Once Again When The Golden Age Of Screwball Comedy Ruled The Known World-Loretta Young And Tyrone Powers’ “Love Is News” (Which We All Knew, Right) (1937)-A Film Review

Once Again When The Golden Age Of Screwball Comedy Ruled The Known World-Loretta Young And Tyrone Powers’ “Love Is News” (Which We All Knew, Right) (1937)-A Film Review

DVD Review

By Si Lannon

Love Is News, Tyrone Powers, Loretta Young, Don Ameche, directed by legendary director Tay Garnett, 1937

Bang right out of the box-the late 1930s and early 1940s meaning before Pearl Harbor blew the smiles off of our faces and that generation slogged through the ensuing wars were the halcyon days of the screwball comedy. Names like Preston Sturgis, Frank Capra, Tay Garnett the director of the film under review Love Is News, and Sam Stein could name their price, could take the pick of the litter for story-lines and cast and for the producers it was like finding money on the ground. That last name by the way is important, the Stein name, since Sam’s son Abraham who went to school with my father having spent what even he called his misbegotten childhood watching his father perform miracles wrote what is still the definitive book on the genre, Sam Stein and the Heyday of Screwball Comedy. A whole generation of film reviewers, cranky editors, erudite professors and doctoral candidates feasted on his references and sometimes his ideas as well although they now for the past half century or so seem to have been eclipsed by a more serious strain of screwball comedy which may or may not make the viewer laugh a week later thinking about some inane episode. That is the true mark of a great screwball comedy.          

Abe Stein’s major premise, kind of counter-intuitive now perhaps, was not that the plotline was filled with period piece jokes or skits which made people laugh but that people, people in the late 1930s after the height of the Great Depression had brought many very low and before the war cut funny-bones a bit could see themselves if somewhat obscurely in those situations. Back in the late 1940s and early 1950s a whole generation of screenwriters and directors made great films and lots of money based on that single deep perception. Hell, Professor Logan over at the UCLA film school did his dissertation on that single threaded idea-and his well-known students like Marty Ames, Billy Williams and Sally Lyons learned that simple lesson well.        

To the plot as laid out by legendary director Tay Garnett a man who should never have been in the shadow of Sturgis and Capra. No, I just thought of something that will better explain what Abe was presenting and which his father and the others were creating. This Love Is News, a classic look at the newspaper business as well as boy meets girl love, starring darkly handsome Tyrone Powers as the energetic newshound and winsome Loretta Young as the no fool heiress to a big daddy fortune was remade in 1947 with Powers in the lead and demur Gene Tierney in Loretta Young’s role as That Wonderful Urge. WTF. The thing couldn’t be flatter, was a flop since while Ms. Tierney was alluring as hell in the film noir Laura she was wooden in this comedy business and any retrospective of hers should avoid re-running that dog.

Now forward. Steve ace reporter for some Gotham-type daily newspaper whose city editor is none other than Don Ameche who was built for the role since he had started out life as a newspaper reporter out in Lima, Ohio needs to keep up a head of steam to get back on top after a couple of tumbles down the mountain having been scooped on the Lifton and Hayworth cases. Tony, winsome Tony, is the much put upon heiress who is utterly tired of having her name splashed all over the tabloids for no known reason except that she is as rich as King Midas maybe more so. Here is where Abe Stein’s observation gets a real workout, proves it mettle. Frankly nobody in 1937, no serious movie-goer anyway, whose own lives were nothing but misery and squalor at least according to my grandmother, would have given a tinker’s damn about some stray debutante gone amok. Except this Tony beyond being winsome liked to burst balloons like most of us do. Liked the idea of seeing a meddling reporter take a fall.

Presto Ms. Tony turns the tables, declares that she will go to the altar with our Steve. For an independent reporter, hell, for an independent guy back then that was a badge of dishonor despite the fact that he was being congratulated and hounded by everybody for stepping onto easy street. A lot of ships would rise. Again, most people could see themselves jumping at that prospect just as today people wish to the high heavens that they would win some big take lottery. So Steve gets led by the nose through most of the rest of the film as he and Tony keep sparring away, Don Ameche gets crazy for lack of a story and Steve’s reporter buddies titter on the sidelines. Naturally and this is part of screwball comedy, romantic version, all their sparring is covering up a growing attraction for each other just like any of the six million Hollywood films that have been salvaged by that trope. So yes Tony and Steve get together but that too was a relief for 1930s audiences. If you don’t believe me check out Professor Lawrence’s classic Boy Meets Girl In Hollywood. And don’t bother with that dud The Wonderful Urge.              

The Search For The Great Blue-Pink American Night-Part 32-With Western Artist Ed Ruscha In Mind

The Search For The Great Blue-Pink American Night-Part 32-With Western Artist Ed Ruscha In Mind

By Sam Lowell

Just then Bart Webber was in a California state of mind, was ready to chuck everything and go back on the road, the road to perdition to hear his wife, of thirty plus years, Betty Sullivan, tell it when he went off on his tirade about the old days, and worse, the old guys, guys like Markin who had dragged him out West kicking and screaming. Now to hear him tell it Bart was the guy who propelled the sluggish Markin westward. We will get to the why of Bart’s new found interest in retracing his youthful fling in the bramble-filled West, out there where the states are square and you had better be as well on the way to the edge of the continent and the dreaded Japan sea for failure but first the what.

It seemed that Bart had jumped the gun somewhat because he found himself out in San Francisco, the place where he met up with Markin and some of the other North Adamsville corner boys in that fateful year of 1968 when he rode for a few months with the guys on Captain Crunch’s yellow brick road converted school bus come travelling caravan home, at a printing and media conference, what would be his final conference since he was putting his printing business in the capable hands of his youngest son who truth be told had been handling the day to day operations of the shop anyway and was itchy to run the operation himself. While riding on the BART into the city he noticed on a billboard that the de Young Museum in Golden Gate Park was featuring a retrospective by the Western artist Ed Ruscha, an artist that Bart had always admire ever since he had seen his series on gas stations and their role in the great post-World War II golden age of the American automobile, the wide open highways and cheap gas.            

Taking an afternoon off he went over to Golden Gate Park and viewed the exhibit, a show that had well over one hundred paintings, photographs, prints and petro-maps. One set of photographs taken on one of Ruscha’s trips from his native Oklahoma to Los Angeles via the southern desert-etched route drove Bart to distraction as there he saw gas stations in places like Needles, on the California-Arizona border, Kingman, Flagstaff, Gallup, and a few other places he had passed through on one of his hitchhike or car-sharing trips to California. Saw too coyotes, Native American reservations, buffalos roam. Saw a series of prints and paintings of the famous Hollywood sign that told him the first time that he had seen the sign up in the hills that he had arrived in the land of sun and fantasy. Saw a darkly troubling painting all done in dark somber colors of the death of the Joshua trees in the high desert, a place where he had performed under the influence of serious dope inhalation the “ghost” dance with Markin, Jack Callahan, Josh Breslin and Frankie Riley. Saw plenty of photographs and paintings detailing the degradation of that part of California Ruscha had travelled through on those golden age trips. He was, well-known as a man not to show much public emotion, shaken almost to tears at the vistas that he witnessed. Could not get the thoughts of his old “hippie” minute out of his mind. (That “minute” then signifying that he finally came to a realization after a few months that unlike Markin, Josh, or Sam Lowell another late arrival in California from the corner boys who stayed on the road for a few years that he was a stationary person, missed old North Adamsville and missed old ball and chain Betty Sullivan.)            

Here’s how the whole thing played out back then and maybe, just maybe you will begin to understand why Bart was shaken almost to tears for visions of his long lost youth. Despite the urban legend Bart tried to create lately around his role in sending Markin westward Markin, and only Markin was the guy who led the charge west. Had been the guy of all the guys on the corner who predicted, predicted almost weekly from about 1962 on that a big sea-change was coming and they had better be ready to ride the wave. They all, Bart included, blew Markin’s predictions off out of hand because frankly if the subject around Tonio’s Pizza Parlor come Friday night wasn’t about girls, cars, money, getting drunk or any combination of those subjects they didn’t give a rat’s ass as Frankie Riley would say about some seaweed change.       

Things pretty much stayed that way all through high school although that didn’t stop Markin from his predictions especially when the blacks down south got all uppity (signifying that the corner boys except Markin didn’t give a rat’s ass about that subject either and maybe worse) and  folk music, the urban folk revival as Markin called it, took off. All that meant and this was stretching it was cheap dates with girls who might “put out.” Bart was even less interested in the latter since Betty was still stuck in some Bobby Rydell crush and did not like folk music (and still didn’t so Bart only played it when she was out of the house). Stayed that way for a couple of years after high school as they went their separate ways except the Friday night reunions at Tonio’s to, well, kill time. Then the Vietnam War came on strong which they did give a rat’s ass about, wanted to see the commies bite the dust although except for Sal Russo and Jimmy Jenkins who laid down his head over there and whose name now is on black granite down in Washington and in granite in North Adamsville, they did not volunteer. (Those who were called eventually all went including Markin who lost a lot over there, had serious troubles with the “real” world coming back and in the end couldn’t shake whatever it was that took the life out of him.)

Then in the spring of 1967 Markin did two things, one, the fateful decision to drop out of Boston University after his sophomore year to go “find himself,” a characteristic of the times, of the generation, of the best part of the generation and the other, the less fateful but still fraught with danger decision to head west, to hitchhike west to California after he had read Jack Kerouac’s On The Road about six times and declared that now was the moment that he had been talking about all those Friday nights in front of Tonio’s. So he headed west with no compulsion, wound up hooking up with a caravan out there. The Captain Crunch yellow brick road caravan that would eventually be composed of at least a half dozen North Adamsville corner boys turned “hippies” for varying lengths of time. Bart was pretty late on that “train” didn’t go out until the summer of 1968 after he found out that due to a childhood injury that left him with a pronounced limp despite a couple of surgeries that he was declared 4-F, unfit for military service by the friends and neighbors at his local draft board. That pretty late also meant that Markin who shortly after he got out to San Francisco received his own draft notice and was an additional reason why Bart left the road early since he knew the ropes.  

Bart, despite whatever happened later, was happy to be heading out and once he decided to go he also decided that he would hitchhike out like all the other guys except Sam Lowell who to placate anxious parents, really an anxious mother, went out by bus. Even Sam after five plus days on a stinking Greyhound bus with the usual screaming kids left to wander the aisles and the inevitable overweight seatmate who snored and despite a couple of pleasant days from New York to Chicago with a chick who caught his eye and whom he flirted like crazy with said later that he would have rather hitched than go through that again (and all his later trips would be done that way). Bart figured that although the road might be slow with the many false starts and being left in some strange places where grabbing a ride was not easy that it would be interesting once he got past the stifling East and the Great Plains to see what was what in the West (that stifling Ruscha could attest to since he was nothing but a child of the Great Plains, hell, an Okie so he knew he had to head west in that big old Chevy Bart had heard he went out to L.A. in that fateful 1956 year when he went to art school there).

Bart thinking about the experience, that first road out, that always served as a hallmark for every guy’s trip out remembered more or less vividly all those dusty side roads he got left on after his own trip through Oklahoma. Although the big Eisenhower-driven national security Interstate highway system made it easier in the mid-1960s to travel the hitchhike road than all the back roads and Route 66 that Bart had read about in Jack Kerouac’s travel the open road book On The Road that Markin made everybody read when they all were in high school even though he wasn’t much of a reader, didn’t think as much of the be-bop beats as Markin did who thought they were the max daddies he was waiting for even though by their time the beat thing was passe, was old news, ancient history it was actually easier to get rides on the smaller roads where people could see you from down or up the road. In any case you were sure to be left off on more than one back road since that was just the way it was, nobody who was say going to Denver was going to let you off in the middle of Interstate 80 when you saw the sign for Cheyanne where you wanted to go just ahead.  

Funny all the strange signs he saw out on the open back roads like  the mere fact of putting a sign up would draw people to your Podunk town , or your Podunk store. He had had to laugh when he saw Ruscha’s photograph of a town out in nowhere which probably had a population of less than one thousand but which had a sign documenting all the about ten church denominations that kept the good people of the town on their feet. He had seen more Jesus Save signs and the like than you could shake a stick at the further west he went until they stopped, stopped  dead the closer you got to coastal California. Saw more signs for cigarettes, beer, whiskey, dry goods (quaint), no trespassing, no loitering, no anything than he ever noticed back home. He wondered if people travelling through North Adamsville had that same feeling about his own Podunk town. He knew for sure that there were not top-heavy signs about all the religious denominations of the town at least not in the Acre where all you saw was a fistful of Catholic churches, Roman Catholic for the unknowing about differences.              

Had seen above all the signs that directed you to the nearest gas stations, almost a ritualistic sign that you were still in the golden age of the automobile, of the superhighway and of cheap gas. Hell even in North Adamsville right across from the high school he remembered the service station owners who had businesses right next to each other would have “gas wars,” would have signs out with prices like 30 cents per gallon versus say 29 cents. Yeah, cheap gas, and plenty of service too. Lots of guys, guys who needed to support their “boss” car habits worked as gas jockeys filling up tanks, checking oil and tires and wiping off windshields. Saw every kind of gas station from the one franchised out by Esso and Texaco to little fly-by-night operations with no name gas, a rundown coke machine that barely worked and bathrooms with stained sinks and broken plumbing and hadn’t been cleaned since Hector was a pup. You had to use your own handkerchief to wipe your hands. Even some of the diners, diners like Jimmy Jack’s back home where all the guys hung out after leaving off their dates if they didn’t get lucky and wind up down at the far end of Squaw Road on Adamsville Beach fogging up some “boss” car into the wee hours of the morning had gas stations or at least pumps out on those long stretch deserted roads so nobody would get stranded in the hot sun (and the owners probably figured that while stopping for gas the little family might as well have something to eat at the high carbohydrate steamed everything counters and booths).

Saw plenty of weird natural formations along the way getting twenty mile rides here from ranchers or farmers going up the road, fifty miles there from high-rollers taking the high side to Vegas, a few miles from high school kids joy-riding to while away the afternoon to avoid the dreaded chores that awaited them at home. Saw every kind dusty dried out tree seeking nourishment from the waterless ground. Saw rock formations hounded by the winds and sheered to perfection. Saw every color of brown, of beige, of grey. Saw too in Joshua Tree of a thousand tears, tears for the creeping civilization that was choking them away and tears one high doped up night when Markin and a few others channeled the shamans of the past in a ghost dance off the flickering canyon walls, hah, walls of brown, of beige, of grey. Bart never got over that experience, never saw what the white man, what his people had done so clearly even if he wasn’t about to do anything about it except load up on peyote buttons and ancient dreams of mock revenge. 

Saw above all as he grabbed that last one hundred, maybe one hundred and fifty mile stretch to Frisco town the refuge of the high speed road, the broken glass, the road kill, the busted fences where some fool had gone off the highway drunk or doped up so he didn’t feel a thing, saw stripped off bare truck tires blocking easy passage on the road ahead. Saw the bramble, the flotsam and jetsam of modern day life. Saw too though as he got closer to Frisco, as he could almost smell the ocean, the land’s end, the Japan seas or back home that the West was very different, that those who had make the trek, maybe were forced to make the trek were very different from the East that he knew. But maybe too they would have to run from a thing which they had built.

Later. after he arrived in San Francisco, met Markin, Josh and Frankie on Russian Hill and then joined them on the journey south for a few months (with a couple of trips back home in between) he would see Ruscha L.A. would see those luscious Hollywood signs, and would like any tourist from Podunk image that he had the wherewithal to make it as a star, or something like that name in lights. Got to know L.A. too well, couldn’t handle the freeway craziness, couldn’t handle the sameness of the endless strip malls, the endless rows of tickey-tack houses, couldn’t handle the sprawl that was turning a small town into a mega-town. Yeah he knew exactly what Ruscha was driving at, was trying to chronicle. But still he missed the opportunity to see if he did have what it took to survive in California, to have drunken in the scenes.     

And you wonder why Bart just then as he approached retirement as he approached his seventh decade was in a frenzy to repeat his past.    

Down And Dirty In The Delta-With Bluesman Skip James In Mind CD Review

Down And Dirty In The Delta-With Bluesman Skip James In Mind 

CD Review

By Zack James

Skip James Unchained, Skip James Around Records, 1985 

“Hey, Josh, Sally Ann and I are headed to Newport this weekend for the folk festival, do you want to go?” asked Seth Garth plaintively knowing that Josh would give his right arm to be there that weekend, the weekend when the great old time country blues singers “discovered” by the young urban folk archivists and aficionados were going to “duel” it out for the “king of the hill” title. Of course Josh, stuck in a job as a research assistant in order to pay his way through college could not go since Professor Levin had some paper he was going to present to a conference out in California, out at Berkeley that needed last minute upgrading and footnoting, a fact of life in the profession, and so would be drudging around at least until Tuesday. 

Even if he had been able to sneak away for several hours to run down there some seventy miles away he knew that Seth and Sally Ann would be heading down courtesy of the Greyhound bus and so that was strictly out.

Seth, knowing of Josh’s plight thought that it had really been something for a couple of guys from the working poor Acre neighborhood of North Adamsville who were deeply into blues by guys from down in places like the Delta in Mississippi and the swamps of Alabama, places like that. City boys really and to the core, corner boys by inclination and so previously heavily attuned to nothing but bad boy rock and roll, you know, Elvis, Chuck Berry and Jerry Lee, country boys too but guys who had hooked into some primal beat that moved them, spoke to them, hell, spoke for them, in a way that no sociologist could ever figure out in a hundred years. Strangely it had almost been an accidental occurrence since one night Seth had taken Annie Dubois from Olde Saco up in Maine to a blues concert in Cambridge where an old blues man from rural Texas, Mance Lipscomb was playing at the Café Algiers. He had been “found” by Alan Battles down in some Podunk town in Texas and came North via bus in tow with Alan. His Ella Speed and a couple of other tunes wowed him and he began studying up on Harry Smith’s anthology, Charles Seeger’s playlist and that of the Lomaxes, father and son. Watched too when unnamed aficionados were combing the South for country blues guys they had heard on old RCA records from the 1920s when that company sent out scouts to find talent for their “race records section.” Surprising some the guys, some of the best ones too, were still alive working in farm jobs or in small trades maybe playing the juke joints for drinks and pocket change.

Then in golden age 1963 (that golden age a true retrospective since many of the great bluesmen like Mississippi John Hurt, ditto Mississippi Fred McDowell, Sam Sloan, Bubba Ball, Bukka White would pass away within a few years of discovery so yes golden age) news came from Newport as they were announcing the festival program that Allan Battles had found Son House and Skip James to go with John Hurt. Now there was no publicity like today that would make the thing some kind of a shoot-out among the three for the title but Seth had a sneaking suspicion that that would happen. Would happen on the assumption that if you put three big gun bluesmen (or any three big guns in any musical genre) you were bound to have a shoot-out. That is what had animated all the conversations between Seth and Josh all spring on the assumption that Josh would be going along.  

In the event Seth had been right, at least in the end right. Each of the three men had their individual sets in a tent area set aside for them which actually was too small by the time serious folkies heard what was afoot. Seth and Sally Ann had gotten seat pretty close to the front because Seth although murder on any instrument he might play had a sense about who could play the guitar and who, beside him, could not. They all did a pretty good job, took a break and then came back together supposedly for one final collective song, John Hurt’s Beulah Land. Son House jumped out first but Seth detected that tell-tale glint he knew from his own drinking experiences that he had been at the bottle. John Hurt did well as would be expected on one of his signature covers. But then Skip James, not as good as a guitarist as the other two pulled down the hammer, came soaring out with that big falsetto voice and kept the field for himself.

And if you don’t believe Seth then check out this CD and then weep for your error.            

***Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of Elsa Alva (nee Daley), Class Of 1964

***Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of  Elsa Alva (nee Daley), Class Of 1964

Alex James , North Adamsville Class Of 1964, comment:

I have been dedicating some of my sketches to various people. When I first wrote this one in 2008 I had not one in particular in mind but when I recently rewrote it I did have Elsa in mind. I did not know her well at North Adamsville, and do not know her now much better now, but I felt her presence very strongly when I was rewriting this thing. So here it is.>
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Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and the Adamsville Old Sailor’s Home (and cemetery about a quarter of a mile away, closed now but the final resting place for many a sea-faring man, known and unknown). Yes, those names and places from the old housing project down in South Adamsville where I came of age surely evoke imagines of the sea, of long ago sailing ships, and of desperate, high stakes battles fought off shrouded, mist-covered coasts by those hearty enough to seek fame and fortune. And agile enough to keep it. Almost from my first wobbly, halting first baby steps down at “the projects” I have been physically drawn to the sea, a seductive, foam-flecked siren call that has never left me. Moreover, ever since this writer was a toddler his imagination has been driven by the sea as well. Not so much of pirates and prizes but of the power of nature, for good or evil.

Of course, anyone with even a passing attachment to Adamsville has to have an almost instinctual love of the sea; and a fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But enough of those imaginings. If being determines consciousness, and if you love the ocean, then it does not hurt to have been brought up in Adamsville with its ready access to the bay and water on three sides. That said, the focal point for any experience with the ocean in Adamsville centers, naturally, around its longest stretch of beach, aptly, if not ingeniously, named Adamsville Beach.

For those of us of a certain age, including this writer, one cannot discuss Adamsville Beach properly without reference to such spots such as Howard Johnson's famous landmark ice cream stand (now a woe-begotten clam shack of no repute). For those who are clueless as to what I speak of, or have only heard about it in mythological terms from older relatives, or worst, have written it off as just another ice cream joint I have provided a link to a Wikipedia entry for the establishment. That should impress you of the younger set, I am sure. Know this: many a hot, muggy, sultry, sweaty summer evening was spent in line impatiently, and perhaps, on occasion, beyond impatience, waiting for one of those 27 (or was it 28?) flavors to cool off with. In those days the prize went to cherry vanilla in a sugar cone (backup: frozen pudding). I will not bore the reader with superlative terms and the “they don’t make them like they use to” riff, especially for those who only know “HoJo’s” from the later, pale imitation franchise days out on some forsaken great American West-searching highway, but at that moment I was in very heaven.

Nor can one forget those stumbling, fumbling, fierce childish efforts, bare-footed against all motherly caution about the dreaded jellyfish, pail and shovel in hand, to dig for seemingly non-existent clams down toward the Merrymount end of the beach at the, in those days, just slightly oil-slicked, sulfuric low tide. Or the smell of charcoal-flavored hot dogs on those occasional family barbecues (when one in a series of old jalopies that my father drove worked well enough to get us there) at the then just recently constructed old barren old Treasure Island (now named after some fallen Marine, and fully-forested, such is time) that were some of the too few times when my family acted as a family. Or the memory of roasted, really burnt, sticky marshmallows sticking to the roof of my mouth. Ouch!

But those thoughts and smells are not the only ones that interest me today. No trip down memory lane would be complete without at least a passing reference to high school Adamsville Beach. The sea brings out many emotions: humankind's struggle against nature, some Zen notions of oneness with the universe, the calming effect of the thundering waves, thoughts of immortality, and so on. But it also brings out the primordial longings for companionship. And no one longs for companionship more than teenagers. So the draw of the ocean is not just in its cosmic appeal but hormonal, as well. Mind you, however, we are not discussing here the nighttime Adamsville Beach, the time of "parking" and the "submarine races." [For the heathens, or those from Kansas or some such place, going to watch the submarine races was a localism meaning going, via car, down to the beach at night, hopefully on a very dark night, with a, for a guy, girl and, well, start groping each other, and usually more, a lot more, if you were lucky and the girl was hot, while occasionally coming up for air and looking for that mythical submarine race. Many guys (and gals) had there first encounter with oral sex that way, if the Monday morning before school boys’ lav talk, and maybe girls’ lav talk too, was anything but hot air.] Our thoughts are now pure as the driven snow. We will save that discussion for another time when kids and grand-kids are not around. Here we will confine ourselves to the day-time beach.

Virtually from the day school we got out of school for summer vacation I headed for the beach. And not just any section of that beach but the section directly between the Squaw Rock and Adamsville Heights Yacht Clubs. Now was situating myself in that spot done so that I could watch all the fine boats at anchor? Or was this the best swimming location on the beach? Hell no, this is where we heard (and here I include my old running pal and classmate, Bill Bailey) all the "babes" were. We were, apparently, under the influence of Beach Blanket Bingo or some such early 1960s Frankie Avalon-Annette Funicillo (sic) teenage beach film. (For those who are again clueless this was a “boy meets girl” saga like Avatar, except on the beach...and on Earth.)

Well, for those who expected a movie-like happy ending to this piece, you know, where I meet a youthful "Ms. Right" to the strains of Sea of Love, forget it. (That is the original Sea of Love, by the way, not the one used in the movie of the same name sung by Tom Waits at the end, and an incredible cover that you should listen to on YouTube.) I will keep the gory details short, though. As fate would have it there may have been "babes" aplenty down there but not for this lad. I don't know about you but I was just too socially awkward (read: tongue-tied) to get up the nerve to talk to girls (female readers substitute boys here). And on reflection, if the truth were to be known, I would not have known what to do about it in any case. No job, no money and, most importantly, no car for a date to watch one of those legendary "submarine races" that we have all agreed that we will not discuss here. But we can hardly fault the sea for that, right?
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The above piece came about as a result of a response to some correspondence, via, a manically hard-working and determined North Adamsville High School class reunion committee member who shall remain nameless (except for gender, she) concerning old-time memories of Adamsville Beach which formed one of the backdrops to our high school experiences. In the wake of my commentary everybody and their brother (or sister) who ever came within fifty miles of smelling the sulfuric-flecked sea air at that beach has felt some kind of ‘civic duty’ to bring out his or her own salt-encrusted memories of the place. Below, mainly unedited (who could edit someone’s civic duty), is the traffic in response to the above piece. No one is required to wade through all the blather but to make a New York Times-like offical record seems appropriate under the circumstances.
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Betty Gilroy 1985 (view profile)
Posted: Jul 22 2008 11:00pm PST
In reply to Peter Paul Markin 1964

I grew up close to Adamsville Beach...I used to ride my bike there, runaway there... was a great bike path, I loved it as a kid. I used to hang out with friends from school, had some great jelly fish fights there. Ahhh, my friend and her boy fell asleep on the beach divider {Markin: sea-wall]with his hand on her stomach. How was she going to explain that one to mom and dad? (And, no, you dirty old man, they were not having oral sex or anything like that, although I learned later from my own experience that this was a “hot” spot for such things being so secluded and all. She, maybe they, didn’t know anything about sex then according to her, although later she told me about a couple of things, nasty-sounding things then but nice now, to do with guys. I am blushing now, and getting a little funny-feeling too, when I think about it now but the sound of the ocean in the background was a great place to do those things, those so-called nasty things. I know it got me going.)

I lived in Adamsville Central in the ‘70s to the early 80s and then moved to North Adamsville. I love the views, and the clam shack, the ice cream, all the clam diggers... the pond on the way from Marlboro Street, jumping the fence trying to catch the bull frogs going to the swamp cemetery swinging from the willow tree I think... I live in California and have a son that’s 7 (I hope he doesn't read what I wrote above, about that sex stuff I mean, but the ocean did turn me on, a lot) around the age that I would ride my bike the freedom, the safeness I had skate boarding around losing track of time, I haven't been back since my 10 year reunion I miss it, my friends, but then again I'm older with responsibilities maybe some day again I will take my son and show him Adamsville Beach and throw a few jelly fish his way??

Betty
North Adamsville High 85
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Memories Of Adamsville Beach

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:31am PST
In reply to Betty Gilroy, 1985

Betty- Thanks for the reply. The glint of silver off the Treasure Island Bridge when the sun hit it at a certain time. The early morning winter sun coming up over the horizon on the bay. The Boston skyline at dusk (pre-Marina Bay times when there was an unimpeded view). Well, we could go on and on with our memories but the one thing that caught my eye in your reply was the word “escape.” In one sense I was using Adamsville Beach as a metaphor for that idea in my story. I do not know about you and your family but, to be kind, I had a very rocky time growing up and certainly by the time I got to high school I was in desperate need of a sanctuary. It is no accident that I (and my old running mate, Bill Bailey) spent a fair amount of time there.

I went back to Adamsville last year (2007) while they were doing some reconstruction and cleaning the place up. I wrote about that in a sketch entitled Do You Know Adamsville Beach? that I posted here but then deleted. My original idea was to draw a comparison between the old hazy, happy memories of Adamsville in our youth and looking at it with today's older eyes. Somehow it just didn't fit right as a discussion item with the things I was trying to write then. If you would kindly reply to this message I will place it as a reply to some of what you have mentioned in your message about 'coming home.' By the way the jellyfish are still there in all their glory and please, take mother's advice, do not step on them, they might be poisonous.

Finally, I will not let you off the hook. I won’t comment on the "dirty old man" remark as I will take it as just a cute “fresh,” maybe flirty remark on your part. Yes, and I know as well as you that this is a family-friendly site but how did your friend explain away her 'sleeping' on the old wall to mom and dad? That bit about how she (they) didn’t know anything about sex, oral or otherwise, just doesn’t wash. Everybody “knew,” including parents who probably invented the spot, you only went to that particular spot with one thing in mind. You can send me a private e-mail with the real details if you like and then you can see if I am really a dirty old man or not. Regards, Peter Paul Markin

[Markin: Betty, by the way did send me an e-mail, several in fact, and I am still blushing, blushing profusely over some of her information old and ‘mature’ as I am. Let's put it this way my temperature was rising not a little. Frankly, some of the stuff (various sexual positions) she spoke of have to defy the laws of nature, but so be it. We were young and flexible (in more that one way) then. Forward.]
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Craig Wallace, North Adamsville High,1957 (view profile)
Posted: Jul 23 2008 10:34am PST
In reply to Peter Paul Markin,1964

Peter Paul: I heard from a younger friend, a woman friend (of my ex-wife’s actually) who knew you back in the day Professor Joan Murphy from over at MIT, who used to call you P.P., and that you liked it. [Markin: Tolerated it from her only because she was Frankie Riley’s ever-loving girlfriend. You remember the Riley family, the one with all the great North Adamsville raider red football players, Frankie was my corner boy chieftain up in front of Salducci’s Pizza Parlor. And she was, well, let's leave it as Frankie's ever-loving girlfriend.]

I don't have an awful lot to say about the beach, since I lived in a few other places while growing up. I do remember walking along the old sea wall and jumping across the openings trying to grab the rail to avoid falling. I once caught the rail, but hit the edge of the concrete wall with my shin. It hurt, but I didn't think it was broken.

Once a friend ran into a guy at the beach, and for some reason began to "exchange words." They were about to go at each other, but the lifeguard told them to take their dispute elsewhere. They went across the street to the grass in front of a stand where clams and other goodies were sold. The friend proceeded to tear the other guy apart. It didn't last that long. The friend was 5'-7" tall and the other guy 6'-3". I heard that some years later they ran into each other again and had a big laugh about the whole thing. Kids do grow up.

When I visited Massachusetts with my wife and two kids in 1983, my brother took us through some of the "old haunts," and we roamed the beach a bit. They got a kick out of a pair of horseshoe crabs skittering along the edge of the low tide line. I also went back there in 2007 and took a few walks along the beach. I did miss the old candle pin bowling alley, which appears to have been replaced by condos as was the old Adamsville Grammar School where I went through 1st grade (Miss Gray) and most of 2nd grade (Miss Lindberg).

Oh, yeah. I believe the Adamsville East Elementary School on Huckins Avenue is still in operation. I read that there's a boundary somewhere in North Adamsville and that kids who live east of the line go to Adamsville East School and those west of that line go to Parker Elementary on Billings Road. What is now North Adamsville High School included grades 7 through 12 till 1958 or 1959. So, even though I lived in 3 or 4 places, I was able to attend all 6 years at the same school.

Overall, most memories of Adamsville Beach are pretty good.

Craig S. Warren, 1957
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Peter Paul Markin reply:
Craig

Nobody has to stay on the subject at hand, all information about the old times in North Adamsville is welcome, but did you ever go to the beach? From the way you described it I thought maybe you knew about it from some picture postcard, of any beach, anywhere. Were you one of those, and there were not a few if I recall, who "rode," hot-rod rode the Adamsville Shore Boulevard and never touched down on the sand, or caught a fresh sea breeze on a hot summer day. Just kept cruising, eyes forward or left honed in on the ice cream, bowling alley, clam shack side, looking for the be-bop night, girls, or something. Like old Adamsville was Kansas or some sod town.

Peter Paul Markin,1964
Posted: Jul 23 2008 12:51pm PST
In reply to Craig Wallace, 1957 
This entry started as a short sketch in this space but I deleted it because it did not fit in with what I was trying to evoke in these pages then. Now the sketch does serve as a decent reply though for Betty Gilroy's,(1985) and Craig Wallace's (1957) comments above. I, moreover, actually am writing about the old-time beach here and not everything else under the sun like hot sex spots and Adamsville school locations. Christ. Peter Paul Markin

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Okay, in the sketch above(Daydream Visions Of Adamsville Beach, Circa 1964) this writer got all misty-eyed about the old days at Adamsville Beach. I went on and on about things like the various flavors of ice cream at HoJo's, the local king-of-the-hill ice cream stand, the vagaries of clam-digging in the oil-soaked flats and about the smell of charcoal- broiled hot dogs at Treasure Island. And I did not fail to mention the obligatory teenage longings for companionship and romantic adventure associated with the sea. But enough of magical realism. Today, as we are older and wiser, we will junk that memory lane business and take a look at old Adamsville in the clear bright light of day.

Last year, as part of the trip down the memory lane that I have been endlessly writing about in this space, I walked the length of Adamsville Beach from the Squaw Rock Causeway to the bridge at Adamsville Shore. At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, redo the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.

Oh sure, most of the natural landmarks are still there, as well as some of the structural ones. Those poor, weather-beaten yacht clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered Beachcomber gin mill in much the same condition is still there as are the inevitable clam shacks with their cholesterol-laden goods. That is not what I mean-what I noticed were things like the odd smell of low-tide when the sea is calm, the tepidness of the water as it splashed, barely, to the shore-when a man craved the roar of the ocean-and the annoying gear-grinding noise caused by the constant vehicular traffic on the near-by boulevard. Things that I was, frankly, oblivious to back in the days.

There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville Beach and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were things to conquer and now. The lesson to be learned- beware the perils of memory lane. But don't blame the sea for that, please.

.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album). That seems about right.
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On Our 'Code Of Honor'

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:42am PST
In reply to Craig Wallace, 1957 
Craig- I am very interested in having you fill out this story about the fight between your friend and the other guy down at Adamsville Beach that you mentioned before (see above). I do not need to know the gory details nor what happened years later. What I am looking for is your take on what the whole incident meant at the time. This was hardly an unusual event at then(or now for that matter), right?

I am trying to put together an entry based on our working class “code of honor”- male version- at the time before women's liberation and other social phenomena helped us to expand our sense of the world and how we should act in it. Even “loner” types like me would not back down on certain 'turf' issues (girls, giving way while walking on the street, who you "hung" with, where your locker was, which “lav” you used, etc.) and took a beating rather than concede the point. Enough for now but give this some thought. 

Regards, Peter Paul
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Fight . . . ?

Craig Wallace,1957 (view profile)
Posted: Jul 28 2008 09:09am PST
In reply to Peter Paul Markin,1964 
Peter Paul (I won’t call you P.P., okay). [Markin: Watch it old man. The days of the bogus 'code of honor' may be long gone but every working-class corner boy still has a slight edge on, even fifty years later, okay.]

The scuffle between a friend of mine and a much bigger guy at Adamsville Beach was not really "earth shaking." It started a couple days before when the friend and I were walking along one of the streets leading to the beach, Bayfield Road, perhaps. The "other guy" passed by in a car with some of his friends, including a couple girls. That guy yelled some insult at my friend in reference to his "eye-wear." He probably was trying to impress the girls by showing them he could insult anyone and all could get a good laugh out of it. Of course, my friend yelled something equally offensive at those in the passing car, which kept going. The "incident" appeared to have terminated.

A few days later the friend and I crossed the road to the beach near one of the yacht clubs and there was the guy who had yelled the insulting remarks. Apparently, he thought he could continue the verbal abuse without suffering the consequences, because he yelled something similar again. My friend went after the kid, but was informed by the lifeguard that they better take their "dispute" elsewhere. They went across the road to a grassy area and, encouraged by a small crowd that was gathering around them, proceeded to "get it on." My friend was usually a fairly pacific person, but when "pushed," he was like a cornered wolverine that would take on anybody or anything. The scuffle didn't last long, and the bigger kid got the worst of it. That time was the end of the dispute. Apparently nobody was seriously hurt, but maybe some had a bit more respect for the smaller kids after that. Some years later the two met, and remembering the incident, shared a good laugh over the whole thing.

Then, as now, I saw no esoteric meaning to the "battle." It didn't seem like the medieval days when one would "defend his honor" or that of a "damsel in distress." It was just an exchange of words that developed into a short round of what may be referred to these days as "ultimate fighting" where no rules are observed. I had a couple scuffles in elementary school and my son did in middle school, but we more-or-less outgrew such things. Sadly, nowadays those "scuffles" can become more deadly and end with somebody paying the "ultimate price." Are we reverting to the "Dark Ages." I hope not.

Anyway, enough said of a "juvenile incident."

Craig, 1957
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The "Code of Honor"

Peter Paul Markin, 1964
Posted: Aug 03 2008 11:31am PST
In reply to Craig Wallace, 1957 
Craig, thanks for story. It gives me an angle for a story that I will write about on our youthful sense of “honor.” This story that you related, especially the part about impressing the girls, etc. really says something about that code.

Regards, Peter Paul
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Day and Night At Adamsville Beach

Peter Paul Markin, 1964
Posted: Aug 02 2008 06:21am PST
In reply to Betty Gilroy, 1985 
I mentioned in my original story that all of us would talk about daytime Adamsville Beach (although once the kids are out of sight-the nighttime is the right time- can come into play). I hope that at some point Betty Gilroy will expand on her comment about her girlfriend down at the day time beach and the incident alluded in her comment about her falling asleep. Ms. Gilroy is more than capable of telling her own version of the story. [Markin: She did via e-mail, private e-mail, and it would take a civil war to get the information out of me, or a few bucks. Let me put it this way. I was blushing for days, maybe now even, as I mentioned above]. The only point I want to make here is that some of these day time remembrances are as funny as what might have happened at night. Funny now, that is.

Regards, Peter Paul
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Anyone Remember Adamsville Beach?

Robina Moore, 1978 (view profile)
Posted: Aug 15 2008 04:35pm PST
In reply to Peter Paul Markin, 1964 
Totally agree that growing up on Adamsville Beach was an experience. So natural at the time, but looking back I now see how fortunate I was. I don’t remember the HoJo’s but I do remember the 19 cent hotdogs sold on the beach that was a few blocks from my house. What a treat for the neighborhood kids to get together and go get a dog.

As far the beach was concerned as kids, we followed the tides. Some parent would parade a group us kids and watch over us. Generally for two hours before high tide, and two hours after, and they always had snacks and drinks in tow…just gotta love the moms for that! Swim, dig in the sand, play catch in the water and when finally tired, lay on a towel and listen to WRKO or WMEX on the transistor radio.

Once I hit teenage years, I choose not to venture near the beach. I think my parents knew about the cosmic and hormonal appeal as well as primordial longings going on there. I was taught at a young age, the beach is not a good place at night. I totally thank them for instilling this and letting Adamsville Beach be filled with wonderful childhood memories. With that said, I am thrilled at the revitalization, and hope this generation of children will have a chance to create memories that they can cherished forever.
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Back In The Days

Peter Paul Markin, 1964
Posted: Aug 18 2008 02:49pm PST
In reply to Robina Moore, 1978 
Robina-Very nicely told memories. That is the thing that I was trying to evoke in writing this particular commentary. A few points.

*The reason for the boxes in your entry [Markin:since deleted] is that when you transfer from a word processor to the message space here the apostrophes and quotation marks turn into some Serbo-Croatian dialect in the process. It happens to me all the time. You have to change them in this space to avoid that.

* Do you, or anyone else, know when HoJo's left the Adamsville Beach site?

* Did you mean 19 dollars for a hot dog? You put 19 cents but that can't be right. Nothing ever cost 19 cents.

• You realize, of course, that this is a generic North Adamsville site and therefore members of generations X, Y or Z may not be familiar with the term “transistor radio.” For their benefit, that was a little battery-powered gizmo that allowed you to listen to music, the 'devil's music,' rock 'n' roll, without your parents going nuts. And no, sorry, you could not download whatever you wanted. Yes, I know, the Stone Age.

Regards, Peter Paul Markin
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The Nighttime Is The Right Time....

Peter Paul Markin, 1964
Posted: Aug 21 2008 08:08am PST
In reply to Robina Moore, 1978 
...to be with the one you love. Yes, that classic Ray Charles tune (covered by many, including a steamy tribute version by The Rolling Stones in their 2005 Fenway Park concert) is a good lead in to what I want to mention here. Most of the comments on this entry have concerned day time Adamsville Beach but I have been thinking that it is time to open up to the night time episodes. Here are my reasons:

• Hey, it is entirely possible that some of our fellow alumni never went to Adamsville Beach during the day. They might have a legitimate grip against us for that. Remember we are using this cyberspace so that everyone has their "15 minutes of fame."

• The heck with protecting the kids and grandkids. They know this stuff already. Let's face it, as well, no self-respecting member of the hip-hop/iPod/Sidekick/texting generations (or younger) would dream of reading this far down into the entry. Ugh!

• Frankly, there is only so far we can go with the day-time Adamsville Beach. While there have been some nice comments there is only so far you can go with jellyfish, 19 cent hot dogs, teenage romantic longings and getting sand kicked in your face. We need to spice this up. In short, sex, or the hint of it, sells.

These are all good and sufficient reasons but, as usual, my real reason for arguing inclusion here is personal curiosity. I have been waiting some forty-four years to ask this simple question. Why, while we were driving down Adamsville Shore Boulevard on those cold October nights, let's say, were most of the cars all fogged up? What, were their defrosters not working? Come on, please, tell me.

From The Archives- “Strobe Light’s Beams Creates Dreams”-The Summer Of Love, 1967-The AARP’s Take

From The Archives- “Strobe Light’s Beams Creates Dreams”-The Summer Of Love, 1967-The AARP’s Take   

By Political Commentator Frank Jackman  

  

Early this year driven by my old corner boys, Alex James and Sam Lowell, I had begun to write some pieces in this space about things that happened in a key 1960s year, 1967. The genesis of this work is based on of all things a business trip that Alex took to San Francisco earlier this spring. While there he noted on one of the ubiquitous mass transit buses that crisscross the city an advertisement for an exhibition at the de Young Art Museum located in Golden Gate Park. That exhibition The Summer of Love, 1967 had him cutting short a meeting one afternoon in order to see what it was all about. What it was all about aside the nostalgia effect for members of the now ragtag Generation of ‘68 was an entire floor’s worth of concert poster art, hippy fashion, music and photographs of that noteworthy year in the lives of some of those who came of age in the turbulent 1960s. The reason for Alex playing hooky was that he had actually been out there that year and had imbibed deeply of the counter-culture for a couple of years out there after that.

Alex had not been the only one who had been smitten by the Summer of Love bug because when he returned to Riverdale outside of Boston where he now lives he gathered up all of the corner boys from growing up North Adamsville still standing to talk about, and do something about, commemorating the event. His first contact was with Sam Lowell the old film critic who also happened to have gone out there and spent I think about a year there, maybe a little more. As had most of the old corner boys for various lengths of time usually a few months. Except me. Alex’s idea when he gathered all of us together was to put together a small commemoration book in honor of the late Peter Paul Markin. See Markin, always known as “Scribe” after he was dubbed that by our leader Frankie Riley, was the first guy to go out there when he sensed that the winds of change he kept yakking about around the corner on desolate Friday and Saturday nights when we had no dough, no girls, no cars and no chance of getting any of those quickly were coming west to east.

Once everybody agreed to do the book Alex contacted his youngest brother Zack, the fairly well known writer, to edit and organize the project. I had agreed to help as well. The reason I had refused to go to San Francisco had been that I was in the throes of trying to put together a career as a political operative by attempting to get Robert Kennedy to run against that naked sneak thief of a sitting President, Lyndon Baines Johnson, who had us neck deep in the big muddy of Vietnam and had no truck with hippies, druggies or “music is the revolution” types like those who filled the desperate streets around Haight-Ashbury. Then.  Zack did a very good job and we are proud of tribute to the not forgotten still lamented late Scribe who really was a mad man character and maybe if he had not got caught up in the Army, in being drafted, in being sent to Vietnam which threw him off kilter when he got back he might still be around to tell us what the next big trend will be.              

The corner boys from the old Acre neighborhood in North Adamsville are, as the article below demonstrates, not the only ones who are thinking about the 50^th anniversary of the Summer of Love. AARP with a sure grip on the demographics of its brethren has tipped its hat as well. While I disagree somewhat with the author of the article about the connection between the Summer of Love participants and later social movements like women’s liberation, gay liberation and a serious interest in ecology no question 50 years later looking at the art, the posters, photographs and listening to the music makes me once again realize that in that time “to be young was very heaven.”    

Coming Of Age In World War II-Torn America- With The Film “Summer Of 1942” (1971) In Mind

Coming Of Age In World War II-Torn America- With The Film “Summer Of 1942” (1971) In Mind

By Fritz Taylor

Seth Garth, the once well-known free-lance music critic for many of the big music and specialty publications that have come and gone over the years since he first put pen to paper some forty years ago, including the long gone alternative press where he got his start and first breaks (literally put pen to paper, forget beauties of the world processors then), had been thinking about the old days a lot recently. Had been, having the luxury of semi-retired status, also doing a run through of films via the good graces of Netflix that he had first seen when he was a youngster sitting in the dark every week for the double feature at the old Strand Theater in his hometown of Riverdale, a town a few dozen miles from Boston. Or else films that due to publication commitments that he had not run through when they came out in the 1970s in the days when he was determined to catch the wave of being a music critic and missed many of those films, left them by the wayside.

One night at Jack’s, his watering hole hang-out over in Riverdale that he increasingly frequented on his forays back to his old hometown to see if he could “channel” the past by being physically present on the old sacred soil (although not the Strand long ago turned into a condominium complex), Seth had mentioned to Brad Fox, an old friend from high school days who went through many of the experiences with him, that he had just reviewed a film, Summer of 1942, for Sal Davis the editor of Cinema Now who was looking for copy to fill a space quickly. The film which had been released in 1971 and was about coming of age, coming of sexual age during the early years of World War II. The big point he made to Brad, who had told Seth that he had seen the film when it came out but did not remember the details except that this foxy older woman played by Jennifer O’Neil had “robbed the cradle” and bedded a teenage boy, swore the film could have been about their generation, the generation of 1968 as easily as of 1942.      

Seth had mentioned, before giving Brad the details that he had missed about the film, he had started his review speculating on the fact that each generation goes through its coming of age period somewhat differently. “Coming of age’ in this context meaning after Brad had been unclear about what aspect of the term Seth meant, meaning the beginning the treacherous process of understanding all the sexual changes and commotions once you got to puberty. He said he had taken the one he, and Brad, had known about personally of coming of age in the early 1960s in the age of the “Pill,” of technology-driven space exploration and of some new as yet unspoken and undiscovered social breeze coming to shake up a lot of the old values, to turn the world upside down, from their parents’ generation. He said he tried to contrast that with the one before theirs, the one represented in the film about the coming of age of their parents’ generation. The generation that on one edge, the older edge went through the whole trauma of the Great Depression that brought barren days to the land and of slogging through World War II and at the other edge, the younger edge, missing the trauma of war and its particular stamp on those who survived went on to form the alienated youth who turned “beat,” rode homespun hot rods to perdition, grabbed a La Jolla perfect wave surf board, revved up hellish motorcycles to scare all the squares and come under the immediate spell of jailbreak rock and roll.

The funny thing at least on the basis of a viewing of the film on the question of dealing with sex, sexual knowledge and experiences there was a very familiar (and funny) sense that our parents who, at least in their case and the case of their growing up friends, went through the same hoops-with about the same sense of forlorn misunderstanding. (Of course in talking about parents and their sexual desire both Seth and Brad admitted they would have had a hard time linking up their own respective parents with sexual desire but their own kids if asked would probably say the same thing about them.)                  

Brad mentioned that his memory wasn’t so good of late and that although while they were talking he had been trying to dredge up some more facts about the movie other than the one he had mentioned earlier in the conversation about that sexy older woman cradle robber making Seth laugh that whatever the taboos were about intergenerational sex they both would have given their eye-teeth if some world-wise fox had come across their paths. Seth then went on to give Brad a rough outline of how the film had played out.

He told Brad that his habit of late was after viewing a film, particularly a film that he was being paid good dollars to produce a review on, was to go on-line and look up what somebody had to say about the film on Wikipedia.  Wistfully stated that service was something he wished had been around earlier in his career which would have saved him a lot of time in the library or looking at the archives of various publications of the time and allow him under the constant press of deadlines to be able to write better thought out copy. The story line of the film had been based on the essentially true-to-life experiences of a Hollywood screen-writer Hermie Raucher (played by Gary Grimes), coming of age 15, and his two companions, gregarious Oscy and studious Benji, known as “the Three Terrors,” three virginal teenage boys, who were slumming in the year 1942 at the beautiful but desolate end of an island retreat in the first summer of the American direct involvement in the Pacific and European wars after the Japanese bombings of Pearl Harbor. (The island had been Nantucket Island in the book published after the movie but had been filmed off desolate Mendocino in California). They like a million other virginal boys of that age during war or peacetime were driven each in their own way by the notion of sexual experimentation and conquest and so the chase was on.     

That chase had been on at two levels. The rather pedestrian one of seeking out young girls of their own age to see what shook out of the sexual tree and Hermie’s almost mystical search for “meaningful” love in the person of an older foxy woman, Dorothy, played by Jennifer O’Neil, who had been a young war bride staying on the island after her husband headed off to war. The “own age” part, funny in parts, driven mostly by pal Oscy’s overweening desire to “get laid” with a blonde temptress whom he finally got his wish with one night at the secluded end of the beach with his most experienced partner. On that occasion Hermie was shut out of any desire he had to do the same with her friend who was as bewildered by sex as he was. 

The “older woman” (in our circles she would have been a “cradle-robbing” older woman although she was only 22) notion of love is what drove him the moment he has set eyes on her when the trio was spying on her and her husband in their cozy cottage so he was “saving” himself for her. And after a series of innocent (and some goofy) encounters with Dorothy one night, after she has just found out that her husband had been killed in the war, she bedded him (there is no other honest way to put the matter). That was that though, for when Hermie subsequently went back to the cottage she had left the island and left him a more solemn young man.              

Having given Brad those details Seth mentioned that those were the main lines that got played out but what had made this film more than of ordinary interest to him was the whole lead-up, the whole “foreplay” if you will of the desire of the trio to be doing something about getting out of that dreaded virgin status. Said all the guys were fearful of being tagged with the “homo” tag and didn’t Brad remember how vicious teenage guys could be about the “manhood” question. Before he could go further Brad mentioned how when they were fourteen or fifteen he could not remember when how all the guys from around the corner that they hung on, including Seth used to “fag” bait him because he had refused to kiss Sarah Langley at a “petting” party and had actually run out of the house where the party was being held he had been so embarrassed. At the time he had been sweet on Jenny Price who had been at the party although nobody was aware of that situation. Nothing ever came of that desire and so he had spent some time living down the “fag” tag until he found Sandy Lee in junior year and she took him out of that status since she was something of a fox herself. Although nobody thought anything of calling another guy a “fag” as masculine craziness about sex and sexual identity erupted nobody seriously thought that the guys were gay or anything like that it was just a separation expression. Who knows who at the time really wasn’t interested in girls, wasn’t into “getting in their pants” although Seth speculated that some guys around the block must have since not a few guys lived at home with their mothers and were not seen with women companions.

Nowadays nobody would think twice about it although the usual baiting in school and among the jocks would still go on given the unchanged nature of certain heterosexual young males. Seth mentioned that he could not believe the pressure to “lose your virginity” that all the guys suffered through, although he admitted that it also took him a long time, long after the Christopher Street riots in the Village that began the serious modern gay rights movement to stop his calling gays “fags.” Not until his eyes were opened up when gay musicians and actors whom he interviewed and assumed were straight came out of the “closet.”  

Seth had laughed at the very realistic scenes when Hermie and Oscy picked up a couple of girls at the movie theater (playing Bette Davis and Paul Henried in Dark Voyage, a film that he actually had reviewed when it came out in a film retrospective at the Brattle Theater in Harvard Square for the old Avatar alternative newspaper). The scene which showed the guys “feeling up,” or trying to, had been amazing with Oscy grabbing his just met girl almost from minute one and Hermie, missing the mark thinking his girl’s shoulder was her breast. Jesus. Brad laughed but reminded Seth that no way would that kind of thing have happened in their days since everybody, or almost everybody knew the drill at the Strand Theater Saturday matinee double-header or Saturday night date it did not matter. Some ancient tradition, hell, maybe going back to 1942 for all anybody knew about the original of the practice made it clear that those who sat in the orchestra were not going to “make out.” If they were in the balcony then whatever went on, went on from “feeling up” to blow jobs. It was solely a question of asking your date where she wanted to sit. That sealed the deal, and in many cases meant a last date.

Brad’s reminder of the old “policy” reminded Seth of the time that he was cray for Rosalind Green in junior high, they had gotten along well, had been a couple of chatterboxes in English class about books by a bunch of foreign guys to show they were “hip.” One day after a few weeks after all this “foreplay” Seth had finally asked her to a Saturday matinee (the usual strategy for dealing with a girl you were not sure would accept your date by making in the daytime to soften the blow) and she accepted. When after paying for their tickets and hitting the refreshment stand for popcorn and sodas he asked her where she wanted to sit she had answered “silly, of course the balcony why else would I have come with you.” Bingo. Of such events decent youthful memories are made. Brad on the other hand spent many hours in the orchestra section once he latched onto Betsy Binstock (whom he eventually married and was still married to) who was “saving” whatever she was saving for marriage. Okay, too-now if it did have Brad pulling his hair out then.       

Seth quickly mentioned the scene, the awkward scene, where Hermie was helping Dorothy with storing some packages and he got sexually excited, okay, okay, had an erection, by her off-hand helping hand touch since neither man wanted to talk about those nighttime wandering hands that came down when they got an erection.  Nor did he spent much time on the scene where the three friends “discover” what sexual intercourse is all about through the good graces of Benji’s mother’s medical books since that scene rang false in their old neighborhood where sexual information was passed from older brother or sister to younger, a lot of it wrong, very wrong when the girl had to go out of town to see “Aunt Emily” (a street expression that she was pregnant and had to leave town during her term usually not coming back) in other works right out on the streets. Nobody back in 1942, or 1962 expected uptight parents who were assumed to probably not have had sex to give any serious information except some twaddle about the birds and the bees.  And of course the fumbling by the numbers (off-screen) when Oscy has his first sexual experience with the girl he had picked up at the movies. That scene had little over the top and as reticent about talking about sex as parents were guys and gals might give an inkling about what they were doing behind the bushes but a “free show” was off the charts.

The best scene of all though and it really showed the difference between then and now when the younger generations can grab condoms off the shelf at any drugstore or in some places right in schoolhouse restrooms (formerly “lav’s”) and who might not quite appreciate enough the scene where Hermie tried to buy “rubbers” at the local village drugstore from the jaded disbelieving druggist. Brad automatically remembered that scene once Seth recalled it. Remembered too, as he told a disbelieving Seth that night, his own confusion when he was in junior high and had found some condoms in a bottom bathroom drawer in his family house when he was looking for some band-aids. Had asked a kid at school, actually had shown a kid at school one and the kid had said they were like balloons you fill them with water and throw them at somebody. It was not until high school and he had begun his own sexual explorations (obviously not with his ever-loving Betsy) that he found out their real purpose and blushed silently about his parents’ sexual practices. Hence another example of the very general understanding about the young that their own parents never had sex. Whatever else being a youth today may be about in terms of trauma at least there is a hell of a lot of good information hanging out there on the Internet for the young to inquire into without embarrassment. 

Yeah, Seth gave Brad the word as they finished up that last round of drinks and began to head to their respective homes -watch this film and remember your own, either sex, torturous rumbling around coming to terms with sex.     

“To Be Young Was Very Heaven”- Sally Field’s "Hello, My Name Is Doris" (2015)

“To Be Young Was Very Heaven”- Sally Field’s "Hello, My Name Is Doris" (2015) 

DVD Review

By Sam Lowell 

Hello, My Name Is Doris, starring Sally Field, Max Greenfield, 2015  

You know if you watch enough movies and review them as well every once in a while a film will knock you for a loop. Take the film under review Sally Field’s Hello, My Name Is Doris. Now usually when the subject of a film is an older (oops, mature) woman who is involved romantically in any way with a younger man the natural assumption is (or used to be) that he was “her kept man,” “her handy man,” if you  want to invoke a blues expression, her rasping at faded youth, maybe a gigolo, maybe just looking for the main chance or she was on a lark merely “robbing the cradle” (the term used in my old corner boy neighborhood growing up but usually in reverse-guys around the corner once they got out of high school still sniffing around from “jailbait” if you get my drift). This one turns that idea, that 20^th century older woman pursuing a younger man idea in the early 21^st century on its head. Makes the whole thing of all things a romantic comedy-and socially okay.     

Now intergenerational sex (or sexual attraction as here) has always been a thorny issue as mentioned above. Here though mainly through AARP-worthy stalwart actor Sally Field’s extraordinary performance as the Doris of the title makes the idea the stuff of legitimate dreams.  (Field, who for the oldsters reading this will remember that she started as a flying nun in the 1960s, is thus no spring chicken). Takes the new-fashion idea that 60 is the new, let’s say 40, and runs with it. 

Here’s the play. Doris is a holdover from an old-line company which got bought up by some tech-savvy outfit. One day John is introduced to the staff as the new art director and thus starts Doris’ flights of fancy (although she had already “met” him in the elevator coming up). Now Doris is starting out kind of dowdy, definitely not “hip” having lived her pedestrian life caring for her now departed aged mother on Staten Island. And like dear mother had turned into an inveterate pack-rat. But she is smitten by John and come hell or high water she after attending a “power of positive thinking seminar” is ready to rock the boat of her humble and dreary existence and make her play.   

This fantasy though would only be a fantasy without the help of a feisty thirteen year old granddaughter of Doris’s best friend. You automatically know you are in the 21^st century because the way Doris will attempt to hook her man is via that feisty granddaughter’s use of Facebook to find out what makes dear John tick and that otherwise Doris would have been clueless if not for this timely intervention. Problem: a young good-looking upwardly mobile guy in New York City is not going to “friend” some dowdy AARPer so, like a lot of people on the Internet they make up a fake profile for Doris. Bingo it works. 

Works better when she finds out what his musical interests are and forms a live friendship through that association. Problem” John is already “spoken for” by a beautiful younger woman. Problem solved: that younger beauty breaks it off with John when she suspects he is fooling around with some assumed to be young woman on the Internet. Uh, Sally of course. Sally makes her big move but no way is John going for her except in her dreams (and maybe at the end). What makes this one worth watching is how Sally Field takes a tough subject and makes it seem totally normal and without overdoing the sappy pulling for emotion part. Attention all AARPers see this one-younger folks better ask your parents’ permission.