"If
Your White Your Right, If Your Black Get Back"-With Big Bill Broonzy’s , Black, Brown And White In Mind.
By
Lester Lannon
Selena
James had been clueless about life, about how the other half lived, about the
horrors of black racial oppression that she had carefully avoided thinking
about all though high school before she graduated and then began to attend
Boston University (Class of 1964). She had managed to go through Riverdale High
about fifty miles away from Boston without thinking of much except who would she
have dates with on Saturday nights, whether she would be the head cheerleader
for the championship Red Raiders football team come senior year and whether
Captain Bill Clemens of that team would sweep her off her feet like he did to
opposing defenses, and who would be taking her to the senior prom when that
time came. And of course how far to let those dates and that Bill go with her
in the back seat of some fogged up car (pretty far although that fact is not
germane to the subject here so we will let that pass). Not an atypically high
school student for the time although the news of the black civil right struggle
and the unfathomable straitjacket of Mister James Crow were being shouted out in
every newspaper, and on every radio and television.
Selena,
a good student if not a great one, had applied to Boston University, NYU and
Georgetown down in Washington (the latter mainly because her best friend Gloria
Davis had applied and would wind up going there) in order to get freed from a
dreary home life which with curfews, rule this and that, was driving her crazy
although not enough to either forgo college which would have been a mistake or
to go to State U and work her way through like her second best friend Alfreda Barnes who faced
the same dismal home life. So off to BU in the fall of 1960 Selena went with
not much notion of the swirl that was just starting to send thunderbolts
through the 1960s campuses.
Naturally
Selena lived the chaperoned freshman dorms (or else her parents would have
balked at sending her there-such were the concerns of parents in those times-now
too from what I hear). What was not natural or fore-ordained was that her
roommate would be Josie Dallas from Manhattan. Josie who was miles ahead of
Selena socially but also something of a wild card in her concerns about what
was going on in the world beyond whose sheets she would wind up under on any
given Saturday night party night. Josie worried, along with Selena, about those
sheets but from the beginning, from when they had met at Freshman Orientation
and found out that they were slated to be roommates (even roommate selection
was done by the administration then for freshmen looking to get a mix and
unless there was some major differences not reconcilable then the roommates
were glued to each other for the duration, for the year). But Josie had also
been in high school, been at prestigious Hunter College High, a leader of the
student support group providing materials and raising money for the student
civil rights workers who were staging sit-ins and other actions down in forlorn
Alabama and hellish Mississippi.
Moreover
through a high school boyfriend, Sam Lawrence, met under the arch at Washington
Square one summer Sunday afternoon between junior and senior years she had
imbibed the folk scene in the Village which was extending out to the colleges
in the area. Sam, a sophomore at NYU, and a budding folksinger, had also been an
ardent supporter of the black civil rights workers and had settled on a
playlist that included covering many protest songs from the young musicians who
were gathering in the Village to perfect their craft, work out the kinks, Sam
called it. Once Sam and Josie got together Sam would, at first, drag Josie to
all the big venues in the city, Geddes Folk City, Village Vanguard, The Jagged
Rock, Mike’s across from the Village Vanguard (that’s the way everybody
described the place once folk because big enough that not everybody could get
into the big clubs and so places like Mike’s drew the overflow). That is when
she first heard Blake Sams doing covers of an old black artist, Big Bill
Broonzy. One that stuck out was Black,
Brown and White with the puzzling line “if you are white you are right, if
you are brown stick around, if you are black get back” in the lyrics. Sam
explained to Josie that that whole color scheme, right or wrong, described far
better than all the sociology books and political treatises the nature of the
racial structure in America. The more she thought about that sequence the more she
became committed to the civil rights struggle down south.
Once
Josie realized after meeting Selena that she was clueless about the big race
question tearing through America and about folk music too (she swore that the
music that Selena had brought with her to listen to while studying would “rot her
brain” and eventually Selena would go from listening to that music, called “bubble
gum music” by Josie, when she was not around to shipping the records back home
after freshman year) she decided to “tutor” her. That tutoring included a night
at the Club Blue coffeehouse in Harvard Square when Blake Sams would be coming
up from New York City to play his covers of Big Bill Broonzy (and others like
Lead Belly, Woody Guthrie and Josh White). That night Selena heard Black, Brown And White for the first
time. While Selena did not understand all the intricacies of race relations she,
like Josie before her, sensed that there was a deeper meaning in that song than
all the stuff she was learning in the Modern Civics class that was required for
freshmen.
Oh
yeah, it did not hurt that Blake Sams, the first Negro (the common proper term
of usage at the time) she had known personally had asked her out on a date
while he was in town. And from the way he asked her and his whole gentlemanly
demeanor Selena did not think they would be only talking about race relations.
Not at all. She would be able to hold her own now …..
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