*Poet's Corner-Robert Lowell's "For The Union Dead"-In Honor Of The Union Side On The Anniversary Of The Beginning Of The American Civil War

Click on title to link to essay by poet and literary critic Helen Vendler about Robert Lowell's "For The Union Dead".

Guest Commentary

On the 150th anniversary of the start of the American Civil War in honor of the Northern armies that fought and died defending the union and/or the abolition of slavery a poem written by Robert Lowell during the Centenary in 1964. Markin

Robert Lowell - For the Union Dead- 1964


"Relinquunt Omnia Servare Rem Publicam."

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.

Once my nose crawled like a snail on the glass;
my hand tingled
to burst the bubbles
drifting from the noses of the cowed, compliant fish.

My hand draws back. I often sigh still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized

fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.

Parking spaces luxuriate like civic
sandpiles in the heart of Boston.
A girdle of orange, Puritan-pumpkin colored girders
braces the tingling Statehouse,

shaking over the excavations, as it faces Colonel Shaw
and his bell-cheeked Negro infantry
on St. Gaudens' shaking Civil War relief,
propped by a plank splint against the garage's earthquake.

Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe.

Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.

He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.

He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die--
when he leads his black soldiers to death,
he cannot bend his back.

On a thousand small town New England greens,
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic.

The stone statues of the abstract Union Soldier
grow slimmer and younger each year--
wasp-waisted, they doze over muskets
and muse through their sideburns . . .

Shaw's father wanted no monument
except the ditch,
where his son's body was thrown
and lost with his "niggers."

The ditch is nearer.
There are no statues for the last war here;
on Boylston Street, a commercial photograph
shows Hiroshima boiling

over a Mosler Safe, the "Rock of Ages"
that survived the blast. Space is nearer.
When I crouch to my television set,
the drained faces of Negro school-children rise like balloons.

Colonel Shaw
is riding on his bubble,
he waits
for the blessèd break.

The Aquarium is gone. Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.

**On The Anniversary Of The American Civil War- Once Again On The Massachusetts 54th Regiment- All Honor To Its Memory

Click on the headline to link to a Wikipedia entry for the Massachusetts 54th Volunteer Regiment.

DVD Review

The Massachusetts 54th, staring the heroic black fighters of the volunteer Massachusetts 54th Regiment, narrated by Morgan Freeman, PBS American Experience Series, 2005

I have reviewed a number of materials, mainly film documentaries, about the heroic all black ranks (and white-officered) 54th Massachusetts Regiment who proved their valor in front of Fort Wagner down in South Carolina in 1863 (and did hard fight service thereafter until they marched into heart of Confederacy Charleston in 1865 singing, fittingly, John Brown’s Body). Every time I do such a review I like to preface my remarks with this comment which places the now “discovered” regiment in proper historical perspective, and says as much about official history as anything. As a student in the 1960s I passed the now famous Saint Gaudens relief sculpture of the Colonel Robert Gould Shaw-led 54th every day (then in bad condition, by the way) and yet never knew about that regiment, its history and its importance in the struggle to end slavery until later, much later when I emerged myself in the history of black struggles. Moreover, no history course, and I was a fanatic about history even then, mentioned the tremendous efforts, probably decisive efforts, that arming black soldiers to fight in their own emancipation struggle provided for the Union side. So much for history being written by the victors, at least on this issue.

Fortunately, now young budding historians and blacks looking to their roots have several sources to choice from on this regiment. The commercial film Glory, starring Denzel Washington, set a certain dramatic tension, especially around racism, the struggle for equal pay, the question of black officers, and the capacity of blacks to fight “like white men.” I think this PBS effort, as a documentary, however covers the bases better as a historical inquiry into the subject. Here is why. The various issues just mentioned are laid out, including the incipient racism faced by blacks in Boston even before Governor Andrews authorized the creation of the regiment. Moreover, as an added benefit the producers have brought in not only the normal “talking heads” scholars that one expects of a PBS effort but also descendants of some of the surviving 54th soldiers to tell grandpa’s story (or what he told them). Of course the plethora of photographs and other visuals keep this one hour production moving right along, as does the always calm narration by Morgan Freeman as he lays out the story line.

Note: Much is made in this documentary of the question, as it was at the time of the Civil War, of whether blacks, so seemingly servile and simple, could be trained to fight, arms in hand. Of course 200,000 strong black arms and their infusion at the decisive point when Union efforts were flagging put paid to that notion. That certainly was the importance of Fort Wagner as a test of black valor, although that effort was a defeat. The South never forgave or forgot that armed black mass in front of them. But that notion of blacks was wrong as those Southerners later found out. If the cause is right, or even if the cause is wrong, there will be men and women ready to fight, and fight valiantly, under their chosen banner. Those who do not understand this have poor military sense. The real question for us is whether we have enough fighters on the “side of the angels” when the cause is righteous.

Once Again On The Massachusetts 54th Regiment In The American Civil War- All Honor To Its Memory

Click on the headline to link to a Wikipedia entry for the Massachusetts 54th Volunteer Regiment.

February Is Black History Month

DVD Review

The Massachusetts 54th, staring the heroic black fighters of the volunteer Massachusetts 54th Regiment, narrated by Morgan Freeman, PBS American Experience Series, 2005

I have reviewed a number of materials, mainly film documentaries, about the heroic all black ranks (and white-officered) 54th Massachusetts Regiment who proved their valor in front of Fort Wagner down in South Carolina in 1863 (and did hard fight service thereafter until they marched into heart of Confederacy Charleston in 1865 singing, fittingly, John Brown’s Body). Every time I do such a review I like to preface my remarks with this comment which places the now “discovered” regiment in proper historical perspective, and says as much about official history as anything. As a student in the 1960s I passed the now famous Saint Gaudens relief sculpture of the Colonel Robert Gould Shaw-led 54th every day (then in bad condition, by the way) and yet never knew about that regiment, its history and its importance in the struggle to end slavery until later, much later when I emerged myself in the history of black struggles. Moreover, no history course, and I was a fanatic about history even then, mentioned the tremendous efforts, probably decisive efforts, that arming black soldiers to fight in their own emancipation struggle provided for the Union side. So much for history being written by the victors, at least on this issue.

Fortunately, now young budding historians and blacks looking to their roots have several sources to choice from on this regiment. The commercial film Glory, starring Denzel Washington, set a certain dramatic tension, especially around racism, the struggle for equal pay, the question of black officers, and the capacity of blacks to fight “like white men.” I think this PBS effort, as a documentary, however covers the bases better as a historical inquiry into the subject. Here is why. The various issues just mentioned are laid out, including the incipient racism faced by blacks in Boston even before Governor Andrews authorized the creation of the regiment. Moreover, as an added benefit the producers have brought in not only the normal “talking heads” scholars that one expects of a PBS effort but also descendants of some of the surviving 54th soldiers to tell grandpa’s story (or what he told them). Of course the plethora of photographs and other visuals keep this one hour production moving right along, as does the always calm narration by Morgan Freeman as he lays out the story line.

Note: Much is made in this documentary of the question, as it was at the time of the Civil War, of whether blacks, so seemingly servile and simple, could be trained to fight, arms in hand. Of course 200,000 strong black arms and their infusion at the decisive point when Union efforts were flagging put paid to that notion. That certainly was the importance of Fort Wagner as a test of black valor, although that effort was a defeat. The South never forgave or forgot that armed black mass in front of them. But that notion of blacks was wrong as those Southerners later found out. If the cause is right, or even if the cause is wrong, there will be men and women ready to fight, and fight valiantly, under their chosen banner. Those who do not understand this have poor military sense. The real question for us is whether we have enough fighters on the “side of the angels” when the cause is righteous.

*The 54th Massachusetts in South Carolina In The Civil War- The Mighty March Into Charleston

Click On Title To Link To A "Wikipedia" Entry For The Massachusetts 54th Regiment- A Black Regiment Led By Robert Gould Shaw Before Fort Wagner In South Carolina In The American Civil War.

Markin comment:

After the Confederate defeat this regiment went through the streets of Charleston, South Carolina, in many ways the heart of the Confederacy, singing "John Brown's Body". Sometimes the efforts of humankind and the historic moment meet in just the right way, and that one surely was one.

*Poet's Corner- Robert Lowell's "For The Union Dead"

Click on title to link to the "Modern American Poetry" web site entry for Robert Lowell "On The Union Dead".

Guest Commentary

In Honor Of The Union forces who fought and died defending the union and/or the abolition of slavery a poem written by Robert Lowell during the Centenary. Markin

Robert Lowell - For the Union Dead- 1964


"Relinquunt Omnia Servare Rem Publicam."

The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.

Once my nose crawled like a snail on the glass;
my hand tingled
to burst the bubbles
drifting from the noses of the cowed, compliant fish.

My hand draws back. I often sigh still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized

fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.

Parking spaces luxuriate like civic
sandpiles in the heart of Boston.
A girdle of orange, Puritan-pumpkin colored girders
braces the tingling Statehouse,

shaking over the excavations, as it faces Colonel Shaw
and his bell-cheeked Negro infantry
on St. Gaudens' shaking Civil War relief,
propped by a plank splint against the garage's earthquake.

Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe.

Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.

He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.

He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die--
when he leads his black soldiers to death,
he cannot bend his back.

On a thousand small town New England greens,
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic.

The stone statues of the abstract Union Soldier
grow slimmer and younger each year--
wasp-waisted, they doze over muskets
and muse through their sideburns . . .

Shaw's father wanted no monument
except the ditch,
where his son's body was thrown
and lost with his "niggers."

The ditch is nearer.
There are no statues for the last war here;
on Boylston Street, a commercial photograph
shows Hiroshima boiling

over a Mosler Safe, the "Rock of Ages"
that survived the blast. Space is nearer.
When I crouch to my television set,
the drained faces of Negro school-children rise like balloons.

Colonel Shaw
is riding on his bubble,
he waits
for the blessèd break.

The Aquarium is gone. Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.

The Civil War Massachusetts 54th Regiment Reactivated

Commentary

February is Black History Month.

This is a news items from the AP released on November 19, 2008 that I have held up until now. The Massachusetts 54th and Black History Month are a natural pairing. For those not familiar with the heroic exploits of this regiment in the American Civil War before Fort Wagner down in South Carolina the film "Glory" starring Denzel Washington is very definitely recommended. As is a documentary "Glory, Too" directed by Anthony Cromwell Hill.


Famed 54th Massachusetts reactivated

November 21, 2008

BOSTON—An all-black Civil War infantry unit depicted in the Academy Award-winning moving "Glory," starring Denzel Washington, is making a real-life comeback.
The 54th Massachusetts Volunteer Infantry was reactivated Friday at a Statehouse ceremony and redesignated as the Massachusetts National Guard's ceremonial unit, which renders military honors at funerals and state functions.

The revival pays homage to the group of black soldiers who fought on behalf of the state in the Civil War.

The unit won praise for its doomed charge on Battery Wagner in South Carolina in 1863and produced the nation's first black Medal of Honor winner, Sgt. William Carney.

It was deactivated after the Civil War and its colors were retired.

The 1989 movie "Glory," based on the letters of the unit's commander Colonel Robert G. Shaw, depicted the prejudice the unit and Shaw faced. The film was honored with three Academy Awards, including best supporting actor for Washington's portrayal of a private in the unit.

HONOR COLONEL SHAW AND THE MASSACHUSETTS 54TH

HONOR THE MEMORY OF COLONEL ROBERT GOULD SHAW AND THE FIGHTING MASSACHUSETTS 54TH BLACK REGIMENT IN THE CIVIL WAR

COMMENTARY

FEBRUARY IS BLACK HISTORY MONTH

Those familiar with the critical role that the recruitment of black troops into the Union Armies in the American Civil War usually know about the famous Massachusetts 54th Regiment under Colonel Robert Gould Shaw which has received wide attention in book, film and sculpture. Those heroic black fighters and their fallen leader deserve those honors. Glory, indeed.

Although Shaw was hesitant to take command of those troops after suffering wounds at Antietam, when he accepted, he took full charge of the training and discipline of the regiment. Moreover, as the regiment marched into Boston to cheering crowds before embarking on ships to take them South each trooper knew the score. Any blacks captured (or their white officers, for that matter) were subject to Southern ‘justice’, summary execution. Not one trooper flinched. Arms in hands, they fought bravely at the defeat of Fort Wagner and other Deep South battles, taking many causalities.

I have remarked elsewhere (in a review of William Styron’s Confessions of Nat Turner)that while the slaves in the South, for a host of reasons, did not insurrect with the intensity or frequency of say Haiti, the other West Indian islands or Brazil that when the time came to show discipline, courage and honor under arms that blacks would prove not inferior to whites. And the history of the Massachusetts 54th is prima facie evidence for that position.

I should also note that the Massachusetts 54th was made up primarily of better educated and skilled freedman and escaped slaves unlike the black troops recruited from the plantations in the Deep South in the 1st and 2nd South Carolina Volunteer black regiments. Thus, one might have suspected that they would not be up to the rigors of Southern duty. Not so. After reading a number of books on the trials and tribulations of various Union regiments, including the famous Irish Brigade, the story of the 54th compares very favorably with those units.

However, so as not to get carried away with the ‘liberalism’ of the Union political and military commands in granting permission for black recruitment it is necessary to point out some of the retrograde racial attitudes of the time. It took a major propaganda thrust by Frederick Douglass and other revolutionary abolitionists to get Lincoln to even consider arming blacks for their own emancipation. Only after several severe military reversals was permission granted to recruit black troops, although some maverick generals were already using them, particularly General Hunter. As mentioned above there were qualms about the ability of blacks to fight in disciplined units. Moreover, until 1864 black troops were paid less than their white counterparts. The Massachusetts 54th is also rightly famous for refusing pay until that disparity was corrected.

One should not forget that the North in its own way was as deeply racist as the South (think of the treacherous role of the Southern-sympathying Northern Copperheads and the Irish-led anti-black Draft Riots in New York City, for examples). This reflected itself in the racial attitudes of some commanding officers and enlisted men as well as the general paternalism of even the best white commanding officers, including Colonel Higginson of the 2nd South Carolina. It was further reflected in the disproportionately few blacks that became officers in the Civil War, despite the crying need for officers in those black regiments and elsewhere. Yet, all of these negatives notwithstanding, every modern black liberation fighter takes his or her hat off to the gallant 54th, arms in hand, and its important role in the struggle for black liberation