Click on the headline to link to a Wikipedia entry for American novelist James M. Cain's noir classic, The Postman Always Rings Twice.
Book Review
The Postman Always Rings Twice, James M. Cain, Everyman's Library, New York, 2003
Okay, so now that this reviewer has recently warmed you up with review of James M. Cain's lesser works, including the minor classic Double Indemnity it is time to bring up the big guns- The Postman Always Rings Twice (hereafter, Postman). I have reviewed elsewhere in this space both the movie versions of this novel- the original one with John Garfield and Lana Turner in black and white in the 1940’s and the color version with Jack Nicholson and Jessica Lange in the 1980’s. Both have there merits although the Nicholson/Lange version produced at a time when there was a more permissive atmosphere in portraying raw, primordial sexual passions is closer to the sense of Cain’s novel.
Both films also take some license with the story line from the novel. That line, in summary, went something like this- Girl is unhappily married to older uncouth owner of a highway diner and gas station in sunny California of the 1930’s. Boy an outlaw tramp, who also happens to be handy, very handy, with a wrench, comes down the road and hubby puts his to work in the station. Boy meets girl. Bang. Hubby is doomed but the newly formed couple, after a false start in clearing up that little matter, seemingly is ready to start a new life together once the murder rap is cleared up. Or are they?
After a fair exposition of Cain’s works in this space, including a few short stories not reviewed, it is apparent that he was onto something about the way that novelist could look at crime and the vagaries of human passions. Most of his works, including Postman, center on the reactions of his characters to the way that their lusts (and it is mainly the distortions caused by their lusts that Cain wants to look at) lead them inevitably to crime, mainly the most heinous one murder. Moreover, as demonstrated here, no crime no matter how perfectly committed or maneuvered around, will go unpunished either as a result of the psychological reaction and revulsion against their crimes, no matter how deeply submerged, of the characters, as here, with Frank and Cora or by some quirk of fate. No police or gumshoes need apply to solve these crimes.
I have sometimes mentioned in reviewing Cain’s work that the women tend to be femme fatales and that is true to the extent that these women have strong sexual identities, use that fact, and are, usually, to the extent they are fully developed by Cain stronger than the men. But then we are back to the old Adam and Eve story, aren’t we? After all Eve was the one who took the chance. I would argue, as an aside here to the theme presented in Postman, that as conventional as Cora is in many ways, trying to make a go of the diner and trying to create a stable environment after the close call on the murder rap, that there is also some primitive Christian notion at work here. Something about the fates being played out a certain way and the gods best stay on the sidelines while they get worked out. But, hey, why don’t you read this little gem and try to figure it out for yourselves.
Book Review
The Postman Always Rings Twice, James M. Cain, Everyman's Library, New York, 2003
Okay, so now that this reviewer has recently warmed you up with review of James M. Cain's lesser works, including the minor classic Double Indemnity it is time to bring up the big guns- The Postman Always Rings Twice (hereafter, Postman). I have reviewed elsewhere in this space both the movie versions of this novel- the original one with John Garfield and Lana Turner in black and white in the 1940’s and the color version with Jack Nicholson and Jessica Lange in the 1980’s. Both have there merits although the Nicholson/Lange version produced at a time when there was a more permissive atmosphere in portraying raw, primordial sexual passions is closer to the sense of Cain’s novel.
Both films also take some license with the story line from the novel. That line, in summary, went something like this- Girl is unhappily married to older uncouth owner of a highway diner and gas station in sunny California of the 1930’s. Boy an outlaw tramp, who also happens to be handy, very handy, with a wrench, comes down the road and hubby puts his to work in the station. Boy meets girl. Bang. Hubby is doomed but the newly formed couple, after a false start in clearing up that little matter, seemingly is ready to start a new life together once the murder rap is cleared up. Or are they?
After a fair exposition of Cain’s works in this space, including a few short stories not reviewed, it is apparent that he was onto something about the way that novelist could look at crime and the vagaries of human passions. Most of his works, including Postman, center on the reactions of his characters to the way that their lusts (and it is mainly the distortions caused by their lusts that Cain wants to look at) lead them inevitably to crime, mainly the most heinous one murder. Moreover, as demonstrated here, no crime no matter how perfectly committed or maneuvered around, will go unpunished either as a result of the psychological reaction and revulsion against their crimes, no matter how deeply submerged, of the characters, as here, with Frank and Cora or by some quirk of fate. No police or gumshoes need apply to solve these crimes.
I have sometimes mentioned in reviewing Cain’s work that the women tend to be femme fatales and that is true to the extent that these women have strong sexual identities, use that fact, and are, usually, to the extent they are fully developed by Cain stronger than the men. But then we are back to the old Adam and Eve story, aren’t we? After all Eve was the one who took the chance. I would argue, as an aside here to the theme presented in Postman, that as conventional as Cora is in many ways, trying to make a go of the diner and trying to create a stable environment after the close call on the murder rap, that there is also some primitive Christian notion at work here. Something about the fates being played out a certain way and the gods best stay on the sidelines while they get worked out. But, hey, why don’t you read this little gem and try to figure it out for yourselves.
