When Studs Terkel Spoke Truth To Power In A Sullen World -A Tribute From NPR’s Christopher Lydon’s “Open Source”
Link to Christopher Lydon's Open Source program on the late "people's journalist" Studs Terkel
http://radioopensource.org/sound-of-studs-terkel/
By Si Lannon
It was probably Studs Terkel via a series of book reviews of his interviews trying to get a feel for the soul of the American from Sam Lowell that I first heard the expression “speaking truth to power.” Spoke that message to a sullen world then. Unfortunately since that time the world had not gotten less sullen. Nor has the need to speak truth to power dissipated since Studs passed from this mortal coil of a world that he did so much to give ear and eye to. The problem, the real problem is that we in America no longer produce that pied piper, that guy who will tell the tale the way it has to be told. Something about those gals and guys who waded through the Great Depression, saw firsthand in the closed South Side Chicago factories that something was desperately wrong with the way society operated and slogged through World War II and didn’t go face down in the post-war dead ass could war night spoke of grit and of a feeling that the gritty would not let you down when the deal went down. When Mister (Peabody, James Crow, Robber Baron you name it) called the bluff and you stood there naked and raw.
Fellow Chicagoan writer Nelson Algren (he of The Man With The Golden Arm and Walk On The Wild Side) put the kind of gals and guys Studs looked around for in gritty urban sinkhole lyrical form but Studs is the guy who found the gritty unwashed masses to sing of. (It is not surprising that when Algren went into decline, wrote less lucid prose Stud grabbed him by the lapels and did a big time boost on one of his endless radio talks to let a candid world know that they missing a guy who know how to give voice to the voiceless, the people with small voices who are still getting the raw end of the deal, getting fucked over if you really want to nitty-gritty truth to power). So check this show out to see what it was like when writers and journalists went down in the mud to get to the spine of society.
Click On Title To Link To Studs Terkel’s Web Page.
Book Review
“The Good War”: An Oral History Of World War II, Studs Terkel, Pantheon Books, 1984
Strangely, as I found out about the recent death of long time pro-working class journalist and general truth-teller "Studs" Terkel I was just beginning to read his "The Good War", about the lives and experiences of, mainly, ordinary people during World War II in America and elsewhere, for review in this space. A little comment is thus in order here before I do so. The obvious one that comes to mind is that with his passing he joins many of the icons of my youth who have now passed from the scene. Saul Bellows, Arthur Miller, Hunter Thompson, Norman Mailer, Utah Phillips to name a few. Terkel was certainly one of them, not for his rather bland old New Deal political perspective as much as a working class partisan as he might have been, but for his reportage about ordinary working people. These are my kind of people. This where I come from. He heard the particular musical cadence of their lives and wrote with some verve on the subject, especially that melody of his adopted Chicago home (Musically, Robert Johnson's "Sweet Home, Chicago" fits the bill here, right?).
One thing that I noticed immediately after reading this book is that, as is true of the majority of Terkel's interview books, he is not the dominant presence but is a rather light, if intensely interested, interloper in these stories. For better or worse the interviewees get to tell their stories, unchained. In this age of 24/7 media coverage with every half-baked journalist or wannabe interjecting his or her personality into somebody else's story this was, and is, rather refreshing. Of course this journalistic virtue does not mean that Studs did not have control over who got to tell their stories and who didn't to fit his preoccupations and sense of order. I would have been surprised, for example, if the central leadership of the Allied military efforts, like General Eisenhower, got a lot of ink here but I was not surprised that, for example, the late "premature anti-fascist" Milton Wolff, the last commander of the Abraham Lincoln Battalion of the 15th International Brigade in the Spanish Civil War, got a full airing on his interesting World War II exploits.
What were Stud's preoccupations in this book? Obviously from the quotation marks around the title "The Good War" there is some question in his mind and in that of at least some of his interviewees that this now storied period was all that it was cracked up to be. One, however, gets the distinct impression that, notwithstanding that assumption, those who participated in this period, called the "greatest generation" at least in America basically saw it as a necessary war to fight, whatever else happened afterward.
I have my disagreements with the premise that was this was the greatest American generation (the Northern side in the Civil War gets my vote) and what one should have done in response to the Axis threat to the world and the defense of the Soviet Union but I too will defer political judgment and let the participants tell their stories.
And what stories are being told here? Well, certainly this book is filled with interviews of the lives, struggles and fate of the rank and file servicemen (and a few women) that fought that war. Those include the stories of soldiers from the Axis powers and the Soviet Union as well. Of course we have the trials and tribulations of those who were left behind on the home fronts, including those "Rosie The Riveters" women who went to work in the factories of America (and were later kicked out on the return of the men).
Moreover, and this marks this book as different from earlier efforts to tell the war story, we have stories of the plight and successes of blacks, including the now famous Tuskegee Airmen, in this transitional racial period that in many ways is the catalyst for the later black civil rights movement of the 1950's. It is no accident that many of the early rank and file cadres of that movement were veterans of this war. As importantly we also have stories here of the effects the internment of Japanese-Americans during the war as told by those affected.
Of course, no modern account of World War II can be complete without mention of the Holocaust (Shoah), the fates of the survivors and those who didn't as well as the impact that it had on the liberators on entering the death camps. Also necessary are the interviews concerning the grizzly fates of POW on all sides. As is, additionally, the general sense that many participants sincerely thought that this war was to be something like a war to end all wars (sound familiar?), especially in light of Hiroshima.
I was somewhat surprised by the overwhelming distinction that was drawn between the "civilized" nature of the European war and the "savagery" of the Pacific war by the participants. However, I was not surprised by the general support for the dropping of the atomic bomb expressed by the bulk of the interviewees questioned nor was I surprised by the little tidbits of information about events that occurred during the war that presaged the buildup to the anti-Soviet Cold War.
For those of us who are sons and daughters of this generation that fought the war, and who came of political age in the 1960's, this little book provides more personal information in one spot than I ever learned from my taciturn and reticent parents or from the high school history books. That, my friends, makes this any extremely necessary book for your lists if you came from an even later generation and are personally farther removed from this period. Read this book! Kudos and adieu Studs.
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