***Thoroughly Modern Miss Delysia LaFosse - Reflected
I have spent no little “cyberspace” ink in the recent past swearing off femme fatales in crime noirs, mainly crime noirs from their heyday in the 1940s and 1950s. I had grown tired, very tired, of two-timing dames (to speak nothing of those three, or hell more, timing frails) who saw nothing wrong, nothing in the world wrong, with off-handedly putting a couple of slugs in the likes of a prince valiant like Robert Mitchum as Jane Greer did in Out Of The Past just for trying to help her out of a jam, or seven. And him half-smiling, an ironic smirk really, half-wishing that finally just maybe he would be over her with those sweet embedded slugs. Ya, sure Robert, keep thinking she would ever loosen the claws she had into you. Sweet dreams, and RIP brother.
Or some half-addled, half-smitten, half-snake bitten, free-wheeling, half-mad poet fellow, blood cursed, irish blackie trying to shake off some tainted married woman and getting shook, getting square- framed, framed just for laughs to prove she could do it and slug-filled too. Framed hard right, framed hard left but framed and set up, with an invisible bulls-eye target right in the middle of his head, for the big house and the big tumble jolt without tears, or a look back, by a blond Rita Hayworth to Orson Welles in The Lady From Shang-hai (really not her color, blond, but that is a tale for another day and they don’t have to be blond to get to you in their clutches). And he, even after the mirror glass shattered, and he knew she was dead and gone and good riddance, would still remember, remember into old age remember, that first fragrance, some orchid scent, and that first look, some hidden larcenous look, as he walked along beside her and wonder where he had let her down. Have another shot, irish blackie, have one on me some cold dark night just before dream time.
Or, or, and just one last faint fragrance remembrance, this time maybe some blue dahlia scent or some oriental herbal splash, splashed on stone white-pancake faced killer in skirts who couldn’t play it straight for a minute and who just wanted her damn bird, and gold. And the stuff of dreams. And an off-hand slug in some desire belly on the way and falls, just not her’s. And not averse, not at all, to piling up the corpses high, to high heaven if necessary, to get them, the dreams that is, as Mary Astor did to dear, dear sturdy, worldly Humphrey Bogart, hell she even got to Bogie, in The Maltese Falcon. And he, hard guy, seen it all, done it all, will in fact spend many a long winter evening building a whiskey bottle pyramid to her, or that scent, always wondering if she had only played it straight for one minute what would have happened. But enough.
Fortunately after successful completion of the twelve –step femme fatale withdrawal program I am now cured, cured forever and a day, of those bad femmes. Jane Greer? I don’t believe I know the name. Rita Hayworth? Didn’t she marry some high sheriff over in Africa or something? Mary Astor? Is that some relative of John Jacob Astor? See, cured, fixed, done with all of that.
But what if, just for the sake of argument you understand, I had been on the wrong path, and got waylaid by those bad femmes. What about “good” femme fatales, or wannabes (from Pittsburg no less-pig iron steel provider to a hungry metal-craving world), who maybe are just a little screwy (okay, okay a lot screwy) and don’t even know how to handle a rod, or want to. Just men. And can warble you to tears when called upon. Well then fetchingly, and every other which way desirable, Miss Delysia LaFosse is just the type for you (and for me, especially sans those pistols that my, eh, advisors, have warned me off of ).
Rodded up, or not, Miss LaFosse knew one thing though, and knew it well in her time, in her post jazz- etched time, in her London just before the blitz 1939 time (and would have known it well in 1039 time and would know it well in 3039 time)- a girl has got to do what a girl has got to do. And while she may not have had a devil’s sinister heart she shared that truth with Miss Greer, Miss Hayworth, and Miss Astor. And so more than one man had to pay, pay the freight some way, if not with his life then still some way for that simple truth.
But even smart and wise girls from brawny Pittsburgh trapped in blitz-ready London can’t get things untangled all by their lonesome, especially screwy (if fetchingly so, okay) dames who are trying to work every angle by not working every angle and just letting thing fall where they will. What if all any self-respecting femme fatale, notorious for working the mantrap alone and net-less, really needed to stay away from hard guys, hard liquor, hard grifts, and mean streets was a sort of “fairy godmother” posing as a “social secretary” to work her plans. Especially if that social secretary was a wise and wishful aide, every way wise and wishful way. Then, my friends, you would have the substance of a plot for something of a little romantic comedy/social commentary/ nostalgia piece. And good PR for the femme fatale racket to boot.
And what if that good Miss LaFosse, aided by that help, not only untangled the little romantic triangle she had not worked every angle into with three beautiful young men who came of age after the war, the First World War that is, and who had “designs” on her free-wheeling spirit could sing your blues away. With no off-hand femme fatale gun play to “resolve” her fickle lifestyle dilemmas. Yes, what then. And I would not even be breaking twelve-step. Praise be.
I have spent no little “cyberspace” ink in the recent past swearing off femme fatales in crime noirs, mainly crime noirs from their heyday in the 1940s and 1950s. I had grown tired, very tired, of two-timing dames (to speak nothing of those three, or hell more, timing frails) who saw nothing wrong, nothing in the world wrong, with off-handedly putting a couple of slugs in the likes of a prince valiant like Robert Mitchum as Jane Greer did in Out Of The Past just for trying to help her out of a jam, or seven. And him half-smiling, an ironic smirk really, half-wishing that finally just maybe he would be over her with those sweet embedded slugs. Ya, sure Robert, keep thinking she would ever loosen the claws she had into you. Sweet dreams, and RIP brother.
Or some half-addled, half-smitten, half-snake bitten, free-wheeling, half-mad poet fellow, blood cursed, irish blackie trying to shake off some tainted married woman and getting shook, getting square- framed, framed just for laughs to prove she could do it and slug-filled too. Framed hard right, framed hard left but framed and set up, with an invisible bulls-eye target right in the middle of his head, for the big house and the big tumble jolt without tears, or a look back, by a blond Rita Hayworth to Orson Welles in The Lady From Shang-hai (really not her color, blond, but that is a tale for another day and they don’t have to be blond to get to you in their clutches). And he, even after the mirror glass shattered, and he knew she was dead and gone and good riddance, would still remember, remember into old age remember, that first fragrance, some orchid scent, and that first look, some hidden larcenous look, as he walked along beside her and wonder where he had let her down. Have another shot, irish blackie, have one on me some cold dark night just before dream time.
Or, or, and just one last faint fragrance remembrance, this time maybe some blue dahlia scent or some oriental herbal splash, splashed on stone white-pancake faced killer in skirts who couldn’t play it straight for a minute and who just wanted her damn bird, and gold. And the stuff of dreams. And an off-hand slug in some desire belly on the way and falls, just not her’s. And not averse, not at all, to piling up the corpses high, to high heaven if necessary, to get them, the dreams that is, as Mary Astor did to dear, dear sturdy, worldly Humphrey Bogart, hell she even got to Bogie, in The Maltese Falcon. And he, hard guy, seen it all, done it all, will in fact spend many a long winter evening building a whiskey bottle pyramid to her, or that scent, always wondering if she had only played it straight for one minute what would have happened. But enough.
Fortunately after successful completion of the twelve –step femme fatale withdrawal program I am now cured, cured forever and a day, of those bad femmes. Jane Greer? I don’t believe I know the name. Rita Hayworth? Didn’t she marry some high sheriff over in Africa or something? Mary Astor? Is that some relative of John Jacob Astor? See, cured, fixed, done with all of that.
But what if, just for the sake of argument you understand, I had been on the wrong path, and got waylaid by those bad femmes. What about “good” femme fatales, or wannabes (from Pittsburg no less-pig iron steel provider to a hungry metal-craving world), who maybe are just a little screwy (okay, okay a lot screwy) and don’t even know how to handle a rod, or want to. Just men. And can warble you to tears when called upon. Well then fetchingly, and every other which way desirable, Miss Delysia LaFosse is just the type for you (and for me, especially sans those pistols that my, eh, advisors, have warned me off of ).
Rodded up, or not, Miss LaFosse knew one thing though, and knew it well in her time, in her post jazz- etched time, in her London just before the blitz 1939 time (and would have known it well in 1039 time and would know it well in 3039 time)- a girl has got to do what a girl has got to do. And while she may not have had a devil’s sinister heart she shared that truth with Miss Greer, Miss Hayworth, and Miss Astor. And so more than one man had to pay, pay the freight some way, if not with his life then still some way for that simple truth.
But even smart and wise girls from brawny Pittsburgh trapped in blitz-ready London can’t get things untangled all by their lonesome, especially screwy (if fetchingly so, okay) dames who are trying to work every angle by not working every angle and just letting thing fall where they will. What if all any self-respecting femme fatale, notorious for working the mantrap alone and net-less, really needed to stay away from hard guys, hard liquor, hard grifts, and mean streets was a sort of “fairy godmother” posing as a “social secretary” to work her plans. Especially if that social secretary was a wise and wishful aide, every way wise and wishful way. Then, my friends, you would have the substance of a plot for something of a little romantic comedy/social commentary/ nostalgia piece. And good PR for the femme fatale racket to boot.
And what if that good Miss LaFosse, aided by that help, not only untangled the little romantic triangle she had not worked every angle into with three beautiful young men who came of age after the war, the First World War that is, and who had “designs” on her free-wheeling spirit could sing your blues away. With no off-hand femme fatale gun play to “resolve” her fickle lifestyle dilemmas. Yes, what then. And I would not even be breaking twelve-step. Praise be.
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