid rock” that got us through the bleary night unto dawn, for a few years anyway). 

Naturally, well naturally after the fact, once we learned what the inhabitants of the bus were about, they invited us for supper, or really to have some stew from a big old pot cooking on a fireplace that came with the place. And if you didn’t want the hell-broth stew then you could partake of some rarified dope. No, again, no on the LSD thing. It was around, it was around on the bus too, among its various denizens, but mainly it was a rumor, and more of a West Coast thing. In the self-proclaimed, tribal self-proclaimed Summer of Love and after that is when the acid hit, and when I tried it, but not on this trip. This trip was strictly weed, hemp, joint, mary jane, marijuana, herb, whatever you wanted to called that stuff that got you high, got you out of yourself, and got you away from what you were in North Adamsville, Mechanicsville or whatever ville you were from, for a while.             

So that night was the introduction to the large economy size search for the freedom we all, as it turned out, were looking for. I remember saying to Sweet Pea as we went back to our campsite (and wishing I wasn’t so square about messing with another guy’s girl, and maybe she was too, maybe wishing I wasn’t so square about it) that we had turned a corner that night and that we had best play it out right then for the chance might not come again. 

The next day, no, the next night because I had spent the day working up to it, I became “Far-Out” Phil, or the start of that Phil. Frankly, to not bore you with a pipe by pipe description of the quantity of dope that I smoked (herb, hashish, a little cocaine, more exotic and hard to get then than it became later which guys going on dope runs to Mexico would bring back as a “snack”) or ingested (a tab of mescaline) that day, I was “wasted.”  Hell I am getting “high” now just thinking about how high I was that day. By nightfall I was ready for almost anything as that weird music that crept up your spine got hold of me. I just, as somebody put a match to the wood to start the cooking of a tonight pot of stew to keep us from malnutrition, started dancing by myself. Phil Larkin, formerly foul-mouthed Phil, a cagy, edgy guy from deep in corner boy, wise guy, hang-out guy, never ask a girl to dance but just kind of mosey up world started dancing by myself. But not for long because then he, me, took that dance to some other level, some level that I can only explain by example. Have you heard The Doors album, the one that traces the max-daddy rocker of the late 1960s night, Jim Morrison’s career from garage band leader to guru? And has photographs of the band in concert. One of the scenes pictured at one of the outdoor concerts, in a canyon somewhere I think, had him, head full of dope, practically transformed into a shaman. Yeah, one of those Indian (Markin: Native American, Phil] religious leaders who did a trance-dance. That was me in late May of 1966, if you can believe that.     

And see, although I wasn’t conscious of it first I was being joined by one of the women on the bus, Luscious Lois, whom I had met, in passing, the night before. This Lois, not her real name, as you can tell not only were we re-inventing ourselves physically and spiritually but in our public personas shedding our “slave names” much as some blacks were doing for more serious reasons than we had at the time. [Markin: Nice point, Phil, although I already ‘stole’ that point from you before.]  Her real name was Sandra Sharp, a college girl from Vassar who, taking some time off from school, was “on the bus” trying to find herself. She was like some delicate flower, a dahlia maybe, like I had never encountered before.

I won’t bore you with the forever have to tell what she looked like thing because that is not what made her, well, intriguing, maddeningly intriguing, like some femme fatale in a crime noir film that Markin, from what I can gather, is always running on about these days when he is not getting us to tell our stories.  She was pretty, no question, maybe even a dark-haired, dark-eyed beauty if it came to a fair description in the light of day but what made her fetching, enchanting, if that is a different way to say it, was the changes in her facial expressions as she danced, and danced provocatively, dance half-nakedly, around my desire. And I danced, shedding my shirt although I do not remember doing so, and also danced half-naked around her desire. Then, faintly like a buzz from some hovering insect, maybe a bee, and then more loudly I kept hearing the on-lookers, half-mad with dope and with desire themselves, yelling far out, far out. And Far-Out Phil was born.

Oh, as for Luscious Lois and her desire, well, you figure it out. I might not have been wise to the ways of the Vassar world in those days when such places were bastions to place the young women of the elite and keep them away from clawing upstarts from the corner boy night as I should have been but the rest of my time on the bus was spend hovering around Lois, and keeping other guys away.  I even worked some plebeian “magic” on her one night when I started using certain swear  words in her ear that had worked for me with every Sunday at Sacred Heart Catholic Church, Millie Callahan, back in the day. Far-Out Phil got a little something extra that night, proper Vassar girl or not. 

No offense against Iowa, well only a little offense for not being near an ocean, I think. No offense against the university there, well only a little offense for not being Berkeley but after about a week of that campsite and its environs I was ready to move on and it did not matter if it was with Flip-Flop and his crowd or with Captain Crunch (the guy who “led” his merry pranksters, real name, Samuel Jackman, Columbia, Class of 1958 who long ago gave up searching, searching for anything, and just hooked into the idea of taking the ride). Captain Crunch, as befitted his dignity (and since it was “his” bus paid for out of some murky deal, probably a youthful drug deal, from what I heard), was merely the “leader” here.

The driving was left to another, older guy. This driver  was not your  mother-sent, mother-agent, old Mrs. Henderson, who prattled on about keeping in your seats and be quiet while she is driving (maybe that, subconsciously, is why the seats were ripped out long ago on the very first “voyage” west) but a very, very close imitation of the god-like prince-driver of the road, the “on the road” pioneer, Neal Cassady, shifting those gears very gently but also very sure-handedly  so no one noticed those bumps (or else was so stoned, drug or music stoned, that those things passed like so much wind). His name: Cruising Casey (real name, Charles Kendall, Haverford  College Class of ’62, but just this minute, Cruising Casey, mad man searching for the great American be-bop night under the extreme influence of one Ken Kesey, the max-daddy mad man of the great search just then). And Cruising was, being just a little older, and about one hundred years more experienced, also weary, very weary of co-eds, copping dope and, frankly, staying in one place for so long. He also wanted to see his girlfriend or his wife I am not sure which in Denver so I knew that was where we were heading. So off we go, let’s get going.   

 

And the passengers. Nobody from the Flip-Flop Express (although Flip-Flop, as usual lived up to his name and hemmed and hawed about it), they were heading back east, back into the dark Mechanicsville night. I tried, tried like hell, to get Sweet Pea to come along just in case the thing with Lois fell apart or she took some other whim into her head. See, re-invented or not, I still had some all-the-angles boyhood rust hanging on me. We knew for sure that Casey was driving, and was still driving effortlessly so the harsh realities of his massive drug intake had not hit yet, or maybe he really was superman. Others whose names I remember: Mustang Sally (Susan Stein, Michigan, Class of 1959, ditto on the searching thing), Captain Crunch’s girlfriend, (although not exclusively, not exclusively by her choice, not his, and he was not happy about it for lots of reasons which need not detain us here). Most of the rest of the “passengers” have monikers like Silver City Slim, Penny Pot (guess why), Moon Man, Flash Gordon (from out in space somewhere, literally, as he told it), Denver Dennis (from New York City, go figure), and the like. They also had real names that indicated that they were from somewhere that had nothing to do with public housing projects, ghettos or barrios. And they were also, or almost all were, twentyish, and had some highly-rated college years after their names, graduated or not. And they were all either searching or, like the Captain, were at a stage where they were just hooked into taking the ride.

As for the rest. Well, no one could be exactly sure, by the time the bus approached the outskirts of Denver, as this was strictly a revolving cast of characters depending on who was hitchhiking on that desolate back road State Route 5 in Iowa, or County Road 16 in Wyoming, and desperately needed to be picked up, or face time, and not nice time with a buzz on, in some small town pokey. Or it might depend on who decided to pull up stakes at some outback campsite and get on the bus for a spell, and decide if they were, or were not, on the bus. After all even all-day highs, all-night sex, and 24/7 just hanging around listening to the music is not for everyone. And while we had plenty of adventures on those strange day roads winding up the crest of the Rockies to Denver, thinking back on it now, they all came down to drugs, sex, and rock and roll, with a little food on the side.

Well, except that one time, camping on a primitive clearing, not really a campsite, not a commercial site, no way,  near ranch land in some Wyoming Podunk we got the hell scared out of us by some ranchers, some nasty-looking cowboys. Three or four but that was all it took, if you to want to know the truth, who moseyed (and that is exactly the right word because this was THEIR god’s country and moseying was just exactly the way you moved when that hard fact is involved. No city scratching and scrambling to claim your little corner, not for these boys). We could see they were armed, armed to the teeth, not on the off-hand chance they would run into some merry prankster dangers, but carrying that full array of armament was just their normal work conditions, god’s country or not.

This was one time that Captain Crunch really showed his mettle, and acted as an upfront leader. Most of the time he was in a running battle with Mustang Sally over who she was, or was not, sleeping with or just controlling the action of the bus indirectly. One maneuver was to always, always, slip off to Cruising any questions about where we were headed or could we stop here or there to see some long lost friend, some scenic view or any one of a thousand things that come up on a prankster trip, or as I found out later even a square’s kiddies –laden family trip.

Straight up Captain, who was not skinny guy and was probably pretty well built before he started his prankster gag although there was some sag now, yelled at the top of his lungs, “You, boys hungry?, We’ve got plenty of stew if you are.”  Well, for always lean times, eating from the hip, cowboys the idea of having plenty to eat right there in front of you must have been appealing. But the lead cowboy, Joe Bob Buck, was his name, I swear, said in that slow drawl Sam Shepard way, “Nope, but we heard that you guys had some decent dope. Is that straight?” Well, of course that was straight. And in a flash a big pipe of the Captain’s finest was heading Joe Bob’s way. Hey, I guess this was a dope story after all so, yah, I guess it did all come down to just drugs, sex, and rock and roll. But if you want to know what the sixties were all about then just think about a clan of hippies sharing a pipe of high grade Panama Red with some lonesome cowboys out in Podunk Wyoming and nobody thought nothing of it  and you have got the idea.           

Oh, sure, we also had our share of “casualties” of war and basket cases on that trip. It wasn’t all cowboy peace and rockies vistas. I remember, more than once, we had to leave people behind in various emergency rooms suffering from anything from a “bad trip” to normal medical problems  or make that call home that spelled the end for some half-dazed kid.  Come pick up the wreckage, mom and dad.  The worst was some poor bedraggled girl, who probably should not have been allowed to stay because she was a little wacky coming in, who we picked up near some rural bus stop. Captain had a big heart on this “on the bus” question, and unless you proved to be some kind of thief, or something like that you stayed if you wanted to. Anyway this young woman, hardly more than a girl, just started screaming one day, no drugs involved that we knew of , just started screaming and even Captain and Sally couldn’t stop her.  We left her in Cheyenne but like a lot of things from that transient time I never did find out what happened to her.  Just like some people can’t live in the high altitudes not everybody could survive on the bus. Living out on edge city, and no question we all were, maybe not 24/7 but enough to know that city was our home, is a high wire act and not for the faint of heart.

 

We, the core of Captain Crunch’s crew anyway, stayed in Denver for a while, for as long as it took Cruising to have his “fill” (his word) of his wife, or girlfriend, or maybe both and was ready to hit the road again. As fall approached the time was the time and we started heading west again, well southwest because Cruising did not want to get catch up in some Rockies whiteout and the rest of us wanted to get the warmth of some desert sun under our skins. Most, including me who had never been west of New York City and then just for a moment, had never seen the desert although we all, children of the television 1950s, had ‘seen’ it on the screen in the Westerns. So we were all pumped for desert stones, desert “stones,” and seeking the ghost of the lost tribes, the lost tribes whose shamanic powers has us in thrall. I, personally, was looking forward to investigating some ghost- dancing that I had heard about in Denver and which, as I became more drug-steady, I was dying to “see” a vision of off some wayward canyon wall before some blazing fire.            

And so Cruising did his merry prankster bus magic (he really was some zen master with that damn bus, especially for a college guy, and especially when we hit some tough spots where the damn thing would give out and he would “breathe” live back into the thing, like, well, like some zen master).  A one-time example will suffice. We were heading to Gallup, New Mexico in the heart of Indian country [Markin; Native American, Phil], maybe fifty miles away and not really close to anything like a full service gas station, when the clutch seized, just seized. Nada, nunca, nada, nothing as we used to say in our corner boy days. Cruising gets out, opens the hood, fools around with this and that and maybe forty-five minutes later we are on the road again. And whatever he did, whatever zen thing he had with that fickle bus lasted all the way until we hit La Jolla and he had the whole thing worked on. Magic. Captain Crunch mapped out our itinerary and the rest of us got the bus travel-ready, travel-ready being a good cleaning, a re-ordering of the mattresses, and a checking out (and chucking off)  of what was necessary and what was not for the trip westward, westward down to New Mexico first.    

The desert was all that it was cracked up to be except, being fall it wasn’t as hot as Cruising said it was when he went through various times in the early or late summer (mid-summer, as I later found out, forget about even in the cooler high desert, low desert, Death Valley desert, forget it), the Grand Canyon magnificent, if overused even then and then the high desert in California. By then I was getting homesick, no not homesick for North Adamsville (that would not come until many, many years later), but for my homeland, the sea. I hadn’t been away from an ocean breeze for that long ever and I missed it. And out in that high desert, high Joshua Tree, Twenty-Nine Palms desert I started to “smell” the ocean. By this time I had some “rank” on the bus, some say in what we did, or didn’t do, and the Captain liked me, or liked the idea that a working- class kid with some brains and some thoughts was traveling alongside him (mostly stuff “cribbed” from what Markin used to talk about in those sometimes long, seemingly boring Jack Slack’s corner boy nights but it went over, if you can believe that). So when I started my “campaign” to head to the ocean, and gained some allies, especially Lois, just then, going under the name Lupe Matin, I think, and Mustang Sally and, most importantly, Cruising didn’t raise an objection  I was home free. Come on, let’s get moving.        

We wound up in La Jolla, after a few weeks of stopping here and there to see people the  Captain (or Sally) wanted to see in Los Angeles ( I never called it LA then just Los Angeles, city of angels) and down in Laguna. Needless to say the Pacific Ocean around La Jolla and places like that made our East Coast puddles look sick. La Jolla- translation, surfers’ paradise, says it all. But the two most important things about La Jolla were that, after months of bus life, we finally were settled in a “pad.” [Markin: house, in this case, or rather something like an ocean view semi-estate owned by some wealthy drug lord known to the Captain, according to the way Phil told it.] Real toilets, real showers, real fireplaces, real everything. Nice, very nice for a poor old working- class boy who a few months earlier was scratching for change to give dear mother some rent for his two by four room. This was to be our winter quarters (and as it turned out spring ones as well) and all we had to do was act as caretakers, not real caretakers like servants but just make sure nobody stole the family silverware, stole the place, or decided to “squat” there.              

This is also where important event number two came in. Walking along the rock-strewn cove in front of downtown La Jolla, is where I met Butterfly Swirl, my blonde-haired, blue-eyed angel who was just sixteen at the time, a high school student from up in Carlsbad who was down in La Jolla trying to “find” herself while tagging along with her boyfriend, some eternally blonde, blue-eyed surfer guy from Del Mar, christ. Just then said surfer boy was out looking for the perfect wave, or something, and so I invited Butterfly Swirl (real name, Kathleen Clarke, Carlsbad High School Class of 1968) over to La Grande (the name of the estate, hell, they all had Spanish names like that) to smoke a little dope. She brightened at that.

Well, of course, I could see where this was heading, if it was heading anywhere what with my one girl-one guy rule (although I admit, admit now not then, now that I think the statute of limitations is probably over on lying to 1967 girlfriends, I went astray a couple of times in Denver and Joshua Tree but those weren’t really girlfriend-worthy trysts). I brought her home, anyway. We had some dope, and had some sex. Simple. And just when I thought I had her safely out the door (literally and figuratively) Lupe stepped into the room. Instead of exploding though, after checking out Butterfly with a bemused look, she said, “Is she staying?” And before I could get word one out Butterfly chirped out, “Yes.” And Lupe said, “Good” in a kind of distracted way. The new age has dawned, praise be. But that was later.  Then I just said out loud to no one in particular, “Damn, women I will never figure them out.”  And I never have.  [Markin: Brother Phil you are preaching to the choir on this one.]  That is why when we headed north for the rumored summer of love in San Francisco a month or so later I had my angel-devil girlfriends, my “family” as Captain Crunch called them, with me.” 

Thanks Phil. Now you are filled in on the “what and the why” of Phil’s being on that nameless San Francisco hill mentioned a while back. A nameless hill, nameless to first time in ‘Frisco Phil, although maybe not to some ancient Native American shaman delighted to see our homeland, the sea, out in the bay working its way to far-off Japans. Or to some Spanish conquistador, full of gold dreams but longing for the hills of Barcelona half a world away. Right then though a tall young man, well taller than Phil, lanky, maybe not as lanky as Phil with his drug stews diet having taken some pounds off, and some desire for pounds as well, dressed in full “hippie” regalia (army jacket, blue jeans, bandana headband to keep his head from exploding, striped flannel shirt against the cold bay winds, against the cold bay winds even in summer, and nighttime colds too, and now that we are on the West Coast, roman sandals) walked up the street that paralleled the hill the entourage was then planted on, cast a glance as that company, nodded slightly, and then turned around and asked to no one in particular but kind of zeroed in on Butterfly, “Got some dope for a hungry brother?” Except for shorter hair, which only meant that this traveler had either not been on the road very long or had just recently caught the “finding himself” bug he could have been Phil’s brother, biological brother.

 

That line, that single line, could have been echoed a thousand, maybe ten thousand times that day along a thousand hills (well maybe not that many in San Fran), aimed at any small clot of like-minded spirits. And Phil sensing that just that one sentence spoke of kindred said, “Sure, a little Columbia Gold for the head, okay?” And so started the long, well hippie long, 1960s long anyway, relationship between one Phillip Larkin and one Johnny Devlin (a.k.a. Prince Lvov, although don’t hold it against him now if you know or have seen Johnny lately). And the women, of course.                   

And, of course, as well was that sense that Far Out had that he and Prince Love were kindred was based on the way that the Prince posed that first question. His accent spoke, spoke hard of New England, not Boston but further north. And once the pipe had been passed a couple of times and the heat of day started getting everybody a little talkative then Johnny spilled out his story. Yes, he was from Portland, Maine, born and bred, a working class kid whose  family had worked  the town mills for a couple of generations, maybe more, but times were getting hard, real hard in those northern mill towns now that the mill-owners had got the big idea to head south and get some cheaper labor, real cheap. So Johnny, after he graduated from high school a few weeks before had decided, on a whim (not really a whim though), to head west and check out prospects here on the coast. Johnny finished up his story by saying, “And here I am a few weeks later sitting on Russian Hill smoking righteous dope and sitting with some sweet ladies. [Markin: Phil never said what his reaction to that last part was which seemed, the way it was spoken, spoken by Phil in the re-telling,  filled with menace. Girl-taking menace. Well, old corner boy Phil menace, hell Markin menace too would have felt that way but maybe in that hazed-out summer it just passed by like so much air.] 

 

Everybody else giggled now that they knew the name of this hill that they had been trying to guess the name of for the last half hour when he blurted that Russian Hill name out. Naturally Phil, a road warrior now, whatever his possible misgivings, invited Johnny to stay with them, seeing as they were practically neighbors back home. Johnny was “family” now, and Butterfly seemed gladder than the others of that fact.            

But enough of old-time visions, of old time rites of passage, and of foundling dreams. Phil, and his entourage (nice word, huh, no more girlfriend solo, or as here paired, lovingly paired, to be hung up about, just go with the flow). Phil, Butterfly, hell, even jaded Lilly Rose (formerly known as Luscious Lois in case you forgot, or were not paying attention), and now Prince Love, are a “family,” or rather part of the Captain Crunch extended intentional family of merry pranksters.  [Markin: Small case, so as not to be confused with their namesakes and models legendary mad man writer Ken Kesey and his La Honda Merry Pranksters, okay]  Just yesterday they hit ‘Frisco and have planted their de rigueur day-glo bus in the environs of Golden Gate Park  after many months on the road west, and some sitting down time down south in La Jolla.

Hearing the siren call buzzing all spring they have now advanced north to feast on the self-declared Summer of Love that is guaranteed to mend broken hearts, broken spirits, broken rainbows, broken china, and broken, well broken everything. The glue: drug, sex, and rock ‘n’ roll, although not just any old-timey be-bop fifties rock and roll but what everybody now calls “acid” rock. And acid, for the squares out there, is nothing but the tribal name for LSD that has every parent from the New York island to the Redwood forests, every public official from ‘Frisco to France, and every police officer (I am being nice here and will not use the oink word) from Boston to Bombay and back, well, “freaked out” (and clueless). Yes, our Phil has come a long way from that snarly wise guy corner boy night of that old town he lammed out from (according to his told story) just about a year ago.     

Or had he? Well, sure Phil’s hair was quite a bit longer, his beard less wispy and more manly, his tattered work boots and later Chuck Taylor sneakers transformed into sensible (West Coast ocean sensible) roman sandals and his weight, well, his weight was way down from those weekly bouts with three-day drug escape, and fearful barely eaten four- in-the-morning open hearth stews, and not much else. And as he sat on that Russian Hill looking out into that bay with his brood he could not even look forward, as he originally planned, to the expectation of just trying LSD for the hell of it in ‘Frisco, having licked it (off a blotter), or drank it (the famous, or infamous, kool-aid fix), several times down in La Jolla. In those lazy hazy days watching the surf (and surfers) splashing against the Pacific world with blond-haired, blue-eyed, bouncy Butterfly, and the raven-haired, dark as night-eyed Lilly Rose, or both listening to the music fill the night air. Not square music either (anything pre-1964 except maybe some be-bop wild piano man Jerry Lee Lewis, or some Chicago blues guitar fired by Muddy Waters or microphone-eating Howlin’ Wolf),  but moog, boog, foog-filled music.

Just that Russian Hill minute though, and to be honest, while in the midst of another acid trip (LSD, for the squares just in case you forgot), Phil sensed that something had crested in the approaching blue-pink Pacific night and that just maybe this scene would not evolve into the “newer world” that everybody, especially Captain Crunch, kept expecting any day. Worse now that he knew that  he couldn’t, no way, go back to some department store clerk’s job, some picket-fenced white house with dog, two point three children, and a wife what was to happen to him when Butterfly, Lilly Rose, Joshua, and even Captain Crunch “find” themselves and go back to school, home, academic careers, or whatever. For now though he will just take it all in.     

“Victory To The Fast-Food Workers......Fight For $15 Is Just A Beginning-All Labor Must Support Our Sisters And Brothers


“Victory To The Fast-Food Workers......Fight For $15 Is Just A Beginning-All Labor Must Support Our Sisters And Brothers

Comments of a supporter of the “Fight for $15” action in Downtown Boston on September 4, 2014 as part of a national struggle for economic justice and dignity for the our hard working sisters and brothers. The words still apply as we head into 2016:

No question in this wicked old world that those at the bottom are “the forgotten ones.” Here we are talking about working people, people working and working hard for eight, nine, ten dollars an hour. Maybe working two jobs to make ends meet since a lot of times these McJobs, these Wal-Marts jobs do not come with forty hours of work attached but whatever some cost-cutting manager deems right. And lately taking advantage of cover from Obamacare keeping the hours below the threshold necessary to kick in health insurance and other benefits. Yes, the forgotten people.

But let’s do the math here figuring on forty hours and figuring on say ten dollars an hour. That‘s four hundred a week times fifty weeks (okay so I am rounding off for estimate purposes here too since most of these jobs do not have vacation time figured in).That’s twenty thousand a year. Okay so just figure any kind of descent apartment in the Boston area where I am writing this-say one thousand a month. That’s twelve thousand a year. So the other eight thousand is for everything else. No way can that be done. And if you had listened to the young and not so young fast-food workers, the working mothers, the working older brothers taking care of younger siblings, workers trying to go to school to get out of the vicious cycle of poverty you would understand the truth of that statement. And the stories went on and on along that line all during the action. 

Confession: it has been a very long time since I have had to scrimp and scrim to make ends meet, to get the rent in, to keep those damn bill-collectors away from my door, to beg the utility companies to not shut off those necessary services. But I have been there, no question. And I did not like it then and I do not like the idea of it now.  I am here to say even the “Fight for $15” is not enough, but it is a start. And I whole-heartedly support the struggle of my sisters and brothers for a little economic justice in this wicked old world. And any reader who might read this-would you work for slave wages? I think not. So show your solidarity and get out and support the fast-food and Wal-Mart workers in their just struggles. 

Organize Wal-Mart! Organize the fast food workers! Union! Union! 
 

*****Desperately Seeking Revolutionary Intellectuals-Then, And Now


*****Desperately Seeking Revolutionary Intellectuals-Then, And Now  






From The Pen Of Frank Jackman
Several years ago, I guess about four years now, in the aftermath of the demise of the Occupy movement with the shutting down of its campsites across the country by the police acting in concert with other American governmental bodies I wrote a short piece centered on the need for revolutionary and radical intellectuals, or those who had pretensions to such ideas to take their rightful place on the activist left, on the people’s side, and to stop sitting on the academic sidelines. Or wherever they were hiding out, hiding out maybe as far back in some cases as the Vietnam War days which saw much of the current senior contemporary academia turn from the streets to the ivied-buildings, maybe hiding out in bought and paid for think tanks with their bright-colored “wonk” portfolios like some exiles-in-waiting ready to spring their latest wisdom, maybe posing as public intellectuals although with no serious audience ready to act on their ideas since they were not pushing their agendas beyond the lectern, maybe some in the hard-hearted post 9/11 world having doubts about those long ago youthful impulses that animated "the better angels of their natures" have turned to see the “virtues” of the warfare state and now keep their eyes averted to the social struggles they previously professed to live and die for, or maybe a la Henry David Thoreau retiring to out in some edenic gardens in Big Sur or anywhere Oregon like some 60s radicals did never to be heard from again except as relics when the tourists pass through town.

One of the reasons for that piece was that in the aftermath of the demise of the Occupy movement a certain stock-taking was in order (and which is in 2015 and beyond still in order). A stock-taking at first centered on those young radicals and revolutionaries that I ran into in the various campsites and on the flash mob marches who were disoriented and discouraged when their utopian dreams went up in smoke without a murmur of regret from the masses they professed to be fighting for (and with not a little hostility from that same work-a-day mass hostile to people hanging out and not working, or not doing much of anything, as well but mainly indifference to the fight these idealistic youth were pursuing, really their fight too since that had been pummeled by the main Occupy culprits, the banks who got bailed out, the mortgages companies who sold them a false bill of goods, the corporations more than ready to send formerly good paying jobs off-shore leaving Wal-Mart for the unemployed. Now a few years later it is apparent that they, the youth of Occupy have, mostly, moved back to the traditional political ways of operating via the main bourgeois parties who let the whole thing happen (witness the New York mayor’s race, Elizabeth Warren, Bernie Sanders et. al) or have not quite finished licking their wounds (they couldn’t believe as we elders could have told them after all the anti-Vietnam War actions, including the massive May Day 1971 arrests that the government had no problem crushing their own, their own young if they got out of line).

Although I initially addressed my remarks to the activists still busy out in the streets I also had in mind those intellectuals who had a radical streak but who then hovered on the sidelines and were not sure what to make of the whole experiment although some things seemed very positive like the initial camp comradery, the flow of ideas, some half-baked on their faces but worthy of conversation and testing, the gist for any academic. In short, those who would come by on Sundays and take a lot of photographs and write a couple of lines about what they saw but held back. (I would argue and this may be the nature of the times that the real beneficiaries of Occupy were all those film students and artists, media-types who made the site their class project, or their first professional documentary.) Now in 2015 it is clear as day that the old economic order (capitalism if you were not quite sure what to name it) that we were fitfully protesting against (especially against the banks who led the way downhill and who under the sway of imperialism's imperative made it clear finance capitalism writ large is in charge) has survived another threat to its dominance. The old political order, the way of doing political business now clearly being defended by one Barack Obama and his hangers-on, Democrat and Republican, with might and main is still intact (with a whole ready to take his place come 2016).
The needs of working people although now widely discussed in academia and on the more thoughtful talk shows have not been ameliorated (the increasing gap between the rich, really the very rich, and the poor, endlessly lamented and then forgotten, the student debt death trap, and the lingering sense that most of us will never get very far ahead in this wicked old world especially compared to previous generations). All of this calls for intellectuals with any activist spark to come forth and help analyze and plan how the masses are to survive, how a new social order can be brought forth. Nobody said, or says, that it will be easy but this is the plea. I have reposted the original piece with some editing to bring it up to date.          
******
No, this is not a Personals section ad, although it qualifies as a Help Wanted ad in a sense. On a number of occasions over past several years, in reviewing books especially those by James P. Cannon, a founding member of the American Communist Party in the aftermath of the Russian Revolution of 1917 and when that revolution began to seriously go off the rails followed the politics of the Trotsky-led International Left Opposition  and eventually helped found the Socialist Workers Party in America, I have mentioned elsewhere  that building off of the work of the classical Marxists, including that of Marx and Engels themselves, and later that of Lenin and Trotsky the critical problem before the international working class in the early part of the 20th century was the question of creating a revolutionary leadership to lead imminent uprisings. Armed with Lenin’s work on the theory of the imperialist nature of the epoch and the party question and Trotsky’s on the questions of permanent revolution in less developed capitalist countries and revolutionary timing the tasks for revolutionaries were more than adequately defined. A century later with some tweaking, unfortunately, those same theories and the same need for organization are still on the agenda although, as Trotsky once said, the conditions are overripe for the overthrow of capitalism as it has long ago outlived its progressive character in leading humankind forward.   


The conclusion that I originally drew from that initial  observation was that the revolutionary socialist movement was not as desperately in need of theoreticians and intellectuals as previously (although having them, and plenty of them, especially those who can write, is always a good thing). It needed leaders steeped in those theories and with a capacity to lead revolutions. We needed a few good day-to-day practical leaders, guys like Cannon, like Debs from the old Socialist Party, like Ruthenburg from the early Communist Party, to lead the fight for state power.
In that regard I have always held up, for the early part of the 20th century, the name Karl Liebknecht the martyred German Communist co-leader (along with Rosa Luxemburg) of the aborted Spartacist uprising of 1919 as such an example. He led the anti-war movement in Germany by refusing to vote for the Kaiser’s war budgets, found himself in jail as a result, but also had tremendous authority among the left-wing German workers when that mattered. In contrast the subsequent leadership of the German Communists in the 1920’s Paul Levi, Henrich Brandler and Ernest Thaelmann did not meet those qualifications. For later periods I have, as mentioned previously, held up the name James P. Cannon, founder of the American Socialist Workers Party (to name only the organization that he was most closely associated with), as a model. Not so Communist Party leaders like William Z. Foster and Earl Browder (to speak nothing of Gus Hall from our generation of '68) or Max Shachtman in his later years after he broke with Cannon and the SWP. That basically carried us to somewhere around the middle of the 20th century. Since I have spent a fair amount of time lately going back to try to draw the lessons of our movement I have also had occasion to think, or rather to rethink my original argument on the need for revolutionary intellectuals. I find that position stands in need of some amendment now.
Let’s be clear here about our needs. The traditional Marxist idea that in order to break the logjam impeding humankind’s development the international working class must rule is still on the historic agenda. The Leninist notions that, since the early part of the 20th century, we have been in the imperialist era and that a ‘hard’ cadre revolutionary party is necessary to lead the struggle to take state power are also in play. Moreover, the Trotskyist understanding that in countries of belated development the working class is the only agency objectively capable of leading those societies to the tasks traditionally associated with the bourgeois revolutions of the 19th century continues to hold true. That said, rather than some tweaking, we are seriously in need of revolutionary intellectuals who can bring these understandings into the 21st century.


It is almost a political truism that each generation of radicals and revolutionaries will find its own ways to cope with the political tasks that confront it. The international working class movement is no exception in that regard. Moreover, although the general outlines of Marxist theory mentioned above hold true such tasks as the updating of the theory of imperialism to take into account the qualitative leap in its globalization is necessary (as is, as an adjunct to that, the significance of the gigantic increases in the size and importance of the ‘third world’ proletariat). Also in need of freshening up is work on the contours of revolutionary political organization in the age of high speed communications, the increased weight that non-working class specific questions play in world politics (the national question which if anything has had a dramatic uptick since the demise of the Soviet Union), religion (the almost universal trend for the extremes of religious expression to rear their ugly heads which needs to be combated), special racial and gender oppressions, and various other tasks that earlier generations had taken for granted or had not felt they needed to consider. All this moreover has to be done in a political environment that sees Marxism, communism, even garden variety reform socialism as failed experiments. To address all the foregoing issues is where my call for a new crop of revolutionary intellectuals comes from.
Since the mid- 20th century we have had no lack of practical revolutionary leaders of one sort or another - one thinks of Fidel Castro, Che Guevara and even Mao in his less rabid moments. We have witnessed any number of national liberation struggles, a few attempts at political revolution against Stalinism, a few military victories against imperialism, notably the Vietnamese struggle. But mainly this has been an epoch of defeats for the international working class. Moreover, we have not even come close to developing theoretical leaders of the statue of Lenin or Trotsky.
As a case in point, recently I made some commentary about the theory of student power in the 1960s and its eventual refutation by the May 1968 General Strike lead by the working class in France. One of the leading lights for the idea that students were the “new” working class or a “new” vanguard was one Ernest Mandel. Mandel held himself out to be an orthodox Marxist (and Trotskyist, to boot) but that did not stop him from, periodically, perhaps daily, changing the focus of his work away from the idea of the centrality of the working class in social struggle, an idea that goes back to the days of Marx himself.

And Mandel, a brilliant well-spoken erudite scholar probably was not the worst of the lot. The problem was that “he was the problem” with his impressionistic theories based on, frankly, opportunistic impulses. Another example, from that same period, was the idea of Professor Regis Debray (in the service of Fidel at the time ) that guerrilla foci out in the hills were the way forward ( a codification of the experience of the Cuban Revolution for which many subjective revolutionary paid dearly with their lives out in bloody nomadic jungles of the American continent). Or the anti-Marxist Maoist notion codifying the experiences of the third Chinese revolution that the countryside (the “third world with its then predominant peasantry now increasingly proletarianized) would defeat the cities (mainly the West but the Soviet Union as well in some circles) that flamed the imagination of many Western radicals in the late 1960s. I could go on with more examples but they only lead to one conclusion- we are, among other things, in a theoretical trough. The late Mandel’s students from the 1960s have long gone on to academia and the professions (and not an inconsiderable few in governmental harness-how the righteous have fallen). Debray’s guerilla foci have long ago buried their dead and gone back to the cities. The “cities” of the world now including to a great extent China had broken the third world countryside though intense globalization. This, my friends, is why today I have my Help Wanted sign out. Any takers?
 
 
 

*In The Prime Of The Chicago Blues Explosion- The Film "Cadillac Records"

Click On Title To Link To Chess Records site.

DVD Review

Cadillac Records, starring Adrian Brody as Leonard Chess, Jeffrey Wright as Muddy Waters, Mos Def as Chuck Berry and Beyonce Knowles as Etta James, Sony Music Film, 2008


It seems almost anti-climatic to be reviewing this particular film, Cadillac Records, about the rise of Chess Records and its driving force, owner Leonard Chess, in the maelstrom of the Chicago blues explosion of the 1940's and 1950's. Why? Over the past year or so, along with the usual left wing political books by the likes of Leon Trotsky and James P. Cannon that are the core items that I review in this space, I have been fervently doing a personal search for, and reflection on, the roots of American music. And nothing is more central to an exploration of the American songbook than the various expressions of the blues from its roots in the black quarters of plantation society down South, through to the immense process of black urbanization in the mid-20th century and with it the electrification of the blues and further on the use of that genre to form the basis for Rock `n' Roll that was central to much of the musical history of the last half of that century.

Muddy Waters, Little Walter, Jimmy Reed, Howin'Wolf, Chuck Berry and the divine Ms. Etta James are all names that should be familiar to knowledgeable blues fan and whose fame and fortune, rises and falls form the core of this film. They are also names prominent among those that have been reviewed in this space so this is a real treat. The Chess Record saga is narrated by the actor who plays the producer, "talent hunter", songwriter and musician Willie Dixon, a huge force in the expansion of Chess Records and Chicago blues in general. And this is as it should be. Willie Dixon wrote for both Muddy Waters (the classic "Hoochie Coochie Man", among others) and Howlin' Wolf (the most famous being "The Red Rooster", a song later covered by The Rolling Stones, enthusiastic blues aficionados, and one of my first exposures to the raw electric blues sound. Thanks, Willie). He was also at Chess when the music shifted away from the Chicago blues to the `jump' of rock `n' roll driven by the likes of Chuck Berry who could "crossover" to all those white teenagers like me trying to break out of the music of our parents' generation. He was also there when Ms. Etta James came on the scene with her R&B style that also was an attempt to do that same crossover with a black woman singer.

According to the notes to this film it is based on a true story, that of Leonard Chess and the blues stars mentioned above. How much truth there actually is included in the script is beyond the scope of this review. I would note that one of the segments of Martin Scorsese's PBS multi-part Blues homage in 2003 dealt with the role of Chess Records as part of the total blues picture and featured Leonard Chess's son, Marshall, a record producer in his own right. Some of his comments do not exactly jibe with the presentation of the facts in this film. That is a subject for further research and discovery.

Some important themes, nevertheless, are explored in the film, even if obliquely. The relationship between a young hustling Jew (and his brother, not noted in the film) from Poland trying to make a buck in America and young blacks trying to get out from under the rural "Jim Crow" South in mid-20th century America. The question of interracial sex, both male and female when that was very, very taboo. Martial infidelity, a constant problem in the music industry (and elsewhere). Exploitation of blacks, both financially and musically, by the white-dominated music power structure, including Leonard Chess. The touchy question of black identity and self-respect, addressed very nicely in the tensions between Muddy, as a representative "Uncle Tom", and Howlin' Wolf (or Chuck Berry), as the "New Black Man", coming out of new black consciousness of the civil rights struggle blazing away during that period. Addressing those issues should keep us busy for a while.

Let's finish up with a few kudos, though. A musical tribute to a record company and a famous record producer could have been a piece of fluff. While, as noted above, the film raised a number of questions about what really went on back then the heart of the movie is driven by the blues and the need to express oneself in that genre, whether as a job or a way of life. The performers carried the day. The camaraderie and falling out between Muddy and Little Walter is worked nicely. The struggle's of Etta James (Beyonce is rather fetching here, by the way, as Etta) to break through as an artist works. And so on.

The Cadillac automobile formed a symbol for Americans, black and white, back in these days. The artists presented here deserved their Cadillacs. More enduring though, as noted at the end of the film, all the main players here have been inducted into the Rock And Roll Hall of Fame. I challenge anyone to argue against those inclusions. Watch this film and then get on the Internet and download the music. Yes, that's the ticket.


"The Red Rooster" by Willie Dixon

I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way

Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl

If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone

Wang Dang Doodle
Howlin' Wolf, Koko Taylor


Tell Automatic Slim , tell Razor Totin' Jim
Tell Butcher Knife Totin' Annie, tell Fast Talking Fanny
A we gonna pitch a ball, a down to that union hall
We gonna romp and tromp till midnight
We gonna fuss and fight till daylight
We gonna pitch a wang dang doodle all night long
All night long, All night long, All night long

Tell Kudu-Crawlin' Red, tell Abyssinian Ned
Tell ol' Pistol Pete, everybody gonna meet
Tonight we need no rest, we really gonna throw a mess
We gonna to break out all of the windows,
we gonna kick down all the doors
We gonna pitch a wang dang doodle all night long
All night long, All night long, All night long

Tell Fats and Washboard Sam, that everybody gonna to jam
Tell Shaky and Boxcar Joe, we got sawdust on the floor
Tell Peg and Caroline Dye, we gonna have a time
When the fish scent fill the air, there'll be snuff juice everywhere
We gonna pitch a wang dang doodle all night long
All night long, All night long etc.

by Willie Dixon


SPOONFUL


Could fill spoons full of diamonds,
Could fill spoons full of gold.
Just a little spoon of your precious love
Will satisfy my soul.

Men lies about it.
Some of them cries about it.
Some of them dies about it.
Everything's a-fightin' about the spoonful.
That spoon, that spoon, that spoonful.
That spoon, that spoon, that spoonful.
That spoon, that spoon, that spoonful.
That spoon, that spoon, that spoonful.

Could fill spoons full of coffee,
Could fill spoons full of tea.
Just a little spoon of your precious love;
Is that enough for me?

Chorus

Could fill spoons full of water,
Save them from the desert sands.
But a little spoon of your forty-five
Saved you from another man.

by Willie Dixon

When The Screw Turns-With Fritz Lang’s Human Desire In Mind


When The Screw Turns-With Fritz Lang’s Human Desire In Mind

 





By Zack James 

 

I have been up against some screwy feelings in my time, thoughts of revenge for some slight, great or small, thoughts about ending it all, weary of life, wanted to strangle some dame for two-timing me, or worse three-timing meaning she was two-timing two guys me included but I never did anything about it. Although maybe on the last one I should have. I always calmed down a little and figured a way out of the dilemma, figured that tomorrow was another day and I could regroup a little, get a new start.

Not everybody is like that, not by a long shot, not everybody can rein in their emotions and do the right thing, or at least not the wrong thing. Take this film I watched the other night, Human Desire, a film I am watching as part of a series of films by the great director Fritz Lang, the guy who started everybody getting serious about film, about using film as more than entertainment, as social commentary, as commentary on the human condition, as what we would call today social networking,   with that Metropolis of his. The people in that former film, a film based on a book by Emil Zola, the guy who stuck his neck out to defend Alfred Dreyfus back when it counted, are all over the place. Let things mostly get out of hand. Let human desire get a sad ass workout in a bad way, the baddest way possible, murder, murder, one when you think about it.

The funny part is that the film, maybe like life starts out just fine. A guy name Jeff, played by Glenn Ford, just back from the Korean War is getting back in harness as a railroad engineer and ready to settle down too (who knows for how long on that sweet engineer’s job given the decline in railroad traffic and usage in the “golden age of the automobile” in the 1950s). Maybe with some lady, maybe play the field for a while and then settle down who knows. Then all hell broke loose. See this roughneck, drunken railroad sot named Carl (played by Broderick Crawford a perfect roughneck and drunken sot last seen in this space playing Willie Stark to Oscar-dom in the film adaptation of Robert Penn Warren’s All The King’s Men) has this dishy tramp of a wife, Vicki, played in B-film grandeur by Gloria Grahame, a girl who goes with the highest bidder, a girl looking out for herself and her own desires, whom he suspects is running around on him. He was an older guy and she was, well, a dish and so his fears were well-founded especially when he asked her to ask to pretty please a railroad executive she used to work for to get his job back after a tiff with his yard boss who fired him. Up to her old tricks she jumped right back into bed with that railroad exec which makes you wonder, and you would not have to stretch your imagination to far what kind of work she did for him back before she married meal ticket  Carl.  

One thing everybody knew was that Carl saw red every time a guy even looked at Vicki so you know that nothing good was going to happen when Vicki came back late and all in a tumble, lipstick smeared, after “pretty pleasing” that railroad executive. Carl beat her up just for smiling the wrong way (poor Gloria, playing plenty of tramp parts, and playing them well, got beat up plenty of times, or worse one time in a film got hot coffee thrown in her face by a wise-guy played by Lee Marvin). Then for kicks he Carl killed that railroad executive while all three were travelling to Chi town. Yeah, Carl killed him dead, made Vicki watch the damn thing and sign a letter, a letter that would force her to stay with him. So you saw the downside of the human condition right before your eyes.          

Enter Jeff who had been free-loading a ride on the train while all this murder and mayhem was going on. Enter Vicki being used to distract Jeff while Carl made his getaway. When the body was found and there is an inquest Jeff clamed up to protect Vicki. That started an affair between the two. An affair and a deranged notion by Vicki that all her cares would be over if she had that letter, had Carl six feet down in the ground too. So she recruits Jeff to do the deeded. Another ignoble example in the question of human desire.  But Jeff was tired of killing, tired of being some fall guy for some off-the-wall dame’s revenge fantasies. He balked. Problem: Carl suspects that Jeff and Vicki were having an affair even though Jeff had called the whole thing off when he passed on the murder one rap he would have been facing just to make Vicki shudder with delight. He did grab the letter from Carl and gave it to her as a parting present. Carl was not as forgiving as he strangled the hapless tramp wife Vicki on the train once he knew she had the letter and he had nothing to hold over her. Jeff went on his merry way captaining the train while dastardly murder was happening in the rear. Strange nutty thing human desire when it gets twisted into a guy’s head-or a gal’s.