Friday, July 27, 2018

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-An Encore Presentation-The Big Sur Café

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-An Encore Presentation-The Big Sur Café





In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)

By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation.  Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)


Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           

******


From The Pen Of Zack James

Josh Breslin, as he drove in the pitch black night up California Highway 156 to connect with U.S. 101 and the San Francisco Airport back to Boston was thinking furious thought, fugitive thoughts about what had happened on this his umpteenth trip to California. Thoughts that would carry him to the  airport road and car rental return on arrival there and then after the swift airbus to his terminal the flight home to Logan and then up to his old hometown of Olde Saco to which he had recently returned. Returned after long years of what he called “shaking the dust of the old town” off his shoes like many a guy before him, and after too. But now along the road to the airport he had thought that it had been a long time since he had gotten up this early to head, well, to head anywhere.

He had in an excess of caution decided to leave at three o’clock in the morning from the hotel he had been staying at in downtown Monterrey near famous Cannery Row (romantically and literarily famous as a scene in some of John Steinbeck’s novels from the 1920s and 1930s, as a site of some of the stop-off 1950s “beat” stuff if for no other reason than the bus stopped there before you took a taxi to Big Sur or thumbed depending on your finances and as famed 1960s Pops musical locale where the likes of Jimi Hendrix and Janis Joplin rose to the cream on top although now just another tourist magnet complete with Steinbeck this and that for sullen shoppers and diners who found their way east of Eden) and head up to the airport in order to avoid the traffic jams that he had inevitably encountered on previous trips around farm country Gilroy (the garlic or onion capital of the world, maybe both, but you got that strong smell in any case), and high tech Silicon Valley where the workers are as wedded to their automobiles as any other place in America which he too would pass on the way up.

This excess of caution not a mere expression of an old man who is mired in a whole cycle of cautions from doctors to lawyers to ex-wives to current flame (Lana Malloy by name) since his flight was not to leave to fly Boston until about noon and even giving the most unusual hold-ups and delays in processings at the airport he would not need to arrive there to return his rented car until about ten. So getting up some seven hours plus early on a trip of about one hundred miles or so and normally without traffic snarls about a two hour drive did seem an excess of caution.

But something else was going on in Josh’s mind that pitch black night (complete with a period of dense fog about thirty miles up as he hit a seashore belt and the fog just rolled in without warnings) for he had had the opportunity to have avoided both getting up early and getting snarled in hideous California highway traffic by the expedient of heading to the airport the previous day and taken refuge in a motel that was within a short distance of the airport, maybe five miles when he checked on his loyalty program hotel site. Josh though had gone down to Monterey after a writers’ conference in San Francisco which had ended a couple of days before in order travel to Big Sur and some ancient memories there had stirred something in him that he did not want to leave the area until the last possible moment so he had decided to stay in Monterrey and leave early in the morning for the airport.

That scheduled departure plan set Josh then got an idea in his head, an idea that had driven him many times before when he had first gone out to California in the summer of love, 1967 version, that he would dash to San Francisco to see the Golden Gate Bridge as the sun came up and then head to the airport. He had to laugh, as he threw an aspirin down his throat and then some water to wash the tablet down in order to ward off a coming migraine headache that the trip, that this little trip to Big Sur that he had finished the day before, the first time in maybe forty years he had been there had him acting like a young wild kid again.        

Funny as well that only a few days before he had been tired, very tired a condition that came on him more often of late as one of the six billion “growing old sucks” symptoms of that process, after the conference. Now he was blazing trails again, at least in his mind. The conference on the fate of post-modern writing in the age of the Internet with the usual crowd of literary critics and other hangers-on in tow to drink the free liquor and eat the free food had been sponsored by a major publishing company, The Globe Group. He had written articles for The Blazing Sun when the original operation had started out as a shoestring alternative magazine in the Village in about 1968, had started out as an alternative to Time, Life, Newsweek, Look, an alternative to all the safe subscription magazines delivered to leafy suburban homes and available at urban newsstands for the nine to fivers of the old world for those who, by choice, had no home, leafy or otherwise, and no serious work history.

Or rather the audience pitched to had no fixed abode, since the brethren were living some vicarious existences out of a knapsack just like Josh and his friends whom he collected along the way had been doing when he joined Captain Crunch’s merry pranksters (small case to distinguish them from the more famous Ken Kesey mad monk Merry Pranksters written about in their time by Tom Wolfe and Hunter Thompson) the first time he came out and found himself on Russian Hill in Frisco town looking for dope and finding this giant old time yellow brick road converted school bus parked in a small park there and made himself at home, after they made him welcome (including providing some sweet baby James dope that he had been searching for since the minute he hit town).

Still the iterant, the travelling nation hippie itinerants of the time to draw a big distinction from the winos, drunks, hoboes, bums and tramps who populated the “jungle” camps along railroad tracks, arroyos, river beds and under bridges who had no use for magazines or newspapers except as pillows against a hard night’s sleep along a river or on those unfriendly chairs at the Greyhound bus station needed, wanted to know what was going on in other parts of “youth nation,” wanted to know what new madness was up, wanted to know where to get decent dope, and who was performing and where in the acid-rock etched night (groups like the Dead, the Doors, the Airplane leading the pack then).

That magazine had long ago turned the corner back to Time/Life/Look/Newsweek land but the publisher Mac McDowell who still sported mutton chop whiskers as he had in the old days although these days he has them trimmed by his stylist, Marcus, at a very steep price at his mansion up in Marin County always invited him out, and paid his expenses, whenever there was a conference about some facet of the 1960s that the younger “post-modernist”  writers in his stable (guys like Kenny Johnson the author of the best-seller Thrill  were asking about as material for future books about the heady times they had been too young, in some cases way to young to know about personally or even second-hand). So Mac would bring out wiry, wily old veterans like Josh to spice up what after all would be just another academic conference and to make Mac look like some kind of hipster rather than the balding “sell-out" that he had become (which Josh had mentioned in his conference presentation but which Mac just laughed at, laughed at just as long as he can keep that Marin mansion. Still Josh felt he provided some useful background stuff now that you can find lots of information about that 1960s “golden age” (Mac’s term not his) to whet your appetite on Wikipedia or more fruitfully by going on YouTube where almost all the music of the time and other ephemera can be watched with some benefit.

Despite Josh’s tiredness, and a bit of crankiness as well when the young kid writers wanted to neglect the political side, the Vietnam War side, the rebellion against parents side of what the 1960s had been about for the lowdown on the rock festival, summer of love, Golden Gate Park at sunset loaded with dope and lack of hubris side, he decided to take a few days to go down to see Big Sur once again. He figured who knew when he would get another chance and at the age of seventy-two the actuarial tables were calling his number, or wanted to. He would have preferred to have taken the trip down with Lana, a hometown woman, whom he had finally settled in with up in Olde Saco after three, count them, failed marriages, a parcel of kids most of whom turned out okay, plenty of college tuitions and child support after living in Watertown just outside of Boston for many years.

Lana a bit younger than he and not having been “washed clean” as Josh liked to express the matter in the hectic 1960s and not wanting to wait around a hotel room reading a book or walking around Frisco alone while he attended the conference had begged off on the trip, probably wisely although once he determined to go to Big Sur and told her where he was heading she got sort of wistful. She had just recently read with extreme interest about Big Sur through her reading of Jack Kerouac’s 1960s book of the same name and had asked Josh several times before that if they went to California on a vacation other than San Diego they would go there. The long and short of that conversation was a promise by Josh to take her the next time, if there was a next time (although he did not put the proposition in exactly those terms).            

Immediately after the conference Josh headed south along U.S. 101 toward Monterrey where he would stay and which would be his final destination that day since he would by then be tired and it would be nighttime coming early as the November days got shorter. He did not want to traverse the Pacific Coast Highway (California 1 for the natives) at night since he had forgotten his distance glasses, another one of those six billion reasons why getting old sucks. Had moreover not liked to do that trip along those hairpin turns which the section heading toward Big Sur entailed riding the guardrails even back in his youth since one time having been completely stoned on some high-grade Panama Red he had almost sent a Volkswagen bus over the top when he missed a second hairpin turn after traversing the first one successfully. So he would head to Monterrey and make the obligatory walk to Cannery Row for dinner and in order to channel John Steinbeck and the later “beats” who would stop there before heading to fallout Big Sur.

The next morning Josh left on the early side not being very hungry after an excellent fish dinner at Morley’s a place that had been nothing but a hash house diner in the old days where you could get serviceable food cheap because the place catered to the shore workers and sardine factory workers who made Cannery Row famous, or infamous, when it was a working Row. He had first gone there after reading about the place in something Jack Kerouac wrote and was surprised that the place actually existed, had liked the food and the prices and so had gone there a number of times when his merry pranksters and other road companions were making the obligatory Frisco-L.A. runs up and down the coast. These days Morley’s still had excellent food but perhaps you should bring a credit card with you to insure you can handle the payment and avoid “diving for pearls” as a dish-washer to pay off your debts.      

As Josh started up the engine of his rented Acura, starting up on some of the newer cars these days being a matter of stepping on the brake and then pushing a button where the key used to go in this keyless age, keyless maybe a metaphor of the age as well, he had had to ask the attendant at the airport how to start the thing since his own car was a keyed-up Toyota of ancient age, he began to think back to the old days when he would make this upcoming run almost blind-folded. That term maybe a metaphor for that age. He headed south to catch the Pacific Coast Highway north of Carmel and thought he would stop at Point Lobos, the place he had first encountered the serious beauty of the Pacific Coast rocks and ocean wave splash reminding him of back East in Olde Saco, although more spectacular. Also the place when he had first met Moonbeam Sadie.

He had had to laugh when he thought about that name and that woman since a lot of what the old days, the 1960s had been about were tied up with his relationship to that woman, the first absolutely chemically pure version of a “hippie chick” that he had encountered. At that time Josh had been on the Captain Crunch merry prankster yellow brick road bus for a month or so and a couple of days before they had started heading south from Frisco to Los Angeles to meet up with a couple of other yellow brick road buses where Captain Crunch knew some kindred. As they meandered down the Pacific Coast Highway they would stop at various places to take in the beauty of the ocean since several of the “passengers” had never seen the ocean or like Josh had never seen the Pacific in all its splendor.

In those days, unlike now when the park closes at dusk as Josh found out, you could park your vehicle overnight and take in the sunset and endlessly listen to the surf splashing up to rocky shorelines until you fell asleep. So when their bus pulled into the lot reserved for larger vehicles there were a couple of other clearly “freak” buses already there. One of them had Moonbeam as a “passenger” whom he would meet later that evening when all of “youth nation” in the park decided to have a dope- strewn party. Half of the reason for joining up on bus was for a way to travel, for a place to hang your hat but it was also the easiest way to get on the dope trail since somebody, usually more than one somebody was “holding.” And so that night they partied, partied hard. 

About ten o’clock Josh high as a kite from some primo hash saw a young woman, tall, sort of skinny (he would find out later she had not been so slim previously except the vagaries of the road food and a steady diet of “speed” had taken their toll), long, long brown hair, a straw hat on her head, a long “granny” dress and barefooted the very picture of what Time/Life/Look would have used as their female “hippie” poster child to titillate their middle-class audiences coming out of one of the buses. She had apparently just awoken, although that seemed impossible given the noise level from the collective sound systems and the surf, and was looking for some dope to level her off and headed straight to Josh.

Josh had at that time long hair tied in a ponytail, at least that night, a full beard, wearing a cowboy hat on his head, a leather jacket against the night’s cold, denim blue jeans and a pair of moccasins not far from what Time/Life/Look would have used as their male “hippie” poster child to titillate their middle-class audiences so Moonbeam’s heading Josh’s way was not so strange. Moreover Josh was holding a nice stash of hashish. Without saying a word Josh passed the hash pipe to Moonbeam and by that mere action started a “hippie” romance that would last for the next several months until Moonbeam decided she was not cut out for the road, couldn’t take the life, and headed back to Lima, Ohio to sort out her life.

But while they were on their “fling” Moonbeam taught “Cowboy Jim,” her new name for him, many things. Josh thought it was funny thinking back how wedded to the idea of changing their lives they were back then including taking new names, monikers, as if doing so would create the new world by osmosis or something. He would have several other monikers like the “Prince of Love,” the Be-Bop Kid (for his love of jazz and blues), and Sidewalk Slim (for always writing something in chalk wherever he had sidewalk space to do so) before he left the road a few years later and stayed steady with his journalism after that high, wide, wild life lost it allure as the high tide of the 1960s ebbed and people drifted back to their old ways. But Cowboy Jim was what she called Josh and he never minded her saying that.

See Moonbeam really was trying to seek the newer age, trying to find herself as they all were more or less, but also let her better nature come forth. And she did in almost every way from her serious study of Buddhism, her yoga (well before that was fashionable among the young), and her poetry writing. But most of all in the kind, gentle almost Quaker way that she dealt with people, on or off drugs, the way she treated her Cowboy. Josh had never had such a gentle lover, never had such a woman who not only tried to understand herself but to understand him. More than once after she left the bus (she had joined the Captain Crunch when the bus left Point Lobos a few days later now that she was Cowboy’s sweetheart) he had thought about heading to Lima and try to work something out but he was still seeking something out on the Coast that held him back until her memory faded a bit and he lost the thread of her).          

Yeah, Point Lobos held some ancient memories and that day the surf was up and Mother Nature was showing one and all who cared to watch just how relentless she could be against the defenseless rocks and shoreline. If he was to get to Big Sur though he could not dally since he did not want to be taking that hairpin stretch at night. So off he went. Nothing untoward happened on the road to Big Sur, naturally he had to stop at the Bixby Bridge to marvel at the vista but also at the man-made marvel of traversing that canyon below with this bridge in 1932. Josh though later that it was not exactly correct that nothing untoward happened on the road to Big Sur but that was not exactly true for he was white-knuckled driving for that several mile stretch where the road goes up mostly and there are many hairpin turns with no guardrail and the ocean is a long way down. He thought he really was becoming an old man in his driving so cautiously that he had veer off to the side of the road to let faster cars pass by. In the old days he would drive the freaking big ass yellow brick road school bus along that same path and think nothing of it except for a time after that Volkswagen almost mishap. Maybe he was dope-brave then but it was disconcerting to think how timid he had become.

Finally in Big Sur territory though nothing really untoward happen as he traversed those hairpin roads until they finally began to straighten out near Molera State Park and thereafter Pfeiffer Beach. Funny in the old days there had been no creek to ford at Molera but the river had done its work over forty years through drought and downpour so in order to get to the ocean about a mile’s walk away Josh had to take off his running shoes and socks to get across the thirty or forty feet of rocks and pebbles to the other side (and of course the same coming back a pain in the ass which he would have taken in stride back then when he shoe of the day was the sandal easily slipped off and on) but well worth the effort even if annoying since the majestic beauty of that rock-strewn beach was breath-taking a much used word and mostly inappropriate but not this day. Maybe global warming or maybe just the relentless crush of the seas on a timid waiting shoreline but most of the beach was un-walkable across the mountain of stones piled up and so he took the cliff trail part of the way before heading back the mile to his car in the parking lot to get to Pfeiffer Beach before too much longer. 

Pfeiffer Beach is another one of those natural beauties that you have to do some work to get, almost as much work as getting to Todo El Mundo further up the road when he and his corner boys from Olde Saco had stayed for a month after they had come out to join him on the bus once he informed them that they needed to get to the West fast because all the world was changing out there. This work entailed not walking to the beach but by navigating a big car down the narrow one lane rutted dirt road two miles to the bottom of the canyon and the parking lot since now the place had been turned into a park site as well. The road was a white-knuckles experience although not as bad as the hairpins on the Pacific Coast Highway but as with Molera worth the effort, maybe more so since Josh could walk that wind-swept beach although some of the cross-currents were fierce when the ocean tide slammed the defenseless beach and rock formation. A couple of the rocks had been ground down so by the relentless oceans that donut holes had been carved in them.                          

Here Josh put down a blanket on a rock so that he could think back to the days when he had stayed here, really at Todo el Mundo but there was no beach there just some ancient eroded cliff dwellings where they had camped out and not be bothered  so everybody would climb on the bus which they would park by the side of the road on Big Sur Highway and walk down to Pfeiffer Beach those easy then two miles bringing the day’s rations of food, alcohol and drugs (not necessarily in that order) in rucksacks and think thing nothing of the walk and if they were too “wasted” (meaning drunk or high) they would find a cave and sleep there. That was the way the times were, nothing unusual then although the sign at the park entrance like at Point Lobos (and Molera) said overnight parking and camping were prohibited. But that is the way these times are.

Josh had his full share of ancient dreams come back to him that afternoon. The life on the bus, the parties, the literary lights who came by who had known Jack Kerouac , Allan Ginsberg, Lawrence Ferlinghetti and the remnant of beats who had put the place on the map as a cool stopping point close enough to Frisco to get to in a day but ten thousand miles from city cares and woes, the women whom he had loved and who maybe loved him back although he/they never stayed together long enough to form any close relationship except for Butterfly Swirl and that was a strange scene. Strange because Butterfly was a surfer girl who was “slumming” on the hippie scene for a while and they had connected on the bus except she finally decided that the road was not for her just like Moonbeam, as almost everybody including Josh figured out in the end, and went back to her perfect wave surfer boy down in La Jolla after a few months.

After an afternoon of such memories Josh was ready to head back having done what he had set out to which was to come and dream about the old days when he thought about the reasons for why he had gone to Big Sur later that evening back at the hotel. He was feeling a little hungry and after again traversing that narrow rutted dirt road going back up the canyon he decided if he didn’t stop here the nearest place would be around Carmel about twenty-five miles away. So he stopped at Henry’s Café. The café next to the Chevron gas station and the Big Sur library heading back toward Carmel (he had to laugh given all the literary figures who had passed through this town that the library was no bigger than the one he would read at on hot summer days in elementary school with maybe fewer books in stock). Of course the place no longer was named Henry’s since he had died long ago but except for a few coats of paint on the walls and a few paintings of the cabins out back that were still being rented out the place was the same. Henry’s had prided itself on the best hamburgers in Big Sur and that was still true as Josh found out.

But good hamburgers (and excellent potato soup not too watery) are not what Josh would remember about the café or about Big Sur that day. It would be the person, the young woman about thirty who was serving them off the arm, was the wait person at the joint. As he entered she was talking on a mile a minute in a slang he recognized, the language of his 1960s, you know, “right on,” “cool,” “no hassle,” “wasted,” the language of the laid-back hippie life. When she came to take his order he was curious, what was her name and how did she pick up that lingo which outside of Big Sur and except among the, well, now elderly, in places like Soho, Frisco, Harvard Square, is like a dead language, like Latin or Greek.

She replied with a wicked smile that her name was Morning Blossom, didn’t he like that name. [Yes.] She had been born and raised in Big Sur and planned to stay there because she couldn’t stand the hassles (her term) of the cities, places like San Francisco where she had gone to school for a while at San Francisco State. Josh thought to himself that he knew what was coming next although he let Morning Blossom have her say. Her parents had moved to Big Sur in 1969 and had started home-steading up in the hills. They have been part of a commune before she was born but that was all over with by the time she was born and so her parents struggled on the land alone. They never left, and never wanted to leave. Seldom left Big Sur and still did not.

Josh said to himself, after saying wow, he had finally found one of the lost tribes that wandered out into the wilderness back in the 1960s and were never heard from again. And here they were still plugging away at whatever dream drove them back then. He and others who had chronicled in some way the 1960s had finally found a clue to what had happened to the brethren. But as he got up from the counter, paid his bill, and left a hefty tip, he though he still had that trip out here next time with Lana to get through. He was looking forward to that adventure now though.               

Happy 112th Birthday High White Note To The China Seas Sax Player From Duke Ellington's Bands And That Sax Behind Billie Holiday On Some Of Her Stuff- Johnny Hodges

I hope you are still blowing that high white note out somewhere-Johnny 



Blues Great Henry Butler Passes-RIP, Brother, RIP

Blues Great Henry Butler Passes-RIP, Brother, RIP


The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Itch- With Elvis’ One Night Of Sin In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Itch- With Elvis’ One Night Of Sin In Mind  





Sketches From The Pen Of Frank Jackman 

"One Night Of Sin" was written by Bartholomew, Dave / King, Pearl / Steiman, Anita.

One night of sin, yeah
Is what I'm now paying for
The things I did and I saw
Would make the earth stand still
Don't call my name
It makes me feel so ashamed
I lost my sweet helping hand
I got myself to blame
Always lived very quiet life
Ain't never did no wrong
Now I know that very quiet life
Has cost me nothing but harm
One night of sin, yeah
Is what I'm now paying for
The things I did and I saw
Would make the earth stand still
Always lived very quiet life
Ain't never did no wrong
But now I know that very quiet life
Has cost me nothing but harm
One night of sin
Is what I'm now paying for
The things I did and I saw
Would make the earth stand still
*********A lot of boy-girl things didn’t make sense in the mad world of the iced down 1950s (we will keep ourselves to the boy-girl thing here recognizing except in exotic Hollywood/ North Beach/Village outposts that other now acceptable same-sex relationships were below the radar, below the radar in North Adamsville anyway, except in a titter of faggot/dyke-baiting in the boys’ gym locker room after school). Nobody, or almost nobody, talked about sex in any but very hushed tones except maybe the school tramps and whoremongers who were more than happy to explain the facts of life to innocent youth who got it wrong almost as much as any kid who was clueless except their mistakes wound up in girls going to see faraway “Aunt Ella” for a few months or some irate father ordered up a shot-gun wedding, worse some judge ordered up a hitch in the Army to some hellhole frozen tundra or sweated jungle for the errant guy.  But they, tramps and whoremongers both, were not listened to as a rule even in braggart lavatory between classes time, so that it was up to you to ask your older brother or sister in order to get some information they picked up from the streets. Information to fill in the yawning missing gaps in for you where parents, who after all “did it” and should have been forthcoming with some details but who turned out to be just like their parents leaving them to find out from the street as much misinformation as they could find, with their birds and bees silliness, the church (you name the denomination at your leisure, they were all even the U-Us and Quakers all locked-down on the subject) banned the words and talk of such words as if such acts were done by osmosis or tarot cards as one guy actually explained to one gal one night and she believed him although they backed off after a time worrying about that trip to Aunt Ella or that shot-gun wedding her father would have insisted on, Jesus, or school, locus parentis school and thus as clueless as parents about their charges, came up nada. Empty. 

Of course half, maybe more, of that street talk was wrong, dead-ass wrong coming from sources that barely knew more than those asking the questions. And so there was an epidemic of young women being plucked out of school for a time to visit some forlorn aunt in Topeka (sorry, Topeka).The whole wide world had never known such devotion of wayward young nieces for out-of-town aunts during those times. So when boys and girls started getting attracted to each other, when they touched, when they danced swaying with the big new beat, the rock and roll beat coming out of about twelve sources in the unkempt American Songbook, coming up to grab them out in that red scare cold war night sure they were confused, sure they wanted to know what those tingles were all about up in their night-less bedrooms–and do something about it just like the “he” and “she” of this sketch…     

…she was not exactly sure why she felt that way, felt warm in what all the girls in the before school “lav” called their “honey pot.”  Honey pot a term picked up from some older guys they dated who got it from around jazz clubs, hipster talk from the cool water be-bop boys who blew the high white notes, blew mary jane smoke, reefer, blew away their honey’s honey pot, or who talked fresh to them trying to pick them up around town, yelling stuff out of open air convertibles or two-toned hardback Chevys, and who had picked it up from who knows where, maybe sailors in Scollay Square in  Boston who got it in every port of call, or those older brothers trying to be hip. Some of the rougher girls, the girls who smoked in the “lav” against school rules, drank cheapjack liquor, mainly whiskey, on dates and “did the deed” as some modest girls called the sexual act and they called it “fucking” called that spot other things, pussy/ cunt kind of things which she did not find out until later, much later, and not much before she got married that guys called that spot those words too but she modest then stuck to the euphemism and even saying that term out loud made her blush crimson red.

That warm feeling had come over her lately, since turning sixteen  lately,  whenever she heard the local radio station, WJDA, the station teenagers were now tuned into since the station manager bowing to demographic shifts changed the format from pretty rarified cool water Charlie/Dizzy/ The Monk jazz to what the station called popular music. Or when the kids at Sal’s Pizza Parlor up in Adamsville Center were on the juke-box endlessly playing Elvis’ suggestive One Night With You (suggestive of what she would not find out until later, until Tommy one night tried to have his way with her and she kind of let him, kind of, kind of also did not let him, which she would not explain at the Monday morning before school “lav” talk about what went on over everybody’s weekend except to say they were finished, done as an “item,” no further explanation given).

Someone, Betty Arlen, she thought, one time said it was just her coming into “her time,” although she did not know what to make of that idea since she had that same feeling before and after she came into her time. She had thought Betty meant “got her friend” (translation: began to have her period, her cycle, which was late since at least most of the girls she knew had gotten their “friend” a year or two before her). Betty had giggled and said she did not mean that, that thing every girl had, her “friend” but the time when everything was confused and when a teenager did, or did not, know which way to jump. (Jesus, would no one but tramps and whoremongers use anything but prissy words when speaking of sex and its functions.) A time of teen angst and alienation which created sullen jack-rolling corner boys (guys in white tee-shirts and denims hanging their feet against storefront walls daring said walls to object, formally called juvenile delinquents, or slang JDs), made heroes of hot-rodding “chicken run” kings out on Thunder Road, and icons of “cool” actors like Marlon Brando and James Dean.

Betty said the stuff was news in all the newspapers and her father had mentioned it to her and asked her if she felt alienated. Betty said “no” quickly under the circumstances since “yes” would have probably kept her in the house until her father determined that the epidemic had run its course. All distraught all she knew was she like Betty had turned away from the old songs on the jukebox or radio, the ones that she loved to listen to last year (on that same WJDA that now was formatted for popular music meaning not her parents’ music) Frank, Bing, Patti, Rosemary, did not make her feel that way anymore. Didn’t make her feel that she wanted to jump out of her skin.

One night as she thought wistfully back to when her urges had all began, thought about her now seemingly girlish silliness since she had moved on in her big beat tastes, when Big Joe Turner’s Shake, Rattle and Roll came on the radio and she swaying to the beat at Doc’s or up in her room dancing by herself would get warm in her “honey pot.” She also gave a thought about Tommy Murphy from school, from North Adamsville High, from her class, her Problems in Democracy class, whom she had thought might have had a better handle on it, have had a better sense of what turbulence was going on inside her when he told the whole class in Current Events that there were some new songs coming out of the radio, some stuff from down south, some negro guys sound from out of Mississippi plantations heading North, from down in Memphis somewhere, some white hillbilly guys sound from the farms and small towns from that same town, that he would listen to late at night on WJKA from Chicago when the air was just right. Sounds that made him want to jump right out of his skin. (She never dared to ask whether it made him feel warm in his “honey pot” since she didn’t know much then about whether boys had such pots, or got even warm there like she did when the beat jumped). When he said that, said it was about the music, she knew that she was not alone, not alone in feeling that a fresh breeze was coming over the land, although she, confused as she was would not have articulated it that way (that would come later).

As she continued to muse she remembered that she had asked Tommy about it after class and talking awhile both getting animated on the subject agreed to let him walk her home after school. One thing led to another as they found that they had so much in common, and then a few weeks later they had their first date, first date to go to the Surf Ballroom down at Adamsville Beach and listen to some guys, a band,  The Ready Rockers, play the new music. She had wondered to herself before he picked her up at her house whether she would feel warm again in her honey pot when they danced (she could not speak of such things to Tommy), she had hoped so.

Later, not that night but a few weeks later, when they skipped the dance part and just went to the far end of Adamsville Beach in his father’s car and they listened to the radio and the song that got her going, going strong as Tommy made his moves, was Elvis’ One Night With You which got her fantasizing about him all swaying hips, snapping be-bop fingers, snarl and slicked-back hair and between the beat and Tommy’s hands she let him have his way with her, kind of. The kind of part being that while she let him undress her, partially anyway, she was not sure what he did, not sure if they had done the deed. In any case she got angry at Tommy, got angry assuming that he had had his way with her and that he should have stopped. That night was the beginning of the end of their short romance especially after she had heard at the Monday morning before school “lav” talkfest some girls mention that they had successfully held off their boyfriends who wanted to “go all the way” and she was doubly furious. (Later, much later, she found out that one of those girls who had claimed to have fended off her boyfriend suddenly announced she had to go see an ailing aunt in Topeka or some place like that. More importantly Tommy, as inexperienced as her, had not really done anything, any penetration anyway. Poor Tommy).  

After giving Tommy his walking papers she still got those urges and still wanted to try to figure out what to do about them when Elvis or Jerry Lee came on the radio (and, truth, had secretly thrilled when she thought Tommy had done the deed, had made her a woman, although she believed he really should have stopped and thus the break-up). One night, one Friday night she went with Betty and another girl to the Surf Ballroom to hear the Ready Rockers play. And maybe find another guy, a guy who would respect her. Then she saw Lance, Lance all black hair and brown eyes, slim, dancing up a storm to Bo Diddley’s Who Do You Love. Later she went over to see if she could talk to him, to see if the music hit him the same way as it did her and they talked.

Later, not that night, they had their first date and after he picked her up in his ’55 Chevy he suggested they skip the dance and go to the far end of Adamsville Beach. She said she really wanted to but told him he should stop before things got out of hand. Once they got there Lance turned on the radio and turned on his hands. She didn’t resist and while she was not sure which song got her going that night between Lance’s quick moving hands, the moon, the sound of the ocean roar and her own desire Lance had his way with her. And she knew this time from her aching hips and other stuff that he had “done the deed.” Come Monday morning before school girls’ “lav” talkfest she was the first girl to tell the group how she had successfully fended Lance off that weekend. 

Let’s tune into Tommy Murphy’s take on the situation now that he is single and lonely.      

… he could hardly wait until the weekend, wait to hear the new sounds coming out of the south, rhythm and blues stuff, rockabilly stuff, that he could hear on his transistor radio up in his room coming on clear nights out of WJKA in Chicago, stuff called rock and roll. It didn’t come in clear every week but when it did he would start snapping his fingers to the beat, the swinging beat that “spoke” to him somehow. He could not explain it but it made him feel good when he was down, was confused about life, okay, okay, about girls, school, and that getting ahead in the world that his parents, his mother especially, kept harping on. Made him think that maybe he would be a musician and play that stuff, play and make all the girls wet. Yeah, as little as he knew, he knew all of that part about girls, about how this music was making them get warm, warm in all the right places, in their “honey pots,” according to George his older brother who knew all about girls and had explained what that term meant (and who really knew all he knew like everybody else from the streets). Make that new girl of his, Susie, warm too. He hoped.

Funny how they met, he and Susie met, or not really met but started out, started out in school of all places, in class. Jesus. In Current Events one week when it was his turn to make a presentation and he chose to talk about that radio station in Chicago and about the sounds he heard that made him want to jump out of his skin. He couldn’t exactly explain why when Mr. Merritt asked about why he felt that way except to say that it made him feel good, made him less angry, less confused. After class Susie had come up to him and practically begged him to tell her his feelings because she had said when she heard Big Joe Turner coming all snapping fingers on the radio on Shake, Rattle and Roll, she felt funny inside. (He knew what kind of funny but he knew, knew because George had told him, not to say that to girls.) That had started it since he walked her home a few times and he found that she was easy to talk to. So before he knew it he had asked her to go see the Ready Rockers at the Surf Ballroom down at Adamsville Beach who were playing the new sounds.


He didn’t know what would happen but he hoped that she would get that funny feeling inside when they danced, he sure hoped so. And she did, but nothing happened that night. A few weeks later, when he had his father’s car and suggested that they skip the dance and head straight down to the far end of Adamsville Beach, he had turned on the radio while they were “making out” (kissing and some fondling of her breasts with his hands moving nervously all over the place and she sighing at the touch) when Elvis came on with his One Night With You and she did not stop him when he took off her underpants and he got on top. He made a bunch of moves but she was not paying any particular attention. Fact was he did not know what to do so he just rubbed his “thing” against her “honey pot” but did not go inside. At least he thought he had not gone inside. After he was done she asked him whether he had “done the deed.” In a panic and not wanting to show his inexperience he said yes. 
She got furious, said he should have stopped and what if she got pregnant and had go visit an aunt. That, in any case, was the beginning of the end of their short romance. She gave him his walking papers that next Monday afternoon saying that he should have been like other girls said their boyfriends did and stopped before anything happened. Tommy had no comeback that would work and so he just walked away, forlorn…                 

As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth –Wilfred Owens


As The 100th Anniversary Of The Armistice Day 11/11/1918 at 11 AM Commences-Some Creative Artists Who Fought/Died/Lived Through The Nightmare That Destroyed The Flower Of European And American Youth –Wilfred Owens



  











By Seth Garth





A few years ago, starting in August 2104 the 100th anniversary of what would become World War I, I started a series about the cultural effects, some of them anyway, of the slaughter which mowed down the flower of the European youth including an amazing number of artists, poets, writers and other cultural figures. Those culturati left behind, those who survived the shellings, the trenches, the diseases, and what was then called “shell shock,” now more commonly Post-Traumatic Stress Disorder (PTSD) which is duly recognized, and compensated for at least in the United States by the Veterans Administration in proven cases reacted in many different ways. Mainly, the best of them, like the ordinary dog soldiers could not go back to the same old, same old, could not revive the certitudes of the pre-war Western world with it distorted sense of decorum and went to what even today seem quirky with moderns like Dada, Minimalism, the literary sparseness of Hemingway, and so on. I had my say there in a general sense but now as we are only a few months away from the 100th anniversary of, mercifully, the armistice which effectively ended that bloodbath I want to do a retrospective of creative artistic works by those who survived the war and how those war visions got translated into their works with some commentary if the spirit moves me but this is their show-no question they earned a retrospective.




Reopening The Emmett Till Case-The Case That Has Not Died, Nor Should It


Reopening The Emmett Till Case-The Case That Has Not Died, Nor Should It

A link to an On Point NPR program on the re-opening of the Emmett Till case.



  www.wbur.org/onpoint/2018/07/17/emmett-till-timothy-tyson




By Frank Jackman



I have, as witnessed below, at various times reviewed some aspect of the Emmett Till case as a matter of historical importance although not to me individually directly since Emmett’s death, murder, happened when I was too young to realize what was going on. I picked up on the civil rights movement for black rights in the Mister James Crow South (and as it turned, turns out the North too) in the early 1960s when I went to downtown Boston and walked a picket line at Woolworth’s in support of the lunch counter demonstrators down South who wanted to have a freaking grilled cheese sandwich without having to face a civil war about it. That is when I first heard about the case, and it has never been far from the surface since.           

Now the Department of Justice, Alabama’s Jeff Session’s DOJ, has reopened the Emmett Till case that his family and partisans have tried to have reopened for many years. The DOJ motivation I am not quite sure of. What I know is that in this case justice will never be done, closure will probably never come but only a better idea of what really happened down in Mister James Crow Mississippi in the 1950s. Still some cases, and Emmett’s is one of them, will never die, nor should they.  


*********

DVD Review

Free at Last: Civil Rights Heroes, film documentary, Image Entertainment, 2005

Every major (and most minor) progressive social struggle in America from the struggle for independence from Great Britain through to the struggle for slavery abolition up to the struggle for women’s rights and gender equality today has had more than its share of heroes and martyrs. The purpose of the documentary under review, Free At Last: Civil Rights Heroes, rightly, highlights some of those lesser known heroes and martyrs from the struggle for black civil rights that came to national prominence in the1950s and 1960s (although arguably that conscious struggle goes back to the 1930s and before).

Although, in the end the question of black equality had to be addressed (and still has to be addressed) nationally the thrust of the black civil rights movement that is featured in this film is the struggle for something like a democratic revolution by blacks and their supporters in the police state-like American South. That barbaric de jure and de facto Jim Crow system officially, as a matter state and social policy, held blacks in second class citizenship (or lower). The struggle to overcome that ingrained (and profitable, profitable for whites of almost all social strata) was almost, of necessity, going to create more than it share of heroes and martyrs.

The case of fourteen year old Chicago resident Emmett Till and his horrible murder at the hands of white marauders in Mississippi in 1955, the first of the three separate segments that make up the film graphically highlights the problem. For the mere allegation of “whistling at a white woman while black” (if that allegation had any substance) young Emmett was brutally mangled and thrown into the local river. When his mother, righteously, made a cause out of this bestial murder all hell broke loose, at least on the surface. And the case galvanized blacks and whites nationally, alerting many for the first time to the hard fact that something was desperately wrong down in Mississippi (and not just there). But justice, Mississippi justice, to paraphrase poet Langston Hughes, is justice deferred. As detailed in almost all the cases highlighted in the film those directly responsible for the actions against the civil rights workers were either never brought to justice or only after something like a long drawn out legal civil war. No one should forget that aspect of the struggle either.

The other cases highlighted from the assassinated Medgar Evers to the four Birmingham girls murdered in their church when it was bombed to the three civil rights workers slain in Philadelphia, Mississippi that drew nation-wide attention to slain white civil rights workers Viola Liuzzo and Reverend James Reeb, murdered for “being white while working for black civil rights” exhibit those same kinds of sickening results. Let me put it this way after viewing the film footage here, especially Bull Connor’s attack dogs being let loose on civil rights demonstrators in the streets of Birmingham, Alabama that was one of the first visual images that drove me into the civil rights struggle, I still wanted to throw something at the screen. And you wonder why fifty or so years later I still say Mississippi (or fill in your preferred state) goddam. Kudos here.

Thursday, July 26, 2018

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-Out In The Be-Bop Night- In Defense Of The Blue-Pink Great American Western Night "Deviation"- A Short Note

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-Out In The Be-Bop Night- In Defense Of The  Blue-Pink Great American Western  Night "Deviation"- A Short Note



By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation.  Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.          



Markin comment:  

Okay, here is the genesis of this little commentary. Rather a “tempest in a teapot”, I think, in the grand scheme of things and in the same category as White House flak, Robert Gibbs, and his inane blathering about “professional leftists” and their alleged carping on the short-comings of his boss, Barack Obama. But at least it gives me a lead for today’s commentary. Unfortunately it will come at the expense of a comrade, someone I care about and whose opinion I value, unlike Robert Gibbs (or his boss, for that matter). Here are the details.

I have recently been taken to task by this fellow member of the local anti-imperialist, anti-war ad hoc committee that I have belonged to for the past several years (and that I have written about previously in this space) who is miffed (I am being polite) at me for my constant use of the term, or variations of the term, “the great American night”, especially when dealing with the 1950s “beat” generation writers (Kerouac, Ginsberg, Burroughs and the usual suspects). Now this is one of the comrades, a younger one, that I go back to the days of ancient memory Bush post-9/11 Afghan October war, bombing-them-back-them-to-the-stone-age, with, and who helped us, in all manner of ways, to get through those tough days when opposition to that war on the streets of Boston, and elsewhere in America, was an extremely dicey thing. So under normal circumstances I would be all ears when he had some comment or criticism. But here he is just “cannon fodder” for my commentary.

As readers may know this ad hoc committee is made up of various political types and is, most importantly, not bound by Leninist democratic centralist principles (nor could it be, as a patched together, if coherent, propaganda bloc composed of , well, I’ll be nice, characters ) and therefore I am not telling “tales out of school” by replying publicly here. Moreover, although Leninist organizations adhere to a single political line, publicly, and expect their members to maintain discipline on general questions those questions that fall outside of politics, like the subject of one’s attitude toward the “beats”, the use, or overuse of the term, “great American night”, or your favorite forms of music are matters of personal preference, as a rule. So I am firing away.

But there is more gnawing at me than making a public point at his expense. Go back to that young comrade’s point. We all come to leftist politics, young or old, in our own ways, and in our own good time. I have always been somewhat amazed at the variety of such experiences that, by now, almost defy categorization. We also come to out personal predilections in much the same way. Jazz, be-bop, bop-bop, techno-hop, hip-hop, poetry slam, folk jam, and so on. For a fact though he knows not, and I have drilled him on this, of ancient dreams of blue-pink great American West night dreaming old men, passed down from older men (mostly). Know or not know though, here is his answer.

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There is no question that over the past year or so I have been deep in remembrances of the influences, great and small, of the 1950s “beats” on my own sorry teen-aged alienation and teen-aged angst (sometimes they were separate anguishes, sometimes tied together like inseparable twins, mostly the later) and the struggle to find my place in the sun, to write in bright lights my own beat plainsong. Of course, that "beat" influence was blown over me second-hand as I was just a little too young, or a little too wide-world unconscious, to be there at the creation, on those first roads west, those first fitfully car-driven, gas-fuelled, thumb hanging-out, sore-footed, free exploration west roads, in body and mind. And of that first great rush of the adrenal in trying to discover, eternally discover as it has turned out, the search for the meaning of the great blue-pink American West night. Ah, pioneer-boys, thanks.

I just got a whiff, a passing whiff of that electric-charged air, the sweet “be-bop”, bop-bop, real gone daddy, cooled-out, pipe-filled with whatever, jazz-sexed, high white note blown, howling in the wind plainsong afterglow. Moreover, somewhat tarnished, a little sullen and withdrawn, and media-used up by my time. More than one faux black chino-wearing, black beret’d, stringy-bearded, nightshade sun-glassed, pseudo-poetic-pounding, television-derived fakir crossed my path in Harvard Square in those high stakes early 1960s high school days. And a few real ones, as well. (A couple, whom I still pass occasionally, giving a quick nod to, have never given up the ghost and still haunt the old square looking for the long-gone, storied Hayes-Bickford, a place where the serious and the fakirs gathered in the late night before dawn hour to pour out their souls, via mouth or on paper. Good luck, men.). More to the point, I came too late to be able to settle comfortably into that anti-political world that the “beats” thrived in. Great political and social events were unfolding and I wanted in, feverishly wanted in, with both hands (and,maybe,feet too).

You know some of the beat leaders, the real ones, don’t you? Remembered, seemingly profusely remembered now, by every passing acquaintance with some rough-hewn writing specimen or faded photograph to present. Now merely photo-plastered, book wrote, college english department deconstruction’d , academic journal-debated, but then in full glory plaid shirt, white shirt, tee shirt, dungarees, chinos, sturdy foot-sore cosmic traveler shoes, visuals of heaven’s own angel bums, if there was a heaven and there were angels and if that locale needed bums.

Jack, million hungry word man-child sanctified, Lowell mills-etched and trapped and mother-fed, Jack Kerouac. Allen, om-om-om, bop, bop, mantra-man, mad Paterson-trapped, modern plainsong-poet-in-chief, Allen Ginsberg. William, sweet opium dream (or, maybe, not so sweet when the supply ran out), needle-driven, sardonic, ironic, chronic, Tangiers-trapped, Harvard man (finally, a useful one, oops, sorry), Williams S. Burroughs. Neal, wild word, wild gesture, out of ashcan all-America dream man, tire-kicking, oil-checking, gas-filling, zen master wheelman gluing the enterprise together, Neal Cassady. And a whirling crowd of others, including mad, street-wise, saint-gunsel, Gregory Corso. I am a little fuzzy these days on the genesis of my relationship to this crowd (although a reading of Ginsberg’s Howl was probably first in those frantic, high school, Harvard Square-hopping, poetry-pounding, guitar-strummed, existential word space, coffee, no sugar, I’ll have a refill, please, fugitive dream’d, coffeehouse-anchored days). This I know. I qualified, in triplicate, teen angst, teen alienation, teen luddite as a card-carrying member in those days.

More recently that old time angst, that old time alienation and a smidgen of that old time luddite has casted its spell on me. I have been held hostage to, been hypnotized by, been ocean-sized swept away by, been word ping-pong bounced off of and collided into by, head over heels language-loved by, word-curled around and caressed by the ancient black night into the drowsy dawn 1950s child view vision Kerouac/Ginsberg/Burroughs/Corso-led “beats” homage to the great American West night. (Beat: life beat-up, fellaheen beat-down, beat around, be-bop jazz beat, beatified church beat, howl poem beat, beat okay, anyway you can get a handle on it, beat.). The great American West “beat” breakout from the day weary, boxed-in, shoulder-to-the-wheel, eyes forward, hands to the keyboard, work-a-day-world, dream-fleshed-out night. Of leaving behind on the slow-fast, two-lane, no passing, broken-lined old Route 6, or 66, or 666, or whatever route, whatever dream route, whatever dream hitchhike gas station/diner highway beyond the Eastern shores night, of the get away from the machine, the machine making machines, the “little boxes” machine night, and also of the reckless breakout of mannered, cramped, parlor-fit language night. Whoa!

This Kerouacian wordplay on-the-road’d, dharma-bummed, big sur’d, desolation angel’d night, this Ginsberg-ite trumpet howl, cry-out to the high heavens against the death machine night, this Burroughs-ish languid, sweet opium-dreamed, laid-back night, this Neal Cassady-driven, foot-clutched, brake-pedaled, wagon-master of the to and fro of the post-World War II American West night, was not my night but close enough so that I could touch it, and have it touch me even half a century later. So blame Jack and the gang, okay and I will give you his current Lowell, Massachusetts home address upon request so that you can direct your inquiries there.

Blame Jack, as well, for the busting out beyond the factory lakes, corn-fed plains, get the hell out of Kansas flats, on up into the rockiesmountainhigh (or is it just high) and then straight, no time for dinosaur lament Ogden or tumbleweed Winnemucca, to the coast, come hell or high water. Ya, busting out and free. Kid dream great American West night, car-driven (hell, old pick-up truck-driven, English racer bicycle-driven, hitchhike thumbed, flat-bed train-ridden, sore-footed, shoe-beaten walked, if need be), two dollar tank-filled, oil-checked, tires kicked, money pocket’d, surf’s up, surf’s crashing up against the high shoulder ancient seawalls, cruising down the coast highway, the endlessly twisting jalopy-driven pin-turned coast highway, down by the shore, sand swirling, bingo, bango, bongo with your baby everything’s alright, go some place after, some great American West drive-in place. Can you blame me?

So as for that comrade, that well-respected young comrade, what would he know, really, of the great blue-pink American West night that I, and not I alone, was searching for back in those halcyon days of my youth in the early 1960s. What would he know, for example, except in story book or oral tradition from parents or, oh no, maybe, grandparents, of the old time parched, dusty, shoe-leather-beating, foot-sore, sore-shouldered, backpacked, bed-rolled, going-my-way?, watch out for the cops over there (especially in Connecticut and Arizona), hitchhike white-lined road. The thirsty, blistered, backpacked, bed-rolled, thumb-stuck-out, eternally thumb-stuck-out, waiting for some great savior kindred-laden Volkswagen home/collective/ magical mystery tour bus or the commandeered rainbow-marked, life-marked, soul-marked yellow school bus, yellow brick road school bus. Hell, even of old farmer-going-to-market, fruit and vegetable-laden Ford truck, benny-popping, eyes-wide, metal-to-the-petal, transcontinental teamster-driving goods to some westward market or kid Saturday love nest, buddy-racing cool jalopy road. Ya, what would he know of that.

Of the road out, out anywhere, anywhere west, from the stuffy confines of worn-out, hard-scrabble, uptight, ocean-at-you-back, close-quartered, neighbor on top of neighbor, keep your private business private, used-up New England granite-grey death-chanting night. Of the struggle, really, for color, to change the contour of the natural palette to other colors brighter than the New England leafy greens and browns of the trees and the blues, or better blue-greens, or even better yet of white-flecked, white foamed, blue-greens of the Eastern oceans. (Ya, I know, I know, before you even start on me about it, all about the million tree flaming yellow-red-orange autumn leaf minute and the thousand icicle-dropped, road strewn dead tree branch, white winter snow drift eternity, on land or ocean but those don’t count, at least here, and not now)

Or of the infinite oil-stained, gas-fumed, rag-wiped, overall’d, gas-jockey, Esso, Texaco, Mobil, Shell stations named, the rest lost too lost in time to name, two dollar fill-up-check-the-oil, please, the-water-as-well, inflate the tires, hit the murky, fetid, lava soap-smelled bathrooms, maybe grab a Coke, hey, no Hires Root Beer on this road. This Route 66, or Route 50 or Route you-name-the route, route west, exit east dream route, rolling red barn-dotted (needing paints to this jaded eye), rocky field-plowed (crooked plowed to boot), occasionally cow-mooed, same for horses, sheep, some scrawny chickens, and children as well, scrawny too. The leavings of the westward trek, when the westward trek meant eternal fields, golden fields, and to hell with damned rocks, and silts, and worn-out soils absent-mindedly left behind for those who would have to, have to I tell you, stay put in the cabin'd hollows and lazily watered-creeks. On the endlessly sulky blues-greens, the sullen smoky grey-black of mist-foamed rolling hills that echo the slight sound of the mountain wind tunnel, of the creakily-fiddled wind-song Appalachian night.

Or of diner stops, little narrow-aisled, pop-up-stool’d, formica counter-topped, red (mostly) imitation leather booth, smoked-filled cabooses of diners. Of now anchored, abandoned train porter-serviced, off-silver, off-green, off-red, off any faded color “greasy spoon” diners. Of daily house special meat loaf, gravy-slurp, steam-soggy carrots, and buttered mashed potato-fill up, Saturday night pot roast special, turkey club sandwich potato chips on the side, breakfast all day, coffee-fill-up, free refill, please, diners. Granddaddies to today’s more spacious back road highway locales, styled family-friendly but that still reek of meat loaf-steamed carrots- creamed mashed tater-fill. Spots then that spoke of rarely employed, hungry men, of shifty-eyed, expense account-weary traveling men, of high-benny, eyes-wide, mortgaged to the hilt, wife ran off with boyfriend, kids hardly know him, teamsters hauling American product to and fro and of other men not at ease in more eloquent, table-mannered, women-touched places. Those landscape old state and county side of the highway diners, complete with authentic surly, know-it-all-been-through-it-all, pencil-eared, steam-sweated uniform, maybe, cigarette-hanging from tired ruby red lips, heavily made-up waitress along the endless slag-heap, rusting railroad bed, sulphur-aired, grey-black smoke-belching , fiery furnace-blasting, headache metal-pounding, steel-eyed, coal dust-breathe, hog-butcher to the world, sinewy-muscled green-grey, moonless, Great Lakes night.

Or of two-bit road intersection stops, some rutted, pot-holed country road intersecting some mud-spattered, creviced backwater farm road, practically dirt roads barely removed from old time prairie pioneer day times, west-crazy pioneer times, ghost-crazy-pioneer days. Of fields, vast slightly rolling, actually very slightly rolling, endless yellow, yellow–glazed, yellow-tinged, yellow until you get sick of the sight of yellow, sick of the word yellow even, acres under cultivation to feed hungry cities, as if corn, or soy, or wheat, or manna itself could fill that empty-bellied feeling that is ablaze in the land. But we will deal with one hunger at a time. And dotted every so often with silos and barns and grain elevators for all to know the crops are in and ready to serve that physical hunger. Of half-sleep, half hungry-eye, city boy hungry eyes, unused to the dark, dangerous, sullen, unknown shadows, bed roll-unrolled, knapsack pillowed, sleep by the side of the wheat, soy, corn road ravine, and every once in a blue moon midnight car passings, snaggly blanket-covered, knap-sack head rested, cold-frozed, out in the great day corn yellow field beneath the blue black, beyond city sky black, starless Iowa night.

Or of the hard-hilled climb, and climb and climb, breathe taken away magic climb, crevice-etched, rock-interface, sore-footed magic mountain that no Thomas Mann can capture. Half-walked-half-driven, bouncing back seat, back seat of over-filled truck-driven, still rising up, no passing on the left, facing sheer-cliff’d, famous free-fall spots, still rising, rising colder, rising frozen colder, fearful of the sudden summer squalls, white out summer squalls. Shocking, I confess, beyond shocking to New England-hardened winter boy, then sudden sunshine floral bursts and jacket against the cold comes tumbling off. And I confess again, majestic, did I say majestic and beats visions of old Atlantic ocean swells at dawn crashing against harmless seawalls. Old pioneer-trekked, old pioneer-feared, old rutted wheeled, two-hearted remembrances, two-hearted but no returning back (it would be too painful to do again) remembrances as you slide out of Denver into the icy-white black rockymountainhigh night.

Of foot-swollen pleasures in some arid back canyon arroyo, etched in time told by reading its face, layer after layer, red, red-mucked, beige, beige-mucked, copper, copper-mucked, like some Georgia O'Keeffe dream painting out in the red, beige, copper black-devouring desert night. Sounds, primal sounds, of old dinosaur laments and one hundred generations of shamanic Native American pounding crying out for vengeance against the desecrations of the land. Against the cowboy badlands takeover, against the white rampages of the sacred soil. And of canyon-shadowed, flame-shadowed, wind swept, canteen stews simmering and smokey from the jet blue, orange flickering campfire. Of quiet, desert quiet, high desert quiet, of tumbleweed running dreams out in the pure sandstone-edged, grey-black Nevada night.

And then... .

the great Western shore, surf’s up, white, white wave-flecked, lapis-lazuli blue-flecked ocean, rust golden-gated, no return, no boat out, lands end, this is it coast highway, heading down or up now, heading up or down gas stationed, named and unnamed, side road diners, still caboose’d, ravine-edged sleep and beach sleeped, blue-pink American West night.

Yes, but there is more. No child vision but now of full blossom American West night, the San Francisco great American West night, of the be-bop, bop-bop, narrow-stepped, downstairs overflowed music cellar, shared in my time, the time of my time, by “beat” jazz, “hippie’d folk”, and howled poem, but at this minute jazz, high white note-blown, sexed sax-playing godman, unnamed, but like Lester Young’s own child jazz. Smoke-filled, blended meshed smokes of ganja and tobacco (and, maybe, of meshed pipe smokes of hashish and tobacco), ordered whisky-straight up, soon be-sotted, cheap, face-reddened wines, clanking coffee cups that speak of not tonight promise. High sexual intensity under wraps, tightly under wraps, swirls inside it own mad desire, black-dressed she (black dress, black sweater, black stockings, black shoes, black bag, black beret, black sunglasses, ah, sweet color scheme against white Madonna, white, secular Madonna alabaster skin. What do you want to bet black undergarments too, ah, but I am the soul of discretion, your imagination will have to do), promising shades of heat-glanced night. And later, later than night just before the darkest hour dawn, of poems poet’d, of freedom songs free-verse’d, of that sax-charged high white note following out the door, out into the street, out the eternity lights of the great golden-gated night. I say, can you blame me?

Of later roads, the north Oregon hitchhike roads, the Redwood-strewn road not a trace of black-dressed she, she now of blue serge denim pants, of brown plaid flannel long-sleeved shirt, of some golfer’s dream floppy-brimmed hat, and of sturdy, thick-heeled work boots (undergarments again left to your imagination) against the hazards of summer snow squall Crater Lake. And now of slightly sun-burned face against the ravages of the road, against the parched sun-devil road that no ointments can relieve. And beyond later to goose-down bundled, hunter-hatted, thick work glove-clad, snowshoe-shod against the tremors of the great big eternal bump of the great Alaska highway. Can she blame me? Guess.

Ya, put it that way and what does that young comrade, a dreamer of his own dreams, and rightly too, know of an old man’s fiercely-held, fiercely-defended, fiercely-dreamed beyond dreaming blue-pink dreams. Or of ancient blue-pink sorrows, sadnesses, angers, joys, longings and lovings, either.