The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- “The Next Girl Who Throws Sand In My Face Is…” –With Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga In Mind.

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night- “The Next Girl Who Throws Sand In My Face Is…” –With Johnny Silver’s Sad Be-Bop 1960s Beach Blanket Saga In Mind.

A YouTube film clip of the Falcons performing You're So Fine.

Introduction by Allan Jackson

[I could not tell you thing one about the 1960s dating rituals on in the farmlands although I think from what Laura Perkins who actually grew up on hard rock truck farm in upstate New York it had a lot to do with going to school basketball games, checking out the Dairy Queen and maybe, just maybe, “necking” down in some back road Farmer Brown place. I could not tell you thing one about what the 1960s dating rituals were among the leafy suburban youth but from what ex-wife number one, Josie Davis, told me it had plenty to do with driving cars, driving to nice restaurants, checking out the woods around Walden Pond and the like and maybe, just maybe, “necking” down behind the boathouse at said pond. I could not tell you thing one about the 1960s dating rituals of the small town mountain teens  of Vermont or Colorado although I think what I have learned from Janis Jamison, Sam Lowell’s wife number two they mostly hiked and biked and drank large quantities of beer and maybe, just maybe, “necking” up on Sugar Mountain. As for the dating rituals of the 1960s Mayfair swell progeny I am clueless about that as I am about every aspect of their existences except they probably had plenty of discretionary funds to pave their ways and maybe, just maybe, “necking” if that was something they even knew about (although Josh Breslin’s second wife, Amy Drinkwater, yes of that Drinkwater tribe who owned all the factories in Ohio before they went under told Josh who told me that the sexual activity among the Mayfair swell young, replicating that of their parents was like that of rabbits.) 

What I do know about and provided the genesis of this story about beautiful Johnny Silver when he was a squirt and later when he was Handsome Johnny and Scribe spent half his time fending off girls who wanted to meet Johnny or know what he was up to meaning did he already have a girlfriend was the 1960s dating rituals of those who grew up near our mother the ocean. I knew exactly what “watching submarine races” meant, knew why cars parked along the boulevard were fogged to perdition come late Friday or Saturday night, knew who were nerds and had to fund shelter against the night behind the seawall and who got to square off with some honey down at the Squaw Rock end of the beach. Knew lots of little tricks about how to get girls to talk to you when we were hanging out even if all of this information never got translated into any dates, at least with hometown girls during high school. Knew too what Josh and a few of the other guys meant when they said “don’t bury me in Kansas.” Yeah strewn ashes on the sea is our fate and rightly so. Allan Jackson]

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No question that Jimmy Callahan and his corner boy comrades, including Sam Lowell, of the old Frankie Riley-led Salducci’s Pizza Parlor hang-out “up the Downs” (no further explanation is necessary for any old corner boy who knew pizza parlors were exceptionally good places to hang your knee against a wall waiting, well just waiting for whatever might come up for any others it was nearly impossible to be a corner boy if you did not have a corner and that should be enough on this matter) from the day high school got out for the summer in the early 1960s drew a bee-line straight to the old-time Adamsville Beach of blessed memory. One day recently Jimmy had been thinking back to those times, back a half century at least, as he walked along the beach at Big Sur and had been telling his girlfriend, Miranda, that his love affair with the sea started almost from the day he was born near that beach, a beach that still held his sway although he had seen, and was seeing right there with her better beaches since then. (As far as that girlfriend designation goes with Miranda Jimmy always wondered what the heck do you call somebody whom you are not married to but are intimate with who is along with you pushing the wrong side of sixty, so Jimmy’s simple girlfriend it is until somebody comes up with something better that “significant other,” what the hell does that mean, “consort,” like he/they were royalty or something or “partner,” like you were ready for incorporation rather than romance.)

The old Adamsville beach with its marshlands anchoring each end, its stone-laden sands uncomfortable to sit on, its rendezvous teen meet-up yacht clubs, its well-sat upon seawalls, and its thousand and one night stories of late night trysts in fugitive automobiles and while on skimpy beach blankets, its smoldering fried clams at the Clam Shack fit for a king or queen, its Howard Johnson’s many-flavored ice creams still held memories wherever he was in later life.

Although from what Red Rowley, an old corner boy comrade, had told Jimmy a while back when they had touched base for a minute in Sweeney’s Funeral Parlor over in landlocked Clintondale a couple of towns away after the death of a Jimmy family member the old beach had seen serious erosion, serious stinks and serious decay of the already in their day ancient seawalls and no longer held the fancy of the young who back in the day wanted to go parking there at night to “watch the submarine races.” (For the clueless that is an old local custom gag because looking for midnight submarines off shore was not what was going on in the back seat of some Wally’s car.) Also the beach no longer served as a coming of age spot for winter-weary guys watching winter-weary well-tanned girls in skimpy bikinis between the yacht clubs hot spot for such activity. In fact Red said that last time he checked on a hot July summer’s day at high noon nobody, young or old, was in that sacred spot.   

Red Rowley who was the youngest boy in the Rowley household and who had been afraid of girls, not closet gay or gay afraid, but just afraid of girls and their ways had like a lot of Irish guys who took their stern religious upbringing too seriously never married and had stayed in town the whole time, stayed in the same house, and once his mother’s health declined after his father died never thought to leave. So Red could, as an old fixture like the street lights, see what changes had occurred around town. And he would ask young people, some of who were interested in talking to him, what they were up to, what they knew about the old time customs of the high school and of the town.

Hell, Red said, the young guys in the neighborhood didn’t know what he was talking about when he mentioned “watching the submarine races,” that old code word for getting in the back seat of an automobile (or if car-less and desperate on a skimpy beach blanket against that stony sand) with a girl and seeing what was what, coming up for air to check for any midnight submarine sightings. One guy even asked how one could see a submarine at night if one was in the neighborhood of the beach. Jesus. Also they, and here Red meant both sexes, had no idea on this good green earth that those now old tumble-down yacht clubs in dire need of serious paint jobs after the slamming of the seas and the furious winds had done their work had been the site of many a daytime planning for the night heat sessions. Were clueless that guys would ogle girls there, thought it kind of, what did one of them, one of the girls, call it, yeah, sexist. Jesus doubled.   

Red, by the way, was one of those ancient Irish Catholic corner boys who had stayed in town to help mother in order to have clean socks and regular six o’clock suppers without the bother of matrimony but also like Jimmy, hell, like Sam Lowell and every guy who breathed their first breaths off an off-hand sea breeze, also stayed to be near the ocean too. But Red had mainly watched the town change from an old way station for the Irish and Italians to the South Shore upward mobile digs further south to a “stay put” moving from the big city immigrant community which he was not particularly happy about since he could not speak any of the new languages (frankly in high school he had serious trouble with the English language) or understand the cultural differences when they, the collective mix of immigrants none from European homelands, did not bend at the knees in homage on Saint Patrick’s Day. But Red’s trouble with the new world of America (not really so new since these shores since the sixteen hundreds had seen wave after wave of immigrants just back then they had been from Europe, or had been Africa branded), or the real condition of Adamsville Beach was not what had exercised Jimmy on that trip to Big Sur with Miranda but about the old beach days, the now fantastic beach days.

Jimmy had chuckled to himself when he told Miranda- “Did we go to said beach to be “one” with our homeland, the sea? You know to connect with old King Neptune, our father, the father that we did not know, who would work his mysterious furies in good times and bad. Or to connect as one with denizens of the deep, fishes, whales, plankton, stuff like that. No.” Then he went down the litany of other possible motives just as a little good-humored exercise. “Did we go to admire the boats and other things floating by? The fleet of small sailboats that dotted the horizon in the seemingly never-ending tacking to the wind or the fewer big boats, big ocean-worthy boats that took their passenger far out to sea, maybe to search for whales or other sea creatures? No.” “Did we go to get a little breeze across our sun-burned and battered bodies on a hot and sultry August summer day?” Jimmy, a blushed red lobster in short sunlight who was sensitive about that red skin business declared a loud “No,” although Red, Frankie, Peter, and Josh, his other comrade corner boys less sensitive to the sun would have answered, well, maybe a little.

Jimmy said that he soon tired of those non-reasons, this little badger game, and got to the heart of the matter, laughed to himself as he thought and then mentioned to Miranda-“Come on now we are talking about sixteen, maybe seventeen, year old guys. They, every self-respecting corner boy who could put towel and trunks together, which meant everybody except Johnny Kelly who had to work during the day in the summer to help support his mother and fatherless younger brothers and sisters , were there, of course, because there were shapely teeny-weeny bikini-clad girls [young women, okay, let’s not get technical about that pre-woman’s liberation time] sunning themselves like peacocks for all the world, all the male teenage North Adamsville world, the only world that mattered to guys and gals alike, to see. Had been sunning themselves in such a manner since bikinis and less replaced those old-time bathing suits that were slightly less cumbersome that the street clothes you saw in your old grandmother’s scrapbook. And guys had been hormonally-charged looking at them that long as well.”

“Here is the catch thought,” Jimmy continued. “They, and they could be anywhere from about junior high to the first couple of years in college although they tended to separate themselves out by age bracket were sunning themselves and otherwise looking very desirable and, well, fetching, in not just any old spot wherever they could place a blanket but strictly, as tradition dictated, tradition seemingly going back before memory, between the North Adamsville and Adamsville Yacht Clubs. So, naturally, every testosterone-driven teenage lad who owned a bathing suit, and some who didn’t, were hanging off the floating dock right in front of said yacht clubs showing off, well, showing off their prowess to the flower of North Adamsville maidenhood.” And said show-offs included, Jimmy, of course, Frankie Riley (when he was not working early mornings at the old A&P Supermarket and did not show until later in the afternoon), his faithful scribe, Pete Markin (who seemingly wrote down for posterity every word Frankie uttered and some that he did not, and others including the, then anyway, “runt of the litter,” Johnny Silver. And Sam Lowell too.

It is Johnny’s sad beach blanket bingo tale that Jimmy had suddenly thought about when he had driven pass the old beach one day to confirm Red’s recent beach judgment mentioned at the funeral parlor and wanted to relate to Miranda as the over the top waves pummeled the scarred rock faces in the secluded reaches of Big Sur to give her an idea of what the sea meant to a lot of guys he knew. If, in the Jimmy telling, it all sounds kind of familiar, too familiar even to old time non-corner boys, to those who do not live near the oceans of the world, to the younger set who may have a different view of life than what carried the day back then, it is because, with the exception of the musical selections, it is. This is how it all started though:

“The next girl who throws sand in my face is going get it,” yelled Johnny Silver to no one in particular as he came back to the Salducci’s Pizza Parlor corner boy summer beach front acreage just in front of the seawall facing, squarely facing, the midpoint between the North Adamsville and Adamsville Yacht Clubs. “For the clueless,” and Jimmy assumed Miranda was in that vast company so he took pains to spell it out, “the corner boy world in North Adamsville, hell, maybe every corner boy world everywhere meant that you had certain “turf” issues in your life not all of them settled with fists, although an issue like some alien corner boy looking the wrong way at one of the Salducci girls could only be resolved that way.” But mostly it was a matter of traditions, traditional spots which the “unwritten law” held for certain groups and the spot between the boat clubs was theirs, and had been the “property” of successive generations of Salducci’s Pizza Parlor corner boys since at least the end of World War II when Frankie Riley’s father and his corner boys, some very tough boys transplanted from South Boston to work in the shipyards and some restless guys who had like Frankie’s father served in the war but were not ready to settle down “claimed” the spot.”       

Johnny, after having his say, fumed at no one in particular as the sounds of Elvis Presley’s Loving You came over Frankie Riley’s transistor radio and had wafted down to the sea, almost like a siren call to teenage love. Then one of those “no one in particulars,” Pete Markin replied, “What did you expect, Johnny? That Katy Larkin is too tall, too pretty and just flat-out too foxy for a runt like you. I am surprised you are still in one piece. And I would mention, as well, that her brother, ‘Jimmy Jukes,’ does not like guys, especially runt guys with no muscles bothering his sister.” Johnny came back quickly with the usual, “Hey, I am not that small and I am growing, growing fast so Jimmy Jukes can eat my… ” But Johnny halted just in time as one Jimmy Jukes, James Allen Larkin, halfback hero of many a North Adamsville fall football game running opponent defensive players raggedy in his wake, came perilously close to Johnny and then veered off like Johnny was nothing, nada, nunca, nothing. And after Jimmy Jukes was safely out of sight, and Frankie flipped the volume dial on his radio louder as the Falcons’ You’re So Fine came on heralding Frankie’s attempt by osmosis to lure a certain Betty Ann McCarthy, another standard brand fox in the teenage girl be-bop night, his way Johnny poured out the details of his sad saga.

Seems that Katy Larkin was in one of Johnny’s classes, biology he said, and one day, one late spring day Katy, out of the blue, asked him what he thought about Buddy Holly who had passed away in crash several years before, well before he reached his potential as the new king of the be-bop rock night. Johnny answered that Buddy was “boss,” especially his Everyday, and that got them talking, but only talking, almost every day until the end of school. Of course, Johnny, runt Johnny, didn’t have the nerve, not nearly enough nerve to ask a serious fox like Katy out, big brother or not, before school let out for the summer. Not until that very day when he got up the nerve to go over to her blanket, a blanket that also had Sara Bigelow and Tammy Kelly on board, and as a starter asked Katy if she liked Elvis’ That’s When The Heartache Begins.

Katy answered quickly and rather curtly (although Johnny did not pick up on that signal) that it was “dreamy the way Elvis sang it, but sad when you think about all the trouble guys bring when they mess with another boy’s girl.” Then Johnny’s big moment came and he blurted out, “Do you want to go to the Surf Dance Hall with me Saturday night? Crazy Lazy is the DJ and the Rockin’ Ramrods are playing?” And as the reader knows, or should be presumed to know, Johnny’s answer was a face full of sand. And that sad, sad beach saga is the end of another teen angst moment. So to the strains coming from Tammy’s radio of Robert and Johnny’s We Belong Together we will move along.

Well, not quite. It also seems that Katy Larkin, tall (too tall for Johnny, really), shapely (no question of “really” about that), and don’t forget foxy Katy Larkin had had a “crush” since they had first started talking in class on one John Raymond Silver if you can believe that. She was miffed, apparently more than somewhat, that Johnny had not asked her out before school got out for the summer. That “more than somewhat” entailed throwing sand in Johnny’s face when he did get up the nerve to ask. And nothing else happened between them for the rest of the summer, except Johnny always seemed kind of miserable when he leaned up against the wall in front of Salducci’s to confer with his corner boys about life being kind of crazy. But get this- on the first day of school, while Johnny was turning his radio off and putting it in his locker just before school started, after having just listened to the Platters One In a Million for the umpteenth time, Katy Larkin “cornered” (Johnny’s term) 

Johnny and said in a clear, if excited voice, “I’m sorry about that day at the beach last summer.” And then in the teenage girl imperative, hell maybe all women imperative, “You are taking me to the Fall All-Class Mixer and I will not take ‘no’ for an answer.”

Well, what is a guy to do when that teenage girl imperative, hell, maybe all women imperative voice commands. After that Johnny started to re-evaluate his attitude toward beach sand and thought maybe, after all, it was just a girl being playful. In any case, Johnny had grown quite a bit that summer and it turned out that Katy Larkin was not too tall, not too tall at all, for Johnny Silver to take to the mixer, or anywhere else she decided she wanted to go. “

Here is what Jimmy told Miranda that Big Sur day to put a philosophical twist on the whole episode fifty years later.  After stopping his car toward the middle of Adamsville Beach, the place between the two yacht clubs where he and the Salducci corner boys hung out, the two clubs whose appearance that day spoke to a need of paint and other fixing up, the place that had stirred his memoires that day Jimmy Callahan thought Red had it all wrong, all wrong indeed, it had nothing to do with the condition of the clubs, the beach, the sand, the waves or the boats. Mr. John Raymond Silver and Ms. Katy Silver (nee Larkin), now of Naples, Florida, are proof of that statement.    

50 Years Gone The Father We Almost Knew One Jack Kerouac Out Of Merrimack River Nights-Searching For The Father We Never Knew-Scenes In Search Of The Blue-Pink Great American West Night- “The Bay Street Night”- With “October in the Railroad Earth” In Mind

50 Years Gone The Father We Almost Knew One Jack Kerouac Out Of Merrimack River Nights-Searching For The Father We Never Knew-Scenes In Search Of The Blue-Pink Great American West Night- “The Bay Street Night”- With “October in the Railroad Earth” In Mind 

By Seth Garth, known as Charles River Blackie for no other reason than he slept along those banks, the Cambridge side and some raggedy ass wino who tried to cut him under the Anderson Bridge one night called him that and it stuck. Those wino-sapped bums, piss leaky tramps and poet-king hoboes all gone to some graven spot long ago from drink, drug, or their own hubris which they never understood gone and the moniker too.  

…walking, always walking , never, at least long time never, just running frantically down some stairs, pulling the keys out of his jeans on the fly, wrestling the front door open and  jumping into the front seat of  some souped-up, some Stewball Stu zen auto mechanic to the world, year old (broken in, see) 1949 Hudson, but always just walking down Larkin Street to the bay, ‘Frisco bay for the interested, to flush out his brain against the japan currents, against the pacific squalls, against the bay fogs, or whatever  was against handy. (Stewball Stu from back in Olde Saco, podunk Maine days, king of the chicken runs and max daddy of the streets ever since he took out some Farmer Brown from Arundel overgrown son’s souped-up Dodge back in 1945. Blew him off the Galway Road in nothing flat and later when he took on all comers when things moved to early morning deserted Seal Rock down at the far end of Olde Saco Beach away from prying cop and irate citizen eyes as well. He had been there that night, and later, riding shotgun, scared shotgun, in the passenger seat so he knew Stu was not blowing smoke about his exploits but that stuff, those Stu stories, were for another time.)

This night his always walking was to figure out how much longer he was going to have to wait around this damn old ‘Frisco town for some shipping clerk’s job down at the dock at the other end of the Embarcadero to open up so he could make some dough, pay off Carol, Allen, and Bill and blow some transcontinental dough with Stewball Stu on some lesser version of that dream 1949 Hudson and finally blow this now old tired out ‘Frisco town. His ticket was up here after a few mishaps (a couple of small “vag” busts for sleeping over in Golden Gate Park without a permit, some damn tent fee permit, jesus, was that all that they had to do over there. Down on the Embarcadero you could hardly walk late at night without falling over some stumblebum drunk, or guy down on his luck, and no cop ever bothered you. Jesus. More serious, a possession, a weed possession bust, for smoking some righteous mex herb, gold, in public.  Thirty days suspended because he had been young, well-spoken, and not regular district court traffic surly before the judge. Jesus.  So he needed the dock dough to break his string of bad luck and flee this burg, but he needed that clerk’s job, arranged by Bill through his father’s connections with guys down at the wharves who needed a guy who could do the shipping paper work fast and not steal everything not nailed down on the docks , to come through, needed it bad just then. And so the fret walk.                 

As he walked toward the womb bay he could just barely see the fogged-bemused dim spot Alcatraz search lights, eternal search lights against some phantom prison breaks like that search light, or that rock, was what held a man, any man, in thrall to his lesser instincts. His couple of minutes in jail had shaken him up enough to never want to test the outer edge of that theory or come even close. Spending a few hours, maybe half a day, with stinking winos, pissed over, surly and not just before the judge, begging for a Tokay fix, or Thunderbird if you had it, bumming cigarettes or papers to make their own Bull Durham coffin nails, stinking, earth sweat stinking from some Gilroy onion patch or the fields down south mex braceros picked up for fighting or being mex, who knows, an odd con man or hustler, a street hustler, who worked a wrong john, an unprotected pimp daddy on those occasions when the irate citizens were demanding blood for some foul deed, some tough guy yeggs and assorted armed robbers wised him up to that road. And so the fret walk.    

He laughed as he minute fret pause looked up and saw a couple of kids, really just kids, maybe sixteen, no more, wobbly, walking across Bay Street as he made his own turn onto the street, one with a bottle ready to be handed to the other, and from the look of it Tokay, the winos’ choice, and the “choice” of those too young to buy their own and hence resorting to some wino-snagged bought and that was what they got. He bet that the wino, in exchange for that courtesy, right now was sitting down in some Embarcadero back street, maybe Third, or in some Mission Street flop, if he was in the chips and not too far behind on his rent, room made up of bed, bureau and chair, not much else, no memory pictures on the walls, memory pictures in fact banished,  sipping on his own bottle of nectar Tokay, and maybe that wino was passing it around to his jungle campfire brethren.

He remembered his own virgin voyage down that gofer road. He, and a schoolboy corner boy, Spider, from back up in Olde Saco, had gotten in that corner boy’s souped- up 1939 Plymouth and driven to stardust Boston, down by the Commons, in the early 1940s looking for beat (although he would not have called it that then but that was the only unnamed name for the feeling, that beat down feeling, looking for what they had heard was a new breeze blowing in this wicked old world, hell, mainly looking for beat chicks away from put-off prim and prissy Gallic (French-Canadian forbears from up in Gaspe mostly) Catholic girls that ran amok in that town if the truth was known.

Of course like in Frisco town in those days every hustler, con man (and a few women), and everybody who had sense enough to cash in on the rube explosion was on the Common on any given Friday or Saturday teen break-out night ready to do business, to do wrong gee business. That night he and Spider had been walking through the Common working their way to Charles Street when a young guy, maybe twenty-five, came up to them and asked them if they wanted him to get them some booze to while away the evening (this was the part of the ‘40s before dope, weed, mary jane was the elixir of choice). Sure thing, brother, thanks.  A bottle of Southern Comfort, large. This guy, explaining the city rules of the road, said how about a bottle for him. They said whatever was right and anted up the dough. About ten minutes later the guy came back with a brown bag with a bottle sticking out of the top. Thanks brother, as he left. They went over by the Public Gardens under the pond bridge to get a quick swig. Surprise, surprise that bottle was filled with plain old ordinary water. Yah, rubes. Then he remembered his own oath when it came his time to play teen gofer. He would always remember that night and while most times he would do the chore gratis, except when he was down on his luck and needed to pull that scam, he always gave what was asked for. He wished he could say that about some other things but such is life.         

He looked back one last time as those boys veered off into their good night as he thought, thought too for just a minute about Sammy, Sid, Andre, and the Spider from back in his own old Southern Comfort days in sitting in front of the river , sitting in front of ocean Olde Saco a few years back, and of some wino pete who got their Friday night booze from LaCroix’s Package Store  for them in order to make them “rum brave,” girl-flirting rum brave, for the dance over at the Starlight Ballroom where, god, Benny, Benny Goodman was playing and of that Benny-blessed night, he had finally twisted old Sheila around his finger, if you know what he meant. Sheila (Capet) who broke the death of sex put-off prim and prissy Gallic Catholic girls that ran amok mode (keep this between us okay) and went, one Friday night, down to Seal Rock, the local lovers’ lane, in the back of Spider’s Plymouth with him and made him smile. And it was that same Sheila who, later, gave him the skinny about what was said on those school day Monday mornings before school girls’ “lav” talks of who did what with whom, and who didn’t.  And the dids outnumbered the didn’ts.  An earful. Women.                   

As he walked some more down Bay  toward the chocolate smell of Beach he began taking that ancient thought out of his head as he passed the Red Fez for the ninety-ninth time (about ninety of them straight into the front door and low-shelf scotches and scored teas and, on occasion, bindles for the soul) since he hit ‘Frisco a couple of months back with some jack, a sweet girl, Lulu, all blonde, Iowa corn-fed and willing, and some idea that he would write the great American novel, a great American novel, or an American novel (depending on his mood), if he could just get his head in the right place, be in the  right place, and have his freaking ‘Frisco golden-gate rust colored muse , his now completely fog-bound muse, working his corner.

Nada, nothing, no go, got it. And then like something from out of some mid-1940s film noir movie where an unnamed band, unnamed until you read the credits to find out why you spent the rest of the film with that sound in your brain, fired up the night in the middle of the movie out of nowhere, he heard a sound, a high white note, blown pure by some unseen sex tenor sax(not a Johnny Hodges, Duke’s’ boy Johnny , all fluffy around the edges pure, all satin and silk with a bow on it pure, mulatto pure, maybe black and tan pure , to keep the lid on for the paying customers, the paying white customers, the uptown mayfair swells out for weekly kicks, a little spindle tea to take the edge off, the  cabaret café society crowd, a backing Billie swaying lilt crowd, who would freak out, who would call every variety of hell down on the player’s head, at what was played mex opium dream or tea high back to proud earth mother Africa times after hours) now coming steamed, sweaty jungle-steamed,  out toward the bay from deep within the Red Fez (blown, he knew from other nights, from other highs, blown deep in the bowels of the club up against the back bar by angel Cody Reed, black, black as a starless night, black who devoured negro and had no regrets, blasting safe, fashionable negro safe, blasting flash, wide-brimmed white fedora, open shirt, white lapel suit, midnight sunglasses, negro pimp walking daddy and pink Cadillac with one hip-hop note, blasting back to primordial black Africa mother homeland, blasting apart first, middle and last passages in a foreign land, blasting, cool as a cucumber, plantation miseries, plantation lashes, blasting too jim crow, get back in your place, brother , old ‘Frisco Mister James Crow.  

A guy on the other corner, dark, brown, brown skin, brown hair, brown eyes, brown soul too, angel mex fellaheen (wearing a kind of out of fashion zoot suit looking a little frayed on the edges, maybe from L.A., maybe a little too much loco weed down south, maybe too some hard-ass bracero up-bringing, father and mother working sweated lettuce, or you name the produce , fields, and then back to some brown shack, and sixteen kids, jesus), maybe a flip, a Filipino, benny high, tea high more likely (but high, high from an expert eye high) was be-bopping words, night, fright, fight, bite, throwing out one after another trying, trying like hell, to match his palabras (some en espanol, some in English a tough task)  with that Cody Reed high white note that he was chasing, finally catching some of it, some vicious moloch fight to blast words and notes, some shake the bracero dust off of himself in the fellahin world that he was in his dreams fighting to break out of , making words slowly to match that floating note and passed . In the end he was not successful, reached for something, something for his head, in his pocket, threw it in his mouth and moved along Bay Street.

Nice try brother but it will probably take some gringo fellaheen warrior, some mill-town boy all river torrent bound, all fretting about his place in the sun, fretting about damn some damn woman-child or woman hell (his own F-C or Irish version of that Olde Saco madness, those prissy girls run amok are universal), fretting about his corner boy muses, some improbable combination of hulky hero all muddied from schoolboy playing fields but also library-bound reading Homer, Plato, Jack London, Thomas Wolfe, and the boys, listening to be-bop, endlessly humming some refrain in the river night, be-bop, be-bop, be-bop before be-bop bopped, endlessly searching for the jail breakout night on forsaken frozen wind-swept ships, in midnight veering route 6, 66, 666 cars driven by golden boy cowboy punk desperados, and driving million word exploits. Or it will probably be some street bandito from New Jack City, some prophet gangster risen all in white, all in holy garb,  from among the pimps, the whores working those mean streets for nickels and dimes, the seventy-seven varieties of hustlers, the winos stealing dough and wine from each other or from young rubes, con men (and women, okay) hustling constantly hustling and looking out of forlorn drugstore windows from forlorn red vinyl stools, guys in need of fixes, yeggs, second- story men, drifters, grifters, midnight sifters, all the angels of the dark night. Yah, a street bandito risen in the night, beat beatified. Or some fag kid (sorry queer, with queer shoulderings against the storm , fag slang from corner boy Olde Saco hazy nights) from Hoboken, maybe Paterson, some death mill-town anyway, too small for his one million ideas and his two million curiosities in an age that banished curiosity, a slightly off-kilter kid who sang kaddish, or maybe better plainsong, yah, plainsong against the death-brought night, against all the not straight eyes forward, against  all the banishments, yah, some fag kid with time on his hands, to capture the words to the high white note. 

Meanwhile that note then floated down though the jazz-infiltrated streets pass wino jungles and wharf rough trade taverns to the bay and mixed and matched with the foam-flecked waves, the search light of the eternal rock, and his dreams. He had an idea…         

The Trials and Tribulations Of The Generation Of ’68-The Summer of 1969-Frank Jackman Casts His Fate With The Poor Peoples Of The Earth-And Tweaking The U.S. Army To Boot-With Bob Dylan’s “Masters of War” In Mind

The Trials and Tribulations Of The Generation Of ’68-The Summer of 1969-Frank Jackman Casts His Fate With The Poor Peoples Of The Earth-And Tweaking The U.S. Army To Boot-With Bob Dylan’s “Masters of War” In Mind  

By Frank Jackman 

Maybe it is the nature of this publication, maybe it is the nature of historic memory or maybe it is the nature of this man, me, this Frank Jackman who has staked his life on what he remembered hearing a long time ago on a radio folk music show in the heat of the folk minute that swept the nation, the nation’s youth particularly in the early 1960s when he was growing up poor in the old Acre neighborhood of North Adamsville a bunch of miles south of Boston. He had been startled to hear one Pete Seeger, banjo man extraordinaire playing that instrument and singing alternately in Spanish and English the old Cuban revolutionary Jose Marti’s version of Guantanamera when he came upon a later verse translated as “I want to cast my fate with the poor people of this earth.”* The story I have to tell, a personal Frank Jackman story is how in the summer of 1969, fifty years ago, yes, I know a lot of 50^th anniversaries have been addressed in this publication over the past few years by members of the Class of `68 still standing, had been a key decision point in my own fervent desire to cast my fate with the poor people of the earth. And have not done a bad job of staying committed to that vision at a time when things could have gone either way in that hell-bent Vietnam War year.    

[*I was about to say that with this song this was the first time I had even heard of the name Pete Seeger, a name I would come to know as a fellow activist and later when I took up writing reviews of music that mattered in the American songbook I got to know him personally as a “hail fellow, well met” but that is not true. Not true although that Sunday evening WBZ (in Boston) Dick Summer’s folk show I rightly assumed I had not heard of the man or his voice before because of one   Lester Dannon (known in the local professional music world as Lester Dannon and his Cannons, a jazzy, pop music grouping favored among the older set, the generation that had gone through the Great Depression and slogged through World War II as he had, my parent’s generation for weddings and family outings).  Lester whom we kids called innocently then without any other thought that taking part in a youthful rhyming craze called Lester the Molester, which these days would call for all kinds of interventions and investigations, had force-fed the most popular work of Pete’s and a group that he was a member of The Weaver’s cover of Leadbelly’s Goodnight, Irene.

Lester may have not been a molester, but he had a plan to wean us away from our growing love of break-out rock and roll music which he hated by playing on the record player and having us sing folk tunes like Irene and pop tunes from his, our parent’s generation. We bucked and buckled under that horrible weight for three junior high school years but gave in to the inevitable when he threatened to play classic music and opera if we didn’t learn his clowny stuff. (Lester may have not been a molester of anything but our growing music taste buds although he was caught up unjustly in a scandal later when the junior high school male gym teacher was fired because he was sexually molesting young underage boys although not from the school or town but elsewhere part of the reason he was able to be a predator for as long as he had been. We had to bring a big campaign to clear Lester’s name once we heard about the false accusations against him but that did not cause him to not hate rock and roll until his dying days or us to forgive him from ramming music we really did hate then, a generational thing, down our throats.)  

Many of the older writers still standing at this publication, I will just mention the guys I grew with still standing, Sam Lowell, Seth Garth, Jack Callahan, Allan Jackson, Bart Webber have written extensively the past couple of years on key anniversaries, key 50^th anniversaries which none of us would have thought possible back in the 1960s when the motto, if unspoken mostly was “live fast, die young, and make a good corpse.” Noteworthy and cause for much internal friction between older and younger writers who could have given a fuck about events their parents had come of age through happened a couple of years ago when then site manager Allan Jackson went crazy giving 24/7/365 or so it seemed to commemorating the Summer of Love, 1967 and subsequently the riotous happenings of 1968 too numerous to mention now but the anniversaries which were fully covered last year.*

Now in the year of the 50^th anniversary of Woodstock, the eternally etched rock festival that defined one end of a generation, we are in for another burst of writing about what it all meant historically and personally. It is with that backdrop that I tell my story which is not about Woodstock Nation, not then anyway, but about that previously mentioned then vague and untested idea of casting my fate with the poor people of the earth, my people. Others from that cohort of older writers I grew up with have written about my epiphany, especially Seth Garth’s Frank Jackman’s Masters of War but just now if nothing else as a cautionary tale I want to commemorate the 50^th anniversary of my personal decision to refuse orders to Vietnam, which is just a short cut way of saying that I had cast my fate with the poor people of the earth-for good.         

(*Look to the Archives from late 2017 to early 2018 to get the inside story of what happened to cause Allan Jackson’s downfall and subsequent short “exile” before new and current site manager Greg Green brought him back as a contributing editor. A short summary was that the younger writers balked at having to do assignments they didn’t’ care about to the exclusion of stuff they did know, brought the matter to a vote of no confidence, won the vote and brought Greg Green and an Editorial Board in to oversee that such things as Summer of Love mania never happened again. Strangely some of the assignments Greg decided on when he took charge, seemingly in order to assert his authority were frankly bizarre like the Marvel/DC comics come to cinema series that nobody young or old wanted to touch with a ten- foot pole.)

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Every guy and it was all guys then who came of age in most parts of the 1960s, who were of draft age, from eighteen to late twenty something, maybe later, had to face one big choice no matter where they stood on the issues of the day, on the Vietnam War. What to do about military service. Everybody from POTUS (Twitter speak) Bill Clinton, George W. Bush, Donald Trump down to the guys in the Acre neighborhood of growing up poor North Adamsville. I have heard many stories about how guys wound up in the military or figured a way around military duty over the past fifty years and have concluded that I would be less judgmental about how each person made their decision, except those who essentially bought their ways out like Bush and Trump but this story is not about them. It is a wonder so many survived their experiments, like those who found a way around going into the service like taking all kinds of drugs just before the dreaded physical which everybody passed unless you had some serious deficiency, military deficiency like only one leg or blindness, the Army needed two-legged men and non-visually-impaired men (now men and women) to hump the boonies as the saying went-meaning nowhere else in the world but sweated jungle, delta, river Vietnam. Like guys loading up on salt to drive their blood pressures up. Like declaring themselves homosexuals which today might seem weird giving the changes in policy but then meant you were refused and if you did get in and were found out that you really were gay subject to discharge and not an honorable one either (assuming that you were serious about your homosexuality and not just using it to avoid service which hung over guys for a long time.) Like guys declaring themselves fervent members of a whole number of communist organizations or their fronts when the security clearance questions were asked. That, by the way, lasted only so long until the Selective Service (the draft’s official organizational name) figured, knowingly figured from their FBI friends who had infiltrated those organizations in the previous decades, that there was a scam going on. The vast majority though one way or another who refused induction didn’t use these ruses some very clever but by a flat-out refusal to be drafted-not later when actually in the military as in my case.

The reader, hell, on reflection fifty years later writing this piece, me, may wonder why I did not join that last grouping by refusing military service as a civilian which took its own level of commitment and decision-making outside the box that society expected of us. I certainly knew that there were plenty of young guys, men who were refusing, although as I recall I did not know any personally on campus or elsewhere. I did know since I was working my way through college driving a truck and servicing coffee machines I passed the Arlington Street Church in the Back Bay section of Boston which was a central sanctuary for draft-resisters. Go back though to that point I made about coming from the hard-core working class, working poor Acre section of North Adamsville and that will give a better idea of why I had not resisted military service as a civilian. 

Start with the family, make that families since mine replicated the great majority of the families in the Irish-etched Roman Catholic Acre. Where would I have either learned or gained support from that milieu about not going into the military when my father had slogged through World War II in the Pacific War as a gung-ho Marine who faced all the island- hopping battles those Leathernecks were engaged in. Many other fathers and relatives had the same stories. (I was not close probably ever to my very distant father who had like many men from his generation had seen the ugly face of war and kept quiet about what they saw after their service did tell me one time that he, a son of the Hazard. Kentucky coalmines enlisted in the Marines on December 8, 1941, the day after Pearl Harbor, on the idea that he would rather take his chances against the Nips, a derogatory term for the Japanese then, than face life in the mines and what that meant and had never looked back. Maybe to his personal sorrows since he had nothing but a very tough life when he married my mother and landed in her hometown Acre neighborhood)    

Moreover even in my own Acre neighborhood generation, the Tonio’s Pizza Parlor corner boys as we called ourselves, which came of age not only under the sign of rock and roll but of the great Cold War ideologies and concepts which were held pretty firmly if not totally understood provided no cover for what I would do. My high school graduation class of 1964 for example had as I later found out when the males were asked for their military service if any almost all had some such record. Among Tonio corner boys as the war escalated every single guy with the exception of a couple who had disabilities which precluded military service wound up serving in Vietnam including the late Peter Markin who of all of us would had been the logical choice as a resister. (Markin whose life and fate still bring a tear to our eyes when we mention his name took his service harder than the others and would wind up falling down in the end to an early grave already extensively written about by everybody in our crowd including me, a bitter fate for a guy who was always ahead of the curve in our crowd about which way the social winds were blowing). Top that off with the deaths of two corner boys, Rick Rizzo and David White, whose names are forever etched on the Adamsville town memorial stone and down in black granite down in Washington, who laid down their heads in some bloody swamps in Vietnam and you get an idea of what the milieu was like and how likely the ideas of resistance were to come intellectually to me without some serious trial to confront me. (My family and many other families which I learned about second-hand after the dust had settled not only hated or did not understand what I did but supported the war efforts long after even guys like POTUS Richard M. Nixon had tried to get out from under anyway he could).   

No, no, now that I am on my high horse it is not good enough blame the social milieu as the defining reason for allowing myself to be inducted into the Army in January of 1969 against all good reason. No question a different milieu say in Shaker Heights and among the elite college brethren and intelligentsia would have provided more thought-provoking possibilities but that denies my, Frank Jackman’s, sense of himself and his desires and concerns. I believe I have written about it elsewhere in this publication and if not then I certainly have mentioned it in a million conversations the contradictions between that stated purpose of “casting my fate with the poor people of the earth” which has animated this whole piece and what I thought my life’s goals, destiny if you like, were to be can be summarized in what I was about in the fall of 1960 when I was just fourteen.

I had always been interested in politics, history, government, something I shared with the late Markin. Which did not preclude either of us from being extremely larcenous corner boys or totally bonkers about girls, cars and sex in whatever order you want to put those elemental categories like the other guys who lived and died exclusively on that plateau. Markin and I, although we had deeply imbibed the Cold War anti-communist ideologies that choked American society in the 1950s, had other ideas as well, centrally concern about the proliferation of nuclear weapons and a stirring concern about the emerging black civil rights struggle down the South. Ideas which we tended not to discuss with the fellow corner boys who would have either red-baited or race-baited us. In 1960 the blessed Quakers, and they were blessed and always will be as the reader will find out later when the deal when down in the summer of 1969 whatever religious or political differences we had then or now along with prominent liberals like Doctor Spock, the famous baby doctor whose words of wisdom many mothers although not Acre mothers lived and died by decided to have a nation-wide event to call for nuclear disarmament in October of that year.

Despite all kinds of advice, maybe some veiled threats, certainly scorn from fellow students and the civics teacher I argued for that cause in school and had decided to go to Boston, to the historic protest spots on Boston Common to take part in the nation-wide observance. Even, and maybe especially, our corner boy leader Frankie Riley argued against my going (we even made a corner boy famous bet about whether I would go or “chicken out”) since he feared for my life if I went there giving the times and given the reaction of what I would later call the rednecks. I went (winning that bet gladly since I could have money for a date with a certain girl I was then for a minute interested in) and met those forthright Quakers and a few others who braved the scorn of the crowds to protest the nuclear arms race. If one thinks today that politics and prejudices are ugly and headed to civil war if not stopped in their tracks then you get the idea back then right out on those mean streets, maybe more in your face if you can believe that.     

Contradiction. The fall of 1960 was also the time this country was knee deep in the upcoming presidential election between one Richard Milhous Nixon and our own Irish Jack Kennedy. “Our own” no wrong term for we were crazy in the Irish-strewn Acre to see Jack beat that bastard Nixon. I would all fall go door to door putting literature in doors touting Jack’s candidacy. For those who don’t remember or are too young a central component of Jack’s campaign was that there was a “missile gap,” with the Soviets overhauling us with ways to take advantage of their larger number of weapons, nuclear weapons. So in one short period I could, and did, express my sincere beliefs in nuclear disarmament in Boston and in tribal Jack of the gap. That would not be the first time or the last that such contradictions ruled my universe. In 1968, remember Bobby Kennedy with a tear, I went crazy around the East Coast trying to get him elected before he was felled breaking many dreams and my heart. More importantly to what will follow I let my somewhat vague, upon reflection, anti-war sentiments get overwhelmed by all the other considerations about why I should have refused induction, including a girlfriend whose brother was serving in Vietnam.

Forward though to January 1969. As previously pointed out there were little points of rebellion about going into the Army, but they did not dominate, no way and if the impression has been left that this was the case that is wrong. Probably the truest statement would be some kind of belief that either war would be over before I had to confront what every male of my generation had to confront whatever his personal beliefs might or that I expected somehow like at several times in my young life to skate by, not get called for some reason known only to me at the time. Given what was happening on the battlefields I think that the latter sentiment dominated. I got my “friends and neighbors at the draft board” notice in the early fall of 1968 to report for the inevitable almost forgone conclusion physical examination (that “friends and neighbors” the actual salutation on the letter). Naturally I passed it since at that time almost anybody with two arms and two legs passed unless they had some gimmick already to get them out but which even if I had known about it then would not have used still depending on luck I guess I would call it.

Then in December 1968, I think I got the notice to report to the Boston Army Base for induction (no longer there but now part of the up-scale Seaport District). While that certainly got my attention, I was still in some form of denial. Adding to that my girlfriend at the time (this after I had broken up with that girlfriend whose brother was in Vietnam for personal reasons) , Joyce, who had started graduate school at Boston University after having been through the “wars” out at the University of Wisconsin which along with Berkeley, Michigan and B.U. were among the most vociferous centers of anti-war opposition was pressuring me to refuse induction. Easy for her to say, although she would prove right and prove a stalwart as well during my imprisonments. Whatever idealistic views I had (via Robert Kennedy), some sloth and maybe my whole freaking youth in the Acre which could not and should not be discounted did not mesh-then. The only thing that might point to some future struggles on my part was that the day in January 1969 before I was to report for induction I had Joyce cut my longish hair (you could hardly be a young male in Boston without that longer hair to distinguish you from the rednecks) and giving the Army butcher-barbers the satisfaction of cutting my locks. Still I took the oath, accepted induction.

The expectation, gained from the Acre brethren who had already either served or were in the service in Vietnam like Sam Lowell, was that I would take basic training at Fort Dix in New Jersey. What happened was that for reasons known only to the Army Dix was full or something so those inducted that day were sent first to Fort Jackson down in South Carolina and then transferred to Fort Gordon over in Augusta, Georgia (the site of the later to be revered by Sam Lowell Masters’ Golf Tournament) for basic. The former location is where I had my opening epiphany, where I first really knew I had made a mistake about accepting induction. And while it would still be premature to say I had decided to refuse to go the thought was getting etched into my psyche.

Stop. The previous pages represent a pretty good remembrance of my times before that fateful January day. In looking over what others like Sam Lowell, Seth Garth and Zack James (Alex from Carver’s younger brother who was too young to have been involved in all of this but who is a very good writer and hence has written, from outside the inner circle, a good piece on my travails). Rather than reinvent the wheel I think Sam should take over and tell once again his version of what I went through. Hell I have said enough let’s let site manager Greg Green publish his Introduction and Sam’s piece and if anybody has further questions they can comment and I will answer in return.    

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Introduction To Sam Lowell’s Frank Jackman’s Masters of War by Greg Green

Life is full of surprises as everybody over the age of about three knows firsthand even if that hard fact does not stand out and light a fire under you at every possible moment. Take my own situation. A couple of years ago I was working hard at the American Film Gazette managing the overall film review schedule and trying to outdo the legendary publisher Larry Lorton from Film Daily in the number of films we did reviews on. Then Pete Markin (aka Allan Jackson who used that moniker in honor of a fallen hometown friend who taught him and a few of the other writers here a thing or two about the profession although he eventually fell on his own sword which is a story many had detailed here over time and I need not go into) brought me over here to run the day to day operations while he readied himself for retirement or some other project. Jesus, then the Summer of Love, 1967, or rather the 50^th anniversary commemoration of the event hit this place like a whirling dervish. I was too young to know much about that time but had heard some pretty raw and scary stuff about drugs, unprotected sex, unlicensed or registered vehicles including some converted yellow school bus that became home for varying times by some of the Tonio’s Pizza Parlor corner boys from the Acre  and other larcenies from writers here who had been there under Markin’s guidance, the real Markin not Allan. In any case Allan went crazy to make sure the damn event got almost as much coverage after 50 years as when the thing actually got off the ground and created what he and the others hatched up as a re-working of the antics of the Generation of ’68.

All well and good. Well not all well and good since the younger writers could in the words of Alden Riley one of the leaders of the Young Turks give a fuck about the fucking Summer of Love, 1967 or any other year in that decade. That led to a show-down and the demise of Allan Jackson, a founding member, and my elevation to site manager and the overall poohbah of this operation. According to what I hear around the water cooler things are calmer now that not everybody has to spent 24/7/365 neck-deep in the 1960s like that was the golden age, like that was the Garden as Lance Lawrence mockingly called it.

All this to say that some of the stuff from the 1960s, and the recently concluded The Roots is the Toots rock and roll series is one example that I was more than happy to give an encore presentation to (admittedly after a little nudge from Sam Lowell and others), is worth another inspection. That brings us to the real-life story below about what happened to Frank Jackman when he was of draft age, eighteen to who knows how long if things ever got really dicey, in the age when that meant something and meant some tough decisions for a whole generation of young men who didn’t know what the hell to do when their number got called. Yeah, maybe this tale is not the sexiest one on the block, on the lowdown of the 1960s when youth nation went overboard with sex, drugs and rock and roll but fifty years or so later it still reads like a good story that people should know about-and shout from the rooftops about as we enter another year of endless war in the endless wars of our times.

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Frank Jackman’s War from the pen of Sam Lowell

(I have changed up locales and people’s names but the story-line is as pure as I can make it for my friend Frank Jackman-S.L.)

Jack Callahan’s old friend from Sloan High School in Carver down in Southeastern Massachusetts Alex James (Alex short for Alex not as is the fashion today to just name a baby Alexander and be done with it) is an amateur writer and has been at it since he got out of high school. Found out that maybe by osmosis, something like that, the stuff Miss Enos taught him junior and senior years about literature and her favorite writers Hemingway, Edith Wharton and Dorothy Parker to name a few, with which she would entice the English class stuck with him with through college where although he majored in Political Science he was in thrall to the English literature courses that he snuck into to his schedule. Snuck in although Alex knew practically speaking he had a snowball’s chance in hell, an expression he had learned from Hemingway he thought, of making a career out of the literary life, would more likely wind up driving a cab through dangerous midnight sections of town occasionally getting mugged for his night’s work. That Political Science major winding up producing about the same practical results as the literary life though. Those literary designs stuck with him, savior stuck with him, through his tour of duty during the Vietnam War, and savior stayed with him through those tough years when he couldn’t quite get himself back to the “real” world after ‘Nam and let drugs and alcohol rule his life so that he wound up for some time as a “brother under the bridge” as Bruce Springsteen later put the situation in a song that he played continuously at times after he first heard the opening line “Saigon, long gone…."  Stuck with him after he recovered and started building up his sports supplies business, stuck with him through three happy/sad/savage/acrimonious “no go” marriages and a parcel of kids and child support.  And was still sticking with him now that he had time to stretch out and write longer pieces and beat away on the word processor a few million words on this and that.

Amateur writer meaning nothing more than that he liked to write, and that writing was not his profession, that he did not depend on the pen for his livelihood (or rather more correctly these days not the pen but the word processor). That livelihood business was taken up running a small sports apparel store in a mall not far from Lexington (the Lexington of American revolutionary battles to give the correct town and state) where he now lived. Although he was not a professional writer his interest was such that he liked these days with Jimmy Shore, the famous ex-runner running the day to day operations of the store, to perform some of his written work in public at various “open mic” writing (and poetry) jams that have sprouted up in his area.

This “open mic” business Alex had embarked on s was a familiar concept to Jack from the days back in the 1960s when he would go to such events in the coffeehouses around Harvard Square and Beacon Hill to hear amateur folk-singers perfect their acts and try to be recognized as the new voice of their generation, or something like that. For “no singing voice, no musical ear” Jack those were basically cheap date nights if the girl he was with was into folk music. The way most of the "open mics" worked, although they probably called them talent searches then, was each performer would sign up to do one, two, maybe three songs depending on how long the list of those wishing to perform happened to be (the places where each performer kicked in a couple of bucks in order to play usually had shorter lists). These singers usually performed in the period in front of the night’s feature who very well might have been somebody who a few weeks before had been noticed by the owner during a previous "open mic" and asked to do a set of six to sixteen songs depending on the night and the length of the list of players in front of him or her. The featured performer played, unlike the "open mic" people, for the “basket” (maybe a hat) passed around the crowd in the audience and that was the night’s “pay.” A tough racket for those starting out like all such endeavors. The attrition rate was pretty high after the folk minute died down with arrival of other genre like folk rock, heavy rock, and acid rock although you still see a few old folkies around the Square or playing the separate “open mic” folk circuit that also run through church coffeehouses just like these writing jams.

Jack was not surprised then when Alex told him he would like him to come to hear him perform one of his works at the monthly third Thursday “open mic” at the Congregational Church in Arlington the next town over from Lexington. Alex told Jack that that night he was going to perform something he had written and thought on about Frank Jackman, about what had happened to Frank when he was in the Army during Vietnam War times.

Jack knew almost automatically what Alex was going to do, he would somehow use Bob Dylan’s Masters of War lyrics as part of his presentation. Jack and Alex ( a Vietnam veteran who got “religion” on the anti-war issue while he in the Army and became a fervent anti-war guy after that experience despite his personal problems, including a couple of losing bout s with drugs and alcohol before getting twelve step sober) had met Frank in 1971 when they were doing some anti-war work among the soldiers at Fort Devens out in Ayer about forty miles west of Boston. Frank had gotten out of the Army several months before and since he was from Nashua in the southern part of New Hampshire not far from Devens and had heard about the G.I. coffeehouse, The Morning Report, where Jack and Alex were working as volunteers he had decided to volunteer to help out as well.

Now Frank was a quiet guy, quieter than Jack and Alex anyway, but one night he had told his Army story to a small group of volunteers gathered in the main room of the coffeehouse as they were planning to distribute Daniel Ellsberg’s sensational whistle-blower expose The Pentagon Papers to soldiers at various spots around the base (including as it turned out inside the fort itself with one copy landing on the commanding general’s desk for good measure). He wanted to tell this story since he wanted to explain why he would not be able to go with them if they went inside the gates at Fort Devens.

Jack knew Alex was going to tell Frank’s story so he told Frank he would be there since he had not heard the song or Frank’s story in a long while and had forgotten parts of it. Moreover, Alex wanted Jack there for moral support since this night other than the recitation of the lyrics he was going to speak off the cuff rather than his usual reading from some prepared paper. 

That night Alex was already in the hall talking to the organizer, Eli Walsh, you may have heard of him since he has written some searing poems about his time in three tours Iraq. Jack felt right at home in this basement section of the church and he probably could have walked around blind-folded since the writing jams were on almost exactly the same model as the old folkie “open mics.” A table as you entered to pay your admission this night three dollars (although the tradition is that no one is turned away for lack of funds) with a kindly woman asking if you intended to perform and direct you to the sign-up sheet if so. Another smaller table with various cookies, snacks, soda, water and glasses for those who wished to have such goodies, and who were asked to leave a donation in the jar on that table if possible. The set-up in the hall this night included a small stage where the performers would present their material slightly above the audience. On the stage a lectern for those who wished to use that for physical support or to read their work from and the ubiquitous simple battery-powered sound system complete with microphone. For the audience a bevy of chairs, mostly mismatched, mostly having seen plenty of use, and mostly uncomfortable. After paying his admission fee he went over to Alex to let him know he was in the audience. Alex had told him he was number seven on the list so not to wander too far once the session had begun.

This is the way Alex told the story and why Jack knew there would be some reference to Bob Dylan’s Masters of War that night:

Hi everybody my name is Alex James and I am glad that you all came out this cold night to hear Preston Borden present his moving war poetry and the rest of us to reflect on the main subject of this month’s writing jam-the endless wars that the American government under whatever regime of late has dragged us into, us kicking and screaming to little avail.  I want to thank Eli as always for setting this event up every month and for his own thoughtful war poetry. [Some polite applause.] But enough for thanks and all that because tonight I want to recite a poem, well, not really a poem, but lyrics to a song, to a Bob Dylan song, Masters of War, so it might very well be considered a poem in some sense.   

You know sometimes, a lot of times, a song, lyrics, a poem for that matter bring back certain associations. You know some song you heard on the radio when you went on your first date, your first dance, your first kiss, stuff like that which is forever etched in your memory and evokes that moment every time you hear it thereafter. Now how this Dylan song came back to me recently is a story in itself.

You remember Eli back in October when we went up to Maine to help the Maine Veterans for Peace on their yearly peace walk that I ran into Susan Rich, the Quaker gal we met up in Freeport who walked with us that day to Portland. [Eli shouted out “yes.”] I had not seen Susan in about forty years before that day, hadn’t seen her since the times we had worked together building up support for anti-war G.I.s out at the Morning Report coffeehouse in Ayer outside Fort Devens up on Route 2 about thirty miles from here. That’s when we met Frank Jackman who is the real subject of my presentation tonight since he is the one who I think about when I think about that song, think about his story and how that song relates to it. 

Funny as many Dylan songs as I knew Masters of War, written by Dylan in 1963 I had never heard until 1971. Never heard the lyrics until I met Frank out at Fort Devens where after I was discharged from the Army that year I went to do some volunteer anti-war G.I. work at the coffeehouse outside the base in Army town Ayer. Frank too was a volunteer, had heard about the place somehow I forget how, who had grown up in Nashua up in southern New Hampshire and after he was discharged from the Army down at Fort Dix in New Jersey came to volunteer just like me and my old friend Jack Callahan who is sitting in the audience tonight. Now Frank was a quiet guy didn’t talk much about his military service, but he made the anti-war soldiers who hung out there at night and on weekends feel at ease. One night thought he felt some urge to tell his story, tell why he thought it was unwise for him to participate in an anti-war action we were planning around the base. We were going to pass out copies of Daniel Ellsberg’s explosive whistle-blower expose The Pentagon Papers to soldiers at various location around the fort and as it turned out on the base. The reason that Frank had balked at the prospect of going into the fort was that as part of his discharge paperwork was attached a statement that he was never to go on a military installation again. We all were startled by that remark, right Jack? [Jack nods agreement.]

And that night the heroic, our kind of heroic, Frank Jackman told us about the hows and whys of his Army experience. Frank had been drafted like a ton of guys back then, like me, and had allowed himself to be drafted in 1968 at the age of nineteen not being vociferously anti-war and not being aware then of the option of not taking the subsequent induction. After about three week down at Fort Dix, the main basic training facility for trainees coming from the Northeast then, he knew two things-he had made a serious mistake by allowing himself to be drafted and come hell or high water he was not going to fight against people he had no quarrel with in Vietnam. Of course the rigors of basic training and being away from home, away from anybody who could help him do he knew not what then kept him quiet and just waiting. Once Basic was over and he got his Advanced Infantry Training assignment also at Fort Dix which was to be an infantryman at a time when old Uncle Sam only wanted infantrymen in the rice paddles and jungles of Vietnam things came to a head.

After a few weeks in AIT he got a three day weekend pass which allowed him to go legally off the base and he used that time to come up to Boston, or really Cambridge because what he was looking for was help to file an conscientious objector application and he knew the Quakers were historically the ones who would know about going about that process. That is ironically where Susan Rich comes in again, although indirectly this time, since Frank went to the Meeting House on Brattle Street where they were doing draft and G.I. resistance counseling and Susan was a member of that Meeting although she had never met him at that time. He was advised by one of the Quaker counselors that he could submit a C.O. application in the military, which he had previously not been sure was possible since nobody told anybody anything about that in the military, when he got back to Fort Dix but just then, although they were better later, the odds were stacked against him since he had already accepted induction. So he went back, put in his application, took a lot of crap from the lifers and officers in his company after that and little support, mainly indifference, from his fellow trainees. He still had to go through the training, the infantry training though and although he had taken M-16 rifle training in basic he almost balked at continuing to fire weapons especially when it came to machine guns. He didn’t balk but in the end that was not a big deal since fairly shortly after that his C.O. application was rejected although almost all those who interviewed him in the process though he was “sincere” in his beliefs. That point becomes important later.

Frank, although he knew his chances of being discharged as a C.O. were slim since he had based his application on his Catholic upbringing and more general moral and ethical grounds. The Catholic Church which unlike Quakers and Mennonites and the like who were absolutely against war held to a just war theory, Vietnam being mainly a just war in the Catholic hierarchy’s opinion. But Frank was sincere, more importantly, he was determined to not go to war despite his hawkish family and his hometown friends,’ some who had already served, served in Vietnam too, scorn and lack of support. So he went back up to Cambridge on another three day pass to get some advice, which he actually didn’t take in the end or rather only partially took up  which had been to get a lawyer they would recommend and fight the C.O. denial in Federal court even though that was also still a long shot then.

Frank checked with the lawyer alright, Steve Brady, who had been radicalized by the war and was offering his services on a sliding scale basis to G.I.s since he also had the added virtue of having been in the JAG in the military and so knew some of the ropes of the military legal system, and legal action was taken but Frank was one of those old time avenging Jehovah types like John Brown or one of those guys and despite being a Catholic rather than a high holy Protestant which is the usual denomination for avenging angels decided to actively resist the military. And did it in fairly simple way when you think about it. One Monday morning when the whole of AIT was on the parade field for their weekly morning report ceremony Frank came out of his barracks with his civilian clothes on and carrying a handmade sign which read “Bring the Troops Home Now!”

That sign was simply but his life got a lot more complicated after that. In the immediate sense that meant he was pulled down on the ground by two lifer sergeants and brought to the Provost Marshal’s office since they were not sure that some dippy-hippie from near-by New York City might be pulling a stunt. When they found out that he was a soldier they threw him into solitary in the stockade.

For his offenses Frank was given a special court-martial which meant he faced six month maximum sentence which a panel of officers at his court-martial ultimately sentenced him to after a seven day trial which Steve Brady did his best to try to make into an anti-war platform but given the limitation of courts for such actions was only partially successful. After that six months was up minus some good time Frank was assigned to a special dead-beat unit waiting further action either by the military or in the federal district court in New Jersey. Still in high Jehovah form the next Monday morning after he was released he went out to that same parade field in civilian clothes carrying another homemade sign “Bring The Troops Home Now!” and he was again manhandled by another pair of lifer sergeants and this time thrown directly into solitary in the stockade since they knew who they were dealing with by then. And again he was given a special court-martial and duly sentenced by another panel of military officers to the six months maximum.

Frank admitted at that point he was in a little despair at the notion that he might have to keep doing the same action over and over again for eternity. Well he wound up serving almost all of that second six-month sentence but then he got a break. That is where listening to the Quakers a little to get legal advice did help. See what Steve Brady, like I said an ex-World War II Army JAG officer turned anti-war activist lawyer, did was take the rejection of his C.O. application to Federal District Court in New Jersey on a writ of habeas corpus arguing that since all Army interviewers agreed Frank was “sincere” that it had been arbitrary and capricious of the Army to turn down his application. And given that the United States Supreme Court and some lower court decisions had by then expanded who could be considered a C.O. beyond the historically recognized groupings and creeds the cranky judge in the lower court case agreed and granted that writ of habeas corpus. Frank was let out with an honorable discharge, ironically therefore entitled to all veterans’ benefits but with the stipulation that he never go onto a military base again under penalty of arrest and trial. Whether that could be enforced as a matter of course he said he did not want to test since he was hardily sick of military bases in any case. 

So where does Bob Dylan’s Masters of War come into the picture. Well as you know, or should know every prisoner, every convicted prisoner, has the right to make a statement in his or her defense during the trial or at the sentencing phase. Frank at both his court-martials rose up and recited Bob Dylan’s Masters of War for the record. So for all eternity, or a while anyway, in some secret recess of the Army archives (and of the federal courts too) there is that defiant statement of a real hero of the Vietnam War. Nice right? 

 Here is what had those bloated military officers on Frank’s court-martial boards seeing red and ready to swing him from the highest gallows, yeah, swing him high.

Masters Of War-Bob Dylan

Come you masters of war
You that build all the guns
You that build the death planes
You that build the big bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks

You that never done nothin’
But build to destroy
You play with my world
Like it’s your little toy
You put a gun in my hand
And you hide from my eyes
And you turn and run farther
When the fast bullets fly

Like Judas of old
You lie and deceive
A world war can be won
You want me to believe
But I see through your eyes
And I see through your brain
Like I see through the water
That runs down my drain

You fasten the triggers
For the others to fire
Then you set back and watch
When the death count gets higher
You hide in your mansion
As young people’s blood
Flows out of their bodies
And is buried in the mud

You’ve thrown the worst fear
That can ever be hurled
Fear to bring children
Into the world
For threatening my baby
Unborn and unnamed
You ain’t worth the blood
That runs in your veins

How much do I know
To talk out of turn
You might say that I’m young
You might say I’m unlearned
But there’s one thing I know
Though I’m younger than you
Even Jesus would never
Forgive what you do

Let me ask you one question
Is your money that good

Will it buy you forgiveness
Do you think that it could
I think you will find
When your death takes its toll
All the money you made
Will never buy back your soul

And I hope that you die
And your death’ll come soon
I will follow your casket
In the pale afternoon
And I’ll watch while you’re lowered
Down to your deathbed
And I’ll stand o’er your grave
’Til I’m sure that you’re dead

Copyright © 1963 by Warner Bros. Inc.; renewed 1991 by Special Rider Music