Friday, June 10, 2016

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Free Marilyn Buck

Click on the headline to link to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month
Markin comment


In “surfing” the “National Jericho Movement” Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a “The Rag Blog” post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a long time supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matter here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

*****
From a comment on "The Rag Blog" entry on Marilyn Buck.

Markin comment:


Every young leftist militant, hell, every old leftist militant and even those who have lost their way since the 1960s and forgot what we were fighting for then, and now, should read this story. It tells two tales- if you go up against the American imperial state you better be ready to win, or else. And it also tells that there really was some very, very good human material, like Marilyn Buck, in the 1960s with which we could have built that better world we were fighting for if we could have understood the first tale better. I wish, and I wish like crazy, that we had a few more, actually quite a few more, militants like Marilyn Buck these days. Let's get moving. All honor to Marilyn Buck and the other fighters, like Mumia, still behind bars for "seeking that newer world."

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Veronza Bowers


*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Veronza Bowers

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)


In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

ARMY
  • Thursday, June 09, 2016

    *In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Gary Watson


    *In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Gary Watson

     

    http://www.thejerichomovement.com/prisoners.html

     

    A link above to more information about the class-war prisoner honored in this entry.

    Make June Class-War Prisoners Freedom Month

    Markin comment (reposted from 2010)


    In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

    That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

    Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

    In Honor Of The 145th Anniversary Of The Paris Commune-All Honor To The Communards

    In Honor Of The 145th Anniversary Of The Paris Commune-All Honor To The Communards

     








    Some events can be honorably commemorated every five, ten, twenty-five years or so like the French Revolution. Other events need to be honorably commemorated yearly, and here I include the uprising which went on to form the Paris Commune, established on March 18, 1871, the first time the working class as such took power if only for a short time and only in one city, although that the city was Paris was not accidental since the city of lights had an honorable history of such plebian uprisings from 1789, 1830, and 1848 and other lesser such insurrectionary happenings (there was an expression at the time in radical and revolutionary circles that as long as Blanqui was alive and people remembered the Babeuf uprisings that when the deal when down you could always depend on Paris to rise). We can, those of us in what now is a remnant who still believe in the old time verities and who still fight for such things as working-class led revolution, socialism leading to a world communist federation or some such seemingly utopian vision and a fairer shake in the appropriation of the world’s good, still draw lessons from that experience.

    Sadly the bulk of the world’s working classes most definitely in the wake of the rather quick demise of the Soviet Union and East Europe in the late 1980s and early 1990s which for better or worse had represented some socialist vision however distorted (or to use Trotsky’s terminology deformed workers states) have either dismissed socialist solutions out of hand these days when the situation in places like Greece, Spain and lots of East Europe countries cry out for such solutions or the links to such previous socialist ideas has become so attenuated that the ideas are not even in play. To take Greece as a current example anybody with the least bit of sense knows that you cannot keep squeezing the living standards of the vast majority of people in that country yet the number of those who seek a communist way out, at least as exemplified by the recent parliamentary results, a quick measure of the strength of the harder left is disheartening.

    So yes, in the absence of more current positive examples, we can use the Commune to draw lessons that might help us in the one-sided fight against the human logjam that the international capitalist system, complete with its imperial coterie at the top, led by the United States, the has bequeathed us almost a century and one half later and that is ripe, no overripe to be replaced by a more human scale way of producing the good of this wicked world. Hence the commemoration in this the 144th anniversary year.

    Some “talking head” commentator in the lead-up to the 2015 celebration of the French Revolution on July 14th, a commentator specifically brought in for the occasion, I heard recently on a television talk show reflecting the same sentiment I have heard elsewhere from other academic and ideological sources, had declared the French Revolution dead. By that he meant that the lessons to be learned from that experience has been exhausted, that in the post-modern world that event over two hundred years ago had become passé, passé in the whirlwind of the American century now in full bloom (an American century that we thought had run its course in the wake of the Vietnam defeat but drew new life, if only by default, with the demise of the Soviet Union and its sphere of influence). While not arguing here with the validity of that statement on the French revolution, a classic bourgeois revolution when the bourgeoisie was a progressive movement in human history and actually drew some connections between the Enlightenment philosophies that gave it inspiration and the tasks of the risen people, there are still lessons to be drawn from the Commune. If for no other reason than we still await that international working class society that such luminaries as the communist Karl Marx expanded upon in the 19th century.          

    Obviously like the subsequent Russian revolutions of 1905 and 1917, the Chinese revolutions of the 1920s and 1940s, the Vietnamese which took up a great deal of the middle third of the twentieth century, and others the Paris Commune was formed in the crucible of war, or threat of war. Karl Marx, among others, the great Russian revolutionary Leon Trotsky for one, had noted that war is the mother of revolution and the defeat of the French armies and the virtual occupation by the victorious German armies around Paris certainly conformed to that idea that the then current government was in disarray and the social fabric after a near starvation situation required more. Every revolutionary commentary has noted that those factors formed a classic pre-revolutionary phenomena. Moreover the Commune had been thrust upon the working masses of Paris by the usual treachery of the bourgeois government thrown up after Louis Bonaparte lost control. That had not been the most promising start to any new society. But you work with what you have to work with and defend as Marx, the First International, and precious few others did the best you can despite the odds, and the disarray. So no hard and fast blueprint on revolutionary upheavals except by negative example, by what was not done, could come ready-made from that experience.  

    To my mind, and this is influenced by the subsequent Russian revolutions of 1905 and February and October 1917, no question the decisive problem of the Commune was what later became to be known as the crisis of revolutionary leadership. Of course they should have expropriated the banks and centered their efforts around strengthening the authority of the Central Committee of the National Guard and not let lots of windbags and weirdos have their say based on barely deserved reputations but the result of those failures were that no serious party or parties were available to take charge and create a strong government to defend against the Thiers counter-attack from Versailles. (Also no appeals to other communes to come to the defense of Paris and no work among the Versailles soldiers.) It is problematic whether given the small weight of the industrial proletariat (masses factory workers like at Putilov in Petrograd rather than the small shop artisans and workman which dominated the Paris landscape), the lack of weaponry to fend off both the Germans and the Versailles armies, and food supply whether even if such a revolutionary leadership had existed that the Commune could have continued to exist in such isolated circumstances but the contours for the future of working class revolution would have been much different. The central and critical role of a revolutionary leadership which got fudged around in places like Germany where the working class party for all intents and purposes was barely a parliamentary party in the struggle against capitalism would have been clarified and at least a few revolutions, including those in Germany between 1918 and 1924 might have turned out differently and the world as well. The “what ifs” of history aside which are always problematic that is the bitter lesson we still before us today.   


    In Cambridge- Thursday 6/16: "The Atomic Cafe" - Free UPandOUT film screening

    Thursday 6/16: "The Atomic Cafe" - Free UPandOUT film screening 😄

    ;-)

    The Atomic Cafe [see clip]
    Showing Thursday, June 16, in Cambridge [please download & distribute flyer]
    One of the defining documentaries of the 20th century, The Atomic Cafe offers a darkly humorous glimpse into mid-century America, an era rife with paranoia, anxiety, and misapprehension. Whimsical and yet razor-sharp, this timeless classic illuminates the often comic paradoxes of American life in the Atomic Age, while also exhibiting a genuine nostalgia for an earlier and more innocent nation. Narrated through an astonishing array of vintage clips and music (from military training films to campy advertisements, presidential speeches to pop songs) the film revolves around the threat (and thrill) of the newly minted atomic bomb.

    Maine Activists to Commit Civil Disobedience at BIW Destroyer ‘Christening’ June 18 in Bath

    Maine Activists to Commit Civil Disobedience at BIW Destroyer ‘Christening’ June 18 in Bath


    Maine Activists to Commit Civil Disobedience
    at BIW Destroyer ‘Christening’
    June 18 in Bath
     
     
     
    For Immediate Release
     
    Contact:  Bruce Gagnon 443-9502  globalnet@mindspring.com
     
     
    Maine peace activists have announced their intention to commit acts of non-violent Civil Disobedience at the planned June 18 ‘Christening’ of the $4 billion Zumwalt ‘stealth’ destroyer at Bath Iron Works (BIW).
     
    The activists maintain that the Zumwalt is a provocative escalation of the already out-of-control arms race aimed at China and Russia.
     
    “It is time for us to stand up and call for the reversal of this endless and illegal war cycle that our country is engaged in,” the peace activists maintained in a statement released to the media.
     
    “It is the children that these weapons are ultimately aimed at as we see the growing refugee crisis from countries where the US has been waging war. 
     
    “We stand in solidarity with people around the world who are protesting at bases where the US will port these warships.  Not only would these destroyers kill innocent people but their sonar also severely impacts ocean life and the toxic materials released by these ships pollute the seas and the local environments where they are ported.
     
    “Christ would not approve of his name being used to ‘bless’ such violence and the massive waste of the public treasury, especially when so many are hungry, homeless and without jobs and medical care.” 
    A University of Massassachusetts-Amherst Economics Department study reveals that military spending is actually the worst way to create jobs.  At the very time we face the coming ravages of climate change our tax dollars should be spent on building commuter rail systems, offshore wind turbines, tidal power systems, and solar power – all of which would create more jobs at BIW.
     
    “We intend to stand at BIW on June 18 for those who can no longer stand or speak out, like Fr. Daniel Berrigan who left this world in May. Our elected officials don’t seem to hear the many calls for the conversion of the war machine to peaceful and sustainable purposes.  We feel we must risk arrest to wake up all those whose hearts are closed to the real message of Jesus Christ, the Prince of Peace.” 
    A legal demonstration will also be held on June 18 at BIW from 9:00 am to noon along Washington Street in Bath.  Speakers and music will be featured.
     
    - End -

    A View From The Left-Construyendo El Movimento Por Los Plenos Derechos De Los Immigrantes

    A View From The Left-Construyendo El Movimento Por Los Plenos Derechos De Los Immigrantes





    Frank Jackman comment:

    Usually when I post something from some other source, mostly articles and other materials that may be of interest to the radical public that I am trying to address I place the words “ A View From The Left” in the headline and let the subject of the article speak for itself, or let the writer speak for him or herself without further comment whether I agree with the gist of what is said or not. After all I can write my own piece if some pressing issue is at hand. Occasionally, and the sentiments expressed in this article is one such time, I can stand in solidarity with the remarks made. I do so here.     

























































    Frank Jackman comment:

    Usually when I post something from some other source, mostly articles and other materials that may be of interest to the radical public that I am trying to address I place the words “ A View From The Left” in the headline and let the subject of the article speak for itself, or let the writer speak for him or herself without further comment whether I agree with the gist of what is said or not. After all I can write my own piece if some pressing issue is at hand. Occasionally, and the sentiments expressed in this article is one such time, I can stand in solidarity with the remarks made. I do so here.     






    Out Of The Be-Bop Film Noir Night- The Crime Noir “Kansas City Confidential”


    Out Of The Be-Bop Film Noir Night- The Crime Noir “Kansas City Confidential”

     

     

    DVD Review

     

    I have said this many times. Sure I am an aficionado of film noir, especially those 1940s detective epics like the film adaptations of Dashiell Hammett’s Sam Spade in The Maltese Falcon and Raymond Chandler’s Phillip Marlowe in The Big Sleep. Nothing like that gritty black and white film, ominous musical background, and shadowy moments to stir the imagination. Others in the genre like Gilda, The Lady From Shang-hai, and Out Of The Past rate a nod because in addition to those attributes mentioned above they have classic femme fatales to add a little off-hand spice to the plot line, and, oh yah, those gals look nice too. Beyond those classics this period (say, roughly from the mid-1940s to mid-1950s produced many black and white film noir set pieces, some good, some not so good. For plot line, and plot interest, the film under review, Kansas City Confidential, is in the former category.

     

    And why shouldn’t it be. One fall guy Joe (fall guys seem always to be named Joe, regular Joes I guess to make the cut in regular guy America aborning in the late 1940s), played here in a understated way by John Payne, a little the worst for wear in post-World War II America, having had a few legal problems of his own, gets caught up in the dragnet after a major heist (over a million dollars, a lot of money then but just pocket change, walking around money today) of a bank, in of all places Kansas City (Missouri, of course, not the staid, square Kansas one). Now all of this fall guy action, aside from the criminal intent and cash reward, has been set-up by a disgruntled, vengeful ex-cop (played by Preston Foster) who masterminds the whole thing. Of course such a major heist then (as now) requires several, um, “associates,” to pull the damn thing off in this case masked associates (for their own and Foster's self-protection against the dreaded “stoolie’ syndrome. That old chestnut about honor among thieves being honored, if honored at all, more in the breach than the observance. Just ask about ten thousand guys serving time, hard time if you get a chance).  Said associates are not anyone you or I would want to hang around with, even if you were strictly a hang around corner boy because you would have to watch your wallet, to speak nothing of your back from minute one.  These guys are strictly losers, especially one grafter extraordinaire, Pete Harris, played to manic perfection by Jack Elam. (The others are perennial bad guys Lee Van Cleef and Neville Brand).

     

    Now Joe, as one might expect, takes umbrage, yes, umbrage at having taken a beating from the cops, and also for being set up as the fall guy. So, naturally, as any crime noir hero worth his salt would do, he in good private citizen outraged fashion is going to get to the bottom of this thing come hell or high water. And the rest of the plot line centers of following the clues, and following the sun to sunny Mexico (low film budget faux Mexico in some Hollywood back lot, to be sure) to undo the bad guys, and maybe catch a reward. Or at least a stray gringa or senorita. Naturally he does, the gringa part anyway, although she turns out to be mastermind ex-cop’s daughter (a law student daughter, played by Collen Grey, not exactly a femme fatale hiding out in sunny Mexico until some guy who knows how to do some heavy lifting comes along and falls for her like Jane Greer did to Robert Mitchum in the classic Out Of The Past). Other than the inevitable tacky ending ( I won’t spoil your fun by telling what it is) this one moves along nicely, is filled with some nice twists, and is, as usual with black and white noir films great on those shadowy takes which reveal evil in the making. Especially those loser, grifter, chain-smoking Jack Elam takes. Some noirs you watch for the magic camera work, some for the femme fatales that drive the story line, some for the tough guys and their gaff. This one you get for the plot line.

     

    Out In The Be-Bop 1960s Night-Juke Box Cash-In


    Out In The Be-Bop 1960s Night-Juke Box Cash-In

     

     

     

     A YouTube film clip of Jerry Lee Lewis performing Breathless to give a little flavor of the early 1960s American teen angst night.

     

    Markin comment:

     

    Frankie, Frankie, king of the old North Adamsville neighborhood, Frankie, king hell king, Frankie, king arbiter of the teen social mores, was the alpha and omega. Or that is what his relentlessly self- promoted image would have you believe. Most of it was strictly “flak” and now that we have some serious distance of time and space to shield us from retribution it can be safely told that a lot of this “mystique”, this Frankie, king of the hill, mystique, was made up by me to enhance his authority. Nothing wrong with that kings, and lesser kings and, hell, just average jacks and jills have been using this gag for centuries. What is not a gag, what is not “flak” is what I have to tell you here.

     

    Frankie and I, of course, if you have been paying attention went back to old North Adamsville middle school days and although we had some tight moments old king Frankie, giving the devil his due, guided me fairly well through the intricacies of, well, ah, girls, girlish ways, and girlish charms. No question that I would have been left to dry out, alone, in that great teenage angst night if not for my brother, Frankie. And I’ll just give you one example, and you can judge for yourself. Okay.

     

    I was just the other day telling someone about how in the great 1960s teen night a lot of our time, our waiting around for something, anything to happen time, was spent around places like pizza parlors, drugstore soda fountains, and corner mom and pop variety stores throwing coins into the old jukebox to play the latest “hot” song for the umpteenth time (and then discard them, most of them anyway, after a few days). This is the scene that Frankie ruled over wherever he set up his throne. I was also telling that person about a little “trick” that I used to use when I was, as I usually was, chronically low on funds to feed the machine.

     

    See, part of that waiting around for something, anything to happen, a big part, was hoping, sometimes hoping against hope, that some interesting looking frail (girl in the old neighborhood terminology, boy old neighborhood terminology that is, first used by Frankie, and then picked up by everyone else) would come walking through that door. And, especially on those no dough days, would put some coins in that old jukebox machine. I swear, I swear on anything, that girls, girls, if you can believe this, always seemed to have dough, at least coin dough, in those days to play their favorite songs.

     

    So here is the trick part, and see it involves a little understanding of human psychology too, girl human psychology at that. Okay, say, for a quarter you got five selections on the juke box. Well, the girl, almost any girl that you could name, would have a first pick set, some boy romance thing, and the second one too, maybe a special old flame tryst that still hadn’t burned out. But, see after that, and this is true I swear, they would get fidgety about the selections. And, boy, that is where you made your move. You’d chime up with some song that was on your “hot” list like Save the Last Dance for Me, or some other moody thing and, presto, she hit the buttons for you.

     

    That choice by you rather than, let’s say Breathless by Jerry Lee Lewis which maybe was your real “hot” choice told her you were a sensitive guy and worthy of a few minutes of her time. So you got your song, you got to talk to some interesting frail (you remember who that is, right?), and maybe, maybe in that great blue-pink great American teen night you got a telephone number even if she had a boyfriend, a forever boyfriend. Nice, right?



    But here is the part, the solemn serious part that makes this a Frankie story although He is not present in this scene, at least not physically present. Who do you think got me “hip” to this trick? Yes, none other than Francis Xavier Riley, Frankie, king of the teen night, king of the North Adamsville teen night. And, this is why he was king. He was so smooth, after a while, at directing the selections that girls would not even get a chance to pick those first two current flame and old flame selections but he would practically be dropping their quarters in the machine for them. Hail Frankie.

     

    ******Will The Circle Be Unbroken-The Music Of The Carter Family (First Generation)


    ******Will The Circle Be Unbroken-The Music Of The Carter Family (First Generation)

     
     
     
    From The Pen Of Bart Webber

    You know it took a long time for Sam Eaton to figure out why he was drawn, seemingly out of nowhere, to the mountain music most famously brought to public, Northern public, attention by the likes of the Carter Family, Jimmy Rodgers, Etta Baker, The Seegers and the Lomaxes back a couple of generations ago. The Carter Family famously arrived via a record contract in Bristol, Tennessee in the days when radio and record companies were looking for music, authentic American music to fill the air and their catalogs. (Jimmy Rodgers, the great Texas yodeler was discovered at that same time and place. In fact what the record companies were doing to their profit was to send out agents to grab whatever they could. That is how guys like Son House and Skip James got their record debuts, “race record” debut but that is a story for another time although it will be told so don’t worry). The Seegers and Lomaxes went out into the sweated dusty fields, out to the Saturday night red barn dance the winds coming down the Appalachian hollows, I refuse to say hollas okay, out to the Sunday morning praise Jehovah gathered church brethren (and many sinners Saturday wine, women and song singers as well as your ordinary blasphemous bad thought sinners, out to the juke joint(ditto on the sinning but in high fiddle on Uncle Jack’s freshly “bonded” sour mash come Saturday absolution for sins is the last thing on the brethren’s minds), down to the mountain general store to grab whatever was available some of it pretty remarkable filled with fiddles, banjos and mandolins.

    As a kid, as a very conscious Northern city boy, Sam could not abide that kind of music (and I know because if I tried to even mention something Johnny Cash who was really then a rock and roll stud he would turn seven shades of his patented fury) but later on he figured that was because he was so embroiled in the uprising jail-break music of his, our generation, rock and roll, that anything else faded, faded badly by comparison. (And I was with him the first night we heard Bill Haley and the Comets blasting Rock Around The Clock in the front end  of a double feature of Blackboard Jungle at the Strand Theater when it was playing re-runs so you know I lived and died for the new sounds)   

    Later in high school, Lasalle High, when Brian Pirot would drive us down to Cambridge and after high school in college when Sam used to hang around Harvard Square to be around the burgeoning folk scene that was emerging for what he later would call the "folk minute of the early 1960s" he would let something like Gold Watch And Chain register a bit, registering a bit then meaning that he would find himself occasionally idly humming such a tune. (The version done by Alice Stuart at the time gleaned when he had heard her perform at the Club Nana in the Square one time when he had enough dough for two coffees, a shared pastry and money for the “basket” for a date, a cheap date.) The only Carter Family song that Sam consciously could claim he knew of theirs was Under the Weeping Willow although he may have unconsciously known others from seventh grade music class when Mr. Dasher would bury us with all kind of songs and genre from the American songbook so we would not get tied down to that heathen “rock and roll” that drove him crazy when we asked him to play some for us. (“Don’t be a masher, Mister Dasher,” the implications of which today would get him in plenty of hot water if anybody in authority heard such talk in an excess of caution but which simple had been used as one more rhyming scheme when that fad hit the junior high schools in the 1960s and whose origins probably came from the song Monster Mash not the old-fashioned sense of a lady-killer) But again more urban, more protest-oriented folk music was what caught Sam’s attention when the folk minute was at high tide in the early 1960s.           

    Then one day not all that many years ago as part of a final reconciliation with his family which Sam had been estranged from periodically since teenage-hood, going back to his own roots, making peace with his old growing up neighborhood, he started asking many questions about how things turned so sour back when he was young. More importantly asking questions that had stirred in his mind for a long time and formed part of the reason that he went for reconciliation. To find out what his roots were while somebody was around to explain the days before he could rightly remember the early days. And in that process he finally, finally figured out why the Carter Family and others began to “speak” to him.         


    The thing was simplicity itself. If he had thought about and not let the years of animosity, of estrangement, hell of denial that he even came from the town that he came from things had been that bad toward the end although all those animosities, estrangements, denials should not have been laid at the door of that simple, hard-working father who never got a break, a break that he saw. Didn’t see that the break for his father was his wife, didn’t see that whatever hardship that man faced it was better than where he had from, all that wisdom came too late and a belated public eulogy in front a whole crowd in town, that stingy back-biting Olde Saco of a town, some who knew the Sheik (he was so alienated some stranger, stranger to him, had to tell him that had been what his father’s moniker had been when he was in the Marines and later when a few ladies in town thinking with his dark good looks he was French-Canadian, one of them, had furtively set their sights on him) and some who didn’t but it was the kind of town that set store by memory glances of those who had lived and toiled in the hard-bitten bogs for so long. Hell, in the end, also too late but only by a whisper he realized that all those animosities, estrangements and denials should not have been laid at the door of his mother either but no private sorrows eulogy at a class reunion could put that wall back together.

    Here is how the whole thing played out. See his father hailed (nice word, a weather word, not a good weather word and maybe that was a portent, another nice word for the troubles ahead) from Kentucky, Hazard, Kentucky long noted in song and legend as hard coal country. A place where the L&N stopped no more, where “which side are you on” was more than a question but hard fighting words, maybe a little gunplay too, a place where the hills and hollows had that “black gold,” that seamy dust settling over every tar-papered roof and windowless cabin with a brood, another nice word for the occasion for widower Father John and come Saturday night, rain dust, gun play, railroad-less tracks down at Fred Dyer’s old dilapidated red barn Joe Valance and the boys would play fiddle, guitar, mando, and Sweet Emma on mountain harp all the swingy and sad tunes that drove their forbears to this desolate land (so you can image what their prospects were in the old country to drive them out. Nelson Algren wrote profusely about such driven-out people and what it did to them over several generations so to wander aimlessly others to sit still aimlessly)

    When World War II came along, not as infamy, not as catastrophe, but like rain he left to join the Marines to get the hell out of there. During his tour of duty he was stationed for a short while at the Portsmouth Naval Base and during that stay attended a USO dance held in Portland where he met Sam’s mother who had grown up in deep French-Canadian Olde Saco. Needless to say he stayed in the North, for better or worse, working the mills in Olde Saco until they closed or headed south, headed south back close to his homeland in North Carolina and South Carolina too, to  for cheaper labor and then worked at whatever jobs he could find. All during Sam’s childhood though along with that popular music that got many mothers and fathers through the war mountain music, although he would not have called it that then filtered in the background on the family living room record player.

    But here is the real “discovery,” a discovery that could only be disclosed by Sam’s parents, if he had asked and if they had been willing to tell them like they did his older brother Prescott who got along with them better when he was young and they were first born proud of him and his looks. Early on in their marriage they had tried to go back to Hazard to see if they could make a go of it there, so you know things were dicey or getting dicey in Olde Saco if they were going to half-dying eastern coal country mainly played out or being replaced by oils and gases. This was after Prescott was born and while his mother was carrying him. Apparently they stayed for several months in Hazard before they left to go back to Olde Saco a short time before Sam was born since he had been born in Portland General Hospital, which is what it said on his birth certificate when he had to go get a copy for his first passport application. So see that damn mountain, that damn mountain music, those many generations of back-breaking work in the old country before the work ran out or they were run as vagabonds and thieves and that wandering and sitting still in the murky hills and hollows coal enough to choke you but also remember all those generations of Fred Dyer’s red barn Saturday fiddle, guitar, mando and some vagrant Sweet Emma on mountain harp playing the swingy and sad tunes that go back beyond Child ballad time, was in his DNA, was just harkening to him when he got the bug. Funny, isn’t it.            
     

    Out In The Be-Bop Late 1950s Night- Boy Meets "Our Lady Of The Saint Patrick’s Day Night" Girl- For Joanne-Class of 1964


    Out In The Be-Bop Late 1950s Night- Boy Meets "Our Lady Of The Saint Patrick’s Day Night" Girl- For Joanne-Class of 1964

     


     

    Click on link above for a Wikipedia entry for Saint Patrick's Day for those three people in the North Adamsville universe who may not know what it is all about.

     

    [A while back we, a bunch of us who knew Markin who wrote the sketch below back in sunnier days, in hang around corner boy high school days and afterward too when we young bravos imbibed in the West Coast dragon chase he led us on in the high hellish mid-1960s summers of love, got together and put out a little tribute compilation of his written sketches that we were able to cobble from whatever we collectively still had around. Those writings were from a time when Markin was just gaining steam as a writer for many of the alternative magazines, journals and newspapers that were beginning to be the alternative network of media resources that we were reading once we knew the main media outlets were feeding us bullshit on a bun, excuse my English, no, don’t that will serve today as then as good if earthy a description of the prostitute Fourth Estate as any, were working hand in glove with big government, big corporations, big whatever that was putting their thumbs in our eyes. Seeking revenge pure and simple for the little niches we were trying to create in that small, very small as it turned out, space we were claiming as a freedom zone (the politics of that process are much too complex to be reduced to a couple of words bust this introduction is about Markin not about my take on what went wrong, or right in those lustrous days.  

    On big series, a series that Markin was nominated, or won, I don’t remember which, Sam Lowell the lawyer from our crowd would know better which one was the case, an award for, which I will tell you about some other time was from a period toward the end of his life, a period when he was lucid enough to capture such stories. He had found himself a couple of years after his own Vietnam military had ended out in Southern California with a bunch of homeless fellow Vietnam veterans, no homeless was not the right word, guys from ‘Nam, his, their word not mine since I did not serve in the military having been mercifully declared 4-F, unfit for military duty by our local draft board, who having come back to the “real” world just couldn’t, or wouldn’t adjust and started “creating” their own world, their own brethren circle, such as it was out along the railroad tracks, rivers and bridges. Bruce Springsteen would capture the pathos and pain of the situation in his classic tribute song-Brothers Under The Bridge.  Markin’s series was called To The Jungle reflecting both the hard ass jungle of Vietnam from which they had come from to the old-timey hobo railroad track jungle they had found themselves coming to.    

    Yeah, those were the great million word and ten thousand fact days, the mid to late 1960s, and after he had gotten back from Vietnam the early 1970s say up to 1974 or so when whatever Markin wrote seemed like pure gold, seemed like he had the pulse of what was disturbing our youth dreams, had been able to articulate in words we could understand the big jail-break out he was one of the first around our town to anticipate. Had gathered himself in to cut the bullshit on a bun world out.

    That was before Markin took the big fall down in Mexico, let his wanting habits, a term Markin put in local circulation that our acknowledged high school corner boy leader Frankie Riley used incessantly to describe the poor boy hunger we had for dough, girls, stimulants, life, whatever, get the best of him. Of course Markin and through him Frankie had “cribbed” the term from some old blues song.  Maybe Bessie Smith who had her habits on for some no good man cheating on her and spending all her hard-earned dough. Maybe Howlin’ Wolf wanting every gal he saw in sight, skinny or big-legged to “do the do.” Markin had turned us on to these steamy blues ideas although I admit in my own case that it took me many years, many years after Markin was long gone before I appreciated the blues that he kept trying to cram down our throats as the black-etched version of what hellish times were going through in the backwaters of North Adamsville while the rest of the world was getting ahead. Heading to leafy suburban golden dreams while we could barely rub two dimes together and hence made up the different with severe wanting habits-even me.  

    From what little we could gather about Markin’s fate from Josh Breslin, a guy from Maine, a corner boy himself, who I will talk about more in a minute and who saw Markin just before he hit the lower depths, before he let sweet girl cousin cocaine “run all around his brain, they say it is going to kill you but they won’t say when” let the stuff alter his judgment, he went off to Mexico to “cover” the beginnings of the cartel action there. Somewhere along the line the down there Markin decided that dealing high heaven dope was the way that he would gather in his pot of gold, would get the dough he never had as a kid, and get himself well. “Well” meaning nothing but his nose so full of “candy” all the time that the real world would no longer intruded on his life. Somehow in all that mixed up world he had tried his usual end-around, tried to do either an independent deal outside the cartel, a no-no, or stole some “product” to start his own operation, a very big no-no. Either scenario was possible when Markin got his wanting habits on. So he wound up dead, very mysteriously dead, in a dusty back street down Sonora way in 1975, 1976 and we don’t even have the comfort of knowing that actual date of his passing.

    Those were the bad end days, the days out in Oakland where they were both staying before Markin headed south when according to Josh he said “fuck you” to writing for squally newspapers and journals and headed for the sweet dream hills. But he left plenty of material behind that had been published or at the apartment that he shared with Josh in Oakland before the nose candy got in the way. That material wound up in several locations as Josh in his turn took up the pen, spent his career writing for lots of unread small journals and newspapers in search of high-impact stories and drifted around the country before he settled down in Cambridge working as a free-lance editor for several well-known if also small publishing houses around Boston. When the idea was proposed by Jack Callahan to pay a final written tribute to our fallen comrade we went looking for whatever was left wherever it might be found. You know from cleaning out the attics, garages, cellars looking for boxes where an old newspaper article or journal piece might still be found after being forgotten for the past forty or so years.

    The first piece we found, found by Jack Callahan, one of the guys who hung around with us corner boys although he had a larger circle since as a handsome guy he had all the social butterfly girls around him and as a star football player for North Adamsville High he had the girls and all the “jock” hangers-on bumming on his tail, was a story by Markin for the East Bay Other about the transformation of Phil Larkin from “foul-mouth” Phil to “far-out’ Phil as a result of the big top social turmoil events which grabbed many of us who came of political, social, and cultural age in the roaring 1960s. Markin like I said before had been the lead guy in sensing the changes coming, had us following in his wake not only in our heads but in his gold rush run in the great western trek to California where a lot of the trends got their start.

    That is where we met the subject of the second piece, or rather Phil did and we did subsequently too as we made our various ways west, Josh Breslin, Josh from up in Podunk Maine, actually Olde Saco fast by the sea, and he became in the end one of the corner boys, one of the North Adamsville corner boys. But before those subsequent meetings he had first become part of Phil’s “family,” and as that second story documented also in the East Bay Other described it how Josh, working his new life under the moniker Prince Love, “married” one of the Phil’s girlfriends, Butterfly Swirl. The third one in the series dealt with the reality of Phil’s giving up that girlfriend to Prince Love and the “marriage” and “honeymoon,” 1960s alternative-style that cemented that relationship between them.

    Yeah, those were wild times and if a lot of the social conventions accepted today without too much rancor like people living together as a couple without the benefit of marriage, same-sex marriage, and maybe even friends with benefits let me clue you in to where they all started, or if not started got a big time work-out to make things acceptable. But that was not all Markin wrote about, just the easy to figure a good story about 1960s. Markin also wrote about those wanting habits days, our growing up poor in the 1950s days which while we had no dough, not enough to be rich was rich in odd-ball stuff we seemingly were forced to do to keep ourselves just a little left of the law, very little sometimes. Naturally he wrote about the characters around the neighborhood like Stew-ball Stu, whom I still hope doesn’t read this sketch if he is still alive because he might still take umbrage and without Markin around he might come after me with a wrench or jackknife. Yeah wrote about guys like Stew-ball, who we young boys, maybe girls too but then it was boys’ world mostly looked up to. The actual Stew-ball Stu he used in his fourth sketch was from a story told to him by Josh Breslin long after he shed his 1960s moniker of Prince Love when Markin was looking for corner boy stories. But believe me while the names might have been different old North Adamsville had its own full complement of Stus.  

    I really believe in his heart Markin hated being a corner boy, hated being the guy who like some gypsy fortuneteller called which way the social winds were blowing, or going to blow. Hated being called the Scribe once king hell king Frankie Riley our leader christened him with that moniker one night when he started endlessly spouting some of the two thousand fact that he knew while under “the influence of alcohol” as we used to describe the condition. Worse, worst of all, was that he did that spouting while we have a few “hot” girls hanging around who could have given a fuck about his foolish knowledge (although as good Irish Catholic girls, or wanna-be good Irish Catholic girls they would not have used that term of art). They just wanted to be kissed, or maybe more but old Markin broke the mood, no question. Yeah I think in the end that Markin would have been happier with his bookworms and his and their jabberings. But here is the rub. They wouldn’t have had him as far as I could tell. He had been nabbed as a corner boy very early and the “intellectuals” would have had nothing to do with him even if he could have outtalked and outthought half of them and had time for lunch. That is the gist of the story Markin told Josh one frosty night on the road and which Josh remembered enough of to write about recently using Markin’s persona.            

        

    When Markin was on his game, when he was “walking with the king,” an old religious expression that did double-duty as a local drug term out in the West Coast ocean night, he could write about anything and it sounded like something like the “second coming.” And maybe that “second coming” was what drove his work, what pushed his buttons when he was walking with that king. I mentioned above that Markin well before any of the rest of us corner boys could “give a fuck,” a term we often used when he would bring up his idea that a new breeze was coming that would change what was driving us like big jobs, a nice house, a “boss” car, maybe a wife and kids down the road all upside down. A lot of what he was driving at in the beginning was something like a cultural revolution, you know first the emergence of rock and roll that loosened things up a little before it was crushed beneath our feet by irate parents and gutless record companies, then Markin’s discovery of the blues, folk music, wild wind poetry which we all yawned at. But as he got older say about fourteen or fifteen he started putting that cultural stuff together with what today would be called a political revolution. Started to see the break-down of the red scare Cold War night, yeah, that’s what the bastard called the thing, the escape from that dead air, dead ass night. That’s what he wanted to lay on a candid world, candid a word he said he got from Thomas Jefferson and the Declaration of Independence. Jesus. No wonder there was no room for him, no air for him to breathe once the 1960s took a nosedive           

        

    For those not in the know, for those who didn’t read the first Phil Larkin piece where I mentioned what corner boy society in old North Adamsville was all about Phil was one of a number of guys, some say wise guys but we will let that pass who hung around successively Harry’s Variety Store over on Sagamore Street in elementary school watching the older guys playing pinball and planning various midnight creeps which enflamed our telltale hearts,  Doc’s Drugstore complete with soda fountain and more importantly his bad ass jukebox complete with all the latest rock and roll hits as they came off the turntable on Newport Avenue in junior high school when we finally figured out that girls were, well, okay, and Salducci’s Pizza “up the Downs” in high school, don’t worry nobody in the town could figure that designation out either, as their respective corners as the older guys in the neighborhood in their turn moved up and eventually out of corner boy life. That latter corner is where all the business about wanting habits got played out, for good or evil.  

    More importantly Phil was one of the guys who latter followed in “pioneer” Markin’s wake when he, Markin, headed west in 1966 after he had finished up his sophomore year in college and made a fateful decision to drop out of school in Boston in order to “find himself.” Fateful in that without a student deferment that “find himself” would eventually lead him to induction into the U.S. Army at the height of the Vietnam War, an experience which he never really recovered from for a lot of reasons that had nothing to do directly with that war but which honed his “wanting habits” for a different life than he had projected when he naively dropped out of college to see “what was happening” out on the West Coast.

    Phil had met, or I should say that Josh Breslin had met Phil, out on Russian Hill in San Francisco when Josh, after hitchhiking all the way from Maine in the early summer of 1967, had come up to the yellow brick road converted school bus (Markin’s term for the travelling caravan that he and Phil were then part of and which the rest of us, including even stay-at-home me would be a part of later if only in my case for a few months) he and a bunch of others were travelling up and down the West Coast on and had asked for some dope. Phil was the guy he had asked, and who had passed him a big old joint, and their eternal friendship formed from there. (Most of us would meet Josh later that summer as we in our turns headed out. Sam Lowell, Frankie Riley, Jack Callahan, Jimmy Jenkins and me all headed out after Markin who had “gone native” pleaded with us to not miss this big moment that he had been predicting was going to sea-change happen for a few years.) Although Markin met a tragic end murdered down in Mexico several years later over a still not well understood broken drug deal with some small cartel down there as a result of an ill-thought out pursuit of those wanting habits mentioned earlier he can take full credit along with Phil Larkin for our lifetime friendship with Josh.-Bart Webber]

     

    From The Pen Of The Later Peter Paul Markin  

     

    I am fuming but I will get to that part in a minute. First, let me just point out the trouble I had figuring out what I should use as a headline for this sketch. See, this is a Frankie story, a Francis Xavier Riley story, maybe you already know the name, Frankie, king of the old North Adamsville working class neighborhood schoolboy night in the early 1960s. That part, the boy part is simple, the other part is less so because this is a story, or is going to be a story, once again straight from the horse’s mouth, the Frankie mouth.

     

    I have been letting Frankie spew forth whenever a subject comes up that is from “pre-markinian” times, the time before we became fast friends in the seventh grade North Adamsville Middle School (then junior high) days. And the subject here is how Frankie “courted” his ever lovin’ sweetie, Joanne, a sweetie whom he “went steady with” from middle school all the way through to the end of high school. And that courtship, its twists and turns, is linked to the observance, the non-heathen observance of Saint Patrick’s Day, March 17th (although any real Irish partisan, heathen or non-heathen knows, or should know, that the observance of Easter 1916 is the real Irish deal). So once again because he did okay, or at least good enough, on his previous two endeavors (the weirdly interesting king of the “skees” carnival story from his innocent dream pre-teen days and his saga, christ that is the only word to describe it, of his “conversion” from no name football wannabe to midnight sun-glassed king hell king of the late 1950s, early 1960s be-bop North Adamsville schoolboy night) he gets to speak his piece here.

     

    Now for the fuming part. In that just mentioned football conversion saga Frankie said, although it was not strictly part of the story (or part of the deal in my letting him use this space for his spewing), that he wanted one and all to have an example of how his be-bop “beat” style worked magic on the, frankly, bewildered North Adamsville Middle School girls (and whatever other stray frails he could corner with his pitch). And the story he wanted to tell, the primo, numero uno, ace example one story was how he captured (and kept) the elusive, ever lovin’ Joanne. So rather than just coming out in manly fashion, manly working-class fashion, and asking for space he tried an "end around." Just to goad me into another story he mentioned that somehow in that desperate late 1950s night I was smitten with Joanne, and that she was smitten with me, before he honed in on her and worked his magic. Needless to say once said Frankie magic was applied that previous configuration was ancient history.

     

    So just to set the record straight before Frankie, Francis Xavier Riley, spins his misbegotten yarn let me say my piece:

     

    In order to set the background to this dispute up for those who don’t know I had arrived from the Adamsville Middle School just at the beginning of 1959, about half way through seventh grade. As a twelve year old boy, almost thirteen, after some delay I had developed a very healthy interest in girls. In their girlish charms, if not their giggles. Of course, as anybody who went through the experience knows, which means just about everybody, the social pecking order in middle school (and high school too, but maybe a little less so) is etched in stone for the duration about the second or third week of school.

     

    So I was nothing but an "outsider," an outsider waiting to be an insider if I could hitch onto somebody else’s star. That star, no question, was Frankie. But Frankie’s “style” was different, not a football or sports thing, or an intellectual thing (although that is what it was, it just didn’t look like it at the time), or a best- looking thing (wiry Frankie did have pretty decent Steve McQueen-type looks though). What he had, and what made him a magnet for me (and, strangely, those girls with their girlish charms, not giggles that I was attracted to) was this be-bop, “faux” beat thing. He will describe it better in his story but it certainly caused a stir, especially the eternal “midnight sunglasses that he wore” part.

    Now what does all that have to do with Joanne, my attraction to her (or her to me)? Well, everything. See Joanne was the smartest person in the seventh grade class. Book smart for sure. Answering teachers’ questions smart, definitely. She also was pretty, but no more so, and maybe a little less so, than some of the other less bright girls. And she had, had when she wanted to have it, a very winning smile. Moreover, and here is when Frankie seems to have gotten his signals crossed for once, she was friendly toward me, me, an outsider, friendly in a universal kindly way, even before I started running around with Frankie (or she did either).

     

    As any observant person could see there was nothing to the whole thing but kid’s stuff and, as I thought about it later (and just now as I am re-thinking about it) Joanne had a huge dose of Roman Catholic fellowship and rectitude, meaning doing the right social thing. Frankie is right about the part that we, Joanne and I, were civil to each other in his presence later but that is after a whole bunch of other things happened to sour our relationship. But enough of this because this is stuff that Frankie will, I am sure, tell you about. Let me just finish with something I wrote in another Frankie story, one that I told so I know it’s true. I will swear on a book with seven seals the following- when it came to Joanne, and this was true even before Frankie whiz kid moved in, she was okay, but not someone that I would jump off a bridge over. There were girls, some of those other less bright girls, whom I would have jumped off that bridge for, and gladly. But not her. That should put paid to this subject.

     

    Francis Xavier Riley comment:

     

    See, I told you I still had the kingly touch. I knew, and know now, just how to get to Markin, Peter Paul Markin, get him where he has to defer, humbly defer, to my "goading" as he called it. Of course, and here is the beauty of the king’s touch, I knew, and I damn well should know even fifty years later, that old Markin never carried the torch for Joanne. But see I just threw that little doubt in his direction and he jumped at it. And then that “social” thing, that Peter Paul Markin sense of fair play, that overweening sense of his about giving the other side a chance to speak their minds (if only, as he used to say, to hang themselves) came into play. A piece of cake. And for those who don’t know, or don’t understand, how old Markin could have got bested for the kingship of the old neighborhood in the old schoolboy nights this is a prime example. His failed attempt was so utterly a failure that we all, everybody except Markin that is, spent more than a few off moments, a few nothing dull moments, giving it a big laugh every now and again when we needed a laugh. But enough of that I have a story to tell, and by hook or by crook, I’m going to tell it.

     

    See, as anyone can see from the last paragraph, it is about knowing human psychology. No, not some book, Sigmund or Anna Freud, Ernest Jones, Melanie Klein, Carl Jung, christ, even R.D. Laing goof thing. Hell no, it is about observing people and what they like and don’t like, what makes them pay attention to your patter and what doesn’t. Now the big thing about this is, let’s face it, for a red-blooded boy like me, not just to inspect people in general but girls, girls with girlish charms, all the way back to middle school girlish charms. I already told you before about my short-lived football scrawny kid career and how through perseverance, perversity, and perdition I figured out my place in the sun by my wits(a thing Markin was always yakking about, but you've probably figured that out by now)and by knowing what Markin insists was "arcane" knowledge. But see it was just that arcane knowledge part, weak as it was, and it really was looking back on it, and the way the knowledge was presented both by style and by fit that made the difference. On behalf of the interest of that honey you were aiming your stuff at.

     

    Markin never really got it, got how the knowledge and presentation worked together, and probably still doesn’t from what I can see. Let me give you the wrong example before I tell how this thing worked to bring me and my ever lovin’ Joanne together back in the day. Markin, after he started hanging around with me for a while, decided that he would try my method out after he saw that the foxiest girls, the cutest girls, and well, as always in a pinch, those just girls with their girlish charms (giggles and all, see, that is where Markin and I had big differences always-the giggles go with the charms-get it Peter Paul) who were hanging around me before school, during passing time, lunch time and, a little, at least in middle school, after school.

     

    So, and so help me this is true, even he won’t forget this one, Markin decided that he will go up to this cute girl with a French name, Barbette or something like that, and start in on every known fact about the French revolution, the French revolution of the 18th century, you know the Jacobins, Girondins, Marat, Robespierre and those guys- the "liberty, equality, fraternity" guys. See, this is something he is interested in, interested in like crazy if I remember. Yah, I know you know, no dice. But here is the thing-a couple of weeks later as Barbette started to hang around the outer edges of our circle she confided in me (no secret here as I told Markin at the time to try to straighten him out) that she thought Markin was okay but that she was afraid, get this, afraid of him because of his flipping out (my term) over something she knew nothing about. I admit that I never got too far with old Barbette myself, but at least I didn’t scare her half to death.

     

    Hey, I actually have a better example now that I think about it. A lot of this arcane knowledge thing was, as you can figure, playing the percentages. Probably Barbette was a “no sale” anyway. But Evelyn, Evelyn Smythe, was a different matter. Yah, now that I think about it forget Barbette as an example and pay attention to this one. Okay, Evelyn through my intelligence network of sources (that’s part of the secret to success too) was seriously into church, her church, her Episcopalian church and its history. I found out, and its shows you an example of good intelligence work, through my sources that she had given a class report on said subject. Bingo. Now Evelyn is nice, Evelyn is cute, Evelyn is smart (although not as smart as Joanne), and Evelyn has that winning smile we were always on the lookout for in those days. But see, Evelyn was a, a, how should I say it, Protestant so she was a “no go, no way” for one Francis Xavier Riley, one Francis Xavier Riley to the cold-water tenements, the Irish Catholic, more Roman than the Romans Catholic, tenements born. No way that, outside of the gates of hell, that Patrick “Boyo” Riley, and on this issue one Maude Grace Riley, nee O’Brian, were going to let their blessed son within twenty non-school paces of said Evelyn Smythe.

     

    Not seventh grade Frankie anyway (later I had more Protestant girl friends that I care to remember, if for no other reason than they weren’t so religion crazy, Roman Catholic religion crazy, mainly) But see ecumenical Markin, Peter Paul Markin, Irish Catholic brought up, and church mouse poor, but with a heathen Protestant father (except for that he was a good man whom everybody liked, even Boyo) decided he will take a shot at sweet Evelyn. Now his approach, since he knows from my intelligence report that she’s also some kind of history nut, is to start talking about the word "anti-disestablishmentarianism," then the longest word in the English dictionary, and for all I know still is, and related somehow, although don’t press me on this to Puritan stuff or English stuff, because, again, he’s crazy, crazy as a loon for Puritan heritage English colonial stuff. I mean really crazy. I think that he was born on Plymouth Rock in another life, maybe. Now sweet Evelyn was, if nothing else, polite and she heard him out. And since I was near the scene of this encounter I heard him say as she drifted off, “and my father’s a protestant too.” Like the co-religionist link is going to clinch the thing. Christ.

     

    No sale, amigo. But here is the kicker, a couple of years later, when Joanne and I had, uh, uh, one of our “misunderstandings” I ran into Evelyn one night down at the seashore. Now by this time she had blossomed into a certified twist, although I also knew that she was still into religion because she belonged to some Protestant girls' club, some religiously-oriented girls' club. But see she had that winning smile still, that winning smile that we were on the lookout for in those days, and by then after another earlier Joanne “misunderstanding” I had already sold my soul to the devil and taken a Protestant girl out, and liked it. So, because in the meantime I had started to get a little Puritan nutty like Markin I started on my patter and mentioned that word anti-disestablishmentarianism and what it was all about. We must have talked for about two hours about this and that on the subject; two hours can you believe it.

     

    But see here is where the lesson is. Peter Paul got the context all balled up so bad he was arguing about the beauties of Oliver Cromwell, or the Quakers or something. Those were not Evelyn’s forebears. He had the wrong side, although, as usual, he had it right for the side he liked. Evelyn couldn’t figure it out. What she could figure out, and figure out fast, if not necessarily accurately in Markin’s case, was that she was a minority in a heavily Irish Catholic working- class neighborhood and so Markin was probably putting her down for being a Protestant. Christ, again. As a postscript I will mention that sweet, smiling Evelyn and I had a couple of nice weeks together before "ball and chain" Joanne and I stopped our "misunderstandings." I won’t give the details of Evelyn's and my tryst because, see, and especially Markin see, she is now an Episcopal priest, or something like that and does not need that kind of publicity.

     

    So you can see that the be-bop pitter-patter was (or is) not for amateurs, or the faint-hearted, and requires some skill. Especially for hormonally-charged twelve and thirteen year old boys who are only vaguely, at best, aware that this thing requires skills, finely-honed skills. All of this is to say that whatever skills I had in, let’s say October and November of 1958, needed to be used in the hard nut to crack case of one Joanne Marion Murphy, one lace curtain Irish Catholic, more Roman than the Romans Catholic, Joanne Marion Murphy, to the lace curtain single house working- class family born.

     

    Markin mentioned in his “introduction” that Joanne was smart, check, pretty, check, had a winning smile, check, and was, as he put it and rightly so I think, universally kind out her religiously-derived social sense, check. What she was not, at least for a long time, was very interested in one Francis Xavier Riley and his cohorts, amigos, and “faux” beat aficionados. She had moved into the neighborhood, neighborhood in the widest sense because no way did she live near my cold-water flats district or Markin’s cottage-like (to be kind) dwelling on the wrong side of the tracks, in sixth grade but went to Adamsville Central Elementary School and so I did not pick up her scent until middle school, the first day of middle school, no, the first hour of middle school, jesus, no, the first minute. Sure she had all the checked things above but she also carried herself, her twelve year old self, in a very intriguing way and so I took a note, literally, took a note on her. But for a while nada, nothing, nowhere and partly because that intriguing carriage included what to me, shanty boy me, was that lace curtain Catholic by the rules thing despite smarts, pretties, winsome smile, and kindliness I thought no way.

     

    No way one Francis Xavier Riley was going to get involved with that scene, not with that frail, no way I said, did you hear me? Truth. Once I started to have a first little success with my girl-directed be-bop pitter-patter Joanne kind of went off the radar even though I saw her every day in class, every day. Truth again. I had no angle on this girl, no angle at all. See the other less bright girls kind of got caught up in the sunglasses, be-bop words, long-gone daddy, rock ‘n’ roll, heartthrob thing. And I loved that, loved the idea that I could be the max daddy king of that scene with a few breaks. So it was not until a couple of real frailly frails came round my table, good-looking girls, maybe not beautiful, not twelve year old beautiful anyway, but smart enough, whimsical enough, and daredevil enough that I noticed Joanne starting to pay attention in my direction. You know that look, that look a guy twelve or twelve hundred is ready to leap off bridges for, and as Markin mentioned before, gladly. Well, if someone is giving old Francis Xavier Riley the look well what is he going to do but look back, right?

     

    This went on for a while, as such things do. But you can't depend on the after-effects of "the look" to determine your whole twelve-year old life so what you need, and need badly is intelligence. Any king of the hill, any poor boy, boondocks, third-rate king, hell, any king of the pizza parlor night (in-waiting at that point) needs all kinds of intelligence from whatever source. In this case it was like manna from heaven as my younger sister, Catherine Anne (not Kathy Anne, not Kate, straight Catherine Anne with no bluster nicknames like with my older brothers Tommy and Timmy), was friendly with Joanne's younger sister, Mary Margaret (there are more Marys with various middle names, more Elizabeths, ditto with middle names, and more Catherines, with or without Annes, in this early 1960s Irish working class neighborhood than you can shake a stick at but that is another story, a Markin sociology of the neighborhood story for another time, I am sure) over at North Adamsville Elementary School. This intelligence was gold because it seems that beyond that "look," that jump off the bridge look that I just mentioned, Joanne liked me. But wait a minute no teen saga can just end like that, a story goes with it. See, Joanne was put off by my devil-make-care-attitude which seemed to her, pious girl that she was, kind of sacrilegious, but on the other hand she liked the cool midnight blessed sunglasses. Yah, women.

     

    Let me get back to that pious part for a minute because it will explain lots of things, lots of things that even Markin didn't get. Like when Joanne and I would later have our "misunderstandings" and break-ups which is usually when I looked around for another girl. Not the slanderous way Markin made it seem like I was 24/7 on the hunt even when Joanne and I were in our glory days. See, and here is where the intelligence from Mary Margaret (hereafter, Moe, which is a reasonable nickname and she liked it as well) was invaluable, although if I thought about it I should have after hearing the gist of it ran, ran like hell to Africa or someplace like that. See, even worst that in mother Maude's household the religion, the hard core Roman Catholic religion, the more Roman than the Romans religion, its superstitions, its dogmas, and its graces were pervasive via Joanne's mother (Doris). And while mother Maude, and to a lesser extent mother Arlene (Markin's mother), bore down, and bore down hard, with their religious tyrannies toward us boys the girls took the serious brunt of the damage to their fragile psyches. No question.

     

    See here is the set-up. Pious mother (learning from pious mothers back to Stone Age Ireland, and elsewhere I suppose) had a funny standard. They, with the boys, would give kind of a sacramental dispensation for wayward behavior up to, and including, the occasional armed robbery (I am not kidding that happened with one of Markin’s brothers, and others, too many others in the old neighborhood) except, of course, holy of holies, taking the lord’s name in vain and stuff like that. With the girls though, and maybe with some malice, I don’t know, but at least in the family of Doris Anna Murphy, nee Mulvey, it seemed so. They, the girls that is, were held to a higher standard of behavior and were supposed to act as such, at least for public consumption. (I found out later that the public consumption part was all that really mattered for some later flames who, as Markin very succinctly pointed out, had twelve novena books in their hands and lust in their hearts, great lust, praise be). This is the backdrop to my struggle to win Joanne’s affections.

     

    But see that was only part of it, the religious part, the Roman Catholic religious part (I won’t say again the more Roman than the… , ah, forget it) part of it. Let me show you how I got it wrong at first though to show you how tough it was to get my signals straight. Based on my intelligence service (My Catherine Anne-Moe intelligence) I took my best shot at Joanne by going on and on about the Church (you know now what church), about ritual, about various disputes, theological disputes, City of God, Thomist, Counter-Reformation, Virgin Mary disputes, about the meaning of the religious experience in one’s life, etc. Basically blarney, okay (I am also being polite here as I, like Markin, prefer to be so in the public prints).

     

    I swear I thought I was making some headway when all of a sudden I started balling things up, balling them up like I just learned them rather than had them down pat like I should. Now remember this is before Pope John XXIII’s Vatican Council II thing and we were all confronted with the mysteries of the Latin mass, a weird language that confronted us kids like the bloody English language did when those heathens stepped into (and over) the old sod Ireland, plebeian anti-Semitic hatred of the Jews (hell, they killed our savior, didn’t they), and other doctrinal stuff that didn’t mean much. I tried to be cute, meaning I tried to bail out as best I could, by reciting what I knew (and knew haphazardly) about Christian doctrine.

     

    Without boring everybody with how I held forth on such esoteric things like how many angels can fit on the head of a needle and other Thomisms the long and short of it is I busted flat, busted flat hard. No sale, no wannabe sale, nada, nothing. Joanne stiffly proud, stiffly piously proud, just kind of dismissed me out of hand, with the flip of a wrist. Vanquished. Gone. In short, she just walked away. (Later, she told me she actually liked my pitter-patter but that on Church matters, you know what church matters, I should leave it to the priests, and guys like that. Fine.)

     

    But that little setback was obviously not the end of my hopes, not even close, because, as I gathered from my Catherine Anne-Moe CIA connections my approach was all wrong. How? Well, Joanne, as it turned out, was pious, no question, pious for public consumption anyway, but that her Catholicism was very much colored by the Irish aspect of it. An Irish expression drilled into her by her grandmother, Anna, who apparently was next to, or close by, when old Saint Patrick did his demon-devouring tricks in the old country. Okay, no problem I will just be-bop on John Bull’s tyranny, eight hundred years of oppression, the bastard Oliver Cromwell (sorry Markin), and the heathen English at Wexford and Drogheda (and in the North).

     

    See here is where it gets tricky again though, actually weird is a better word, because as Irish as the shamrock as I am, I didn’t know a lot about the history of the old Catholic, blighted (like the potatoes too often), priest-ridden (oops) Irish. And I didn’t want to get all balled up like I did with Christian doctrine (or like Markin with Evelyn and her Protestant ways). But I got well fast as I studied up on my own, and again giving the devil his due, Markin filled me in on some stuff. (Wouldn’t you know it took a half–arsed Irishman with a bloody protestant father, although everybody liked old father Prescott, would be giving me, a full-blooded son of the old sod Irishman chapter and verse, christ).

     

    In any case one day after school I was walking up Atlantic Street (or was it Appleton) and I noticed Joanne coming out of the old Thomas Crane Public Library branch, the one that was nothing but an old unused storefront that they used until they built a larger one up in Norfolk Downs (by the way although the Irish and Italians build modern Adamsville, or modern in those days, way back when back in Plymouth Rock times every name was bloody English so all the streets names and section names reflect either that or the Indian (oops), Native-American, influence). When Joanne saw me walking her way she gave me the cursory, kindly (really kiss-off okay, twelve year old kiss-off) nod to acknowledge my existence but no little “the look” (discussed previously and the reader is presumed both to remember such details and to “know” the look from his or her own life experiences). Nevertheless this is my golden opportunity-out in the street-no crazy classmates around, no Markin fouling the waters around, and no distractions. Yes, just the right time to do my sing-song, pitter-patter be-bop night paean to the plight of bloody, but not bowed, Ireland and its churchly concerns.

     

    I will say I “stepped up to the plate” on this one. I even brought in the Book of Kell, for christ’s sake, and how the Irish Church, the blessed Irish church and the monasteries were fountains of knowledge , wisdom, …faith (she said later she loved that one) when the dirty-handed, unwashed English were eating their meals off the hip in their dingy little hovels. Suddenly she said “Stop.” My heart fell, oh my god, I’ve blown it. No, not this “scholarly” twelve year old. Well maybe. Joanne said she knew I was up to something (she had intelligence, exclusive intelligence, from, ah, Catherine Anne and Moe) and although I had actually had a fair number of facts balled up (about bloody Oliver Cromwell and Wexford and Drogheda for one, that damn Markin put his secular spin on the thing and made the hated Cromwell the hero, although from this reference you can see what kind of ammunition I was throwing out like this was a meeting of the Central Committee of the Irish Republican Army, (IRA), or something). She was “impressed”, impressed as hell (my term, okay) that I thought enough of her to go to the bother. And then she gave me a winsome smile. (Hey, Markin is not the only one susceptible to that smile.) Home run.

     

    On the basis of that smile I “asked her out.” Now twelve year old “asking out,” then anyway, and probably now too, was usually something like going to a dance after school, or maybe getting a bite to eat at the soda fountain (including listening to the jukebox, coins in hand), bowling, yah, bowling, or a matinee movie thing. But see here is where old Frankie knew how to segue into this proposition based on his recent pitter-patter. I asked Joanne to go the upcoming March 17th Saint Patrick’s Day Parade over in South Boston with me. Nice touch, right.

     

    Now in those days, and you can ask your parents and grandparents about it if you are too young to remember the be-bop 1950s night, the parade was actually held on March 17th, whatever day of the week it fell on so that meant “skipping” school that year. See in Adamsville March 17th, unlike in Boston, was not a day off-a holiday and even in Boston, officially, it was not a day off for blessed Saint Patrick. It was to celebrate the bloody British defeat in Boston- Evacuation Day- a worthy reason in its own right. Joanne “freaked” out at this idea at first. But then I worked on her, and worked on her, with the notion that it was her patriotic duty, her grandmother Anna memory honor duty, to go and pretend we were in the old sod for the day. Yah, I know bringing in grandma was off base but, well, but… As an added kicker, and to show my honorable intentions, I told her that Markin was also going although I had not asked him at the time (and didn’t want him around anyway). That day she said no, but over the next several days she started to weaken.

     

    In the meantime (although I guess my intelligence network was on “vacation” or, like the current day CIA, “out of the loop” because I didn’t know this) Joanne was working on her mother by putting up an argument that it was her religious duty to stand up for the Irish Church on that day (christ, she sounded like me after a while). Finally mother Doris said yes and Joanne said yes. Of course, as this was going on, old Peter Paul, old true-blooded, down with John Bull’s tyranny, Markin wimped out, yes, wimped out, saying he did not want to miss school. As it turned out (and was Joanne’s expression after she heard that Markin had wimped out) three was one too many (and both Joanne and I agreed on this one, with a little snicker, many times later).

     

    And the reason that Joanne said that, to make a long story short because you really don’t need me to go into the details of the parade-marching bands, drill teams, bagpipes, twirlers, drunken green-faced rowdies and all that- or the results of my efforts, was that she figured (as she told me later) we would probably get around to kissing (be still my heart on hearing this even now) and she didn’t want Markin to blab it all over school. And guess what? We did kiss, kissed in honor of Saint Patrick, the Irish Church, the Book of Kell, and I don’t know how many other things, Irish things, naturally-hey, maybe even the blarney stone.

     

    Now Markin in one of his foolish, damn foolish, commentaries once asked a question to his fellow North Adamsville high school classmates about whether, in the old days, anybody “skipped” school to go over to Southie and see the Saint Patrick’s Day Parade. We know he wimped out, always. But note this, Frankie, Francis Xavier Riley, has a very big A (for absent) next to his name for March 17, 1959. And he is proud of it. I’ll even get a notarized copy of the damn North Adamsville Middle School transcript to prove it. So there.