*American Roots Music- From Soup To Nuts-The PBS Documentary

Click on title to link to PBS's website for the "American Roots Music" documentary.

DVD Review

American Roots Music, narrated by Kris Kristofferson, various artists, 2 CD set, PBS Productions, 2001

From soup to nuts, indeed. I have over the past couple of years gone through the back pages of the American songbook to look at old style country music-eastern and western varieties, the blues both country and electric and all the regional variations like the Delta and Texas sounds to name a couple and the quintessential American music –jazz. I have gone back, way back, to the pre-radio, pre-recording days to get the lyrics for songs that dealt with hard times, soft times, soft loving, hard loving and no loving. I have taken musical trips through the bayous of Louisiana to get that Acadian/Cajun sound. I have gone to the hills and hollows of Kentucky to get that old time mountain music. I have goe to the Western caverns to hear the sounds that inspired the Native American traditions. I have looked at the roots of rock and roll backward, forward and sideways from rhythm and blues and gospel to rockabilly.

Frankly, I had wanted to do the project for a long time and I was glad to do it. For those who have just come to an appreciation of roots music or who want the long view though this Public Broadcasting System (PBS) production will give you all you need to know in capsule form, complete with the informative “talking head” commentary with well-known musicians in each genre covered, in a 2 CD four hour series that goes though all the genres mentioned above and some that I have not spend much time on yet, especially Tejano and Carib-derived music.

The producers of this effort have gone back to the old days of barn dances, local radio shows and vaudeville to bring out the various regional musics that form the roots of today’ musical expression. They trace the divergent black and white trends that converge in the post World War II period with the arrival of blacks in great numbers in the urban setting and whites, especially white teenagers hungry for new musical expression- as long as it was not something that their parents liked. Some time is also spent on the importance of the urban folk revival movement of the early 1960s as a central element in helping a whole generation search for those lost roots- all the way from gospel (in the church and in the streets), mountain music (especially the use of the old time musical instruments), Cajun (the whole Acadian exile experience when the bloody British took over in Canada) and the country blues, especially the work of those Mississippi Delta artists who influenced the post-World War II Chicago-based electric blues explosion. The best parts for me though were the Tejano and Carib-derived music sections that I had not previously been as familiar with. But I will get familiar fast. ‘Til then, the roots is the toots