Friday, June 26, 2020

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Mohamman Geuka Koti

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Mohamman Geuka Koti 
 
http://www.thejerichomovement.com/prisoners.html
 
A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now! 
 

On Passing Left-Wing Political “Wisdom” To The Next Generation-With The Lessons Of The 1960s In Mind

On Passing Left-Wing Political “Wisdom” To The Next Generation-With The Lessons Of The 1960s In Mind

From The Pen Of Frank Jackman 


One of the worst excesses, and there were many although made mostly from ignorance and immaturity and were moreover minuscule compared to the conscious policies of those in power who we were opposing, that we who came of political age in the 1960s were culpable of was our sense that we had to reinvent the wheel of left-wing political struggle. Mostly a very conscious denial and rejection of those thinkers, cadre and organization who had come before us and whom were disqualified from the discourse by having been worn out, old-timey, or just ideas and methods that we had not thought of and therefore irrelevant. The expression “throwing out the baby with the bath water” may seem a cliché but serves a purpose here. Most of the time back then until fairly late, maybe too late when the tide had begun to ebb toward the end of the 1960s and the then current and fashionable anticommunist theories proved to be ridiculously inadequate, we turned our noses up at Marxism, and at Marxist-Leninist ways of organizing the struggle against the American beast.

I can remember more than a few times when somebody identified him or herself as a Marxist that I and the others in the room would groan audibly. Occasionally, as well, taking part in some of the shouting down exercises when the political disputes became heated. Part of the problem was that those who organizationally claimed to be Marxists-the Communist Party and Socialist Workers Party and to some extent the Progressive Labor Party were following political lines that were far to the right (right being relative here in the context of the left-wing movement in this country) of the politics of those who considered themselves radical and revolutionary youth. Those organizations far too eager to traffic with what we called respectable bourgeois forces who were part of the problem since they helped control the governmental apparatus. (I won’t even mention the moribund Socialist/Social Democratic organizations that only old laborites and “old ladies in tennis sneakers,” although that might be a slander against those nice do-gooder ladies, followed as the expression went at the time.) I know, and I know that many others at the time,  had no time for a look at the history books, had nothing but a conscious disregard for the lessons of history, good and bad, that we thought was irrelevant in seeking to build the “newer world.” (Strangely, later after all our empirical experiment proved futile and counter-productive, quoting, quoting loudly and vehemently  from this or that book, by this or that thinker, this or that revolutionary or radical became the rage. Ah, the excesses of youth.)               

Of course not everybody who came through the 1960s passed through any left-wing political school. Despite the nostalgia, despite the now puffed-up claims that we had this or that decisive effect on history, especially these days with the commemoration of the 40th anniversary of the fall of Saigon in 1975 and the trotting out once again of the overblew claims that the American anti-war movement stopped the Vietnam War rather than the heroic struggles of the people of Vietnam, the number of the young who got catch up more than marginally was significantly smaller that the photographs, videos, and remembrances of the times would suggest. A case in point is my old friend Sam Lowell, from my growing in Carver times whose longtime political trajectory I want to highlight in this sketch.

Highlight to provide something, I am not sure what, perhaps a cautionary tale, to what appears to be the makings of the next “fresh breeze” coming through the land that another Carver corner boy, the late Peter Paul Markin, would harangue us with on lonely Friday nights was coming. The big turn in the environmental movement, the fight for better conditions for young workers (and old) epitomized by the “Fight for $15” movement and above all, the bedrock struggle of the “Black Lives Matter” movement portends some new awakening and we old-timers who have kept the political faith have something about all of that early experience which may push those struggles forward. Here’s Sam’s story and see what you think:   


Sam Lowell when he was young, when he was coming of age in the 1960s along with his hang around guys at Jimmy Jack’s Diner on Main Street in Carver, did not give a “tinker’s damn” (Sam’s term which he would endlessly utter especially when the late Peter Paul Markin would start talking about what was going on outside of the Jimmy Jack corner world) about politics, about the fate of the world, about the burning and pressing issues of that day nuclear disarmament, black civil rights down South (he if anything had the Northern white working class prejudices inherited from his parents and relatives using the “n” word to refer to blacks for a very long time), and the exploding war in Vietnam. Sam’s world, like many guys of that time, like now too as far as anybody can see, was about girls or sex or name the gender combinations, above all about the music of the times, about what is now called the classic age of rock and roll (the folk music minute of that period which Bart Webber tried to get him interested in was, is, a book sealed with seven seals and he still grinds his teeth when any of us who hang with him still mention that genre).

Sam, declared by his local draft board exempt from military service as the sole support of his mother and four younger sisters after he father had passed away suddenly of a massive heart attack in 1965, had pretty much kept his head in the sand about the war, probably supported the war against demon communism as much as anybody in town who was not directly involved in the escalation of the war. That is until one of his hang around guys, Freddie Callahan, Jack’s younger brother, had lain down his head in some rotted jungle in some unpronounceable hamlet in the Central Highlands of Vietnam in late 1967 and who would later have his name placed on that black granite down in Washington, D.C. which would bring a tear to Sam eye every time he visited it despite his complete change of heart about the war.

The war, the hellish flare-up and destructiveness of the war had not been Freddie’s fault, it had not been Freddie’s war as Sam was at pains to explain when he did get active in the anti-war movement and people around town thought that he was being disrespectful of Freddie’s memory and of the flag, actually probably more the flag until very late, maybe about 1972 when even the American Legion types in town saw the writing on the wall, some of them anyway.

Bart Webber was the first to take his slightly held anti-war feelings to the holding up the wall in front of Jimmy Jack’s Diner night but he was facing the draft himself in 1966 so Sam had not taken his plight to heart. It really had been Freddie’s death that got him thinking, Freddie whom he had known since fifth grade when his own family had moved to Carver from North Adamsville when the shipbuilding trade there bottomed out and his father sought work in the new electronics plant just built up the road from Carver. Got him thinking about lots of things that did not add up in the world, the world of people just trying to get by without being shot at, or shot up by friend or foe.

One day, maybe in early spring 1968 in any case sometime before summer of that year, Sam had gone to Boston about thirty miles up the road from Carver on some business when he was walking near the Park Street subway station and a young guy about his age in regulation long hair (Sam’s was short although long for Carver young adults just then and commented on at Jimmy Jack’s by the older crowd going in for the old-timers’ blue plate specials and gung-ho guys who had no truck with “fairies” and “hippies”), unkempt beard, blue jeans and sandals, a picture of heaven’s own high priest hippie who handed him a leaflet for an anti-war rally sponsored by Students for a Democratic Society that was going to take place on the Common later that afternoon. (That was the notorious SDS that every right-thinking American believed, including Sam a little before Freddie’s death, as they could not understand kids who seemed to have everything going for them including draft exemptions were so rebellious unless some unknown source was prodding them, as the agents, paid or unpaid, of Moscow or China or someplace antagonistic to the interests of the United States. Every time an SDS rally was broken up by the cops, or mass arrests occurred, those believers breathed a short sigh of relief).     

The guy in hippie garb pressed the issue, something Sam thought was odd since in his experience these hippie types were too laid back doing dope and sex and listening to acid rock to bother about politics usually saying that to get involved only “encouraged” those politicians who had depended on free-wheeling unpaid volunteer youth to campaign for them. That drug, sex and rock and roll were okay with him although he had not been into the dope scene then but rather the traditional Carver Friday and Saturday night down by the cranberry bogs drinking cheap whiskey scene, a scene that Carver guys had been doing since time immemorial at the bogs from what he had heard.

This dippy hippie started yelling at him that it that it was his “duty” to attend the rally and help “stop the fucking war.”  Something in that common language “speech” made Sam take notice and he asked the hippie where he was from. He answered from Lynn, a very working class town on the North Shore of Boston, and told Sam, who blushed a little at the information, that he had already been in the Army, had served in Vietnam and had had enough of seeing his buddies killed or otherwise “fucked up.” Sam then out of the blue mentioned the death of Freddie Callahan, something he had never talked about except with the guys at Jimmy Jack’s, and the hippie told him that he had better get his ass to the rally before half their generation went up in smoke.

Sam pleaded business but that afternoon and early evening as the sun went down in Boston Sam was no longer “not political.” And Lance Jones, the hippie who had “recruited” him was there that afternoon and many times later to make sure that he did not backslide, and to give him the “skinny” on what was really going on in Vietnam and whose interests that commitment was serving. Sam and Lance (and others) would do many things together, sit-in at draft boards (Sam uneasy about that given his own status as exempt but Lance said everybody counted in the struggle), rallies, blocking highways and every other kind of civil protest against the damn war.

The defining moment, the moment Sam saw that the movement was ebbing, was becoming ineffective as a way to stop the “fucking war” as even he was prone to express his outrage at the constant bombings and constant lies about the situation, was down in Washington D.C. on May Day 1971 where there was a separation in the movement between those who wanted to endlessly built, presumably, larger mass rallies to show the people’s war weariness and those who decided it was time for more militant in-your-face tactics when the proposal was to “stop the government, if the government did not stop the war.” Sam had gone with the militants, a decision he has since never regretted although not for the outcome of the event itself which was an unmitigated failure but because of the enormity of that failure he had to think through things a bit more carefully, think more strategically.

He had been manhandled and arrested by the cops the first day out as the governmental forces far outnumbered and were more effective in containing the mass than that mass of people had been in evading the waiting cops and troops. Sam had spent a week in detention in RFK Stadium, a goddam football field as he would always tell everybody afterward, for his troubles (although he tempered his remarks about the stadium after the coup in Chile in 1973 where those militants were not merely harassed and detained but jailed for long periods or shot death out of hand in many cases). 

Sam, Lance, Jack Callahan, Frankie Riley, me, maybe a couple of other guys did other things too, things like taking those continent-wide hitchhikes to the West Coast, the rock concerts, all of the stuff that those who had broken from the old expected cookie-cutter, if in Sam’s case only partially and slowly since he was not sure that the whole thing had not been a dream, and he had those family responsibilities although they lessened as his sisters came of age and left the house and his mother re-married to a good guy who ran a tool and die shop in town and had government contracts for high precision machine work. But it was funny thing about Sam, a thing that was not apparent when he hung around Carver in high school but once he was convinced that he needed to do something he stuck with it (he would later tell anybody who would listen that “sticking with it” included his two drawn out failed marriages beyond repair).

Sam, after that debacle in Washington, had settled in for the long haul, had listened to what Lance had to say about needing to organize better, get more substantial allies. Gave a glance at Marx and some other thinkers who knew what they were talking about if you wanted to  effect real change and not just play at the thing for kicks, or for something to do while you are in school or on the loose, had read some and while for a long time he had his misgivings about taking his political cues from around the edges of rational politics, politics that he and his family, his neighbors, his corner boys had dismissed or worse stigmatized as “commie” talk which still hovered over his thinking. But Sam had been the first in the group to sense in the mid-1970s, particularly after the fall of Saigon and the close of the Vietnam era which had almost split the country in two, that the Garden of Eden was going to be postponed for a long time, that the tide had ebbed just as Bart Webber had sensed the rising tide in the mid-1960s.

But Sam stayed with the commitment to serious political change, to right some wrongs, to be a stand-up guy when some egregious governmental decision reared its ugly head. Stayed with it far longer that Lance who wound up going to school and becoming a CPA, longer than Bart who decided writing law briefs was easier than sitting around with about twelve people dedicated to changing the world and projecting when the next great mass upsurge would occur. Stayed with longer than Frankie Riley who also was drawn to writing legal briefs although he made a comeback in the lead-up to the first Iraq war in 1991. Longer than even the late Peter Paul Markin who had totally lost his moorings, let that “wanting habits” hunger that all the Jimmy Jack’s hang out guys had near the surface of their lives get the best of him and got caught up in the down side of the dope trade and wound up in a back alley face down under mysterious conditions in Sonora down in Mexico after a dope deal went bad. Yeah, those were not good years

So Sam faced the next few decades doing his best to keep up the good fight, working mainly with ad hoc committees that would rise and fall over specific issues like the effects of the “Reagan revolution” in this country, the struggles in Central America throughout the 1980s, the struggle against apartheid in South Africa, that first Iraq war in 1991, and a laundry list of other causes great and small which filled his political life in hard times. But always kept his eyes open and ears to the ground to see if some new version of that 1960s experience would get some wind in its sails as new generations got caught up in the whirlwind of trying to right the world’s wrongs. He knew that the 1960s experience could never be exactly replicated, that each new generation would come to understandings in its own ways and forms, did not believe that a lot of 1960s stuff should be replicated but he did believe that another wave would come, believed in that vision for a long time. But when, damn it.

One of Sam’s worries as he got older and got more concerned about the future, especially in the post 9/11 world of the early 2000s, got much more concerned about the possibilities of a socialist future if not for him then for later generations as the American body politic took one of its prolonged turning in and against itself was that there would be no one to pass on whatever accumulated political wisdom he and his dwindling band of aging 1960s sisters and brothers had been through. No one to make sense of the political battles won and lost, no one to pick up the skills necessary to organize any effective opposition to the fierce predatory appetites of the American imperium, or maybe better said, any opposition at all as the post-2003 anti-war landscape demonstrated. Most importantly no one to learn how to avoid the mistakes of the past, mistakes made, unlike the American government, mostly out of willful ignorance, foolhardiness and hubris but certainly avoidable. Avoidable since a great if fairly obvious lesson from his own experiences had been that uprisings against the government, against the social norms of the day are short and precious opportunities not to be squandered by willful ignorance, foolhardiness and hubris.       

Sam’s youthfully derived certitudes had taken a hammering in the process of the reactionary counter-offensive that erupting in the mid-1970s as the spirit of the 1960s rapidly dissipated, and took a decisive turn right under the auspices of the Reagan Revolution. The self-serving, self-promoting, social Darwinist view of society systematically laid out in that period has held a full head of steam since then as everyone almost daily has his or her nose rubbed in the hard fact that most people are not getting ahead while the bourgeoisie, the economic royalists, what did one wag call them, oh yeah, “the one-percent” with all the guns, prosper with no sweat.  That ethos had never really abated despite a couple of promising uprising blips around opposition to the second Iraq war in 2003 which evaporated after the hellish bombs began to fall in earnest in Baghdad and after the world financial meltdown in 2008 and the subsequent short-lived and anarchistic Occupy movement of late 2011.

So Sam had more recently begun to feel that feeling in the extreme,   the fear that there would be nobody to pass the torch to, nobody in the American body politic to learn a couple of things about past left-wing struggles and organizational efforts to attempt to “tame the monster.” Began to wonder if what he believed had not been an idle thought or some kind of self-induced paranoia.

Over the previous several years he had given the immediate reasons some thought as he began to realize that the generation after his which was the logical place to have passed that information onto never in the aggregate cared much about his kind of politics, had turn tail and gotten caught up in the “Reagan revolution” or after witnessing what happened to the ‘60s crowd ducked their heads, seriously ducked their heads when the deal went down. He had also become pretty sanguine about prospects for the generation after that, the grandkids, who seemed preoccupied with “Me” and with looking down toward the ground with their technological gadgetry and their ethereal “social networking” tweeter. But of late he was not so sure he should have been ready to throw in the towel but a new gathering storm, or what old Bart Webber, who he had run into recently in town for the funeral of a brother, had called “the fresh breeze” was still in its embryonic stage.

Sam had had to laugh at one point after a small demonstration of few hundred in Boston’s Park Street on the Common, the historic spot for such activities, against the escalation of the war in Afghanistan in the early days of the Obama administration  (one of the “surges” that was supposed to secure “victory” and which in the final analysis led to more doors in more villages being kicked in and the United States’ action acting, once again,  as a “recruiting sergeant” for ISIS-type organizations). That demonstration drew a cohort young people, people who had not previously been out in the public square but who were bewildered by a “peace” American President, a Nobel Peace Prize winner to boot, sending more boots on the ground after he had told the nation that the best American course was to withdraw from that benighted country. Of course the usual dwindling crew of AARP-worthy older types, the ones that his old friend Pete Markin had called when they were young the “little old ladies in tennis sneakers, Quakers up-tights, and assorted harmless do-gooders” back in the Carver days when he didn’t give a damn about politics and now here he was a “little old man in tennis sneakers” carrying on their seemingly utopian struggle.

An unusual combination indeed. The sly laugh part though was his realization that if there was any new action, any seeking of the “newer world” as that same Markin liked to called it comparable to the 1960s, that it would be the grandpas and grandmas and the grandkids linked up against the world. He was okay with that if that ever happened but after that initial burst of young energy faded he got increasingly more morose about that prospect, and the handing of that goddam torch.

Like with a lot of things in the world of politics, particularly left-wing politics where due to the smallness and isolation of those forces there is tendency to have to react to events not of your own making, the reaction by governments, particularly the United States, following 9/11 with its attempt to institutionalize the national security state and to seek vengeance at any target foreign or domestic that it considered dangerous. No question the scariest time of his political life, the only time he felt the full heat of physical threat from the average citizen whom he assumed usually view people demonstrating about anything as mere cranks and weirdoes was in the aftermath of the frenzied American bombing campaign and troop occupation in Afghanistan in 2001 right after 9/11 when he had with very few others had organized a small, a very small demonstration in opposition to the bombing campaign at Park Street and took more menacing guff from passers-by than he had ever encountered before. Those were dark days when some locally well-known committed peaceniks dependable in fair weather favored folding up the tent rather than face the hostile streets, and no question they were hostile, were suddenly not available to rally.

Like Sam said he hoped the later Occupy movement which arose phoenix-like out of the ashes of the world financial crisis but that fizzled fairly quickly and that sent Sam into another bout with what the hell, no who the hell was going to lead the struggle, who among the young who of necessity with their energy and sense of wonder drive all the great movements, was going to step forward. He felt at that time that he would have no problem taking a back sit in the struggle if the new blood came along.   

Here is a funny thing, a quirk of politics. Everybody Sam talked to, young and old, understood that the social tinder underlying American society only needed a little push to go wild. Knew that as a result of the vast increase in income inequality, knew the weight of the endless wars on the budget and human resources   was at a breaking point, knew that people, a lot of people, did not feel they were getting ahead in life always something that will steadily enflame people. So Sam, and they, the ones he talked to and talked to him knew something had to flare up. But didn’t, for a long time didn’t. Then in a rather quick succession the environment, the fight for a living wage and the fight against police brutality and the fight against the hard racism against black people were taken up by the young, or rather sections of the young from say late 2013 to now.

Not everything that has been proposed, not every action has made political sense but there is some motion toward upping the struggle, getting back into the street politics that Sam had been pushing for some time in various committee meetings since the portals of government seemed to be tone-deaf to what was going on down at the base of society. Here is the kicker though. The kicker for now as things are still in flux, still have a way to go before they are sifted out. Things may be in flux and need sifting out but Sam is starting to get and uneasy feeling already. Sam went to a meeting of those who wanted to respond to the various egregious police shootings of the past years around the country and tried to make some points, give some perspectives. He was rather unceremoniously dismissed by the young leaders there, both the young black and white leaders, as an old-timey too talkative guy.

The young, like in his generation, appear ready to seek to reinvent the wheel. Appear too as well to be as naïve about the enemies they are facing as they were in his generation. But what bothered Sam most of late has been that the young in their identity political way are “ageist” if such a term makes sense, are disrespectful of his right to have his say since when the deal goes down he will be on the barricades right beside them. Sam thought that even with the slights he could still say-“Ah, to young was very heaven” though as old Wordsworth had said in his sunnier days.    

Remember Attica Blood in the Water The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson (Pantheon, 2016) A Review

Remember Attica Blood in the Water The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson (Pantheon, 2016) A Review

Workers Vanguard No. 1103





13 January 2017
Remember Attica
Blood in the Water
The Attica Prison Uprising of 1971 and Its Legacy
by Heather Ann Thompson
(Pantheon, 2016)
A Review
On the morning of 9 September 1971, nearly 1,300 inmates—predominantly black and Puerto Rican—took over the state prison at Attica, New York. Four days later 29 of them lay dead, cut down in a hail of bullets fired by New York State Police, sheriffs and corrections officers. Governor Nelson Rockefeller gave the order. President Richard Nixon cheered them on. In the aftermath, the surviving prisoners were subjected to hideous torture and later charged with a total of 1,300 crimes. Among these were kidnapping and, most obscenely, unlawful imprisonment based on taking prison guards hostage, ten of whom were gunned down by Rockefeller’s stormtroopers when they retook the prison.
For many years, Democratic and Republican administrations in Albany, along with the courts, have covered up much of the truth of what took place at Attica, assisted by the same capitalist press that peddled the lie that the prisoners shot the guards. A significant part of that shroud has been peeled back by Heather Ann Thompson in her recent book, Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy. Thompson’s book brings to life the dignity and humanity of the prisoners who were treated as little more than dirt by Rockefeller and his ilk. She describes in vivid detail the dehumanizing conditions that gave rise to the rebellion and the racist venom that ran from the governor’s mansion down to the cops and prison guards who hunted down the uprising’s leaders. Thompson got her own sampling of that venom for naming the prison guards who carried out assassinations and torture.
Thompson’s comprehensive history is a result of her many years of diligent archival research and a bit of good fortune in uncovering key sources that had been suppressed. As she notes, “The most important details of this story have been deliberately kept from the public. Literally thousands of boxes of documents relating to these events are sealed or next to impossible to access.” Regarding the most explosive documents she uncovered, Thompson says, “All of the Attica files that I saw in that dark room of the Erie County courthouse have now vanished.”
For millions around the world, Attica became a potent symbol of rebellion against brutal repression—and a stark emblem of racist state murder. To this day it continues to inspire struggles against the racist degradation of black people inside and outside of prison walls. The first issue of Workers Vanguard (October 1971) led with the headline “Massacre at Attica.” We stated bluntly: “The brutal, bloody murderers of Attica are none other than the ruling class of this society,” saying further:
“Rockefeller cut down the Attica prisoners in the manner of his father and grandfather before him—ruthlessly and to protect the system from which his profits spring. From the murder of the Ludlow miners to the present, this family has carried the policies of the armed fist over the entire globe.... The Rockefeller name and the Rockefeller practice symbolize, more than any other, the American capitalist class—a class that will stop at nothing to extend and protect its profitable holdings.”
Attica was an explosion waiting to happen. The 2,200 men warehoused in a facility built for 1,600 were routinely beaten by guards, locked in cells 16 hours a day, rationed one sheet of toilet paper daily, one bar of soap a month and one shower per week—even in the heat of summer. Among the main grievances was censorship of reading materials—no newspapers, very few books, and nothing at all to read in Spanish. It wasn’t an absolute ban—the prison authorities mocked the prisoners by supplying magazines such as Outdoor LifeField and StreamAmerican Home and House Beautiful.
Hours after the revolt began, L.D. Barkley, a 21-year-old Black Panther Party member imprisoned for violating parole by driving without a license, read out the prisoners’ powerful declaration: “We are men! We are not beasts and we do not intend to be beaten or driven as such.”
The prisoners called for the minimum wage for prison work (they were paid slave wages of between 20 cents and one dollar per day), accompanied by an end to censorship and restrictions on political activity, religious freedom, rehabilitation, education and decent medical care. They expressed solidarity with the Vietnamese workers and peasants as well as others fighting U.S. imperialism. The main demand was amnesty for participating in the rebellion, along with “speedy and safe transportation out of confinement, to a Non-Imperialist country.” Most likely in mind were Cuba, where the capitalist rulers had been overthrown and a bureaucratically deformed workers state led by Fidel Castro established, or Algeria, a capitalist state governed by left nationalists that had given refuge to Black Panthers in exile.
As Thompson points out, many of the prisoners at Attica were veterans of eruptions over similar conditions at Manhattan’s Tombs detention center and the prison in Auburn, New York, the prior year. The bitter anger that was about to explode at Attica was displayed 19 days earlier when word spread through the cells that prison authorities at California’s San Quentin prison had assassinated Black Panther Party member George Jackson on 21 August 1971. The next day, over 800 Attica inmates marched silently into breakfast wearing black armbands and held a fast in protest. California prison officials had targeted Jackson, along with W.L. Nolen and Hugo Pinell, for forging solidarity of black, Latino and white prisoners. New York officials were no less alarmed by the interracial unity growing among Attica’s inmates.
The prison revolt reflected the growing ferment and struggles taking place outside prison walls, not least the “black power” movement and radical protests against the war in Vietnam. Many of the black inmates identified with the Black Panther Party for Self-Defense (BPP) and Puerto Ricans looked to the Young Lords, which was inspired by the Panthers. Playing a leading role in the rebellion was Sam Melville, a white member of the Weather Underground who was serving 18 years for placing explosives in government buildings in protest against the war in Vietnam. As Thompson observes, the presence of such activists “offered Attica’s otherwise apolitical men—like [Frank] Big Black Smith—a new understanding of their discontents and a new language for articulating them.” Smith ended up leading the prisoners’ security force, made up largely of Black Muslims. His group treated the prison guards taken hostage with a humanity that the prisoners had been denied.
For a long time before Blood in the Water, the biggest window into what took place at Attica came from Tom Wicker’s A Time to Die. Wicker, a New York Times reporter, along with radical attorney William Kunstler, was among the outside observers whom the prisoners demanded to negotiate through rather than directly with prison and state authorities. Prison officials granted this one demand, intending to use the observers to convince the prisoners to release the hostages and surrender without amnesty. To his credit, BPP leader Bobby Seale, whom the prisoners also sought as an observer, uniquely refused to be involved in attempts to nudge the inmates toward surrender. Seale made clear the BPP position that “all political prisoners who want to be released to go to non-imperialistic countries should be complied with.”
The retaking of Attica began in the morning of September 13 with a cloud of CN and CS gas dropped from a helicopter that covered every prisoner with a nauseating, incapacitating powder and it ended with a bloodbath. The rebellion’s leadership paid dearly. Barkley, Melville and others were assassinated in the prison yard. Surviving prisoners, including the wounded, were stripped naked, made to crawl through the mud and the blood, then lined up to run a gantlet over broken glass and be beaten by cops and guards wielding what they called their “n----r sticks.” After being threatened with castration, Big Black Smith was forced to lie on a table for five hours with a football tucked under his chin, under threat of being shot if it rolled loose.
For the capitalist ruling class, Attica had to be crushed with particular vengeance because the rebels had begun to see their struggle in political and even revolutionary terms. One of Thompson’s discoveries is Nixon’s celebration of the bloodbath: “I think this is going to have a hell of a salutary effect on future prison riots.... Just like Kent State had a hell of a salutary effect” (referring to the 4 May 1970 National Guard killing of four students protesting the invasion of Cambodia—an extension of U.S. imperialism’s dirty war against the heroic Vietnamese workers and peasants). Nixon added, “They can talk all they want about force, but that is the purpose of force.”
Attica Nation
Thompson, a historian at the University of Michigan and expert on mass incarceration, is particularly motivated by prison reform. She notes that the immediate aftermath of the Attica revolt saw some improvements in food, medical care, clothing, mail censorship and number of showers permitted. However, as she points out, this was followed by an “unprecedented backlash against all efforts to humanize prison conditions in America.”
Inmates today continue to be used as slave labor, face censorship of political literature and conditions at least as dehumanizing and sadistic, including the increasing use of solitary confinement—universally recognized as a form of torture. Brutality by prison guards is a daily fact of life, especially for the black and Latino victims disproportionately singled out for discipline.
The backlash to which Thompson refers is one expression of the bipartisan rollback of the limited democratic gains for black people attained by the liberal-led civil rights movement. Its most glaring manifestation for the past three decades has been the mass incarceration of black people, largely a consequence of the “war on drugs.” This overt war on black people was accompanied by escalating cop terror against the ghettos and barrios.
Today’s plethora of drug laws is an outgrowth of the state repression under the “war on crime” kicked off by Democratic president Lyndon Johnson’s 1968 “Safe Streets Act” and Nixon’s 1970 “Drug Abuse Prevention and Control Act” and carried on by Democratic and Republican administrations since. The number of people languishing in U.S. prisons and jails, 2.2 million, is six times what it was in 1971. The costs of maintaining this vast prison complex have led to calls for easing up on the war on drugs.
Prisons are the concentrated expression of the depravity of this society. They are a key instrument in coercing, torturing and brutalizing those who have been cast off as the useless residue of a system rooted in exploitation and racial oppression. The deindustrialization of much of the U.S. that began in the late 1960s drove millions of black people out of the workforce and into the ranks of the permanently outcast. In the calculations of the American bourgeoisie, a substantial part of the black population, who used to provide labor for the auto plants and steel mills, is simply written off as an expendable population. Having condemned black as well as Latino youth to desperate poverty, the rulers whipped up hysteria painting the ghettoized poor as criminal “superpredators,” whom cops can gun down with impunity, and for whom no sentence is too long, no prison conditions too harsh. This demonization of the black population has served to deepen the wedge between white and black workers in a period of virtually no class struggle.
Marxists support the struggle for any demand that meets the immediate needs of prisoners. But under capitalism no reforms can fundamentally alter the repressive nature of the prisons. Along with the cops, military and courts, prisons are a pillar of the capitalist state, whose basic function is to maintain, through force or threat of force, the rule of the capitalist class and its economic exploitation of the working class. In the U.S., where racial oppression is at the core of the capitalist system, any alleviation of prison conditions must be linked to the fight against black oppression in general. We fight to abolish the prison system, which will be done only when the capitalist order—with its barbaric state institutions—is shattered by a proletarian socialist revolution that establishes a planned, collectivized economy with jobs and quality, integrated housing and education for all.
Thompson’s sympathies clearly lie with the Attica prisoners. Yet she evinces a soft spot for the prison guards, whom she sees as victims as well. Her poster boy for humanizing the guards is Mike Smith, a 22-year-old former machinist apparently liked by the prisoners and sympathetic to their demands. Smith, after being taken hostage by the prisoners, was shot by the cops and grievously wounded. Thompson writes, “Like so many other small town boys who had grown up in rural New York Mike needed to make a living, and prisons were the going industry.” Thompson also gives voice to the guards taken hostage and the families of the ten of them whom Rockefeller’s assassins gunned down, who resent the fact that the surviving Attica prisoners won a paltry monetary settlement from the state after nearly three decades.
As Bolshevik leader Leon Trotsky pointed out 85 years ago, the worker who becomes a policeman in the service of the capitalist state is a bourgeois cop, not a worker, an admonition no less applicable to prison guards. As we noted at the time of the Attica massacre, “These despicable racist guards are despised even by the ruling class that cynically uses them. The governor not only served notice on the prisoners that rebellion does not pay, and rebellion linked with revolutionary ideas means certain death, but he had a message for the guards too: Keep the upper hand or else!”
The basic function of the prisons is lost on the liberal academic Thompson, whose call for prison reform envisions a commonality of interests between inmates and prison guards—a relationship akin to that of slave and overseer. In a 2011 paper, “Rethinking Working-Class Struggle Through the Lens of the Carceral State: Toward a Labor History of Inmates and Guards,” she declares, “It is time once again for the American working class to pay attention to penal facilities as sites of productive labor and wage competition and to recognize that its destiny is tied in subtle but important ways to the ability of inmates as well as prison guards to demand fair pay and safe working conditions.” Thompson lauds the return of prison guards to municipal unions, such as the American Federation of State, County and Municipal Employees (AFSCME).
What, then, are “safe working conditions” for prison guards? In our 1971 article, we sharply criticized Jerry Wurf, the AFSCME president, as he threatened a “slowdown” by union guards after the Attica massacre:
“Wurf demanded more and better riot equipment—helmets, tear gas and masks, to be borrowed from police departments if necessary, and hiring of more guards. Yet he had the effrontery to maintain, ‘We’re not at war with the inmates; the state of New York is at war with them.’ What forces does the state of New York employ to make war on the inmates if not the cops and guards Wurf is happy to represent?... No union can represent both workers and the sworn servants of the capitalist class, the police and prison guards.”
The increasing prominence of cops and prison guards—workers’ class enemies—in the shrinking union movement underscores the need for ousting the pro-capitalist bureaucrats and forging a class-struggle leadership in the basic organs of workers struggle.
Three years before L.D. Barkley read out the Attica Brothers’ powerful declaration, striking black sanitation workers in Memphis, Tennessee, famously walked picket lines with signs declaring, “I am a man.” Today, the racist capitalist ruling class continues to treat black people as if they were less than human and their lives don’t matter. But there is a reservoir of social power in the organized working class, in which black workers, who make up the unions’ most loyal and militant sector, remain disproportionately represented. Under revolutionary leadership, black workers, who form an organic link to the anger of the oppressed ghetto poor, will play a vanguard role in the struggles of the entire U.S. working class. It is the purpose of the Spartacist League to build a workers party that links the fight for black freedom to the struggle for proletarian state power. Workers rule on a world scale will open the road to a communist future in which the modern instruments of incarceration and death will be discarded as relics of a decaying social order that deserved only to perish.
*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Maumin Khabir,( aka Melvin Mayes) 
 
http://www.thejerichomovement.com/prisoners.html
 
A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now! 

The Anniversary Of The Summer Of Love, 1967- Jim Morrsion- AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors

The Anniversary Of The Summer Of Love, 1967- Jim Morrsion- AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors






Zack James comment: My oldest brother, Alex, who was in the thick of the Summer of Love along with his corner boys from North Adamsville above all the later Peter Paul Markin who led them out to the Wild West said that the few times that he/they saw The Doors either in Golden Gate Park at free, I repeat, free outdoor concerts or at the Avalon or Fillmore which were a great deal more expensive, say two or three dollars, I repeat two or three dollars that The Doors when they were on, meaning when Jim Morrison was in high dungeon, was in a drug-induced trance and acted the shaman for the audience nobody was better. Having been about a decade behind and having never seen Morrison in high dungeon or as a drug-induced shaman but having listened to various Doors compilations I think for once old Alex was onto something. Listen up.         


From American Left History

Wednesday, December 23, 2009

*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors 
CD Review

Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007


Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".

A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.

The Unknown Soldier Lyrics

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh

Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…

For The Late Rosalie Sorrels-To An Old Unrepetant Wobblie- Rosalie Sorrels' Farewell To Utah Phillips

For The Late Rosalie Sorrels-To An Old Unrepetant Wobblie- Rosalie Sorrels' Farewell To Utah Phillips



If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

By Music Critic Bart Webber

Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, Josh Breslin, the late Peter Paul Markin and others were deeply immersed in all roads seemed to lead to Harvard Square with the big names, some small too which one time I made the subject of a series, or rather two series entitled respectively Not Bob Dylan and Not Joan Baez about those who for whatever reason did not make the show over the long haul, passing through the Club 47 Mecca and later the Café Nana and Club Blue, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. Those are the places where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers, some who made it like Tom Rush and Joni Mitchell and others like Eric Saint Jean and Minnie Murphy who didn’t, like  who all sat at the feet of guys like Woody Guthrie and Pete Seeger got their first taste of the fresh breeze of the folk minute, that expression courtesy of the late Markin, who was among the first around to sample the breeze.

(I should tell you here in parentheses so you will keep it to yourselves that the former three mentioned above never got over that folk minute since they will still tell a tale or two about the times, about how Dave Van Ronk came in all drunk one night at the Café Nana and still blew everybody away, about catching Paxton changing out of his Army uniform when he was stationed down at Fort Dix  right before a performance at the Gaslight, about walking down the street Cambridge with Tom Rush just after he put out No Regrets/Rockport Sunday, and about affairs with certain up and coming female folkies like the previously mentioned Minnie Murphy at the Club Nana when that was the spot of spots. Strictly aficionado stuff if you dare go anywhere within ten miles of the subject with any of them -I will take my chances here because this notice, this passing of legendary Rosalie Sorrels a decade after her dear friend Utah Phillips is important.)

Those urban locales were certainly the high white note spots but there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some of the other upstate colleges. That was Caffe Lena’s, run by the late Lena Spenser, a true folk legend and a folkie character in her own right, where some of those names played previously mentioned but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like the late Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about and rounded out his personality). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

Yeah, came barreling like seven demons out there in the West, not the West Coast west that is a different proposition. The West I am talking about is where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A tough life when the original pioneers drifted westward from Eastern nowhere looking for that pot of gold or at least some fresh air and a new start away from crowded cities and sweet breathe vices. A tough life worthy of song and homage. Tough going too for guys like Joe Hill who tried to organize the working people against the sweated robber barons of his day (they are still with us as we are all now very painfully and maybe more vicious than their in your face forbear)Struggles, fierce down at the bone struggles also worthy of song and homage. Tough too when your people landed in rugged beautiful two-hearted river Idaho, tried to make a go of it in Boise, maybe stopped short in Helena but you get the drift. A different place and a different type of subject matter for your themes than lost loves and longings.  

Rosalie Sorrels could write those songs as well, as well as anybody but she was as interested in the social struggles of her time (one of the links that united her with Utah) and gave no quarter when she turned the screw on a lyric. The last time I saw Rosalie perform in person was back in 2002 when she performed at the majestic Saunders Theater at Harvard University out in Cambridge America at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. (That theater complex contained within the Memorial Hall dedicated to the memory of the gallants from the college who laid down their heads in that great civil war that sundered the country. The Harvards did themselves proud at collectively laying down their heads at seemingly every key battle that I am aware of when I look up at the names and places. A deep pride runs through me at those moments)

Rosalie Sorrels as one would expect on such an occasion was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job banging out the blues unto the heavens) cast a pall over the proceedings. I will always remember the crystal clarity and irony of her cover of her classic Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain and thoughst of washing herself down to the sea whenever I hear her name. RIP Rosalie Sorrels 


CD REVIEW

Farewell To An Unrepentant Wobblie

Strangers In Another Country, Rosalie Sorrels and various artists, Red Barn records, 2008

The first paragraph here has been used in reviewing other Rosalie Sorrels CDs in this space.


“My first association of the name Rosalie Sorrels with folk music came, many years ago now, from hearing the recently departed folk singer/storyteller/ songwriter and unrepentant Wobblie (IWW) Utah Phillips mention his long time friendship with her going back before he became known as a folksinger. I also recall that combination of Sorrels and Phillips as he performed his classic “Starlight On The Rails” and she his also classic “If I Could Be The Rain” on a PBS documentary honoring the Café Lena in Saratoga, New York, a place that I am also very familiar with for many personal and musical reasons. Of note here: it should be remembered that Rosalie saved, literally, many of the compositions that Utah left helter-skelter around the country in his “bumming” days.”

That said, what could be better than to have Rosalie pay musical tribute to one of her longest and dearest folk friends, her old comrade Utah Phillips, someone who it is apparent from this beautiful little CD was on the same wavelength as that old unrepentant Wobblie. Here Rosalie takes a wide scattering of Utah’s work from various times and places and gives his songs and storytelling her own distinctive twist.

For example? Well, right from the first song “Starlight On The Trail” about being adrift in America in the later part of the 20th century with its prologue taken from some thoughts on the writings of author Thomas Wolfe (of “You Can’t Go Home Again” fame). Or the stirring “He Comes Like The Rain” a fair description of Utah himself if one thinks about it. Or to get political (and worry about the next generations) “Enola Gay”. And political memory about the forgotten “pre-mature anti-fascist” heroes of the Abraham Lincoln Battalion of the International Brigades that fought in Spain when it counted in “Eddie’s Song”. Finally, how about the appropriate ‘Ashes On The Sea” complete with Kate Wolf/Woody Guthrie story. If there were more than a five star spot here I would click it. Utah, rest easy, Rosalie did good, she did very good by you here. Adieu, old working class warrior.


If I Could Be The Rain-"Utah Phillips"

Everybody I know sings this song their own way, and they arrive at their own understanding of it. Guy Carawan does it as a sing along. I guess he thinks it must have some kind of universal appeal. To me, it's a very personal song. It's about events in my life that have to do with being in love. I very seldom sing it myself for those reasons.



If I could be the rain, I'd wash down to the sea;
If I could be the wind, there'd be no more of me;
If I could be the sunlight, and all the days were mine,
I would find some special place to shine.

But all the rain I'll ever be is locked up in my eyes,
When I hear the wind it only whispers sad goodbyes.
If I could hide the way I feel I'd never sing again;
Sometimes I wish that I could be the rain.

If I could be the rain, I'd wash down to the sea;
If I could be the wind, there'd be no more of me;
If I could hide the way I feel I'd never sing again;
Sometimes I wish that I could be the rain.

Copyright ©1973, 2000 Bruce Phillips


THE TELLING TAKES ME HOME
(Bruce Phillips)


Let me sing to you all those songs I know
Of the wild, windy places locked in timeless snow,
And the wide, crimson deserts where the muddy rivers flow.
It's sad, but the telling takes me home.

Come along with me to some places that I've been
Where people all look back and they still remember when,
And the quicksilver legends, like sunlight, turn and bend
It's sad, but the telling takes me home.

Walk along some wagon road, down the iron rail,
Past the rusty Cadillacs that mark the boom town trail,
Where dreamers never win and doers never fail,
It's sad, but the telling takes me home.

I'll sing of my amigos, come from down below,
Whisper in their loving tongue the songs of Mexico.
They work their stolen Eden, lost so long ago.
It's sad, but the telling takes me home.

I'll tell you all some lies, just made up for fun,
And the loudest, meanest brag, it can beat the fastest gun.
I'll show you all some graves that tell where the West was won.
It's sad, but the telling takes me home.

And I'll sing about an emptiness the East has never known,
Where coyotes don't pay taxes and a man can live alone,
And you've got to walk forever just to find a telephone.
It's sad, but the telling takes me home.

Let me sing to you all those songs I know
Of the wild, windy places locked in timeless snow,
And the wide, crimson deserts where the muddy rivers flow.
It's sad, but the telling takes me home.


--------------------------------------------------------------------------------
STARLIGHT ON THE RAILS
(Bruce Phillips)

I can hear the whistle blowing
High and lonesome as can be
Outside the rain is softly falling
Tonight its falling just for me

Looking back along the road I've traveled
The miles can tell a million tales
Each year is like some rolling freight train
And cold as starlight on the rails

I think about a wife and family
My home and all the things it means
The black smoke trailing out behind me
Is like a string of broken dreams

A man who lives out on the highway
Is like a clock that can't tell time
A man who spends his life just rambling
Is like a song without a rhyme

The 60th Anniversary Of Jack Kerouac's "On The Road" (1957)-Ain't Got No Time For Corner Boys, Down In The Streets Making All That Noise”-The Mean Streets Of Working Class Times- “The Fighter”- A Film Review

The 60th Anniversary Of Jack Kerouac's "On The Road"(1957)-Ain't Got No Time  For Corner Boys, Down In The Streets Making All That Noise”-The Mean Streets Of Working Class Times- “The Fighter”- A Film Review



DVD Review

The Fighter, starring Mark Wahlberg, Christian Bale and Melissa Leo, Paramount Pictures, 2010


I know the mean streets of Lowell, Massachusetts, although of late that geographical reference point would center on a more literary sense of the place around the figure of 1950s beat novelist/poet Jack Kerouac. I do not, by the way, mean that I know Lowell from actually growing up in that old-time textile mill town that has seen better days, mainly. I mean I know Lowell because I know the double-deckers, the triple-deckers, the seedy bowling alleys, the back lot gyms, the mom and pop variety stores, the ethnically-tinged bars, biker hang-outs, and flop houses that dot that working class town and form the backdrop to the cultural life of that place. I grew up on the southern side of Boston in North Adamsville. That past its prime working class town (formerly a shipbuilding center rather than Lowell's textile but they shared the same ethos) had its full compliment of tight housing, rundown stores, sparse entertainment possibilities and cramped view of life’s prospects just like Lowell.

I know Mickey Ward (Wahlberg) and, more importantly, I know Dickie Eklund (Bale) and their mother Alice (Leo). I do not mean that I know any of them personally but I know their ilk. See North Adamsville also had its fair share of club fighters (or other sports king wanna-bes), working out of some third floor back door gym that smelled of tiger’s balm and other liniments, looking to make it out of the dead-end town and on to the big tent, whether they actually left North Adamsville or not. And most didn’t and most did not even get a shot at hitting someone like Sugar Ray Leonard down on some matted ring floor like Dickie did. Frankly, I spent most of my time as a youth being attracted too but ultimately trying to run, run very hard, away from the Dickie guys, the street-wise corner boys who fall sort of catching the brass ring. While they may be street-wise corner boys, unlike in this film, they are strictly bad-ass cut your throat for a dime characters best left behind. That was hard lesson to learn back in the day, and as the film makes clear, now too.

That said about the social realities of working class life what is there not to like about a film that highlights, Mickey Ward, one of our own getting out from under by sheer perseverance, wit, and his own sense of street smarts, mainly on his own terms. And to be a bloody stubborn Irishman to boot. Some of the stuff concerning his family connections, his eight million family connections, the “us against the world (you do not air your dirty linen in public, period)” while hard to take at points rang true. As did many of the confrontation scenes with Mickey’s high-flying girlfriend Charlene, when she tried to break her man out of the family’s grip. Finally, the acting from Wahlberg’s conflicted (between family and career, between being a “stepping stone” and a champ) boxer, to Bale’s mad monk ex-boxer who had gone a long way down from those Sugar Ray days (a not uncommon fate for those who are just not good enough to wear the crown, whatever the crown might be) to Leo’s (Alice)one-dimensional family worldview (with nine kids, seven of them girls, that might have been the beginning of wisdom in her case) was uniformly fine. Still, I am glad, glad as hell that I made a left turn away from those corner boys down in the streets making all that noise. But it was a close thing, no question.