***Phillip Marlowe Lives-Redux- The 1980s Television Series

 

From The Pen Of Frank Jackman

DVD Review

Phillip Marlowe Private Eye, television series starring Powers Boothe, 1983

Sure I have been on a Phillip Marlowe run of late, mainly re-reading Raymond Chandler’s major crime novels from 1930s and 1940s which feature the tough guy, seen-it-all private detective. Those novels ranging fromThe Big Sleep to Payback (seven in all) pretty much tell the story of Marlowe’s many bouts with the bad guys (and gals) of the world down in sunny Los Angeles before it exploded after World War II into a big time town. A time long ago when a man (or woman) could know that city, that slumming city and its’ high and low life without a map. Those novels also developed Marlowe’s trademark approaches to things, his forever tilting after windmills for one thing or another, usually a dame in trouble but not always, always playing by his own rules, and not afraid to take a bump or two, or a slug or two, for a client.

Some of those traits, and Chandler’s early character development of Marlowe, were first written in some short stories in the 1930s collected in one volume called Trouble Is My Business (the original twelve story volume not the more recent four story volume or the Library of America volume). Those twelve short stories were presented in a British television series in 1983 under the title Phillip Marlowe Private Eye, the DVD under review, starring Powers Boothe as out intrepid P.I. And while, for my money, it is always better with Chandler, and fellow crime novel pioneer Dashiell Hammett, to read their works to get a real flavor of how he presented Marlowe over time this series is worth watching.

Of course there have been many Marlowes starting with the king hell king Marlowe, Humphrey Bogart, in The Big Sleep and working through such Hollywood stars as Dick Powell, Robert Montgomery, Robert Mitchum, James Garner, and Elliot Gould. Powers Boothe fits somewhere in the middle of that tribe, maybe being just a little too handsome and a little too nonchalant to be a top shelf Marlowe. Still, like every Marlowe, he intrepidly works his way through the twelve story set tangling with bad guys, bad women, good women, competent and incompetent cops, guys on the take, lamos, loses , drifters, grifters, and midnight sifters. The normal bill of fare for any Marlowe worth his salt. Remember though read the twelve stories first and then watch this series which, except for additional tough guy and world-weary dialogue, is faithful to the plot line of those stories.

You’ve got that right brother, trouble, trouble with a capital T is Raymond Chandler’s classic hard-boiled private detective Philip Marlowe’s business. We have followed old Phillip Marlowe through thick and thin in this space in the seven Raymond Chandler-created full-length novels. Our intrepid private eye, private dick, shamus, gumshoe or whatever you call a guy that, privately, and for too little dough scrapes off other peoples’ dirt, and does it not badly at that, in your neighborhood. And kept his code of honor intact, well mostly intact, as he, for example, tried to spare an old man some anguish, some wild daughters anguish in The Big Sleep, or tried to find gigantic Moose’s Velma, Velma who did not want to be found, not by Moose anyway, in Farewell, My Lovely or find that foolish old timey coin in The High Window despite his client’s ill-winded manners.And on it went.

But see not all trouble, trouble with a capital T or not, is worthy of the world historic Chandler Marlowe treatment dished out in full detail like in those seven novels. Sometimes the caper to be solved or case to be squared is of a lesser magnitude and so we have the Raymond Chandler compilation under review, Trouble Is My Business, to, well, shed some light on Marlowe’s lesser cases. Not that they were necessarily any easier to solve, or that he didn’t take as many bumps on the head or guns in his ribs as the longer pieces but there were fewer moving parts to deal with. So a few cases could be lumped together, four in all, as a kind of sampler for those who might not have grown up in the 1940s and 1950s enthralled by the Marlowe mystique.

Take the title story, Troubles Is My Business, where a high-roller, a Mayfair swell, for his own purposes, hires Marlowe second-hand to get some dame, some cash-craving dame, a gold-digger, to lay off his son, his adopted son, to keep an eye on him, and keep him away from those addicted roulette tables that he has made his home , and squash those markers that a certain mobster, a California mobster transplanted from back East holds until that son inherits a cool few million. Naturally Marlowe tries to do an end-around by getting to the dame, getting her to lay off the son. And naturally as well that ill-bred son winds up dead, very dead, in that dame’s apartment. All signs point to the dame or the mobster or both but it only takes our boy about fifty pages to figure out what evil forces are working the scenes. And without giving anything away, once again we are going to have our noses rubbed in the hard fact that the rich, the very rich really, as F. Scott Fitzgerald used to say, are different from you and me, and get away with a hell of a lot more than you and me.

Another story, Finger Man, where Marlowe I am sure with some qualms found himself before a D.A.s grand jury telling all he knows about the nefarious doings of one set of “connected” politicians and their criminal consorts in trying to run everything that moved in some Pacific Coast town. And for his troubles he got set up, set up bad taking a long- time friend down with him before the dust cleared. Naturally a dame, a red-headed dame which tells you a little how bad things were, was knee-deep in the set-up and it almost worked except the bad guys (crooks and politicians alike) left too many moving parts to their plan and Marlowe was able to skate right through the trap. Although, as usual, he took his fair share of bumps on the head, shots fired at him, cigarette smoked and stubbed out, and dips into that bottom desk drawer whiskey bottle that will die an easy death before he is through with it.

Or how about this one, Goldfish, another in a long line of tales about searching for that El Dorado, that pot of gold, except this time it is pearls, the Leander pearls no less, and they are not in the ocean but are loose in the land as a result of a very heavy robbery where guys were killed and others guys got sent up to the big house for their efforts. But here is the kicker-the guy who would know where those pearls are, the guy who stole them and did his time to keep them, isn’t talking, is as quiet as a mouse about their whereabouts. Until Marlowe, and a nefarious pack of chiselers and other grifters, get hot on his trail. This one is a little off-balanced though since the dame who figures here is nothing but a desperado out of the Bonnie and Clyde mold and not one of gallant Marlowe’s frails. Of course she has company and as the number of those in for a cut dwindle due to various eternal departures inflicted many ways but mainly by the old equalizer , the gun,a precious one, Marlowe, is left to figure where those damn pearls are so he can get the reward for their return from the eager insurance company. Hint: strangely enough gold fish actually do enter into this one at the end. Go figure.

Or finally this one, Red Wind, a case taking us back to home ground Los Angeles and a case that our boy was not even looking for, he was just out for a quick beer before dipping into that desk drawer whiskey bottle, or something like that. And damn if pearls weren’t involved in this one too, although they came with a scent this time, perfume, sandalwood, so you know there will be trouble for Marlowe to keep his mind on business. Yah, old Marlowe was just minding his own business when trouble hit him square in the face. A little off-hand bump off of a guy who was looking for a gal, among other things, smelling of sandalwood in order sell her back some young girl pearls that some flyboy war hero gave her back in the day. And that little action led to a another murder, some blackmail, revelations of some matrimonial duplicity, a few scuffles with the cops, good and bad, and the usual assortment of bumps and slugs Marlowe seems drawn to like a moth to flame. Yes, in this one he is back on his horse tilting at windmills for a dame, and not even going under the sheets with her. Jesus.

Oh yah, about Raymond Chandler, about the guy who wrote this selection of short Marlowe stories. Like I said in another review he, along with Brother Dashiell Hammett turned the dreary gentile drawing-room sleuth by-the-numbers crime novels that dominated the reading market back in the day on its head and gave us tough guy blood and guts detectives we could admire, could get behind, warts and all. Thanks, guys.

[Hammett, the author of The Thin Man, and creator of The Maltese Falcon’s Sam Spade, maybe the most famous tough guy detective of them all. Sam, who come to think of it like Marlowe, also had a judgment problem when it came to women, women wearing that damn perfume that stops a man, even a hard-boiled detective man cold, although not an assortment of Hollywood women but one up north in Frisco town.]

In Chandler’s case he drew strength from his startling use of language to describe Marlowe’s environment much in the way a detective would use his heightened powers of observation during an investigation, missing nothing. Marlowe was able to size up, let’s say, a sizzling blonde, as a statuesque, full-bodied and ravishing dame and then pick her apart as nothing but a low-rent gold-digger. Of course that never stopped him from taking a run at one or two of them himself and then sending them off into the night, or to the clink, to fend for themselves. He also knew how to blow off a small time chiseler, a grifter, as so much flamboyance and hot air not neglecting to notice that said grifter had moisture above his upper lip indicating that he stood in fear of something if only his shadow as he attempted to pull some caper, or tried to pull the wool over Marlowe’s eyes. Or noticing a frayed collar or a misshapen dress that indicated that a guy or gal was on cheap street and just maybe not on the level, maybe scratching like crazy for his or her coffee and cakes.

The list of such descriptive language goes on and on -sullen bartenders wiping a random whisky glass, flighty chorus girls arm in arm with wrong gee gangsters, Hollywood starlet wannabes displaying their wares a little too openly, old time geezers, toothless, melting away in some thankless no account job, guys working out of small-time airless no front cheap jack offices in rundown building s on the wrong side of town doing, well, doing the best they can. And cops, good cops, bad cops, all with that cop air about them of seen it all, done it all blasé, and by the way spill your guts before the billy- club comes down on your fragile head. (That spill your guts thing, by the way a trait that our Marlowe seems organically incapable of doing, except when it suited his purposes. No cop or gangster could force anything out of him, and they tried, believe me they tried. ) He had come from them, from the cops, from the D.A.s office in the old days, had worked with them on plenty of cases but generally he tried to treat them like one might a snake not quite sure whether it is poisonous or not.

At the same time Chandler was a master of setting the details of the space Marlowe had to work in- the high hill mansions and the back alley rooming houses (although usually not the burgeoning ranchero middle class locales since apparently that segment of society has not need of his services and therefore no need of a description of their endless sameness and faux gentility). He had a fix on the museum-like quality of the big houses, the places like General Sternwood’s in The Big Sleep or Mrs. Murdock’s in The High Window reflecting old wealth California. And he has a razor sharp sense of the arrivisite, the new blood all splash and glitter, all high-ceiling bungalow, swimming pools, and landscaped gardens.

But where Chandler made his mark was in his descriptions of the gentile seedy places, the mansions of old time Los Angeles Bunker Hill turned to rooming houses with that faint smell of urine, that strong smell of liquor, that loud noise that comes with people living too close together, too close to breath their simple dreams. Or the descriptions of the back alley offices in the rundown buildings that had seen better days populated by the failed dentists, the sly repo men, the penny- ante insurance brokers, the con artists, the flotsam and jetsam of the losers in the great American West night just trying to hang on from rent payment to rent payment. Those denizens of these quarters usually had a walk on role, or wound up with two slugs to the head, but Chandler knew the type, had the type down solid.

Nor was Chandler above putting a little social commentary in Marlowe’s mouth. Reflections on such topics as that very real change after World War II in the kind of swarms that were heading west to populate the American Western shore night. The rise of the corner boys hanging, just hanging, around blasted storefronts, a few breaking off into the cranked up hot rod hell’s highway night. The restless mobsters for broken back east looking to bake out in the southern California sun while taking over the vast crime markets. The wannabe starlets ready to settle for less than stardom for the right price. The old California money (the gold rush, gold coast, golden era money) befuddled by the all new waves coming in. And above all a strong sense of the rootlessness, the living in the moment, the grabbing while the grabbing was good mentality that offended old Marlowe’s code of honor.

And of course over a series of books Chandler expanded the Marlowe character, expanded his range of emotions, detailed his growing world-weariness, his growing wariness, his small compromises with that code of honor that he had honed back in the 1930s. Yes, Marlowe the loner, the avenging angel , the righter of wrongs, maybe little wrongs but wrongs in this wicked old world. The guy who sometimes had to dig deep in his office desk drawer to grab a shot or six of whiskey to help him think things through. Marlowe the guy of a thousand punches, the guy of a hundred knocks on the head, the guy who had taken a more than one slug for the cause, the guy who was every insurance company’s nightmare and a guy who could have used some serious Obamacare health insurance no questions asked . Yah, Marlowe.