When Mister Beethoven Got Rolled Over-With The Music Of Mister Chuck Berry In Mind

When Mister Beethoven Got Rolled Over-With The Music Of Mister Chuck Berry In Mind

CD Review

By Zack James

Chuck Berry: The Definitive Collection, Chuck Berry, Chess Records, 2006 

You never know when two or more old guys, two or more mature forget the old unless you seek peril gals too but this one is about guys, will gather down memory lane or what will trigger that big cloudburst. Seth Garth and Jack Callahan two old time friends from high school in Riverdale had an abiding interest in music successively rock and roll, the blues and folk music (never losing interest in any in the process just that one would wax and wane at any given time). Seth had eventually become as an early part of his journalistic career a music critic for the now long defunct The Eye, an alternative newspaper out in the Bay Area in the days when he, Jack and a few other guys like Phil Larkin headed out there to see what everything was all about in the intriguing Summer of Love, 1967.

Recently though Seth and Jack, and occasionally Phil would get together and talk music shop at the Erie Grille where they would down a few scotches to level out (their expression). One night they had been at Seth request discussing the first time they had heard the legendary Woody Guthrie sing his songs, or one of them anyway. As it turned out Seth had drawn a blank on when that might have occurred and he begged Jack to think the matter through since he was preparing an article, an unpaid article, for the American Folk Music Review and needed a frame of reference. Jack had come up with the answer-in Mr. Lawrence’s seventh grade music class when he put on Woody and a bunch of other stuff to try to ween them off rock and roll which the man hated (and which they loved, loved to perdition). Seth had accepted that answer (although later he contacted Phil again about the matter and Phil reminded him about the song This Land Is Your Land covered by the Weavers with Pete Seeger in Miss Winot’s fourth grade class on her cranky old record player and he would use that source in the article).     

All this talk of that fateful seventh grade music class, and Mr. Lawrence, is probably what solidified everybody in the class in their devotion to rock and roll. But that was a hard fought and paid for devotion. A few days after the night with Jack at the Erie Grille Seth woke up from a nap thinking about the time in Mister Lawrence’s class when he was being crazy about Beethoven, wanted the class to appreciate classical music.  Seth, Jack and Phil had had enough and started in one class singing Chuck Berry’s throwing down the gauntlet Roll Over Beethoven and the class cheered them on. Of course in this penalty-ridden world Mr. Lawrence took his revenge and the trio spent several afternoons after school since they refused to apologize for their outbursts. Seth smiled to himself-Yeah, rock and roll will never die. To prove that assumption just listen to Mister Chuck Berry’s gold star compilation here. And be prepared to do something rash.     

From The Archives Of The Struggle For Peace In Maine-From Peace Marches To Protecting The Good Green Earth And Space As Well !

The struggle for peace in Maine, as elsewhere, is driven by a thousand small events, created by a thousand small individuals who have this funny little idea that one, they can make a difference, and two, that we can live in a more peaceful just world and they are the heralds of the new dispensation. How about that.  

Join Keep Space For Peace Week -October 5-12 2019-And The Rest Of The Year Too!

The struggle for peace in Maine, as elsewhere, is driven by a thousand small events, created by a thousand small individuals who have this funny little idea that one, they can make a difference, and two, that we can live in a more peaceful just world and they are the heralds of the new dispensation. How about that.  

From The Archives And Proof Positive Senator Bernie Sanders Has A Sense Of Humor Despite Off-Handed Comments To The Contrary-Elect Bernie Sanders POSTUS 2020

Once Again-The Summer Of Love,1967-Postcards From  Lost Planet

By Jeffrey Thorne

The Scribe said it best one night, one cold San Francisco night, a summer night when the Japan currents went awry and reminded one of old Mark Twain’s witty sayings about the coldest winter he had ever spent-August in the city of sweet brethren Saint Francis, when he declared (so like that mad man to use the seventh person imperative for such small letter events), that the breeze coming through the land would shake society to its foundations. Would make nine to five a bore, make that long suburban tract complete with dishwasher and sanitary garbage disposal obsolete before the last mortgage payment hit the dirt, would make those three point two kids and that one dog a victim of old-fashioned thinking. Said, get this for a guy who became a non-believer, a non-believer in risen Christ if you can believe that very early in his teens (and went to church, side door church just to sit a few rows behind some lovely he was pining over just to watch her ass so yes a non-believer) that the new dispensation was at hand-if we could keep it, keep the bastards, and you know who the bastards were then-the night-takers and guys who conned you into nine to five dreams, suburban flats and, what was it three point two kids (we will pass on the not mandatory dog) from barking at the door.   

That was the rub, that little counter attack from out of the blue when we thought the world had stopped turning on itself

and had gone upside down that eventually would do in even the Scribe, would turn his mouth to ashes, would turn a sainted brethren (not many knew his given name was Francis in those days when everybody was “reinventing” themselves including clustering up new monikers to get washed clean (also a Scribe expression) down the gutter road, float him out to the Japan seas long before he ever heard the Duke blast that high white note. Yeah, blast the times, blast the whole fucking world for taking down a brethren as pure as snow.    

Happy, Happy 100th Birthday Poet Lawrence Ferlinghetti-Max Daddy Of Famed “City Lights Bookstore” In “Beat” San Francisco When It Counted And Muse Of His Generation’s Poets

Happy, Happy 100^th Birthday Poet Lawrence Ferlinghetti-Max Daddy Of Famed “City Lights Bookstore” In “Beat” San Francisco When It Counted And Muse Of His Generation’s Poets

A Ferlingetti Of The Mind – The Documentary Lawrence Ferlinghetti: A Rebirth Of Wonder

DVD Review

From The Pen Of Frank Jackman

Lawrence Ferlinghetti: A Rebirth of Wonder, starring Lawrence Ferlinghetti and the usual cast of 1950’s “beat” and 1960s “hippie” characters  

Yeah, you know at some very young age, well before puberty, most of us get our natural stock of wonder beaten out of us, wonder at the world, wonder about why this is this way and that is that way, and the funny makeup of the nature of the universe, hell, just plain ordinary vanilla wonder. That is why poets, good and bad, are precious commodities in restoring the human balance, in letting us once more check in on the wonder game which their words, their particular scheme of words since they have not had their sense of wonder beaten out of them (no matter how hard in individual cases someone might have tried). Every self-respecting radical or progressive in some other field like, for example, Karl Marx in political theory has treasured their friendships with the poets, and rightly so no matter how quirky they get. That quirkiness and the precious commodity of wonder get a full workout by one self-described anarchist poet, Lawrence Ferlinghett as his life’s story unfolds in the documentary under review, Lawrence Ferlinghetti: A Rebirth Of Wonder.      

Today perhaps not as many people outside of the San Francisco Bay area may be as familiar with the work of Ferlinghetti, although A Coney Island of the mind is one of the best selling poetry collection ever, and this film makes some amends for that short-coming. Of course the Ferlinghetti name might become more familiar in some circles if you put the name with the City Lights bookstore that he founded and which is still going strong today as a central haven for creative spirits in the area. Or for legal buffs and aficionados his connection with the “pornography” free of expression suit brought in the 1950s around publication of Allen Ginsburg’s Howl. That connection between poet and bookstore owner get plenty of exposure here as it should since it is hard to think of say Allen Ginsberg or Gregory Corso two poets active in that same period combining those two skills.

This film, since it doubles up as a short biopic as well as cultural artifact gives plenty of information about the long bumpy ride for Ferlinghetti to first begin unleashing his poetic visions and then tie those words into a new left-wing (as mentioned above, anarchist if anybody is asking) way of looking at society. Not so strangely a lot of his emergence as a poet and central cultural figure was connected when he hit San Francisco in the early 1950s. If  he had found himself in let’s say Cleveland at that time things might have turned out very differently for Frisco along with the Village in New York were oases against the prevailing cookie-cutter, keep your head down, Cold War red scare night where the misfits and renegades found shelter and kindred.        

Of course beside the poetic vision and the bookstore as cultural expression Ferlinghetti, as the film also makes clear, was one of those behind the scenes players who make new cultural explosions happen. He was, although not a “beat” poet himself (his take on the question) and although he was not a “hippie” poet either he was a central figure in both movements as be-bop beat gave way to acid-etched hippie-dom. Something I did not know was how many places like May 1968 in Paris and 1959 in Cuba he had been involved with which surely affected the weight of his more political poems. And in the end his prolific run of poetry in all sizes and shapes, especially the now classic A Coney Island of the Mind will be the legacy, will be that little slice of wonder future generations will cling to.         

Once Again On History In The Conditional-Or In The Spy Thriller Conditional-The Film Adaptation Of Ken Follet’s “Eye Of The Needle” (1981) -A Film Review

Once Again On History In The Conditional-Or In The Spy Thriller Conditional-The Film Adaptation Of Ken Follet’s “Eye Of The Needle” (1981) -A Film Review

DVD Review

By Will Bradley

Eye Of The Needle, starring Donald Sutherland, Kate Nelligan, 1981

No question, although one might posit that we or they should move on, the whole Hitler saga from World War II has made many a writer, spy thriller writer, producers and directors plenty of gold, plenty of coin. Especially around the question of what would have been the response if, well, let’s say Hitler had known definitively that the Allied invasion to free Occupied Europe (occupied by Hitler and his minions) was to be at Normandy Beach rather than elsewhere come D-Day. That is no abstract question for the protagonists and their foes in the film under review the adaptation of Ken Follet’s Eye Of The Needle. Moreover not only are profession academic, men of learning and such, smitten with such speculations but your average thriller writer had taken up the cudgels big time. Of course history in the conditional is always tricky for the academic, for the professor with one big idea contingent on that vague conditional but apparently is the fount of wisdom for the thriller boys and girls.

Here is why for Follet devotees. Henry, I will follow Lance Lawrence’s’ recent trope of saying somebody, so Henry somebody in this case, played by pliable Donald Sutherland,   who the hell knows since he is a high-end, high-born German spy, placed in England even before World War II started that Auden September 1939 when he, Auden, blew town, the agent using a million aliases when it suited him was a key operative keeping tabs on what the freaking Brits were doing for war preparations. He would not let anything get in his way including nosey landladies and the trademark way of dealing with such trouble at the end of a stiletto, hence needle, the eye part you can figure out. He was able to operate free as a bird for most of the war until things got dark in Germany, better, took a turn for the worse on the Eastern Front where the Russians, who bore the brunt of the action against madman Hitler and his crowd, started their long journey to Berlin and the raising of the red flag over part of that city. What they wanted to know, what Hitler wanted to know, and this is good military policy mad men or not, was where General Patton was going to launch what even Hitler knew was a run to Berlin from the West. But where. That was Henry somebody’s task-to find out and to deliver the proof to the big boss himself in Berlin via a convenient U-boat off the Scottish coast.

Normally such an operation by a pro like Needle would be a piece of cake and in real life maybe that would settle things but this is spy thriller theater, so everything has to be a travail-and it is. Needle got the definitive proof on film and that was the start of his journey home. The problem was the Brits, Scotland Yard, were on to him, knew he has done some nasty things to get and keep Father Hitler in power- and information. The chase was on with the coppers about two, maybe seven steps behind the elusive Needle. Until he reached Storm Island, well-named having been shipwrecked with a stolen boat during a storm, a trawler, as that U-boat waited impatiently for his call. The Storm Island situation despite its isolation though would be Needle’s downfall once he encountered an embittered former Royal Air Force pilot who lost his legs in a civilian automobile accident of his own mistaken doing, his wife and child all who have left sweet home London for the boondocks and stormy weather.

Needle figured to be on easy street via this nice quiet hellish homestead as he waited for that U-boat. Problem though is grilled by that embittered pilot, and bedded if you can believe this, by that neglected wife, played by Kate Nelligan, who was just lonely because of hubby’s neglect as was Needle since he was a loner. Along the way said pilot got wise to our Needle but paid the price for that knowledge with a dip face-down in the cliff-drenched waters. Wifey, after a few rolls in the hay with Needle which she did not complain about, finally learned the truth when she discovered her husband’s body and subsequently Needle made what would be his fatal mistake by saying he had just seen her husband alive. Knowing he was nothing but a German agent she went mano a mano with him to protect herself and her son. In the end that is enough to seal Needle’s doom long before the coppers showed up. Still I wonder if Needle had gotten to the U-boat and gotten to see his master in Berlin whether Hitler knowing the route of the invasion would have changed things. Better ask a military historian. 

When Sylvia Sidney Battered Her Eyelashes-The Once And Future…Princess- Ms. Sidney and Cary Grant’s “Thirty-Day Princess” (1934)- Film Review

When Sylvia Sidney Battered Her Eyelashes-The Once And Future…Princess- Ms. Sidney and Cary Grant’s “Thirty-Day Princess” (1934)- Film Review

DVD Review

By Lance Lawrence

Thirty Day Princess, starring Sylvia Sidney, Cary Grant, Edward Arnold, 1934

Lest one forget this country, this United States in a republic, yes, republic with a small “r,” despite what fragility that designation has come upon of late, of the past fifty or sixty years. Our forebears, oh you know this but let me get it off my chest, our winter soldiers when that meant something, drove the British, dear Mother England, into the deep blue sea, into the Atlantic and thereafter, what did Ben Franklin say, formed a republic-if we could keep it. But there has been a lot of backsliding on the question, on the question of giving a pass to every royal Tom, Dick and Harry. Of every Kate, Jane and Mary. Of worrying to a frazzle about what Princess somebody was wearing, or not wearing, of giving a pass to all kinds of stuff our forebears, rightly, would have blanched at while decayed royalty goes about its unsavory business. There I have it off my chest. What brought me to the froth was a look at the movie under review, The Thirty-Day Princess, where in the heart of the Great Depression, in 1934, in this country (and worldwide), fairy tale princesses had center stage. Which told me before I remembered about Henry James and his robber baron era novels which had plain, ordinary, rich Americans, male and female, pining away for some title, some sign if formal nobility to separate them from the hoi polloi, that this infatuation has a long pedigree.

I have left the reader in the lurch enough let’s get down to brass tacks. The off-kilter king of Taronia, Tiberia, something like that, some mythical European country does it really matter since it is mythical needed cash, big amounts of cash, to do the kingship business up right and to live in the splendor he was used to in the old days. Along comes Mr. American Moneybags, Mr. Plutocrat, does it really matter his name, played by perennial unlikable guy Edward Arnold, a guy who didn’t jump out the window in 1929 and had been working the chump bond market to get back on easy street offered to get the king 50 mil, 50 million just walking around money now that even pan-handlers would turn their nose up at now but big dough back then.

The problem: times were tough, and investors were wary of foreign market bonds after all kinds of floats had gone bust so they needed a hook, needed a front. The front turned out to be the king’s daughter Princess something does it really matter the name, royalty okay, played by battering eyes Sylvia Sidney who could tidy things up with a trip to America to hustle the bonds, put the king and commission crazy Moneybags back on jump street. She went but early on in New York she contracted mumps and would be out of action for, okay, thirty days if you read the title of the film before reading this screed. The deal was off, done, forget jump street. In that case though you would have underestimated commission crazy Moneybags. He came up with the bright idea of getting a substitute who looks like the princess. Guess what he finds- one who looks amazingly like the princess, Nancy something, does it really matter her name, played by a woman who really did look like Sylvia Sidney but who was a down at the heel actor living on cheap street between skimpy parts. She grabbed the role, the dough and maybe something for the resume after playing hard to get.

Enter Marshall, does it really matter the name as you can now guess, a muckraking newspaper publisher who has a bullseye on the back of crooked Mr. Moneybags, played by pretty Cary Grant in his early career, who was ready to move mountains to squash Moneybags’ operation. Until he met the “princess.” Then all caution was thrown to the winds and he acted like any other American who has forgotten that this country is a republic with a small “r.” He fell for her big-time and in an unseemly manner if you asked me. The “princess” fell for him hard too so what we have here is the two millionth variation on the old Hollywood tried and true “boy meets girl” trope that that glamor town made into a very profitable art form. Problem: princess turned actress was living a lie, was just a hireling once Marshall somebody gets on to the grift.       

Don’t worry though things smoothed out a little when Marshall ( I don’t have to say “somebody” at this late part of the piece, do I) realized that he loves that democratic down at the heels actress whose heart really was of gold and that was that. Needless to say although Taronia got its bonds money Mr. Moneybags got his comeuppance too. Only in America.

Down And Dirty In The Acre-North Adamsville Style-Circa 1960-When The Corner Boys Were Corner Boys For Real Back In The Day

By Bart Webber

No, by no stretch of the imagination as the ex-editor of this publication and now some kind of “of counsel” contributing editor Allan Jackson has speculated even if in some personal nightmarish dream am I sleeping with the fishes. (Contributing editor means that even hard-boiled current editor Greg Green will have a hard time reining Allan in since there is no word limit or apparently no slander or libel, depending on the source, that such special creatures can spew forth without correction, at least after reading that last piece of Allan’s which was nothing but a no-brain bunch of bullshit on a stick aimed at my head). My watery fate deemed appropriate by Mr. Jackson courtesy of the fact, if it is a fact this late in life, that after almost sixty years I have “spilled the beans,” hell snitched, finked, dropped a dime I think we used to call it on an episode where he almost drowned as a kid and I was sworn to secrecy as the sole witness to the event. At the time I believe, and I think he will agree as well, it was about keeping that knowledge from his mother who would probably have grounded him from the beaches and the ocean at least through high school.      

I won’t, no, I refuse to, bore the reader with a recap of the events which led up to Allan’s silly experiment which led him to be rescued before he went down the third time by the on-duty life guard, a young mother rather than the average muscle-bound college guy or buxom college co-ed who craved those jobs to wile away the summer days and pocket coin for nighttime expenses. The key to Allan’s anger and his strange elderly dreams is what this is all about, the so-called breaking of the Code of Omerta that we lived and died by back in the day and which made plenty of sense then when we were about some stuff that the public coppers and other authorities would not have approved of. But to get into a snit over some long-gone event (especially with his mother who passed away over a decade ago is no longer around), to “threaten” hit men and much else seems excessive at this point. So I will tell you the real point of why Allan in in a doldrums huff.

That day, that day which I think Allan is right about being somewhere when we were around eleven, possibly twelve not the eight of my original piece not only had that young mother life guard been on duty to save Allan’s ruddy ass but had brought as was her practice her young daughter Ginny along. This Ginny was a lanky kind of raw-boned tallish girl who I had a serious crush on at the time. So naturally when I saw her I went over to make “my moves,” those being some silly schoolboy talk about whatever eleven, maybe twelve- year olds would talk about. So in a way Allan is right when in his now infamous rebuttal is right that I was not observing every freaking action he was taking but I will state for the record, will swear on seven sealed Bibles that I am the guy who heard his faint cries for help and alerted that young mother life guard who saved his sorry life.      

The reader should know that the so-called crush on Ginny did not go anywhere at the time since she was a Squaw Rock girl. The Nollie Point assignment her mother drew was connected with the housing projects where Allan and I grew up (and Pete Markin and Sam Lowell too), the low rent end of town. Squaw Rock was, and I believe still is, the high-toned end of town where those who in the 1950s were living some aspect of the golden age, or at least had the wherewithal to buy the new ranch houses that were all the rage then as a sign that they had become the vaunted middle class. So no way was that young mother, for that matter was Ginny once the peer pressure was exerted if necessary, going to go for some projects boy. And she didn’t. I will admit that when Ginny and I got to high school (we went to different junior high schools) at North I tried again to see what was what but the code of the Squaw Rock girls (and maybe her mother too) was still in force.           

Here is where the rubber meets the road, the real reason that Allan has daggers in his eyes these days. Recently I went to an ad hoc class reunion (ad hoc because after the 50^th reunion all agreed that something every couple of years and less formal was more appropriate) where I ran into Ginny. We got to talking about this and that until we kind of worked our way back to the day when her mother had saved Allan down at Nollie Point. Ginny laughed when I told her that I had been sworn to secrecy by Allan not to mention the incident to anybody under our boyhood code and that speaking about it to her was the first time I had done so in that some sixty-year period. The laugh was because she was particularly aware of the incident and who was saved, had known that Allan had gone on to some kind of career in the publishing business. So, until I read his lame so-called rebuttal I thought not much about having mentioned it to Ginny.    

The reader can guess, or I hope should guess, that Ginny and I continued talking not only that class reunion night be thereafter and have had several dates (although her two marriages and my three make “date” a little passe) to see what is what. Her girlish Squaw Rock code now long gone, thankfully. If you want to really know why Allan is wishing me in the ocean depths, digging whatever in Neptune’s patch here is what Ginny told me. In high school as I was ardently pursuing her to no avail Allan also was trying to get to first base with her. Closer to the nub though, closer much closer to the truth Allan had met Ginny at a previous ad hoc class reunion I had not attended and had gotten nowhere with her. Strange doings, life.        

The Junkies Were Valiant-Crying Out For Repentance And God Save Us Sinners-The Junkies Have Always Been With Us-The Fixer Man Too

The Junkies Were Valiant-Crying Out For Repentance And God Save Us Sinners-The Junkies Have Always Been With Us-The Fixer Man Too

By Fritz Taylor

The one thing I hate, and maybe the biggest reason I only read police procedurals under duress or when hot summer comes, is how fake the scenarios are, how so very competent the coppers are, the public coppers in any case. (This will be blasphemy to guys like Rav Wilson, Seth Garth and Sam Lowell but in my book the private dicks are almost as unreal except they draw something of a pass since at least they are willing to draw some fire their way, take a fist or a slug for the employer if it comes to that wrapping it around their dailies and expense something the coffee and cruller coppers would never do, not in real life anyway.) The reason all this comes up is that after I read Rav Wilson’s review of a Lem Kane police procedural Hotel New Yorker I got tired of his belly-aching about how silly the stuff displayed was against his “heroic” private coppers like Phil Larkin and Danny Collins and early hard-boiled detectives like Miles Archer and Phil Marlowe. Like I said the private dicks aren’t anything to write home about, but the public coppers portrayed are truly unreal.

What is real is what happened every day down in Fulton County, down in Georgia where I grew up in deeply segregated Mister James Crow country in the 1950s although that factor does not really enter into my story. What does enter is the Fort Point Estates, yes, that is really what they called them which were as many older readers will almost automatically recognize were “the projects” the government subsidized housing set up after World War II for mostly veterans, white veterans exclusively so Mister James  Crow does as always at least make cameo appearance, and their young families as a spring board to better housing later but necessary then after the housing crunch caused by the war.

The Fort Point Estates were the southern version of what guys like fellow Vietnam veteran Seth Garth were talking about in growing up in the north in North Adamsville and ditto the veteran status Ralph Morris out on Tappan Street in Troy, New York. In short places where the most vulnerable and desperate denizens of society found themselves or else they would have been reduced to the really dreaded county farm or utter homelessness (which according to family legend my family was in right after World War II when we lived out of a car, a clunker car before hitting the Estates).  

Desperates, desperadoes probably are as good as any operative words to describe life in those conditions (and Seth wrote about more eloquently than I ever could, and a guy named Pete Markin who they all still venerate who had the pulse of that existence down pat before his own early death partially attributed to the emotional ravages of growing up in the projects). But to the point, the anti-belly-aching point about the public coppers and what they did or did not do in real life. In a place like the Estates which like many such projects were established on what amounted to wasteland and isolated away from the good citizens public services were minimal and private services depended on how much risk some private parties were willing to take to eke out a massive profit from the misery of the poor denizens of such places. Enter Jimmy Bob Carter, the Carter family name if you can believe it either somehow related through marriage to the famed Carter classic country music family based out of Clinch Mountain in Virginia or Judge Jacob “Death Penalty” Carter who would go on to become some high state official in Georgia spawning a political dynasty before he was through.

This Jimmy Bob had a few bucks I guess and decided that since there no serious supermarket for several miles around that he would open up what amounted to a Mom and Pop Variety Store. Would provide the unwashed with small amounts of goods, this before food stamps bailed people of few resources out of the worse of their situations, for too much money. Except and who knows what drove him, or his wife Vivian who had been some kind of degree daughter of the Confederacy in her maidenhood to some small kindnesses there would always be very, very cheap candy to keep us coming in (and probably mother in tow as well).

Of course, that was all so much bull, so much eye wash. What Jimmy Bob and Lady Vivian (she picked that moniker up somewhere along the line but don’t ask me how or why) really were up to was using that funny little storefront at the entrance to the Estates (everybody with or without an automobile had to pass the place on the way in or out) to “make book,” illegal betting, to run a bunch of the neighborhood girls (some young mothers under duress too with say a husband who spent the weekly paycheck on liquor maybe some other woman having to put out to keep the bill collector wolves from the door) out of the upstairs rooms, called the game rooms, Vivian’s operation from what I later came to understand when I stopped thinking candy was all that was sweet in the world. Worse of all in the long haul I guess was Jimmy Bob proved to be the “fixer man,” the drug dealer of choice with whatever drugs could heal some broken down spirits.

Like I said most of this stuff I had no clue about until I was maybe ten, way too young to know about the seamy side of life but we knew it, and in the end probably just assumed that bookies, whores, pimps, fixers, and junkies were an ordinary part of every town. Here is where the stuff gets sick though, the copper stuff. The guys who ran and operated out of the police substation were “on the take” from Jimmy Bob and nobody thought anything of it. I remember a few incidents. Once Jimmy Bob had his “book” laying right out on the counter and Officers Hamilton and Dixon came in saw the book and proceeded to write  down their bets in that leather-bound book. Another time Captain Dorian laughed when Vivian said she had a nice piece (of ass) for him and to head upstairs. Naturally the coppers grabbed their fair share of free drugs (then mainly opium and morphine, not heroin as far as I know) for their little parties, or for their honeys. Yeah, so lay off me about coppers and solving crimes and if anybody asks just point them to the still standing Fort Point Estates filled to this day with junkies, whores, fixer men… and coppers who look the other way.              

   

On The 60th Anniversary Defend The Gains Of The Cuban Revolution- - From The Archives- Do Not Cry For Me, Argentina- Remembering Che Guevara

In Honor of Anniversary Of The July 26^th Movement

From The Pen Of Frank Jackman (2015)

Every leftist, hell, everybody who stands on the democratic principle that each nation has the right to self-determination should cautiously rejoice at the “defrosting” of the long-time diplomatic relations between the American imperial behemoth and the island of Cuba (and the freedom of the remaining Cuban Five in the bargain). Every leftist militant should understand that each non-capitalist like Cuba going back to the establishment of the now defunct Soviet Union has had the right (maybe until we win our socialist future the duty) to make whatever advantageous agreements they can with the capitalist world. That despite whatever disagreements we have with the political regimes ruling those non-capitalist states. That is a question for us to work out not the imperialists.

For those who have defended the Cuban Revolution since its victory in 1959 under whatever political rationale (pro-socialist, right to self-determination, or some other hands off policy) watching on black and white television the rebels entering Havana this day which commemorates the heroic if unsuccessful efforts at Moncada we should affirm our continued defense of the Cuban revolution. Oh yes, and tell the American government to give back Guantanamo while we are at it.    

Commentary

A recent news item out of Argentina concerning the dedication of a memorial to Che Guevara caught my eye. Apparently forty years after his death the legendary guerrilla fighter and hero of the Cuban Revolution is being honored with a statute in his hometown of Rosario. This event has not been without controversy, nor should it have been if one understood Che’s life at all, among residents there over the appropriateness of the gesture. That controversy is nevertheless neither here nor there for those of us still trying to make the revolution. Whatever political differences Che and this writer had over the questions of the right strategy for pushing the fight for socialism forward we would, I am sure, agree today that a fitting memorial for a revolutionary is not some slab of stone or metal in Argentina but to get out and organize the struggle. With that in mind a couple of comments about Che’s influence and about the real way to honor Che are in order.

Political activists of many persuasions including at that time this left liberal writer, not just radicals and revolutionaries, saw Che coming out of the Cuban Revolution as a figure larger than life. Trained as a doctor he could have pursued that career and carved a small niche for himself in the medical profession in the Argentine. He nevertheless rejected that path as too narrow for his huge appetites for life. Moreover the Argentine itself was eventually too narrow for his interests.

I have mentioned elsewhere in reviewing one of the of the many biographies about him that, in the end, he was that classic Latin revolutionary in the mold of the 19th century revolutionary Louis Auguste Blanqui- the man of the barricades (or rather one of its modern equivalents- the hills). And so a quick outline of the saga of Che’s life would indicate- the eye-opening travel chronicled in the Motorcycle Diaries, Guatemala during the CIA coup against the Arbenz government, on the lamb in Mexico, the decisive Cuban revolutionary experience by linking up with Fidel Castro in the mid-1950’s, the hard fought, if fruitless, efforts to push African liberation struggles forward and, finally, death in the god-forsaken hills of Bolivia- fighting to the end. A post- war American youth generation (the Generation of ’68) deeply influenced by Jack Kerouacs’s On The Road and ready to ‘storm heaven’ politically could relate to that resume. Combine that with Che’s deeply held moral sense of justice (although, obviously marred by that Stalinist voluntarist streak that he also exhibited) and you have a very appealing political role model.

As mentioned above the political gap between Che and this writer over time only got wider as I got closer to understanding the necessity of relying on the centrality of the working class in the struggle for socialism and he went in search of the “new” socialist man out in the foothills in some adventure seemingly driven by Jean Jacques Rousseau rather than Karl Marx. Yet this writer, and any thoughtful person could, and can, admire a man who out of an intense sense of the injustices of the world sees the need to pick up the gun in order to slay the dragons. Yes, this man Che deserves some honor but not that one that they have erected to him in Rosario. Here is how one can really honor Che. Fight to Free The Cuban Five. Fight to Defend the Cuban Revolution. Most importantly though, fight the struggle here in the “belly of the beast”. That would be more than enough to truly honor this subjective revolutionary.

She Came Out Of The Karoo-The Music Of Tony Bird-A Review

She Came Out Of The Karoo-The Music Of Tony Bird-A Review

CD Review

By Zack James

Sorry Africa, Tony Bird, 1986

During the 1980s Seth Garth had been taking on more and more purely political assignments for the New Times Gazette, a successor newspaper to the old alternative The Eye for which he had gotten his first jumps in journalism as the film and music critic. It wasn’t that he had lost interest in covering the happenings in the world of independent cinema and the edges of popular music but that in that period there were political trends around the struggles for liberation in Central and South America and Southern Africa that for the first time since the slowdown of the Vietnam War back in the early 1970s required attention. And so Benny Gold, his editor from back in The Eye days who had moved on with the Gazette assigned him more and more of those political assignments with the idea that he would weave those in with some off-beat cultural pieces.    

One night he had been in the Open Space, a new music club in the Village [Greenwich Village]that had previous been a coffeehouse, a popular one, the Unicorn, to hear a new guy out of Africa who Seth was told had an interesting beat, had combined the sounds of Mother Africa with more popular Western music. This was the kind of off-beat combination that he was sure Benny Gold would go for. As the MC for the evening announced the performer, Tony Bird, he was surprised that out came on the stage a young white man backed up by an all black group of sidemen. Seth had known that there were some, not enough, white youth who were supporting the various black liberation struggles in Southern Africa, particularly in South Africa but he was not prepared for a white musician to surface who supported those struggles although he should have known that fact going in.    

Tony Bird let everybody in the place know where he was coming from when he started singing a very heartfelt and upbeat song, Sorry Africa, taking on the burden on his shoulders of expressing sorrow at the way the white man, the way his people had treated the ones they had conquered one way or another. Very moving. 

What had gotten to Seth that night though and he was as surprised at this as he was that Tony Bird was a white African man was a song that he finished up with, She Came From The Karoo. The Karoo being the outback in the country he came from. What was strange about the song was that except that the locale was Africa it could have been a song of love and lost in America. More to the point was the vision that Seth had of the woman Tony was speaking of, a woman who came out of the mist with a red sundress on and effected all around her with her bright Botticelli smile and demeanor. Seth thought that little idea, the idea that a woman could spark such imagination out in the bush was the hook that he would use in his article. That and that Tony Bird, a black liberation  struggle fighter in his own right had no apology to give to Africa.