The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-They Shoot CD Players (Or iPODs) Don’t They- With Elvis’ Version Of Harbor Lights In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-They Shoot CD Players (Or iPODs) Don’t They- With Elvis’ Version Of Harbor Lights In Mind

Sketches From The Pen Of Frank Jackman

Harbor Lights Lyrics
(words & music by H. Williams - J. Kennedy)

I saw the harbor lights

They only told me we were parting

Those same old harbor lights

That once brought you to me.

I watched the harbor lights

How could I help it?

Tears were starting.

Good-bye to golden nights

Beside the silvery seas.

I long to hold you dear,

And kiss you just once more.

But you were on the ship,

And I was on the shore.

Now I know lonely nights

For all the while my heart keeps praying

That someday harbor lights

Will bring you back to me.

***********

Some people have asked, although I am not one of them, if there was music before 1950s rock ‘n’ roll, before what is now called the classic age of the genre. Usually such people are young, or were born well after what is now called the classic age of rock and roll became the classic age. So they ask was there music before hip-hop nation beat down the doors, or if any other genre that has struck their interest like techno-rock that might have formed the basis for their question. In fact having thought about the question for a while I got jolted one day when I listened on the radio to an interview with a famous classic rock star who put the question a different manner-will rock and roll ever die? His answer, and this is the part that shocked me for a moment, was there would always be a niche, a niche for Chrissakes, for rock even as now it has moved from the center of the music universe. The shock coming from my own impression that rock and roll as an old time song had it would never die. So rock will fade to the sidelines and be just another piece of entertainment like our pre-rock parents and their swing and jitter-buggery.    

But rock, rock as I knew it, I, Frank Jackman, who lived for the latest 45 RPM records (those were single song two- sided pieces of vinyl which you can find examples of on YouTube when somebody puts a classic rock song up) to hit the stores along with my corner boys was the basis for the question back then. Back in the 1950s when the world was young and America, young America, still had that capacity to wonder before the lamp went out in the next decade. Wonder just like Scott Fitzgerald pointed out about those who founded places like New York City, the Mecca for a lot of things, including the production of those 45 RPM records that I mentioned. People like those Dutch sailors with the Van names must have felt when they saw that “fresh green breast of the new world” coming up the Long Island Sound. And wondering rightly so since what we heard before, heard to perdition was some vanilla stuff that our parents liked but I will get to that later.

In other words time, new millennium time, has left classic rock for the aficionados or for, well, old fogies, you know the AARP-worthy denizens whose demographics form the basis for rock musical compilations and “oldies but goodies” revivals with now ancient heartthrobs from back in the day who have lost a step or three coming out on some massive dwarfing stage bright lights lit and lip-synch, yes, lip-synch their greatest hits (or hit in the case of those important musical one-hit johnnie and janies who formed more of the industry than usually is acknowledged). But there, believe it or not, but “take my word from me” like old Rabbit Brown used to say his song James Alley Blues, were other types of music, music that helped formed rock and roll that I found out about later after I had had my fill of 45 RPM records and corner boys and wanted to dig into the history of the American songbook, see what drove earlier generations of the young to seek their own jailbreak out from their parents music.     

So of course there was music before rock, I had better say classic rock so nobody gets confused, and I have taken some pains to establish the roots of rock back to Mississippi country blues around the turn of the century, the 20^th century, when all those freed slaves who thought they were economically free and not just manacle-free wound up working for Mister in his twenty-eight thousand acres of the best bottomland in Mississippi for a pittance. Kept in line, and here is where the bitch of the thing is by a guy, well, not really a guy but a way of life, a legal, political, economic and social way of life, named after a guy maybe, one Mister James Crow, and so those freed blacks who slaved on Mister’s land had to blow off steam and that was the basic of the blues, and I don’t mean blues like when a guy has a good girl who done him wrong on his mind. Hell that problem was easy to solve. What I mean is when Mister, or his Captain, pushed the pace all week (half a day Saturday included) and every worthy buck and every good-looking gal, big thighed or not, hit Jimmie Jack’s juke joint to listen to some itinerant brother with a broken down guitar (hell maybe just a board and string if times were tough) wail away about that damn Captain, his, the singer’s, unfaithful women and about how “the devil’s gonna get him” if he didn’t stop chasing those very women, drinking that applejack, and gambling his wages away in some back alley crap shoot, for nickels and dimes in the pot (and some of Jimmie Jack’s homemade brew) and got the crowd swaying and clapping their hands to the beat on See See Rider or Mississippi Highwater Rising. Yeah, that’s the start. Okay.

Too far back for you, too much root? Okay let’s travel up the river, the Big Muddy, maybe stop off at Memphis for a drink, and to nurse the act, before hitting the bitch city, Chicago, hog butcher, steel-maker and every other kind of tool and appliance-maker to the new industrial world just ask Carl Sandburg. But also maker by proxy of the urban blues, those old hokey plantation Son House/Charley Patton/ Blind Blake (and a million other guys with Blind in front of their names) juke joint Saturday night full of homemade blues turned electric with the city and turned guys like plain boy Muddy Waters and Howlin’ Wolf (you would laugh at their real names although you would not do that in their presence, especially the Wolf because he would cut you bad, real bad) into the kings of  Maxwell Street and all the streets around with back-up and all putting just the right twist on Look Yonder Wall, Rocket 88, Hoochie Goochie Man and Little Red Rooster (with kudos to Willie Dixon on that one too but first heard not by Wolf but by the “classic” rock the Stones, so how is that for cache). So, yeah, electric blues as they traveled north to the heartland industrial cities

Jazz too maybe a little Duke and Benny swing as it got be-bopped and hurried up the beat, for the drum action, for the “it don’t mean a thing if you ain’t got that swing” that took over after a while once the old tine Scott Fitzgerald Jazz Age got waylaid by the Great Depression and World War II. But Dizzy, Charlie, Thelonius too with that cool, detachment mood that spoke to the beat down, the beaten down, the big blast beaten fellahin world. Certainly throw in rhythm and blues, north and south, throw in big time one Mister Big Joe Turner toot-tooting his sweet mama to Shake, Rattle and Roll that had all those alienated, angst-ridden white guys (whether they knew they were alienated or not like some model James Dean) lined up to cover the damn thing. Yeah guys like Elvis (when he was young and hunger working the hayride circuit for nickels and dimes, and an off-hand willing woman), Bill Haley when he needed to kick his act up a notch, and Jerry Lee when he needed to put fire into that piano.

Then came alone a strange mix and match, rockabilly as it came out of the white small town South, Tupelo, Biloxi, Lake Charles, Lafayette, a little Cajun thrown in. Jesus, the smaller the town it seemed the more the guys wanted to breakout, wanted to push the envelope of the music, wanted to get away from that “from hunger” look, wanted that big bad Caddy they saw in the golden age of the automobile magazines. Came out with those same boys lining up to sing Joe Turner, hungry Elvis, Carl, Johnny, Jerry Lee, to sing black along with that good old boy Saturday night moonshine tucked in the back seat of that bad ass Chevy looking, looking for danger, and looking for women to sing to who were looking for danger. Country boys, yeah, but not hokey George Jones country boys these guys wanted to breakout of  Smiley’s Tavern over on Highway One, wanted girls to dance on the tables, wanted guys to get up and dance with those Rubys and red-headed girls. Yeah, they mixed it and matched like big time walking daddies (and I hear had fun doing it, hell, it beat eking out a living clerking at Mister Smith’s feed store.  

What rock and roll owed little to, or at least I hope that it owes little to, is that Tin Pan Alley/ Broadway show tune axis part of the American songbook. You know Cole Porter, George Gershwin, Oklahoma, Singing in the Rain, Over The Rainbow stuff. That part of the songbook seems to me to be a different trend away from that jailbreak song that drove us wild and one that was reflected in a CD compilation review I did one time (for the young, maybe the very young, CDs were discs loaded with a bunch of songs, some you liked, maybe three, and the  rest you had to buy as well because you desperately wanted those three not like today when you just hopped on some site to grab something you liked one at a time and download it, presto), The 1950s: 16 Most Requested Songs, which really was about the 16 most requested song before the rock jailbreak of the mid-1950s. Yeah, not exactly stuff your parents liked but stuff that maybe was good if you a “hot” date that did not turn out well and you listened to it endlessly on your defeated way home. Yeah, let’s be clear about that, that stuff your older brothers and sisters already halfway to that place where your parents lived swooned over, not you.

I have along the way, in championing classic rock as the key musical form that drove the tastes of my generation, the generation of ’68, contrasted that guitar-driven, drum/bass line driven sound to that of my parents’ generation, the ones who survived the Great Depression of the 1930s and fought or waited impatiently at home World War II, and listened to swing, jitter-buggery things and swooned (they really did check YouTube if you don’t want to take my word from me) over big bands, brass and wind swings bands, Frank Sinatra, the Andrews Sisters and The Mills Brothers, among others. In other words the music that, we of the generation of ’68, heard as background music around the house as we were growing up. Buddha Swings, Don’t Sit Under The Apple Tree, Rum and Coca-Cola, Paper Dolls, Tangerine, and the like. Stuff that today sounds pretty good, if still not quite something that “speaks” to me. That is not the music that got us moving to break out and seek a newer world, to try to scratch out an existence in a world that we had not say in creating and dream, dream do you hear me, about turning the world upside down and keeping it that way for once. I remember writing in that review that the music in that compilation drove me up a wall and I was ready to shoot my CD player, the instrument that I heard it on, once I heard it (younger reader just put “shoot your iPod” and we will be on the same page.

No, this was the music that reflected, okay, let’s join the cultural critics’ chorus here, the attempted vanilla-zation (if such a word exists) of the Cold War Eisenhower (“I Like Ike”) period when people were just trying to figure out whether the Earth would survive from one day to the next. Not a time to be rocking the boat, for sure. Once things stabilized a bit though then the mad geniuses of rock could hold sway, and while parents and authorities crabbed to high heaven about it, they found out that you could let that rock breakout occur and not have everything wind up going to hell in a hand basket. Mostly. But this music, these 16 most requested songs were what we were stuck with before then. Sure, I listened to them then like everyone else, everyone connected to a radio, but this stuff, little as I knew then, did not “speak” to me. And unlike some of that 1940s stuff still does not “speak” to me.

Oh, you want proof. Here is one example. On that compilation Harbor Lights was done by Sammy Kaye and his Orchestra. This was cause number one for wanting to get a pistol out and start aiming. Not for the song but for the presentation. Why? Well, early in his career Elvis, when he was young and hungry while he was doing his thing for Sam Phillips’ Memphis Sun Records operation, covered this song. There are a myriad Elvis recordings during the Sun period, including compilations with outtakes and alternative recordings of this song. The worst, the absolute worst of these covers by Elvis has more life, more jump, dare I say it, more sex than the Kaye recording could ever have. No young women would get all wet, would get all sweaty and ready to throw their underwear at the drop of a hat for Sammy’s version. Elvis you know or heard about what women were ready to do. Case closed. And the compilation only got worse from there with incipient things like Frankie Lane’s I Believe, Johnny Mathis’ It’s Not For Me To Say, and Marty Robbins’ (who did some better stuff later) on A White Sports Coat (And A Pink Carnation). And you wonder why I ask whether they shoot CD players. Enough said. 

When The World Lived For Film Noir Heaven-With The Film Adaptation Of Dashiell Hammett’s “The Maltese Falcon” In Mind

When The World Lived For Film Noir Heaven-With The Film Adaptation Of Dashiell Hammett’s “The Maltese Falcon” In Mind

By Phil Larkin and Kenny Jacobs

[Ever since I came on board on this site as site manager first taking over the day to day operations, handing out assignments, editing, researching that sort of thing and then when Allan Jackson retired the whole operation I have tried to do some innovations both in the way the work was assigned and how it was presented.*There was a rough period of some serious internal struggle between the old guard who had hung on Jackson’s every word and received whatever assignments they liked many times taking whatever struck their collective fancies and submitting to be automatically rubber-stamped by Jackson and the guys who have come to be known in urban legend around the office water cooler as the “Young Turks” who had to take the old guard’s leavings-or else.

Frankly as a result of what I would call nepotism, there is no other word for it although Allan claimed it was impossible since that term only dealt with feathering family nests, all the plum assignments were reserved for those whom he had grown up with him in the old working-class of North Adamsville or had met on the highways during the turbulent 1960s beginning with the well-known Summer of Love, 1967 centered in San Francisco. That hard fact true even when of necessity due to retirements and tiredness he had to bring in a cohort of younger writers who wound up mostly doing rehash jobs on what the old guard left behind. Not a good situation which in the end was the undoing of Jackson since the self-styled “Young Turks” rose up to smite the dragon and he left packing his bags for parts unknown vowing revenge unto to the seventh generation. More importantly, leaving me to try to pick up some pieces.

The first of which was to cut way down, cut down to nothing in the end on the proliferation of titles hanging on each and every writer. After an unsuccessful trial run as describing everybody as self-evident “writer” we have gone to simple given and surnames in the by-line line. The second, to be kind to myself, we are still trying to work out, by having both young and older writers write out of their comfort zones. If you wrote about old time films, which was fine by me coming over from the American Film Gazette where we did a million of those, then try your hand at more modern stuff. That is where as they say “the rubber hit the road.” Where there was almost another civil war here headed on their respective sides by the two writers who will do the review below.

In order to placate both parties who wanted to do this fantastic review of one the super-classic all-time great movies I decided to have both give their takes on the film and together glean the high points through mutual rebuttals. Kenny, having done that kind of thing at his last job agreed without a fight. Phil reared up on his high horse and bucked me every minute until I threatened to put him back on probation which would have meant “doing penance” writing about some zombie film, or worse having to do some television series reviews. Needless to say he saw the light of reason after that. So below is the experiment in its first glow with each take first and then some play by play. Greg Green     

*There has been a persistent undercurrent around the shop about what actually happened to Allan Jackson in the internal dispute. That situation got a big push by both sides when Allan wound up in Utah doing stringer work for some Mormon publications. The old guard called it a purge, an exile, thinking that this little hiccup was on the order of the Stalin-Trotsky fight during the Russian Revolution period since most of them, along with Allan, had been at least around the fringes of serious leftist groups in their youth after they shed their Summer of Love dope-addled goggles. The “Young Turks” a little more vicious having had to hold fire under the Jackson regime or they would have been in Utah or North Dakota themselves also called it openly a purge. Were glad once the old goat was gone to revel in their victory.

The truth? Remember I was the distinct beneficiary of his demise. Allan would not have retired, no way, and I had many talks with him about it before the hammer came down on his poor misunderstanding head, unless he had been voted out by the coterie of writers, including the vote, the decisive one, of his oldest friend Sam Lowell who said it was time to “pass the torch.” In Sam’s words “nobody under about sixty gave a fuck about all the bright shining stuff that the 1960s was supposed to represent before it all turned to dross.” So maybe it was a purge but a soft-core one if you think about the matter. ]           

Phil Larkin’s The Maltese Falcon take:

Forget all the bullshit about crime doesn’t pay that always comes with the package in these kinds of films whether it is the 1940s or now (hell the “crime doesn’t pay” gag goes all the way back to the Garden, back to Adam forcing Eve to grab the brass ring, a no-no, and maybe even before that). Forget too all the nonsense about a guy, a guy in the low-life key-hole peeper private detective racket upholding the honor of the profession, Jesus, profession he called it, and having to move heaven and earth to find the nasty killer of his partner. That is strictly for the sob sisters and terminal flick junkies like the so-called protagonist Sam Spade could have given a fuck about old Miles when he was playing footsie with Miles’ wife and had his name stricken from the world about two seconds after he dropped by the office and had his Girl Friday do the deed after Miles has taken a couple of well-earned slugs for being skirt-crazy. Forget too writing off Brigid or whatever her name really was and once you get into the high-end alias racket to cover your tracks as long as you have enough well-doctored passports names don’t matter as some gun-simple dame. That won’t wash either. 

This one is strictly about a girl (a woman nowadays okay) having to do what a girl had to do in a time when women had many fewer options, for good or evil. See I know the back story, I know what the post-Code Hollywood censors would not let the 1940s world know about and even Dashiell Hammett, no prude, fudged on it too. This Brigid, let’s go with that name since that is the name that she went to the big-step off under, and maybe under the seven veils that was her real name, had been in Hong Kong a high priced whore, call girl they call them now, maybe then too, at Madame Chiang’s bordello which serviced frisky British senior civil servants and wired Chinese mandarins tired of their wives with every kind of pleasure they desired. (This Madame Chiang if you know your history was the older sister of the infamous Madame Chiang kai-shek, wife of the powerful Nationalist Chinese leader of the time how else do you thing she was able to get the dough to go to Wellesley College.) The problem, always a problem with fickle men was that the good old boys either got tired of her, she faded like all things do, or both. When the Fat Man and crew came storming into Hong Kong on a lead about the fabulous jeweled bird they were seeking out of Istanbul she joined up with his crowd once she showed him and his gunsel then, Thursby, around the world. (It must have been tough going even for a seasoned pro like Brigid to deal with that Fat Man’s girth.)         

Now you can see things fall into place. Using her still powerful feminine wiles on that Fat Man crew (except Joel Cairo who being what they would have called then if they dared on screen “light on his feet,” a sissy, would be impervious to her charms) and half the guys in port like sucker bait Captain Jacoby who actually wound up getting the bird out even if he paid for it with a few slugs in the mix. (Not from her although at trial the less than chivalrous Sam Spade trying to suck up to the D.A. and get out of his own legal troubles by trying to tie her into every unsolved murder from Hong Kong to Frisco Bay.)

Brigid’s winding up at the good offices of Miles Archer and Sam Spade made perfect sense. Just some more man bait. By the way, here’s another back story tidbit, Brigid never was referred to the pair at her hotel but once she figured out her plan, as far as she could figure such things in advance, she had picked the name out of a telephone directory. Archer came up first. If somebody named Abbott say had been the first name he would have been sitting six feet under now instead of jerkwater Miles.  

              

She played the sullen, slightly soiled (quaint term for a fallen woman, yes) damsel in distress to Sam perfectly. Played him like a yo-yo once she got him in heat. Made him buy the Archer story, the Thursby story, and best of all until she saw he had his limits of use to her the Fat Man story. Would have seduced the impervious Joel Cairo someway if it had suited her purposes, lavender boy and all. A smart private detective, if there is such an animal whose main joy in life is peeping through keyholes and drinking shoddy whiskey from the bottle at the bottom of their desk drawers, would have walked away once they knew about this Thursby character, about his putting newspaper around his bed so nobody could sneak up on him. Jesus, no amount of trips around the world with the experienced Brigid working her skills was worth tangling up with these bad characters.     

The rest of the play was a piece of cake. Play him off and on against the Fat Man and if things got dicey let the Fat Man’s gunsel put a few slugs in Sam’s ear. Hell if he got rough then she might have to do the rooty-toot-toot herself. Here’s where the play fouled up and it wasn’t really her fault in the end although she would step off for the whole thing anyway. That fucking hyped-up bird, that Maltese Falcon, was a fake, the dingus was nothing, not real nothing but blacken enamel. Seeing that there was no dough from any source Sam cut bait, cut up his honey and seeing he was built to be the fall guy if he didn’t pass the blame off sent her over. This is where the faded beauty Brigid part comes in. Maybe if she had been about ten years younger, and about fifty years less of a whore she could have coaxed him into running away with her. No dice. Here’s another little back story tidbit they didn’t tell you in the movie tough guy hard-boiled detective Sam Spade after she was gone spent many a cold winter night wishing he had run away with her. Yeah, the stuff of dreams works in funny ways. Still a girl has got to do what a girl has got to do.       

Kenny Jacobs’ take:

I had better admit that I know already through conversations with Phil Larkin and what I could figure would be his take on this film given his inclinations that he would hone in on the relatively minor figure of Brigid. I agree with everybody who has reviewed this movie over the past seventy-five years that there are serious questions about whether her real name was Brigid O’Shaughnessy  but we will go with that name as good as any others and as a few commentators have noted when the Frisco coppers finally put the 

cuffs on her after Sam Spade was forced to send her over to save his own neck that was the name she gave on the police blotter. And the name she took the big step-off under. So much for what dreams are made of which had the coppers scratching their heads in bewilderment when Sam said that remark going down that long elevator run. They were always behind the curve on the case anyway, had already deposited Miles Archer’s, Thursby’ and Captain Jacobi’s deaths in the cold files and would only resurrect them when they decided to clean the slate of half a dozen cases and lay them at Brigid’s doorstep since she was already going to take the big step-off for Archer’s murder anyway. But enough of that little dimwitted gun simple mantrap because when the deal went down the one really pulling the strings was Caspar Gutman, the “Fat Man.”

Figure it out for yourself. Brigid-down for the count. The cheapjack gunsel, Wilmar, Gutman hired down in a shootout with the coppers as he was trying to take the Oakland ferry. Joel Cairo face down in Frisco bay after a night with some rough trade Jean Genet types down along the waterfront. Hell they even tried to take Sam’s ticket but his quick-witted lawyer made short work of that attempt and although it cost him a few bucks they both had a good laugh this second time the tried to pull that license crap. They never caught up to the Fat Man and who knows he might have grabbed the goddam bird after all. But mainly he got away and that says a lot about the whole caper.  

Look at it this way who else could have masterminded the whole operation. Yeah so you see it had to be the Fat Man. Here’s the back story which will surprise everybody who thought Brigid just stumbled into the low rent back alley building the Archer& Spade operation ran out of along with repo men, con artists, disbarred lawyers, unlicensed dentists and swift insurance jobbers. And don’t believe that bullshit about Brigid picking the name out of some vagrant telephone book. She, whatever her sexual charms and skills,   wasn’t bright enough for that heavy a task. Gutman had checked around with local guys he knew from the international cartel he was fronting for and Archer & Spade came out number one on the “from hunger” list. Once the Fat Man dangled Brigid in front of either man, once they got a whiff of that gardenia fragrance and dreams of silky sheets the game was on. Sending “light on his feet” Joel Cairo to back Brigid up, to make the whole thing look like a tong war, make it look like it was everybody against everybody else in the scramble for the fucking black falcon. Brilliant.           

But that was not the end of the Fat Man’s magic once it turned out Sam Spade was the one left standing once Brigid blew Archer’s brains out so the gunsel could take down Thursby when it looked like he was trying to front Brigid to cut his own deal. He has Brigid lure Sam into his spider-web, they meet and the Fat Man promises Sam the world. Sam bites, bites big time figuring with his share that he would be able to keep Brigid for himself, keep her off the street corner tricks which is where she was heading. That of course before he found out that Brigid after about fifty “heartfelt” denials had lied to him about killing Miles. And before the freaking dingus turned out to be as fake as Gutman’s idea of cutting Sam in for some serious change and he needed someone to take the fall. Hell, the Fat Man might have been carrying too many extra pounds for his own good but he moved swiftly enough when danger lurked. Not a scratch or a breeze on him. Nice work Caspar.        

*********

Phil Larkin’s rebuttal:

As Greg Green, our esteemed site manager and social media guru, mentioned above in his introduction I went kicking and screaming into this so-called dual review with the young kid Kenny Jacobs. I have never shared a review in my life, the damn idea seems like an oxymoron or something. Some silly idea like this was to be some Siskel and Ebert gab fest in cyberspace. WTF. I hope this little so-called experiment will be the last one I have to wade through. Now Kenny as I have found out in not a bad guy, writes some pretty good stuff about zombies and super-hero comic book kiddie stuff that nobody under the age of thirty will read but he is totally out of his depth in struggling to figure out what the hell is going on in a simple private detective greed and glory flic like The Maltese Falcon. I won’t belabor the point but his so-called credentials for this review, which Greg Green must have been drunk to let go by, was that he had film noir in his DNA because his parents had taken him to a million film festival retrospectives when he was a kid of about eight. As against my well-known connoisseurship of this beloved genre since my own lonesome travel youth cadging many a Saturday afternoon matinee double-feature at the old now long gone Strand Theater in the town I grew up in.               

If you have read this far then you know that Mr. Jacobs and I have very different “takes” as Greg Green is fond of calling them. What I question is whether he actually saw this movie or had, like a lot of the other younger writers here, just cribbed from a summary on Wikipedia. Or maybe he is remembering back to when his parents took him to see this film when he was eight and he got scared by the big fat guy who was giving Sam Spade a hard time because no way in God’s good green earth is Caspar Gutman, the Fat Man the person pulling the strings on this one. Hell he had trouble enough just walking across the room never mind trying to get his greedy big hand on a precious stone bird.          

The only thing I believe we agree on is that Sam Spade is just a foil, some jabbering for the real action and that somebody else was pulling the strings. Hell Brigid, dear sweet Brigid, bless her little whorish heart had this one down from scene one. Kenny claims, erroneously, probably based on information from Wikipedia that the Fat Man through his international cartel connections, mainly a bunch of guys working for an Armenian rug merchant who desperately wanted that black bird for his mistress once she had read the story in some historical novel by Sir Walter Scott about what had happened to the dingus before it ever got to Spain, had gathered the information for Brigid to run over the back alley office of Archer &Spade for some local manpower. Yes, the Fat Man fronted the dough and all for the operation I will not deny that but the real record shows, what Brigid herself told the coppers when she was trying to get out from under taking the big step-off for the murder of Miles Archer, was that she had picked their names out of the telephone book. You hardly need to pull in half the criminal world to do that soft task.        

What Kenny missed, consciously missed as far as I can see, is that Brigid’s connections with the Fat Man were tangential, she was running her own operation from the time she met the Fat Man in Madame Chiang’s brothel in Hong King and he confided his tall tale story to her. Once she saw his entourage she saw easy pickings, some flaming sissy, Cairo, as we called gay guys in the old neighborhood when we didn’t call them fags, a bent gunsel Thursby who thought so much of the Fat Man that after about two minutes in Hong Kong he sided with Brigid and another hired gun, Willmar who some crippled newspaper boy had been able to steal his guns without batting an eyelash. The gang that couldn’t shoot straight as the late New York City columnist Jimmy Breslin used to say. So all she needed to do was grab some local Frisco muscle, it didn’t matter if it was Archer or Spade or if the first name in the directory was Abbott whom she took around the world since once she got her claws in either would be putty in her hands although she claimed she would have personally favored the more handsome Archer to the “runt” Spade but the coppers dismissed that as so much bad blood once Sam stopped doing her bidding. Once he sent her over to save his own gutless neck after the bird proved to be a fake which some Greek merchant in Istanbul had fobbed off on some other guy before the Fat Man and then Brigid got their hands on it. Her big mistake and an easy one to commit once you believed the reason for covering the bird in black paint was not having it evaluated in Hong Kong before she left. (Little did she know that the “fake” had been a set-up by that Greek merchant who would eventually sell the real one to that Armenian rug merchant which did the trick to get that mistress to start doing tricks out of the Kama Sutra he kept begging her to do.)            

(As if to put paid to Kenny’s bogus take the Fat Man did not fade into the woodwork although he did get away from San Francisco easily enough once he shed Willmar to the sharks. He wound up in Amsterdam where the old Interpol grabbed him on an international warrant but would eventually let him go once San Francisco decided to clean up its cold case load and pin everything Brigid. It turned out he was related to Sir Arthur Conan Doyle and so wound up back in England living on Baker Street somewhere.)

Kenny Jacob’s rebuttal:

I agree with my esteemed if edging toward senility fellow writer Phil Larkin that Sam Spade, hell even Miles Archer if things had turned out that way, was nothing but trimming, a fall guy, extra baggage on the real action that was happening that he was clueless about until the end. Or almost the end when he found out the dingus was a fake and that it was either he or Brigid who was going to take the fall and he, having lost in the “stuff of dreams” derby sent her over to his buddies the coppers who really wanted his hide. But Phil must have been smoking that wacky weed, that dope you can on some days smell around the office when some of the older guys having a flashback to that Summer of Love, 1967 they have been going on and on about ever since I arrived here in early 2017 decide to go to nostalgia land. (Greg is not happy about the dope during working hours but is unsure what to do about it since “precedent” from Allan Jackson’s time was the place was some opium den or something.)     

Yeah Phil most definitely is on something if he thinks that the little what does he call the women, oh yeah, the frill Brigid was running the operation to grab the black falcon. Christ I don’t even think she would know what a telephone directory was if pressed never mind actually picking some name starting with the letter “A.” And if Phil wasn’t high as a kite when he came up with the “idea” that Brigid was running the show then the only other reason she came into his head was that Phil is a notorious skirt-chaser. Has regaled me with stories from his youth thinking that I was one of his good old boys.  I have seen him in action when Josh Breslin’s old flame, Leslie Dumont, who now courtesy of Greg has a by-line something she never had with Allan as long as he had known her, is around and you can see that the stars and moon single-handedly revolve around women.       

Yeah, no way is some little whore like Brigid, even if she was once a high-priced call girl, a treat in white women-starved Hong Kong, had the dough to run such an enterprise. She was strictly bait for either Archer or Spade, whoever grabbed her first for the Fat Man      

who knew exactly who he was latching her onto from his local sources. Two, take your pick, guys from hunger, working out of some back alley building with repo men and failed dentists, as skirt crazy as Phil. (Archer licked his chops when he first saw her even though he was married and Sam was having a torrid affair with his wife right under his nose so let’s not dismiss that skirt-crazy idea out of hand Phil.

Look at the play though. Brigid down to her last few hundred, having to hock her furs when Sam needed dough, led Sam by the nose not to some operation of her own but to the Fat Man once she knew he was in town. Every action she took from leading Sam to the Fat Man to begging Sam to let her get away with Archer’s murder once the caper was heading in the wrong direction  let’s anybody, let’s everybody, private detective or not, know that she was just a cog in the wheel, a mantrap and nothing else. The final proof although Phil will probably deny it is nobody did a damn thing to spring her once Sam sent her over. Yeah, she took the big step-off alone. And like Phil said the Fat Man eventually walked. As Sam Spade had nothing to do with it-“case closed.”            

Yeah, The Dark Night Alright When The World Needed Super-heroes And Psychos To Bring Us Down In The Mud –“The Dark Knight” aka Batman (2008)-An Anti-Film Review

Yeah, The Dark Night Alright When The World Needed Super-heroes And Psychos To Bring Us Down In The Mud –“The Dark Knight” aka Batman (2008)-An Anti-Film Review  

DVD Review

By Greg Green

Batman: The Dark Knight, Christian Bale, Heath Leger, 2008

As a rule I don’t review or in this case anti-review, films although I am the one who does the assignments sometimes based on suggestions from the writers and sometimes from something I see as pressing to review. In any case I always review the films personally to see whether they have enough going at some level to be reviewed in this space. This is the first time however in the short time I have been here and in my many years at the American Film Gazette that I have refused to assign one of my writers to write a review of something I have seen and have decided it was beneath anyone’s dignity to write about, even the woe begotten stringers and “on specs.”  

I have been kidded, sometimes mercifully by young and older writers alike, about my attempts to get to a younger audience in this space (and the past few years at the Gazette for some of the same reasons) by reviewing various youth-oriented films like ones about cinematic versions of comic books like Batman, Superman, and Wonder Woman. They chided me that I was pandering to the butter drenched popcorn and refillable soda pop cup young people who could care less about film reviews and only cared about sitting through a couple of hours of bam-bam action whatever the quality, or lack of quality. Could care less what the paid film critics thought was being produced. What symbolism the film was trying to get at.

Despite my own growing misgivings about continuing to dwell on these type films since it was beginning to dawn on me that they all were the same bam-bam action which left some writers who had to review the films numb I kept going forward. Keep up my own pre-viewing including the film The Dark Knight which is why I have declared this an anti-review. This despite the fact that the film grossed a zillion dollars, the kids went cuckoo to see it and the critics, the paid-up Hollywood critics, gave it positive reviews. The high-brow ones from some of the reviews I read trying to see how the struggle that unfolds between vigilante Batman, in this rendition played by Christian Bale, and the psychopathic Joker, played by the late Heath Leger who actually won a posthumous Oscar for his supporting actor role replicated the post-9/11 struggles of various world leaders against whatever brand of Islamic fundamentalism was on top at any given moment.

WTF. Like any kid (remember butter-drenched popcorn and soda sugar-high) gave a damn about that symbolic eternal war business. Or any adult either who would watch the thing. Or, and this goes to the real problem here, would sent their kids with a twenty, maybe a twenty and a ten to see the thing. I have already outlined in about one sentence the inevitable struggle between good and evil (or better marginally civilized society versus the utter dregs). Whatever the virtue of that notion as a plot-driver the real deal is that this Joker psycho from hell was nothing but an excuse for some of the most gratuitous violence ever put on film in almost every scene in the film. With some acts so gruesome that they make me think that this was all very calculated to benumb everybody in the audience to accept this level of violent behavior as “cool.”  I have seldom felt the need to purge myself after viewing a film but then again previously I have never felt the need to “protect” my civilized writing staff from having to write about this pathological craziness. Enough said.           

           

On Passing Left-Wing Political “Wisdom” To The Next Generation-With The Lessons Of The 1960s In Mind

On Passing Left-Wing Political “Wisdom” To The Next Generation-With The Lessons Of The 1960s In Mind

From The Pen Of Frank Jackman 

 

One of the worst excesses, and there were many although made mostly from ignorance and immaturity and were moreover minuscule compared to the conscious policies of those in power who we were opposing, that we who came of political age in the 1960s were culpable of was our sense that we had to reinvent the wheel of left-wing political struggle. Mostly a very conscious denial and rejection of those thinkers, cadre and organization who had come before us and whom were disqualified from the discourse by having been worn out, old-timey, or just ideas and methods that we had not thought of and therefore irrelevant. The expression “throwing out the baby with the bath water” may seem a cliché but serves a purpose here. Most of the time back then until fairly late, maybe too late when the tide had begun to ebb toward the end of the 1960s and the then current and fashionable anticommunist theories proved to be ridiculously inadequate, we turned our noses up at Marxism, and at Marxist-Leninist ways of organizing the struggle against the American beast.

I can remember more than a few times when somebody identified him or herself as a Marxist that I and the others in the room would groan audibly. Occasionally, as well, taking part in some of the shouting down exercises when the political disputes became heated. Part of the problem was that those who organizationally claimed to be Marxists-the Communist Party and Socialist Workers Party and to some extent the Progressive Labor Party were following political lines that were far to the right (right being relative here in the context of the left-wing movement in this country) of the politics of those who considered themselves radical and revolutionary youth. Those organizations far too eager to traffic with what we called respectable bourgeois forces who were part of the problem since they helped control the governmental apparatus. (I won’t even mention the moribund Socialist/Social Democratic organizations that only old laborites and “old ladies in tennis sneakers,” although that might be a slander against those nice do-gooder ladies, followed as the expression went at the time.) I know, and I know that many others at the time,  had no time for a look at the history books, had nothing but a conscious disregard for the lessons of history, good and bad, that we thought was irrelevant in seeking to build the “newer world.” (Strangely, later after all our empirical experiment proved futile and counter-productive, quoting, quoting loudly and vehemently  from this or that book, by this or that thinker, this or that revolutionary or radical became the rage. Ah, the excesses of youth.)               

Of course not everybody who came through the 1960s passed through any left-wing political school. Despite the nostalgia, despite the now puffed-up claims that we had this or that decisive effect on history, especially these days with the commemoration of the 40^th anniversary of the fall of Saigon in 1975 and the trotting out once again of the overblew claims that the American anti-war movement stopped the Vietnam War rather than the heroic struggles of the people of Vietnam, the number of the young who got catch up more than marginally was significantly smaller that the photographs, videos, and remembrances of the times would suggest. A case in point is my old friend Sam Lowell, from my growing in Carver times whose longtime political trajectory I want to highlight in this sketch.

Highlight to provide something, I am not sure what, perhaps a cautionary tale, to what appears to be the makings of the next “fresh breeze” coming through the land that another Carver corner boy, the late Peter Paul Markin, would harangue us with on lonely Friday nights was coming. The big turn in the environmental movement, the fight for better conditions for young workers (and old) epitomized by the “Fight for $15” movement and above all, the bedrock struggle of the “Black Lives Matter” movement portends some new awakening and we old-timers who have kept the political faith have something about all of that early experience which may push those struggles forward. Here’s Sam’s story and see what you think:   

 

Sam Lowell when he was young, when he was coming of age in the 1960s along with his hang around guys at Jimmy Jack’s Diner on Main Street in Carver, did not give a “tinker’s damn” (Sam’s term which he would endlessly utter especially when the late Peter Paul Markin would start talking about what was going on outside of the Jimmy Jack corner world) about politics, about the fate of the world, about the burning and pressing issues of that day nuclear disarmament, black civil rights down South (he if anything had the Northern white working class prejudices inherited from his parents and relatives using the “n” word to refer to blacks for a very long time), and the exploding war in Vietnam. Sam’s world, like many guys of that time, like now too as far as anybody can see, was about girls or sex or name the gender combinations, above all about the music of the times, about what is now called the classic age of rock and roll (the folk music minute of that period which Bart Webber tried to get him interested in was, is, a book sealed with seven seals and he still grinds his teeth when any of us who hang with him still mention that genre).

Sam, declared by his local draft board exempt from military service as the sole support of his mother and four younger sisters after he father had passed away suddenly of a massive heart attack in 1965, had pretty much kept his head in the sand about the war, probably supported the war against demon communism as much as anybody in town who was not directly involved in the escalation of the war. That is until one of his hang around guys, Freddie Callahan, Jack’s younger brother, had lain down his head in some rotted jungle in some unpronounceable hamlet in the Central Highlands of Vietnam in late 1967 and who would later have his name placed on that black granite down in Washington, D.C. which would bring a tear to Sam eye every time he visited it despite his complete change of heart about the war.

The war, the hellish flare-up and destructiveness of the war had not been Freddie’s fault, it had not been Freddie’s war as Sam was at pains to explain when he did get active in the anti-war movement and people around town thought that he was being disrespectful of Freddie’s memory and of the flag, actually probably more the flag until very late, maybe about 1972 when even the American Legion types in town saw the writing on the wall, some of them anyway.

Bart Webber was the first to take his slightly held anti-war feelings to the holding up the wall in front of Jimmy Jack’s Diner night but he was facing the draft himself in 1966 so Sam had not taken his plight to heart. It really had been Freddie’s death that got him thinking, Freddie whom he had known since fifth grade when his own family had moved to Carver from North Adamsville when the shipbuilding trade there bottomed out and his father sought work in the new electronics plant just built up the road from Carver. Got him thinking about lots of things that did not add up in the world, the world of people just trying to get by without being shot at, or shot up by friend or foe.

One day, maybe in early spring 1968 in any case sometime before summer of that year, Sam had gone to Boston about thirty miles up the road from Carver on some business when he was walking near the Park Street subway station and a young guy about his age in regulation long hair (Sam’s was short although long for Carver young adults just then and commented on at Jimmy Jack’s by the older crowd going in for the old-timers’ blue plate specials and gung-ho guys who had no truck with “fairies” and “hippies”), unkempt beard, blue jeans and sandals, a picture of heaven’s own high priest hippie who handed him a leaflet for an anti-war rally sponsored by Students for a Democratic Society that was going to take place on the Common later that afternoon. (That was the notorious SDS that every right-thinking American believed, including Sam a little before Freddie’s death, as they could not understand kids who seemed to have everything going for them including draft exemptions were so rebellious unless some unknown source was prodding them, as the agents, paid or unpaid, of Moscow or China or someplace antagonistic to the interests of the United States. Every time an SDS rally was broken up by the cops, or mass arrests occurred, those believers breathed a short sigh of relief).     

The guy in hippie garb pressed the issue, something Sam thought was odd since in his experience these hippie types were too laid back doing dope and sex and listening to acid rock to bother about politics usually saying that to get involved only “encouraged” those politicians who had depended on free-wheeling unpaid volunteer youth to campaign for them. That drug, sex and rock and roll were okay with him although he had not been into the dope scene then but rather the traditional Carver Friday and Saturday night down by the cranberry bogs drinking cheap whiskey scene, a scene that Carver guys had been doing since time immemorial at the bogs from what he had heard.

This dippy hippie started yelling at him that it that it was his “duty” to attend the rally and help “stop the fucking war.”  Something in that common language “speech” made Sam take notice and he asked the hippie where he was from. He answered from Lynn, a very working class town on the North Shore of Boston, and told Sam, who blushed a little at the information, that he had already been in the Army, had served in Vietnam and had had enough of seeing his buddies killed or otherwise “fucked up.” Sam then out of the blue mentioned the death of Freddie Callahan, something he had never talked about except with the guys at Jimmy Jack’s, and the hippie told him that he had better get his ass to the rally before half their generation went up in smoke.

Sam pleaded business but that afternoon and early evening as the sun went down in Boston Sam was no longer “not political.” And Lance Jones, the hippie who had “recruited” him was there that afternoon and many times later to make sure that he did not backslide, and to give him the “skinny” on what was really going on in Vietnam and whose interests that commitment was serving. Sam and Lance (and others) would do many things together, sit-in at draft boards (Sam uneasy about that given his own status as exempt but Lance said everybody counted in the struggle), rallies, blocking highways and every other kind of civil protest against the damn war.

The defining moment, the moment Sam saw that the movement was ebbing, was becoming ineffective as a way to stop the “fucking war” as even he was prone to express his outrage at the constant bombings and constant lies about the situation, was down in Washington D.C. on May Day 1971 where there was a separation in the movement between those who wanted to endlessly built, presumably, larger mass rallies to show the people’s war weariness and those who decided it was time for more militant in-your-face tactics when the proposal was to “stop the government, if the government did not stop the war.” Sam had gone with the militants, a decision he has since never regretted although not for the outcome of the event itself which was an unmitigated failure but because of the enormity of that failure he had to think through things a bit more carefully, think more strategically.

He had been manhandled and arrested by the cops the first day out as the governmental forces far outnumbered and were more effective in containing the mass than that mass of people had been in evading the waiting cops and troops. Sam had spent a week in detention in RFK Stadium, a goddam football field as he would always tell everybody afterward, for his troubles (although he tempered his remarks about the stadium after the coup in Chile in 1973 where those militants were not merely harassed and detained but jailed for long periods or shot death out of hand in many cases). 

Sam, Lance, Jack Callahan, Frankie Riley, me, maybe a couple of other guys did other things too, things like taking those continent-wide hitchhikes to the West Coast, the rock concerts, all of the stuff that those who had broken from the old expected cookie-cutter, if in Sam’s case only partially and slowly since he was not sure that the whole thing had not been a dream, and he had those family responsibilities although they lessened as his sisters came of age and left the house and his mother re-married to a good guy who ran a tool and die shop in town and had government contracts for high precision machine work. But it was funny thing about Sam, a thing that was not apparent when he hung around Carver in high school but once he was convinced that he needed to do something he stuck with it (he would later tell anybody who would listen that “sticking with it” included his two drawn out failed marriages beyond repair).

Sam, after that debacle in Washington, had settled in for the long haul, had listened to what Lance had to say about needing to organize better, get more substantial allies. Gave a glance at Marx and some other thinkers who knew what they were talking about if you wanted to  effect real change and not just play at the thing for kicks, or for something to do while you are in school or on the loose, had read some and while for a long time he had his misgivings about taking his political cues from around the edges of rational politics, politics that he and his family, his neighbors, his corner boys had dismissed or worse stigmatized as “commie” talk which still hovered over his thinking. But Sam had been the first in the group to sense in the mid-1970s, particularly after the fall of Saigon and the close of the Vietnam era which had almost split the country in two, that the Garden of Eden was going to be postponed for a long time, that the tide had ebbed just as Bart Webber had sensed the rising tide in the mid-1960s.

But Sam stayed with the commitment to serious political change, to right some wrongs, to be a stand-up guy when some egregious governmental decision reared its ugly head. Stayed with it far longer that Lance who wound up going to school and becoming a CPA, longer than Bart who decided writing law briefs was easier than sitting around with about twelve people dedicated to changing the world and projecting when the next great mass upsurge would occur. Stayed with longer than Frankie Riley who also was drawn to writing legal briefs although he made a comeback in the lead-up to the first Iraq war in 1991. Longer than even the late Peter Paul Markin who had totally lost his moorings, let that “wanting habits” hunger that all the Jimmy Jack’s hang out guys had near the surface of their lives get the best of him and got caught up in the down side of the dope trade and wound up in a back alley face down under mysterious conditions in Sonora down in Mexico after a dope deal went bad. Yeah, those were not good years

So Sam faced the next few decades doing his best to keep up the good fight, working mainly with ad hoc committees that would rise and fall over specific issues like the effects of the “Reagan revolution” in this country, the struggles in Central America throughout the 1980s, the struggle against apartheid in South Africa, that first Iraq war in 1991, and a laundry list of other causes great and small which filled his political life in hard times. But always kept his eyes open and ears to the ground to see if some new version of that 1960s experience would get some wind in its sails as new generations got caught up in the whirlwind of trying to right the world’s wrongs. He knew that the 1960s experience could never be exactly replicated, that each new generation would come to understandings in its own ways and forms, did not believe that a lot of 1960s stuff should be replicated but he did believe that another wave would come, believed in that vision for a long time. But when, damn it.

One of Sam’s worries as he got older and got more concerned about the future, especially in the post 9/11 world of the early 2000s, got much more concerned about the possibilities of a socialist future if not for him then for later generations as the American body politic took one of its prolonged turning in and against itself was that there would be no one to pass on whatever accumulated political wisdom he and his dwindling band of aging 1960s sisters and brothers had been through. No one to make sense of the political battles won and lost, no one to pick up the skills necessary to organize any effective opposition to the fierce predatory appetites of the American imperium, or maybe better said, any opposition at all as the post-2003 anti-war landscape demonstrated. Most importantly no one to learn how to avoid the mistakes of the past, mistakes made, unlike the American government, mostly out of willful ignorance, foolhardiness and hubris but certainly avoidable. Avoidable since a great if fairly obvious lesson from his own experiences had been that uprisings against the government, against the social norms of the day are short and precious opportunities not to be squandered by willful ignorance, foolhardiness and hubris.       

Sam’s youthfully derived certitudes had taken a hammering in the process of the reactionary counter-offensive that erupting in the mid-1970s as the spirit of the 1960s rapidly dissipated, and took a decisive turn right under the auspices of the Reagan Revolution. The self-serving, self-promoting, social Darwinist view of society systematically laid out in that period has held a full head of steam since then as everyone almost daily has his or her nose rubbed in the hard fact that most people are not getting ahead while the bourgeoisie, the economic royalists, what did one wag call them, oh yeah, “the one-percent” with all the guns, prosper with no sweat.  That ethos had never really abated despite a couple of promising uprising blips around opposition to the second Iraq war in 2003 which evaporated after the hellish bombs began to fall in earnest in Baghdad and after the world financial meltdown in 2008 and the subsequent short-lived and anarchistic Occupy movement of late 2011.

So Sam had more recently begun to feel that feeling in the extreme,   the fear that there would be nobody to pass the torch to, nobody in the American body politic to learn a couple of things about past left-wing struggles and organizational efforts to attempt to “tame the monster.” Began to wonder if what he believed had not been an idle thought or some kind of self-induced paranoia.

Over the previous several years he had given the immediate reasons some thought as he began to realize that the generation after his which was the logical place to have passed that information onto never in the aggregate cared much about his kind of politics, had turn tail and gotten caught up in the “Reagan revolution” or after witnessing what happened to the ‘60s crowd ducked their heads, seriously ducked their heads when the deal went down. He had also become pretty sanguine about prospects for the generation after that, the grandkids, who seemed preoccupied with “Me” and with looking down toward the ground with their technological gadgetry and their ethereal “social networking” tweeter. But of late he was not so sure he should have been ready to throw in the towel but a new gathering storm, or what old Bart Webber, who he had run into recently in town for the funeral of a brother, had called “the fresh breeze” was still in its embryonic stage.

Sam had had to laugh at one point after a small demonstration of few hundred in Boston’s Park Street on the Common, the historic spot for such activities, against the escalation of the war in Afghanistan in the early days of the Obama administration  (one of the “surges” that was supposed to secure “victory” and which in the final analysis led to more doors in more villages being kicked in and the United States’ action acting, once again,  as a “recruiting sergeant” for ISIS-type organizations). That demonstration drew a cohort young people, people who had not previously been out in the public square but who were bewildered by a “peace” American President, a Nobel Peace Prize winner to boot, sending more boots on the ground after he had told the nation that the best American course was to withdraw from that benighted country. Of course the usual dwindling crew of AARP-worthy older types, the ones that his old friend Pete Markin had called when they were young the “little old ladies in tennis sneakers, Quakers up-tights, and assorted harmless do-gooders” back in the Carver days when he didn’t give a damn about politics and now here he was a “little old man in tennis sneakers” carrying on their seemingly utopian struggle.

An unusual combination indeed. The sly laugh part though was his realization that if there was any new action, any seeking of the “newer world” as that same Markin liked to called it comparable to the 1960s, that it would be the grandpas and grandmas and the grandkids linked up against the world. He was okay with that if that ever happened but after that initial burst of young energy faded he got increasingly more morose about that prospect, and the handing of that goddam torch.

Like with a lot of things in the world of politics, particularly left-wing politics where due to the smallness and isolation of those forces there is tendency to have to react to events not of your own making, the reaction by governments, particularly the United States, following 9/11 with its attempt to institutionalize the national security state and to seek vengeance at any target foreign or domestic that it considered dangerous. No question the scariest time of his political life, the only time he felt the full heat of physical threat from the average citizen whom he assumed usually view people demonstrating about anything as mere cranks and weirdoes was in the aftermath of the frenzied American bombing campaign and troop occupation in Afghanistan in 2001 right after 9/11 when he had with very few others had organized a small, a very small demonstration in opposition to the bombing campaign at Park Street and took more menacing guff from passers-by than he had ever encountered before. Those were dark days when some locally well-known committed peaceniks dependable in fair weather favored folding up the tent rather than face the hostile streets, and no question they were hostile, were suddenly not available to rally.

Like Sam said he hoped the later Occupy movement which arose phoenix-like out of the ashes of the world financial crisis but that fizzled fairly quickly and that sent Sam into another bout with what the hell, no who the hell was going to lead the struggle, who among the young who of necessity with their energy and sense of wonder drive all the great movements, was going to step forward. He felt at that time that he would have no problem taking a back sit in the struggle if the new blood came along.   

Here is a funny thing, a quirk of politics. Everybody Sam talked to, young and old, understood that the social tinder underlying American society only needed a little push to go wild. Knew that as a result of the vast increase in income inequality, knew the weight of the endless wars on the budget and human resources   was at a breaking point, knew that people, a lot of people, did not feel they were getting ahead in life always something that will steadily enflame people. So Sam, and they, the ones he talked to and talked to him knew something had to flare up. But didn’t, for a long time didn’t. Then in a rather quick succession the environment, the fight for a living wage and the fight against police brutality and the fight against the hard racism against black people were taken up by the young, or rather sections of the young from say late 2013 to now.

Not everything that has been proposed, not every action has made political sense but there is some motion toward upping the struggle, getting back into the street politics that Sam had been pushing for some time in various committee meetings since the portals of government seemed to be tone-deaf to what was going on down at the base of society. Here is the kicker though. The kicker for now as things are still in flux, still have a way to go before they are sifted out. Things may be in flux and need sifting out but Sam is starting to get and uneasy feeling already. Sam went to a meeting of those who wanted to respond to the various egregious police shootings of the past years around the country and tried to make some points, give some perspectives. He was rather unceremoniously dismissed by the young leaders there, both the young black and white leaders, as an old-timey too talkative guy.

The young, like in his generation, appear ready to seek to reinvent the wheel. Appear too as well to be as naïve about the enemies they are facing as they were in his generation. But what bothered Sam most of late has been that the young in their identity political way are “ageist” if such a term makes sense, are disrespectful of his right to have his say since when the deal goes down he will be on the barricades right beside them. Sam thought that even with the slights he could still say-“Ah, to young was very heaven” though as old Wordsworth had said in his sunnier days.