***From Beulah Land- Mississippi John Hurt
CD REVIEW
Last Sessions, Mississippi John Hurt, Vanguard Records, 1972
If one were to ask virtually any fairly established folk- singer in, let’s say 1968, what country blues musician influenced them the most then the subject of this review.Mississippi John Hurt, would win hands down. The list would be long- Dave Van Ronk, Geoff Muldaur, Maria Muldaur, Phil Ochs, Chris Smithers, Joan Baez and on and on. Hell, Tom Paxton wrote a song about him-Did You Hear John Hurt? That song still gets airplay on the folk station around where I live.
So what gives? Why the praise? What gives is this- Mississippi John Hurt and his simple country blues were 'discovered' at a time when many young, mainly white urban musicians were looking for roots music. This search wa not anything particularly new-John and Alan Lomax went on the hustings in the 1930’s and recorded many of the old country blues artists that were ‘discovered’ in the 1960’s. Hell, you can go back further to the 1920’s and the record companies themselves were sending out agents to scour the country looking for talent- they found the likes of the Carter Family, Jimmy Rodgers, and Blind Willie McTell along the way.
And what made John Hurt so special? Well, for one, very clean, very simple picking on the old guitar. For another that little raspy voice that you had to perk up your ear to if you wanted to hear him. But the big deal really is that he sang songs in a simple country way that reflected the hard life of the Mississippi delta, the hard work of picking cotton, the hard fact of being black in the Jim Crow South and the hard fact of needing some musical entertainment on a hot Saturday night after a hard week in the fields. The flow changed when the blues headed north to Chicago and got electrified but if you want to hear a master at work when the sound was simpler then hear John Hurt, hear him playing Creole Belle. And Joe Turner Blues, Spanish Fandango, Beulah Land and the rest.
CD REVIEW
Last Sessions, Mississippi John Hurt, Vanguard Records, 1972
If one were to ask virtually any fairly established folk- singer in, let’s say 1968, what country blues musician influenced them the most then the subject of this review.Mississippi John Hurt, would win hands down. The list would be long- Dave Van Ronk, Geoff Muldaur, Maria Muldaur, Phil Ochs, Chris Smithers, Joan Baez and on and on. Hell, Tom Paxton wrote a song about him-Did You Hear John Hurt? That song still gets airplay on the folk station around where I live.
So what gives? Why the praise? What gives is this- Mississippi John Hurt and his simple country blues were 'discovered' at a time when many young, mainly white urban musicians were looking for roots music. This search wa not anything particularly new-John and Alan Lomax went on the hustings in the 1930’s and recorded many of the old country blues artists that were ‘discovered’ in the 1960’s. Hell, you can go back further to the 1920’s and the record companies themselves were sending out agents to scour the country looking for talent- they found the likes of the Carter Family, Jimmy Rodgers, and Blind Willie McTell along the way.
And what made John Hurt so special? Well, for one, very clean, very simple picking on the old guitar. For another that little raspy voice that you had to perk up your ear to if you wanted to hear him. But the big deal really is that he sang songs in a simple country way that reflected the hard life of the Mississippi delta, the hard work of picking cotton, the hard fact of being black in the Jim Crow South and the hard fact of needing some musical entertainment on a hot Saturday night after a hard week in the fields. The flow changed when the blues headed north to Chicago and got electrified but if you want to hear a master at work when the sound was simpler then hear John Hurt, hear him playing Creole Belle. And Joe Turner Blues, Spanish Fandango, Beulah Land and the rest.
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