Saturday, October 14, 2017

PEN : “Now is the time to act all together”.-Mehmet Atak

Dear All,

Up to the present, I have been sending you informative e-mails on transformation of state of emergency, still continuing since July 15 military coup attempt, into an opponent hunt; freedom of expression and human rights violations; rapidly growing anti-democratisation; jurisdiction’s functioning completely unlawfully and as a punishment-intimidation mechanism.

I have told the stories of writers, journalists, academicians like Aslı Erdoğan, Pınar Selek, İştar Gözaydın, Necmiye Alpay, Can Dündar, Turhan Günay, İlker Deniz Yücel, Ahmet Şık, who are in prison or stand trial with life imprisonment or have to live in exile. These persons are of course symbols; selected as posters for awareness. There are thousands of people in Turkey who are in same conditions; in prison, standing trials unlawfully and were kicked out of their jobs. And this number is increasing everyday. Freedom of expression has almost been fully intimidated by prohibitions and threats. There is no gurantee for any of us that we are not going to be arrested and stand trial unlawfully.

When I say that above names are symbols; please do not think that I am unwary to reduce them into numbers, disregarding their being humans, their names are given or not; cruelty that they individually faced and trauma inflicted by this.

I have received e-mails from some of you asking me to send an informative essay after the fraudulent referandum for constitution in April. I will do this, however, I want to wait for sometime for things to cool down; false, directive and imposing information to be made public.

When I was writing to you about human rights and freedom of expression violations and fastly growing anti-democratic implementations in Turkey, I was trying to draw your attention to these not being only Turkey’s problems; these are spreading and globally growing problems.

Today, look at the developments in USA, France and many other places in the world. Social benefits are taken back; freedom of expression is tried to be restrained by way of martial laws, etc.; law enforcement officers are treating people more unconcernedly day by day. Nationalism is being pumped, xenophobia is being provoked or even tried to be legalized.

Global agreements to prevent or at least delay the earth’s ecological destruction are being broken or tried to be broken. Decision to keep global warming at an annual constant of two degrees is violated by attempts of implementations like releasing the usage of solid fuel again, etc. because of Trump’s all-is-licit-for-money type aggressive liberalisation. Submerging of many large residential areas and countries starting with Bangladesh is not merely a conspiracy theory. Huge threat ahead is not only ecological. By way of wars pumped in old USSR and Central Europe yesterday, in Middle East today and in some other place tomorrow, millions of people will have to leave their homes and become refugees and asylees.

Today in Turkey, this threat has being constantly kept warm at the social perception by the government since July 15 (2016) coup attempt and all the opponents are being intimidated at this state of vigilance; freedom of expression/freedom of speech is being completely destroyed. This is a very old method: today’s equivalent of John Mack’s “alienism” theory where he explains cold war period. Governments legalize all their illegal budgets, war budgets by creating false enemies and provoking fear of unsecurity.
 
Yesterday, communism was “the enemy” pumped in whole world, however, persuasiveness of  “enemy” ceased with falling down of Eastern Bloc. But creation of “an enemy” was vital for budgets and goverments not to be questioned. Thus, “radical islam” replaced “communism” in accordance with West American political scientist Samuel Huntington’s thesis.
 
As told in Huntington’s The Clash of Civilizations, enemy was created as double-headed in Turkey defined amongst “indecisive” countries trying to fit to another civilization despite belonging to a different one and despite to its people’s opposition. One of the heads was created as “radical islam” due to people!’s admiring the West despite the majority’s being muslim; the other head as “the Kurds” becuase they are local and to overshadow the domestic reactions to the other head.
 
Let me try to explain the effect of this “alienism” perception. I lived with my grandparents at their farm during my early childhood before elementary school. I only visited the campus where my mother and father were professors during holidays. The lodging where they lived was just accross the movie theater. Those days, we could watched the movies at least 10 years later than they had been produced and I watched all the movies shown while I was at the campus. A film affected me deeply when I was only four-fives years old. Afterwards, I learned that the film was "Invasion of the Body Snatchers" (1956 - Don Siegel). I had started to think that nobody, including my parents, were humans and they could read my brain and I had developed a special language to use in my thoughts. After, two-three years, I had gradually forgotten this language when I had started school. But this forgetting happened at my range of awareness. Including my adulthood, I was told that I was talking in my sleep in an unknown language when I had fever. This unknown language was the one I created with the effect of “alienism” I faced in my early childhood.
 
Central Europe, old Soviet Union and now Middle East are being re-structured in accordance with conjunctural interests. While an internationalist culture that will ensure global consumption is being imposed, nationalism contradicting to this is being pumped; small new countries, new frontiers, new flags are being created. In  parallel, ecology is being ruined cooperatively; climate changes are becoming distinctively perceptible. Wars and climate speed up migration. And the most dangerous new “aliens” are becoming immigrants and refugees. It surely becomes Hollywood’s job to massify latest aliens; in “World War Z” with Brad Pitt (2013 - Marc Foster) adapted from Max Brooks’ book, refugees coming from the East was going to be presented as great threat zombies who would have infected the ones in the West. These are causing to nationalism’s re-wakening in the Western politics and formation of new politics over ethnocentrism targeting especially economically and culturally underclass people. The play is for moreauthoritarian government structures.
 
I am omitting human rights and freedom of speech violations in Turkey here since I will write in detail about Turkey at the period of state of emergency. But I can say that the West is making a serious mistake if it sees Turkey under today’s Erdogan’s rulership, as a pilot practice for this new totalitarian state ideal. Because, even globalism has been established through internet and television, perception of Asian populations including Turkey where feudalism-simple meta production-capitalism phases have originally not been lived and individualism’s not being developed following these phases naturally, will be seriously misguiding for hypotheses made with a Western view.   
 
But, in Turkey we are in deep trouble and it is increasing quantitatively. Many academicians, journalists, writers, artists, people from every walk of life are in prisons. Every day, new ones are being imprisoned. People are being tried with very heavy punishment demands and against the existing laws. People, who are not in prisons, are seriosly intimidated and silenced down with fear of losing their jobs upon their slightest opposition.
 
Another weakness of this Asian culture where individualism is embryonic is that everything is carried out over identity politics with past due modernist views. Victims of the same phenomenon do not refrain from othering another one while they are otherised themselves, by being part og discriminators with their identity politics, instead of fighting against the phenomenon. This prevents formation of a seriously wide opposition against injustices in Turkey
 
As I wrote earlier in detail, Ms Aslı Erdoğan, Ms İştar Gözaydın, Mr Turhan Günay, Ms Necmiye Alpay, Ms Şebnem Korur Ficancı and Ms Esra Mungan were released from prison, however, their trials where aggravated life imprisonment are being demanded proceed. The same is valid for Ms Pınar Selek, Mr Ragıp Zarakoglu, Mr Can Dündar and Ms Filiz Koçali who are in exile. Mr Ayhan Bilgen, Ms Zehra Doğan, Mr Ahmet Şık, Mr Kadri Gursel and though being in the same situation but not mentioned by the ones who define themselves as leftists (definition of leftism in Turkey is different from its international definition) Altan brothers (Ahmet and Mehmet), Mr Ahmet Turan Altıner, Mr Ali Bulaç, Mr Şahin Alpay, Ms Nazlı Ilıcak are currently  imprisoned legally shady and being tried with aggravated life imprisonment.  
 
Crime definitions are arbitrary according to the government. Erdoğan and AKP government established very close relationships with Fethullah Gülen team for years, placed persons from Gülen team to positions at the army, police forces, jurisdiction, national education, supported them for commercial tenders, provide international guarantees, however, expect them to be accepted as “enemies” locally and internationally after they are defined as so, saying that they were “deceived” and put the blame on “undecieved” then. The ones who say one tenth of the words as Erdoğan did during the period of “Kurdish declination” are arrested as terrorists today, because Erdoğan and AKP were deceived then again. After they realize that they have been deceived (?) things they did before now become crime. Likewise, Erdoğan is deceived by Esat,Barzani, etc. in foreign politics and the ones whose timing is not the same with Erdoğan in that deceit become criminals.
 
For example, there could be an unreasonable definition of crime as change of editorial policy in Cumhuriyet Newspaper’s bill of indictment or as in Ayhan Bilgen example, you could be tried with life sentence in Turkey, because of an account from which only one message was twitted eight years ago, which is followed by no one and  owner of which cannot be identified.
 
One hundred of fourty three cases have been opened against human and women’s rights defender, lawyer and writer Ms Eren Keskin who was once my own lawyer with accusations, most of which are legally comical. 
 
Currently imprisoned writer and journalist Ahmet Altan’s first pleading in his first hearing unfolded Turkish jurisdiction’s discrepancies, its ill system full of weaknesses, its evil intents and above all, its lawless state in detail, sentence by sentence and more striking than Emile Zola’s book of “I accuse” relating to Dreyfeus case. (Attachment 2)
 
For this reason, reactions which are internationally binding against human rights violations in Turkey instead of oppositions for Turkey which is torn into pieces and destroyed in itself by way of identity politics, especially warnings for keeping its word by conventions of which Turkish Republic has signed and/or has become a side of, are far more important. 
 
UN Human Rights Council has requested that imprisoned journalists, writers, academicians and judges in Turkey should be released immediately in legal framework, internet limitations and state of emergency should be lifted. Mr David Kaye, UN Freedom of Thought and Expression Special Reporter, issued a serious report for “Turkey Special Session”. Before the session, Germany and USA declared their concerns about the human rights violations in Turkey.
 
Meanwhile, Turkey’s attitude towards Amnesty International due to its annoyance because of Amnesty International’s reports, AI’s individual responsible for Turkey, Mr Andrew Gardner’s prohibition of entry to Turkey, arrets of Turkey’s Branch Chairman Mr Taner Kılıç first and İstanbul Branch President Ms İdil Eser later have received reactions from Washington, Berlin and Brussels. Besides, what have been done conflicts with UN’s Decleration of Protection of Human Rights Defenders dated 1998, also signed by Turkey.
 
Mr Nils Muiznieks, European Commision Human Rights Inspector of which Turkey is a member, declared that the new HSYK (the supreme board of judges and prosecutors) which leaves jurisdiction indirectly to total control of Erdoğan, increases the risk of being open to political impact; councils of jurisdictions should be brought to European Standards; compliance of HSYK’s work with principles of superiority of law and judicial independence will be followed up in practice and without these, efficient human rights protection would not possible in Turkey.
 
President of Lahey International Criminal Courts Movement Mr Theodor Meron, in his report to UN Security Council, have declared that the way Judge Aydın Sefa Akay was being tried in Turkey came to the point to collapse the system that the Council set up at Ngirabatware case and his trial had to be ended.
 
Meanwhile, European Union legislative organ voted EU Turkey Reporter Ms Kati Piri’s report at the European parliament and it was convoked to officially suspend negotiations with Turkey that had started in 2005, by a vote of 477 to 64. Convocation for suspension is related to the package of constitutional change voted in April 16 referendum. As stated in Venice Commision View report, this change is not compatible with principle of separation of powers and Copenhagen criteria. This decision of suspension is important becuse if negotiations are suspended, EU funds are suspended as well. In other words, funds will not be given to the Turkish government to distribute, but will be given directly to civilians. Regressions in fundamental rights, human rights and democracy in Turkey; long term non-proportional and negative impacts of state of emergency and statutory decree implementations on many people; seizure of right of defence and dismissal from public at this point; imprisonment and obstacles brought to freedom of press were explained clearly in Ms Piri’s report. Another important aspect which would be effective here is convocation for applying political criteria to customs union negotiations.  
 
During the state of emergency period following July 15 coup attempt, Erdoğan has become the only legislation and execution authority with the power of delegated legislation. When power of delegated legislation is examined which has been started as a precaution againts coup attempter Fetullah Gülen and his team, it is seen that only a few of almost 1000 statutory decrees issued by Erdoğan till today have been about Fetullah Gülen and his team and the rest has been for eliminating the other opponents and also relates to economy, banking, public realm, taxes, etc. Namely they have actually been issued for Erdoğan’s economical greed and attemps which will not be controlled.
 
Until today, more than 6000 academicians have been expelled from universities by statutory decrees. Some of them are at prisons; some are being tried with severe penalty demands. And only a small part of these can be related to Fetullah Gülen and his team rightly or wrongly; majority is consisted of the ones who signed Academicians for Peace Decleration (attachment 3).
 
AKP cadres have calculated that Aslı Erdoğan who was arrested with the aim of intimidating white Turks, would not receive international reactions as much as feminist-sociologist-writer-activist Pınar Selek did, who had had a much clearer political identity and arrested for the same reason and have being tried for 19 years, but they have been so wrong. Internationally known writer Aslı Erdoğan’s imprisonment received serious reactions at international platform. Aslı Erdoğan kept receiving awards after she had been imprisoned. While she was still in jail she received Sweden’s Tucholsky Award; after she was released but while was in judical control period, received Austria’s Bruno Kreisky Human Rights Award, Germany’s Theodor Heuss Award, European Cultural Foundation Princess Margriet Culture Award, again Germany’s Leipzig Media Freedom Award and France’s highst honour badge ‘Legion d’Honneur’. But due to the ban on her leaving the country, she was unable to receive these personally. At Aslı Eroğan’s last hearing, the ban on her leaving the country was lifted, however, she has not been issued a passport for a long period.
 
After she received her passport, she first went to France and met her French publisher (Actes Sud) Françoise Nyssen who is now French Ministry of Culture; then she went to Germany and received her Erich Maria Remarque Award personally. Börsenverein’s (German Publishers and Booksellers Association Exchange) CEO Mr Alexander Skipis who gave a continuous and serious struggle against freedom of speech violations in Turkey and who called many international organizations for duty in this regard since the day Aslı Erdoğan had been arrested, prepared a speech for the award ceremony (attachment 4).
 
Ms Jeniffer Clement who is the president of International PEN, a sensitive person, a responsible executive as PEN’s president, a writer and my friend who fought against seizure of freedom of speech, imprisonment of writers and journalists, sent information about a campaign which effectuated on May 31, 2017 that I uploaded below. This campaign is important becuse it does not have an end date. It will last uninterruptedly until the problem is solved.  
 
Meanwhile, PEN’s Germany Branch President Regula Veske wrote an open letter to Turkey’s President R. T. Erdoğan and Prime Minister Binali Yıldırım. In the letter started with “you probably do not have the courage to read this letter”, it was reminded that the number of arrested journalists and writers is 165. It was also said that Erdoğan and Yıldırım have made Turkey “the world’s biggest journalist prison”.
 
Swedish PEN President Elisabeth Asbrink stated that AKP government has been using Interpol as a tool to silence down the Turkish opponents who live abroad (as immigrants or refugees) and declared that they will take necessary actions to prevent this as International PEN.
 
Today Erdoğan who has authority in legislation, execution, indirectly jurisdiction with rights of appointing, by force of statutory decrees, is using his foreign politics for shows of strenght in domestic politics. For the sake of these shows, he has journalists, academicians, human rights defenders, men of God, consulate officals who are not Turkish citizens, are arrested in legally questionable ways. But in fact, foreign politics of Erdoğan who is really an aggressive liberal and values money above all, can not be like Iran’s once upon a time or North Korea today despite all the uproar he makes. For this reason, it is very important that Erdoğan and his government are given a hard time uncompromisingly today at areas of law, human rights and democracy by the binding clauses of international agreements signed by Turkey, without leaving the lawful platforms especially.  
 
Meanwhile, I will participate to a panel discussion about freedoom of speech inFrankfurt Book Fair, on October 13, at 5 PM.

A group of around 200 writers from all over the world like PEN International president Jennifer Clement, Ngũgĩ wa Thiong, Elfriede Jelinek, Ahmedurrashid Tutul, Stephen Fry, Hanan Al-Şeyh Karl Ove Knausgaard, Salman Rushdie, Ece Temelkuran, Sanna Aoun Margaret Atwood, Neil Gaiman, Yann Martel, Mario Vargas Llosa, Sofi Oksanen, Urvashi Butalia, Chigozie Obioma, DBC Pierre, Noo Saro-Wiwa, Isabel Allende, Inua Ellams, Ocean Vuong, rafeef ziadah Elena Poniatowska John Raulston Saul and Nguyen Viet Thanh have started a global campaign room to provide global support and opportunities for writers who were forced to leave their countries are or were in exile and have or had to live secretly in their own countries. The campaign started on May 31, 2017 and will continue with publications, activities, legal support and projects for the next three years.

It was said that “we are people who are ousted, in exile, refugees or asylees; some of us has to live in our own countries secretly. But we have very powerful instruments to struggle: words. By way of this resource, we can inform people from all over the world and create awareness. We can bring ousted people and groups of people and what they are going through into the world’s agenda. We can struggle against imposed and fastly growing xenophobia and violations of freedom of expression. Now is exactly the time to act all together.”

In PEN & ICORN’s joint meeting –Other Words- it was announced that their aim is to provide material, immaterial and occupational support at PEN’s several centers; to provide right to asylum when nesessary for people forced to oust; but mainly to create global awareness for people in exile (asylees or refugees) or people forced to live secretly in their own countries and to contribute people’s standing up against these wrongfulnesses.

You can obtain information about the campaign from pen-makespace.or or contact Sarah Perry (sarah.perry@pen-international.org) and Sahar Halaimzai(sahar.halaimzai@pen-international.org) - + 44 (0) 20 7405 0338 –
from PEN International.

Writers global community PEN established in 1921 is a non-political establishment to which UN and UNESCO consult to. Beyond the prestige that PEN obtained by providing global solidarity and cooperation with its campaigns, activities and publications made at its 144 centers from all over the world, it presently has also a serious global potential for its 144 centers and its having journalists and writers with legal expertise together with literary writers within its structure
.
 
 
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Mehmet Atak
+ 90 212 225 54 41
+ 90 212 343 50 04
 
 

10/17 Cuban Writer Leonardo Padura along with a Cuban poet and educator at Northeastern

Tuesday night Oct. 17th is the last big event of the tour.   (See other
events below.)

Oct 17: 7:00-8:30 – July26th Coalition/Leonardo Padura joint program
with the Witness for Peace-sponsored tour with Cuban poet and popular
educator Marcel Lueiro Reyes, Northeastern University, 305 Shillman
Hall, 115 Forsythe St., half a block from the Northeastern U Green Line
stop (D train) on Huntington Ave., turn left, #30 on the campus map
<http://www.northeastern.edu/campusmap/map/index.html>.

Padura’s wide popularity is rooted in the series of noir detective
novels he’s written, the first four of which have been made into films.
The “Four Seasons in Havana” quartet is available on Netflix; it is
being made into an English language series for cable starring Antonio
Banderas. Padura’s writing in general is deeply involved with Cuban
history and politics.

The festival will be screening two Padura films in Spanish with English
subtitles after which there will be Q&A with the author: “Vientos de La
Habana/Winds of Havana,” an expanded version of the first in the Netflix
series that is an introduction to the world of Mario Conde featuring the
whole crew from the old neighborhood and his high school days as well as
police colleagues and Havana itself. In “Regreso a Itaca/Return to
Ithaca,” Leonardo wrote the screenplay about a generation gathering for
a rooftop dinner in Havana and to make sense of the past and present.
The festival showing will be the first time the film has been screened
with English subtitles in this country.

* Fri, Oct 13: 2:00-4:00, “A conversation about Culture and Politics
with Leonardo Padura (in Spanish)” Tufts University, Cabot Center,
7th floor, 170 Packard Ave. with parking and public access on campus
map <http://campusmaps.tufts.edu/medford/>..
* Fri, Oct 13: 7:00-9:30, “Vientos de La Habana/Winds of Havana,” Q&A,
Northeastern University, 010 Behrakis Health Sciences Center (BK),
30 Leon St., near the MFA Green Line stop (D train) on Huntington
Ave., #26 on the campus map
<http://www.northeastern.edu/campusmap/map/index.html>.
* Tu Oct 17: 2:00-4:30, “A Conversation with Celebrated Author
Leonardo Padura Fuentes, Boston University, Mugar Memorial Library,
Richards-Roosevelt Room, 1st Floor, 771 Commonwealth Ave, at the BU
Central stop on the Green Line B train.

Padura’s wide popularity is rooted in the series of noir detective
novels he’s written, the first four of which have been made into films.
The “Four Seasons in Havana” quartet is available on Netflix; it is
being made into an English language series for cable starring Antonio
Banderas. Padura’s writing in general is deeply involved with Cuban
history and politics.

The festival will be screening two Padura films in Spanish with English
subtitles after which there will be Q&A with the author: “Vientos de La
Habana/Winds of Havana,” an expanded version of the first in the Netflix
series that is an introduction to the world of Mario Conde featuring the
whole crew from the old neighborhood and his high school days as well as
police colleagues and Havana itself. In “Regreso a Itaca/Return to
Ithaca,” Leonardo wrote the screenplay about a generation gathering for
a rooftop dinner in Havana and to make sense of the past and present.
The festival showing will be the first time the film has been screened
with English subtitles in this country.

https://july26.org/october-2017-leonardo-padura-festival/
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In Boston- Two events on Venezuela and Africa relationship, Oct 17th and 18th

Two events on Venezuela and Africa relationship, October 17th and 18th

Tuesday October 17th, 6:00pm. Wenworth Institute of Technology
The XXII Boston Iberoamerican Film Festival presents:

“Kongo Dia Ntotela”
By Jesus “Chucho” García

Synopsis:

Shot in the old capital of Mbanza Kongo, in the Republic of Angola, this
documentary captures the historical significance of Kongo Dia Ntotela, one
of Africa's most important civilizations. The director sets out to explore
in the company of the descendants of the ancient Ntotela (kings), to learn
about the history of this kingdom, its rising, splendor and decay. The film
also sheds light into how the slave trade dispersed millions of Congolese
in the Americas, and their historical, ethical, cultural, spiritual,
culinary and aesthetic contributions to the Americas.

Post-film Q&A w/ director Jesús “Chucho” García, co-founder of the
Afro-Venezuelan Network, founder of the Center for African American Studies
at the Central University of Venezuela (UCV) and the co-founder of the
Regional Council of Africa Descendants from Latin America And the Caribbean
(ARAAC).

One presentation only: Tuesday October 17th, 6:00pm, Wenworth Institute of
Technology Luther H. Blount Auditorium, Annex central 550 Parket Street,
Boston MA02120

------------------------------------------------------------
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Wednesday October 18th, 6:00pm, at Cultural Cafe:

“The Current Venezuela Crisis and its Impact on the African World”
A talk by Jesus “Chucho” Garcia

Jesús “Chucho” García, born in Barlovento, Venezuela, intellectual,
diplomat, writer and activist for the rights of people of African descent.
He has conducted several studies and ethnological research on African
diaspora, and written more than twenty books on this subject. He is
co-founder of the Afro-Venezuelan Network, founder of the Center for
African American Studies at the Central University of Venezuela (UCV) and
the co-founder of the Regional Council of Africa Descendants from Latin
America And the Caribbean (ARAAC). Mr. García is currently Consul General
from Venezuela to the US for the southern region.

Wednesday October 18th, 6:00pm
At Cultural Cafe. 76 Atherton Street Jamaica Plain, MA 02130
All events are Free and Open to the public

Sponsored by: The Consulate General of Venezuela in Boston, in
collaboration with the Regional Council of African Descendants from Latin
America and the Caribbean (ARAAC) and The Venezuela Solidarity Committee in
Boston.
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In Boston-0/14 encuentro5 Peña Commemorating and Celebrating Indigenous Peoples of the Americas/conmemorando y celebrando los pueblos indígenas de las américas

*encuentro5*invites you to join us in commemoration and celebration of
the First Nations and Indigenous Peoples of the Americas, their history,
culture resistance and struggles for liberation on *Saturday October 14,
2017 7:pm – 11:pm at 9A Hamilton Pl. across from the Park St. station
(Green/Red lines) and next to the Orpheum theater**-*///Encuentro5 te
invita a unirte a la celebración y conmemoración de las Primeras
Naciones y los Pueblos Indígenas de las Américas, su historia,
resistencia cultural y luchas por la liberación el *sábado 14 de octubre
de 2017 a las 7:00 a.m. a las 11:00 p. m. a las 9A Hamilton Pl. al otro
lado de la estación Park St. (líneas verdes / rojas) y al lado del
teatro Orpheum*/

To view flyer /​/para  ver volante /

ttp://encuentro5.org/home/
<http://encuentro5.org/home/>http://encuentro5.org/home/__

*The Americas* includes the United States of North America (USNA),
Central America, South America and the Caribbean. To clarify, the USNA
belongs to America *NOT***America belongs to USNA! Once more columbus
day was celebrated here in Boston as in many other regions of this
country. Once again, his legacy of imperialism, genocide and racism was
glorified. columbus was not an explorer, he was an exploiter. The
Americas and the Caribbean were *NOT* discovered, they were invaded. In
1492, Columbus opened the way for the charge of European racism,
colonization and genocide of the Peoples of the Americas. European
colonizers brought fatal diseases and enslavement.  We will celebrate
the Peoples of the Americas’ resistance to colonialism, and revolutions
for independence.  In honor of Latin American, heritage and cultural
influence in the diaspora please bring and share song, dance and poetry.

/Las Américas incluyen a los Estados Unidos de Norte  América (USNA),
Centro América, Sur América y el Caribe. ¡Para aclarar, USNA pertenece a
América y *NO* que América pertenece a USNA! Una vez más se celebró el
día de Colón aquí en Boston, como en muchas otras regiones de este país.
Una vez más, su legado de imperialismo, genocidio y racismo fue
glorificado. Columbus no era un explorador, era un explotador. Las
Américas y el Caribe *NO* fueron descubiertas, fueron invadidas. En
1492, Colón abrió el camino para la carga del racismo, la colonización y
el genocidio europeos de los pueblos de las Américas. Los colonizadores
europeos trajeron enfermedades mortales y la esclavitud. Celebraremos la
resistencia de los Pueblos de las Américas al colonialismo y las
revoluciones para su independencia. En honor a América Latina, la
herencia y la influencia cultural en la diáspora por favor traiga y
comparta canciones, bailes y poesía./

Several cities and regions in the USNA have declared and adopted
“Indigenous Peoples Day”. To sign petition to the Boston City Council to
replace columbus day with Indigenous Peoples Day//Varias ciudades y
regiones de USNA declararon y adoptaron el "Día de los Pueblos
Indígenas" substituyendo el día de colon. Para firmar petición dirigida
al Consejo de la Ciudad de Boston para sustituir el día de colón con el
Día de los Pueblos Indígenas /

IndigenousPeoplesDayMA.org <http://indigenouspeoplesdayma.org/>//

for information/para mas información  (617) 922-5744

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November 1-National Mobillization to Stop War on North Korea



National Mobillization to Stop War on North Korea

Veterans For Peace is proud to join in with a new campaign led by Women Cross DMZ and includes CODEPINK: Women For Peace and United for Peace and Justice for anational mobilization next month.
The U.S. and North Korea are on a dangerous path towards a military confrontation that could kill millions and engulf the world in a nuclear holocaust.  It's time for U.S. peace movemnt to mobilize opposition to Trump's saber rattling and demand a diplomatic solution.
To bring the peace movement up to speed, we are hosting a series of online teach-ins on the historical roots of this conflict and what we must do now to avert war.
This educational series will culminate with a week of action November 6-11, including teach-ins, visits to local congressional offices and protests.  For more infomration contact: info@womencrossdmz.org
The upcoming webinars are:
ECONOMIC WARFARE ON NORTH KOREA: Impact of Sanctions on North Korean People.  Wednesday October 18th, 2017
7:00PM EST 4:00PM PT
   

From Veterans For Peace On November 11th-Armistice Day

From Veterans For Peace On November 11th-Armistice Day   


Armistice Day

Veterans For Peace calls on all members and all peace-loving people to take a stand for peace this Armistice (aka Veterans Day), Saturday November 11. We call for nationally coordinated local actions to demand diplomacy not war with North Korea, and the abolition of nuclear weapons and war. Veterans For Peace joins with the wider peace movement for actions before and after November 11th.   
In 2017, ninety-nine years after the end of  World War I, “the war to end war”, the world finds itself on the brink of a nuclear war, again. The threat of a horrific nuclear exchange is possibly higher than it has ever been. The President of the United States Donald Trump has repeatedly threatened to attack North Korea (Democratic People’s Republic of Korea - DPRK), going so far as to say, while speaking to the U.N., that the U.S. will “totally destroy” the country. North Korea has also caused great alarm with its own threats, while testing long-range missiles and nuclear bombs. Twitter confrontations and saber rattling have only served to escalate tensions.
The road to war is a slippery slope on which one misstep can lead to the beginning of catastrophic war. Even the use of conventional weapons would lead to the deaths of hundreds of thousands of people. Millions will die if there is a nuclear exchange. Such horrific acts of violence can spread like a virus and easily lead to further global instability and a new world war. The people of North and South Korea should not face the possibility of horrible killings and destruction that they experienced during the 1950-53 period in the Korean War. The people of the world must speak out and act together to demand peace.
Veterans For Peace calls for the observance of November 11 to be in keeping with the holiday’s original intent as Armistice Day, to be “a day dedicated to the cause of world peace," as it was celebrated at the ending of World War I when the world came together to recognize the need for lasting peace. After World War II, the U.S. Congress decided to rebrand November 11 as Veterans Day. Honoring the warriors quickly morphed into honoring the military and glorifying war. Armistice Day, as a result, has been flipped from a day for peace into a day for displays of militarism.
This year with a rise of hate and fear around the world it is as urgent as ever to ring the bells of peace. We in the U.S. must press our government to end reckless rhetoric and military interventions that endanger the entire world.
Instead of celebrating militarism, we want to celebrate peace and all of humanity. We demand an end to all forms of hate, patriarchy and white supremacy and we call for unity, fair treatment under the law and equality for all. We call for a tearing down of walls between borders and people. We call for an end to all hostilities at home and around the globe.
Today the U.S. has a president who says diplomacy with North Korea is a waste of time. Diplomacy is in fact the only hope, no matter the cost. War is the immoral and tragic waste. The world has said it before and is saying it again now.  NO to WAR!
If you need tabling materials or VFP promo items for Armistice Day, please e-mail casey@veteransforpeace.org! No matter what action you decide to take, please let us know so we can promote the work that you're doing.


Take Action - Here are some ideas! Let us know what you have planned here!

  • Join together with others for local actions (peace march, rally, vigils) to call for No War on North Korea. March in the Veterans Day Parade with signs calling for “No More Korean War; From Armistice to Peace Treaty with N. Korea; End the Korean War Now; Yes to Talks, No to Bombings, etc.
  • Partner with local peace groups to hold an event (forum, film showing, etc.) in honor of Armistice Day.
  • Ring bells at 11am on November 11th, as was done at the end of World War One. (Approach churches and ask them to ring bells at 11am on November 11th)
  • Share Your Vision of Peace! Submit a 10–20 second video illustrating your vision of peace. When you create your video, please state your name and city/state and complete the following sentence: "As a veteran, I believe peace is possible when _______________."
  • Take action on Twitter! Use these sample tweets:
    • I will be celebrating #VeteransDay as a day dedicated to peace #ArmisticeDay @VFPNational
    • Veterans will ring 11 bells this year to remember #ArmisticeDay, a day of #Peace @VFPNational  

The cost of the next-generation destroyers being built at Bath Iron Works is skyrocketing.


  • The cost of the next-generation destroyers being built at Bath Iron Works is skyrocketing.A new report to Congress this week found that the cost of the three Zumwalt-class destroyers has increased 43 percentsince the third and final ship in the class was procured. The first two ships cost $9.14 billion with the third anticipated at $3.73 billion, according to the Congressional Research Office. The total cost has risen by nearly $4 billion since 2009.
Leslie Manning

Once Again On The - 75th Anniversary Of Humphrey Bogart and Ingrid Bergman’s “Casablanca” -

Once Again On The - 75th Anniversary (2017) Of Humphrey Bogart and Ingrid Bergman’s “Casablanca” -




By Bart Webber


I have spent much ink this year starting almost at the beginning of the year writing about the classic black and white film Casablanca a staple at every retro-film locale including the Brattle Theater in Cambridge, Massachusetts where I first saw it with a “hot date” back in the late 1960s. A date who did not mind going on a cheap date (hell the admission was about a dollar maybe two) when I told her what we would be seeing. (Somehow she had asked her mother about the film and so was intrigued about this hot on-screen romance during wartime between Rick and Ilsa.) That movie coupled with a quick after film stop at equally cheap Harvard Square Hayes Bickford for coffee (always an iffy proposition depending on when the stuff was brewed also iffy) and some kind of pastry that had been sitting on the stainless steel dessert shelves for who knows how long got me away without having to call “dutch treat.” Got me as well another six months of very nice dates so my memories of that gorgeous film with the six million quotable and unforgettable lines from “play it again, Sam” (Ingrid Bergman as Ilsa request to Humphrey Bogart  Rick’s main entertainment provider Dooley Wilson to play the sentimental As Time Goes By) to “We will always have Paris” (when Rick responds to Ilsa’s bewilderment that he is letting her take that last plane to Lisbon with those wicked letters of transit provided him to her husband Czech liberation leader Victor Laszlo so he  can continue to do his work against the night-takers running the world in those days) are still pristine.              

I am not the only one who is crazy for this movie since I am enclosing a link to an interview done by Terry Gross on her Fresh Air show on NPR with film historian Noah Isenberg on  the making of the classic Hollywood film in his new book, We'll Always Have Casablanca. " Needless to say when I get my greedy little hands on that item I will be reviewing it in this space. This guy has me beaten six ways to Sunday with what he knows about that film. Kudos.  

http://www.npr.org/2017/10/11/557101633/75-years-later-a-look-at-the-life-legend-and-afterlife-of-casablanca

In Boston-Join The Struggle Against Homelessness

In Boston-Join The Struggle Against Homelessness






The Golden Age Of The B-Film Noir- Lloyd Bridges’ “The Big Deadly Game” (1954)

The Golden Age Of The B-Film Noir- Lloyd Bridges’ “The Big Deadly Game” (1954)

DEADLY GAME,(aka THE BIG DEADLY GAME,aka THIRD PARTY RISK), US poster art, Simone Silva, Llyod Bridges,1954. Stock Photo


DVD Review

By Film Editor Emeritus Sam Lowell


The Big Deadly Game, starring Lloyd Bridges (Jeff’s father okay when he needed dough I guess and hit the bricks in London and Spain), Simone Silva, Hammer Productions, 1954

Recently in a review of the British film Terror Street (distributed in Britain as 36 Hours) and subsequently another British entry The Black Glove (distributed in Britain as Face The Music probably a better title since it involved a well-known trumpet player turning from searching for that high white note everybody in his profession is looking for to amateur private detective once a lady friend is murdered and he looked for all the world like the natural fall guy) I noted that long time readers of this space know, or should be presumed to know, of my long-standing love affair with film noir. Since any attentive reader will note this is my third such review of B-film noirs in the last period I still have the bug.
I went on to mention some of the details to my introduction to the classic age of film noir in this country in the age of black and white film in the 1940s and 1950s when I would sneak over to the now long gone and replaced by condos Strand Theater in growing up town North Adamsville and spent a long double feature Saturday afternoon watching complete with a stretched out bag of popcorn (or I think it is safe to say it now since the statute of limitation on the “crime” must surely have passed snuck in candy bars bought at Harold’s Variety Store on the way to the theater) some then current production from Hollywood or some throwback from the 1940s which Mister Cadger, the affable owner who readily saw that I was an aficionado who would pepper him with questions about when such and such a noir was to be featured would let me sneak in for kid’s ticket prices long after I reached the adult price stage at twelve I think it was, would show in retrospective to cut down on expenses in tough times by avoiding having to pay for first –run movies all the time. (And once told me to my embarrassment that he made more money on the re-runs than first runs and even more money on the captive audience buying popcorn and candy bars-I wonder if he knew my scam.

I mentioned in passing as well that on infrequent occasions I would attend a nighttime showing (paying full price after age twelve since parents were presumed to have the money to spring  for full prices) with my parents if my strict Irish Catholic mother (strict on the mortal sin punishment for what turned out to have been minor or venial sins after letting my older brothers, four count them, four get away with murder and assorted acts of mayhem) thought the film passed the Legion of Decency standard that we had to stand up and take a yearly vow to uphold and I could under the plotline without fainting (or getting “aroused” by the fetching femmes).

What I did not mention although long time readers should be aware of this as well was that when I found some run of films that had a similar background I would “run the table” on the efforts. Say a run of Raymond Chandler film adaptations of his Phillip Marlowe crime novels or Dashiell Hammett’s seemingly endless The Thin Man series. That “run the table” idea is the case with a recently obtained cache of British-centered 1950s film noirs put out by the Hammer Production Company as they tried to cash in on the popularity of the genre for the British market (and the relatively cheap price of production in England). That Terror Street mentioned at the beginning had been the first review in this series (each DVD by the way contains two films the second film Danger On The Wings in that DVD not worthy of review) and now the film under review under review the overblown if ominously titled The Big Deadly Game (distributed in England, Britain, Great Britain, United Kingdom or whatever that isle calls itself these Brexit days as the innocuous Third Party Risk is the third such effort. On the basis of these four viewings (remember one didn’t make the film noir aficionado cut so that tells you something right away) I will have to admit they are clearly B-productions none of them would make anything but a second or third tier rating.         

After all as mentioned before in that first review look what they were up against. For example who could forget up on that big screen for all the candid world to see a sadder but wiser seen it all, heard it all Humphrey Bogart at the end of The Maltese Falcon telling all who would listen that he, he Sam Spade, no stranger to the seamy side and cutting corners, had had to send femme fatale Mary Astor his snow white flame over, sent her to the big step-off once she spilled too much blood, left a trail of corpses, for the stuff of dreams over some damn bird. Or cleft-chinned barrel-chested Robert Mitchum keeping himself out of trouble in some dink town as a respectable citizen including snagging a girl next door sweetie but knowing he was doomed, out of luck, and had cashed his check for his seedy past taking a few odd bullets from his former femme fatale trigger-happy girlfriend Jane Greer once she knew he had double-crossed her to the coppers in Out Of The Past. Ditto watching the horror on smart guy gangster Eddie Mars face after being outsmarted because he had sent a small time grafter to his doom when prime private detective Phillip Marlowe, spending the whole film trying to do the right thing for an old man with a couple of wild daughters, ordered him out the door to face the rooty-toot-toot of his own gunsels who expected Marlowe to be coming out in The Big Sleep. How about song and dance man Dick Powell turning Raymond Chandler private eye helping big galoot Moose Malone trying to find his Velma and getting nothing but grief and a few stray conks on the head chasing Claire Trevor down when she didn’t want to be found having moved uptown with the swells in Murder, My Sweet. Those were some of the beautiful and still beautiful classics whose lines you can almost hear anytime you mention the words film noir.


In the old days before I retired I always liked to sketch out a film’s plotline to give the reader the “skinny” on what the action was so that he or she could see where I was leading them. I will continue that old tradition here (as I did with Terror Street and The Black Glove and will do in future Hammer Production vehicles to be reviewed over the coming period) to make my point about the lesser production values of the Hammer products. Lloyd Bridges is a music guy (not a trumpeter which might have given him some juices but some kind of second-string composer) who is in Spain on holiday as they say in England, Britain, the United Kingdom, or whatever when he runs into an old war buddy who seems to be in trouble. And he is since he winds up dead, very dead, for some unknown transgression. Seems that this war buddy had run afoul of an international smuggling ring centered in Spain and run by some mal hombres from the look of them and had to pay the price for his treason. Naturally clean-cut good guy Lloyd figures out what was what and the bad guys fell down, fell down hard once he put the hammer to them. Vaya con dios mal hombres.     

That is the gist of the main crime story but what this one really was about if you looked at time spent on the subject was his romance with this Spanish senorita, played by Simone Silva,  who was running a dance school, a folkloric dance school teaching the ninas how to do the old time dances and doing a pretty good job of it. So between bouts of fighting crime Lloyd was keeping company with his coy mistress.   


Better that Terror Street but not as good as The Black Glove although it can’t get pass that Blue Gardenia second tier in the film noir pantheon. Sorry Hammer.