Monday, April 15, 2019

Tell the UK not to extradite Julian Assange RootsAction Team

RootsAction Team<info@rootsaction.org>



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The U.S. government will be arguing in a London court for the United Kingdom to extradite WikiLeaks' Julian Assange to the United States to stand trial.

Click here to urge the UK not to extradite Assange, but to free him.

Renowned Pentagon Papers whistleblower Daniel Ellsberg told The Real News Network this week: "This is the first indictment of a journalist and editor or publisher. . . . And if it’s successful it will not be the last. This is clearly a part of President Trump’s war on the press, what he calls the enemy of the state."

The Electronic Frontier Foundation added: "Several parts of the indictment describe very common journalistic behavior, like using cloud storage or knowingly receiving classified information or redacting identifying information about a source."

The Freedom of the Press Foundation agrees: "For years, the Obama administration considered indicting WikiLeaks publisher Julian Assange, before rightly concluding it could not do so without encroaching on core press freedoms. Now almost nine years in, the Trump administration has used the same information to manufacture a flimsy and pretextual indictment involving a 'conspiracy' to violate the Computer Fraud and Abuse Act—based entirely on alleged conversations between a journalist and source."

Many prominent figures in the U.S. media, cheering Assange's arrest, display more loyalty to the U.S. government than to journalism or publishing. We have to step up in their absence and defend their institution. Click here to add your name.

Let's not forget the public service for which Assange is being persecuted, and for which he's spent the past several years in a single building in London. Civil rights attorney Chase Madar explained the importance of the documents that Chelsea Manning leaked and WikiLeaks published:

"Thanks to Manning’s alleged disclosures, we have a sense of what transpired in Iraq and Afghanistan. . . . Thanks to those revelations we now know just how our government leaned on the Vatican to quell opposition to the Iraq War. We now know how Washington pressured the German government to block the prosecution of CIA agents who kidnapped an innocent man, Khaled El-Masri, while he was on vacation. We know how our State Department lobbied hard to prevent a minimum wage increase in Haiti, the hemisphere’s poorest nation."


That list of things we know because of Manning and Assange could be multiplied 100-fold. Both are now behind bars -- Manning back in jail for contempt of court for her refusal to testify against Assange about events in 2010.

Click here to take a stand for freedom of the press and transparent government.

In a democracy, people need to know if their government is subverting democracies and committing war crimes overseas. In a democracy, our courts would be too busy prosecuting the crimes exposed by WikiLeaks to have time to turn the act of revealing them into some sort of crime.

Start turning these priorities around by clicking here.

After signing the petition, please use the tools on the next webpage to share it with your friends.

This work is only possible with your financial support. Please chip in $3 now. 



-- The RootsAction.org Team

P.S. RootsAction is an independent online force endorsed by Jim Hightower, Barbara Ehrenreich, Cornel West, Daniel Ellsberg, Glenn Greenwald, Naomi Klein, Bill Fletcher Jr., Laura Flanders, former U.S. Senator James Abourezk, Frances Fox Piven, Lila Garrett, Phil Donahue, Sonali Kolhatkar, and many others.

Background:
>> The Real News Network: "Daniel Ellsberg On Assange Arrest: The Beginning of the End For Press Freedom"
>> Electronic Frontier Foundation: "Statement on Assange Indictment and Arrest"
>> Freedom of the Press Foundation: "The Trump administration’s indictment of Julian Assange threatens core press freedom rights"
>> David Swanson: "What Bradley Manning Means to Us"
>> Juan Cole: "Top 10 Ways Bradley Manning Changed the World"
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Protest Juan Manuel Santos and Ricardo Hausmann on Tuesday @ 5:30 PM

John<bmdc@lists.riseup.net>
Gen. Juan Manuel Santos, former President of Colombia, and Professor Ricardo Hausmann, director of Harvard's Center for International Development and former Chief Economist of the Inter-American Development Bank are speaking at the JFK Library on Tuesday, April 16, at 6:00 PM. The war makers in Washington have decided that it is time to foment a coup d’etat and have declared Juan Guaido the acting President of Venezuela. Juan Guidocompleted a postgraduate program in public administration at George Washington University and is seen as an appropriate “leader” to handle the affairs of the Venezuelan people. Ricardo Hausmann, a top advisor to Guaido, has conspired to implement an economic plan for Venezuela suitable to US interests and to violate Venezuela’s constitution. Protesters will gather outside the JFK Library at 5:30 PM.

Tuesday, April 16, 5:30 PM
JOHN F. KENNEDY PRESIDENTIAL LIBRARY AND MUSEUM
Columbia Point Boston MA 02125

AYANNA PRESSLEY Will be at Tax Day April 17 -- Will You?

Jeff Klein<jjk123@comcast.net>
To  Jeff Klein  
Please share with your contacts and social networks!

AYANNA PRESSLEY Will be at Tax Day on April 17 -- Will You?
Ayanna Pressley, who represents the 7th Congressional District in Boston-Cambridge, has agreed to appear at the April 17 Dorchester Tax Day rally. Pressley has aligned with other newly-elected progressive House members and advocated during her campaign for reductions in military spending.  She will speak at the Uphams Corner Health Center (415 Columbia Road), where the rally will kick off at 4:30 before marching down Columbia Road to St. Mary’s Church (14 Cushing Ave), for a meal and additional speakers. (Rep. Stephen Lynch, who also represents parts of Dorchester, was invited but will be traveling outside the country this week.)

OUR TAXES  --  OUR CHOICES
Wars, Military Spending and Tax Cuts for the Rich Are Hurting Our Communities – And Destroying the Planet!

We’ll be gathering at the Uphams Corner Health Center (415 Columbia Rd) on April 17, then marching down to St. Mary’s Church (14 Cushing Ave.) to demand different budget priorities and to support MLK’s message of seeking justice while opposing war and militarism. We’ll also have the BABAM marching band!

State Senator Jamie Eldridge, Acton (Central Mass), who has been a progressive champion at the State House, will also appear.  There will be other speakers from sponsoring organizations, including Dorchester People for Peace, Mass Senior Action, City Life/Vida Urbana, Mass Association of HUD Tenants, Massachusetts Communities Action Network (MCAN), New Democracy Coalition, Boston Teachers Union, Mass Peace Action, Veterans for Peace and other organizations, either at the Health Center or St. Mary’s Church.

*   *   *   *
This month marks the anniversary of both the murder of MLK on April 4, 1968 and his famous anti-war speech at Riverside Church, exactly one year earlier.  

MLK April 4, 1967 - Beyond Vietnam: A Time To Break Silence
“We must rapidly begin [applause], we must rapidly begin the shift from a thing-oriented society to a person-oriented society. When machines and computers, profit motives and property rights, are considered more important than people, the giant triplets of racism, extreme materialism, and militarism are incapable of being conquered. . .

“A true revolution of values will lay hand on the world order and say of war, “This way of settling differences is not just.” This business of burning human beings with napalm, of filling our nation’s homes with orphans and widows, of injecting poisonous drugs of hate into the veins of peoples normally humane, of sending men home from dark and bloody battlefields physically handicapped and psychologically deranged, cannot be reconciled with wisdom, justice, and love. A nation that Related imagecontinues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death.

“America, the richest and most powerful nation in the world, can well lead the way in this revolution of values. There is nothing except a tragic death wish to prevent us from reordering our priorities so that the pursuit of peace will take precedence over the pursuit of war. There is nothing to keep us from molding a recalcitrant status quo with bruised hands until we have fashioned it into a brotherhood.”
(listen to it here)

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An Encore -When The Tin Can Bended…. In The Time Of The Late Folk-Singer Dave Van Ronk’s Time

An Encore -When The Tin Can Bended…. In The Time Of The Late Folk-Singer Dave Van Ronk’s Time

From The Pen Of Bart Webber


Sometimes Sam Lowell and his “friend” (really “sweetie,” long time sweetie, paramour, significant other, consort or whatever passes for the socially acceptable or Census Bureau bureaucratic “speak” way to name somebody who is one’s soul-mate, his preferred term) Laura Perkins whose relationship to Sam was just described at the end of the parentheses, and righteously so, liked to go to Crane’s Beach in Ipswich to either cool off in the late summer heat or in the fall before the New England weather lowers its hammer and the place gets a bit inaccessible and too windswept to force the delicate Laura into the weathers. That later summer  heat escape valve is a result, unfortunately for an otherwise Edenic environment of the hard fact that July, when they really would like to go there to catch a few fresh sea breezes, is not a time to show up at the bleach white sands beach due to nasty blood-sucking green flies swarming and dive-bombing like some berserk renegade Air Force squadron lost on a spree captained by someone with a depraved childhood who breed in the nearby swaying mephitic marshes (mephitic courtesy of multi-use by Norman Mailer who seemed to get it in every novel- if you don't what it means look it up but think nasty and smelly and you will close-okay).


The only “safe haven” then is to drive up the hill to the nearby robber-baron days etched Crane Castle (they of the American indoor plumbing fortune way back) to get away from the buggers, although on a stagnant wind day you might have a few vagrant followers, as the well-to-do have been doing since there were the well-to-do and had the where-with-all to escape the summer heat and bugs at higher altitudes. By the way I assume that “castle” is capitalized when it part of a huge estate, the big ass estate of Crane, now a trust monument to the first Gilded Age, not today’s neo-Gilded Age, architectural proclivities of the rich, the guy whose company did, does all the plumbing fixture stuff on half the bathrooms in America including in the various incantations of the mansion. 

Along the way, along the hour way to get to Ipswich from Cambridge Sam and Laura had developed a habit of making the time more easy passing by listening to various CDs, inevitably not listened to for a long time folk CDs, not listened to for so long that the plastic containers needed to be dusted off before being brought along, on the car's improvised  CD player. And as is their wont while listening to some CD to comment on this or that thing that some song brought to mind, or the significance of some song in their youth.  One of the things that had brought them together early on several years back was their mutual interest in the old 1960s folk minute which Sam, a little older and having grown up within thirty miles of Harvard Square, one the big folk centers of that period along with the Village and North Beach out in Frisco town, had imbibed deeply. Laura, growing up “in the sticks,” in farm country in upstate New York had gotten the breeze at second-hand through records, records bought at Cheapo Records and the eternal Sandy's on Massachusetts Avenue in Cambridge and a little the fading Cambridge folk scene through breathing in the coffeehouse atmosphere when she had moved to Boston in the early 1970s to go to graduate school.     

One hot late August day they got into one such discussion about how they first developed an interest in folk music when Sam had said “sure everybody, everybody over the age of say fifty to be on the safe side, knows about Bob Dylan, maybe some a little younger too if some hip kids have browsed through their parents’ old vinyl record collections now safely ensconced in the attic although there are stirrings of retro-vinyl revival of late according a report I had heard on NPR."

Some of that over 50 crowd and their young acolytes would also have known about how Dylan, after serving something like an apprenticeship under the influence of Woody Guthrie in the late 1950s singing Woody’s songs imitating Woody's style something fellow Woody acolytes like Ramblin’ Jack Elliot never quite got over moved on, got all hung up on high symbolism and obscure references. Funny guys like Jack actually made a nice workman-like career out of Woody covers, so their complaints about the "great Dylan betrayal, about moving on, seen rather hollow now. That over 50s crowd would also know Dylan became if not the voice of the Generation of ’68, their generation, which he probably did not seriously aspire in the final analysis, then he would settle for the master troubadour of the age.

Sam continued along that line after Laura had said she was not sure about the connection and he said he meant, “troubadour in the medieval sense of bringing news to the people and entertaining them by song and poetry as well if not decked in some officially approved garb like back in those olden days where they worked under a king’s license if lucky, by their wit otherwise but the 'new wave' post-beatnik flannel shirt, work boots, and dungarees which connected you with the roots, the American folk roots down in the Piedmont, down in Appalachia, down in Mister James Crow’s Delta, and out in the high plains, the dust bowl plains. So, yes, that story has been pretty well covered.”  

Laura said she knew all of that about the desperate search for roots although not that Ramblin’ Jack had been an acolyte of Woody’s but she wondered about others, some other folk performers whom she listened to on WUMB on Saturday morning when some weeping willow DJ put forth about fifty old time rock and folk rock things a lot of which she had never heard of back in Mechanicsville outside of Albany where she grew up. Sam then started in again, “Of course that is hardly the end of the story since Dylan did not create that now hallowed folk minute of the early 1960s. He had been washed by it when he came to the East from Hibbing, Minnesota for God’s sake (via Dink’s at the University there), came into the Village where there was a cauldron of talent trying to make folk the next big thing, the next big cultural thing for the young and restless of the post-World War II generations. For us. But also those in little oases like the Village where the disaffected could pick up on stuff they couldn’t get in places like Mechanicsville or Carver where I grew up. People who I guess, since even I was too young to know about that red scare stuff except you had to follow your teacher’s orders to put your head under your desk and hands neatly folded over your head if the nuclear holocaust was coming, were frankly fed up with the cultural straightjacket of the red scare Cold War times and began seriously looking as hard at roots in all its manifestations as our parents, definitely mine, yours were just weird about stuff like that, right, were burying those same roots under a vanilla existential Americanization. How do you like that for pop sociology 101.”

“One of the talents who was already there when hick Dylan came a calling, lived there, came from around there was the late Dave Van Ronk who as you know we had heard several times in person, although unfortunately when his health and well-being were declining not when he was a young politico and hell-raising folk aspirant. You know he also, deservedly, fancied himself a folk historian as well as musician.”    

“Here’s the funny thing, Laura, that former role is important because we all know that behind every  'king' is the 'fixer man,' the guy who knows what is what, the guy who tells one and all what the roots of the matter were like some mighty mystic (although in those days when he fancied himself a socialist that mystic part was played down). Dave Van Ronk was serious about that part, serious about imparting that knowledge about the little influences that had accumulated during the middle to late 1950s especially around New York which set up that folk minute. New York like I said, Frisco, maybe in small enclaves in L.A. and in precious few other places during those frozen times a haven for the misfits, the outlaws, the outcast, the politically “unreliable,” and the just curious. People like the mistreated Weavers, you know, Pete Seeger and that crowd found refuge there when the hammer came down around their heads from the red-baiters and others like advertisers who ran for cover to “protect” their precious soap, toothpaste, beer, deodorant or whatever they were mass producing to sell to a hungry pent-up market.  


"Boston and Cambridge by comparison until late in the 1950s when the Club 47 and other little places started up and the guys and gals who could sing, could write songs, could recite some be-bop deep from the blackened soul poetry even had a place to show their stuff instead of to the winos, rummies, grifters and con men who hung out at the Hayes-Bickford or out on the streets could have been any of the thousands of towns who bought into the freeze.”     

“Sweetie, I remember one time but I don’t remember where, maybe the Café Nana when that was still around after it had been part of the Club 47 folk circuit for new talent to play and before Harry Reid, who ran the place, died and it closed down, I know it was before we met, so it had to be before the late 1980s Von Ronk told a funny story, actually two funny stories, about the folk scene and his part in that scene as it developed a head of steam in the mid-1950s which will give you an idea about his place in the pantheon. During the late 1950s after the publication of Jack Kerouac’s ground-breaking road wanderlust adventure novel, On The Road, that got young blood stirring, not mine until later since I was clueless on all that stuff except rock and roll which I didn’t read until high school, the jazz scene, the cool be-bop jazz scene and poetry reading, poems reflecting off of “beat” giant Allen Ginsberg’s Howl the clubs and coffeehouse of the Village were ablaze with readings and cool jazz, people waiting in line to get in to hear the next big poetic wisdom guy if you can believe that these days when poetry is generally some esoteric endeavor by small clots of devotees just like folk music. The crush of the lines meant that there were several shows per evening. But how to get rid of one audience to bring in another in those small quarters was a challenge."


"Presto, if you wanted to clear the house just bring in some desperate “from hunger” snarly nasally folk singer for a couple, maybe three songs, and if that did not clear the high art be-bop poetry house then that folk singer was a goner. A goner until the folk minute of the 1960s where that very same folk singer probably in that very same club then played for the 'basket.' You know the 'passed hat' which even on a cheap date, and a folk music coffeehouse date was a cheap one in those days like I told you before and you laughed at cheapie me and the 'Dutch treat' thing, you felt obliged to throw a few bucks into to show solidarity or something.  And so the roots of New York City folk according to the 'father.'

Laura interrupted to ask if that “basket” was like the buskers put in front them these days and Sam said yes. And then asked Sam about a few of the dates he took to the coffeehouses in those days, just out of curiosity she said, meaning if she had been around would he have taken her there then. He answered that question but since it is an eternally complicated and internal one I having to do with where she stood in the long Sam girlfriend  pecking order (very high and leave it at that unless she reads this and then the highest) have skipped it to let him go on with the other Von Ronk story.

He continued with the other funny story like this-“The second story involved his [Von Ronk's] authoritative role as a folk historian who after the folk minute had passed became the subject matter for, well, for doctoral dissertations of course just like today maybe people are getting doctorates in hip-hop or some such subject. Eager young students, having basked in the folk moment in the abstract and with an academic bent, breaking new ground in folk history who would come to him for the 'skinny.' Now Van Ronk had a peculiar if not savage sense of humor and a wicked snarly cynic’s laugh but also could not abide academia and its’ barren insider language so when those eager young students came a calling he would give them some gibberish which they would duly note and footnote. Here is the funny part. That gibberish once published in the dissertation would then be cited by some other younger and even more eager students complete with the appropriate footnotes. Nice touch, nice touch indeed on that one, right.”

Laura did not answer but laughed, laughed harder as she thought about it having come from that unformed academic background and having read plenty of sterile themes turned inside out.       

As Laura laugh settled Sam continued “As for Van Ronk’s music, his musicianship which he cultivated throughout his life, I think the best way to describe that for me is that one Sunday night in the early 1960s I was listening to the local folk program on WBZ hosted by Dick Summer, who was influential in boosting local folk musician Tom Rush’s career and who was featured on that  Tom Rush documentary No Regrets we got for being members of WUMB, when this gravelly-voice guy, sounding like some old mountain pioneer, sang the Kentucky hills classic Fair and Tender Ladies. It turned out to be Von Ronk's version which you know I still play up in the third floor attic. After that I was hooked on that voice and that depth of feeling that he brought to every song even those of his own creation which tended to be spoofs on some issue of the day.”

Laura laughed at Sam and the intensity with which his expressed his mentioning of the fact that he liked gravelly-voiced guys for some reason. Here is her answer, “You should became when you go up to the third floor to do your “third floor folk- singer” thing and you sing Fair and Tender Ladies I hear this gravelly-voiced guy, sounding like some old mountain pioneer, some Old Testament Jehovah prophet come to pass judgment come that end day time.”
They both laughed. 


Laura then mentioned the various times that they had seen Dave Von Ronk before he passed away, not having seen him in his prime, when that voice did sound like some old time prophet, a title he would have probably secretly enjoyed for publicly he was an adamant atheist. Sam went on, “ I saw him perform many times over the years, sometimes in high form and sometimes when drinking too much high-shelf whiskey, Chavis Regal, or something like that not so good. Remember we had expected to see him perform as part of Rosalie Sorrels’ farewell concert at Saunders Theater at Harvard in 2002 I think. He had died a few weeks before.  Remember though before that when we had seen him for what turned out to be our last time and I told you he did not look well and had been, as always, drinking heavily and we agreed his performance was subpar. But that was at the end. For a long time he sang well, sang us well with his own troubadour style, and gave us plenty of real information about the history of American folk music. Yeah like he always used to say-'when the tin can bended …..and the story ended.'

As they came to the admission booth at the entrance to Crane’s Beach Sam with Carolyn Hester’s song version of Walt Whitman’s On Captain, My Captain on the CD player said “I was on my soap box long enough on the way out here. You’re turn with Carolyn Hester on the way back who you know a lot about and I know zero, okay.” Laura retorted, “Yeah you were definitely on your soap-box but yes we can talk Carolyn Hester because I am going to cover one of her songs at my next “open mic.” And so it goes.                      

In Honor of Abraham Lincoln's Birthday- From The Archives Of The First International-Address of the International Working Men's Association to Abraham Lincoln, President of the United States of America (Written By Karl Marx, 1964)

The International Workingmen's Association 1864

Address of the International Working Men's Association to Abraham Lincoln, President of the United States of America
Presented to U.S. Ambassador Charles Francis Adams
January 28, 1865 [A]


Written: by Marx between November 22 & 29, 1864
First Published: The Bee-Hive Newspaper, No. 169, November 7, 1865;
Transcription/Markup: Zodiac/Brian Baggins;
Online Version: Marx & Engels Internet Archive (marxists.org) 2000.


--------------------------------------------------------------------------------



Sir:

We congratulate the American people upon your re-election by a large majority. If resistance to the Slave Power was the reserved watchword of your first election, the triumphant war cry of your re-election is Death to Slavery.

From the commencement of the titanic American strife the workingmen of Europe felt instinctively that the star-spangled banner carried the destiny of their class. The contest for the territories which opened the dire epopee, was it not to decide whether the virgin soil of immense tracts should be wedded to the labor of the emigrant or prostituted by the tramp of the slave driver?

When an oligarchy of 300,000 slaveholders dared to inscribe, for the first time in the annals of the world, "slavery" on the banner of Armed Revolt, when on the very spots where hardly a century ago the idea of one great Democratic Republic had first sprung up, whence the first Declaration of the Rights of Man was issued, and the first impulse given to the European revolution of the eighteenth century; when on those very spots counterrevolution, with systematic thoroughness, gloried in rescinding "the ideas entertained at the time of the formation of the old constitution", and maintained slavery to be "a beneficent institution", indeed, the old solution of the great problem of "the relation of capital to labor", and cynically proclaimed property in man "the cornerstone of the new edifice" — then the working classes of Europe understood at once, even before the fanatic partisanship of the upper classes for the Confederate gentry had given its dismal warning, that the slaveholders' rebellion was to sound the tocsin for a general holy crusade of property against labor, and that for the men of labor, with their hopes for the future, even their past conquests were at stake in that tremendous conflict on the other side of the Atlantic. Everywhere they bore therefore patiently the hardships imposed upon them by the cotton crisis, opposed enthusiastically the proslavery intervention of their betters — and, from most parts of Europe, contributed their quota of blood to the good cause.

While the workingmen, the true political powers of the North, allowed slavery to defile their own republic, while before the Negro, mastered and sold without his concurrence, they boasted it the highest prerogative of the white-skinned laborer to sell himself and choose his own master, they were unable to attain the true freedom of labor, or to support their European brethren in their struggle for emancipation; but this barrier to progress has been swept off by the red sea of civil war.

The workingmen of Europe feel sure that, as the American War of Independence initiated a new era of ascendancy for the middle class, so the American Antislavery War will do for the working classes. They consider it an earnest of the epoch to come that it fell to the lot of Abraham Lincoln, the single-minded son of the working class, to lead his country through the matchless struggle for the rescue of an enchained race and the reconstruction of a social world. [B]

Signed on behalf of the International Workingmen's Association, the Central Council:

Longmaid, Worley, Whitlock, Fox, Blackmore, Hartwell, Pidgeon, Lucraft, Weston, Dell, Nieass, Shaw, Lake, Buckley, Osbourne, Howell, Carter, Wheeler, Stainsby, Morgan, Grossmith, Dick, Denoual, Jourdain, Morrissot, Leroux, Bordage, Bocquet, Talandier, Dupont, L.Wolff, Aldovrandi, Lama, Solustri, Nusperli, Eccarius, Wolff, Lessner, Pfander, Lochner, Kaub, Bolleter, Rybczinski, Hansen, Schantzenbach, Smales, Cornelius, Petersen, Otto, Bagnagatti, Setacci;

George Odger, President of the Council; P.V. Lubez, Corresponding Secretary for France; Karl Marx, Corresponding Secretary for Germany; G.P. Fontana, Corresponding Secretary for Italy; J.E. Holtorp, Corresponding Secretary for Poland; H.F. Jung, Corresponding Secretary for Switzerland; William R. Cremer, Honorary General Secretary.

18 Greek Street, Soho.


--------------------------------------------------------------------------------

[A] From the minutes of the Central (General) Council of the International — November 19, 1864:

"Dr. Marx then brought up the report of the subcommittee, also a draft of the address which had been drawn up for presentation to the people of America congratulating them on their having re-elected Abraham Lincoln as President. The address is as follows and was unanimously agreed to."

[B] The minutes of the meeting continue:

"A long discussion then took place as to the mode of presenting the address and the propriety of having a M.P. with the deputation; this was strongly opposed by many members, who said workingmen should rely on themselves and not seek for extraneous aid.... It was then proposed... and carried unanimously. The secretary correspond with the United States Minister asking to appoint a time for receiving the deputation, such deputation to consist of the members of the Central Council."


--------------------------------------------------------------------------------

Ambassador Adams Replies
Legation of the United States
London, 28th January, 1865

Sir:

I am directed to inform you that the address of the Central Council of your Association, which was duly transmitted through this Legation to the President of the United [States], has been received by him.

So far as the sentiments expressed by it are personal, they are accepted by him with a sincere and anxious desire that he may be able to prove himself not unworthy of the confidence which has been recently extended to him by his fellow citizens and by so many of the friends of humanity and progress throughout the world.

The Government of the United States has a clear consciousness that its policy neither is nor could be reactionary, but at the same time it adheres to the course which it adopted at the beginning, of abstaining everywhere from propagandism and unlawful intervention. It strives to do equal and exact justice to all states and to all men and it relies upon the beneficial results of that effort for support at home and for respect and good will throughout the world.

Nations do not exist for themselves alone, but to promote the welfare and happiness of mankind by benevolent intercourse and example. It is in this relation that the United States regard their cause in the present conflict with slavery, maintaining insurgence as the cause of human nature, and they derive new encouragements to persevere from the testimony of the workingmen of Europe that the national attitude is favored with their enlightened approval and earnest sympathies.

I have the honor to be, sir, your obedient servant,

Charles Francis Adams

*Honor Gore Vidal's Abraham Lincoln On His 200th Birthday Anniversary Year

Click on title to link to Gore Vidal note on Abraham Lincoln

BOOK REVIEW

Lincoln: A Novel, Gore Vidal, Random House, New York, 1984


This first paragraph below has been used previously to introduce author Gore Vidal’s’ output of other interesting historical novels (that, however, unlike many such efforts in this genre when necessary hew pretty close to the historical record- hence their value).

Listen up! As a general proposition I like my history straight up- facts, footnotes and all. There is enough work just keeping up with that work so that historical novels don’t generally get a lot of my attention. In this space I have reviewed some works of the old American Stalinist Howard Fast around the American Revolution and the ex-Communist International official and Trotsky biographer Victor Serge about Stalinist times in Russia of the 1930’s, but not much else. However, one of the purposes of this space is to acquaint the new generation with a sense of history and an ability to draw some lessons from that history, if possible. That is particularly true for American history- the main arena that we have to glean some progressive ideas from. Thus, an occasional foray, using the historical novel in order to get a sense of the times, is warranted. Frankly, there are few better at this craft that the old bourgeois historical novelist, Norman Mailer nemesis and social commentator Gore Vidal. Although his politics are somewhere back in the Camelot/FDR period he has a very good ear for the foibles of the American experience- read him with that caveat in mind.

Vidal, as is his format in this series of expositions on the American experience, combines fictional characters and situations with the makings and doings of real characters and events in American history, here the hard Civil War days of decision of the Lincoln administration. Here the narrator is actually a real character from that history, John Hay, one of Lincoln’s two personal secretaries who later became Secretary of State in the Republican McKinley administration near the turn of the 19th century (and who appears in a the later Vidal novel Empire in that very different role). The virtue of this selection of Hays as the narrator is that one is given a bird’s eye view of the daily goings on (fictional or not) at the Lincoln White House and a very chose vantage point to observe the kind of things that weighted heavily on Lincoln’s mind and on his agenda for preserving the Union.

Interestingly, although the Lincoln persona has been viewed from every possible perspective and from every possible political view by now Vidal has contributes a very fast moving rendition of the story with his little twist. His central premise, one shared by the historian Doris Kearns Goodwin in her fairly recent book on Lincoln and his Cabinet "Team Of Rivals", is that only a sage and driven personality like Lincoln’s could have held all the diverse and generally antagonistic personalities on the coalition that he put together among pro-Unionist forces in order to save the Republic. His feigns and thrusts in all directions, seemingly after much agonizing reflection keeps one on one’s toes as one turns the pages every though the outcome is known. Certainly the main alternate contenders for power (that 1864 republican nomination was always lurking in the background) Secretary of State Seward and Secretary of the Treasury Salmon P. Chase evidently did not have that capacity and in the end seemingly reconciled themselves to that secondary role (Chase got bought off by the Supreme Court Chief Justiceship).


Vidal wrote this novel in the early 1980’s at a time that I was reading Carl Sandburg’s volumes of biography on Lincoln. If I am not mistaken Vidal owns some debt of gratitude to the Chicago poet for the musical sense of his novel. Many of the little scenarios, such as the incessant clamor for jobs from every Tom, Dick and Harry that might have voted for Lincoln in 1860 that filled the time of Hay (and Nicolay, the other Lincoln secretary) and that make this novel so compelling I remember in reading Sandburg’s Lincoln biography. Also the treatment of Lincoln’s homespun humor and proverbial storytelling powers (always with some political point on the edge of the blade). As well as Lincoln’s reactions to his household tragedies and the massive tragedies unfolding on the battlefields.

Finally, for those who like their history in capsule form, with a sweetener if you will, this is a very good place to begin your Lincoln or Civil War studies. In quick succession you will learn about the tribulations of physically getting Lincoln inaugurated, the first reactions from the South to that fact by the various acts of secession, the South Carolina incidents, the fact of two states existing where one had been previously as far as foreign recognition was concerned, the military problems on the union beginning with Manassas and the question of competent leadership, Lincoln’s frustrations with a series of military commanders, the stalemate on the battlefield, the struggle to determine the nature of the conflict- solely for the preservation of the Union or that and the abolition of slavery, the decisive battles of Vicksburg and Gettysburg and the change in concept to “total war” with the accession of Grand and McClellan to military leadership, military victory and then assassination of Lincoln. And along the way enough political intrigue, maneuvering, cowardice and heroics by some well-known historical characters to write many novels. But that is for another day.