From The Anti-War Archives-War And Remembrance- A Boston Veterans For Peace Memorial Day-(Updated)

From The Anti-War Archives-War And Remembrance- A Boston Veterans For Peace Memorial Day-(Updated)

A continuing cautionary tale

From The Pen Of Frank Jackman

Fritz, old battle-scarred and battle-weary purple-hearted Fritz Taylor, Vietnam, 1969-1971, Fritz John Taylor, RA048433691 to be exact, had to laugh as he made his way from Adamsville to the downtown Boston waterfront in the later spring of 2014. To the green jut of land Christopher Columbus Park, and that name, causing further bemusement when he first heard of the locale, could itself tell a big story about the old days of European-centered military adventures to the Americas and also to the days when the first Pilgrims like old F. Scott Fitzgerald’s Dutchmen on seeing the “fresh green breast” of Long Island  had the capacity to wonder about what the new land, to them, might bring forth, for what he was not sure, exactly, was either the third or fourth annual Veterans For Peace counter-Memorial Day commemoration (partnered in November with the counter-traditional Armistice Day, the original named reason for the observance in order to commemorate the armed truce which ended the blood-bath First World War).

Fritz had not laughed a funny laugh as he was prone to do these days when something struck him as unusual, but laughed out loud at the thought of a no-go, not even boot camp as far as he knew, commander-in chief of all the American imperial armed forces, United States President Barack Obama, suddenly warming up to his post-Osama Bin Laden kill authorization (after having , vicariously, watched the SEAL action in “real time”) very consciously earlier this day placing himself at the center of the Memorial Day action in Arlington National Cemetery trying to draw succor from the ghost of Abraham Lincoln at Gettysburg. Talking aimlessly, or maybe better superficially, about valor, about the good of the cause, about the last full measure of devotion, and lastly, what war in the end is all about, saving your buddy’s ass, or he yours.

But see, to Fritz’s way of thinking, Lincoln at least had the advantage, the very distinct advantage, of not only having said those kinds of words and those kinds of sentiments first and therefore in a more free-lance, free-wheeling eloquent way but said them at humankind's hallowed Gettysburg in the wake of what turned out to the decisive great Northern victory (along with Grant’s Vicksburg victory) in a war, that by hook or by crook, turned chattel slavery times out the door.

What could one imperial chief, Barack Obama, today draw on for succor? Leading a 50,000 troop wind-down in Iraq [a wind-down fact to finish in  2015 in serious dispute what with the creeping “re-escalations” of recent years-FJ], a thoughtlessly unjust war if there ever was one, with more than its fair share of collateral damage, read American troop-driven civilian killings, and to call it by its right name, murder. Yes, yes, by all means Fritz Taylor knew, knew chapter and verse, that when it did not really count one non-president Barack Obama opposed George’s Follies but that was then, and this, this was desperately now with the latest headlines out of Baghdad announcing a 200,000 mass march calling for an American withdrawal post-haste.

Fritz Taylor, Fritz Taylor who had gotten “religion” on the subject of war, on collateral damage, on don’t give a damn about spending soldiers’ blood and lives since those lost Vietnam days, himself lost in some drug addiction time, some newspaper-strewn park bench time, some lost family connection time, took a moment to reflect on that fact, and to murmur softly to himself- Obama, Mr. President, since Fritz is putting things in a more kindly fashion now- get the hell out of Iraq, completely out, and stay out. [Ditto-2015-FJ]

Fritz had to laugh, and the nature of that laugh need not be repeated here, about how big bad Barrack Obama, whom almost every non-veteran of any battle, except maybe the battle for the Democratic nomination for President in 2008, or of the bar stool in some ill-lit barroom but those don’t count in real battle scars world, has been touted as some kind of Gandhian pacifist while constantly upping the ante in Afghanistan since about day one of his administration, the troop commitment ante, the one that really counts. And making that ill-conceived policy the lynch-pin for his whole world-wide war strategy, with no serious end date in sight (and no congressional oversight to stop him, according to a recent vote on the question of war budget authorizations-the real deal when it comes to war policy).

Fritz’s thoughts just then as well dwelled on the more recent, the more off-hand stuff, the several hundred drones attacks in Pakistan, the few thousand, give or take, cruise missiles (oops, that’s a NATO operation, he forgot, sorry) in Libya and the general policeman of the world carrying a big stick, a very big stick indeed, in the rest of the world. So he felt compelled to murmur under his breathe, no, really curse under his breathe, Mr. President, Fritz still being the soul of politeness these days, these got anti-war “religion,” drug- free, alcohol-free, stable home under his feet days, get the hell out of Afghanistan and stay out. [Ditto-2015-FJ.] And while you are at it, Mr. Obama, keep American hands off, way off the rest of the world, as he then saw the first of several white dove on black background Veterans for Peace (VFP) flags flying in the wind down near the ferry docks adjacent to this Columbus honor park.

And although a moment ago he raged with grievous anger at the American imperial state and its two-bit sheriff (oops, sorry again, President) he felt calmer, as he always felt calmer, when he spied the white-doved, black-background flags because that meant kindred, mainly Vietnam-era kindred but sprinkles of others as well. Guys, mostly, and a few women as well, now graying guys, seriously graying guys, now walking a little more haltingly due to life’s toll, now maybe not in that tip-top shape that made them prime Grade A cannon fodder back in the days, who had been through battles, real battles and post-war battles, some of them anyway just like him, whom he always argued had more than enough “cred” when anti-war talk time came around. And others, other anti-warriors, who only credentials were some well-written papers, some well-spoken speech, or a safely-protected street march in some big or middle-sized American city or town who knew, knew deep in their hearts that Fritz’s point was true. And they were deferential, sometimes just a little too paternally or maternally deferential, when the big brassy white flag-draped veterans came marching their way.

Oh sure, this third (or was it fourth) commemoration was not well-attended, maybe a hundred, not the thousands standing on those big and mid-sized city and town street corners, or walking past those benighted American flag-bedecked blessed sweet good night grave sites with their complements of still-grieving kin, but this place, this momentarily hallowed anti-war place is not measured by numbers this day but by remembrance, hard-earned remembrance, hard-earned rage against the night cannon fodder-used and folly remembrance. And, oh sure, the speeches, the speeches by those graying activists, with just the barest sprinkle of newer Iraq and Afghanistan era veterans, were directed at that hundred angel choir of kindred. And Fritz, having heard every anti-war argument before, having heard every political prisoner Private Bradley Manning story before [Now Chelsea to reflect her newer female sexual identity self, still a private but also still since her conviction in 2013 serving a thirty-five sentence for, in the end, spilling the beans about American atrocities in Iraq and Afghanistan mostly graphically and sickeningly the video called “Collateral Murder”], [Now mercifully released via last minute commutation of sentence by that same Obama whose administration went after whistle-blowers with a vengeance.] having heard about the collateral damage, foreign division, Iraq, Afghanistan, Pakistan, Libya, Palestine, civilian horror story before; and every collateral damage, domestic division, devastated military families story before still drank in the words. And said his fair share of old-time protest “right on,” brother, or sister. And yelled loudly and proudly, “Free Bradley Manning.” [Chelsea now] Yes, these days Bradley [Chelsea] Manning’s fight is us, our younger fighting spirit us. The torch has now been passed to the new guys, and the core of that couple of hours as well. Fritz Taylor just for that moment felt ten feet tall for having made this day’s journey. He was charged-up again.

On the way home, or rather on the way to meet, over near the Adamsville River, his better other, Lillian, his “sweet pea” he had named her for her sunny disposition, and her tough determination to give him a home to feel planted in and, early on, a little anti-war “religion” bump start too he passed, as thinking about it later he should have expected, a very different Memorial Day celebration sponsored by the Adamsville Veterans Of Foreign Wars (VFW). Before he got “religion” he had spent many a cheap drinks drinking hour at that same VFW hall, or the American Legion hall farther up the street, and had thought nothing of retelling many bar stool battle stories to anyone who would listen. And listen they did because Fritz had another kind of “cred” in those days, battle-tested credentials, as against the state-side duty and or rear area supply sergeants that populate these VFW and American Legion barrooms.


But right now he was chagrined at this tactless “celebration” going on before his eyes, complete with family-friendly barbecue, pony rides and merry-go-round for the kids, and more thoughtless, neglected and discarded American flags than one could shake a stick at. Those quickly passed scenes momentarily brought back to Fritz’s mind ancient unhealed, unheal-able, wounds, and ancient, also unheal-able, angers as well. What was not ancient, although also unheal-able, was when, as he quietly passed by, some long-in-the-tooth ex- supply sergeant VFW honcho noticed Fritz’s still shirt-pinned buttons calling for Obamian troop withdrawal from Iraq and Afghanistan and freedom for Private Bradley [Chelsea] Manning and called him a “commie”. Fritz thought, Jesus, where has this guy been the past twenty years or so but he also reflected, especially seeing the kids unconsciously drink in the warrior atmospherics that went with this celebration, that charged-up or not, he still had a hell of a lot of work to do. A hell of a lot.

Out In The Be-Bop 1960s Night- Frankie Out In The Adventure Car Hop Night

Out In The Be-Bop 1960s Night- Frankie Out In The Adventure Car Hop Night

A YouTube film clip of the Dubs performing the classic Could This Be Magic? to set the mood for this piece. 

By Josh Breslin

Frankie Riley, the old corner boy leader of the crowd, our crowd of the class of 1964 guys who made it and graduated, not all did, a couple wound up serving time in various state pens but that is not the story I want to tell today except that those fallen brothers also imbibed Frankie’s wisdom (else why would they listen to him for they were tougher if not smarter than he was) about what was what in rock and roll music in the days when we had our feet firmly planted in front of Tonio’s Pizza Parlor in North Adamsville, had almost a sixth sense about what songs would and would not make it in the early 1960s night. Knew like the late Billy Bradley, my corner boy when my family lived on the other side of town back then, did in the 1950s elementary school night what would stir the girls enough to get them “going.” And if you don’t understand what “going” meant or what “going and rock and roll together in the same sentence meant then perhaps you should move along. Why else would we listen to Frankie, including those penal tough guys, if it wasn’t to get into some girl’s pants. Otherwise guys like Johnny Blade (and you don’t need much imagination to know what kind of guy and what kind of weapon that moniker meant) and Hacksaw Jackson would have cut of his “fucking head’ (their exact expression and that is a direct quote so don’t censor me or give me the “what for”).

But that was then and this is now and old, now old genie Frankie had given up the swami business long ago for the allure of the law profession which he is even now as I write starting to turn over to his younger partners who are begging just like he did in his turn to show their stuff, to herald the new breeze that the austere law offices of one Francis Xavier Riley and Associates desperately needs to keep their clients happy. In that long meantime I have been the man who has kept the flame of the classic days of rock and roll burning. Especially over the past few years when I have through the miracles of the Internet been able between Amazon and YouTube to find a ton of the music, classics and one-shot wonders of our collective youths and comment on it from the distance of fifty or so years.

I have presented some reviews of that material, mostly the commercially compiled stuff that some astute record companies or their successors have put together to feed the nostalgia frenzy of the cash rich (relatively especially if they are not reduced to throwing their money at doctors and medicines which is cutting into a lot of what I am able to do), on the Rock and Roll Will Never Die blog that a guy named Wolfman Joe had put together trying to reassemble the “youth nation” of the 1960s who lived and died for the music that was then a fresh breeze compared to the deathtrap World War II-drenched music our parents were trying to foist on us.         

That work, those short sketch commentaries, became the subject for conversation between Frankie and me when he started to let go of the law practice (now he is “of counsel” whatever that means except he get a nice cut of all the action that goes through the office without the frenzied work for the dollars) and we would meet every few weeks over at Jack’s in Cambridge where he now lives since the divorce from his third wife, Minnie. So below are some thoughts from the resurrection, Frankie’s term, for his putting his spin on “what was what” fifty or so years ago when even Johnny Blade and Hacksaw Jackson had sense enough to listen to his words if they wanted to get into some frill’s pants.

“Okay, you know the routine by now, or at least the drift of these classic rock reviews. [This is the sixth in the series that I had originally commented on but which Frankie feels he has to put his imprimatur on just like in the old days- JB] The part that starts out with a “tip of the hat” to the hard fact that each generation, each teenage generation that is makes its own tribal customs, mores and language. Then the part that is befuddled by today’s teenage-hood. And then I go scampering back to my teenage-hood, the teenage coming of age of the generation of ‘68 that came of age in the early 1960s and start on some cultural “nugget” from that seemingly pre-historic period. Well this review is no different, except, today we decipher the drive-in restaurant, although really it is the car hops (waitresses) that drive this one.

See, this series of reviews is driven, almost subconsciously driven, by the Edward Hopper Nighthawk-like illustrations on the The Rock ‘n’ Roll Era CDs of this mammoth set of compilations (fifteen, count them, fifteen like there were fifteen times twenty or so songs on each compilation or over three hundred classic worth listening to today. Hell, even Frankie would balk at that possibility). 

In this case it is the drive-in restaurant of blessed teenage memory. For the younger set, or those oldsters who “forgot” that was a restaurant idea driven by car culture, especially the car culture from the golden era of teenage car-dom, the 1950s. Put together cars, cars all flash-painted and fully-chromed, “boss” cars we called them in my working class neighborhood, young restless males, food, and a little off-hand sex, or rather the promise or mist of a promise of it, and you have the real backdrop to the drive-in restaurant. If you really thought about it why else would somebody, anybody who was assumed to be functioning, sit in their cars eating food, and at best ugly food at that, off a tray while seated in their cherry, “boss" 1959 Chevy.

And beside the food, of course, there was the off-hand girl watching (in the other cars with trays hanging off their doors), and the car hop ogling (and propositioning, if you had the nerve, and if your intelligence was good and there was not some 250 pound fullback back-breaker waiting to take her home after work a few cars over with some snarl on his face and daggers in his heart or maybe that poundage pounding you) there was the steady sound of music, rock music, natch, coming from those boomerang speakers in those, need I say it, “boss” automobiles. And that is where all of this gets mixed in.

Of course, just like another time when I was reviewing one of the CDs in this series, and discussing teenage soda fountain life, the mere mention, no, the mere thought of the term “car hop” makes me think of a Frankie story. Frankie, Francis Xavier Riley, Frankie from the old hell-fire shipbuilding sunk and gone and it-ain’t-coming-back-again seen better days working class neighborhood where we grew up, or tried to. Frankie who I have already told you I have a thousand stories about, or hope I do. Frankie the most treacherous little bastard that you could ever meet on one day, and the kindest man (better man/child), and not just cheap jack, dime store kindness either, alive the next day. Yeah, that Frankie, my best middle school and high school friend Frankie.

Did I tell you about Joanne, Frankie’s “divine” (his term, without quotation marks) Joanne because she enters, she always in the end enters into these things? Yes, I see that I did back when I was telling you about her little Roy “The Boy” Orbison trick. The one where she kept playing Running Scared endlessly to get Frankie’s dander up. But see while Frankie has really no serious other eyes for the dames except his “divine” Joanne (I insist on putting that divine in quotation marks when telling of Joanne, at least for the first few times I mention her name, even now. Needless to say I questioned, and questioned hard, that designation on more than one occasion to no avail) he is nothing but a high blood-pressured, high-strung shirt-chaser, first class. And the girls liked him, although not for his looks although they were kind of Steve McQueen okay. What they went for him for was his line of patter, first class. Patter, arcane, obscure patter that made me, most of the time, think of fingernails scratching on a blackboard (except when I was hot on his trail trying to imitate him) and his faux “beat” pose (midnight sunglasses, flannel shirt, black chinos, and funky work boots (ditto on the imitation here as well). And not just “beat’ girls liked him, either as you will find out. Certainly Joanne the rose of Tralee was not beat sister (although she was his first wife). 

Well, the long and short of it was that Frankie, late 1963 Frankie, and the...(oh, forget it) Joanne had had their 207th (really that number, or close, since 8th grade) break-up and Frankie was a "free” man. To celebrate this freedom Frankie, Frankie, who was almost as poor as I was but who has a father with a car that he was not too cheap or crazy about to not let Frankie use on occasion, had wheels. Okay, Studebaker wheels but wheels anyway. And he was going to treat me to a drive-in meal as we went cruising the night, the Saturday night, the Saturday be-bop night looking for some frails (read: girls, Frankie had about seven thousand names for them)

Tired (or bored) from cruising the Saturday be-bop night away (meaning girl-less) we hit the local drive-in hot spot, Arnie’s Adventure Car Hop for one last, desperate attempt at happiness (yeah, things were put, Frank and me put anyway, just that melodramatically for every little thing). What I didn’t know was that Frankie, king hell skirt-chaser had his off-hand eye on one of the car hops, Sandy, and as it turned out she was one of those girls who was enamored of his patter (or so I heard later). So he pulled into her station and started to chat her up as we ordered the haute cuisine, And here was the funny thing, now that I saw her up close I could see that she was nothing but a fox (read: “hot” girl).

The not so funny thing was that she was so enamored of Frankie’s patter that he was going to take her home after work. No problem you say. No way, big problem. I was to be left there to catch a ride home while they set sail into that good night. Thanks, Frankie.

Well, I was pretty burned up about it for a while but as always with “charma” Frankie we hooked up again a few days later. And here is where I get a little sweet revenge (although don’t tell him that).

Frankie sat me down at the old town pizza parlor [Tonio’s Pizza Parlor of blessed memory-JB] and told me the whole story and even now, as I recount it, I can’t believe it.

Sandy was a fox, no question, but a married fox, a very married fox, who said she when he first met her that she was about twenty-two and had a kid. Her husband was in the service and she was “lonely” and succumbed to Frankie’s charms. Fair enough, it is a lonely world at times. But wait a minute, I bet you thought that Frankie’s getting mixed up with a married honey with a probably killer husband was the big deal. No way, no way at all. You know, or you can figure out, old Frankie spent the night with Sandy. Again, it's a lonely world sometimes.

The real problem, the real Frankie problem, was once they started to compare biographies and who they knew around town, and didn’t know, it turned out that Sandy, old fox, old married fox with brute husband, old Arnie’s car hop Sandy was some kind of cousin to Joanne, second cousin maybe. And she was no cradle-robber twenty-two (as if you could rob the cradle according to Frankie) but nineteen, almost twenty and was just embarrassed about having a baby in high school and having to go to her "aunt's" to have the child. Moreover, somewhere along the line she and cousin Joanne had had a parting of the ways, a nasty parting of the ways. So sweet as a honey bun Arnie's car hop Sandy, sweet teen-age mother Sandy, was looking for a way to take revenge and Frankie, old king of the night Frankie, was the meat. She had him sized up pretty well, as he admitted to me. And he was sweating this one out like crazy, and swearing everyone within a hundred miles to secrecy. So I’m telling you this is strictest confidence even now fifty years later and long after his divorce from her. Just don’t tell Joanne. Ever.

The Nighttime Is The Right Time-With Fritz Lang’s Film Adaptation Of Clifford Odets’ “Clash By Night” In Mind By Film Critic Emeritus Sam Lowell

The Nighttime Is The Right Time-With Fritz Lang’s Film Adaptation Of Clifford Odets’ “Clash By Night” In Mind  

By Film Critic Emeritus Sam Lowell

No I am not here to look over somebody’s, some other reviewer’s shoulder now that Allan Jackson, the moderator on this site has let the cat out of the bag and told one and all that with my review of 1956’s Giant I was, as he put it, putting myself to pasture. Although I would not have put it that way a few more or less serious medical problems have required to back off a little on reviewing films, a task I have done now for over forty years-and will continue periodically to keep doing. Today though I am here to comment on a review of Clash By Night by one of the in-coming reviewers, Sandy Salmon, whom I have known for at least thirty year and have respected for his work at the American Film Gazette where he oversaw over forty thousand film reviews (and occasional popular music and book reviews as well despite the name) almost as long. At fitting commentary to that respect is that I have freely “stolen” plenty of stuff from his pithy reviews over years. So enough said about that.  

After reading Sandy’s review I also realized that I was not familiar with the film under review although as the regular readers know I live for film noir, or variations of it which I think is closer to the nut in Clash. So naturally I called him up to ask to borrow his copy of the DVD which he sent me a few days later and which I viewed a couple of days after that. No question as Sandy pointed out Clash is a little hidden gem of a film with the standout cast of Barbara Stanwyck, Paul Douglas, Robert Ryan, and a pre-iconic Marilyn Monroe. With top notch direction by Fritz Lang who knew how to set a mood from the beginning of a film to the end here with a close up look at the shoreline of Monterey out in California just north of famed Big Sur and Todo el Mundo where all the literary crowd pulled up in the 1950s and 1960s with a few stray musicians in tow,  setting us up for the clashing waves to come-human clashing waves and with a screenplay by my old friend Artie Hayes from the hot pen of playwright Clifford Odets who before he turned 1950s red scare fink, snitch, sell-out did some very good work (interesting that most of the finks and slinkers like him, Elia Kazan, Langston Hughes, Josh White and a million others never did produce that much good work after they  went down on their knees and guys like Dalton Trumbo, Dashiell Hammett and Howard Fast who carried their toothbrushes with them into the House Un-American Activities Committee’s witch-hunt tribunals lived to do some good work after the red scare blew away like dust.   

No question this film had a good pedigree, had the stuff that kept things moving along in the funny little human drama being played out among ordinary folk with ordinary dreams which got smashed up against  the real world. Sandy made some good points as he summarized the ploy-line for the reader.  I have no quarrel with that but what I want to do is highlight some things that Sandy, the soul of discretion, kind of fluffed. My take on what was going on with all that high-end dialogue that Artie produced to throw in the main characters’ mouths. (If you remember that far back Artie, in one of his few basically cameo film appearances naturally as a screenwriter laid on some serious advice to the William Holden character in Sunset Boulevard  about avoiding the high numbers on that street. Of course the character didn’t listen and wound up face down in a swimming pool with two or three slugs in him courtesy of the female addressee at one of those high-numbered places.)      

For openers let’s call things by their right name, this Mae Doyle, the role played by Barbara Stanwyck, was nothing but a tramp, a drifter and night-taker, one-way and the wrong way at that. Sure she had some femme fatale qualities, Sandy was right to make a comparison with Phyllis, the wanton femme and man trap who put Walter Neff through the wringer in Double Indemnity also played by Ms. Stanwyck, but here she was strictly from the wrong side of the tracks. Was bound to let some guy who just wanted a good-looking woman to fill his house with kids take the gaff.  Mae had come home to working class Monterrey (then famous for stinking sardines from stinking sardine factories, barking seals and the godfather of social novels John Steinbeck whose ghost still haunts the place come hard literary nights when the words just won’t come) after having been out in the big wide world and gotten her younger years’ dreams crushed. She was now world weary and wary looking for a safe port. Still, call me politically incorrect or culturally insensitive but once a tramp always a tramp.

Mae knew it, knew it all the time she was leading poor sap Jerry, the role played by Paul Douglas. She took a supposed tough guy, a guy who had been hardened by the sea and twisted him around in and out in two second flat once she got her hooks into him. Earl knew that, Earl played by Robert Ryan, knew from minute one that whatever play Jerry was making for Mae he, Earl, was going to go down and dirty under the silky sheets with her before he was done-wedding ring or no wedding ring. And guess what as you already know she, when she got bored with the frankly boring Jerry and his fucking fish smells, his goddam sardine aura, she was ready to blow town with the hunky Earl. Didn’t think twice about it even with a little child in the way. Yeah, Jerry was made for the role of cuckold, maybe deserved it for having, what did Sandy call him, oh yeah, the blinders on way before he found some silky negligees and come hither perfumes hidden in Mae’s bureau drawer courtesy of maybe equally sappy Earl.       

Then he man’s up, man’s up when it is too late as they, Mae and Earl are ready to take a hike with that little baby in tow. Then Mae got cold feet, supposedly was mother-hungry for the child and was ready to do penance for her indiscretions. Earl had it right though, had Mae pegged as a tramp, as someone looking for next adventure. That is what makes the end of the film run false as she practically begs Jerry to take her back now that she had seen the light. Jesus what a sap. Earl said it best. If she didn’t go away with him then it would only be a matter of time before she got bored again and took a walk, maybe came running back to him, him and the wild side of life. I bet six, two and even and will take on all-comers that she blows town before the next year is out. You heard it here first- a tramp is always a tramp-end of discussion. Nice first review here Sandy, good luck.      

Where Will The Next Big Folk Wave Come From- The Music Of Kate Campbell

Where Will The Next Big Folk Wave Come From- The Music Of Kate Campbell

A "YouTube" film clip of Kate Campbell performing "Jesus and Tomatoes." Hey, don't shoot the messenger.


CD Review

Visions of Plenty, Kate Campbell, Compass Records, 1998


I have used the first paragraph of this CD review in other reviews of contemporary folk musicians and it fits here as well:


“Frankly, I do not spend much time reviewing some of the more contemporary folk artists on that scene today, although I am vitally interested in where that music is going, and who will keep the folk flame burning. Part of the reason for my neglect is, to paraphrase a somewhat famous folkie from the 1960s folk revival; it is “hard to get worked up about lyrics complaining that the family Volvo is not available or the foibles of a trip to the Swiss Alps.” No question that much of the current scene when not just plain jailing lyrics into some “politically correct” form in order to offend no one or nothing tends to those trivialities.”

That said, I still, in the nature of things get information, or get told information that leads me to listen to some more current performers who may have broken out of that box described above. That is the case with the artist under review, Kate Campbell. This one is kind of a long story but it entails someone I know going to a folk music summer camp (for adults, if you can believe that) where Ms. Campbell was running a songwriting workshop. This friend came away a devotee not only of Ms. Campbell's music but of the her lyrical skills. So, naturally, I had to give a listen. Although I can’t say I am a devotee I can see where Ms. Campbell’s lyrics come from the depths of her Southern soul and reflect a very different way of coming to terms with the Southern experience of the past half century or so.

To get an idea of what I mean listen to the title track, “Visions Of Plenty” (with great vocals), “Perfect World”, and “Bus 109”. For a zany side (the side that reflects what I meant in the first paragraph) listen to “Jesus and Tomatoes”. I rest my case.


Kate Campbell Visions Of Plenty written by Kate Campbell
Tricia Walker

Kate Campbell vocals/acoustic guitar
Emmylou Harris harmony vocal
Johnny Pierce acoustic guitar/vocals
Don Johnson bass
Bo Ramsey guitar
Howard Laravea keyboards
Wayne Killius drums
Dave Hoffner keyboards
Kristen Wilkinson viola

http://www.chebucto.ns.ca/~ac490/kate.html

A
I live south of Memphis in downtown Hollywood

And these fields are all I've ever known

Season after season I have worked to find a way

To buy a piece of land to call my own
D A
Sometimes when that Delta sun comes beating down
E A
Well I swear those rows of cotton shine like gold
D
Visions of plenty
A
Roll across my mind
E
Still my hands are empty
A
And the system's going dry
D
I keep thinking bout my children
A
What's left down here for them
E
Just a cotton field of dreams
D E
And everybody's dreaming everybody's dreaming
A
Dreaming just like me
A
A sign went up for Harrah's on highway 61

Promising we'd all be winners soon

So every Friday evening I go and spin the wheel

Sometimes I win most times I lose
D A
These lights are so much brighter than I thought they'd be
E
And they make me think
A
I'll see my dreams come true
D
Visions of plenty
A
Roll across my mind
E
Still my hands are empty
A
And the system's going dry
D
I keep thinking bout my children
A
What's left down here for them
E
Just a cotton field of dreams
D E
And everybody's dreaming everybody's dreaming
A
Dreaming just like me
D
I keep thinking bout my children
A
What's left down here for them
E
Just a cotton field of dreams
D E
And everybody's dreaming everybody's dreaming
A
Dreaming just like me


From Kate Campbell "Visions Of Plenty"
Compass Records 1998

©1996 Large River Music Inc. (BMI)/Songs Of Crossfield Inc (BMI)
Inspiration: Elvis

Kate Campbell
c/o Large River Music
P. O. Box 121743
Nashville, TN 37212
USA

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-One Night With You- Sam’s Song- With The Chiffons’ He’s So Fine In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-One Night With You- Sam’s Song- With The Chiffons’ He’s So Fine In Mind    

Introduction by Allan Jackson

[I don’t know what poor guys do these days to keep themselves out of mischief if that is what they want. I used to see young guys, girls too, a few years ago hanging out in the malls, just hanging but not so much recently so that maybe mall security or somebody has made it clear or unpleasant just to hang for a few hours buying maybe a soda or something to cover their asses as paying customers. Back in my day, Jesus, here comes that old chestnut, we used to hang by fiat around Tonio’s Pizza Parlor in what was called the “up the Downs” retail store section of North Adamsville not far from the Acre neighborhood where we grew up. Grew up in the then proud and defiant tradition of corner boys a situation that today’s working poor kids might envy. See Tonio, long gone Tonio although the pizza joint is still there run by a couple of Armenians, thought having wayward and seemingly harmless corner boys add some “class” to his place. Reason: of course you know the reason if you have read page one of these sketches or have a knack for figuring things out-girls.     

The girls, even the working poor girls, always seemed to have money and so say after school would stop by Tonio’s for a slice of pizza and a soda (which in the neighborhood we called tonic but which now seems to have gone the way of the horse and buggy since even I don’t use the term but say my proper soda)-and play that crazed jukebox to perdition. More seriously on date nights the girls would show up with their guys, or maybe just a bunch of girls looking for dates or company, and buy whole pizzas and some sodas and play that crazed jukebox to perdition and back. So Tonio, who was like a father to our corner boy leader Frankie Riley, except on family nights which we understood and when except in summer we would not be hanging around Tonio’s anyway was glad to have us as advertisements.

We were clean-cut enough at least in general appearance and quiet enough to give the place a certain cache. Even though Tonio knew, knew as well as he knew anything in that giant immigrant heart of his, that we were planning “midnight creep” capers in other neighborhoods to get dough. I don’t think I have to spell it out but I will-we would burglarized certain homes and had a “fence” buy the stuff. The girls I don’t believe ever knew but when some corner boy would ask a girl for a date out of the blue that meant we had just scored and he had money to go out on that date. Otherwise we would be cadging girls to play certain songs on the jukebox with every trick in the book we could use to hoodwink them out of the dreamy awful stuff they really wanted to play.

So we led kind of charmed lives as Tonio’s corner boys and I am not sure if every poor neighborhood has such gradations so that any shop-owners actually wanted the general riff-raff that went by the title corner boy. The stereotype and that was in books, in the movies and in real life was the gang led by Red Riley (no relation to Frankie, the Riley name was endemic in deeply Irish Acre land) who hung around Harry’s Variety Store and dared anybody to say or do anything untoward within about a mile of the place. Here is the twist there at Harry’s. The store was just a front for his book-making operation in which in the coppers came in to place their off-the-rack bets too and Red and his boys made sure Harry was not messed with-even by the coppers except the few times they “raided” the joint (and still got their cut).

Red was the meanest guy I ever saw, even in the Army where there were plenty of tough guys, some there, in the Army that is, via the justice system rather than go to jail forever. I saw him with my own eyes chain-whip and if you don’t know what that is look it up on the Internet a guy just because he was from a different corner and was just passing through our neighborhood. The guy was a bloody mess and Red just walked away-walked away too from any charges since the guy who got whipped knew he would be dead, very dead, if he mentioned word one about how he got in his bloody condition.

Red and his maybe half dozen confederates, they tended to turn over a bit since they would go from the corner to jail or some such place with the exception of Red who lived his own version of the charmed life at least in the Acre looked exactly the Marlon Brando, white tee shirt with cigarettes rolled in one sleeve, dungarees (when jeans were dungarees and only corner boys and farmers wore them), engineer boots and more likely than not some whip-chain hanging down their asses. The girls were the same (except as I found out later more than one nice girl once she lost her virginity might take a walk on the wild side before returning to nice girl-dom). Here is the cautionary tale part and I have stated more than one time what a close thing our own nice corner boy existence was for us to wind up the same way.  Red finally cashed his check down in some junkie haven White Hen store in North Carolina I think which he tried to rob solo and got nothing but serious lead for his troubles. Allan Jackson]  

He’s So Fine

(Do-lang, do-lang, do-lang)
(Do-lang, do-lang)

He's so fine
(Do-lang-do-lang-do-lang)
Wish he were mine
(Do-lang-do-lang-do-lang)
That handsome boy overthere
(Do-lang-do-lang-do-lang)
The one with the wavy hair
(Do-lang-do-lang-do-lang)
I don't know how I'm gonna do it
(Do-lang-do-lang-do-lang)
But I'm gonna make him mine
(Do-lang-do-lang-do-lang)
He's the envy of all the girls
(Do-lang-do-lang-do-lang)
It's just a matter of time
(Do-lang-do-lang)

He's a soft [Spoken] guy
(Do-lang-do-lang-do-lang)
Also seems kinda shy
(Do-lang-do-lang-do-lang)
Makes me wonder if I
(Do-lang-do-lang-do-lang)
Should even give him a try
(Do-lang-do-lang-do-lang)
But then I know he can't shy
(Do-lang-do-lang-do-lang)
He can't shy away forever
(Do-lang-do-lang-do-lang)
And I'm gonna make him mine
(Do-lang-do-lang-do-lang)
If it takes me forever
(Do-lang-do-lang)

He's so fine
(Oh yeah)
Gotta be mine
(Oh yeah)
Sooner or later
(Oh yeah)
I hope it's not later
(Oh yeah)
We gotta get together
(Oh yeah)
The sooner the better
(Oh yeah)
I just can't wait, I just can't wait
To be held in his arms

If I were a queen
(Do-lang-do-lang-do-lang)
And he asked me to leave my throne
(Do-lang-do-lang-do-lang)
I'll do anything that he asked
(Do-lang-do-lang-do-lang)
Anything to make him my own
(Do-lang-do-lang-do-lang)
For he's so fine
(So fine) so fine
(So fine) he's so fine
(So fine) so fine
(So fine) he's so fine

[Fades]

(So fine) oh yeah
(He's so fine) he's so fine
(So fine) uh-huh
(He's so fine)
He's so fine.....

From The Pen Of Frank Jackman

 Sam Lowell thought it was funny how things worked out sometimes in such a contrary fashion in this wicked old world, not his expression that “wicked old world” for he preferred of late the more elastic and ironic “sad old world” but that of his old time North Adamsville corner boy Peter Markin who will be more fully introduced in a moment (Markin aka Peter Paul Markin although nobody ever called him that except his mother, as one would expect although he hated to be teased by every kid from elementary school on including girls, girls who liked to tease him, tease him when they wanted to show their interest usually, and his first ill-advised wife, Martha, a heiress of the local Mayfair swells who tried, unsuccessfully since they sensed right away that he was not one of them, to impress her leafy horse country Dover suburban parents with the familiar Waspy triple names).

Neither of those expressions referred to however dated back to their youth since neither Sam nor Peter back then, back in their 1960s youth, would have used such old-fashioned religious-drenched expressions to explain their take on the world since as with all youth, or at least youth who expected to “turn the world upside down” (an expression that they both did use although each in very different contexts) they would have withheld such judgments or were too busy doing that “turning” business they had no time for adjectives to express their worldly concerns. No that expression, that understanding about the wickedness of the world, had been picked up by Sam from Peter when they had reconnected a number of years before after they had not seen each other for decades to express the uphill battles of those who had expected humankind to exhibit the better angels of their natures on a more regular basis. Some might call this nostalgic glancing back, especially by Peter since he had more at stake in a favorable result, on a world that did not turn upside down or did so in a way very different from those hazy days.  

The funny part (or ironic if you prefer) was that back then Sam had been in his youth the least political, the least culturally-oriented, the least musically-oriented of those corner boys like Markin, Jack Dawson, Jimmy Jenkins and “max daddy” leader Fritz Fallon who kept the coins flowing into the jukebox at Phil’s House of Pizza (that “max daddy” another expression coined by Peter so although he has not even been properly introduced we know plenty about his place in the corner boy life, his place as “flak,” for Fritz’s operation although Fritz always called him “the Scribe” when he wanted something written and needed to play on Peter’s vanity). That shop had been located down a couple of blocks from the choppy ocean waters of Adamsville Beach (and is still there although under totally different management from the arch-Italian Rizzo family that ran the place for several generations now run by some immigrant Albanians named Hoxha).

That jukebox made Phil’s among other things a natural hang-out place for wayward but harmless poor teenage corner boys. The serious “townie” professional corner boys, the rumblers, tumblers, drifters, grifters and midnight sifters hung around Harry’s Variety with leader Red Riley over on Sagamore far from beaches. Night haunting boys far from sweated sun, tanned daytime beaches, with their equally pale, black dress-etched “tramps,” well known in the boyos network at the high school for those few adventurous enough to mess with an off-hand “from hunger” girl looking for kicks and a fast ride in some souped-up Chevy or on back of fat hog Harley, the bike of choice around the town. Although tanned daytime beaches rumors had it that the beach, the isolated Rock Island section, had been the site of more than one nighttime orgy with “nice” publicly virginal girls looking for kicks with rough boys down among the briny rocks. Rumors they remained until Sam ran into Sissy Roswell many years later who confessed to him that she and the “social butterfly” prom/fall dance/ yearbook crowd she hung around with on a couple of occasions had been among the briny rocks the summer after graduation when school social ladders and girls’ locker room talk didn’t mean a thing.   

Getting back to Harry’s, a place where cops with their patrol cars parked conspicuously in front of the store during the daytime and placed their bets with “connected” Harry who used the store as a front for the bookie operation and as a fence depot for Red’s nighttime work, Fritz and the boys would not have gone within three blocks of that place. Maybe more from fear, legitimate fear as Fritz’s older brother, Timmy, a serious tough guy himself, could testify to the one time he tried to wait outside Harry’s for some reason and got chain-whipped by Red for his indiscretion. So the tame corner boys at Phil’s were more than happy to hang out there where the Rizzos were more than happy to have them spent dough on the jukebox and pizzas except on Friday family pizza night billed to give Mom a rest for once until after nine (and secretly, since these corner boys were, if tame, still appealing looking to passing girls with Phil to have then around at that hour to boost the weekend sales). Moreover this spot provided a beautiful vantage point for scanning the horizon for those wayward girls who also kept their coins flowing into Phil’s jukebox (or a stray “nice” girl after Red and his corner boys threw her over).

Sam had recently thought about that funny story that Markin had told the crowd once on a hot night when nobody had any money and they were just holding up the wall at Phil’s about Johnny Callahan, the flashy and unstoppable halfback from the high school team (and a guy even Red respected having made plenty of money off of local sports who bet with him on the strength of Johnny’s prowess any given Saturday although Johnny once confessed that he, rightly, avoided Harry’s after what had happened to Timmy Fallon). See Johnny was pretty poor even by the median working poor standard of the old neighborhoods in those days (although now, courtesy of his incessant radio and television advertising which continues to make everyone within fifty miles of North Adamsville who knew Johnny back in the day aware of his new profession, he is a prosperous Toyota car dealer, called Mr. Toyota,  down across from the mall in Hull about twenty miles from North Adamsville, the town where their mutual friend Josh Breslin soon to be introduced came from). Johnny, a real music maniac who would do his football weight-lifting exercises to Jerry Lee’s Great Balls of Fire, Gene Vincent’s Be-Bop-A-Lula and stuff like that to get him hyped up, had this routine in order to get to hear songs that he was dying to hear with the girls who had some dough, enough dough anyway to put coins into that jukebox. Stuff Johnny would hear late at night coming from a rock station out of Detroit and which would show up a few weeks later on Phil’s jukebox just waiting for Johnny and the kids to fill the coffers.

Johnny would go up all flirty and virile to some young thing (a Fritz expression coped from Jerry Lee and not an invention of Markin as Peter would later claim he thought of to some “young thing” that he was trying to “score”). Maybe, depending on whatever intelligent Johnny had on the girl, maybe she had just had a fight with her boyfriend or had broken up with him and he would be all sympathy, or maybe she was just down in the dumps for no articulable reason like every teen goes through every chance they get, whatever it took. Johnny, by the way, would have gotten that intelligence via Peter who whatever else anybody had to say about him, good or bad, was wired into, no, made himself consciously privy to, all kinds of boy-girl information almost like he had a hook into that Monday morning before school girls’ locker room talkfest. Everybody already knew that he was hooked into the boys’ Monday morning version and had started more rumors and other unsavory deeds than any ten other guys.  Spreading ugly rumors about a guy whose girl he was interested in a specialty. But Markin was like Teflon, nobody ever thought to take him out for his actions they were so dependent on his information to keep their place in the social pecking order.

Now here is what Johnny “knew” about almost every girl if they had the quarter which allowed them to play three selections. He would let them pick that first one on their own, maybe something to express interest in his flirtation, maybe her name, say Donna, was also being used as the title of a latest hit, or if broken up some boy sorrow thing. Brenda Lee’s I Want To Be Wanted, stuff like that. The second one he would “suggest” something everybody wanted to listen to no matter what but which was starting to get old. Maybe so Elvis, Roy Orbison, Chuck Berry, Jerry Lee thing still on the jukebox playlist but getting wearisome. Then he would go in for the kill and “suggest” they play this new platter, you know, something like Martha and the Vandelas Dancing in the Streets or Roy’s Blue Bayou both of which he had heard on the midnight radio airwaves out of Detroit one night and were just getting play on the jukeboxes. And bingo before you know it she was playing the thing again, and again. Beautiful. And Johnny said that sometimes he would wind up with a date, especially if he had just scored about three touchdowns for the school, a date that is in the days before he and Kitty Kelly became an “item.” An item, although it is not germane to the story, who still is Johnny’s girl, wife, known as Mrs. Toyota now.

But enough of this downstream stuff Sam thought. The hell with Johnny and his cheapjack tricks (although not to those three beautiful touchdowns days, okay) this thing gnawing at him was about old age angst and not the corner boy glory days at Phil’s, although it is about old time corners boys and their current doings, some of them anyway. So yeah he had other things he wanted to think about (and besides he had already, with a good trade-in, gotten his latest car from Mr. Toyota so enough there), to tell a candid world about how over the past few years with the country, the world, the universe had been going to hell in a hand-basket. In the old day, like he kept going back to, back in the day he was not the least bit interested in anything in the big world outside of sports, and girls, of course. And endlessly working on plans to own his own business, a print shop, before he was twenty-five. 

Well, he did get that small business, although not until thirty and had prospered when he made connections to do printing for several big high-tech companies, notably IBM when they began outsourcing their work. He had prospered, had married (twice, and divorced twice), had the requisite tolerated children and adored grandchildren, and in his old age a woman companion to ease his time.

But there had been for a long time, through those failed marriages, through that business success something gnawing at him, something that Sam felt he had missed out on, or felt he had do something about. Then a few years ago when it was getting time for a high school class reunion he had Googled “North Adamsville Class of 1964” and came upon a class website for that year, his year, that had been set up by the reunion committee, and decided to joint to keep up with what was going on with developments there. He would wind up not going to that reunion as he had planned, a long story about a slight ill-advised flirtation with an old flame classmate although that too is not germane to the story here except as one more thing that gnawed at him. But mostly in the end he could not face going home, came to believe what Thomas Wolfe said in the title of one of his novels, you can’t go home again.

After he had registered on the site giving a brief resume of his interests and what he had been up to those past forty years or so years Sam looked at the class list, the entire list of class members alive and deceased (a rose beside their name signifying their passing) of who had joined and found the names of Peter Markin. He had to laugh Peter had been listed as Peter Paul Markin since everybody was listed by their full names, revenge from the grave by his poor mother, and that leafy suburban first wife who tried to give him Mayflower credentials, he thought.  He also found the name of corner boy Jimmy Jenkins among those who had done so. (Jack Dawson had passed away a few years before, a broken man, broken after his son who had served in Iraq and Afghanistan had committed suicide, according to Peter, as had their corner boy leader, Fritz Fallon, homeless, and found down along a railroad trestle in New Jersey, after going through a couple of fortunes, his own and a third wife’s).

Through the mechanism established on the site which allowed each class member who joined to have a private cyberspace e-mail slot Sam contacted both men and the three of them started a rather vigorous on-line chat line for several weeks going through the alphabet of their experiences, good and bad. The time for sugar-coating was over unlike in their youth when all three would lie like crazy, especially about sex and with whom in order to keep their place in the pecking order, and in order to keep up with Fritz whom lied more than the three of them combined. Peter knew that, knew it better than anybody else but in order to keep his place as “Scribe” in that crazy quill pecking order went along with such silly teenage stuff, stuff that in his other pursuits he would have laughed at but that is what made being a teenager back then, now too, from what Sam saw of his grandchildren’s trials and tribulations.

After a while, once the e-mail questions had worked their course, all three men met in Boston at the Sunnyvale Grille, a place where Markin had begun to hang out in after he had moved back to Boston (read: where he did his daytime drinking) over by the waterfront, and spent a few hours discussing not so much old times per se but what was going on in the world, and how the world had changed so much in the meantime. And since Markin, the political maniac of the tribe, was involved in the conversations maybe do something about it at least that is what Sam had hoped since he knew that is where he thought he needed to head in order to cut into that gnawing feeling. Sam was elated, and unlike in his youth he did not shut his ears down, when those two guys would talk politics, about the arts or about music. He now regretted that he had not listened back then since he was so strictly into girls and sports, not always in that order (which caused many problems later including one of the grounds for his one of his divorces, not the sports but the girls).

This is probably the place for Sam to introduce Peter Markin although he had already been given an earful (and what goes for Peter goes to a lesser extent for Jimmy who tended to follow in Pete’s wake on the issues back then, and still does). Peter, as Sam has already noted, provided that noteworthy, national security agency-worthy service, that “intelligence” he provided all the guys (and not just his corner boys, although they had first dibs) about girls. Who was “taken,” a very important factor if some frail (a Fritz term from watching too many 1940s gangster and detective movies and reading Dashiell Hammett too closely, especially The Maltese Falcon),was involved with some bruiser football player, some college joe who belonged to a fraternity and the brothers were sworn to avenge any brother’s indignities, or worse, worse of all, if she was involved with some outlaw biker who hung out in Adamsville and who if he hadn’t gotten his monthly quota of  college boy wannabes red meat hanging out at Phil’s would not think twice about chain-whipping you just for the fuck of it (“for the fuck of it” a  term Jimmy constantly used then, and now, so it was not always Markin or Fritz who led the verbal life around the corner). Who was “unapproachable,”  probably more important than that social blunder of ‘hitting on” a taken woman since that snub by Miss Perfect-Turned-Up-Nose would make the rounds of the now legendary seminar, Monday morning before school girls’ locker room (and eventually work its way through Markin to the boys’ Monday morning version ruining whatever social standing the guy had spent since junior high trying to perfect in order to avoid the fatal nerd-dweeb-wallflower-square name your term existence). Strangely Markin made a serious mistake with Melinda Loring who blasted her freeze deep on him and he survived to tell the tale, or at least that is what he had the boys believe. Make of this what you will though, Peter never after that Melinda Loring mistake, had a high school girlfriend from North Adamsville High, who, well, liked to “do the do” as they called it back then, that last part not always correct since everybody, girls and boys alike, were lying like crazy about whether they were “doing the do” or not, including Markin.

But beyond, well beyond, that schoolboy silliness Markin was made of sterner stuff (although Sam would not have bothered to use such a positive attribute about Markin back then) was super-political, super into art and into what he called culture, you know going to poetry readings at coffeehouses, going over Cambridge to watch foreign films with subtitles and themes at the Brattle Theater that he would try to talk about and even Jimmy would turn his head when he went on and on about French films, especially those films by Jean Renoir, and super into music, fortunately he was not crazy for classical music (unlike some nerds in school then who were in the band) but serious about what is now called classic rock and roll and then in turn, the blues, and folk music. (Sam still shuttered at that hillbilly folk music stuff Markin tried to interest him in when he thought about it).

That folk music was how Peter had first met Josh Breslin, still a friend, whom he introduced to Sam at one of their meetings over at the Sunnyvale Grille. Josh told the gathering that Markin had met him after high school, after he had graduated from Hull High (the same town where Johnny Callahan was burning up the Toyota sales records for New England) down at the Surf Ballroom (Sam had his own under twenty-one memories of the place, some good, some bad including one affair that almost wound up in marriage). Apparently Josh and Peter had had their wanting habits on the same girl at one Friday night dance when the great local cover band, the Rockin’ Ramrods held sway there, and had been successively her boyfriend for short periods both to be dumped for some stockbroker from New York. But their friendship remained and they had gone west together, gone on that Jack Kerouac On The Road for a number of years when they were trying their own version of turning the world upside down on. Josh also dabbled (his word) in the turning upside down politics of the time.

And that was the remarkable thing about Peter, not so much later in cahoots with Josh because half of youth nation, half the generation of ’68 was knee-deep in some movement, but in staid old North Adamsville High days, days when to just be conventionally political, wanting to run for office or something, was kind of strange. See Peter was into the civil rights movement, nuclear disarmament, and social justice stuff that everybody thought he was crazy to be into, everybody from Ma to Fritz (and a few anonymous midnight phone-callers yelling n----r-lover in the Markin home phone).  He had actually gone into Boston when he was a freshman and joined the picket-line in front of Woolworths’ protesting the fact that they would not let black people eat in their lunchrooms down south (and maybe Markin would say when he mentioned what he was up to they were not that happy to have blacks in their northern lunchrooms either ), had joined a bunch of Quakers and little old ladies in tennis sneakers (a term then in use for airhead blue-haired lady do-gooders with nothing but time on their hands) calling on the government to stop building atomic bombs (not popular in the red scare Cold War we-are-fighting- against- the- Russians-terror North Adamsville, or most other American places either), running over to the art museum to check out the exhibits (including some funny stories about him and Jimmy busting up the place looking at the old Pharaoh times slave building Pyramids stuff uncovered by some Harvard guys way back), and going to coffeehouses in Harvard Square and listening to hokey folk music that was a drag. (Sam’s take on that subject then, and now.)

So Peter was a walking contradiction, although that was probably not as strange now as it seemed back then when every new thing was looked at with suspicion, and when kids like Peter were twisted in the wind between being corner boys and trying to figure out what that new wind was that was blowing though the land, when Sam and the other corner boys, except Jimmy and sometimes Jack would try to talk him out of stuff that would only upset everybody in town.

But here is the beauty, beauty for Sam now that he was all ears about what Peter had to say, he had kept at it, had kept the faith, while everybody else from their generation, or almost everybody, who protested war, protested around the social issues, had hung around coffeehouses and who had listened to folk music had long before given it up. Markin had, after his  Army time, spent a lot of time working with GIs around the war issues, protested American foreign policy at the drop of a hat and frequented off-beat coffeehouses set up in the basements of churches in order to hear the dwindling number of folk artists around. He had gotten and kept his “religion,” kept the faith in a sullen world. And like in the old days a new generation (added to that older North Adamsville generation which still, from the class website e-mail traffic he received when classmates found out they were in communication had not gotten that much less hostile to what Peter had to say about this wicked old world, you already know the genesis of that term, right), was ready to curse him out, ready to curse the darkness against his small voice.

One night when Peter and Sam were alone at the Sunnyvale, maybe both had had a few too many high-shelf scotches (able to afford such liquor unlike in the old days when they both in their respective poverties, drank low-shelf Johnny Walker whiskey with a beer chaser when they had the dough, if not some cheapjack wine), Peter told Sam the story of how he had wanted to go to Alabama in high school, go to Selma, but his mother threatened to disown him if he did, threatened to disown him not for his desire to go but because she would not have been able to hold her head up in public if he had, and so although it ate at him not to go, go when his girlfriend, Helen Jackman, who lived in Gloversville, did go, he took a dive (Peter’s words).

Told a redemptive story too about his anti-war fight in the Army when he refused to go to Vietnam and wound up in an Army stockade for a couple of years altogether. (Sam thought that was a high price to pay for redemption but it may have been the scotch at work.) Told a number of stories about working with various veterans’ groups, throwing medals over Supreme Court barricades, chainings to the White House fence, sitting down in hostile honked traffic streets, blocking freeways complete with those same hostile honkings, a million walks for this and that, and some plain old ordinary handing out leaflets, working the polls and button-holing reluctant politicians to vote against the endless war budgets (this last the hardest task, harder than all the jailings, honkings, marches put together and seemingly the most fruitless). Told too stories about the small coffeehouse places seeing retread folkies who had gone on to other things and then in a fit of anguish, or hubris, decided to go back on the trail. Told of many things that night not in a feast of pride but to let Sam know that sometimes it was easier to act than to let that gnawing win the day. Told Sam that he too always had the “gnaw,” probably always would in this wicked old world. Sam was delighted by the whole talk, even if Peter was on his soapbox. 

That night too Peter mentioned in passing that he contributed to a number of blogs, a couple of political ones, including an anti-war veterans’ group, a couple of old time left-wing cultural sites and a folk music-oriented one. Sam confessed to Peter that although he had heard the word “blog” he did not know what a blog was. Peter told him that one of the virtues of the Internet was that it provided space (cyberspace, a term Sam had heard of and knew what it meant) for the average citizen to speak his or her mind via setting up a website or a blog. Blogs were simply a way to put your opinions and comments out there just like newspaper Op/Ed writers or news reporters and commentators although among professional reporters the average blog and blog writer were seen as too filled with opinions and sometimes rather loose with the facts. Peter said he was perfectly willing to allow the so-called “objective” reporters roam free to state the facts but he would be damned if the blog system was not a great way to get together with others interested in your areas of interest, yeah, stuff that interested you and that other like-minded spirits might respond to. Yeah that was worth the effort.

The actual process of blog creation (as opposed to the more complex website-creation which still takes a fair amount of expertise to create) had been made fairly simple over time, just follow a few simple prompts and you are in business. Also over time what was possible to do has been updated for ease, for example linking to other platforms to your site and be able to present multi-media works lashing up say your blog with YouTube or downloading photographs to add something to your presentation. Peter one afternoon after Sam had asked about his blog links showed him the most political one that he belonged to, one he had recently begun to share space with Josh Breslin, Frank Jackman and a couple of other guys that he had known since the 1960s and who were familiar with the various social, political and cultural trends that floated out from that period. 

Sam was amazed at the topics that those guys tackled, stuff that he vaguely remembered hearing about but which kind of passed him by as he delved into the struggle to build his printing shop. He told Peter that he got dizzy looking at the various titles from reviews of old time black and white movies that he remembered watching at the old Strand second run theater uptown, poetry from the “beat” generation, various political pieces on current stuff like the Middle East, the fight against war, political prisoners most of whom he had never heard of except the ones who had been Black Panthers or guys like that, all kinds of reviews of rock and roll complete with the songs via YouTube, too many reviews of folk music that he never really cared for, books that he knew Peter read like crazy but he could not remember the titles. The guys really had put a lot of stuff together, even stuff from other sites and announcements for every conceivable left-wing oriented event. He decided that he would become a Follower which was nothing sinister like some cult but just that you would receive notice when something was put on the blog.

Peter also encouraged him to write some pieces about what interested him, maybe start out about the old days in North Adamsville since all the guys mined that vein for sketches. That is what Peter liked to call most of the material on site since they were usually too short to be considered short stories but too long to be human interest snapshots. Sam said he would think about the matter, think about it seriously once he read the caption below:                                                                          

“This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of our interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hardworking, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn our attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archaeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.”

Sam could relate to that, had something to say about some of those songs. Josh Breslin laughed when he heard that Sam was interested in doing old time rock and roll sketches. He then added, “If we can only get him to move off his butt and come out and do some street politics with us we would be getting somewhere.” Peter just replied, “One step at a time.” Yeah, that’s the ticket.