Friday, August 24, 2018

A Message From Congressman and Former SNCC Operative John Lewis-On Voter Suppression

John Lewis<moveon.help@list.moveon.org>
To     
Dear MoveOn member,
Fifty-three years ago this month, I stood behind President Lyndon Johnson and watched him sign into law the Voting Rights Act.

I marched across the Edmund Pettus Bridge in Selma, Alabama, to help pass that law. I was physically beaten while advocating for its passage, and many of my brothers and sisters lost their lives fighting to give Black people the right to vote.

It is why I never take voting for granted, and why I was so shocked and disheartened to learn last week that my beloved state of Georgia was considering shutting down multiple polling places in majority-Black counties right before the midterm elections—when my state has the chance to elect Stacey Abrams, becoming the first in the nation to elect a Black woman governor.1
I know why Republicans in Georgia are desperate to bar voters from the polls this November: They are terrified of Stacey Abrams.
Stacey has been running an inspiring, once-in-a-generation campaign, and people across Georgia—from big cities like Atlanta to small, rural farm towns—are flocking to her because of her message and because they want to elect a progressive leader that will truly represent all of Georgia.
It is no wonder that the secretary of state in Georgia—who just so happens to be Stacey's Republican opponent in this race—has been purging the voter rolls and playing every dirty trick possible in order to stop voters from giving Stacey the win that she deserves this November.2
Which is why I'm writing to you today with a simple request: Can you chip in $3 right now directly to Stacey Abrams' campaign to give her the fuel to fight back against these attacks?
Stacey Abrams is a force to be reckoned with, and when she becomes the next governor of Georgia, she will defend equality and justice just as fiercely as she now opposes the president's dangerous and divisive agenda. That's why the president has been attacking Stacey and why he was so involved in hand-picking her opponent.
But Stacey is not one to back down from a fight. She grew up in a family with very little and pulled herself up to become a Yale Law School graduate, the first-ever Black woman to lead a party in Georgia's legislature, and, now, the first Black woman to win the nomination for governor for a major party anywhere in America. She has spent her life advocating for equality, owns a small business that helps employ thousands of people in Georgia, and has registered hundreds of thousands of people in our state—significantly, people of color, the very same people that her opponent is trying to block from voting.3
When I think of Stacey, I see the continuation of the civil rights movement, and I refuse to allow the GOP to silence the voices of the very people that I fought for, that Dr. Martin Luther King Jr. fought and died for, and that people like Stacey are fighting for today.
Many of my friends gave their lives for our right to vote. I think about them every time I go into a voting booth. We must never forget the sacrifice that so many made to get us here, and we must never, ever go back.
Stacey Abrams is the living embodiment of that powerful, blood-won truth, and it is on us to stand beside her and march with her toward victory.
Thanks for being a part of this.
–Congressman John Lewis of Georgia
Sources:
1. "Brian Kemp’s Bid for Governor Depends on Erasing the Black Vote in Georgia," Slate, August 17, 2018
https://act.moveon.org/go/48627?t=5&akid=214824%2E38417624%2EhrGwSg
2. Ibid.
3. "Meet Stacey," Stacey Abrams for Governor, accessed August 24, 2018
https://act.moveon.org/go/38531?t=7&akid=214824%2E38417624%2EhrGwSg
Want to support MoveOn's work? The MoveOn community will work every moment, day by day and year by year, to resist Trump's agenda, contain the damage, defeat hate with love, and begin the process of swinging the nation's pendulum back toward sanity, decency, and the kind of future that we must never give up on. And to do it we need your ongoing support, now more than ever. Will you stand with MoveOn?

PAID FOR BY MOVEON.ORG POLITICAL ACTION, http://pol.moveon.org/. Not authorized by any candidate or candidate's committee. Federal candidates or officeholders mentioned above are not asking for more than $5,000 per calendar year from individuals or other federally permissible sources, nor are they asking for any funds from corporations, labor unions, or any other federally prohibited sources.
This email was sent to Alfred Johnson on August 24th, 2018. To change your email address or update your contact info, click here. To remove yourself from this list, click here.

As The Classic Film "Casablanca" Turns 75-A Look Back

Comment by Sam Lowell 

As the person who did the piece on NPR noted at the end of her piece on the making of Casablanca-even after 75 years the romance of the film and the story line still grabs one attention.


http://www.wbur.org/npr/515372794/after-75-years-heres-looking-at-you-casablanca


Here's a recent comment by Seth Garth in honor of the occasion:


Memories Of Rick-With Humphrey Bogart and Ingrid Bergman’s “Casablanca” In Mind



By Seth Garth

[Before he passed away in the late 1980s the long time French police officer, Commandant Louis Renault (everybody, everybody but the bad guys who crossed his path and there were plenty and not all of them Germans, called him “Louie” for his mild-mannered easy style when he was not in hot pursuit of some nefarious types)who had worked both in colonial Algeria and French Morocco before heading back home to work with the National Police in his hometown of Lyon, liked to sit in the Café Algiers there and reminisce about all his adventures as a cop. When asked about the most memorable person, friend or foe, he had been up against in his times he would without much hesitation blurt out the name of Rick Blaine.

Rick of Rick’s Café in Casablanca when Louie had worked in French Morocco early in World War II after the fall of the French Republic and the rise of the Vichy government which controlled that colony then. He as a police officer noted the changing of the guard and went about his business as usual-regimes come and go he had always said but the cops are forever. After investigation of Rick’s past, most of the early part as a tough guy out of Hell’s Kitchen in New York City a place where Rick would make people laugh when he said even the mighty Germans would think twice about occupying and had included some troubling adventurous activity for the “wrong” side in Ethiopia and Spain during the 1930s, he, after having had his palm “greased” issued the liquor and nightclub license for Rick to keep his Cafe Americian open under his prefecture.
For most of the time he knew Rick in Casablanca they had had a good working relationship. Rick would let him “win” at the roulette wheel as his pay-off for letting illegal gambling go on in full sight, “comp” him for drinks and dope, mostly hashish, and let him have his women “rejects” on the rebound. Then she came in, came in as Rick said one drunken night when she had her claws in him bad again “of all the gin joints in all the world she had to show up at his door.” From then on things got interesting, very interesting. The following is a translation by Jean Marais of what Louie had to say when he was asked by a National Police archivist for details of his relationship with one Rick Blaine (1920-1982)-SG]             

“That Rick Blaine was a piece of work, one of the last of the pre-war, pre-World War II if anybody is asking which war we are talking about, romantics tilting his lance at the windmills in the name of love-or the thrill of adventure, maybe even the thrill of tweaking somebody’s nose just for the hell of it, Louie Renault was reminiscing out loud to those who were attending his retirement party. Retirement from the National Police, [the French coppers although they are not national cops like the FBI in America but just like city and town cops there run through the central government], the guys who keep order in places like Paris and Lyon (since it was a governmental pension he was about to receive after much haggling his service during Vichy times first in Algiers and then in French-controlled Morocco, in Casablanca, was included as well as his Lyon assignments). He had been asked a question by one of the younger policer officers about what was his most memorable episode in a long and illustrious career. Of course Louie had to go back to those early war days when he ran the operation for Vichy in godforsaken Casablanca to find some events, some characters who could qualify for what that young officer was asking about. Had to go back to Rick Blaine without question.             

“Yes, Rick was the real thing, I wasn’t kidding when I mentioned his name,” Louie blurted out when the officer did not comprehend why a guy whom he had on other occasions called nothing but a saloon keeper, a guy out for himself whatever checkered past he might have had rated so high. “Let me fill you and see if I am not right about this whole matter.” He would say out of earshot that even De Gaulle would gladly take a back seat after hearing this story since he was safely in London being a pain in the ass to the British and American while “little guys” like Rick and a guy who looked pretty big even by De Gaulle standards Victor Lazlo were mercilessly tweaking the German’s tail.        

“Once the Germans marched into Paris they controlled the whole political situation but since they couldn’t handle a total occupation of France and wreak havoc on the rest of Europe at the same time they left part of the country to the French military, to General Petain who worked out of Vichy, the place where the specialized water comes from. Yeah, collaborators, liked they used to try to hang on me before Rick came to Casablanca, Lazlo too, and got everybody well. I had been in Algiers during that time but once the new political reality hit I was assigned to run the police operations in bloody Casablanca-a backwater where every odd-ball thing could and did happen as well as plenty of illegal stuff from dope to women to smuggling. Just my cup of tea. I figured that I could make more graft there in the Casbah than staying in Algiers once the British and Americans got serious about dislodging the Germans from Northern Africa.   

“No sooner had I landed in Casablanca then I spied Rick’s place, Rick’s Café Americian he called it, a place where there was plenty of booze, women, gambling, dope and whatever else you wanted. Or wanted done-life was cheap there-dirt cheap. The bloody Arabs could barely keep themselves busy except when some silly “blood honor” thing came up and we had to pick up the mess after the killings. Some he said, the other guy said stuff and then bang-bang. Had to arrest about fifteen people, family members from both sides and show them a little baton to the head just to let them know we meant business. Nobody ever faulted me on that score. I walked in and introduced myself to Rick without saying anything further. He looked at me with a twinkle in his eye he said later after all the smoke had cleared and we could be honest with each other, sized me up and down and knowing that I would do “business” after that appraisal said would the previous arrangement with the Prefect I was replacing be okay- a cut of the profits, a slice of the gambling [paid out by his “winning at roulette” with lucky red 22], my pick of women, free liquor and dope, and deep discounts on anything else I needed. Also told me of his dealings, his working relationships for dope, booze and Moslem women which it seemed some of the Europeans were crazy for although I was strictly for the low-rent French tarts who found Casablanca easy on their virtue, with Sydney Greenstreet, an émigré merchant of sorts from England over in the Casbah. I immediately issued the necessary licenses that each new Prefect was entitled to issue as was my prerogative. Done.

“This Rick was a hard guy to figure though the more I ran into him on the street or more regularly in his place either to grab some young woman, to grab my cut, to “win” at roulette, or just to have some high shelf bonded whiskey that I became very fond of. Somebody said, I think it was Frenchie the main bartender, that Rick had had some kind of an adventurous past, had run some guns to Ethiopia when they were trying to hold off the Italians when Mussolini was flexing his muscles and later fought with the International Brigades, with the Communists in Spain when Franco was working up to flexing his muscles. I had already known that past from the files the previous Prefect had left and from a couple of snitches I had run through Rick’s place but the “grease” from Rick’s deal said otherwise in my eyes.   When I first met him he was all business like I said, if you said green he said okay what shade, that kind of thing.

“Somebody said, maybe it was Frenchie again since I sat at the bar of the joint many a night to “enforce” the no gambling regulation and to drink a few high shelf scotches, that Rick had been unlucky in love and that was why when he, Rick,  had his choice of any girl he wanted, two if he was feeling frisky, would take them up to his office and apartment upstairs from the club, do whatever it was that they did, some wild stuff I heard from a couple of them that I caught on the “rebound” especially from one who took him “around the world” which she would later do with me and the next night would not know them. Tell them to sell their wares in the Casbah, a low thing to say to a European woman if you knew anything at all about what went on in the Casbah. I never went there personally but would sent for this Greenstreet to deliver me my graft and whatever dope I was looking for at the time. Like I said mainly hashish from the pipe. In the end it would be that lost love that had been bothering Rick once she came to town but early on you couldn’t tell what was eating at him. Just knew that he had a chip on his shoulder which would not fall off.

“Jesus, in those days there were all kinds of people as you can imagine trying to get out of Europe for one reason or another and once France and the countries around it fell to the Germans that was doubled up. Homeless, stateless Jews, who we all knew were being savaged by the Germans and by Vichy too, International Brigaders who couldn’t go back to their occupied homelands, local Communists who didn’t get or who couldn’t get underground, anybody out of the ordinary, we even had a couple of kids, rich kids who had left Hamburg once Hitler said that jazz was a Negro-Jew conspiracy and banned the music. If you looked at a map of Europe in say 1941 you would notice that there was not much wiggle room to work with in order to get out of some occupied spot. The road out though however they got there led to Casablanca no matter what the individual reason for leaving Europe was. The link. The air flights to Lisbon and from there anyplace but the old canard Europe.

“So you know that there was plenty of money to be made by those daring enough to act as smugglers to get these desperate people out one way or another. I could have made plenty if I had decided to use my position to get real greedy but I didn’t want to deal with a bunch of desperate people bothering me about why they weren’t getting out fast enough. Rick and the Casbah made me plenty-for a while. All the action either went through that guy Sidney Greenstreet who ran his operation out of the Casbah where he mainly handled small fry, people of no account but with money, or at Rick’s for the higher class clientele. Mostly the wealthier Jews and previously high placed officials of democratic governments who the Germans were desperate to find and make an example out off for their compatriots under occupation. Some seriously shady characters, art forgers, crazed jazz aficionados, con artists, three card monte hustlers, independent dope dealers-mainly heroin out of the Afghan fields working their way West to the cities, jack-rollers, rapists and assorted slugs, characters who even we had to keep an eye on to keep any kind of order plopped themselves there.          

“Things though were going fine until some horse’s asses, as it turned out guys we had on our radar but couldn’t quite nab, decided they would murder a couple of German couriers and grab a couple of letters of transit they were travelling with. Now these letters of transit were like gold-would make their possessor a pot of gold. Maybe two pots if they worked it right. These were no questions asked documents which only had to have names filled in order to catch a flight to Lisbon and from there wherever else they wanted to go. This weasel, well known to us from a couple of rip-off jobs he did on unsuspecting travelers, a guy named Peter Lorre was part of the gang who took the couriers down. One night he showed up at Rick’s the natural place to start looking for high-end buyers and we nailed him-took him in “custody” but he didn’t have the letters of transit on him. He hanged himself in his cell before we could get much more out of him. Rick had been as cool as a cucumber when this weasel, this sweaty little nobody showed his ugly face there. This Lorre begged Rick to hide him. Rick just blew him off, told him to get lost. A couple of customers made noises when we grabbed and manhandled Lorre saying they wouldn’t patronize Rick’s again because of his attitude in the matter. Rick told them something that impressed me at the time-he wasn’t sticking his neck out for anybody. Those customers by the way were back the next night when I let Rick reopen the place and he sent them over a couple of drinks. They were his best buddies then.   

“That courier murder business though would lay us all low. See the Germans had sent over this hard-ass major, Major Veidt (sic) I think his name was if I remember the name correctly, to look into the matter. I was trying to impress him so he would put in a good word for me with Vichy. That was the whole idea behind making a big deal out of the Lorre arrest (and I was happy when he hung himself because he would have not stood up well under German methods and he might have spilled who knows what about what was going on in Casablanca at the time). That made Rick’s gesture at the time this guy Lorre begged him to save him from my men even more important. Rick just looked the other way and Lorre was a goner. We never did get the other guys in with Lorre when we rounded up, our what did we call them, oh yes,  “usual suspects”, Communists and con men and a few whores who we regularly rounded up to fill the jails full and make it look like we were doing our jobs. Some wound up out in a desert graveyard once we were done with them.                                                                                                                                             

“Like I said in those days all kinds of people were coming through town. One of them a guy I mentioned before and said I would speak of again named Victor Lazlo had escaped from a German concentration camp and somehow he had worked his way through whatever network he had in Europe to Casablanca. This Lazlo was well-known as a leader of the resistance to the German occupations of half of Europe so a guy whom the Germans, especially this Major Veidt, were foaming at the mouth to get their hands on. But as long as he didn’t do anything illegal I had no reason to arrest him. I had half-figured when I heard he was in town to see who the highest bidder, strictly cash, was for his hide and take my cut that way. 

“But here is where things got interesting. This Lazlo, a good-looking guy with good manners and a good tipper according to Frenchie, was not travelling alone. He had this beautiful woman with him, one of the most beautiful I have ever seen then or now, Ilsa something, I am not sure we ever knew her last name and it didn’t matter with a beauty like that. When she showed up our Rick went crazy, went crazy like a loon. See he had come to Casablanca just ahead of the German armies advancing on Paris with this black guy who was an entertainer, a singer and piano player named Sam and a sour look on his face. He had “known” Ilsa in Paris, had been her fancy man from what I could tell. They were supposed to blow town together and meet at the train station one evening on the last train out of Paris before the Germans stopped the trains. She was a “no show.” She was in living color the reason that Rick had been so indifferent to everything. Why he turned over perfectly good women to me without batting an eyelash.            

“Of course the minute she showed up the old flames were re-kindled-for both of them. She had spied Sam at the piano through the heavily smoke-filled room, had forced him to play “their” song, If I Didn’t Care I think and when Rick heard that he went ballistic, was ready to come to blows with Sam since Sam had been ordered never to play the song. Then he spotted her across the piano and he melted down like an ice cube. It seems that in Paris she had assumed her husband, this Lazlo was dead, had been killed by the Germans. False report. That last day in Paris she found out through some underground source that Lazlo was still alive and she had gone to him. Leaving Rick standing in the rain at the fucking train station. Naturally all of this stuff I learned later but that “left standing in the rain” is what drove Rick to get up on his high horse and create nothing but trouble for me and my men once she came into view.  

“That long gone Lorre had given Rick the letters of transit to keep for him the night Rick looked the other way when we grabbed the weasel and made him squeal or whatever weasels do when they are caught. When with Rick’s help he fell down, wound up at the end of his checkered tie, Rick figured that he would use the letters to get himself out of hellhole Casablanca. He said that even Hell’s Kitchen in New York where he had grown up (and had “advised” the Germans to think twice about trying to occupy if you recall) was less dangerous than Casablanca so you get an idea how bad things were-how cheap life was on in the desert. Worse than the bloody wogs the British were always moaning about in the Raj, in India. He wasn’t going alone though. She, Ilsa, was going with him. She had snuck up into his apartment one night when Lazlo was out doing his organizing of the local resistance. As a result of that outlawed meeting I had Lazlo picked up when he surfaced, you couldn’t have such meetings and I knew that German major would be happy to hear that I had the great Victor Lazlo locked up like a caged animal.

“Whatever Rick and Ilsa did and from what Frenchie said Oscar the head waiter told him they had definitely gone under the sheets from his disheveled look and the blush on her face when Rick told Oscar to escort her home they were blowing town together. When Oscar told me that story a few days later I wondered about what had happened. What had made sour Rick decide to blow a good thing in Casablanca (my good thing too don’t forget). No question Ilsa was a beauty, an exceptional beauty but after the way she had left him high and dry in Paris I figured maybe a quick roll in the hay and then off alone. But you never know about beautiful women, sometimes they can be just as kinky as any whore or any low-rent tart. She didn’t look that way but maybe with a few drinks and an agenda of her own-like getting Lazlo out- alone- she took him around the world like that ex-flame Lisette had.      

“Somehow and I never could get him to tell me exactly what happened he had had an epiphany after that night some kind of turnaround. All he would say back then was the way the world was just then the troubles of three people, him, Ilsa and Lazlo weren’t worth a hill of beans compared what was going on. But whatever the source from then on he was on fire, was maybe thinking back to that old fight in Spain, thought about some payback for lost comrades, maybe what would happen if the Germans won, maybe he just didn’t like that Major Veidt and his arrogant ways closing up his café when the high rollers were coming in for their weekend beatings.

“So he gave Ilsa one story about how they should meet at the airport and blow town. She was all over that idea and had dropped any mention of Lazlo. He told me another. Talked me into a deal that when I thought about it later I should have figured was bullshit from minute number one. Confessed to me that he had the letters. Was blowing town with Ilsa and that was that. He said -let’s do this though. Let Lazlo out, let him get to the airport with the letters and grab him as an accessory for the courier murders. A feather in my cap was all I could think of. Would get that fucking Major Veidt off my back about picking up Lazlo and showing him the desert sights. When the deal went down though Rick was faking the whole thing. Maybe not about wanting to flee with Ilsa but about his attitude toward Lazlo. He had convinced me of his plan but when the deal went down I was the fall guy, well, one of the fall guys. That German major took the big fall when he tried to stop the plane to Lisbon as Lazlo and Ilsa got on the plane. Rick took him down without a murmur in one clean shot making me wonder how the Loyalists lost in Spain with a guy like that working with them.
         
“Needless to say when I was caught in a bind I stepped away from danger by refusing to arrest Rick. I went into the usual dodge-round up the usual suspects, double it up this time since a goddam German major was under the ground. I resolved the bind I was in pretty simply. I figured my days in Morocco were finished and so I saw the writing on the wall. I walked away with Rick (an action that I was successfully able to use in order to have my service time there count toward my retirement which I had many hassles over before I won). We made our way to Brazzaville with the dough Rick grabbed from Greenstreet when Rick sold him his interest in the café. I stayed there grabbing my graft until the end of the war and had worked various grifts with Rick until he went back to Europe a few months later where he joined up with the French resistance, worked with Samuel Beckett the exiled Irish playwright who was deeply into the organization from what I heard later. I heard from him a few times over the years before he passed away a few years ago. I guess Casablanca was in his blood because after the war he ran the Café Casablanca in New York City for some thirty years before he gave it up to retire. But what a guy that Rick was, giving up that luscious piece for unsung glory underground in France. Making that big gesture for love. Yeah, the last of the pre-war romantics.





 [A1]

 [



   

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons- *Defeated, But Unbowed-The Writings Of Leon Trotsky, 1932

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-    *Defeated, But Unbowed-The Writings  Of  Leon Trotsky, 1932




BOOK REVIEWS

If you are interested in the history of the International Left in the first half of the 20th century or are a militant trying to understand some of the past lessons of our history concerning the communist response to various social and labor questions this book is for you. I have reviewed elsewhere Trotsky’s writings published under the title The Left Opposition, 1923-1929 (in three volumes) dealing with Trotsky’s political struggles for power inside the Russian Communist Party (and by extension, the political struggles inside the Communist International) in order to save the Russian Revolution. This book is part of a continuing series of volumes in English of his writings from his various points of external exile from 1929 up until his death in 1940. These volumes were published by the organization that James P. Cannon, early American Communist Party and later Trotskyist leader founded, the Socialist Workers Party, during the 1970’s and 1980’s. (Cannon’s writings in support of Trotsky’s work are reviewed elsewhere in this space). Look in the archives in this space for other related reviews on and by this important world communist leader.

After the political defeat of the various Trotsky-led Left Oppositions 1923 to 1929 by Stalin and his state and party bureaucracy he nevertheless found it far too dangerous to keep Trotsky in Moscow. He therefore had Trotsky placed in internal exile at Ata Alma in the Soviet Far East in 1928. Even that turned out to be too much for Stalin’s tastes and in 1929 he arranged for the external exile of Trotsky to Turkey. Although Stalin probably rued the day that he did it this exile was the first of a number of places which Trotsky found himself in external exile. Other places included, France, Norway and, finally, Mexico where he was assassinated by a Stalinist agent in 1940.

As these volumes, and many others from this period attest to, Trotsky continued to write on behalf of a revolutionary perspective. Damn, did he write. Some, including a few of his biographers, have argued that he should have given up the struggle, retired to who knows where, and acted the role of proper bourgeois writer or professor. Please! These volumes scream out against such a fate, despite the long odds against him and his efforts on behalf of international socialist revolution. Remember this is a revolutionary who had been through more exiles and prisons than one can easily count, held various positions of power and authority in the Soviet state and given the vicissitudes of his life could reasonably expect to return to power with a new revolutionary upsurge. Personally, I think Trotsky liked and was driven harder by the long odds.

The political prospects for socialist revolution in the period under discussion are, to say the least, rather bleak, or ultimately turned out that way. The post-World War I revolutionary upsurge has dissipated leaving Soviet Russia isolated. Various other promising revolutionary situations, most notably the aborted German revolution of 1923 that would have gone a long way to saving the Russian Revolution, had come to nought. In the period under discussion there is a real sense of defensiveness about the prospects for revolutionary change. The specter of fascism loomed heavily and we know at what cost to the international working class. The capitulation to fascism by the German Communist and Social Democratic Parties in 1933, the defeat of the heroic Austrian working class in 1934, the defeat in Spain in 1939, and the outlines of the impending Second World War colored all political prospects, not the least Trotsky’s.

Organizationally, Trotsky developed two tactical orientations. The first was a continuation of the policy of the Left Opposition during the 1920’s. The International Left Opposition as it cohered in 1930 still acted as an external and unjustly expelled faction of the official Communist parties and of the Communist International and oriented itself to winning militants from those organizations. After the debacle in Germany in 1933 a call for new national parties and a new, fourth, international became the organizational focus. Many of the volumes here contain letters, circulars, and manifestos around these orientations. The daunting struggle to create an international cadre and to gain some sort of mass base animate many of the writings collected in this series. Many of these pieces show Trotsky’s unbending determination to make a breakthrough. That these effort were, ultimately, in large part militarily defeated during the course of World War Two does not take away from the grandeur of the efforts. Hats off to Leon Trotsky.

I WILL ADD TO THIS SERIES AS I REREAD OR ACQUIRE THE OTHER VOLUMES IN THIS SERIES. HERE GOES FOR NOW.

THE WRITINGS OF LEON TROTSKY, 1932, PATHFINDER PRESS, NEW YORK, 1973

As to the 1932 volume this reviewer recommends a careful reading of the following articles: The Left Opposition and the Right Opposition (a polemic against the tendency of his comrades to try to form a bloc with the defeated remnants of the Bukharinite Right Opposition in the Russian Party and internationally); International and National Questions (an important analysis of the question of the national to self-determination in the age of imperialism); Hands Off Rosa Luxemburg! (a spirited defense of that great revolutionary whom the Stalinists were trying eliminate from the revolutionary pantheon for her various political differences from the Bolsheviks); Peasant War in China and the Proletariat (a analysis of the Chinese Revolution after the defeat in the cities in 1927 and the subsequent drive to awaken the peasant masses to revolution as Japan began its imperialist siege); and, the Declaration to the Antiwar Congress in Amsterdam (a rather nice polemic against the muddle-headedness of depending on pacifists to stop the impending war everyone knew was coming).

Coming Of Age In World War II-Torn America- With The Film "Summer Of 1942" (1971) In Mind

Coming Of Age In World War II-Torn America- With The Film "Summer Of 1942" (1971) In Mind




By Commentator Fritz Taylor


Seth Garth, the once well-known free-lance music critic for many of the big music and specialty publications that have come and gone over the years since he first put pen to paper some forty years ago, including the long gone alternative press where he got his start and first breaks, had been thinking about the old days a lot recently. (Literally had put pen to paper, forget beauties of the world processor then, as Jacob Stein said that he had recalled as he kicked and screamed when he was asked to produce material on a typewriter in the old days rather than his beloved yellow legal pads. He only relented as Jacob also recalled when some editor told him that his hero Hemingway was crazy to rattle the typewriter to get his precious words out.) Seth had been, having the luxury of semi-retired status, also doing a run through of films via the good graces of Netflix that he had first seen when he was a youngster sitting in the dark every week for the double feature Saturday matinee complete with box of stale popcorn or snuck in candy bars at the old Strand Theater in his hometown of Riverdale, a town a few dozen miles from Boston. Or else films that due to publication commitments that he had not run through when they came out in the 1970s in the days when he was determined to catch the wave of being a music critic and missed many of those films, left them by the wayside.

One night at Jack’s Pub, his watering hole hang-out over in Riverdale that he increasingly frequented on his forays back to his old hometown to see if he could “channel” the past by being physically present on the old sacred soil (although not the Strand long ago turned into a condominium complex), Seth had mentioned to Brad Fox, an old friend from high school days who went through many of the experiences with him, that he had just reviewed a film, Summer of 1942, for Sal Davis the editor of Cinema Now who was looking for copy to fill a space quickly. The film which had been released in 1971 about coming of age, coming of sexual age during the early years of World War II. The big point he made to Brad, who had told Seth that he had seen the film when it came out but did not remember the details except that this foxy older woman played by Jennifer O’Neil had “robbed the cradle” and bedded a teenage boy, swore the film could have been about their generation, the generation of 1968 as easily as that of 1942.     

Seth had mentioned, before giving Brad the details that he had missed about the film, he had started his review speculating on the fact that each generation goes through its “coming of age” period somewhat differently. “Coming of age” in this context meaning after Brad had been unclear about what aspect of the term Seth meant, meaning the beginning of the treacherous process of understanding all the sexual changes and commotions once you got to puberty. He said he had taken the one he, and Brad, had known about personally of coming of age in the early 1960s in the age of the “Pill,” of technology-driven space exploration and of some new as yet unspoken and undiscovered social breeze coming to shake up a lot of the old values, to turn the world upside down, from their parents’ generation.

Seth said he had tried to contrast that with the one before theirs, the one represented in the film about the coming of age of their parents’ generation. The generation that on one edge, the older edge went through the whole trauma of the Great Depression that brought barren days to the land and of slogging World War II and at the other edge, the younger edge, missing the trauma of war and its particular stamp on those who survived went on to form the alienated youth who turned “beat,” rode homespun hot rods to perdition, grabbed a La Jolla perfect wave surf board, revved up Hell’s Angels/Devil’s Disciples hellish motorcycles to scare all the squares and come under the immediate spell of jailbreak rock and roll.
The funny thing at least on the basis of a viewing of the film on the question of dealing with sex, sexual knowledge and experiences there was a very familiar (and funny) sense that their parents who, at least in their case and the case of their growing up friends, went through the same hoops-with about the same sense of forlorn misunderstanding. (Of course in talking about parents and their sexual desire both Seth and Brad admitted they would have had a hard time linking up their own respective parents with sexual desire but their own kids if asked would probably say the same thing about them.)                   

Brad mentioned that his memory wasn’t so good of late and that although while they were talking he had been trying to dredge up some more facts about the movie other than the one he had mentioned earlier in the conversation about that sexy older woman “cradle robber” making Seth laugh that whatever the taboos were about intergenerational sex they both would have given their eye-teeth if some world-wise fox had come across their paths. Seth then went on to give Brad a rough outline of how the film had played out.

He told Brad that his habit of late was after viewing a film, particularly a film that he was being paid good dollars to produce a review on, was to go on-line and look up what somebody had to say about the film on Wikipedia.  Wistfully stated that service was something he wished had been around earlier in his career which would have saved him a lot of time in the library or looking at the archives of various publications of the time and allow him under the constant press of deadlines to be able to write better thought out copy. (Although remember he was still groping with freaking yellow legal pads.) The story line of the film had been based on the essentially true-to-life experiences of a Hollywood screen-writer Hermie Raucher (played by Gary Grimes), coming of age 15, and his two companions, gregarious Oscy and studious Benji, known as “the Three Terrors,” three virginal teenage boys, who were slumming in the year 1942 at the beautiful but desolate end of an island retreat in the first summer of the American direct involvement in the Pacific and European wars after the Japanese bombings of Pearl Harbor. (The island had been Nantucket Island in the book published after the movie but had been filmed off desolate Mendocino of blessed memory in California). They like a million other virginal boys of that age during war or peacetime were driven each in their own way by the notion of sexual experimentation and conquest and so the chase was on.      

That chase had been on at two levels. The rather pedestrian one of seeking out young girls of their own age to see what shook out of the sexual tree and Hermie’s almost mystical search for “meaningful” love in the person of an older foxy woman, Dorothy, played by Jennifer O’Neil, who had been a young war bride staying on the island after her husband headed off to war. The “own age” part, funny in parts, driven mostly by pal Oscy’s overweening desire to “get laid” with a blonde temptress whom he finally got his wish with on night at the secluded end of the beach with his most experienced partner. On that occasion Hermie was shut out of any desire he had to do the same with her friend who was as bewildered by sex as he was. 
The “older woman” (in our circles she would have been a “cradle-robbing” older woman although she was only 22) notion of love is what drove him the moment he has set eyes on her when the trio was spying on her and her husband in their cozy cottage so he was “saving” himself for her. And after a series of innocent (and some goofy) encounters with Dorothy one night, after she has just found out that her husband had been killed in the war, she bedded him (there is no other honest way to put the matter). That was that though, for when Hermie subsequently went back to the cottage she had left the island and left him a more solemn young man.              

Having given Brad those details Seth mentioned that those were the main lines that got played out but what had made this film more than of ordinary interest to him was the whole lead-up, the whole “foreplay” if you will of the desire of the trio to be doing something about getting out of that dreaded virgin status. Said all the guys were fearful of being tagged with the “homo” tag and didn’t Brad remember how vicious teenage guys could be about the “manhood” question. Before he could go further Brad mentioned how when they were fourteen or fifteen he could not remember when how all the guys from around the corner that they hung on, including Seth used to “fag” bait him because he had refused to kiss Sarah Langley at a “petting” party and had actually run out of the house where the party was being held he had been so embarrassed.

At the time he had been sweet on Jenny Price who had been at the party although nobody was aware of that situation. Nothing ever came of that desire and so he had spent some time living down the “fag” tag until he found Sandy Lee in junior year and she took him out of that status since she was something of a fox herself. Although nobody thought anything of calling another guy a “fag” as masculine craziness about sex and sexual identity erupted nobody seriously thought that the guys were gay or anything like that it was just a separation expression. Who knows who at the time really wasn’t interested in girls, wasn’t into “getting in their pants” although Seth speculated that some guys around the block must have since not a few guys lived at home with their mothers and were not seen with woman companions. Nowadays nobody would think twice about it although the usual baiting in school and among the jocks would still go on given the unchanged nature of certain heterosexual young males. Seth mentioned that he could not believe the pressure to “lose your virginity” that all the guys suffered through, although he admitted that it also took him a long time, long after the Christopher Street riots in the Village that began the serious modern gay rights movement to stop his calling gays “fags.” Not until his eyes were opened up when gay musicians and actors whom he interviewed and assumed were straight came out of the “closet.”   

Seth had laughed at the very realistic scenes when Hermie and Oscy picked up a couple of girls at the movie theater (playing Bette Davis and Paul Henried in Dark Voyage, a film that he actually had reviewed when it came out in a film retrospective at the Brattle Theater in Harvard Square for the old Avatar alternative newspaper). The scene which showed the guys “feeling up,” or trying to, had been amazing with Oscy grabbing his just met girl almost from minute one and Hermie, missing the mark thinking his girl’s shoulder was her breast. Jesus. Brad laughed but reminded Seth that no way would that kind of thing have happened in their days since everybody, or almost everybody knew the drill at the Strand Theater Saturday matinee double-header or Saturday night date it did not matter. Some ancient tradition, hell, maybe going back to 1942 for all anybody knew about the original of the practice made it clear that those who sat in the orchestra were not going to “make out.” If they were in the balcony then whatever went on, went on from “feeling up” to blow jobs went on. It was solely a question of asking your date where she wanted to sit. That sealed the deal, and in many cases, too many, meant a last date.

Brad’s reminder of the old “policy” reminded Seth of the time that he was crazy for Rosalind Green in junior high, they had gotten along well, had been a couple of chatterboxes in English class about books by a bunch of foreign guys to show they were “hip.” One day after a few weeks after all this “foreplay” Seth had finally asked her to a Saturday matinee (the usual strategy for a girl you were not sure would accept your date in the dangerous nighttime) and she accepted. When after paying for their tickets and hitting the refreshment stand for popcorn and sodas he asked her where she wanted to sit she had answered “silly, of course the balcony why else would I have come with you.” Bingo. Of such events decent youthful memories are made. Brad on the other hand spent many hours in the orchestra section once he latched onto Betsy Binstock (whom he had eventually married and was still married to happily he always made sure to note) who was “saving” whatever she was saving for marriage. Okay, too-now.        

Seth quickly mentioned the scene, the awkward scene, where Hermie was helping Dorothy with storing some packages and he got sexually excited, okay, okay, got an erection, by her off-hand helping hand touch since neither man wanted to talk about those nighttime wandering hands that came down when they got an erection.  Nor did he spent much time on the scene where the three friends “discover” what sexual intercourse is all about through the good graces of Benji’s mother’s medical books since that scene rang false in their old neighborhood where sexual information was passed from older brother or sister to younger, a lot of it wrong, very wrong when the girl had to go out of town to see “Aunt Emily” (she was pregnant) in other words right out on the streets. Nobody back in 1942, or 1962 expected uptight parents who were assumed to probably not have had sex to give any serious information except some twaddle about the birds and the bees.  And of course the fumbling by the numbers (off-screen) when Oscy has his first sexual experience with the girl he had picked up at the movies. That scene had been a little over the top and as reticent about talking about sex as parents were guys and gals might give an inkling about what they were doing behind the bushes but a “free show” was off the charts.

The best scene of all though and it really showed the difference between then and now when the younger generations can grab condoms off the shelf at any drugstore or in some places right in schoolhouse restrooms (formerly “lav’s”) and who might not quite appreciate enough the scene where Hermie tried to buy “rubbers” at the local village drugstore from the jaded disbelieving druggist. Brad automatically remembered that scene once Seth recalled it. Remembered too, as he told a disbelieving Seth that night, his own confusion when he was in junior high and had found some condoms in a bottom bathroom drawer in his family house when he was looking for some band-aids. Had asked a kid at school, actually had shown a kid at school one and the kid had said they were like balloons you fill them with water and throw them at somebody. It was not until high school and he had begun his own sexual explorations (obviously not with ever-loving Betsy) that he found out their real purpose and blushed silently about his parents’ sexual practices. Hence another example of the very general understanding about the young that their own parents never had sex. Whatever else being a youth today may be about in terms of trauma at least there is a hell of a lot of good information hanging out there on the Internet for the young to inquire into with embarrassment. 


Yeah, Seth gave Brad the word as they finished up that last round of drinks and began to head to their respective homes -watch this film and remember your own, either sex, torturous rumbling around coming to terms with sex.     

The 50th Anniversary Of The Summer Of Love, 1967- Before The Gonzo Wave Receded- The Life and Work Of Hunter Thompson

The 50th Anniversary Of The Summer Of Love, 1967- Before The Gonzo Wave Receded- The Life and Work Of Hunter Thompson

Click On Title To Link To Wikipedia's Entry For Hunter S. Thompson. Beware Of This Source For Doctor Gonzo Information. I Think He Has His Mojo Working to Disrupt Entries.







DVD REVIEWS

Gonzo: The Life And Work Of Doctor Hunter Thompson, Hunter Thompson and various commentators, Magnolia Home Entertainment, 2007


Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists and other progressive thinkers. Bourgeois society rarely allows itself, in self defense, to be skewered by trenchant criticism from within. This is particularly true when it comes from a known dope fiend, gun freak and all-around lifestyle addict like the late, lamented Dr. Hunter S. Thompson. Nevertheless, although he was far from any thought of a socialist solution and would reject such a designation we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us- but he was one of us. All honor to him for pushing the envelope of journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.

That said, the DVD under review, complete with the “talking head” commentaries by those who knew him like his hard-pressed wife and ex-wife, Professor Douglas Brinkley and Jann Warner (of “Rolling Stone”) and pertinent readings from his works by the likes of Johnny Depp is both a valentine to his memory and a rather full exposition of his most creative years from the late 1960’s to the mid-1970’s. From his success with the still worthy book “The Hell’s Angels” about the West Coast outlaw bikers, which took him to the dark side of the counter-culture of the 1960’s, to “Fear And Loathing In Las Vegas”, which took him to the dark side of the American dream, to “Fear and Loathing on Campaign Trail 1972” with his companion the “Brown Buffalo” , Oscar Acosta, which took him to the dark side of American politics he fearlessly (some would say recklessly) skewered one and all in the fight for new cultural values.

I am not sure whether at the end of the day Hunter Thompson saw himself or wanted to been seen as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968 being just enough older to have been formed by an earlier, less forgiving milieu. His earlier writings show that effect. His work from South America in the early 1960's, for example, is almost straight journalism. His later best stuff was on a different order of magnitude. Only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. As with all journalists and in the end that was his forte, as indeed with all writers especially those who are writing under the pressure of time lines and for mass circulation media these pieces show an uneven quality. However the total effect is to blast old bourgeois society almost to its foundations. Others will have to push on further.

One should note that ‘gonzo’ journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within himself/herself as an actor in the story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in other disciplines like history and political science is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best, and those are mainly his early works highlighted here, that was Hunter’s way.

As a member of the generation of 1968 I would note that this was a period of particular importance which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on one Richard Milhous Nixon, at one time President of the United States and all- around political chameleon. Thompson went way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick him when he was down, just for good measure. Nixon represented the ‘dark side’ of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work. Hunter, I hope you find the Brown Buffalo wherever you are. Damn, the 2008 campaign, despite the hoopla, was boring without your knife. Watch this DVD. And then read his books.

Love, Oh Careless, Love-With Diane Keaton and Woody Allen’s “Annie Hall” In Mind

Love, Oh Careless, Love-With Diane Keaton and Woody Allen’s “Annie Hall” In Mind  




DVD Review

By Associate Editor Alden Riley 

Annie Hall, starring Diane Keaton, Woody Allen,

It is funny how some film assignments I get from my boss,
Sandy Salmon, come into being. I mentioned in a recent review of the classic female vs. male clash of wills and style George Cukor’s Adam’s Rib starring Katharine Hepburn and Spencer Tracy that he wished me to watch such strong independent lead women’s roles from the 1930s and 1940s to prove out his thesis that female actors such as Hepburn were able to turn in great performances with style and panache without appearing to be man-eaters. Or not too much anyway in contrast to many female-driven leads today where to avoid such designations the     
story-line has to bend over backwards cutting the heart out of such efforts. I had mentioned that in my review of the current Wonder Woman as an example and that one phrase started Sandy’s wheels rolling. 

The genesis of the film under review, Woody Allen’s masterly romantic comedy Annie Hall is very different. It is based on two factors, the first stemming from a BBC radio news broadcast that Sandy heard on his way to work one day about a survey that had been done naming the 150 greatest comedy films of all times. Annie Hall had been named number three on that list. The second my answer that I had never seen the film, had no particular interest in Woody Allen’s logjam of films after having seen a few from his early 2000s production (except Blue Jasmine but that was carried by the performance of Cate Blanchett more than Woody’s plotline and dialogue), and tended away from reviewing romantic comedies. Naturally that put fury red in Allen devotee Sandy’s eyes (that “devotee” status which in turn he had gotten from his film critic friend Sam Lowell, former film editor here, when they were both at the American Film Gazette).        

So here I am grinding it out on this one. Pleasantly grinding it out on a film that still seems fresh today some thirty plus years after its premier. As my companion who was watching the film with me said “it has aged well.” Agreed. I am not sure where I would put it in the pantheon of cinematic great comedies but it certainly belongs among the low numbers, no question about that.   

Of course as with many Woody Allen vehicles the art is in the dialogue and wit and not so much the plotline. At the time of production Woody was well known for his New York Jewish kid comic routine in many such film efforts. Annie Hall is in line with that persona from the neurotic self-effacing guy who can’t seem to “get it” about romance after two failed marriages to two bright star Jewish women and starts out once again on the roady road to love-to romance. Although this time with a classic WASP woman from Wisconsin Annie Hall of the title played by then paramour Diane Keaton as an aspiring nightclub performer (check out her stand-up performance of It Seems Like Old Times which brought a tear to the eye of my viewing companion). Still Woody can’t seem to get the hang of modern romance and he loses Annie not only to another man but to another coast-the dreaded enemy Left Coast-LA. The film is rounded out with every important New York intellectual referential tidbit from the period. Sandy said he howled when Woody made a cutting comment to his second wife about two New York-based high-end intellectual publications of the day- Commentary and Dissent saying they had merged into a new magazine Dysentery. Sandy said “ouch” but I was, maybe not being from New York or old enough to remember those publication was non-plussed by that one although many of the other references were very funny.


Like I said I can for once agree with Sandy and also can truthfully say I was not be put off by yet another “have to do” Sandy assignment this time. This film deserves its low number on the greatest comedy list.