On The Great White Way-Broadway-The Indie Film “Opening Night”(2016)-A Film Review

On The Great White Way-Broadway-The Indie Film “Opening Night”(2016)-A Film Review

DVD Review

By Associate Film Critic Alden Riley

    

Opening Night, starring Topher Grace, Alona Tal, 2016

I am totally fed up with and refuse to, except on an infrequent assignment, to watch any comedic offerings on commercial television, traditional or cable. Moreover most, certainly not all by any means but most, current comedic efforts on the big screen leave me cold. Then along comes an indie film, an indie comic film, Opening Night, centered on the trials and tribulations of opening night on the Great White Way, Broadway and for the ninety minutes of the production I witnessed what a good ensemble cast and a strong idea can do to restore my faith in the genre.     

The beauty of the film is simplicity itself. Go backstage live on the opening night of a Broadway musical comedy and work it out from there. Work it out through following, sometimes at high and reckless speed, what a production manager has to go through to get everything in order for the patrons out front who have paid too much money to get tickets and be amused. Nick, played by Topher Grace, a failed singer trying to hold his life together by being busy around the set plays the production manager and his estranged love, Chloe, played by Alona Tal, an understudy for the main female role who by chance gets to go before the bright lights are the central story around which all the antics and secondary stories are built. (Okay, okay I know the “real” plot in another version of the boy meets girl trope that has been hung on half the movies ever made but I will give that a pass this time)          

Along the way Nick not only has to deal with his suppressed feelings for Chloe and his disappointment that he is not among the working cast but fend off every imaginable “drama” from a touchy male lead to an “over the hill” female lead and a screwball producer who is desperate for a hit. All of this to present a musical comedy about the plight of one-hit wonders and their fates in the record industry (providing some very funny songs on that subject on stage). Naturally as is the seeming the trend these days every “intersected” gender, racial, ethnic, sexual orientation and class element has to have a play. For the most part all to the good effect. See this one.