From The Pen Of Frank Jackman
He was drawn like a lemming to the sea to the town, drawn to the siren
call of the town, the last signposts town, Lowell home ground, from when Jean
bon ruled the beat social lion night. Some automatic response deep in his
brain, deep in his DNA called him every so often to go to replenish his soul,
to go where Jack worked his brain with projects like seven banshees and fretted,
fretted over seven hundred boyhood things. He made his way over the dusty
streets, Bridge Street, Aikens Street, Merrimack Street, the vast number of
streets over in three-decker tenement Pawtucketville (now sharing space with
various public building modern U/Mass-Lowell campus facilities) crowded,
over-crowded with the new-born screamers of new generations of different ethnic
groups leaving only a remnant of the old Irish-Italian- Greek –French-Canadian
screamers from Jack time. Drawn too to his river, the Jack river of his youth,
the Merrimack. Ha, merry mack, mary mack, mary mack all dressed in black. Is
that okay Jack, is it okay to speak that way of the ancient loomed river, the
ancient dyed river, the sacred river of Om, of the rushing waters over-
flowing.
He sensed the river, the river pull, the river flow, this day rapid
white-capped, white- capped waves, the waters overflowing the banks creating
tree lakes, oh well, tree ponds and maybe adventures, Jack adventures running
toward the Dracut woods, running toward New Jack City, running toward the
Frisco night and another land’s end. The historic river touched off by the mile
of red, red-brick factory walls now long ago converted to historic sites or
living space for the up and coming of the town.
Is it still a mile of bricks like it says on the points of interest panels
that dot the river edge walk though, it seemed shorter when he walked it this time?
Walked it passing the old Boott Diner closed, no more hamburger/onion/eggs/burnt
offerings grease smells to salivate over, Jack salivate over, thinking Jack
thoughts, thinking about how he had only touched the edges of the beat, beat
down, beatified night, too young to do anything but play the black-bereted mock
heroic faux poet, but what did he know then. Walked along with some empty tank
in his head trying to figure out how anybody could have come out of that
rushing river, come out of the French-Canadian working class quarters and made
that mad man big splash.
Later he walked past the high school, Jack’s school, Jack’s legend
prowess football school and heroic victory over Lawrence up the river, up the
not Jack part of the river and so left to herald some 1912 IWW-led textile
strike as a point of interest, a last time point of interest. Jack’s skipping classes high school now vastly
expanded, also public building modern like some third-rate architect low bid
the world and threw every building no matter the function through a cookie
cutter to, to, oh yah, save costs, to reflect added programs, added
bureaucracies, and the sense that added-ness was important. Past Jack’s cavern school library hiding
place, hiding from goofs, hiding from prying girls, hiding away by himself to
learn two thousand facts of the known world, to read two thousand books of the
known world, to be able to be ready when he day came, when his day came and he
would show the world what writing was all about Hemingway/Dos Passo/Fitzgerald
be damned. That is the secret Lowell, the Lowell that provided the yeast for
his grand experiment when his day did come.
Then onto the great mandala fast by the Lowell Sun sign just ahead on the shortened skyline, the great
mandala that some commissioned sculptor thought appropriate (hopefully not a
low- bid sculptor, not for big-hearted Jack) that formed the core of Jack
square, Jack memory square, Jack honored son square (well after the fact since
before he was a mere beatnik, a bum, unkind to his mother, a drunk and a dope
fiend to straight-laced Lowell). So he sat, sat among the marble looking this
way and that at the etched words on the marbled stacks. Words from Mexico City Blues, words from Visions of Doulouz, words see.
Funny that day he sat among the marble, sat alone for a while, then a
crowd, a young boy crowd, Latino, Asian, maybe a black kid and white mixed in,
came to “possess” jack space. To do fandangle roller-blade tricks against the
creviced landscapes. He thought back to Maggie
Cassidy and a time two, maybe three now, generations removed when Jack and friends
would cover the downtown area with their antics, with their foolery, with their
first young manhood drunks, and with their escape back woods Lowell dreams. Funny too he sensed that day, and he hoped
that he was wrong on that score, that those today young boys were totally
ignorant of the sacred ground they stood on, that they showed not a whit of interest
in the words that outlined their race course. What would Jeanbon say to that.
Then before he left, sobered a little by that hard forgetful fact that
time stirs no ashes, except by accident, he turned, as he always did when he
was called to this town, called like a lemming to the sea to read that last
page, last couple of paragraphs really, from On The Road, his great escape novel, his statement to a less than candid
world. That last part where he talked about his max daddy road wizard pal Dean
Moriarty (nee Neal Cassady) as the father he never knew. Yah, he thought as he walked
away like just like Jack Keroauc, the father we never knew too.
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