Friday, October 20, 2017

An Encore -He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind

An Encore -He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind


From The Pen Of Bart Webber

Jack Dawson was not sure when he had heard that the old long-bearded son of a bitch anarchist hell of a songwriter, hell of a story-teller Bruce “Utah” Phillips caught the westbound freight, caught that freight around 2007 he found out later a couple of years after he too had come off the bum this time from wife problems, divorce wife problems (that "westbound freight" by the way an expression from the hobo road to signify that a fellow traveler hobo, tramp, bum it did not matter then the distinctions that had seemed so important in the little class differences department when they were alive had passed on, had had his fill of train smoke and dreams and was ready  to face whatever there was to face up in hobo heaven, no, the big rock candy mountain that some old geezer had written on some hard ass night when dreams were all he had to keep him company). That “Utah” moniker not taken by happenstance since Phillips struggled through the wilds of Utah on his long journey, played with a group called the Utah Valley boys, put up with, got through a million pounds of Mormon craziness and, frankly, wrote an extraordinary number of songs in his career by etching through the lore as he found it from all kinds of Mormon sources, including some of the dark pages, the ranch war stuff, the water stuff not the polygamy stuff which was nobody's business except the parties involved of those latter day saints.

For those who do not know the language of the road, not the young and carefree road taken for a couple of months during summer vacation or even a Neal Cassady and Jack Kerouac-type more serious expedition under the influence of On The Road (what other travelogue of sorts would get the blood flowing to head out into the vast American Western night) and then back to the grind but the serious hobo “jungle” road like Jack Dawson had been on for several years before he sobered up after he came back from ‘Nam, came back all twisted and turned when he got discharged from the Army back in 1971 and could not adjust to the “real world” of his Carver upbringing in the East and had wound up drifting, drifting out to the West, hitting California and when that didn’t work out sort of ambled back east on the slow freight route through Utah taking the westbound freight meant for him originally passing to the great beyond, passing to a better place, passing to hard rock candy mountain in some versions here on earth before Black River Shorty clued him in.

Of course everybody thinks that if you wind up in Utah the whole thing is Mormon, and a lot of it is, no question, but when Jack hit Salt Lake City he had run into a guy singing in a park. A guy singing folk music stuff, labor songs, travelling blues stuff, the staple of the genre, that he had remembered that Sam Lowell from Carver High, from the same class year as him, had been crazy for back in the days when he would take his date and Jack and his date over to Harvard Square and they would listen to guys like that guy in the park singing in coffeehouses. Jack had not been crazy about the music then and some of the stuff the guy was singing seemed odd now too, still made him grind his teeth.  but back then it either amounted to a cheap date, or the girl actually liked the stuff and so he went along with it.

So Jack, nothing better to do, sat in front of guy and listened. Listened more intently when the guy, who turned out to be Utah (who was using the moniker “Pirate Angel” then, as Jack was using "Daddy Two Cents"  reflecting his financial condition or close to it, monikers a good thing on the road just in case the law, bill-collectors or ex-wives were trying to reach you and you did not want to reached), told the few bums, tramps and hoboes who were the natural residents of the park that if they wanted to get sober, if they wanted to turn things around a little that they were welcome, no questions asked, at the Joe Hill House. (No questions asked was right but everybody was expected to at least not tear the place up, which some nevertheless tried to do.)


That Joe Hill whom the sobering up house was named after by the way was an old time immigrant anarchist who did something to rile the Latter Day Saints up because they threw he before a firing squad with no questions asked. Joe got the last line though, got it for eternity-“Don’t mourn (his death), organize!”                   

Jack, not knowing anybody, not being sober much, and maybe just a tad nostalgic for the old days when hearing bits of folk music was the least of his worries, went up to Utah and said he would appreciate the stay. And that was that. Although not quite “that was that” since Jack knew nothing about the guys who ran the place, didn’t know who Joe Hill was until later (although he suspected after he found out that Joe Hill had been a IWW organizer [Wobblie, Industrial Worker of the World] framed and executed in that very state of Utah that his old friend the late Peter Paul Markin who lived to have that kind of information in his head would have known. See this Joe Hill House unlike the Sallies (Salvation Army) where he would hustle a few days of peace was run by this Catholic Worker guy, Ammon Hennessey, who Utah told Jack had both sobered him up and made him some kind of anarchist although Jack was fuzzy on what that was all about.

So Jack for about the tenth time tried to sober up, liquor sober up this time out in the great desert (later it would be drugs, mainly cocaine which almost ripped his nose off he was so into it that he needed sobering up from). And it took, took for a while.        

Whatever had been eating at Jack kept fighting a battle inside of him and after a few months he was back on the bottle. But during that time at the Joe Hill House he got close to Utah, as close as he had gotten to anybody since ‘Nam, since his friendship with Jeff Crawford from up in Podunk Maine who saved his ass, and that of a couple of other guys in a nasty fire-fight when Charley (G.I. slang for the Viet Cong originally said in contempt but as the war dragged on in half-hearted admiration) decided he did indeed own the night in his own country. Got as close as he had to his corner boys like Sam Lowell from hometown Carver. Learned a lot about the lure of the road, of drink and drugs, of tough times (Utah had been in Korea) and he had felt bad after he fell off the wagon. But that was the way it was. 
Several years later after getting washed clean from liquor and drugs, at a time when Jack started to see that he needed to get back into the real world if he did not want to wind up like his last travelling companion, Denver Shorty, whom he found face down one morning on the banks of the Charles River in Cambridge and had abandoned his body fast in order not to face the police report, he noticed that Utah was playing in a coffeehouse in Cambridge, a place called Passim’s which he found out had been taken over from the Club 47 where Sam had taken Jack a few times. So Jack and his new wife (his and her second marriages) stepped down into the cellar coffeehouse to listen up.


As Jack waited in the rest room area a door opened from the other side across the narrow passageway and who came out but Utah. As Jack started to grab his attention Utah blurred out “Daddy Two Cent, how the hell are you?” and talked for a few minutes. Later that night after the show they talked some more in the empty club before Utah said he had to leave to head back to Saratoga Springs in New York where he was to play at the CaffĂ© Lena the next night.         


That was the last time that Jack saw Utah in person although he would keep up with his career as it moved along. Bought some records, later tapes, still later CDs just to help the brother out. In the age of the Internet he would sent occasional messages and Utah would reply. Then he heard Utah had taken very ill, heart trouble like he said long ago in the blaze of some midnight fire, would finally get the best of him. And then somewhat belatedly Jack found that Utah had passed on. The guy of all the guys he knew on the troubled hobo “jungle” road who knew what “starlight on the rails” meant to the wanderers he sang for had cashed his ticket. RIP, brother.

“Strobe Light’s Beams Creates Dreams”-The Summer Of Love, 1967-The Boston Museum Of Fine Arts Take

“Strobe Light’s Beams Creates Dreams”-The Summer Of Love, 1967-The Boston Museum Of Fine Arts Take   







By Political Commentator Frank Jackman  
  
Early this year driven by my old corner boys, Alex James and Sam Lowell, I had begun to write some pieces in this space about things that happened in a key 1960s year, 1967. The genesis of this work is based on of all things a business trip that Alex took to San Francisco earlier this spring. While there he noted on one of the ubiquitous mass transit buses that crisscross the city an advertisement for an exhibition at the de Young Art Museum located in Golden Gate Park. That exhibition The Summer of Love, 1967 had him cutting short a meeting one afternoon in order to see what it was all about. What it was all about aside the nostalgia effect for members of the now ragtag Generation of ‘68 was an entire floor’s worth of concert poster art, hippy fashion, music and photographs of that noteworthy year in the lives of some of those who came of age in the turbulent 1960s. The reason for Alex playing hooky was that he had actually been out there that year and had imbibed deeply of the counter-culture for a couple of years out there after that.
Alex had not been the only one who had been smitten by the Summer of Love bug because when he returned to Riverdale outside of Boston where he now lives he gathered up all of the corner boys from growing up North Adamsville still standing to talk about, and do something about, commemorating the event. His first contact was with Sam Lowell the old film critic who also happened to have gone out there and spent I think about a year there, maybe a little more. As had most of the old corner boys for various lengths of time usually a few months. Except me. Alex’s idea when he gathered all of us together was to put together a small commemoration book in honor of the late Peter Paul Markin. See Markin, always known as “Scribe” after he was dubbed that by our leader Frankie Riley, was the first guy to go out there when he sensed that the winds of change he kept yakking about around the corner on desolate Friday and Saturday nights when we had no dough, no girls, no cars and no chance of getting any of those quickly were coming west to east.


Once everybody agreed to do the book Alex contacted his youngest brother Zack, the fairly well known writer, to edit and organize the project. I had agreed to help as well. The reason I had refused to go to San Francisco had been that I was in the throes of trying to put together a career as a political operative by attempting to get Robert Kennedy to run against that naked sneak thief of a sitting President, Lyndon Baines Johnson, who had us neck deep in the big muddy of Vietnam and had no truck with hippies, druggies or “music is the revolution” types like those who filled the desperate streets around Haight-Ashbury. Then.  Zack did a very good job and we are proud of tribute to the not forgotten still lamented late Scribe who really was a mad man character and maybe if he had not got caught up in the Army, in being drafted, in being sent to Vietnam which threw him off kilter when he got back he might still be around to tell us what the next big trend will be.              


The corner boys from the old Acre neighborhood in North Adamsville are, as the article below demonstrates, not the only ones who are thinking about the 50th anniversary of the Summer of Love. Not only did the de Young cash in on the celebration which is to be expected since it is right in San Francisco and right in Golden Gate Park where the Be-Ins, and many concerts by Jefferson Airplane, The Grateful Dead, Janis Joplin and Big Brother and the Holding Company, the Doors, etc. played (many times for free if you can believe that in the now age of high priced tickets for the Stones, etc.) but the Museum of Fine Arts in staid old Boston has tipped its hat as well. The exhibit in Boston unlike San Francisco is small and concentrates on the graphic poster art and photographs but is similar in intent to the larger exhibits (also one at the Berkeley Art Museum around the same time as the de Young). Boston had its own smaller Summer of Love experience as well in 1967 but it was a pale refection of the big deal in Frisco town     


Still no question as I have mentioned before around this celebration year 50 years later looking at the art, the posters, photographs and listening to the music makes me once again realize that in that time “to be young was very heaven.”    


From Courage To Resist -Support The Resistance

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oct 2017 pdf newsletter

Thank you again for contributing to Chelsea Manning's freedom, and supporting war resisters like Ryan and Jenna Johnson. Now let's get some justice for Reality Winner!

Support the resistance. Donate to Courage to Resist today.

Hi. One year ago, I was asking folks such as yourself to donate, likely for a second or third time, to Chelsea Manning's defense efforts. At the time, Chelsea continued to languish in the Fort Leavenworth military prison, facing down the remaining 27 years on her sentence for exposing war crimes and the reality of the US wars in Iraq and Afghanistan. After seven years of building support for Chelsea, and funding her legal teams, I wouldn't have blamed you for being skeptical that one more donation could lead to her release any time soon.
Yet, following former President Obama's last-minute commutation of Chelsea's sentence, she's again in the headlines. Not as a prisoner, but as a young woman travelling the country advocating for social justice—including being invited and disinvited to teach at Harvard just last week. Wow. Just wow.
Chelsea's trial attorney David Coombsrecently shared with us his insight on what happened:
"Because of our trial strategy, and more importantly because of the efforts outside of the courtroom in positively portraying Manning, the message was that [Chelsea] was not the type of person who deserves 35 years. Ultimately, even though a judge was not convinced of that, a President of the United…
In short, Chelsea Manning is free because people like yourself signed petitions, called the White House switchboard, marched in the streets, and gave money to her defense. Thank you!
Today, Courage to Resist is at it again. Again, we need your help.
We've taken up the fight to support whistleblower Reality Leigh Winner. A young woman facing the wrath of Trump's Justice Department for sharing a classified NSA report with the media that allegedly detailed how foreign agents were attempting to undermine the integrity of the 2016 US presidential election. Just out of the Air Force, she's being held without bail and faces 10 years in prison for attempting to alert US citizens to weaknesses in our election systems—and to hold President Trump accountable for addressing them.
This case may become the most substantial First Amendment challenge to the antiquated 100-year-old Espionage Act yet. With the Justice Department now regularly using the Espionage Act against whistleblowers—and not spies as was originally intended—US v. Winner can be expected to set significant legal precedents.
Reality and her team of attorneys are hopeful that they will be able to win her release on bail prior to her March 2018 scheduled trial in Augusta, Georgia.
Not all of our work makes national headlines. One example, that we're just now able to share, is the case of Iraq War resister Ryan Johnson. Ryan had been AWOL from the Army for over 11 years, after resisting deployment to Iraq. He spent much of that time living in Canada and organizing fellow war objectors. For personal reasons, Ryan returned to the United States, and to the US Army to resove his legal situation.
During Ryan's court martial, we agreed with Ryan's decision to downplay his history of activism, in the hopes of getting a shorter prison sentence. In this context, we were not able to raise significant funds for him by way of direct appeals. Regardless, we helped support his wife Jenna while Ryan was jailed at the Miramar Naval Brig near San Diego for much of last year. Recently, upon Ryan's release, we helped the two of them resettle in the Denver area, providing them with over $10,000 beyond what donors contributed directly to their earmarked support fund.
p.s. For up-to-date information about Reality Winner, and to donate to her defense online, visit standwithreality.org. To donate by check to Reality Winner's defense fund, send to Courage to Resist, 484 Lake Park Ave #41, Oakland CA 94610, and note "Reality Winner" on the memo line.
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On The 60th Anniversary Of Jack Kerouac's "On The Road"(2017)-Poets’ Corner- The Zen Of The “Beats”- The Poetry Of Gary Snyder

On The 60th Anniversary Of Jack Kerouac's "On The Road"(2017)-Poets’ Corner- The Zen Of The “Beats”- The Poetry Of Gary Snyder

http://www.english.illinois.edu/Maps/poets/s_z/snyder/life.htm

Click on the title to link to an "American Modern Poetry" entry for the "beat" poet, Gary Snyder.

Book Review

Riprap And Cold Mountain Poems, Gary Snyder, Counterpoint, 2009


As circumstances would have it I recently have been going through a reading, or in most cases a re-reading, of many of the classics of the 1950's "beat" literary scene as a result of getting caught up in marking the 40th anniversary of the death of Jack Kerouac. Thus, I have re-read Kerouac's classic "On The Road", Allen Ginsberg's great modernist poem, "Howl", and the madman of them all, William Burroughs' "Naked Lunch". And along the way, after a 40 year hiatus, Kerouac's "Dharma Bums".

That is where the connection to this recent release of poetry by one of the key West Coast figures in the "beat' movement, Gary Snyder, an early American devotee to Zen Buddhism comes in full force. "Dharma Bums" is a novelistic treatment of Jack Kerouac's bout with Zen enlightenment, with Buddha and with his own inner demons. And central to guiding old Jack through the Zen experience was the aficionado, Gary Snyder, posing under the name Japhy Ryder. I noted in a review of that novel that while I could appreciate the struggle to find one's inner self that dominated that novel I was more in tune with Dean Moriarty's more adrenaline- formed material world adventure quest than Ryder's.

This characterization, however, never encapsulated Gary Snyder's poetry that, while not as to my liking as Allen Ginsberg's rants against the post-industrial world , nevertheless was superior to his when comparisons between their poetic understanding of Buddhism were in play. Snyder was, and I presume off of the reading here still is, serious about the Zen of existence. Ginsberg was all over the place, and I think what really influenced him came from the cabalistic tradition in Jewish life, despite his very OM-saturated period in the 1960s. Read the "Han Shan" poems in this collection first, and then Snyder's and you will see what I mean.

Four Poems for Robin
by Gary Snyder


Siwashing It Out Once in Suislaw Forest

I slept under rhododendron
All night blossoms fell
Shivering on a sheet of cardboard
Feet stuck in my pack
Hands deep in my pockets
Barely able to sleep.
I remembered when we were in school
Sleeping together in a big warm bed
We were the youngest lovers
When we broke up we were still nineteen
Now our friends are married
You teach school back east
I dont mind living this way
Green hills the long blue beach
But sometimes sleeping in the open
I think back when I had you.

A Spring Night in Shokoku-ji

Eight years ago this May
We walked under cherry blossoms
At night in an orchard in Oregon.
All that I wanted then
Is forgotten now, but you.
Here in the night
In a garden of the old capital
I feel the trembling ghost of Yugao
I remember your cool body
Naked under a summer cotton dress.

An Autumn Morning in Shokoku-ji

Last night watching the Pleiades,
Breath smoking in the moonlight,
Bitter memory like vomit
Choked my throat.
I unrolled a sleeping bag
On mats on the porch
Under thick autumn stars.
In dream you appeared
(Three times in nine years)
Wild, cold, and accusing.
I woke shamed and angry:
The pointless wars of the heart.
Almost dawn. Venus and Jupiter.
The first time I have
Ever seen them close.

December at Yase

You said, that October,
In the tall dry grass by the orchard
When you chose to be free,
"Again someday, maybe ten years."

After college I saw you
One time. You were strange.
And I was obsessed with a plan.

Now ten years and more have
Gone by: I've always known
where you were--
I might have gone to you
Hoping to win your love back.
You still are single.

I didn't.
I thought I must make it alone. I
Have done that.

Only in dream, like this dawn,
Does the grave, awed intensity
Of our young love
Return to my mind, to my flesh.

We had what the others
All crave and seek for;
We left it behind at nineteen.

I feel ancient, as though I had
Lived many lives.
And may never now know
If I am a fool
Or have done what my
karma demands.

Hay for the Horses
by Gary Snyder


He had driven half the night
From far down San Joaquin
Through Mariposa, up the
Dangerous Mountain roads,
And pulled in at eight a.m.
With his big truckload of hay
behind the barn.
With winch and ropes and hooks
We stacked the bales up clean
To splintery redwood rafters
High in the dark, flecks of alfalfa
Whirling through shingle-cracks of light,
Itch of haydust in the
sweaty shirt and shoes.
At lunchtime under Black oak
Out in the hot corral,
---The old mare nosing lunchpails,
Grasshoppers crackling in the weeds---
"I'm sixty-eight" he said,
"I first bucked hay when I was seventeen.
I thought, that day I started,
I sure would hate to do this all my life.
And dammit, that's just what
I've gone and done."

Thursday, October 19, 2017

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-When You’re Lost In The Rain In Sonora -“Tristessa”

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-When You’re Lost In The Rain In Sonora -“Tristessa”



In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)

By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis) 
Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my oldest brother Alex who was washed clean in the Summer of Love, 1967 but must have known the edges of Jack’s time since he was in high school when real beat exploded on the scene in Jack-filled 1957, they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all Jack’s kid stuff high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the poet princely mean streets of New York, Chi town, Mecca beckoning North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps (and the fleas were real no time for metaphor down in the bowels where the cowboy junkies drowse in endless sleeps, raggedy winos toothless suck dry the dregs and hipster con men prey on whoever floats down), half stirred left on corner diners’ coffees and groundling cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when the acolytes and bandit hangers-on  came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands).
Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back which has caused more riffs and bad words than I want to yell about here).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine and so only an honorary corner boy after hitching up with the Scribe out on a Russian Hill dope-filled park), Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker, what did Jack call his generation’s such, oh yeah, holy goofs,   who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before 1967 (and which nobody in the crowd paid any attention to, or dismissed out of hand, what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s travel adventure book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain, desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end down some dusty Jack-strewn road in Mexico cocaine deal blues. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law back then when the coppers were just waiting for corner boy capers to explode nay Friday or Saturday night, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also like Alex a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else.) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through the Scribe via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           



Book Review

Tristessa, Jack Kerouac, Avon Press, New York, 1960 

…sure she was a whore, a small buxom brown-skinned with dancing eyes mex whore with nice sex hips, sex thighs and sex legs, with the blood of about six civilizations, mex, gringo, atzec, spain, carib, injun who knows what else got mixed in, maybe more, all mixed together, but a whore nevertheless, she never said otherwise, and he, Jack Deval, never believed otherwise, and that was her attraction, that and her ability to drive him up a wall with her little bag of whore tricks passed down from older sisters, and who knows maybe going back to some Eve whore bag. Still he dug her, dug her fire, dug her desire, often expressed, to be the best whore in Mexico (expressed in a desire to graduate to some big Mexico City bordello and show the gringos that flocked to those establishments what a mex whore could do, and not do, if he was generous enough, and to give each man she serviced not what he wanted, but what he needed). She studied sex books and sexy literature, some of it kind of high-brow, and not all only modern either, for a while in order to prep herself for the move up.

Yah, he dug, her, her and even, for a while, her sister habit that was keeping her in Sonora and away from Mexico City mex whore dreams (and around him as long as he dug her). He dug too, that while she was a whore, she had something else, something white, pure white, saving white, in that fellahin dusty Sonora world not saint, not church saint (although she confessed to him that she liked to do her anointed work in church sometimes and then confess to a priest right after thus saving steps, time, and the hypocrisy of staring old peasant women eyes. Sometimes she could hear the priest’s breathe quicken and she would add a couple of extra details, usually how she took it in her mouth or up her bum, to get him going even more to cut down on the penance.), when after making love, or after she met sister (and he bonged the weed or hash pipe) they talked about dreams, about the other world (not heaven or hell but some state where things were cool, cool when all the craziness of the world passed them by) 

Her name, her whore name? Hope, you know but in mex hope. Her real name, her sanctified name, Happy but in mex happy. Where did they meet? Where the hell do you think they met, in church ? Nah, not him , although the thought turned him on sometimes, he could never get up the nerve to break with his boyhood awe of the incense, the wine (he had been an altar boy),the high holy day choir, the plainsong of the church, the search for meaning in this wicked old world that he still craved and was trying to get a handle on down in the fellahin Sonora nights. They met in the bar at the Durango Hotel when he blew into town from Juarez , she, off duty just then, sized him up as a long gone daddy from Estados Unidos, maybe had some dough, or some wisdom (at least that is what she said later, although that could have been a con, she was always conning him and everybody that she knew, except her pimp, Felipe, who had given her a few too many welts to con), came over and offered to buy him a drink, he said scotch, she said okay and what else. That night she had on her tight dress that showed all the boys what she had without showing them all she had, the one that was split down one side so that all those hungry boys could see a little silky brown thigh and imagine, well, just imagine whatever guys imagine when they see that much skin, and inflame that much desire.

Before long they were talking the spiritual talk that he mentioned before and she told him, in the same tone she would use if she were a librarian, that she was a whore (she didn’t go into the details of her expected career path that night), but that she was off the clock and kind of man hungry, and he looking kind of fellaheen beat, beatified beat, gringo beat, and not some texas cowboy beat that usually came into the Durango, or hell no, some mex fellaheen beat that was all around her, drew her eye. They finished their drinks and hustled off to her room (her own room, not her whore room a couple of streets over, that would come later), a room in the pobre mex part of town, all crazy and million people, kin, not kin, ninos, hermanos, whatever, and some barnyard animals floating around the lobby of the building. She said not a word, nor did he, but both as if in a trance blazed through the craziness, their first mex adventure. 

As they climbed the stairs to her third floor room she stopped on the second floor, knocked on the door, and an old geezer beat gringo daddy, later he would be introduced as Sunshine Sam, came to the door. Nothing was said but Sam went away and came back a couple of minutes later with small wrapped package and some cigarettes that had the distinct smell of weed. Okay, it was going to be that kind of party. That night was the first time in his presence where she met sister, although it would not be the last, not by a long shot. And he smoked that righteous mex gold weed. 

What did Jack say she said before, oh yah, she didn’t care about what a man wanted but what he needed. That night, sister high which seemed counter-intuitive to him from what he had seen in ‘Frisco and the Village where those sister adapts tended to go coma-like, she displayed all her arts, or as much as he could handle before crying no mas early the next morning. She just smiled and started playing with herself with a little sex toy she took out of her bureau drawer. After she aroused herself and let out an immense murmur she too cried no mas and they both fell asleep, both sweaty in the mex night. Next day she resolved and he put up no argument that he would move in, do his writing there and they would talk, world talk,have sex, world sex, and let the craziness of dusty mex streets, the world craziness, float past. 

Of course like all thing, all Jack Deval things, the routine of mex living, mex whore living, the thing could not, would not, last forever, or even six months.Hope was getting deeper in the sister trenches, making less dough since her pimp was taking a bigger cut sensing maybe that her days as a meal ticket were getting shorter and since she had lost her place at the Durango pick-up and was working the desperado streets against some just off the farm peasant whores, and was frankly less sexy, and less interested in sex as they progressed. Jack, for his part, came to recognize that his secular beat saint program was not going to work, not compared to what Sunshine Sam had to offer. One night, one rainy night, mud puddles forming in the dirt-encrusted streets he walked down those three flights of stairs while Happy was out working a texas cowboy trick, walked toward the bus station and headed for El Paso, and world sorrows. He never did hear from other guys who headed to Sonora later what happened to her (although he could guess) but he always remembered those nights when she gave him what he needed, and he would tip his fingers to his hatless head and whisper her name, happy. 

Breaking news: Developer PAC Issues Call to Action Against Socialist

  
Super PACs, including a GOP-linked PAC, are trying to buy another election by pouring money into the Minneapolis City Council races. We can’t let them buy our elections.  Donate $50, $25, or $15 now to tip the scales in favor of working people.

Friends,
The attacks have begun. The Star Tribune reported today that downtown developers and corporate donors plan to spend big through at least three PACs, including a Republican-aligned PAC, to influence the Minneapolis elections in favor of the 1%.
According to the article, “[Downtown Council President Steve] Cramer, Jonathan Weinhagen, president of the Minneapolis Chamber, and Kevin Lewis, president of the Building Owners and Managers Association, used their e-mail soliciting donations to highlight Ginger Jentzen, a Socialist candidate for the council seat that will be vacated by mayoral candidate and Council Member Jacob Frey.
“If you thought it was impossible for a committed Socialist to run on a platform of rent control and establishing a municipal income tax … meet: Ginger Jentzen,” they wrote, adding that she is the “leading candidate” in the Third Ward.”
The call to action from big developers and corporate donors is aimed directly at attacking our movement. This past week, the corporate developer PAC “Minneapolis Works!” bombarded at least 4 wards with mailers riddled with distortions, painting pro-developer, establishment candidates as progressives in an attempt to confuse working people.
Infuriated by the historic transfer of wealth from CEOs to ordinary workers with the passage of $15 and paid sick leave, and fearful of rent control, they are determined to defeat candidates who threaten their big money interests. The PAC’s donors include millionaire developer Steve Minn; Downtown Council President Steve Cramer, and CEO of the Minneapolis Chamber of Commerce Jonathan Weinhagen, both of whom fought ferociously against a $15/hour minimum wage and paid sick time.
It’s clear - big developers are trying to buy our election.

According to the Star Tribune, “[Minneapolis Works!] is also asking for corporations to donate to the Minnesota Jobs Coalition, a Republican-leaning organization, which will funnel the money to Minneapolis Works.”

This is only the beginning. Our campaign has been on the cutting edge of calling for rent control and taxing the rich. We can expect waves of attack mailers, potentially radio and TV ads, and more, all designed to mislead people in the final days before the election on November 7th.
But we can overcome the power of corporate PACs and their war chests if we continue our grassroots organizing.
To respond to these attacks, we to need to print new literature in the next week to reach out to the nearly 30,000 voters in ward 3 with our pro-renter, pro-working families message. This is an enormous feat, and we are counting on you to help. We need to raise $10,000 in the next week. That’s a lot of money, but if 100 people donate $100, then we can do it.
In solidarity,
Team Ginger
Contribute
Prepared and paid for by Vote Ginger Jentzen (not corporate cash
PO Box 583162 Minneapolis, MN 55458

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