This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
Click on title to link to the John Reed Internet Archive's presentation of John Reed's comments on the black question in America at the Colonial Commission of the Second Congress Of The Communist International (Comintern).
From The Marxist Archives- On the Need for a Workers Party
Workers Vanguard No. 1126
26 January 2018
TROTSKY
LENIN
On the Need for a Workers Party
(Quote of the Week)
This January marks the anniversary of the 1938 founding conference of the Socialist Workers Party (SWP), which was the U.S. section of Leon Trotsky’s Fourth International. We reprint below excerpts from the SWP’s Declaration of Principles on the need for a Leninist vanguard party to lead the proletariat in the fight for socialist revolution. In the early 1960s, the founding cadres of the Spartacist League fought within the SWP to uphold this understanding. They were bureaucratically expelled for opposing the SWP’s deepening capitulation to non-working-class political forces—from Fidel Castro’s petty-bourgeois guerrilla fighters in Cuba to the misleaders of the black struggle in the U.S., particularly black nationalists. Today, the program of the International Communist League, including the fight to reforge the Fourth International, represents the Marxist continuity of the revolutionary SWP.
The working class, under capitalism and in the initial stages of the socialist revolution, is neither economically nor socially nor ideologically homogeneous. It is united in terms of fundamental historical class interest, and by the urgent needs of the daily class struggle. However, it still remains divided by different income levels and working conditions, by religion, nationality, culture, sex, age. Through the perverting influence of capitalist oppression and propaganda, it is further divided by conflicting ideologies, and weakened by the low cultural and educational level of many of its members. There are, moreover, the divisions between various sections of the working class and its potential allies in the revolutionary struggle. For these reasons, the working class cannot, as a whole or spontaneously, directly plan and guide its own struggle for power. For this, a directing staff, a conscious vanguard, arising out of the ranks of the proletariat and based upon it, participating actively in the day-by-day struggles of the workers and in all progressive struggles, and planning clear-sightedly the broader strategy of the longer-term struggle for state power and socialism, is indispensable. This staff and vanguard constitutes the revolutionary party....
The program of the revolutionary party rests upon the great principles of revolutionary Marxism expounded by Marx, Engels, Lenin, and Trotsky, and representing the summation of experience of the working class in its struggle for power. These principles have been verified in particular in the experiences of the last world war and by the victory of the Russian proletarian revolution. They have been concretized in the basic documents of the first four congresses of the Communist International and the fundamental programmatic documents put forward by the movement for the Fourth International in the past fourteen years. The SWP stands upon the main line of principle developed in these documents.
— Declaration of Principles,” printed in The Founding of the Socialist Workers Party (Monad Press, 1982)
The Rise And Fall Of The Shamus Game- Frank Sinatra’s “Tony Rome” (1967)-A Film Review
DVD Review
By Bartlett Webber
Tony Rome, starring Frank Sinatra, Jill Saint John, 1967
I am an old-time black and white film noir private detective, shamus, gumshoe, key-hole peeper, whatever you want to call guys who do the public coppers’ dirty work for chump change and a few lumps on the head, kind of guy. Have built a reputation in the cinematic and literary critics’ world for pushing up and pulling down the private eyes who filled up the screen when the film adaptations of guys like Dashiell Hammett, Raymond Chandler and James M. Cain in an off moment ruled the roost and made many an audience forget their woes for a while in the 1930s Great Depression days and the waiting by the home fires for the other shoe to drop during the 1940s European and Pacific Wars. To give you an example, a famous one that others like the legendary film critic Sandy Salmon have commented on, I have taken Hammett’s classic Sam Spade from out his The Maltese Falcon and run him up the pole as super-hero that no DC or Marvel comic holy goof could even stand in his shadow, could beat with that ten foot pole, or have placed him down in the mud with the other geeks playing a bit role (picked out of the Frisco town telephone book to boot) against the real action between Brigid O’Shaughnessy and the “Fat Man.” I could give more but that should suffice.
So it came as a challenge, what would have been a freak of nature thing under the old regime on this site of Allan Jackson, when new site manager, Greg Green, not knowing of my area of expertise, assigned me this Tony Rome private detective film from the 1960s. I had at first refused, had put my foot down, when Greg essentially ordered me to do the review to “broaden my horizons.” The coup de grace though was when he threatened me with having to do one of those super-hero comic holy goof reviews which he has foisted on virtually everybody under the false impression that his target audience, the younger crowd, even bothered to read hard copy or on-line reviews. Could give a fuck about such views. (He still believes social media, the real way that crowd forms a critical mass for anything these days, is just a passing fad like the hula-hoops of my youth.) As you can tell I have if under protest succumbed to his blandishment.
Frankly it is hard to see what makes the post-World War II Technicolor private detective tick. What makes Tony run. A guy like Sam Spade, Phil Marlowe, hell, even Lou Dalton grabbed a case, a murder case usually although real private detectives mainly did, do, key-hole peeping and re-po work, maybe a security breech problem on an off-day, bang-bang the bad guys and went under the satin sheets with whatever femme was still standing. But most days they were sitting in some run down ill-kept small office in some seen better days office building filled with failed dentists, unlicensed quacks, re-po men, junk jewelers, insurance salesman and quick change artists reaching periodically for that low shelf whiskey bottle in the bottom drawer of that paper-strewn desk trying to figure how to keep this dunning fools away from his door.
This Tony Rome, played by East Coast cool and collected Frank Sinatra last seen in this space playing Oscar-worthy Maggio the platoon wise ass who got tumbled by a sadistic prison guard in the film adaptation of James Jones’ From Here to Eternity, I can’t figure. Worked out of Miami in the post-Cuban Revolution days not a bad locale but too much sunshine and blue ocean seas floating out high white notes for serious detection world like in fog-bound San Francisco. Lived off a boat, dressed like a sportsman (complete with soft hat an emblem of a by-gone era), drove a swanky car and not a clunker like most key-hole peepers who are one step ahead of the loan company’s re-po man, and had an office that Sam, Phil, Lou would have died for. Where is there room for a low rent desk and sipping out of low shelf pint whiskey bottles in all of that. To boot our man Tony has a gambling jones that keeps the wolves at his door and the need to grab some kale on the off-track days. A man with feet of clay, an everyman.
Even the caper Tony gets involved is a laugher of sorts. A cheapjack case that wouldn’t draw breathe one from the old-timers. Some young curvaceous dippy dame had about seven too many drinks and wound up passed out on a motel bedroom. Bad for business anyway you look at the matter so Tony does his old ex-partner a favor taking the nymph home to rich father and mother. The old man wonders what happened to his daughter and hires our man to figure on what was what. The key, a missing diamond pin “misplaced” by said dippy daughter, gives Tony an excuse to hunt high and low for that damn thing. Then the bodies start to pileup as his ex-partner, a fence, a jeweler and his bodyguard are wasted.
Tony then spends the rest of his time trying to figure out what was going on since that so-called diamond pin was bogus, was glass. After some more shootings and mayhem it turned that the rich man’s daughter was hocking her step-mother’s jewelry to give some moola to his drunken sot of a mother and her ne’er do well husband what actually ordered the various and sundry killings to keep the cash cow coming. The hook? That step-mother was previously married to one of the bad guys and had never gotten a divorce so the squeeze was on when that bad guy hit town looking for the big pay-off. Instead getting lead, plenty of it. In the end the bad guys took it on the head and that was that.
Well almost “that was that” because have you noticed something missing. Unlike in a Sherlock Holmes story line where Danny Moriarty (an alias for reasons he can explain if you run across him in this space) has been running a campaign to debunk the Englishman as a serious detective bringing up of late the question of his and Doctor Watson’s sexual preferences since neither has been seen lately with a dame, even a one night stand, Tony is strictly a lady’s man. Or so that is the way he wants to see himself in the private detection world where every male P.I. is chasing skirts and nobody thinks anything of it. Except Tony is not really chasing any dame, not even 1960s eye candy Ann Archer, played by Jill Saint John, whose only purpose is to do the other end of a lot of sexual foreplay and innuendo but no silky sheets. Yeah, not your grandfather’s shamus, no indeed.
All That Is Hollywood Tinsel Is Not Gold- F. Scott Fitzgerald At The End-“The Pat Hobby Stories”
Book Review
By Seth Garth
The Pat Hobby Stories, F. Scott Fitzgerald, originally printed in Esquire magazine, 1940-1941, collected 1962
I had in earlier times, a few years ago now, gone on and on about who best represented the so-called Jazz Age F. Scott Fitzgerald whose works either coined the phrase or so well the times he owned the term or his fellow Parisian ex-pat Ernest Hemingway. Both exiles from a sullen America that was turning in on itself just when looking outward was necessary. Sound familiar? During that joust I came decidedly out on the side of Fitzgerald based on the great classic novel The Great Gatsby which put a microscope to the whole sordid mess of post-World War I America. Having answered that rather narrow question I have never done so, nor have never been asked by the previous site manager who gives out such assignment Allan Jackson, or the current one Greg Green to tackle the broader question of who had the more powerful collective novel output. For that I would have to flip to Hemingway both because he left a greater treasure-trove of such work and because he worked better in that genre. I have also never been asked to evaluate the better of the two when it comes to short stories. Then I would have to flip back to Fitzgerald since he wrote a ton more mainly to keep the dunning debt collector wolves from the door and live a life-style his wife Zelda was accustomed to and because he had a certain lyricism that hit the mark on this genre.
That brings us kind of full circle to the short story collection under review Fitzgerald’s The Pat Hobby Stories written late in his career and while he was working like seven dervishes as a screen-writer in the Hollywood trying to salvage whatever scripts came his way while drinking up half the liquor cabinets in Beverly Hills. That drinking curse aside even at the end he had “it,” had that certain feel for what makes a short story entertaining and make a point, a social or literary point. In the interest of transparency, a trait, which Greg Green seems to be trying to cultivate here, the reason I was given this assignment by him was that I was the only one who had previously done any work on either author. According to Greg some of the other younger writers if you can believe this had never read anything but either man and only knew of them by reputation. Jesus.
The title tells the story all of these twenty or so stories revolved around one Pat Hobby. One has-been screenwriter who had been around the Hollywood studio scene since Hector was a pup. Since the silent film days if anybody was asking. The former a very different kind of screenwriting skill from that of the “talkies” which depended on dialogue more than the earlier visual props setting to get through. Back in the day Pat had been king of the hill, had been a go to guy for every producer and director who needed an idea or a sick script worked on. That was reflected in his upscale life-style (including the status symbol obligatory swimming pool to announce you had arrived), his bevy of wives who as he memorably noted later “fed out of his pocket” were in turn discarded and his more than nodding acquaintance with the stars of the era, male and female.
But that was then, that was some ten years before the time of these stories which were written by Fitzgerald in 1939-1941 and so tell me that our Pat didn’t transition very well to the new milieu. At the time of the stories he is a forty-nine year old has-been hanging around studio lots “doing the best he can.” Grabbing a turkey of a script nobody else wanted to do, cadging his old director and producer friends to put him on contract salary at much diminished rates from the old top dollar days. Trying to “steal” other younger writers thunder when working with other writers. In short a man who is in decline.
Pat though is not solely the victim of outside objective forces. He has a drinking problem, seems to have been an alcoholic, like Fitzgerald’s which would kill the author at an early age. He also seems to have liked to “play the ponies” which when you have no dough can be a dicey proposition as Bart Webber who has written about his own very real gambling jones here can tell you. Moreover it seems that it was touch and go about here he would be laying down his head any given night. A studio set empty bed or the back of his repo man’s delight car on its last legs (and not even owned by him).
Yeah, a guy on the skids, a guy a couple of inches away from the “row.” The big problem though is Pat has lost a step or seven in the “idea” department, has gotten stale. Not so off of this collection Fitzgerald though since I was eager, more than eager, to get to the next story to see what was what with Pat as a writer. From me that is a high compliment to an author. Enough said.
Junkie’s Sonata-Your Innocent When You Dream-This Is
Not Johnny Milton’s Paradise Found- The
Film Adaptation From The Jesse Stone Series Of Robert Parker’s “Innocents Lost”
(2011)-A Short Made For Television Film Review
DVD Review
By Josh Breslin
Innocents Lost, starring Tom Selleck, 2011
The late crime novel
writer Robert B Parker, I think he liked to be called private detection writer
but I prefer crime novel and since it is my dime there you have it, was a
prophet, was man before his time in writing about the junkie wave that has
descended upon the land of late. (Called the opioid crisis in polite society
since this involves some of those polite society relatives but junkie wave is
more like it, more the way novelist Nelson Algren who wrote the definitive
novel on the subject The Man With The
Golden Arm would have put it.) I was looking for a film, having already
reviewed the film adaptation of Algren’s novel starring Frank Sinatra long
along, that would bring a more contemporary edge to the subject. I didn’t want
the sudden newspaper wave baloney detailing how the streets are not safe now
with junkies shooting the works in every corner scaring little children or
about some poor bastard being bopped on the head for his kale so some sullen
cretin could see his (or her as we will see here) fixer man to get well-for a
minute. So after some light scouting I found Innocents Lost and this is just the vehicle I need to do a modern
day screed on junkie-hood, the junkie sonata.
In the background of
this one is the profound notion that a cop will always be a cop and that is the
case with deposed police chief Jesse Stone who got bounced from his job for
reasons unknown is pouting about getting back in harness. (Unknown to me since I have not seen the
previous eight films I think already produced in this series.) Getting back in harness
in land’s end, in Paradise by the sea in some mythical Cape Ann locale if only
he can overcome whatever it was that got him the boot. One thing for sure there
was no heavy lifting on this job with crime and criminals staying far from this
upscale town-which is exactly the way the uppity town’s people liked it-what the
hell was Haverhill for anyway. (There were rumors that this Jesse Stone whose
previous experience before falling down in Paradise was as a coffee and donut
shop patrolman in La La land had put his name in for the vacant police
commissioner’s job in New York City. The search committee had a good laugh as
they tossed that one out on the first round. Everybody thought it was a joke
since nobody had ever heard of Paradise, or knew it never existed and were
hardly going to hire a stool-sore patrolman for their top gun.)
While Jesse broods (and
hard liquor drinks which may be the key to his getting kicked out of Paradise)
in splendid isolation as he watches the tide come in he gets the nod on a couple
of cases. Only one of which concerns us here, the junkie shoot-up case. (In the
other one white-bread Jesse helps a stumble-down Boston cop figure out that a
guy in a fatal hold-up was not the guy although that did the black suspect no
good since his “alibi” was that he had raped some helpless woman some blocks
away from the felony robbery. That is a Jesse resume builder for sure).
While Jesse was wiling
away the hours at the dingy Paradise police department offices he befriended a
young woman, a college student named Laura, don’t get tied up with names when
dealing with junkies especially those who have to hustle their asses in the street
to get their fixer man dough, who before spiraling downward had been picked for
DUI. This Laura was the daughter of a rich woman recently divorced from her
husband, presumably for adultery although it could have been plenty of other things,
who had zero concern for parenting or for her daughter. Laura as kids will took
it hard and started slippery-slope drinking which brought her fatefully foursquare
with Jesse. Jesse took her under his wing for a while but with his own drinking
problems, his divorce and the pressures of the cop job (are you kidding the heaviest
duty making the monthly quota for parking tickets) he lost track of her. Lost track
until she wound up down the road from that splendid isolation place he lived in
while plotting his comeback. Wound up dead from an overdose, from heroin, from
sister, from boy, from H, whatever you call it in your neighborhood. Except in
Jesse-less tourist trap Paradise they called it an accident by some stumblebum stranger
passing through.
The suddenly quasi-parental
Jesse gets on the case, stops drinking for a couple of days if I recall. This
Laura thing had to have been if not murder then not the official accident everybody
in Paradise had bought into, had wished into with a vengeance. So Jesse goes on
his own down and dirty investigation starting with that rehab mill she had gone
into for the drinking problem (and it really was, they were pushing them out
the minute the insurance stopped or Daddy Warbucks stops payments) over in
Haverhill run by a doctored who lived in Paradise. Through cashing in a few
favors, Jesse found out that this Laura had been busted for trafficking in
drugs and her ass. How did that happen taking a young college girl and turning her
into a junkie whore. Somebody was behind the whole thing, somebody had turned
her on to the drugs and her spiral downward.
Of course Jesse finds
the guy, a Russian guy naturally like this was still the Cold War who worked at
that rehab mill. This bastard’s MO was to work the rehab mills, knowing that orderly
help was hard to get for minimum wages. He would scout out the vulnerable ones,
girls, guys it didn’t matter, load them up with feel good drugs and then put them
on the street safe in the knowledge that he was connected with the right
mobsters. End of story. Well not quite Jesse traps the guy by luring him and his
next hustling girl to a hotel and humiliates him. Tough Russian guys though,
connected or not, are not about to let some ex-cop have the last laugh so he goes
after Jesse out there in Paradise splendor. Wrong move though in Jesse’s home
turf. KIA. That didn’t bring back that fallen Laura, didn’t seem to be a resume-builder,
didn’t do much to put a dent in society’s drug problems, didn’t stop his
brooding and plotting but did allow him to get that fresh whiskey bottle out
and pour a few fingers of the nectar. More later.
I Accuse-Unmasking The Sherlock Holmes Legend, Part III-“The Postman Always Rings Twice”-Basil Rathbone and Nigel Bruce’s “The Scarlett Claw” (1944)-A Film Review
DVD Review
By Danny Moriarty
(Once again as I did in my initial offerings on the bogus Sherlock Holmes legend Sherlock Holmes Faces Death, hah!, and the so –called, again, hah The Adventures Of Sherlock Holmes in the interest of transparency which has become more of an issue these days when every medium is under scrutiny Danny Moriarty is not my real name. As I mentioned then and will be discussed again below in the review of this death blow to Holmes’ legend The Scarlett Claw there is a weirdly nefarious band of his devotees masking themselves as a thing called the Baker Street Irregulars. Why such an outlandish name for these thugees I can only guess. This motley of criminals, junkies, and cutthroats is being protected by high society personages, the peerage I think they call it in Mother England, you know the House of Lords holy goofs with the wigs and robes, who I am told have very stylized rituals involving exotic illegal drugs and human blood, and are the bane of the London Bobbies although strangely corruption-infested Scotland Yard has not lifted a finger in the matter. Moreover these cretins have been connected with the disappearance of many people, high born and low who have questioned the Sherlock myth, and not a few unsolved murders of people who have washed up on the Thames over the years.
So this need for an alias, for cover, is no joke since that first review and the subsequent second one I have been threatened, threatened with I won’t death, death threats, but some nasty actions edging up in that direction which necessitate my keeping very close tabs on my security apparatus as I attempt to deflate this miserable excuse for a detective, a parlor detective at that who even Agatha Christie dismissed out of hand as a rank amateur. From my sources, serious sources under the circumstances, of ex-Irregulars who have left the organization as its attacks have become more bizarre and its blood rituals more gruesome including allegations of human sacrifice I have been told I am on their “watch list.”
I know and can prove that I have been the subject of cyber-bullying without end including a campaign to discredit me by calling me Raymond Chandler’s “poodle.” I am willing to show an impartial commission my accusations. Believe me it is getting worse and once I get a grip on who is who in that nefarious organization I will be taking names and numbers. There are a total of twelve films which have been nothing but propaganda vehicles for the Holmes legend so I have plenty more work cut out for me. Until done I will not be stopped by hoodlums, your lordships, and blood-splattered junkies. D.M.)
The Scarlett Claw, starring Basil Rathbone (I have mentioned previously my doubts that this was his real name since unlike myself he had never been transparent enough to say that he had been using an alias. I have since uncovered information that I was right and that his real name is Lytton Strachey a known felon who spent a few years in Dartmoor Prison on weapons and drug trafficking charges), Nigel Bruce (a name which upon further investigation has been confirmed as a British National named “Doc” Watson who did time at Dartmoor as well for not having a medical license and peddling dope to minors in the 1930s and 1940s where I assume they met up), 1944
As I have mentioned previously and nothing recently has changed my view we live in an age of debunking. An age perhaps borne aloft by cynicism, hubris, sarcasm and above all “fake news,” not the fake news denying some reality that you hear so much about these days, but by the elaborate strategy of public relations cranks and flacks who will put out any swill as long as they are paid and not a minute longer. That phenomenon hardly started today but has a long pedigree, a pedigree which has included the target of today’s debunking one James Sherlock Holmes, aka Lytton Strachey, out of London, out of the Baker Street section of that town. From the cutesy “elementary my dear Watson” to that condescending attitude toward everybody he encounters, friend or foe, including the hapless Doctor Watson, aka Nigel Bruce, a fellow inmate at notorious Dartmoor Prison in the early 1930s this guy Holmes, or whatever his real name is nothing but a pure creation of the public relations industrial complex, the PRIC. As I have noted above I have paid the price for exposing this chameleon, this so-called master detective, this dead end junkie, with a barrage of hate mail and threats from his insidious devotees. I have been cyber-bullied up to my eyeballs but the truth will out.
Maybe I better refresh for those who may not have read the first or second review, may be shocked to find their paragon of a private detective has feet of clay, and an addiction problem no twelve step program could curtail in a million years. Here are some excerpts of what I said in that first review which I stand by this day no matter the consequences:
“Today is the day. Today is the day I have been waiting for since I was a kid. Today we tear off the veneer, tear off the mask of the reputation of one Sherlock Holmes as a master detective. Funny how things happen. Greg Green assigned me this film out of the blue, at random he said when I asked him. However this assignment after viewing this film, Sherlock Holmes Faces Death (of course he doesn’t face, hadn’t been anywhere near any danger that would put death in his way but that can wait until I finish out defanging the legend) set off many bells, many memories of my childhood when I first instinctively discovered this guy was a fraud, a con artist.
Back then my grandparents and parents hushed me up about the matter when I told them what I thought of the mighty Sherlock. They went nutty and told me never to speak of it again when I mentioned that a hard-boiled real private detective, a guy who did this kind of work for a living, a guy named Sam Spade who worked out in San Francisco and solved, really solved, the case of the missing black bird which people in the profession still talk about, which is still taught in those correspondence course private detection in ten easy lesson things you used to see advertised on matchbook covers when smoking cigarettes was okay, who could run circles around a parlor so-called detective like Mr. Holmes.
[Even Sam Spade has come in for some debunking of late right here in this space as Phil Larkin and Kenny Jacobs have gone round and round about how little Spade deserved his “rep,” his classic rep for a guy who was picked by some bimbo out of the phone book and who couldn’t even keep his partner alive against that same femme he was skirt-addled over. Kept digging that low-shelf whiskey bottle in the bottom desk drawer out too much when the deal went down. The only guy who is safe is Phillip Marlowe since nobody can call him a “one solved murder wonder” after the string of cold as ice, maybe colder, cases he wrapped up with a bow over the years. They still talk about the Sherwood case out on the Coast even today where he rapped the knuckles of a big time gangster like Eddie Mars, and his goons, to help an old man going to the great beyond no believing that he had raised a couple of monster daughters without working up a serious sweat. Talked in hushed tones too. You notice nobody has tried to go after him, not even close. D.M.]
That was then. Now after some serious research as a result of this film’s impact on my memory I have proof to back up my childhood smothered assertions. Sherlock Holmes (if that is his name which is doubtful since I went to the London telephone directories going back the first ones in the late 1800s and found no such name on Baker Street-ever) was nothing but a stone-cold junkie, cocaine, morphine, landudum and other exotic concoctions which is the reason that he had a doctor at his side at all times in case he needed “scripts” written up. A doctor who a guy like Sam Spade would have sat on his ass a long time before as so much dead weight.
That junkie business would not amount to much if it did not mean that high and mighty Sherlock didn’t have to run his own gang of pimps, hookers, con men, fellow junkies, drag queens, rough trade sailors and the flotsam and jetsam of London, high society and low, to keep him in dough for that nasty set of habits that kept him high as a kite. There are sworn statements (suppressed at the time) by the few felons whom the Bobbies were able to pick up that Sherlock was the guy behind half the burglaries, heists and kidnappings in London. And you wonder why the Baker Street Irregulars want to silence me, show me the silence of the grave….
Of course the Bobbies, looking to wrap up a few cold file cases which Sherlock handed them to keep them off the trail, looked the other way and/or took the graft so who really knows how extensive the whole operation was. In a great sleight of hand he gave them Doctor Moriarty who as it turned out dear Sherlock had framed when one wave of police heat was on and who only got out of prison after Holmes died and one of Holmes’ flunkies told the real story about how Holmes needed a “fall guy” and the wily Doctor took the fall.”
This The Scarlett Claw should put paid to the Holmes legend as he let the bodies pile up like a cordwood before a grieving father actually stopped the rampage. Everybody knows that Sherlock made his name after he beat down some poor mistreated dog who should have been reported as abused to whatever they call the humane animal treatment society in merry old England. Worked overtime to keep his name in the public prints through his friendship with the editor of the London Times despite the fact that he had no gainful employment, no source of income except whatever his thug cronies delivered to him from their various escapades.
It is hard to believe that Holmes and his lapdog pill-pusher Watson would be let out of the country, let out of jail, unless they had protectors in high places but that is the case here. Here they are in Canada, in one of the colonies, no, that is not right, in one of the members of the British Commonwealth. No, I was right the first time one of the colonies attending some conference, at least that was the purpose they told the customs officers at the docks in Halifax. The real reason although it does not have anything to do with the story, with the further debunking of the Holmes legend, is that he and Watson were on the search for an exotic psychedelic drug which the Inuit, the indigenous people of Canada use in their ceremonials. So they are really trolling for drugs internationally.
Somehow, very conveniently too late, the wife of the convener of the conference, a conference on the occult, you know weird ghostlike stuff that seems paranormal, this Lord Penrose, winds up dead in a village where they live. Killed gruesomely by an instrument, a clawed garden tool used for weeding, which you can buy at any True Value hardware store. Body number one. The way that our dynamic duo get to go to that village is that this Lady Penrose has allegedly send Holmes a letter fearing her death by some unseen hand. Of course the letter arrived too late since Holmes had been on a junkie shoot-up up in Thunder Bay and hadn’t bothered to check his mail for a week.
The whole scene at the village is filled with mystery, foggy moors and marshes with strange doing, and fear since these country bumpkins think a ghost or a monster did the deed. At least Holmes had enough sense not to fall into that trap. It turns out this Lady Penrose was some kind of actress who had fallen off the face of the earth when she married the good Lord. The reason Sherlock knew that hard fact was she had been involved in a case where a fellow actor had killed a suitor in a jealous rage over her affections. That should have set something in motion, some thought about w but Holmes let it pass in a landudum fog. Then a judge in a case involving that dead actress who passed away since he sent that lunatic actor to prison wound up dead by that same clawed garden tool right at the very same time Holmes stoned out of his mind was knocking on the good judge’s door thinking he was playing the drums is what he told Watson later. Hadn’t thought when he heard the judge’s anguished screams to batten down the door. Two down.
It gets worse since our so-called sleuthing pair have finally figure that the whole caper has something to do with that actor case, that actor who had escaped from prison and was seeking revenge on everybody associated with the case, including that actress under the principle, if there is such a thing in the case, that if he couldn’t have her nobody could. Get this. They actually confront the bastard but he gets away since whatever his deductive skills Holmes is a horrible shot, a disgrace to a profession that relies, for better or worse, on gun play. Because of that deficiency an innocent girl, the daughter of a former prison guard at the prison where the actor had been held was killed. Killed by clawed garden tool-number three.
Of course an actor has to be a master (or mistress) of disguise and that is how the actor was able to do his thing. That was a book sealed with seven seals to this hapless pair. That would prove the actors undoing since he had been running around as a postman after killing the real one who was supposed to take over the town’s route. If Holmes had just read James M. Cain’s The Postman Always Ring Twice he could have solved the whole sordid mess in about ten minutes. Instead number four. Yeah, cordwood. Here’s the clincher though that actor is run to ground not by Holmes and Watson but by the irate father who in poetic justice killed the villain with that self-same clawed garden tool.
Like I said the last two time, a fake, fake all the way. Unless that Irregular crowd of thugs and blood-stained aficionados get to me, find my hideout, this is not the last you will hear about this campaign of mine to dethrone this pompous junked-up imposter. I am just getting into gear now.
When Jeremy Irons Ruled The Whole Natural (And Apparently Unnatural World As Well)- “Beautiful Creatures” (2013)-A Short Film Review
DVD Review
By Josh Breslin
Beautiful Creatures, starring Jeremy Irons and a bunch of kids, and a few off-hand holy goof denizens of the gates of hell for good measure, 2013
Who would have thought that God-fearing Gaitlin (no relationship to Gatling gun, okay), South Carolina, site of a decisive battle in the American Civil War when that meant something would be the central headquarters of the devil’s den (and not even near the river Styx). A town that proudly boasts of 12, count them, 12 churches (eleven Baptist from Primitive to 6th Day Adventist to Common Brethren and one so-called Methodist known locally by one and all as Wesley’s Folly) and one 24/7/365 very private public library. That is the main tension in the film under review Beautiful Creatures where Jeremy Irons who must be fighting Michael Caine for the record of appearing in the most films lifetime runs the show and fights the good fight against the bad-ass degenerates who do the devil’s handiwork. And he isn’t even human himself.
When I mentioned the plotline to this film to old friend Leslie Dumont she made me laugh that this was just another albeit strange kids’ coming of age story, a high school saga that she thought had been played out years ago. And at some level Leslie, who in the interest of what appears to be current obligatory transparency used to be an old flame back in the day and now we are friends and let’s just leave it at that, was right that the growing puppy love affair between family been here for generations Ethan and new girl in town Lena was the stuff of a million films going back to when films just started, hell maybe back to Greek calends. The kinky part, the part that sets this one apart from the usual hormonal teenage romance stuff is that Lena is not one of us, is not human. Moreover is under some strange ritual ban, maybe started by Jeremy playing Macon the king of the hill in town to not intertwine (nice way to put it, right) with humans under penalty of the human’s death.
This human sacrifice cult is what made this one interesting although I will say the specific ghoulish effects used were from nowhere and a couple of characters, denizens I guess you would call them could have been left out. Bright boy Ethan, a high school kid who is just muddling along, takes a shine to new girl in town Lena after seeing that she was reading Charles Bukowski (and with a quick glance of her reading list I noted she had William Burroughs and Harper Lee, who knows maybe Truman Capote too on tap to tempt bright boy. Of course, nobody in Gaitlin, no teenager at least even knows who the great LA writer was so this is all so much soap in the eyes). The other high school kids knowing that she had been thrown out of other high schools had her down as a tramp, maybe not the Whore of Babylon that Sam Lowell is yakking about these days in the art series he is doing with Laura Perkins (his long-time companion but he can do the transparency thing about that himself if he hasn’t done it already) but definitely weird, definitely does not fit in with the God-fearing folk of the community. Even the Methodists scorn her.
The long and short of it as we painfully find out via first Uncle Macon, did I say that was Jeremy Irons role, Ethan’s housekeeper, Lena’s bewitched mother and a cousin Ridley who might be good for a couple of dates but who would wear you out if you spent any serious time with her is that come her sweet little 16th birthday Lena has to make a big decision. Has to decide whether she want to go to the lustful good dope and sex dark side with Mom and cousin Ridley or stay in the light with the nicer crowd, maybe join that Methodist church everybody laughs at just to show her independence. Naturally after seven kinds of hellish experiences Lena opts for the light, that wisdom coming from the catacombs beneath the town public library where all the banned books are banished to and which contain what looked to eyes like the Kabbala or Book of the Dead.
That struggle, aided by Uncle Macon, you know Jeremy Irons, taking a slug meant for pesky Ethan which he, Jeremy, promised Ethan’s deceased mother (with whom he was having an illicit affair and under the same “no human love ban” as Lena) to do if the need arose meant that the budding Lena-Ethan romance was kaput, finished. Maybe. Hey, the more I think about this little conundrum the more I think that Leslie was right that this one was strictly a teenage coming of age film, a little quirky in spots but every teen could relate to the issues brought up in the film.
The monuments and statues we would build are those that honor fighters for liberation, not least the men and women who fought to destroy the slavocracy: the abolitionists; the Civil War soldiers, including 200,000 black troops, who crushed the Confederacy; those who rose up against the slave order. Among the latter are the hundreds who fought for their freedom in the January 1811 uprising in Louisiana—the largest, though largely unknown, slave insurrection in U.S. history.
The foundation for the 1811 uprising was the slave revolt in Saint-Domingue (Haiti), which began in 1791 and ended with the withdrawal of French troops in 1803 and the establishment of a black republic on 1 January 1804. The Haitian Revolution both inspired the insurrectionists, among them transplants from Saint-Domingue, and haunted the slave masters who feared its replication on North American soil.
In turn, the Haitian Revolution was inspired by the French Revolution. Under the banner “liberty, equality, fraternity” the masses rose up beginning in 1789, destroying the entrenched aristocratic and feudal order. In 1792, the French Republic was proclaimed, followed shortly by the execution of King Louis XVI in January 1793. However, France’s new bourgeois rulers brutally fought to maintain slavery in Haiti, which at the time of the 1791 uprising accounted for 60 percent of France’s export trade. In the face of continuing black revolt, and with England threatening to attack France’s most lucrative colony, the radical Jacobin regime in Paris, which came to power in 1793, abolished slavery in Saint-Domingue in 1794. Five years later, Napoleon Bonaparte took power in a coup, reinstated slavery and in January 1802 dispatched an armada and 20,000 French troops to reconquer the colony—only to be driven out the following year.
With the loss of his Saint-Domingue cash cow, Napoleon saw little use for his other major New World colony, the Louisiana Territory. In 1803, he sold it for a song to the U.S., an acquisition that nearly doubled U.S. territory. By 1810, slaves made up more than 75 percent of the total population of the region—a greater proportion than any other slave society in North America. The brutal conditions they faced working Louisiana’s sugarcane fields were matched by the huge profits their labor generated.
The architect of the 1811 rebellion was Charles Deslondes, whose position as a trusted slave driver on the plantation of Manuel Andry enabled him to move through the sugar fields without suspicion. Deslondes spread word through small cells scattered up and down the coast. On the night of January 8, the uprising began with an incursion on the mansion of Deslondes’ master. After wounding Andry and killing his son Gilbert, the group armed themselves with muskets and ammunition from the basement. They then started a two-day march down River Road toward New Orleans, which was 40 miles away. Groups of slaves joined them as they passed other plantations. Later, maroons (escaped slaves) left the security of their wooded retreats to fight alongside the rebel army. Terrified white residents either fled to New Orleans or hid out in the backwoods near their plantations.
Fearing that the city’s majority black population (including many free blacks) would join the rebellion, Louisiana governor William Claiborne ordered New Orleans sealed and a 6 p.m. curfew for black people. General Wade Hampton, a South Carolina slaveowner, mobilized two companies of volunteer militia, 30 regular troops and a detachment of 40 seamen who halted the slaves’ advance 15 miles from the city. A second militia of 80 planters formed by Andry unwittingly flanked the slave army on the morning of January 10. Though outnumbering their pursuers, the slaves were outgunned. After quickly running out of ammunition, they were brutally routed. Sixty-six fighters were killed and many others captured. Shortly after, the planter militias, supported by the U.S. military, captured Deslondes, chopped off his hands, broke his thighs, shot him dead and then roasted his body on a pile of straw.
Over the next few weeks, more than 100 slaves were executed. Their heads were put on poles and their dismembered corpses were publicly displayed as a warning to others. The federal troops called in to suppress the uprising and secure New Orleans were drawn from those defending the bogus Republic of West Florida that U.S. settlers seized from Spain in 1810, foreshadowing the grab of Texas from Mexico two decades later. Extending from Baton Rouge on the southwest to Natchez on the northwest and Mobile on the east, this “republic” gave the U.S. control over the Mississippi River and eliminated a haven for escaped slaves and native tribes, while securing commerce on the river.
Louisiana’s French planters, who had been contemptuous of the Anglo government in D.C. and indifferent to West Florida’s annexation, now became advocates of a strong U.S. military presence. One year after the uprising, Louisiana was admitted as a slave state, as other regions of the Louisiana Territory were later—Missouri (1821) and Arkansas (1836). The Mississippi Territory, which had been ceded by Spain in 1797, was divided into Mississippi and Alabama; they were admitted as slave states in 1817 and 1819. Between 1820 and 1860, the population of the Deep South slave states of Louisiana, Mississippi and Alabama grew over 600 percent to almost 2.5 million. New Orleans became America’s second-largest port—and largest slave market. This confluence of events, of which the suppression of the Louisiana rebellion played no small part, consolidated the bulk of what would become the Confederacy.
We hail Charles Deslondes and his comrades. We seek to honor their memory by finishing the Civil War through a working-class socialist revolution.
Traipsing Through The Arts-All 20th Century Art Is About Sex-Forget That Stuff You Learned In Art Class About The Sublime-Abstract Expressionist Jackson Pollock Unchained- In The Midnight Hour Gliding Through “Number 31” (1950) Without Wings
By Laura Perkins
Mercifully Sam Lowell has my back. The merciful part first. Recently I, with Sam as my sparring partner then, made my first big group of enemies at this publication when I had the audacity to suggest that late 19th painter John Singer Sargent’s Madame X’s birdlike nose was maybe a sign of profession beauty in her day but was strictly Bride of Frankenstein these days (with no disrespect to Mary Shelley and her divine fictional creation Frankenstein which we paid homage to on the 200th anniversary of its publication in 2018). I added a few off-hand remarks that professional beauties, and Madame X was no exception, in French high society then, maybe now too, slept their way to the top. That in turn was Sam’s central thesis which I thought was a little rough on the much- maligned woman.
Then Sam, who has spent his career as a film review editor and writer and thus keen to find the back story, told me about the memoir of Madame X’s personal maid who gave details about her role as the one who let the “guests” up the back stairway, sometimes when her husband was down below. The maid had originally no ax to grind, would probably not have “told all” except Monsieur LeBlanc, Sargent’s paint supplier in Paris (and who would sent the paints over to London when Sargent fled there since the finicky artist could find nobody else who could mix blacks, browns and greys like him) had been much maligned when he let on that he had shared Madame’s bed when she was “slumming” among the plebeians and Parisian high society bared their daggers at such impertinence and she wanted to set the record straight. So Sam at least was not far off in his understanding of this, his term modern day Whore of Babylon although I would have held back on her personal life since she took enough of a beating from that same self-satisfied Parisian crowd.
I, we, on that occasion went hammer and tong on the substance of John White Alexander’s (another three- name guy which I have noted elsewhere is so bourgeois, started out of some need to distinguish themselves from the two-name Joe Jones common man or to show their descent from some Mayflower stowaways or more likely to cover up their tracks around questions about their births) Isabella and the Pot of Basil (so-called) which was merely a cover for a kinky drug-induced (opium) erotic severed head cult which goes back to antiquity. As it turned out we were right, or I should say Sam a 1960s Summer of Love veteran and an Army veteran as well so very well-versed in the drug milieu while I choke the first time I even whiffed marijuana was right, that the pot contained the crucial poppies needed for the opium dreams. Sam the minute we entered the Museum of Fine Arts room in Boston where the painting hung sensed even before he went close to the painting that the basil, so-called symbol of love or something was the normal Victorian hogwash covering up not only Isabella’s, or rather the model who posed for Alexander, junkie drug addiction but the artist’s as well. Again, back story Sam pointed out that you never saw Alexander in short sleeves even on the hottest days the better to cover up the tell-tale tracks on his arms. Moreover along the way we found out that there had been an international modern-day crack-down on the devotees of this bizarre cult and even the Italian authorities back in the Renaissance were on Isabella trail once they got suspicious of all the well-bred young women who were hanging around when the well-paid executioners were doing their work.
I won’t even go into the hell broth we suffered from yahoos and high-brows alike when we exposed Whistler’s The White Girl as essentially an ad for a modern day Whore of Babylon (which I agree with Sam is what is true here although I still differ on that characterization for Madame X), the key being the symbolic wolf’s head and fur the model is standing on. This woman was allegedly four-name Whistler’s girlfriend, mistress, paramour so it makes sense, high Victorian hypocritical sense that he would not just put a big “A” or something on her head but something more symbolic but also making it clear she was “available.” Nice guy “pimping” his girlfriend just ti prove he could do art for art’s sake. Yes, Whistler was hard, very hard on his women. The high brows defending their own, in this case a three-named guy Doyle who was in deep denial about the real stuff going on among his forebears. Worse though and even Sam who always says he is beyond surprises at his age is that strangely, or maybe not given the times we live in we got most of our deep-freeze blasts from troll evangelicals worried about their kids maybe reading about sex and eroticism in art. Yes, I know, weird. We have already kicked that around and the good folk seem to have backed off once we got to 20th century art which to them must have seemed a cesspool of filth and vulgar sex but no self-respecting kid would be caught dead reading some old fogey take on the meaning of modern art. Yes, weird indeed.
Those storms passed by and Sam and I took the whole experience as the overhead of doing something a little on the tangent side, a little off-beat but well with the parameters of art work analysis even if we are not as Doyle thought was his biggest contention professional art critics. What solidified us though was our firm contention that all serious 20th century art all the way up to Pop and Op Art are centrally about sex, eroticism and sensuality. (We both agree the jury is still out on 21st art especially Minimalism although I have noted that Matty Gove’s works reek of pure sex, rough sex to boot and that Dan Blake’s later works are nothing but almost pornographic depictions of various sexual acts. Matty when he read the piece sent me a message mentioning how perceptive I was to see that his signature paint, Three Intertwined Shapes, was his homage to S&M culture.)
As with many of our joint projects we are solid on the central point and disagree over particulars. (Sam has been an advisor to me since the first Singer piece although in the background where he remains since he refused to take the on-going self-selected art works assignment when first offered by site manager Greg Green.) That was the case when we put our first painting, the famous one by Edward Hopper from 1942 Nighthawks under the microscope. I basically took that narrative as a busted romance which tottered on the woman being ticked off at her guy for being drunk (note the glassy unfocused distracted eyes of the classic midnight drunk) and not bed-ready. See my take was that Hopper was pissed off at his wife Jo who was the female model for not letting him use a younger woman he had contacted (and was sexually interested in and very interested in painting in the nude except JO nixed that idea, a non-starter as long as she still breathed). Sam I thought was crasser in his narrative that this scene was a classic late-night diner prostitute pick-up spot and the guy was a John deciding whether to go for paradise or not. Sam finally agreed with my contention that Hopper was pissed off at his wife for being a prude but as usual had a little back story to lay on me that the young thing he was interested in painting he was seeing her and painting her nude. She would be the young model in the roadside whorehouse painting where she was sunning herself while the old madame was counting the nightly take. So you see we have different takes on occasion within the context of the broader thesis.
I hope nobody laughs but I almost wish those troll evangelicals were still yapping at my heels. Reason: one Clarence Dewar, art critic for Art Today who somehow saw that Hopper piece and flipped out. Naturally Mr. Dewar had to sharpen his knife with the fact that I am not an art critic (and neither by extension is Sam Lowell). I have repeatedly mentioned that hard fact which is a great deal of the reason that Greg Green gave me the project and has supported my work all along against all-comers. A fresh quirky look is what he has called it and has said so to his various fellow editor drinking buddies when they question the wisdom of letting a quirky dame run amuck with the crazies and the paid professionals hugging their respective turfs.
Here is the dagger through the heart though-the so-called fatal blow. The one that will send me back to the cheap seats. Mr. Dewar is of the theory that since the Impressionists, and that grouping is an important divide in modern art all art has been a search for the, get this, sublime. His argument is that with the invention of the camera artists have moved away from representational art, away from the line, color combo that drove most previous art. Apparently the further away from line-color coordination the purer the art form and hence the closer to the, get this, sublime. So where Sam and I saw a classic 20th century sex scene one way or another Mr. Dewar sees Hopper say as making a big splash statement about the isolation of modern society and the decline of the individual. Individuals being afloat in a lost world which I guess can be cured by looking at some painting not with lust in their hearts but seeing a “terrible beauty is born” as the poet Yeats would have. To place that search in some midnight Joe and Nemo’s diner with a bunch of besotted drunks and a rum-dum short order cook who overcooked the hamburgers and recycled the coffee beans for the fifth time that evening is the epitome of, get this, sublime.
Sam and I had a good laugh about that one although Sam says we have not heard the last of Mr. Dewar since he carries some weight, no what did Sam call it, some water, in art circles in New York and in the old days he was a student of Clement Greenberg who practically invented that silly sublime theory that has kept more lame art curators, art collectors, art directors, and so-called high-toned gallery owners looking in the wrong places than you can shake a stick at, maybe a brush too. One night Sam and I did get into a discussion about the place of the sublime in art history and how it has choked off more serious discussion than it has provoked. After a couple of hours, we were worn out by the place where the discussion was heading and reaffirmed our commitment to our own thesis about sex and sensuality (read eroticism, okay) as the driving force in modern art (and don’t forget maybe post-modern art too).
A couple of days later we saw Jackson Pollock’s Number 31 done in the late 1940s when he was the max daddy of what Greenberg called action painters and more generally the key figure to boost Abstract Expressionism, the so-called Greenberg search for the perfect break from line to pure form. Almost at the same time we both blurred out (to the annoyance of a couple of matronly art devotees at the next painting) “the thing reeks of sex” and I think I said primordial sex, trying to be polite with those old biddies present. Originally Sam and I were going to play off each other insights about Pollock’s place in the great sex and sensuality search presented by his drip paintings (although a serious argument can be made that during the early 1940s Jackson went amuck with the brush and in an earlier age would have been stoned to death by the sex police or at a minimum has his works burned at the stake).
Since then through internal meetings with Greg Green we have decided to give Sam an upcoming “unchained” space to run off his mouth about the genesis of his various takes on art before we put him back in the bottle. Basically I agree with Sam that Pollock was doing some very weird sexual things out there in Long Island in that shed, with or without Lee Krasner around. That recent testing has found some foreign materials which are not paint, which are some kind of human fluids, mixed into the brew. I will leave it there for now and let Sam give his, own take which will only confirm what those old biddies didn’t want to hear- Sublime terrible beauty sublime not old Dewar’s silly sublime but earthy tones down in the human grind and mud sublime.
Memories Of Victor Lazlo-With The Anniversary Of Ingrid Bergman And Humphrey Bogart’s “Casablanca” In Mind
By Bradley Davis
[For those in America who do not know, or have forgotten, the name Victor Lazlo who died on January 20, 1989 he was a living legend during World War II as the key leader of the armed civilian resistance to the Nazi juggernaut that tried to permanently roll over Europe. First in his native Czechoslovakia where he stood in the main square attempting to rally Czech resistance as the Germans crossed the border to “claim” what they saw as their historic hinterlands. Hardly the first crew to run that argument to the ground before the wrath of the risen people put paid to that notion. Later after the Germans had captured Lazlo and put him in concentration camps he became one of the last hopes in those dark days for the average occupied European when he repeatedly escaped from the Nazi barbed wire enclaves to fight another day. That despite repeated German High Command announcements complete with photographs that the brave man was dead. Only to appear again and again until even the Germans saw it was useless to make an example of Lazlo once he made his way to Casablanca along with a very much younger woman companion, Ilsa, to forge a working resistance underground network to jam up the Germans as best they could.
Strangely Lazlo came from a very well-to- do family who had done well in the munitions business (which the Nazis took over with every hand once they crushed benighted Czechoslovakia) and could have easily gotten out of Prague and into London or Paris before all hell broke loose. But the times demanded “no heads in the sand” and so some layers of society whom one would not expect to dirty their hands with the work usually left to the plebian masses found a calling. For a short time after World War II there were several statues dedicated to Lazlo’s service in Prague and other Czech towns, a few in other grateful liberated countries too, which were taken down during the Soviet period. They were eventually restored well after 1989 too late for Lazlo to bask in his well-deserved accolades.
Lazlo’s death prompted some of those of his comrades still alive, a dwindling number as the actuarial tables grind away, to write about their heroic leader. One whose article I had seen in the New York Gazette I contacted at the time through a friend who worked at the paper. His name Christian Berger, Danish by birth and subsequently a naturalized American citizen. He had been part of Lazlo’s underground operation and had actually helped get Lazlo and Ilsa out of Casablanca to continue his work without having to look over his shoulder every minute for some dastardly pro-Nazi assassin looking to get a name for himself.
This Casablanca period in Lazlo’s exploits has been the subject of some differences among those who have written extensively about the armed civilian resistance during the war. About those who fought the Nazis and their various national indigenous allies as best they could. The main bone of contention in the matter is who actually set the wheels in motion to get Lazlo out of Casablanca. During the war it was always, correctly it seems, assumed that the local branch of Lazlo’s operation-the Knights Templar- got him out.
Since Lazlo’s death the Rick allegations have resurfaced and have had some champions, romantic fools mostly, who have bought into that long ago gesture of love business. The following is Christian Berger’s take on the matter from his perspective as the leader of the local ex-pat resistance which found itself stranded in Casablanca during those troubled times. Bradley Davis]
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Sure I knew Victor Lazlo, the great Czech World War II anti-fascist liberation leader, who passed away the other day at 91, the day George H.W. Bush was sworn in as President of the United States here in America. I first met him in Casablanca, down in Morocco, the part that the French, the Vichy French, had control of not the Spanish part. In those days, the days when one scourge Adolph Hitler, his minions, and his tanks were making mincemeat of Europe I, Christian Berger, having barely escaped with my life from my native Denmark got to Casablanca through the underground network that Victor Lazlo was the key man setting up once the night of the long knives set in over the benighted continent.
I have been a life-long working man, a dock-worker, a union man with the ILA in Copenhagen and Newark, New Jersey here in America who had been then a part of a small socialist resistance unit who had as the Nazis came waltzing into Denmark blown up as many tunnels and other impediments as possible to slow down their inevitable march. My, our, escape was a close thing since I, we, had to get through France, the southern part that was controlled by Vichy, by those damned French collaborators with the Nazi Germany regime which had set itself up in fallen Paris with papers that were not too good. Papers that claimed I was from the Ukraine since Russia was in some kind of devil’s pact with Hitler at the time. The customs officers at Marseilles had a hard time believing I was a Slav what with me looking like the map of Copenhagen and talking like some Nordic skier seen in the movies in one of those sports films in the mountains which dealt mainly with love interests back in the 1930s. I got through okay, took a derelict freighter across the Mediterranean through Algiers (again with papers problems but since I had been stamped by French officials in Marseilles less so) and down to Casablanca where I was to await orders to either head to America via the midnight plane to Lisbon, the only safe neutral spot at that point, and then across the Atlantic to raise funds from among the Scandinavians sprouted throughout the Midwest or head back to Vichy France with some others stranded in Casablanca and join the French resistance which was beginning to be organized (mainly then by loosely affiliated individuals and later by the Communists after Hitler turned the tables on “Uncle Joe” Stalin and did a massive invasion of Russia).
My cover strange as it seemed given my real background in Casablanca was as a jeweler since we needed to be able to move money without having the fucking French, fucking Louie the corrupt Captain of the [A1][A2][A3][A4][A5]coppers looking over our shoulders every minute. An out of the suitcase seller was my cover but mostly I was a buyer of high-priced gems at a fraction of the price since anybody who made it to that sullen town needed plenty of dough to not be condemned to die in the damn place. I was looked at as either a bastard for robbing the unfortunates who wound up there or a savior for giving that last bit of money they needed to make arrangements to get out of that hellhole. That made me look like the real thing as people either enjoyed my company or avoided me like some dreaded medieval plague.
I will mention this Rick, Rick Blaine, originally from New York City in America I believe he said when I asked one time when he offered to buy me a drink after buying some jewels from one of his lady friends, Rita, a luscious redhead, whom he had picked up in Senor Ferrara’s whorehouse in the Casbah where he stocked plenty of loose European women for the local wealthy trade who seemed to have tired of their own kind and whom he wished to get rid of on the next flight to Lisbon. (The jewels which he had bought from me in the first place when his love was in fresh bloom as he expressed it to me upon purchase and which I had gotten on the black market and given him a good price on to help establish myself as a regular at Ricks’. Tiring of redhead and blondes, brunettes too was a luxury that Rick could afford with the proceeds from his gambling racket and letting his place be used by a guy named Frenchie for his pimping transactions. Yeah, Rick was that kind of guy even then.)
Right now though I want to mention the first news I had heard that made me think we might win against that bastard Hitler and his henchmen like General Petain who was running Vichy France. Like I said I belonged to the same resistance organization that Victor Lazlo had set up after the Germans occupied Czechoslovakia-The Knight Templars was our code name and an old time Celtic cross our means of identifying each other. Mine I had placed in a ring that I would take out occasionally and look at as my own possession, so people, so the local Vichy cops, the swine, would not think to look there. Lazlo was so much the public face of the organization that when the Germans captured him the morale of the organization sank like a stone. Then we would hear that he had escaped, usually with the help of local Knights Templars.
A few times the Germans claimed they had killed him and then he would be sighted again. A real old-time romantic revolutionary, old school no question even though he had been brought up in a very upper middle class bourgeois family. The last time we heard he was killed we thought that really was the end. Then one day out of the blue we got news that Lazlo was not only not dead but had escaped again and was heading to Casablanca. Elated we prepared for his arrival. That meant that the local organization that I had put together would have to insure that Victor Lazlo was able to get out of Casablanca and get to Lisbon and head to London or New York depending on what we could do for him.
One night bold as we figured him to be Lazlo walked into Rick’s, walked in with the Nordic goddess, a Swede from her looks, a woman who I would later find out whose name was Ilsa, Ilsa Lund, whom he was either married to (privately) or was shacked up with. In any case a good looking dame although quite a bit younger that Lazlo. Lazlo by the way was a tall, kind of thin good-looking guy who always dressed like he had just come out of a men’s magazine. Everything about him spoke of coolness under pressure and strong nerves. I would not say that he was a lady’s man, more of a man’s man but not a few femmes in Casablanca threw glances his way so he must have appealed to a certain kind of woman. Frankly this Ilsa didn’t seem his type but she must have had her charms and some kind of unknown back story to be attached to his arm coming half way across Europe hunted in every quarter.
Now Rick’s was not only the favorite of the transients looking for something but also the favorite watering hole of the Germans assigned to watch over the local Vichy government and the Vichy cops and bureaucrats, especially Louie, everybody called him Louie except his men, the Captain of the cops. Cool as a cucumber Lazlo walked in, sat at a ringside table ordered a couple of drinks, martinis I think, for himself and his lady friend and checked things out. I knew at once he was looking for me. Although we had never met I knew he would have known that the local organization existed and that somebody would contact him once he was safely in Casablanca. Once I spotted him I went over and showed him my ring. We were in business, the business of getting him to Lisbon and whatever future work would come his way. Our relationship for the short time we were together then was cordial and he displayed no class superiority like some of the unattached intellectual French resistance fighters did. (Lazlo and I met a few times after the war when he came to America after Ilsa had left him from that British title and estate and after the fall of Czechoslovakia to pro-Soviet elements who had given him the options-exile or jail.)
I have read different stories over time about how some so-called letters of transit were what got Lazlo and his Ilsa out of Casablanca in a nick of time. I have heard that Rick, Rick Blaine, a guy who stuck his neck out for nobody somehow was holding them for a little two-bit con man named Peter Lorre who got caught and Rick was going to use them himself but gave them to Lazlo for him and Ilsa to get out of town as a gesture to love. Bullshit, excuse my Danish-etched English. Never happened, somebody must have been at the hashish pipe too long. But the story, stories, have persisted to this day and even the New York Times in its obituary for Lazlo mentioned that hoary tale as if it was the real deal. So it is worth going into before I tell what really got Lazlo and Ilsa out of Casablanca and allowed him to lead the freedom fighters of Europe against the night-takers.
Supposedly Rick had been at one time in the International Brigades helping the Loyalists defend the Republic against the military machine of General Franco who was aided in no small way by the Germans. Later when the Brigades were withdrawn he stayed on as a free agent until Madrid fell. I had a chance later after the war to check out what Rick had done exactly in Spain, or if he had even been there with some guys I met from the Abraham Lincoln Battalion of the 15th Brigade, the American section. I could never get anything to prove he was, or was not, there but since everybody used aliases anyway I let it ride. I will say that Rick never let anybody believe otherwise than that he had been with the good guys but he didn’t talk about it much one way or the other. Ran his saloon business he called it and never let on about this torrid affair with Ilsa as the cause of his brooding many nights from what his head waiter, Charles, told me. Drank by himself stupid alone or with some whore or princess who needed dough to flee to Lisbon. Always discarded them or shipped them off to Louie when he was done with them.
You would have had to have been there to see her effect on men, tough men like Rick and Lazlo to get a real feel for what was driving everybody crazy. (I will admit that one time when she was waiting at the bar for Lazlo to show after a meeting and I was sitting a few seats down that her wayward smile my way and that scent she wore, gardenia, something like that had me going too since I had left my Danja back in Denmark and had not been with a woman for a while.) All I know for sure was that she was not leaving Casablanca alone and without resources.
That part was real enough. What was not real and nobody ever to my knowledge ever produced any documents which would pass muster, would not fool even a gullible U.S. customs inspector were those so-called letters of transit. Of course if they had existed then many things would have made sense, or more sense. You have to understand how desperate people were who were able to get to Casablanca in those days and who either by lack of resources or no luck looked like they were never going to get out of there, were going to as Rick once said to Charles as I overheard a conversation between them “die” there. (There is a certain irony in the fact that he did die there pretty wealthy from what I heard about his take on the drug trade and a little off-hand pimping of the local Casbah girls). To hear about “no hassle” just sign your name documents fired many an imagination. Made people believe in what was nothing but thin air.
The whole thing was a concoction made up by this Peter Lorre, a two-bit con man, a German ex-pat of some sort, probably saw no benefit to himself to stay in Germany after 1933 since while Hitler had an assortment of hangers-on, flaks, devotees, and bone-crushers two-bit non-ideological con men were being run out of town and fast. Hell he could hardly pay his bar tab never mind his rent. Borrowed money off of me (with interest which I never got as it turned out nor payment one on the loan) to get some stuff out of hock. He took advantage of the news, the real news, that two German officers had been killed on their way to Casablanca and figured that he could make a “killing” maybe several, by getting money upfront from those desperate people stranded and running out of hope by saying he had some fool-proof documents which real letters of transit would be no question about that. Of course this idea fizzled when Louie to impress the German officers watching the henhouse decided that Lorre was the perfect guy to take the fall for the killing of the two Germans. He staged a big raid at Rick’s one night for just that purpose, just to impress this bigwig Major Strasser nothing but a strutting fool if you asked me. They found Lorre out in the sand about twenty kilometers from the Casbah a few weeks later with two slugs to the head.
Rick was slick though, or maybe better love sick since he never let on at the time that Lorre had conveyed the “documents” to him or that he knew that they were crudely forged documents. So as far as anybody in Casablanca knew, or wanted to know, like I said they were still around town. Somehow Lazlo found out that Rick had these documents, or some documents and tried to bargain Ilsa, or rather Ilsa’s safe passage out of Casablanca for some sum of dough to be forwarded later. No sale even though while they were discussing the matter Rick let on about the torrid affair in Paris and Lazlo, eternally a European sophisticate, brushed it off as so much collateral damage of war. Lazlo probably knew better than anybody the slightly sluttish side of Ilsa when she wanted something so he probably went to Rick first before she made her charge at the love sick guy.
Which came the next night while Victor and seemingly half the foreigners in town, including me were at a meeting to plan his escape and our tasks after he left. (I was to go to Europe to join the resistance and did not get to America until a few years after the war when I married an American citizen whom I met in Paris right after Liberation day. I never saw Danja again after I fled Denmark and so do not know what happened to her after the fall).
Ilsa must have really given Rick the business, the whole pitch since when she left his room all disheveled she had made a promise to go away with Rick and forget about Lazlo. Yes, I think I was right that she knew all the arts, probably gave him a blow job to seal the deal since most guys will buckle under if they have some gal “play the flute” for them. Since he had nothing to get out of Casablanca with Rick stalled her as long as he could until the Germans, using Louie as a front man, were ready to grab Lazlo. It was a close thing. When Rick came up empty he would wind up spending many lonely nights thinking about Paris and that last night up in his room with her because Ilsa was back in Victor’s fold when things were getting dicey. So much for the Rick legend which he pursued mercilessly I understand after the war when he claimed that that without him and those so-called letters of transit Lazlo would have been a goner, and by implication that Europe would still be under the Nazi boot heel.
The real story which I can tell now that Victor Lazlo is in his honored grave, Rick is long gone to his rather shabby grave and Ilsa ever since a couple of years after the war is the Countess of Kent and not bothered by anything these days since she suffers from a series of mysterious diseases. The long and short of it was when that bastard Major Strasser ordered Louie to round up Lazlo with or without Ilsa we, the local branch of the Knights Templar, kidnapped the Major and executed him out in the desert not far from where Lorre had been found earlier. We then held Louie at gunpoint while we ordered him to clear the airport and allow Lazlo and Ilsa to board the late night plane to Lisbon. No big mystery just what freedom-fighters did when they had to face the facts of life at any given moment. The rest is so much thin air. RIP, Victor Lazlo, RIP.
