Out
In The Be-Bop Noir Night -The Red Wind-Take Two
From The Pen Of Frank Jackman-with
kudos to Raymond Chandler
Old sailors, old tars who have
roamed all the seas, seven at last count, who have been in every port, been in
every port gin mill, whorehouse and greasy spoon, claim that the red wind, a blood
red wind coming from the land not that blue pink goodnight sky wind means nothing but trouble, trouble with a big
T. Their take is this, and maybe they are right, that those red winds, the
winds coming out of some Santa Ana enclave make people jittery, make them
nervous, make them ready to do each and every thing they would not dream of
doing in calmer times. Make Walter Mitty-types feisty, make docile children
rise up like Cain slayed Abel, make sweet mother home-makers reach for some
rolling pin to level a miscreant, fill in the blank. Make a woman practice with
her trigger finger Justin case.
Yes that ill-wind, that hell wind
seemingly from the bowels of the earth makes the citizenry of the city of
angels, L.A. town, do screwy foul things right up to murder if need be Philip
Marlowe, the tough old gumshoe, the seedy, has-been private eye, the shamus,
found reason to believe those old seadogs were on to something when the winds,
the red winds, no question, blew across his city of angels, disrupted the old
time Los Angeles night, his night, one October week back in 1939, back before
the war made the whole town crazy with or without winds.
Hell, who would have thought that
going out for a few cold ones, a few brews, to take the ever present swirling dust
off the night at a newly opened corner bar in the neighborhood, the old Bunker
Hill neighborhood where Marlowe called home would lead to murder. He had sat on
his stool there minding his own business nursing his second beer when this guy Warden
came in, came in looking for a dame. No, not some bar girl or some street tart
but an upscale woman looking like something out of Vanity Fair and smelling,
well, smelling of sandalwood if anybody was asking, just a faint whiff of
sandalwood behind the ears just like it is supposed to be applied. He asked the
bar tender and then Marlowe if they had seen such a twist. They answered no,
although Marlowe wished just then that he had. For his efforts in trying to
meet that dame old brother Warden was waylaid and shot point blank by a guy
also nursing a few drinks at one of the tables. That scene made no sense under
normal circumstances but in the blood red night something was breezing ill.
Naturally, after the police, the
cops, in the person of one hard-nosed Homicide Detective Smythe who had no love
for private dicks as he called them, especially Marlowe since he had gotten his
nose bent out of shape in the Gilbert murder case, finished rumbling him up,
practically calling him the perpetrator, or in cahoots with the hard guy, our
boy Marlowe was up for anything that would shed like on what the hell had
happened before his eyes. See, not only did that lambster plug Warden but he
wanted to put two between the eyes of one Philip Marlowe (and the newly minted
bar owner too) to erase any witnesses to his dastardly deed. Just for the
record that barroom killing was nothing but a settling of old scores by a guy,
Detroit Red, who believed, and believed correctly as it turned out that Warden
had dropped a dime on him back East. A dime which sent him to Sing Sing for a
nickel on an armed robbery rap and is of no further interest to us.
Except this Marlowe, for
professional pride, and rightly so, took umbrage at that notion that he could
be rubbed out for drinking a friendly beer in his own damn neighborhood. He was
taken with the intriguing idea that some femme,
some femme with that essence of
sandalwood surrounding her was out in the red wind night. Maybe needing help,
maybe needing windmill-chasing help, maybe needed some comfort between the sheets
if it came to that. It was that kind of night, and he had those kinds of
feelings. And so our boy traced Warden’s movements back from his entry into the
barroom, back to his car, back to his apartment, and finally coming up with
some clover, back to her.
This is the way it went down. This
Warden was nothing but a grifter, a ex-con with expensive habits, a dope thing.
Inhaling more cocaine than he was selling always a bad mix. He had landed in
jail on some lightweight drug charge up in Oregon and did some time with
Richard Baxter, yes, the Richard Baxter who controlled the whole political
machine on the sunny slumming angels streets of the town. This Baxter,
obviously did not want that hard fact of hard time known around town, among the
many other little things that he wanted kept secret. Warden’s grift though was
to get to Baxter through his wife Lola, the woman of the sandalwood night. See Baxter
had picked her up on the rebound after her true love bit the dust down Mexico
way flying stuff (guess what stuff ) in
and out.
That pilot love working off and on
for Baxter as well until Baxter got wise to his old time flame relationship
with Lola so wonder if you want to about the nature of that plane crash. No one,
no one over the age of seven would put it past Baxter. Warden, a resourceful
sort in a crude way, stole a certain pearl necklace of hers to grab some dough.
In any case the pay-off to Warden was dough, big dough, for the pearl necklace
that this fly boy had given Lola as sign of undying devotion. Lola was the
woman Warden was looking to meet at the bar before he died in a hail of
bullets.
Lola, still without her necklace
after the aborted meet with Warden, then hired Philip to retrieve the item and
keep the recovery on the hush. Naturally Marlowe’s code of honor required that
he adhere to that bargain, and find the necklace which he did. As well as a
little off-hand romance with the lovely lonely, ethereal Lola. That dream about
downy billows with that fragrance worked itself out nicely once she saw she
could trust Marlowe. Baxter who had his tentacles everywhere in his domain
found out about Lola and the pearls, the potential expose of his jail-bird
time, and her little tryst with Marlowe and was determined to do something
about the matter.
Men like Richard Baxter do not get
where they wind up without walking over a pile of corpses and so he confronted
Lola and Philip in her bedroom one night, gun in hand. Somehow Lola diverted
Baxter’s attention long enough to let Marlowe to take a shot at him, a fatal
shot, taking a couple of slugs herself in the melee. She died in Philip’s arms
clutching that necklace. As for the necklace that old time fly boy love told
Lola it had been worth big dough. Philip found out it was glass, worthless.
Yes, Marlowe mused those navies were right, those dry red winds meant nothing
but trouble, trouble with a big T.
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