Thursday, April 30, 2020

An Encore Salute To The Untold Stories Of The Working- Class 1960s Radicals-“The Sam And Ralph Stories”- The 40th Anniversary Of The Fall Of Saigon (Ho Chi Minh City)(2015)-An American Ex-Soldier’s Story.

An Encore Salute To The Untold Stories Of The Working- Class 1960s Radicals-“The Sam And Ralph Stories”- The 40th Anniversary Of The Fall Of Saigon (Ho Chi Minh City)(2015)-An American Ex-Soldier’s Story. 

Greg Green, site manager Introduction 

 [In early 2018, shortly after I had taken over the reins as site manager at this on-line publication I “saw the light” and bowed to the wisdom of a number of older writers who balked at my idea of reaching younger and newer audiences by having them review films like Marvel/DC Comics productions, write about various video games and books that would not offend a flea unlike the flaming red books previously reviewed here centered on the now aging 1960s baby-boomer demographic which had sustained the publication through good times and bad as a hard copy and then on-line proposition. One senior writer, who shall remain nameless in case some stray millennial sees this introduction and spreads some viral social media hate campaign his way, made the very telling observation that the younger set, his term, don’t read film reviews or hard copy books as a rule and those hardy Generation of ’68 partisans who still support this publication in the transition from the old Allan Jackson leadership to mine don’t give a fuck about comics, video games or graphic novels. I stand humbled.

Not only stand humbled though but in a valiant and seemingly successful attempt to stabilize this operation decided to give an encore presentation to some of the most important series produced and edited by Allan Jackson-without Allan. That too proved to be an error when I had Frank Jackman introduce the first few sections of The Roots Is The Toots Rock And Roll series which Allan had sweated his ass over to bring out over a couple of years. Writers, and not only senior writers who had supported Allan in the vote of no confidence fight challenging his leadership after he went overboard attempting to cash in on the hoopla over the commemoration of the 50th anniversary of the Summer of Love in 1967 but also my younger writer partisans, balked at this subterfuge. One called it a travesty.

Backing off after finding Allan, not an easy task since he had fled to the safer waters of the West looking for work and had been rumored to be any place from Salt Lake City to some mountainous last hippie commune in the hills of Northern California doing anything from pimping as press agent for Mitt Romney’s U.S. Senate campaign in Utah to running a whorehouse with Madame La Rue in Frisco or shacking up with drag queen Miss Judy Garland in that same city, we brought Allan back to do the introductions to the remaining sections. That we, me and the Editorial Board established after Allan’s demise and as a guard against one-person rule, had compromised on that gesture with the last of the series being the termination of Allan’s association with the publication except possibly as an occasional writer, a stringer really, when some nostalgia event needed some attention.      

That was the way things went and not too badly when we finished up the series in the early summer of 2018. But that is not the end of the Allan story. While looking through the on-line archives I noticed that Allan had also seriously edited another 1960s-related series, the Sam and Ralph Stories, a series centered on the trials and tribulations of two working-class guys who had been radicalized in different ways by the 1960s upheavals and have never lost the faith in what Allan called from Tennyson “seeking a newer world” would resurface in this wicked old world, somebody’s term.

I once again attempted to make the mistake of having someone else, in this case Josh Breslin, introduce the series (after my introduction here) but the Editorial Board bucked me even before I could set that idea in motion. I claimed, somewhat disingenuously, that Allan was probably out in Utah looking for some residual work for Mitt Romney now that he is the Republican candidate for U.S. Senator for Utah or running back to Madame La Rue, an old flame, and that high- end whorehouse or hanging with Miss Judy Garland at her successful drag queen tourist attraction cabaret. No such luck since he was up in Maine working on a book about his life as an editor. To be published in hard cop y by well-known Wheeler Press whenever he gets the proofs done. So hereafter former editor and site manager Allan will handle the introductions on this encore presentation of this excellent series. Greg Green]                   

Allan Jackson, editor The Sam And Ralph Stories -New General Introduction

[As my replacement Greg Green, whom I brought in from American Film Gazette originally to handle the day to day site operations while I concentrated on editing but who led a successful revolt against my regime based on the wishes of the younger writers to as they said at the time not be slaves to the 1960s upheavals a time which they only knew second or third hand, mentioned in his general introduction above some of the series I initiated were/are worth an encore presentation. The Sam and Ralph Stories are one such series and as we go along I will try to describe why this series was an important testament to an unheralded segment of the mass movements of the 1960s-the radicalized white working- class kids who certainly made up a significant component of the Vietnam War soldiery, some of who were like Sam and Ralph forever after suspicious of every governmental war cry. Who also somewhat belatedly got caught up in the second wave rock and roll revival which emerged under the general slogan of “drug, sex and rock and roll” which represented a vast sea change for attitudes about a lot of things that under ordinary circumstances would have had them merely replicating their parents’ ethos and fate.        

As I said I will describe that transformation in future segment introductions but today since it is my “dime” I want to once again clear up some misapprehensions about what has gone on over the past year or so in the interest of informing the readership, as Greg Green has staked his standing at this publication on doing to insure his own survival, about what goes on behind the scenes in the publishing business. This would not have been necessary after the big flap when Greg tried an “end around” something that I and every other editor worth her or his salt have tried as well and have somebody else, here commentator and my old high school friend Frank Jackman, act as general introducer of The Roots Is The Toots  rock and roll coming of age series that I believe is one of the best productions I have ever worked on. That got writers, young and old, with me or against me, led by Sam Lowell, another of my old high school friends, who had been the decisive vote against me in the “vote of no confidence” which ended my regime up in arms. I have forgiven Sam, and others, as I knew full well from the time I entered into the business that at best it was a cutthroat survival of the fittest racket. (Not only have I forgiven Sam but I am in his corner in his recent struggles with young up and coming by-line writer Sarah Lemoyne who is being guided through the shoals by another old high school friend Seth Garth as she attempts to make her way up the film critic food chain, probably the most vicious segment of the business where a thousand knives wait the unwary from so-called fellow reviewers.) The upshot of that controversy was that Greg had to back off and let me finish the introducing the series for which after all I had been present at the creation.               

That would have been the end of it but once we successfully, and thankfully by Greg who gave me not only kudos around the water cooler but a nice honorarium, concluded that series encore in the early summer of 2018 he found another way to cut me. Going through the archives of this publication to try to stabilize the readership after doing some “holy goof” stuff like having serious writers, young and old, reviewing films based on comic book characters, the latest in video games and graphic novels with no success forgetting the cardinal rule of the post-Internet world that the younger set get their information from other sources than old line academic- driven websites and don’t read beyond their techie tools Greg found another series, the one highlighted here, that intrigued him for an encore presentation. This is where Greg proved only too human since he once again attempted an “end around,” by having Josh Breslin, another old friend whom I meet in the Summer of Love, 1967 out in San Francisco, introduce the series citing my unavailability as the reason although paying attention to the fact that I had sweated bullets over that one as well.      

This time though the Editorial Board, now headed by Sam Lowell, intervened even before Greg could approach Josh for the assignment. This Ed Board was instituted after my departure to insure the operation would not descend, Sam’s word actually, into the so-called autocratic one-person rule that had been the norm under my regime. They told Greg to call me back in on the encore project or to forget it. I would not have put up with such a suggestion from an overriding Ed Board and would have willingly bowed out if anybody had tried to undermine me that way. I can understand fully Greg’s desire to cast me to the deeps, have done with me as in my time I did as well knowing others in the food chain would see this as their opportunity to move up.  

That part I had no problem with, told Greg exactly that. What bothered me was the continuing “urban legend” about what I had done, where I had gone after that decisive vote of no confidence. Greg continued, may continue today, to fuel the rumors that not only after my initial demise but after finishing up the Roots Is The Toots series I had gone back out West to Utah of all places to work for the Mormons, or to Frisco to hook up with my old flame Madame La Rue running that high-end whorehouse I had staked her to in the old days, or was running around with another old high school pal, Miss Judy Garland, aka Timmy Riley the high priestess of the drag queen set out in that same town whom I also helped stake to  his high-end tourist attraction cabaret. All nonsense, I was working on my memoir up in Maine, up in Olde Saco where Josh grew up and which I fell in love with when he first showed me his hometown and its ocean views.          

If the reader can bear the weight of this final reckoning let me clear the air on all three subjects on the so-called Western trail. Before that though I admit, admit freely that despite all the money I have made, editing, doing a million pieces under various aliases and monikers, ballooning up 3000 word articles to 10,000 and having the publishers fully pay despite the need for editing for the latter in the days before the Guild when you worked by the word, accepting articles which I clearly knew were just ripped of the AP feed and sending them along as gold I had no dough, none when I was dethroned. Reason, perfectly sane reason, although maybe not, three ex-wives with alimony blues and a parcel of kids, a brood if you like who were in thrall to the college tuition vultures.

Tapped out in the East for a lot of reasons I did head west the first time looking for work. Landed in Utah when I ran out of dough, and did, DID, try to get a job on the Salt Lake Star and would have had it too except two things somebody there, some friend of Mitt Romney, heard I was looking for work and nixed the whole thing once they read the articles I had written mocking Mitt and his white underwear world as Massachusetts governor and 2012 presidential candidate. So it was with bitter irony when I heard that Greg had retailed the preposterous idea that I would now seek a job shilling for dear white undie Mitt as press agent in his run for the open Utah United States Senate seat. Here is where everybody should gasp though at the whole Utah fantasy-these Mormons stick close together, probably ingrained in them from Joseph Smith days, and don’t hire goddam atheists and radicals, don’t hire outside the religion if they can help it. You probably had to have slept with one of Joseph Smith’s or Brigham Young’s wives to even get one foot in the door. Done.              

The helping Madame La Rue, real name of no interest or need to mention,  running her high-end exclusive whorehouse out in Half Moon Bay at least had some credence since I had staked her to some dough to get started after the downfall of the 1960s sent her back to her real world, the world of a high class hooker who was slumming with “hippies” for a while when it looked like our dreams were going to be deterred in in the ebbtide. We had been hot and heavy lovers, although never married except on some hazed drug-fogged concert night when I think Josh Breslin “married” us and sent us on a “honeymoon” with a fistful of cocaine. Down on dough I hit her up for some which she gave gladly, said it was interest on the “loan: she never repaid and let me stay at her place for a while until I had to move on. Done

The whole drag queen idea tells me that whoever started this damn lie knew nothing about my growing up days and had either seen me in The Totem, Timmy Riley’s aka Miss Judy Garland’s drinking with a few drag queen who worked and drew the wrong conclusions or was out to slander and libel me for some other nefarious reason. See Miss Judy Garland is the very successful drag queen and gay man Timmy Riley from the old neighborhood who fled to Frisco when he could no longer hide his sexual identity and preferences. To our great shock since Timmy had been the out-front gay-basher of our crowd, our working-class corner boy gay-bashing crowd. I had lent, after getting religion rather late on the LGBTQ question, Timmy the money to buy his first drag queen cabaret on Bay Street and Timmy was kind enough to stake me to some money and a roof before I decided I had to head back East. Done.

But enough about me.  This is about two other working- class guys, Sam Eaton and Ralph Morris, met along life’s road one from Carver about fifty miles away from where Seth, Sam, Timmy and a bunch of other guys grew up and learned the “normal” working-class ethos-and broke, tentatively at times, from that same straitjacket and from Troy, New York. Funny Troy, Carver, North Adamsville, and Josh’s old mill town Olde Saco all down-in-the-mouth working class towns still produced in exceptional times a clot of guys who got caught up in the turmoil of their times-and lived to tell the tale. I am proud to introduce this encore presentation and will have plenty more to say about Sam and Ralph in future segments.]



Allan Jackson Introduction To Sam and Ralph-The Wild Boys of Cambridge When Cambridge Was Jammed Full Of Wild Girls And Boys    

[Some guys from the old days, from the old growing up poor in the working-class Acre section of North Adamsville, I still have contact with over fifty years later. Guys like Seth Garth who is now in a “battle” along with his new protégé Sarah Lemoyne who looks for all the world to be an up and coming contributor to this publication against his, and my, old time friend Sam Lowell who promised me he would retire, especially after he provided the key last and decisive vote when the younger writers rose up against my editorship and forced me to retire. Forced me West seeking another job to keep myself solvent causing all kinds of rumors and fairy tales to enter the world which only muddied up the already murky waters. Other guys like beautiful Si Lannon and generous benefactor to this publication Jack Callahan also come to mind. Of course the elephant in the room has always been, and probably always will be, one Peter Paul Markin, who taught us many things before his sadly untimely demise caused by his own hubris many years ago. I honored his memory for years using his name as my moniker in various publishing efforts and will detail the genesis of that decision in the memoir of my time in the publishing industry which I am working on and expect to complete by next year.     

I am proud to have had the chance to keep so many friendships from the old neighborhoods days as I am a man who puts a great deal into things like loyalty and camaraderie. Of course those relationships do not exhaust the number of long friendships and close working relationships. Josh Breslin met in the Summer of Love, 1967, Zack James, youngest brother of my closest friend in high Alex, and Lance Lawrence come readily to mind. Then there are guys, I am only talking guys today as I will deal with gals in an up-coming introductory segment, like fellow Vietnam veteran Ralph Morris from over in Troy, New York whom I met I believe down in Washington, D.C. in 1971 a few weeks before we, Vietnam Veterans Against The War (VVAW), did our part to try to shut down the government to shut down the war on May Day -and failed. Guys like his friend Sam Eaton from Carver about fifty miles from North Adamsville,  not a veteran since he was exempted from the draft as the sole support of his mother and four sisters after his father passed away suddenly of a heart attack, whom Ralph “met” after both had been arrested in those May Day actions in “jail” at the RFK football stadium. They, Sam and Ralph, and I have stayed in contact over the years and have worked on many political projects mostly against war together.    

That brings me to the idea behind having Sam and Ralph as the central characters in a series I helped plan around the story- and fate- of some working- class radicals who for the most part had kept the faith, had not retreated to self, had not given up the mist of change we were struggling for in those halcyon and heady 1960s upheaval days. At the cost of over-generalization the thing that united the North Adamsville remnant, including me, guys like Josh Breslin and guys like Sam and Ralph was our working-class backgrounds. While the road to new understandings of the ways of the world were different we all arrived at some similar conclusions and since then have seen no reason to dramatically change them if in the aging process we are less able to stir the old energies. Have been ready to “pass the torch” for a while. The stories of the old North Adamsville corner boys had by 2012 or so been done to death as had the stories centered on other working-class guys like Josh Breslin from places like Olde Saco up in Maine and so the natural place to turn was the long-time relationship between Sam and Ralph. Things seemed right in the universe doing the series then-and now with this encore.]          

Allan Jackson’s Encore Introduction to “An Ex-American Soldier’s Story”

Some generations are driven by events that have world historic importance-Pearl Harbor, December 7, 1941 the day of infamy according to President Franklin Roosevelt, maybe not so to others but that is for the historian to decipher and 9/11 2001 come readily to mind. For the Generation of ’68 Peter Paul Markin’s designation for the generation, or the best part of it that rose up to try and slay the dragon of the Vietnam War that fateful April 30, 1975 when with a puff of air the North Vietnamese Regulars and the South Vietnamese National Liberation Front waltzed int to Saigon, now rightfully Ho Chi Minh City after the great national liberation leader, after a 10,000 day world, the bloodiest and most bloodthirsty part the American invasion from say 1964 to that well-known photograph of the evacuation of the U.S. Embassy by helicopter of the last remnant of the America hubris in the area.

Not everybody, soldier or civilian saw, sees that day as cause for some serious contemplation, reflection about the borders of hubris. Some soldiers, some fellow soldiers, and this is what I want to make sure I get clear in this introduction did their duty as they saw it, came home and as best as they could  got back to the real world, that was probably a majority of the roughly two million military personnel who served in that conflict. Another segment, smaller and more troubled never did get back to the “real” world. Drugs, physical maladies, mental problems, and just getting back the nine to five world they had expected to inhabit proved too much. Guys like the guys who famously became the “brothers under the bridge” that I wrote about for the East Bay Other after I had come back from Vietnam and had had my own troubles getting back into that real world. The epitome, the personal known to me epitome of that soldier though was Peter Paul Markin, whose moniker I used for a number of years to honor my fallen hometown neighborhood friend and brother who taught me, us many things before he went under and who had done okay for a while but just couldn’t get rid of the demons in his head, what Seth Garth, using a line from a Patty Griffin song “put out the fire in your head” used to say.        

Then there were the Ralph Morris-types who came back ready to smite dragons, and is still ready to do so, ready to take on all comers who want to get this country into yet another war and who as a sidebar has fought under various banners for social justice ever since. I met Ralph down in Washington in the spring of 1971 when he, I, was red hot to express his outrage at the murderous actions of his government against people with which he had no quarrel.  We were linked up with other ex G.I.s in various actions as veterans, as guys who knew and saw things up close and personal and ready to do something, maybe give up our lives if it came to that to stop the fucking war (that is still the only way I can describe it with the “fucking” in front).  Ralph knew the war was fucked, knew it in his bones but it took the actual experience of going to sort things out. Sure he had his problems coming home but he stayed the course. A guy like Ralph would not have been as happy, if that is the way to put such a thing, as the North Vietnamese Regulars and the South Vietnamese Liberation fighters to have the damn war finished in 1975 but every year he, we reflect on the day and are proud of our small part in helping try to stop the thing from going on forever.]        



Ralph Morris comment:

Yeah, sure I served in Vietnam, served Regular Army, after I kind of panicked when I got my draft notice from my “friends and neighbors” at the Troy, New York draft board in late 1966 and enlisted expecting, based on a foolish belief in the recruiting sergeant, that I would be placed in an electronics MOS by doing so. I can still remember my G.I. dog-tag number RA038341396, that RA in front of the numbers not like a lot of guys, guys who I wished I had been more like who had “U.S.” before their dog-tag numbers signifying that they were draftees, maybe kicking and screaming draftees like a guy I ran into in the G.I. anti-war movement in 1971, Fritz Jasper, who was a big guy in Vietnam Veterans Against the War (VVAW) and who had served a year in an Army stockade before they let him out for refusing to go to ‘Nam.

But what did I know then. What did I know like Fritz who was one of those kicking and screaming draftees out of New York City, Brooklyn I think, about getting with Quaker-driven draft counsellors or military resistance counsellors once he knew after about three day in the Army in 1969 that he was in the wrong place and every instinct told him that year that he was going to ‘Nam if he didn’t do something quick to get the military’s attention. So he did first by refusing his orders and then by refusing to do a damn Army thing. They put his ass in some damn stockade down South   and were going to throw away the key before some people he was in contact with, some Quaker people or people who worked with Quakers got him some legal help and they went to federal court to spring him. Remind to tell you some more of his story sometime because it is kind of interesting when people ask me about military resisters then.

That’s the big case I tell them about because I know it cold although I know there were plenty of others, plenty that got some coverage. Maybe better I will ask Fritz to tell his story sometime because, guess what, that resistance/stockade experience made a peacenik “lifer” out of him. He is working with Veterans For Peace down in the city just like I am in Troy (really the whole North Country area and in Boston when I visit Sam Eaton who has a big part in this story and the VFP chapter there needs warm bodies for an action.) 

And what if I did know how to make those anti-war connections. What good would it have done me since before ‘Nam I was enthrall to some pretty red, white and blue notions, some ideas it has taken my whole freaking dead ass life to break from, and I still breaking from. All I know is this, bloody, forlorn god forsaken Vietnam changed my life, probably has been the number one experience that has kept me going trying to light the lamp of peace. If I hadn’t I today probably would be like a lot of guys and gals who were waving South Vietnamese National Liberation Front (NLF) flags like I did later on when I got “religion” on the war issue. Waved that flag at the end when the “other side” came down Highway One in Vietnam in the Spring of 1975 like bats out of hell and resolved the whole thing in a couple of months, stuff that had taken thirty years of their blood and over ten of ours to conclude not to count the whole torn apart countries left in the wake. Those others have now long past made their peace with the American empire, made it quick and easy when the deal when down and the American government pulled the hammer down and they flinched when it counted a whole bunch of times since, times like Iraq 2003. Yeah, some people learn the hard way but they learn the lesson well. 

Yeah, what good would all of that knowledge done me then. See my old man, Ralph, Senior, ran a high precision electrical shop doing a lot of work for the big employer in the area, General Electric, a company which had many big contracts with the Department of Defense in those years and I worked for him a couple of years in high school and after I got out so I expected that I could do something useful for the Army with that skill. But see beside that little “error” in believing word one from that damn recruiting sergeant, First Sergeant Riley, a good old boy, a “lifer” ( a very different “lifer” from Fritz Jasper) from Arkansas who had already done two tours in ‘Nam and had blessed the Army each and every day for giving him shoes and three squares a day if I recall, the United States of America under the benevolent guidance of some damn Texan, Lyndon Johnson, LBJ, to be exact in 1967, 1968 was looking for nothing but “grunts” to comb the bushes and jungles of Vietnam. Looking for grunts to flush out every commie from every hut in every hamlet in that benighted country no matter how long it took and how much “collateral damage” ensued so I was trained as an 11B (Bravo), an infantryman, a “grunt,” “cannon fodder” although I didn’t pick up that last term until later, later when I got discharged, when people explained to me in concrete terms what I was, all that I was, to the people who ran the damn war.

That discharge business is important because unlike a couple of guys I heard about who were raising hell about the war, in Vietnam if you can believe that, yeah, raising holy hell, and guys I ran into later at Fort Dix who had joined the G.I. anti-war resistance after I came back to the “real world” I didn’t raise any hell while I was in the Army. (And knew nothing about Fritz’s case even though as he showed me a copy later it was publicized at Fort Dix via a G.I. newspaper, The Morning Report, run out of one of the G.I. coffeehouses that were sprouting up around military bases when the civilian anti-war movement, the radical students mainly, realized they had to get to the grunts if they were going to end the war on their terms not that of the American government.) Didn’t see the percentage in it, didn’t want to wind up in Long Binh Jail, the LBJ as everybody in-country called it, or worse, some long forgotten stretch out in the prairies of Kansas at Fort Leavenworth, the place where they now have the heroic Wiki-leaks whistle-blower Private Chelsea Manning doing a hard thirty-five year stretch just for telling the truth about American military atrocities in Iraq and Afghanistan since 2001. [Since has had her sentence commuted by former President Obama before he left office in 2017-AJ] Although this piece is about my own military service and what I did or didn’t about what was going on in Vietnam, mainly didn’t, except a few words to buddies over beers at the PX or over a joint in the barracks or boondocks the Manning case grabbed me, grabbed me hard and I took her case to heart. [For those not in the know or who don’t recognize the case by that name before her conviction and sentencing in August 2013 she was known a Bradley Manning before coming out as “tran” which makes her being at the all-male prisoner Leavenworth that much  harder.] I went to many rallies in her support, raised money for the legal defense, circulated every kind of petition to get her free, still do, and went down to Fort Meade where she was tried by court-martial a few times. Yeah, call it guilt maybe, call it pay back, but I was supporting a fellow soldier in her hour of need, something I didn’t do back then. But enough of this.  

In ‘Nam whatever I did or didn’t do is where I got the “fire in the belly” to see that the whole war was off balance, didn’t make the kind of sense right there in-country that it did in faraway propaganda-drenched America, fighting commies, fighting dominos, picking up on my father’s “my country, right or wrong” mentality or my corner boys looking for some cheapjack glory learned from watching too many Green Beret-type movies. The reality: picking off random peasants who got in the crossfire because we were too scared to go forward if we thought VC was in the area or at night when we knew, not at first but by 1968, that “the night belonged to Charlie” as we called him, first as a term of disrespect but finally after Tet 1968 as an enemy worthy of respect whatever the NCOs and officers said. Jesus. Yeah, that’s the patriotic hogwash what I had to fight against, get rid of from my mind, and frankly it has been a lifelong struggle on some things. (But get this who would have thought that a sixty-something purple heart ex-soldier would be out on the hustings to get a transgender woman, Chelsea Manning, out of hard rock prison back then, now even.)       

But back in Vietnam days, in-country not affected too much by reports of draft resistance in 1967 although I had had heard on Armed Forces Radio the bit about the student radical trying to “levitate” the Pentagon (and thought it a weird thing to do with gunfire all around me) and like I said a little about guys bucking against the military system, mostly blacks who I got along with personally but there was a lot of black nationalism in the air and we didn’t’ mix that much in 1967 (1968 yes after the Tet offensive showed what the hell we were up against we made an “armed truce” to survive) but that was kind of so much air then. I had been progressively getting more and more fed up with the war, with the killing, with what it was doing to me, what it was doing to my buddies, and what the United States of America was turning me and them into, nothing but animals. 

I even extended my tour from the usual year (thirteen months really when you figure in the 30 days of R&R) to eighteen months so if I didn’t get killed I could get out a few months earlier from my three year enlistment (and get as a bonus stationed at Fort Dix at the end of my enlistment on the East Coast only a couple of hundred miles from home). Well I might have had a death wish or something extending my tour of duty but I made it out alive with only a small purple heart wound but when I got out in late 1969 I joined, not right away but soon, that VVAW that I talked about earlier. Yeah wound up joining the Vietnam Veterans Against the War, the main anti-war veterans group at the time. Such a move by me and thousands of other soldiers who had served in ‘Nam is a real indication even today of how unpopular that war was when the guys who had fought the damn thing arms in hand, mostly guys then, rose up against the slaughter. I wound up taking part in a lot of VVAW actions around Albany and New York City mainly.

Nah, I thought I was going to but no I am not going to tell war stories here about what happened in Vietnam, the “dog soldier” stories because you can read about them, or see a movie like The Deer Hunter or Apocalypse Now, films like that to get a flavor of the heat and humiliation of battle or books by guys who did want to tell “dog soldier stories” like Mike Caputo, and Phil Jackson. What I want to talk about in this the 40th anniversary of the fall of Saigon is the “afterwards” part, the VVAW part, the May Day 1971 part, the “red collectives” in Cambridge part with my old friend and political activist associate Sam Eaton, and the part where I, not without some conflict came to cheer on the DNV/NLF offensive in the Spring of 1975 which led to the fall of Saigon, now Ho Chi Minh City, and left ashes in American governmental mouths (and mine too but for different reasons). 

I didn’t really want to tell any stories, didn’t want to think about Vietnam at all although that experience one way or another touches my soul every damn day I live. I had in fact for some years later denied to strangers that I had even served in Vietnam including one girl, Joyell who I ran into at an anti-war rally on Cambridge Common one time when I went there to visit Sam where she was waving a NLF flag which made me wince at first but she was a beauty and very smart too so I took a run at her and she at me, yeah, Joyell, a radical girl from Cambridge when that was a cool thing to be in say 1972, 1973,  whom I dated for a year and had told that I had been a draft resister and when she found out I was a Vietnam vet, even with the VVAW imprimatur, had left me flat.

But see Sam, Sam Eaton, and I had been talking one night a few months back after having a few high-shelf whiskeys at our favorite watering hole, Jack Higgins’ Grille down just outside the Financial District near Quincy Market when I had come to Boston to see him on one of our periodic visits with each other and he said I “owed it to the movement,” owed it to “the generations that came after” to paraphrase a poem by Bertolt Brecht to tell how an average patriotic guy from a sternly patriotic Cold War “my country, right or wrong” family, neighborhood, city got “religion” on the issues of war and peace, and had kept the faith ever since despite having to swallow some sad truths like that I had fought on the wrong side of history in that fight, that whatever happened later the fight was for the Vietnamese people to figure out without the mightiest military power in the known world and in known history raining hell and damnation on those benighted people.

See Sam, a guy who didn’t go to war, didn’t have to go to war, because his draft board (his “friends and neighbors”) in Carver, Massachusetts had exempted him on the very reasonable grounds that he was then the sole support of his mother and four younger sisters after his drunken sot of a father (Sam’s term) passed away of a massive heart attack in 1965 is very keen on his history these days, has been since the days when we got involved in those “red collective” study groups back after the May Day 1971 fiasco. He had read that the United for Justice and Peace (UJP) was hosting a series of events commemorating that fall of Saigon by taking a retrospective look at what the American anti-war movement in general did to aid that decisive event and how the various civilian and military resistance movements, you know stuff like Fritz Jasper did by refusing to go to Vietnam when under military orders to do so, did as well. So he dragged me to that series and then bugged me for a couple of months afterward to write something like a cautionary tale from a guy like me who was not a draft or military resister but who nevertheless got “religion” on the war issue and unlike guys from VVAW like the current Secretary of State John Forbes Kerry [2015]didn’t forget the lessons when the “main chance” came along and he, Kerry, abandoned every decent instinct he ever had.     

So here goes. But like I said I don’t want to, maybe can’t tell war stories except maybe a little to show a point but no blood and gore stuff because all you need to know is 58,000 plus names on black marble down in Washington, D.C., hundreds of thousands injured with small physical wounds like mine or grievous ones like Johnny Jann from my platoon who lost both legs, mostly uncounted thousand with PTSD, a mass of unnumbered suicides, tons of guys who never made it back to the “real” world and wound up homeless living like Bruce Springsteen said like “brothers under the bridge,” Vietnam bombed back practically to the Stone Age maybe before if the Air Force generals had been totally unleashed, countless hamlets, villages, towns blown to smithereens, millions of luckless innocent people who didn’t bother a soul killed, almost as many “enemy” soldiers and “friendlies” too. Yeah, that is all you need to know.          

I remember commenting to Sam during the course of our conversations on the fact that no way, no way in hell, if it had not been for the explosive events of the 1960s, of the war and later a bunch of social issue questions, mainly third world liberation struggles internationally and the black liberation question at home we would not even be having the conversations we were having, not the two of us anyway, talking stuff about the virtues of the “enemy” which would have been treason talk if not legally then emotionally (both of also as we rattled on chuckling a little at using the old time terms, especially the use of “struggle” and “question,” for example the  black, gay, woman questions since lately we have noticed that younger activists no longer spoke in such terms but used more ephemeral “white privilege,” “patriarchy,”  “gender” terms reflecting the identity politics that have been in fashion for a long time, since the ebb flow of the 1960s). 

I (and Sam too) had imbibed all the standard identifiable working-class prejudices against reds, some of those prejudices more widespread than among the working class among the general population of the times, you know, like the big red scare Cold War “your mommy is a commie, turn her in,” “the Russians are coming get under the desk and hold onto your head,” anybody to the left of Grandpa Ike, maybe even him, nothing but communist dupes of Joe Stalin and his progeny who pulled the strings from Moscow and made everybody jumpy; against blacks (I had stood there right next to my father, Ralph, Sr., when he led the physical opposition to blacks moving into the Tappan Street section of town and had nothing, along with my corner boys at Van Patten’s Drugstore, but the “n” word to call black people, sometimes to their faces. Sam’s father was not much better, a southerner from hillbilly country down in Appalachia who had been stationed in Hingham no too far from Carver at the end of World War II and stayed, who never could until his dying breathe call blacks anything but the “n” word); against gays and lesbians (me and my boys mercilessly fag and dyke baiting them whenever the guys and I went to Saratoga Springs where those “creeps” spent their summers doing whatever nasty things they did to each other and Sam likewise down in Provincetown with his boys, he helping, beating up some poor guy in a back alley after one of his boys had made a fake pass at the guy, Jesus; against uppity women, servile, domestic child-producing women like our good old mothers and sisters and wanna-bes were okay as were “easy” girls ready to toot our whistles, attitudes which we had only gotten beaten out of us when we ran into our respective future wives (and me with Joyell too but don’t mention that to my wife Laura since all these years later she see red when I mention her name in any content) who had both been influenced by the women’s liberation movement although truth to tell they were not especially political, but rather artistic types.  Native Americans didn’t even rate a nod since they were not on the radar, were written off in any case as fodder for cowboys and soldiers in blue. But mainly we had been red, white and blue American patriotic guys who really did have ice picks in our eyes for anybody who thought they would like to tread on old Uncle Sam (who had been “invented” around my way, my Troy hometown way).      

See I, Sam too for that matter, had joined the anti-war movement for personal reasons at first which had to do a lot with ending the war in Vietnam and not a lot about “changing the whole freaking world” (Sam’s term). Like I said my story was a little bit amazing that way, since I had served in the military, served in the Army, in Vietnam. But like I already told you in 1967, 1968 what Uncle needed, desperately needed as General Westmoreland called for more troops, was more “grunts” to flush out Charlie and so I wound up with a unit in the Central Highlands, up in the bush trying to kill every commie I could get my hands on just like the General wanted.  

After I got out I worked in my father’s high precision electrical shop for a while to make some dough and head west, head somewhere not stinking nowhere Troy, not the woe begotten North Country. One day in 1970 I was taking a high compression motor to Albany to a customer and had parked the shop truck on Van Dyke Street near Russell Sage College. Coming down the line, silent, silent as the grave I thought later, were a ragtag bunch of guys in mismatched (on purpose I found out later) military uniforms carrying individual signs but with a big banner in front calling for “Immediate Withdrawal From Vietnam” in big black letters and signing the banner with the name of the organization in red-Vietnam Veterans Against the War (VVAW). That was all, and all that was needed. Nobody on those still patriotic, mostly government worker, streets called them commies or anything like that but you could tell some guys in white collars and ties who had never come close to a gun, except maybe to kill animals or something defenseless really wanted to. One veteran as they came nearer to me shouted out for any veterans to join them, to tell the world what they knew first-hand about what was going on in Vietnam. Yeah, that shout-out was all I needed, all I needed to join my “band of brothers.”                               

Let me tell you thought how Sam and I met in Washington on May Day 1971 because that will explain a lot of why I am writing this thing that almost half a century later still hurts my brain. I remember that I had first noticed that Sam was wearing a VVAW supporter button when I saw him on the football field at RFK Stadium and I had asked if he had been in ‘Nam. Sam, a little sheepishly, explained that he had been exempted from military duty since he was the sole support for his mother and four younger sisters after his father had passed away of a massive heart attack in 1965. (He had also said he had gone to work in Mister Snyder’s print shop where he had learned enough about the printing business to later open his own shop which he kept afloat somehow during the late 1960s with his high school friend Jack Callahan’s help and which became Sam’s career after he settled down when the 1960s ebbed and people started heading back to “normal” in the mid-1970s)

Oh yeah the reason we were in RFK was not for a football game, the NFL Washington Redskins did not play that game in May, but because we both respectively had been arrested along with thousands of others in a massive civil disobedience action that I will tell more about in a minute. Sam told me, since we had plenty of time to talk, the reason that he had joined the anti-war movement after years of relative indifference since he was not involved in the war effort had been that his closest high school friend, Jeff Mullins, had been blown away in the Central Highlands and that had made him question what was going on. Jeff, who like us had been as red, white and blue as any guy, had written Sam when he was in Vietnam that he thought that the place, the situation that he found himself in was more than he bargained for, and that if he didn’t make it back for Sam to tell people, everybody he could what was really going on. Then with just a few months to go Jeff was blown away near some village that Sam could not spell or pronounce correctly even all these many years later. Jeff had not only been Sam’s best friend but he said was as straight a guy as you could meet, and had gotten Sam out of more than a few scrapes, a few illegal scrapes that could have got him before some judge. So that was how Sam got “religion,” not through some intellectual or rational argument about the theories of war, just wars or “your country right or wrong” wars, but because his friend had been blown away, blown away for no good reason as far as that went.  

May Day 1971 was a watershed for both of us, both of us before May Day having sensed that more drastic action was necessary to “tame the American imperial monster” (Sam’s term picked up from The Real Paper, an alternative newspaper he had picked up at a street newsstand in Cambridge) and had come away from that experience, that disaster, with the understanding that even to end the war would take much more, and many more people, than they had previously expected. I, in particular, had been carried away with the notion that what I and my fellow veterans who were going to try to symbolically close down the Pentagon were doing as veterans would cause the government pause, would make them think twice about any retaliation to guys who had served and seen it all. I got “smart” on that one fast when the National Guard which was defending the Pentagon, or part of it that day, treated us like any Chicago cops at the Democratic Party Convention in 1968, treated us like cops did to any SDS-ers anywhere, and treated us just like anybody else who raised their voices against governmental policy in the streets.

I told Sam while were in captivity that I had been working in my father’s shop for a while but our relationship was icy (and would be for a long time after that although in 1991 when Ralph, Senior retired I took over the business). I would take part in whatever actions I could around the area (and down in New York City a couple of times when they called for re-enforcements to make a big splash).

I had, like I said, joined with a group of VVAW-ers and supporters for that action down in Washington, D.C. See the idea, which would sound kind of strange today in a different time when there is very little overt anti-war activity against the current crop of endless wars but also shows how desperate we were to end that damn war, was to on May Day shut down the government if it did not shut down the war. Our group’s task, as part of the bigger scheme, since we were to form up as a total veterans and supporters contingent was to symbolically shut down the Pentagon. Wild right, but see the figuring was that they, the government, would not dare to arrest vets and we figured (“we” meaning all those who planned the events and went along with the plan) the government would not treat it like the big civilian action at the Pentagon in 1967 which Norman Mailer won a literary prize writing a book about, Armies of the Night. Silly us. 

Sam and I after the fall-out from May Day were thus searching for a better way to handle things, a better way to make an impact because those few days of detention in D.C. that we had jointly suffered not only started what would be a lifelong personal friendship but an on-going conversation between us over the next several years about how to bring about the greater social change we sensed was needed before one could even think about stopping wars and stuff like that. (The story, in short, of how we got out of RFK after a few days was pretty straight forward. Since law enforcement was so strapped that week somebody had noticed and passed the word along that some of the side exits in the stadium were not guarded and so we had just walked out. And got out of town fast, very fast, hitchhiking back north to Carver first, and me later going back to Troy).

Hence the push by Sam toward the study groups led by “red collectives” that were sprouting up then peopled by others who had the same kind of questions. Collectives  which we would join, unjoin and work with, or not work with over the next few years before both of us sensed the tide of the rolling 1960s had ebbed. 

Old time high school thoughts even with the cross-fire hells of burned down Vietnam villages melted into the back of his brain crossed my mind when I first thought of Marx, Lenin (I, we, were not familiar with Trotsky except he had “bought it” down in Mexico with an icepick from some assassin), Joe Stalin, Red Square, Moscow and commie dupes. Sam had not been far behind in his own youthful prejudices as he told me one night after a class and we were tossing down a few at Jack’s in Cambridge before heading home to the commune where Sam was staying. That was the summer of 1972, the year I broke from my father’s business and spent the summer in Cambridge, the summer I first met Joyell, her waving in the breeze NLF flag and her jet black hair and pale blue eyes. 

I had gone out of my way to note in a blog entry for Fritz Jasper’s New York VFP chapter that before I got “religion” on the anti-war and later social justice issues I had held as many anti-communist prejudices as anybody else in Troy, New York, not excluding my rabidly right-wing father who never really believed until his dying days in 2005 that the United States had lost the war in Vietnam. I had realized that all the propaganda he had been fed was like the wind and my realization of that had made me a very angry young man from the time I got out of the Army onward. I tried to talk to my father about it but Ralph, Senior was hung up by a combination “good war, World War II, his war where America saved international civilization from the Nazis and Nips (my father’s term since he fought in the Pacific with the Marines) and “my country, right or wrong.” All Ralph, Senior really wanted me to do ever was to get back to the shop and help him fill those goddam GE defense contract orders. And like I said I did it, for a while.

I had also in that blog entry expressed my feelings of trepidation when after a lot of things went south on the social justice front with damn little to show for all the arrests, deaths, and social cataclysm when me and Sam had gotten into a latter study group in Cambridge run by a “Red October Collective.” That group focused on studying “Che” Guevara and the Russian revolutionary Leon Trotsky after an earlier introduction to the Marxist classics. Sam was constantly trying to figure out why we were spinning our wheels trying to change the world for the better just then and to think about new strategies and tactics for the next big break-out of social activism so he would drag me along half-kicking and screaming. At the end of each meeting we would sing the Internationale before the group broke up. At first I had a hard time with the idea of singing a “commie” song (I didn’t put it that way but I might as well have according to Sam) unlike something like John Lennon’s Give Peace A Chance, songs like that. As I, we got immersed in the group I lightened up and would sing along if not with gusto then without a snicker.

That same apprehensive attitude had prevailed when after about three meetings we began to study what the group leader, Jeremy, called classic Marxism strategy, the line from Marx and Engels to Lenin and the Bolsheviks. A couple of the early classes had dealt with the American Civil War and its relationship to the class struggle in America, and Marx’s views on what was happening, why it was necessary for all progressives to side with the North and the end of slavery, and why despite his personal flaws and attitudes toward blacks Abraham Lincoln was a figure to admire. All of which neither of us knew much about except the battles and military leaders in American History classes.

What caused the most fears and consternation for me was the need for revolution worked out in practice during the Russian revolutions of 1905 and 1917. I could see that it was necessary in Russia during those times but America in the 1970s was a different question, not to speak of the beating that we had taken for being “uppity” in the streets in Washington, D.C. in 1971 when we were not thinking thought one about revolution (maybe others had such ideas but if so they kept them to themselves) and the state came crashing down on us anyway.    

At the beginning in any case, and that might have affected my ultimate decision, some of my old habits kind of held me back, you know the anti-red stuff, Cold War enemy stuff, just like at first I had had trouble despite all I knew about Vietnam, what it had to meant to me and my buddies, that the other side had the better argument in history calling for victory to the Viet Cong.  But I got over it, got in the swing, mostly. Joyell and her energy helped a lot then too. And I still think that was the right outcome. Enough said.  

The Marxism did not come easy, the theory part, maybe for me a little more than Sam who had taken junior college night classes to bolster the small print shop he had built from nothing after Mister Snyder moved his operation to Quincy to be nearer his main client, State Street Bank and Trust (although for long periods his old Carver friend, Jack Callahan, managed the place when Sam was off on his, our anti-war campaigns). We got that the working-class, our class, should rule and be done with inequalities of all kinds but the idea of a revolution, or more importantly, a working class party which was on everybody’s mind in those days to lead that revolution seemed, well, utopian. The economic theory behind Marxism, that impossible to read Das Capital and historical materialism as a philosophy were books sealed with seven seals for us both. Nevertheless for a few years, say until 1975, 1976 when the tide really had ebbed for anybody who wanted to see we hung around with the local “reds,” mostly those interested in third world liberation struggles and political prisoner defense work.

Those were really our earnest “socialist years” although if you had asked us for a model of what our socialism looked like we probably would have pointed to Cuba which seemed fresher than the stodgy old Soviet Union with their Brezhnev bureaucrats. Yeah, those were heady times, we made a ton of mistakes but one that we didn’t make was having silent thrills in our hearts when the DNV/NLF troops came swooping down on Saigon April of 1975. Even if I gave the slightest pause at first hearing.  

Wednesday, April 29, 2020

Of Marriage And Its Vows-Spencer Tracy’s “The Father Of The Bride” (1950)-A Film Review

Of Marriage And Its Vows-Spencer Tracy’s “The Father Of The Bride” (1950)-A Film Review



DVD Review

By Frank Jackman

Father of the Bride, starring Spencer Tracy, Joan Bennett, Elizabeth Taylor, directed by Vincente Minelli, 1950

Sometimes it pays to just not say anything. Take the recent case, my recent case, of being handed a review of a 1934 social/romance comedy/drama starring crooner turned actor (and crooner) Dick Powell Happiness Ahead. There I fumed about the on-going tendency of site manager Greg Green to hand out certain less than desirable assignments under the sign of “broadening horizons” He has tried to pull that gag on many of the younger writers, especially the stringers who after all without the least bit of security have to take it-or leave it- which means another assignment in say 2047. When I thought he was trying to pull that old gag on me I took him up short until he mended his ways by telling me that I was the cat’s meow at doing period “slice of life” pieces. So I did the assignment and he liked it and so he tried to smooth my edges by running this Father of the Bride goof film by me on that same “slice of life” mumbo-jumbo. Be forewarned Mr. Green Mrs. Jackman didn’t raise any kids who it took forever to figure out when he has been had. Enough said.   

I learned long ago from Seth Garth (who I am told now got it from that old hawk Sam Lowell) that when you are up against it for a “hook” on an assignment pull the old chestnut “slice of life then” angel angle out of the fire. But that can only get you so far in some films like this dog since the subject matter is about some young daughter of the leafy suburban upper crust crazy to get married and have her own house and family just like millions in previous generations of leafy suburbanites and those to come as well. Can one who has been married three times though like me (and an amazing number, or maybe not so amazing, of corner boys from the old Acre section of North Adamsville) really do justice to such a subject other than the by-the-numbers social reality of in this case post-World War II upscale complete with servant, black and female of course, family life out in what felt like Connecticut.

Well Greg is paying the freight so here goes. Pops, played by versatile Spencer Tracy who seems a little lost and filled with hubris without sweetie and long-time co-star Katharine Hepburn, is sitting around completely spent after footing the bill for daughter Kay, played by a young and startlingly beautiful Elizabeth Taylor who ironically would have a couple of fistfuls of marriage but was the soul of leafy suburban post-debutante in this one, quicksilver marriage to some up and coming guy from town. Being a guy with no married daughters or granddaughters as of yet I don’t know how a guy in 1950 would take the fall for losing his daughter to some young guy who, well who knows, could be a con artist or serial murderer when all is said and done. All I know is that the father of the bride in those days, now too I would think, has to foot the bill for the big day. That is the easy part when you think about it because the real hard part is dealing with losing that daughter who not so long before was wearing pigtails and braces. Yeah, I can see where that would be the tough part then, or today.

This one though is played seemingly strictly for laughs as Pop is so worried about daughter dear that he gets Mom, played by Joan Bennett in a dither. We get to see every aspect of the wedding process back then, similar to now in many ways although I am not sure, based on my own female kin that such a father would get a feminist seal of approval. No indeed. Such is life among the Mayfair swells and their progeny.

Do Not Forsake Me Oh My Darling-Or Political Liberty Either-Grace Kelly And Gary Cooper’s “High Noon” (1952)-A Film Review

Do Not Forsake Me Oh My Darling-Or Political Liberty Either-Grace Kelly And Gary Cooper’s “High Noon” (1952)-A Film Review



DVD Review

By Si Lannon

High Noon, starring Grace Kelly, Gary Cooper, 1952


Sometimes in life, sometimes in the publishing business might be a more appropriate way of putting the matter, you get handed gratis something like the assignment of this film under review High Noon you would have given your eye teeth to get hold of. The way this one played out was recently added stringer Sarah Lemoyne, who apparently as she has advertised is indeed a quick learner, had been assigned the classic Technicolor Western Johnny Guitar starring an over the hill Joan Crawford and getting there Sterling Hayden despite the fact that she knew nothing, hated even, the genre. Her smart move was to attach that gripe to her review which while site manager Greg Green, the guy who hands out the assignments these days, called it a very good one from an unseasoned and unversed critic in the genre the rest of us, and maybe Sarah too, knew was a dog. Showed those tell-tale signs of somebody going through the motions. The fact of putting her gripe in a review left Greg kind of in a box when he wanted her to do this review, another Western, after she said no mas. So, to keep the inmates from getting restless he assigned this iconic beauty to me. Apparently in the back and forth over the issue it became clear to Greg that Sarah really was clueless about how important this film was cinematically and politically. Too young to know of red scares and such.

The reason that I would have been willing to give my eye teeth to review this film though has nothing to do with cinema or politics but my boyhood (and now still) “crush” on “the girl next door” Grace Kelly. I never tire of telling all who will listen the remark made by Seth Garth when I think he was reviewing Ms. Kelly and Cary Grant’s To Catch A Thief and he was so struck by her form of beauty that he could understand why her husband Prince Rainier of Monaco, a man not known for public displays of emotion openly wept at Princess Grace’s funeral after she was killed in a car accident. I could have told Seth that as well ever since my boyhood infatuation.

Now to the story and to the politics which are intertwined with what the creators, or one of the creators of the story line was attempting to do back in 1952 when the height of
the Senator Joe McCarthy-led red scare was hitting full stride and Hollywood was continually in the direct line of fire for alleged “communist influence” and as a hotbed of mostly former Communist Party members and fellow travelers as they were called then. People were forced, maybe against their better judgments to “snitch”, “fink,”  “rat out” their fellows who were under the Red Scare microscope but they still did it to their every lasting shame which hopefully caused more than a few sleepless nights when they “named names” to cover their own asses. Worse let the night-takers have their way without uttering a whisper against the madness. Would not stand up for the innocent, or the guilty if such a word is appropriate in this context. Cowards and other words I would rather no use here but which we used all the time in the old neighborhood when something smelled rotten.             

And that same understanding propels the action in this film where Will Kane, played by Gary Cooper, soon to be ex-Marshall of a Western town which he did much to make hospitable for ordinary folks and taking action against the wild boys who ruled the roost previously. Leaving the profession, the job since he was now married to lovely Quaker convert Amy, played by Ms. Kelly and she insisted they move away and start a new less dangerous life. All well and god except the leader of the bad guys whom he had sent to prison for life had been pardoned and was heading back to town to seek his revenge against Will. Headed back to town on that regularly scheduled noon train which will get plenty of play via many shots of the endless railroad tracks, the ticking clocks and the bad guys waiting for their boss to come back to begin the slaughter. The question is put point blank-can Will leave where danger is afoot and all that he stands for is threatened.

Of course not everybody saw the question in that same way, didn’t see that he was a standup guy and could do no other.  Including Amy who was ready to leave town-with or without him. The story unravels around the fact that friend or foe, upstanding citizens or not, fearless or fearful not one goddam bastard was ready to stand up to the bad guys back in those late 19th century days when the West was being tamed. Just like standup people were scarce as hen’s teeth when the deal went down in the Cold War red scare night. In the end Will stood down the bad guys alone, well almost alone because his sweetie Amy came through in the end. Best of all after the bad guys were no more and Will gave his fierce look of scorn and contempt on the scurrying town  rats after the dust had settled he and Amy wordlessly left town. Nice.

Monday, April 27, 2020

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Face (Book) Photo That Launched A Thousand Clicks- Or “Foul-Mouth” Phil Hits Pay-Dirt-Finally-With The Coasters Under The Boardwalk In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Face (Book) Photo That Launched A Thousand Clicks- Or “Foul-Mouth” Phil Hits Pay-Dirt-Finally-With The Coasters Under The Boardwalk In Mind



By Allan Jackson

[Once a corner boy always a corner boy as it turns out as the sketch below amply demonstrates. One of the pinnacles of corner boy-dom being always, and now apparently forever until some dying breathe, ready for the main chance-the main chance to grab (not literally in these #MeToo times-okay) some woman out of nowhere. Funny when I conceived of the rock and roll series I had expected the whole thing to revolve around the past and not have the fate of those characters still standing fifty years later come into play. So of course along the period of the two or three years that the series ran a few OMG situations cried out for coverage. Naturally Phil Larkin, a still standee, was a prime candidate if something weird turned up. And old brother Phil, a stand up corner boy in his day, did not fail us. Allan Jackson]          

*********** 

Yes, I know. I know damn well that I should not indulge my seemingly endlessly sex-haunted old-time corner boys. After all this space is nothing but a high-tone “high communist” propaganda outlet on most days –good days (“red” according to those very same corner boys who thought anything to the left of Genghis Khan in the old days was redder than the sun echoing an old history teacher of mine who unhappy with a surly answer I had given him had called me a “Bolshevik,” or rather asked that as question and Timmy Murphy one of the corner boys who was there in the class after he said that never let me live that one down so I am used to that velvet-handed red-baiting). I should, moreover, not indulge a “mere” part-timer at our old North Adamsville Salducci’s Pizza Parlor hang-out be-bop night “up the Downs” like one “Foul-Mouth” Phil Larkin. (For those who do not know what that reference refers to don’t worry you all had your own “up the Downs” and your own corner boys, or mall rats as the case may be, who hung out there.) Despite his well-known, almost automatic, foul mouth in the old days Phil had his fair share, more than his fair share given that mouth, of luck with the young women (girls, in the old days, okay). I am still mad at him for “stealing” my old-time neighborhood heartthrob, Millie Callahan, right from under my nose. (And right in the Sacred Heart Roman Catholic Church after Mass to boot. If he is still a believer he stands condemned. No mercy. As for me, an old heathen, I was just glad that I stared at her ass during Mass. I stand condemned anyway, if things get worked out that way).

Well, that was then and now is now and if you read about “poor” Phil Larkin’s trials and tribulations with the ladies recently in a sketch entitled Sexless sex sites you know that his old Irish blarney ( I am being kind to the old geezer here) had finally given out and that he was scoreless lately. That is he was scoreless as of that writing. As Phil pointed out to me personally as part of our conversations while I was editing his story on that one he felt that he would have had better luck with finding a woman companion (for whatever purpose) by just randomly calling up names in the telephone directory than from that “hot” sex site that he found himself embroiled in. And, in an earlier time, he might have been right.

But we are now in the age of so-called “social networking” (of which this space, as an Internet-driven format is a part) and so, by hook or by crook, someone placed his story (or rather, more correctly, my post from this blog) on his Facebook wall. As a result of that “click” Phil is now “talking” to a young (twenty-something) woman graduate student from Penn State (that is why just a few minutes ago he was yelling “Go, Nittany Lions” in my ear over the cell phone) and is preparing to head to the rolling Appalachian hills of Pennsylvania for a “date” with said twenty-something. Go figure, right? So my placement of this saga, or rather part two of the saga (mercifully there will be no more), is really being done in the interest of my obscure sense of completeness rather than “mere” indulgence of an old-time corner boy. As always I disclaim, and disclaim loudly for the world to hear, that while I have helped edit this story this is the work of one “Foul-Mouth” Phil Larkin, formerly of North Adamsville and now on some twisted, windy road heading to central Pennsylvania.

Phil Larkin comment:

Jesus, that Peter Paul Markin is a piece of work. Always rubbing in that “foul-mouth” thing. But I guess I did get the better of him on that Millie Callahan thing back in the day and he did provide me a “life-line” just now with his posting of my story on his damn communist-addled blog. It is a good thing we go back to “up the Downs” time and that I am not a “snitch” because some of the stuff that I have read from him here should, by rights, be reported directly to J. Edgar Hoover, or whoever is running the F.B.I., if anybody is. We can discuss that another time because I don’t have time to be bothered by any such small stuff. Not today. Not since I hit “pay-dirt” with my little Heloise. Yes, an old-fashioned name, at least I haven’t heard the name used much lately for girls, but very new-fashioned in her ideas. 
She is a twenty-five graduate student from Penn State and I am, as I speak, getting ready to roll out down the highway for our first “in person” meet.
You all know, or should be presumed to know to use a Markinism (Christ, we still call his silly little terms that name even forty years later), that I was having a little temporary trouble finding my life’s companion through sex sites. I told that story before and it is not worth going into here. [Markin: Fifty years Phil, and every other guy (or gal) from the Class of 1964. Do the math. I hope you didn’t try to con Heloise with that “youthful” fifty-something gag-christ, right back to you, Phil.] Let me tell you this one though because it had done nothing but restore my faith in modern technology.

Little communist propaganda front or not, Peter Paul’s blog goes out into the wilds of cyberspace almost daily (and it really should be reported to the proper authorities now that I have read his recent screeds on a Russian Bolshevik guy named Trotsky who is some kind of messiah to Markin and his crowd). So a few weeks ago somebody, somehow ( I am foggy, just like Markin, on the mechanics of the thing, although I know it wasn’t some Internet god making “good” cyberspace vibes or anything like that) picked it up and place it (linked it) on his Facebook wall ( I think that is the proper word). Let’s call him Bill Riley (not his real name and that is not important anyway) Now I don’t know if you know how this Facebook thing works, although if you don’t then you are among the three, maybe four, people over the age of five that doesn’t.

Here’s what I have gathered. Bill Riley set up an account with his e-mail address, provided some information about himself and his interests and waited for the deluge of fan responses and “social-connectedness” (Markin’s word). Well, not exactly wait. Every day in every way you are inundated with photos of people you may know, may not know, or may or may not want to know and you can add them to your “friends” pile (assuming they “confirm” you request for friendship). Easy, right?

Well, yes easy is right because many people will, as I subsequently found out, confirm you as a friend for no other reason than that you “asked” them to include you. Click- confirm. Boom. This, apparently, is what happened when Bill “saw” Heloise’s photo. I found out later, after “talking” to Heloise for a while, that she did not know Bill Riley or much about him except that he has a wall on Facebook. So the weird part is that Bill “introduced” us, although neither Heloise nor I know Bill. This has something Greek comedic, or maybe a Shakespeare idea, about it, for sure. In any case Heloise, as a sociology graduate student at Penn State, took an interest in the “sexless” sex site angle for some study she was doing around her thesis and, by the fates, got hooked into the idea that she wanted to interview me about my experiences, and other related matters.

Without going into all the details that you probably know already I “joined” Bill Riley’s Facebook friends cabal and through him his “friend” Helosie contacted me about an interview. Well, we “chatted” for a while one day and she asked some questions and I asked others in my most civilized manner. What I didn’t know, and call me stupid for not knowing, was that Heloise not only was a “friend” of Bill’s but, unlike me (or so I thought), had her own Facebook page with photos. Now her photo on Bill’s wall was okay but, frankly, she looked just like about ten thousand other earnest female twenty-something graduate students. You know, from hunger. But not quite because daddy or mommy or somebody is paying the freight to let their son or daughter not face reality for a couple more years in some graduate program where they can “discover” themselves. Of course, naturally old cavalier that I am said, while we were chatting, that she was attractive, and looked energetic and smart and all that stuff. You know the embedded male thing with any woman, young or old, that looks the least bit “hit-worthy.” (Embedded is Markin’s word, sorry.)That photo still is on Bill’s wall and if I had only seen that one I would still be sitting in some lounge whiskey sipping my life away.

Heloise’s “real” photos, taken at some Florida beach during Spring break, showed a very fetching (look it up in the dictionary if you don’t know what that old-time word means) young woman that in her bikini had me going. Let’s put it this way I wrote her the following little “note” after I got an eyeful:

“Hi Heloise - Recently I made a comment, after I first glanced at your photo wall, that you looked fetching (read, attractive, enchanting, hot, and so on). On that first glance I, like any red-blooded male under the age of one hundred, and maybe over that for all I know, got a little heated up. Now I have had a change to cool down, well a little anyway, and on second peek I would have to say you are kind of, sort of, in a way, well, okay looking. Now that I can be an objective observer I noticed that one of your right side eyelashes is one mm, or maybe two, off-balance from the left side. 

Fortunately I have the “medicine” to cure you. If you don’t mind living with your hideous asymmetrical deformation that is up to you. I will still be your friend. But if you were wondering, deep in the night, the sleepless night, why you have so few male Facebook friends or why guys in droves are passing your page by there you have it. Later-Phil.”

The famous old reverse play that has been around for a million years, right? Strictly the blarney, right? [Markin: Right, Phil, right as ever]. That little literary gem however started something in her, some need for an older man to tell her troubles to or something. And from there we started to “talk” more personally and more seriously. See I had it all wrong about her being sheltered out there in the mountains by mom and dad keeping her out of harm’s way until she “found” herself. No, Heloise was working, and working hard, to make ends meet and working on her doctorate at the same time. Her story, really, without the North Adamsville corner boy thing, would be something any of us Salducci’s guys would understand without question. (I was not a part-time corner boy by the way, except by Frankie Riley’s 24/7/365 standards and The Scribe’s). [Markin: Watch it, Phil. I told you not to use that nickname anymore.] I’ll tell you her story sometime depending on how things work but right now I am getting ready to go get a tank full of gas and think a little about those photos that launched a thousand clicks.

Markin comment:

Phil, like I said to Johnny Silver about what people might say about his little teeny-bopper love. Go for it. Don’t watch out. And like I said before we had better get to that “communist” future you keep thinking I think we all need pretty damn quick if for no other reason than to get some sexual breathes of fresh air that such a society promises.

Life According To The Mayfair Swells-Dick Powell’s “Happiness Ahead” (1934)-A Film Review


Life According To The Mayfair Swells-Dick Powell’s “Happiness Ahead” (1934)-A Film Review




DVD Review

By Frank Jackman

Happiness Ahead, starring crooner cum actor Dick Powell, Josephine Hutchison, 1934

I am not exactly sure why I drew this film review assignment, an area which I haven’t dealt with much over the past several years doing mostly political commentary during that time. I have a sneaking suspicion current site manager Greg Green, who is the guy who after all makes the assignments of late, has an idea that I will make some pithy social and political comments about the time frame and content of this Happiness Ahead I am stuck with reviewing. A title which while it was produced in the heart of the 1930s Great Depression (I noted the National Recovery Act, NRA, logo a sure fire way to tell the times) could have been the campaign theme of any President or presidential candidate from Franklin Delano Roosevelt to Donald J. Trump.

In any case I am sure Greg was not under the impression that he was trying to “broaden my horizons” with this assignment like he had increasingly tried to use as a reason among the younger writers. He knows, and if he does not I am here to tell him, that I was looking to mine political gold from such socially conscious 1930s films which were a specialty of Warner Brother films when he was reviewing B-film horror movies as a stringer for the American Film Gazette. Now if he assigned this beast under the sign of a 1930s “slice of life” nugget to be gleaned then all is forgiven and he will have hit the nail on the head as to why today’s readers would give a damn about this soapy romance posing as a tribute to the possibilities of the American Dream even when the soup kitchens were lengthening, banks were going bust, houses where being foreclosed, shanty camps were establishing new postal zones, and most germane, New York City financiers were jumping out of freshly “massaged” skyscraper windows.         

Wow the reader might ask all out of a film which is about the budding romance of a daughter of the Mayfair swells out slumming and an up and coming white collar go-getter and side door Johnny crooner in the pocket of Jerome Kern, Cole Porter, Irving Berlin, Jack Sampson and the like. Well, yes, since as I mentioned Warner Brothers was in love with these social uplift sagas as long as they had enough boy meets girl, or is it girl meets boy here, to avoid some right-wing agents’ accusations of Communist International allegiance. Ms. Smith, in really Joan Bradford, played by 1930s film sweetheart Josephine Hutchison, of the very, very Mayfair swells Bradfords who first reached these shores on the old tug The Mayflower and who had ridden out the first rush of the Great Depression pretty well since Father Bradford not only did not jump out of some Windex skyscraper window but is around to advise his young daughter on the dangers of upsetting high society mother and her “plans” for an upscale marriage and doing what she damn well pleased attempts a jail break-out from the stifling confines of New York high society and a horrible marriage to some male scion of another such family. Fair enough.    

One New Year’s night Joan goes slumming amongst the ordinary folk and winds alone in a Chinese jazz joint where she “meets” Bob, get this Bob Lane, all-American Bob Lane, played by crooner Dick Powell last seen in this space as Phillip Marlowe getting knocked around, drugged and kicked in the teeth by some evil high society forces who don’t want him to find his Velma for the Moose in the film adaptation of Raymond Chandler’s Farewell, My Lovely dubbed Murder, My Sweet on the screen. One thing leads to another and they get dated up although dear Joan has to go through about six ruses to “prove” she is just ordinary folk. Joan is so starved for reasonable social interaction she plays along for a while even going with Bob to totally plebian roller skating and such holy goof stuff to be at one with the masses.  

Naturally, and that is exactly the right word, this pair are smitten. Big problem though is that while Bob is a go-getter right at that moment he is nothing but a cheapjack office manager for a company who washes the windows of half the skyscrapers in New York City. He has dreams though of running his own window washing company and there is the rub. No dough, or not enough dough and Mother Bradford of the very, very Bradfords is not going to have a window-washer for a son-in-law. That is when Joan to help things along made what looked like a fatal mistake by getting her Daddy Warbucks father to front the necessary dough and thereby incurring the manly wrath on one Robert Lane who finally gets wise to who his sweetie really is. I hope you were paying attention because I already told you this was a boy meets girl story and therefore requires the adequate happy ending, here happiness ahead ending of the title. Bob a little miffed but still head over heels for Joan (which you can tell is true since every once in a while a song telegraphs his desires) and after working out man to man a deal with her father the deal is done. Hope this has broadened your horizons.  




Saturday, April 25, 2020

How The West Was Won-Johnny Too Bad’s “Johnny Guitar” (1954)-A Film Review

How The West Was Won-Johnny Too Bad’s “Johnny Guitar” (1954)-A Film Review 



DVD Review

By Sarah Lemoyne

Johnny Guitar, starring Joan Crawford, Sterling Hayden, Scott Brady and whoever else they could round up who played any cowboy roles before 1954, 1954

I am not, never was, a fan of Westerns in any of its transmissions to the screen from iconic Tom Mix mash to High Noon to The Wild Bunch the latter which began to chip away at the angelic white cowboy legend that sustained my late grandfather on many a Saturday morning on television and many a Saturday afternoon movie matinee according to my grandmother. And that seems to me to be exactly the point.  My grandparents born respectively in 1946 and 1948 were probably the remnants, the holy goof remnants according to fellow baby-boomer and thus contemporary Sam Lowell, who allegedly would have given his eye teeth for this assignment since he shared that same commitment to the Western white cowboy legends as my late grandfather did. In any case the assignment fell to me and that was that. (That “white cowboy” reference hot off the heels of reading a review of a new Smithsonian/Folkways compilation by one of the Carolina Chocolate Drops paying homage to the not inconsiderable role of the black cowboy in taming the West, so white in the days when the black contribution was conveniently written out of the picture in everything from dime store novels to “oaters.”)       

But I am still befuddled as to why I grabbed the assignment, this review of the classic iconic Johnny Too Bad Western, Johnny Guitar other than some office politics thing to keep it from Sam and keep him in line. Or as officially came to me in a reply memo when I asked why somebody who could care less about cowboys, and a genre which had zero influence on me growing up was given such an assignment that it would “broaden my horizons.” I accepted that answer until I saw the film and found out the real answer which is that this film breaks the mold, breaks the white male hero cowboy angel ride mold and pays a certain oblique homage to the pioneer women who one way or the other influenced the taming of the West once the gunplay subsided a little. A little startling for a 1954 film if you ask me.    

Vienna, the role played by Joan Crawford who I only know a little, the name mostly, because Jack Kerouac whose book Big Sur I did my master’s thesis on did a short piece for some magazine about Joan Crawford working on some film in San Francisco and had her as some fogged up dame who jammed up the works and gave the very obliging director seven kinds of hell. I don’t know if she was considered some kind of femme earlier in her career but she looked like she had been through the mill by 1954. Which is good because the role of Vienna calls for a woman who has been through the mill, has seen and done it all from saloon bar girl to some Madame La Rue (that courtesy of Seth Garth from the table of Allan Jackson) whorehouse denizen to what knows what else but as the scenes open she is running, she, her, Vienna is running a nice little casino and jip join outside of some dusty town in the real, meaning not the Left Coast, if still mostly untamed West. She might have worn out a few beds in her time and maybe was running her own unseen whorehouse but she was on the high side now. Even better she was laying plans for the railroad to build a depot near her place and extend a line and a new born town bringing plenty of gringos and sad sack immigrants who washed out in the East and think they will find the mother lode before the frontier ends and their dreams go up in opium smoke like Mrs. Miller in McCabe and Mrs. Miller. All you have to say in railroad in 19th century America, East or West and that meant money, money for those savvy and hungry enough to grab it and pay a little graft for the right to make a fortune. And our Vienna was ready to grab whatever fell to her with all hands.

Of course an independent woman out West running a saloon and gambling den and whatever else she was running was sure to raise the hackles of the good and prosperous town folk who money was made through banking and cattle so the tension would fly through the night especially when some vengeful woman Emma, played by Mercedes McCambridge, has it in for her for reasons from repressed sexuality to class snobbishness and prudery. (I like the sexual repression theory one townie ran by us revolving around one Dancing Kid whom she love/hated and would shoot right through the head in the end but that was much later. Of course, as well, a woman, hell, anybody running a gin mill and clip joint will also have partisans, partisans like the just mentioned Dancing Kid and his gang of cutthroats who will gladly relieve stagecoaches and banks of their precious possessions. (This nickname stuff and we will see with Johnny Guitar in a minute reminded Seth Garth when I told him about the film to get a little advice on a “hook” of when he and the North Adamsville corner boys he grew up with went to California in the Summer of Love in 1967 and all took up monikers to what he called “reinvent” themselves maybe like these earlier travelers and denizens of the low spots.) The Dancing Kid not only a partisan of Vienna’s dreams but with knowledge of her in the Biblical sense which will cause no end of problems and not just with bitch Emma.

Now the scene in set so enter one Johnny Guitar, played by ruggedly handsome Sterling Hayden who Seth said did a great job bleeding himself to death as the heavy lifter in the classic film noir The Asphalt Jungle which he reviewed, with nothing but a guitar on his back (caseless by the way) and tombstones in his eyes. Those tombstones via the cardinal error of trekking West without manly guns and plenty of them like some fool Eastern city slicker. He is in Vienna’s joint to sing troubadour style for his supper and entertain the hooligans while they lose their dough. But that Johnny Guitar front is just baloney because behind that moniker and those easy-going whiskey sot ways is the gun simple killer one Johnny Logan, a name once revealed that even got the Dancing Kid’s attention. Vienna and Johnny were lovers some time and place back and while Vienna played the ice queen and tough hombre bit for a while she only has eyes for Johnny when the deal went down. By the way let’s get this straight now this Johnny Guitar troubadour stuff is strictly lame since he neither sings one damn song nor does he do more than strum that guitar and not very well at that. So unless Johnny is better in bed than he looks he would be hard put to make dimes for donuts today on the mean streets of the city or in the subways.  
  
That interestingly enough though is all side door Johnny stuff. The real war is on, the war between the two vixens Vienna and Emma with Vienna two to one in my book to win this duel to the death with the guys looking on here taking direction from womenfolk. Yes you heard that right all of these cowboys cum civilized town folk are lining up to take sides this this big step off. (Seth Garth also mentioned that in this film virtually every actor who had donned a cowboy hat more than once in films was part of the back-up cast including Scott Brady and Ward Bond.) The Dancing Kid set the whole shooting match up when he and the boyos robbed Ms. Emma’s bank and that gave her the last straw she needed to send Vienna to the gallows by associating her with the Dancer’s action maybe even the brains behind the heist.

The chase was on, big time, because it might be a cliché but it works here-watch out for a woman scorned as twisted sister Emma aint no feminist and wants Vienna’s pretty little neck around some fresh hemp. And she almost has her way but Johnny boy who was on the outs with Vienna for a while came by to save Ms. Vienna’s bacon. Save it and leave the situation fluid enough for the gals to have a final draw-down to see who was queen of the hill. Needless to say I won my bet. Johnny did too taking the ice queen to better surroundings. But please, please, please no more of these   fake Westerns which still leave me cold.