Click on the headline to link to a YouTube film clip of The Capris performing There's A Moon Out Tonight.
A few years back I literarily, well maybe not literarily but close, went over the edge trying find every obscure, and not so obscure, record that I could find from the golden oldies time, the classic age of rock and roll time, the 1950s and early 1960s. I searched through flea market album bins like some ghoul out a Larry McMurtry Cadillac Jack novel. I went up into god forsaken, and maybe worst, dusty, musty, crusty attics (people really should throw out or recycle that stuff moldering away up there but that is a screed for another day) in the hopes that some errant 1950s teenager had left his or her markings and Mother was too sentimental to toss the damn things (although at the time there was civil war in many households over permission to have such “devil’s music” in the house, or within fifty yards of it). Worst, I went around to old time drugstores (any that were left in the age of Osco and CVS), steamed food diners, bent pizza parlors, and local mom and pop store hoping that in some back room they had some records left over from the 1950s jukebox days (or even better maybe still had the old jukebox). Yah, I had a jones, a big time rock and roll jones just then. I am better now, thank you. Well, thanks to YouTube and one million other Internet variations that would have saved me much shoe leather, some dough, my health and left my sunny view of previous pre-flea market- attic-pizza parlor human nature intact.
The idea though was to go back to my musical roots, the real roots in classic rock not that Frank Sinatra, Bing Crosby, Andrews Sisters, Inkspots stuff that was force-fed wafting throughout the house when my parents wanted to listen to the stuff that got them through the Great Depression (always these days meaning the 1930s one, okay) and the big one, World War II. And while time and ear have eroded the sparkle of some of the lesser tunes, like for example Gene Pitney’s Town Without Pity that I played endlessly, it still seems obvious that those years, say 1955-62, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune into music.
And we had our own little world, or as some hip sociologist trying to explain that Zeitgeist today might say, our own sub-group cultural expression. I have already talked elsewhere about the pre 7/11 mom and pop corner variety store street corner hangout with the tee-shirted, engineered-booted, cigarette (unfiltered) hanging from the lips, Coke, big-sized glass Coke bottle at the side, pinball wizard guys thing. And about the pizza parlor juke box coin devouring, hold the onions I might get lucky tonight, dreamy girl might come in the door thing. Of course, as well, the drug store soda fountain, and…ditto, dreamy girl coming through the door thing, naturally, eternally naturally. And the same for the teen dance club, keep the kids off the streets even if we parents hate their music, the eternal hope dreamy girl coming in the door, save the last dance for me thing. Needless to say you know more about middle school and high school dance stuff, including hot tip “ inside” stuff about manly preparations for those civil wars out in the working-class neighborhood night, than you could ever possibly want to know, and, hell, you were there anyway (or at ones like them).
Yah. but see that was all basically innocent indoor stuff. Today I want to talk about the outdoors stuff, the, hell, we are all adults, the sex stuff. And just to show I am not being just another prurient interest dirty old man I would direct your attention to the very, very on point album cover art work that accompanies this sketch. What could be more on point that a guy and his honey (or a gal and her honey if you want to look at it that way) sitting, star-light nighttime sitting, nighttime after that last dance high school opening shot young love sitting, in some early 1960s model convertible (maybe dad’s borrowed, maybe in new-found teen discretionary spending America his, probably the latter from the feel of the scene) in the local lovers’ lane. And one “bashful”, befuddled, “where do we go from here?” guy getting a seemingly innocent kiss from said honey. Nice, right
Sure all that stuff is nice for public consumption but like I said before, we are all adults, and that cutesy eyewash will just not do. So here is my expose. Every town, hamlet, hell, any place that has at least one teen-aged couple had its own local lovers’ lane where more fierce lovin’ went on that I would every have time to tell about, although Billy and Sue will be glad to fill in their friends come Monday morning in the boys’ and girls’ room at school. Our local lovers’ lane happened to also double up during the daytime as a beach, a very public beach. Can you believe that? Wasting all that good natural teenage dreamy night scene on people going swimming, digging for clams or some silly sea animals, sunning themselves, or having some ill-thought out family picnic. Christ, what a scene.
No, a thousand times no, this place was meant for the sun to go down on, a big blazing sun turning fast into the blue-pink night, boy and girl in car (or poverty-bound, not privy to that discretionary spending mentioned above, walked there and are now sitting moony-eyed on the seawall). And all car-bound or wall-bound “watching the submarine races.”
What? Yes, intensely, forthrightly, intelligently watching the submarine races. Oh come on now, you all had your own local expressions for doin’ the do. Naturally, if you are from the great plains night, or rockymountain high, or some Maine forest this was not possible but doin’ the do was. And what is doin’ the do? Oh well, yes we are all adults but I just remembered this cyberspace thing allows for small, peeking eyes, so I will leave you to figure it out. Or wait until Monday morning in the “lav” and ask grinning Billy and blushing Sue. Know this though that old car radio (or transistor radio, if seawall-bound) was blasting out tunes from some of those records I found in beaten bins, infested attics, and defunct drugstores. Here’s my selection for “getting in the mood” songs in the face of the great white-waved, Atlantic Ocean submarine race night:
There’s A Moon Out Tonight, The Capris (hopefully this was a double-header, the last dance at school and kingdom come mood-setter in that old convertible); Blue Moon, The Marcels (not bad as a runner up to The Capris as everybody starts to get a little swoony); Dedicated To The One I Love and Will You Still Love Me Tomorrow?, The Shirelles (incredible harmonies, and let me tell you sometime when the kids are not around about my own story of young love when the sun comes up in the morning, yah, the morning, and how I got my very own personal version of the will you still love me question); Runaround Sue, Dion (every boy, oops, young man’s dread a girl always ready to throw you over in a week for the next best thing that comes along, damn); Hats Off To Larry (and you know what for if what he went on and on about at Monday morning boys’ “lav” roll call was true, or better, half true); Del Shannon; Stand By Me ( a mood setter if there ever was one), Ben E. King (great lyrics); and Daddy’s Home, Shep and The Limelites (good for going home from that gentle beach night after a hard night at the races).
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