Upon The 50th Anniversary Of The Death Of "King Of The Beats" Jack Kerouac-*Poet's Corner- The Work Of Paul Verlaine

Click on the headline to link to a "Wikipedia" entry for the 19th century French Symbolist poet Paul Verlaine.


Markin comment:

One cannot have paid serious attention to American storyteller/songwriter/poet Bob Dylan's early work, especially "Desolation Row" and "Like Tom Thumbs Blues" without have coming into contact with, and note the influence of, the two 19th century French poets honored today, Paul Verlaine and Arthur Rimbaud. And the selections below certainly make the case for that statement.



Nevermore

Allons, mon pauvre coeur, allons, mon vieux complice,
Redresse et peins à neuf tous tes arcs triomphaux;
Brûle un encens ranci sur tes autels d'or faux;
Sème de fleurs les bords béants du précipice;
Allons, mon pauvre coeur, allons, mon vieux complice!

Pousse à Dieu ton cantique, ô chantre rajeuni;
Entonne, orgue enroué, des Te Deum splendides;
Vieillard prématuré, mets du fard sur tes rides;
Couvre-toi de tapis mordorés, mur jauni;
Pousse à Dieu ton cantique, ô chantre rajeuni.

Sonnez, grelots; sonnez, clochettes; sonnez, cloches!
Car mon rêve impossible a pris corps, et je l'ai
Entre mes bras pressé: le Bonheur, cet ailé
Voyageur qui de l'Homme évite les approches,
--Sonnez, grelots; sonnez, clochettes; sonnez, cloches!

Le Bonheur a marché côte à côte avec moi;
Mais la FATALITÉ ne connaît point de trêve:
Le ver est dans le fruit, le réveil dans le rêve,
Et le remords est dans l'amour: telle est la loi.
--Le Bonheur a marché côte à côte avec moi.

From Poèmes saturniens (1866)
Nevermore

Come, my poor heart, come, old friend true and tried,
Repaint your triumph's arches, raised anew;
Smoke tinsel altars with stale incense; strew
Flowers before the chasm, gaping wide;
Come, my poor heart, come, old friend true and tried.


Cantor revivified, sing God your hymn;
Hoarse organ-pipes, intone Te Deums proud;
Make up your aging face, youth wrinkle-browed;
Bedeck yourself in gold, wall yellow-dim;
Cantor revivified, sing God your hymn.


Ring, bells; peal, chimes; peal, ring, bells large and small!
My hopeless dream takes shape: for Happiness--
Here, now--lies clutched, embraced in my caress;
Winged Voyager, who shuns Man's every call;
--Ring, bells; peal, chimes; peal, ring, bells large and small!


Happiness once walked side by side with me;
But DOOM knows no reprieve, there's no mistaking:
The worm is in the fruit; in dreaming, waking;
In loving, mourning. And so must it be.
--Happiness once walked side by side with me.


Clair de lune

Votre âme est un paysage choisi
Que vont charmant masques et bergamasques
Jouant du luth et dansant et quasi
Tristes sous leurs déguisements fantasques.

Tout en chantant sur le mode mineur
L'amour vainqueur et la vie opportune,
Ils n'ont pas l'air de croire à leur bonheur
Et leur chanson se mêle au clair de lune,

Au calme clair de lune triste et beau,
Qui fait rêver les oiseaux dans les arbres
Et sangloter d'extase les jets d'eau,
Les grands jets d'eau sveltes parmi les marbres.

From Fêtes galantes (1869)
Moonlight

Your soul is like a landscape fantasy,
Where masks and Bergamasks, in charming wise,
Strum lutes and dance, just a bit sad to be
Hidden beneath their fanciful disguise.

Singing in minor mode of life's largesse
And all-victorious love, they yet seem quite
Reluctant to believe their happiness,
And their song mingles with the pale moonlight,

The calm, pale moonlight, whose sad beauty, beaming,
Sets the birds softly dreaming in the trees,
And makes the marbled fountains, gushing, streaming--
Slender jet-fountains--sob their ecstasies.




"Il pleure dans mon coeur . . . "
II pleut doucement sur la ville.
Arthur Rimbaud

Il pleure dans mon coeur
Comme il pleut sur la ville;
Quelle est cette langueur
Qui pénètre mon coeur?


Ô bruit doux de la pluie
Par terre et sur les toits!
Pour un coeur qui s'ennuie
Ô le chant de la pluie!


Il pleure sans raison
Dans ce coeur qui s'écoeure.
Quoi! nulle trahison? . . .
Ce deuil est sans raison.


C'est bien la pire peine
De ne savoir pourquoi
Sans amour et sans haine
Mon coeur a tant de peine!


From Romances sans paroles (1874)
"Like city's rain, my heart . . ."

The rain falls gently on the town.
Arthur Rimbaud

Like city's rain, my heart
Rains teardrops too. What now,
This languorous ache, this smart
That pierces, wounds my heart?


Gentle, the sound of rain
Pattering roof and ground!
Ah, for the heart in pain,
Sweet is the sound of rain!


Tears rain-but who knows why?-
And fill my heartsick heart.
No faithless lover's lie? . . .
It mourns, and who knows why?


And nothing pains me so--
With neither love nor hate--
A simply not to know
Why my heart suffers so.


À Charles Baudelaire

Je ne t'ai pas connu, je ne t'ai pas aimé,
Je ne te connais point et je t'aime encor moins:
Je me chargerais mal de ton nom diffamé,
Et si j'ai quelque droit d'être entre tes témoins,

C'est que, d'abord, et c'est qu'ailleurs, vers les Pieds joints
D'abord par les clous froids, puis par l'élan pâmé
Des femmes de péché--desquelles ô tant oints,
Tant baisés, chrême fol et baiser affamé!--

Tu tombas, tu prias, comme moi, comme toutes
Les âmes que la faim et la soif sur les routes
Poussaient belles d'espoir au Calvaire touché!

--Calvaire juste et vrai, Calvaire où, donc, ces doutes,
Ci, çà, grimaces, art, pleurent de leurs déroutes.
Hein? mourir simplement, nous, hommes de péché.


From Liturgies intimes (1892)
For Charles Baudelaire

I do not know you now, or like you, nor
Did I first know or like you, I admit.
It's not for me to furbish and restore
Your name: if I take up the cause for it,


It's that we both have known the exquisite
Joys of two feet together pressed: His, or
Our whores'! He, nailed; they, swooning in love's fit,
Madly anointed, kissed, bowed down before!


You fell, you prayed. And so did I, like all
Those souls whom thirst and hunger, yearningly,
Shining with hope, urged on to Calvary!


--Calvary, righteous, where--here, there--our fall,
In art-contorted doubts, weeps its chagrin.
A simple death, eh? we, brothers in sin.





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Copyright notice: Excerpted from One Hundred and One Poems by Paul Verlaine translated by Norman R. Shapiro, published by the University of Chicago Press. ©1999 by the University of Chicago. All rights reserved. This text may be used and shared in accordance with the fair-use provisions of U.S. copyright law, and it may be archived and redistributed in electronic form, provided that this entire notice, including copyright information, is carried and provided that the University of Chicago Press is notified and no fee is charged for access. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the consent of both the author and the University of Chicago Press.

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In Honor Of Janis Joplin's Birthday-From The Archives-On The Anniversary Of The Death Of The Doors' Jim Morrsion- AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors

The Anniversary Of The Summer Of Love, 1967- Jim Morrsion- AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors

Zack James comment: My oldest brother, Alex, who was in the thick of the Summer of Love along with his corner boys from North Adamsville above all the later Peter Paul Markin who led them out to the Wild West said that the few times that he/they saw The Doors either in Golden Gate Park at free, I repeat, free outdoor concerts or at the Avalon or Fillmore which were a great deal more expensive, say two or three dollars, I repeat two or three dollars that The Doors when they were on, meaning when Jim Morrison was in high dungeon, was in a drug-induced trance and acted the shaman for the audience nobody was better. Having been about a decade behind and having never seen Morrison in high dungeon or as a drug-induced shaman but having listened to various Doors compilations I think for once old Alex was onto something. Listen up.         

From American Left History

Wednesday, December 23, 2009

*AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors

CD Review

Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007

Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".

A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.

The Unknown Soldier Lyrics

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh

Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…

In Honor Of Janis Joplin's Birthday-From The Archives -The 50th Anniversary Of The Summer Of Love-AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors

*The 50th Anniversary Of The Summer Of Love-AND AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW! - The Music Of Jim Morrison And The Doors

Zack James comment: My oldest brother, Alex, who was in the thick of the Summer of Love along with his corner boys from North Adamsville above all the later Peter Paul Markin who led them out to the Wild West said that the few times that he/they saw The Doors either in Golden Gate Park at free, I repeat, free outdoor concerts or at the Avalon or Fillmore which were a great deal more expensive, say two or three dollars, I repeat two or three dollars that The Doors when they were on, meaning when Jim Morrison was in high dungeon, was in a drug-induced trance and acted the shaman for the audience nobody was better. Having been about a decade behind and having never seen Morrison in high dungeon or as a drug-induced shaman but having listened to various Doors compilations I think for once old Alex was on to something. Listen up.         

CD Review

Waiting For The Sun, Jim Morrison and the Doors, Rhino, 2007

Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Waiting For The Sun” album do an adequate job. Stick outs here include: the anti-war classic "The Unknown Soldier," “Love Street,” and "Spanish Caravan".

A note on Jim Morrison as an icon of the 1960s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time, exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his protégés in revenge is a heavy price to pay for our youthful errors. Enough.

The Unknown Soldier Lyrics

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier, uh hu-uh

Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Hut!
Hut!
Hut ho hee up!
Comp'nee,
Halt!
Pree-sent arms!

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over,
The war is over.
It's all over, war is over.
It's all over, baby!
All over, baby!
All, all over, yeah!
Aah, hah-hah.
All over, all over, babe!
Oh! Oh yeah!
All over, all over!
Ye-e-e-ah…

Happy Birthday Joni Mitchell- On The Anniversary Of The Death Of Jimi Hendrix- From Woodstock Nation (1969)To Class-Struggle Nation (2011)

Click on the headline to link to a YouTube film clip of Jimi Hendrix performing his classic blues rock, Hey, Joe.

Markin comment:

As we gear up for another titantic struggle to bring the American "beast" down it is rather appropriate to remember one of the icons of the 1960s cultural struggles this year.

From the American Left History blog

Tuesday, October 30, 2007

*The Cultural Wars-Part 247- Woodstock 2007

COMMENTARY

As a political writer who stands well outside the traditional political parties in this country I do not generally comment on specific politicians or candidates, unless they make themselves into moving target. Come on now, this IS politics after all. How can I justify not taking a poke at someone who has a sign on his chest saying –Hit Me? Lately Republican presidential hopeful Arizona Senator John McCain has fallen all over himself to meet that requirement.


And what is the fuss about. Studied differences about how to withdraw from Iraq? No. Finding ways to rein in the out of control budgets deficits? No. A user friendly universal health care program? No. What has sent the good Senator McCain into spasms is a little one million dollar funding proposal (since killed in the Senate) that would have partially funded a museum at Woodstock, site of the famous 1969 counter-cultural festival. His view is that the federal government should not be funding projects that commemorate drug, sex and rock and roll. Well so be it. However, the topper is this. In order to sharply draw the cultural war line in the sand he mentioned (just in passing, I’m sure) to the Republican audience that he was speaking to that he did not attend that event as he was ‘tied up’ elsewhere.

Unlike his draft dodging fellows, like Bush Cheney, Wolfowitz, et. al in the Bush Administration McCain saw action in Vietnam. Of course that action was as a naval pilot whose job it was to attempt to bomb North Vietnam back into the Stone Age, a task in which they very nearly succeeded. Through the fortunes of war he was shot down and spent several years in a POW camp. That comes with the territory. In the summer of 1969 this writer also had other commitments. He was under orders to report to Fort Lewis, Washington in order to head to Vietnam as a foot soldier. That too comes with the territory. The point is why rain on someone else’s parade just because you want to be a hero. Moreover, it is somewhat less than candid to almost forty years later belly ache about it.


A note on Woodstock as an icon of the 1960’s. The slogan- Drugs, sex, and rock and roll. We liked that idea then, even those of us who were rank and file soldiers. Not everyone made it through that experience . Others recoiled in horror later, including some of those today on the right wing of the culture wars. And others who did not 'inhale' or hang around with people who did formed another reaction to those events. Those experiments and others like communal living, alternative lifestyles and ‘dropping out’, however, were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a fundamental political change in society proved to be wrong long ago. But, these were still our people.

Note this well. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents, exemplified by one Richard M. Nixon, President of the United States and common criminal, and today by John McCain spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, the minorities in this country, and anyone else who got in their way. Forty years of ‘cultural wars’ in revenge by them and their protégés is a heavy price to pay for our youthful errors. Enough.

Happy Birthday Joni Mitchell-The Cultural Wars-Part 247- Woodstock 2007

Happy Birthday Joni Mitchell-The Cultural Wars-Part 247- Woodstock 2007

COMMENTARY

As a political writer who stands well outside the traditional political parties in this country I do not generally comment on specific politicians or candidates, unless they make themselves into moving target. Come on now, this IS politics after all. How can I justify not taking a poke at someone who has a sign on his chest saying –Hit Me? Lately Republican presidential hopeful Arizona Senator John McCain has fallen all over himself to meet that requirement.


And what is the fuss about. Studied differences about how to withdraw from Iraq? No. Finding ways to rein in the out of control budgets deficits? No. A user friendly universal health care program? No. What has sent the good Senator McCain into spasms is a little one million dollar funding proposal (since killed in the Senate) that would have partially funded a museum at Woodstock, site of the famous 1969 counter-cultural festival. His view is that the federal government should not be funding projects that commemorate drug, sex and rock and roll. Well so be it. However, the topper is this. In order to sharply draw the cultural war line in the sand he mentioned (just in passing, I’m sure) to the Republican audience that he was speaking to that he did not attend that event as he was ‘tied up’ elsewhere.

Unlike his draft dodging fellows, like Bush Cheney, Wolfowitz, et. al in the Bush Administration McCain saw action in Vietnam. Of course that action was as a naval pilot whose job it was to attempt to bomb North Vietnam back into the Stone Age, a task in which they very nearly succeeded. Through the fortunes of war he was shot down and spent several years in a POW camp. That comes with the territory. In the summer of 1969 this writer also had other commitments. He was under orders to report to Fort Lewis, Washington in order to head to Vietnam as a foot soldier. That too comes with the territory. The point is why rain on someone else’s parade just because you want to be a hero. Moreover, it is somewhat less than candid to almost forty years later belly ache about it.


A note on Woodstock as an icon of the 1960’s. The slogan- Drugs, sex, and rock and roll. We liked that idea then, even those of us who were rank and file soldiers. Not everyone made it through that experience . Others recoiled in horror later, including some of those today on the right wing of the culture wars. And others who did not 'inhale' or hang around with people who did formed another reaction to those events. Those experiments and others like communal living, alternative lifestyles and ‘dropping out’, however, were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a fundamental political change in society proved to be wrong long ago. But, these were still our people.

Note this well. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents, exemplified by one Richard M. Nixon, President of the United States and common criminal, and today by John McCain spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, the minorities in this country, and anyone else who got in their way. Forty years of ‘cultural wars’ in revenge by them and their protégés is a heavy price to pay for our youthful errors. Enough.

The 50th Anniversary Of The Summer Of Love-ONCE AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW!- The Music Of Jim Morrison And The Doors

The 50th Anniversary Of The Summer Of Love-ONCE AGAIN-WE WANT THE WORLD, AND WE WANT IT NOW!- The Music Of Jim Morrison And The Doors

Zack James comment: My oldest brother, Alex, who was in the thick of the Summer of Love along with his corner boys from North Adamsville above all the later Peter Paul Markin who led them out to the Wild West said that the few times that he/they saw The Doors either in Golden Gate Park at free, I repeat, free outdoor concerts or at the Avalon or Fillmore which were a great deal more expensive, say two or three dollars, I repeat two or three dollars that The Doors when they were on, meaning when Jim Morrison was in high dungeon, was in a drug-induced trance and acted the shaman for the audience nobody was better. Having been about a decade behind and having never seen Morrison in high dungeon or as a drug-induced shaman but having listened to various Doors compilations I think for once old Alex was onto something. Listen up.         

CD Review

Strange Days, Jim Morrison and the Doors, Rhino, 2007

Since my youth I have had an ear for American (and other roots music), whether I was conscious of that fact or not. The origin of that interest first centered on the blues, then early rock and roll and later, with the folk revival of the early 1960’s, folk music. I have often wondered about the source of this interest. I am, and have always been a city boy, and an Eastern city boy at that. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. The subject of the following review is an example.

The Doors are roots music? Yes, in the sense that one of the branches of rock and roll derives from early rhythm and blues and in the special case of Jim Morrison, leader of the Doors, the attempt to musically explore the shamanic elements in the Western American Native American culture. Some of that influence is apparent here.

More than one rock critic has argued that at their best the Doors were the best rock and roll band ever created. Those critics will get no argument here. What a reviewer with that opinion has to do is determine whether any particular CD captures the Doors at their best. This reviewer advises that if you want to buy only one Doors CD that would be The Best of the Doors. If you want to trace their evolution other CD’s, like this “Strange Days” album do an adequate job. Stick outs here include: the title track “Strange Days,” “People Are Strange,” and “When The Music’s Over”.

A note on Jim Morrison as an icon of the 1960’s. He was part of the trinity – Morrison, Janis Joplin, Jimi Hendrix who lived fast and died young. The slogan- Drugs, sex, and rock and roll. And we liked that idea. Then. Their deaths were part of the price we felt we had to pay if we were going to be free. And creative. Even the most political, including this writer, among us felt those cultural winds and counted those who espoused this vision as part of the chosen. Those who believed that we could have a far-reaching positive cultural change without a political change proved to be wrong long ago. But, these were still our people.

MARK THIS WELL. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents at the time , exemplified by one Richard M. Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, minorities in this country, and anyone else who got in their way. 40 years of ‘cultural wars’ by his proteges in revenge is a heavy price to pay for our youthful errors. Enough.

Strange Days Lyrics

Strange days have found us
Strange days have tracked us down
They're going to destroy
Our casual joys
We shall go on playing or find a new town
Yeah!

Strange eyes fill strange rooms
Voices will signal their tired end
The hostess is grinning,
Her guests sleep from sinning
Hear me talk of sin and you know this is it
Yeah!

Strange days have found us
And through their strange hours we linger alone
Bodies confused
Memories misused
As we run from the day to a strange night of stone

*Stonesmania- The Rolling Stones Aging Well (Alright, Just Coming Back Again) - "A Bigger Bang”

Click on title to link to YouTube's film clip of The Rolling Stones performing "Sweet Neo-Con" from their "A Bigger Bang" album.

CD Review

A Bigger Bang, The Rolling Stones, 2005

Hey, in 2009 no one, including this reviewer, NEEDS to comment on the fact that The Rolling Stones, pound for pound, have over forty plus years earned their place as the number one band in the rock `n' roll pantheon. Still, it is interesting to listen once again to the guys when they were at the height of their musical powers (and as high, most of the time, as Georgia pines). This album represents a comeback from the tail end of their most creative period long ago in conjunction with their 2005 world tour (endless tour, right?), moreover, unlike let us say Bob Dylan who has produced more creative work for longer, is the `golden era" of the Stone Age. The album, however, is a little uneven in spots reflecting, I think, a certain exhaustion of material that they could call totally their own unlike the time when they owned a big chunk of rock 'n'roll in the late 1960s and early 1970s.

The real stick out here is the Muddy Waters-like blues "The Back Of My Hand". The other stick-outs here are "Rain Fall Down" and "Oh No, Not You Again" with a slight kudos for "Sweet Neo-Con" from group that has not expressed much politically for a long, long time.

SWEET NEO CON
(M. Jagger/K. Richards)

You call yourself a Christian
I think that you're a hypocrite
You say you are a patriot
I think that you're a crock of shit

And listen, I love gasoline
I drink it every day
But it's getting very pricey
And who is going to pay

How come you're so wrong
My sweet neo con.... Yeah

It's liberty for all
'Cause democracy's our style
Unless you are against us
Then it's prison without trial

But one thing that is certain
Life is good at Haliburton
If you're really so astute
You should invest at Brown & Root.... Yeah

How come you're so wrong
My sweet neo con
If you turn out right
I'll eat my hat tonight

Yeah, yeah, yeah, yeah....

It's getting very scary
Yes, I'm frightened out of my wits
There's bombers in my bedroom
Yeah and it's giving me the shits

We must have loads more bases
To protect us from our foes
Who needs these foolish friendships
We're going it alone

How come you're so wrong
My sweet neo con
Where's the money gone
In the Pentagon

Yeah ha ha ha
Yeah, well, well

Yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah...
Neo con

*A Snapshot View Of The Leaders Of The 1917 Bolshevik Revolution-Soviet Culture Commissar Anatol Lunacharsky

Click on title to link to "Wikipedia"'s entry for the 1917 Bolshevik revolutionary leader and agitator and later early Soviet Culture and Education commissar, Anatol Lunacharsky. No added comment is needed in this space for the work, life and deeds of this man as his "Revolutionary Silhouettes" posted here today speak for that work.

*From "The Rag Blog"- The Culture Wars Redux- Tea Bag Nation

Click on the headline to link to a "The Rag Blog" entry concerning the latest round in the forty plus years of cultural wars we have been fighting- just to keep OUR leftist, militant, communist and socialist heads above water.

*Poet's Corner- The Work Of French Poet Arthur Rimbaud

Click on the headline to link to a "Wikipedia" entry for the 19th century French Symbolist poet Arthur Rimbaud.


Markin comment:

One cannot have paid serious attention to American storyteller/songwriter/poet Bob Dylan's early work, especially "Desolation Row" and "Like Tom Thumbs Blues" without have coming into contact with, and note the influnce of, the two 19th century French poets honored today, Paul Verlaine and Arthur Rimbaud. And the selections below certainly make the case for that statement.


Ophelia

I

On the calm black water where the stars are sleeping
White Ophelia floats like a great lily;
Floats very slowly, lying in her long veils...
- In the far-off woods you can hear them sound the mort.

For more than a thousand years sad Ophelia
Has passed, a white phantom, down the long black river.
For more than a thousand years her sweet madness
Has murmured its ballad to the evening breeze.

The wind kisses her breasts and unfolds in a wreath
Her great veils rising and falling with the waters;
The shivering willows weep on her shoulder,
The rushes lean over her wide, dreaming brow.

The ruffled water-lilies are sighing around her;
At times she rouses, in a slumbering alder,
Some nest from which escapes a small rustle of wings;
- A mysterious anthem falls from the golden stars.

II

O pale Ophelia! beautiful as snow!
Yes child, you died, carried off by a river!
- It was the winds descending from the great mountains of Norway
That spoke to you in low voices of better freedom.

It was a breath of wind, that, twisting your great hair,
Brought strange rumors to your dreaming mind;
It was your heart listening to the song of Nature
In the groans of the tree and the sighs of the nights;

It was the voice of mad seas, the great roar,
That shattered your child's heart, too human and too soft;
It was a handsome pale knight, a poor madman
Who one April morning sate mute at your knees!

Heaven! Love! Freedom! What a dream, oh poor crazed Girl!
You melted to him as snow does to a fire;
Your great visions strangled your words
- And fearful Infinity terrified your blue eye!

III

- And the poet says that by starlight
You come seeking, in the night, the flowers that you picked
And that he has seen on the water, lying in her long veils
White Ophelia floating, like a great lily.

Arthur Rimbaud

Dance Of The Hanged Men

On the black gallows, one-armed friend,
The paladins are dancing, dancing
The lean, the devil's paladins
The skeletons of Saladins.

Sir Beelzebub pulls by the scruff
His little black puppets who grin at the sky,
And with a backhander in the head like a kick,
Makes them dance, dance, to an old Carol-tune!

And the puppets, shaken about, entwine their thin arms:
Their breasts pierced with light, like black organ-pipes
Which once gentle ladies pressed to their own,
Jostle together protractedly in hideous love-making.

Hurray! the gay dancers, you whose bellies are gone!
You can cut capers on such a long stage!
Hop! never mind whether it's fighting or dancing!
- Beelzebub, maddened, saws on his fiddles!

Oh the hard heels, no one's pumps are wearing out!
And nearly all have taken of their shirts of skin;
The rest is not embarrassing and can be seen without shame.
On each skull the snow places a white hat:

The crow acts as a plume for these cracked brains,
A scrap of flesh clings to each lean chin:
You would say, to see them turning in their dark combats,
They were stiff knights clashing pasteboard armours.

Hurrah! the wind whistles at the skeletons' grand ball!
The black gallows moans like an organ of iron !
The wolves howl back from the violet forests:
And on the horizon the sky is hell-red...

Ho there, shake up those funereal braggarts,
Craftily telling with their great broken fingers
The beads of their loves on their pale vertebrae:
Hey the departed, this is no monastery here!

Oh! but see how from the middle of this Dance of Death
Springs into the red sky a great skeleton, mad,
Carried away by his own impetus, like a rearing horse:
And, feeling the rope tight again round his neck,

Clenches his knuckles on his thighbone with a crack
Uttering cries like mocking laughter,
And then like a mountebank into his booth,
Skips back into the dance to the music of the bones!

On the black gallows, one-armed friend,
The paladins are dancing, dancing
The lean, the devil's paladins
The skeletons of Saladins.

My Bohemian Life

I went off with my hands in my torn coat pockets;
My overcoat too was becoming ideal;
I travelled beneath the sky, Muse! and I was your vassal;
Oh dear me! what marvellous loves I dreamed of!

My only pair of breeches had a big whole in them.
– Stargazing Tom Thumb, I sowed rhymes along my way.
My tavern was at the Sign of the Great Bear.
– My stars in the sky rustled softly.

And I listened to them, sitting on the road-sides
On those pleasant September evenings while I felt drops
Of dew on my forehead like vigorous wine;

And while, rhyming among the fantastical shadows,
I plucked like the strings of a lyre the elastics
Of my tattered boots, one foot close to my heart!

*Poet's Corner- Edgar Allan Poe's "Ulalume"

Click on the headline to link to a "Wikipedia" entry for the American poet Edgar Allan Poe.

Markin comment:

Today, since I am taking a little trip down young love’s memory lane (see "From The Depths Of Memory- A Very Personal Note On Youthful Romance" posted earlier), seems like an appropriate time to post an entry for Boston’s very own poet and storyteller, Edgar Allan Poe. I should note that before he recently gained new-found friends in half the cities of America wanting to take credit for being his birthplace or residence around the bicentennial anniversary of his birth old brother Poe was something of a pariah for his incestuous ways, bohemianism, and love of dope. Hell, half the mad poets and writers in the universe were doped up one way or another. How else can one get that fine edge that allows one to say something new in the universe, and sometimes anything at all? The likes of old time dopesters DeQuincey and old Sam Coleridge, moreover, practically flaunted it in the face of their respective audiences as a badge of honor. I won’t even bother to mention the litany of hop heads, perverts (so-called), addicts, and other assorted free spirits that have made our modern current literary scene jump. If old brother Poe needed a little pipeful to write the haunting beautiful “Ulalume” then I say that is a small price to pay for my lifetime of delight drawn from the poem.

Ulalume

The skies they were ashen and sober;
The leaves they were crisped and sere -
The leaves they were withering and sere;
It was night in the lonesome October
Of my most immemorial year:
It was hard by the dim lake of Auber,
In the misty mid region of Weir -
It was down by the dank tarn of Auber,
In the ghoul-haunted woodland of Weir.

Here once, through and alley Titanic,
Of cypress, I roamed with my Soul -
Of cypress, with Psyche, my Soul.
These were days when my heart was volcanic
As the scoriac rivers that roll -
As the lavas that restlessly roll
Their sulphurous currents down Yaanek
In the ultimate climes of the pole -
That groan as they roll down Mount Yaanek
In the realms of the boreal pole.

Our talk had been serious and sober,
But our thoughts they were palsied and sere -
Our memories were treacherous and sere, -
For we knew not the month was October,
And we marked not the night of the year
(Ah, night of all nights in the year!) -
We noted not the dim lake of Auber
(Though once we had journeyed down here) -
Remembered not the dank tarn of Auber,
Nor the ghoul-haunted woodland of Weir.

And now, as the night was senescent
And star-dials pointed to morn -
As the star-dials hinted of morn -
At the end of our path a liquescent
And nebulous lustre was born,
Out of which a miraculous crescent
Arose with a duplicate horn -
Astarte's bediamonded crescent
Distinct with its duplicate horn.

And I said: "She is warmer than Dian;
She rolls through an ether of sighs -
She revels in a region of sighs:
She has seen that the tears are not dry on
These cheeks, where the worm never dies,
And has come past the stars of the Lion
To point us the path to the skies -
To the Lethean peace of the skies -
Come up, in despite of the Lion,
To shine on us with her bright eyes -
Come up through the lair of the Lion,
With love in her luminous eyes."

But Psyche, uplifting her finger,
Said: "Sadly this star I mistrust -
Her pallor I strangely mistrust:
Ah, hasten! -ah, let us not linger!
Ah, fly! -let us fly! -for we must."
In terror she spoke, letting sink her
Wings until they trailed in the dust -
In agony sobbed, letting sink her
Plumes till they trailed in the dust -
Till they sorrowfully trailed in the dust.

I replied: "This is nothing but dreaming:
Let us on by this tremulous light!
Let us bathe in this crystalline light!
Its Sybilic splendour is beaming
With Hope and in Beauty tonight! -
See! -it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
And be sure it will lead us aright -
We safely may trust to a gleaming,
That cannot but guide us aright,
Since it flickers up to Heaven through the night."

Thus I pacified Psyche and kissed her,
And tempted her out of her gloom -
And conquered her scruples and gloom;
And we passed to the end of the vista,
But were stopped by the door of a tomb -
By the door of a legended tomb;
And I said: "What is written, sweet sister,
On the door of this legended tomb?"
She replied: "Ulalume -Ulalume -
'Tis the vault of thy lost Ulalume!"

Then my heart it grew ashen and sober
As the leaves that were crisped and sere -
As the leaves that were withering and sere;
And I cried: "It was surely October
On this very night of last year
That I journeyed -I journeyed down here! -
That I brought a dread burden down here -
On this night of all nights in the year,
Ah, what demon hath tempted me here?
Well I know, now, this dim lake of Auber -
This misty mid region of Weir -
Well I know, now, this dank tarn of Auber,
This ghoul-haunted woodland of Weir."

Literature Network » Edgar Allan Poe » Ulalume

*A Snapshot View Of The Leaders Of The 1917 Bolshevik Revolution-Soviet Culture Commissar Anatol Lunacharsky

Click on title to link to "Wikipedia"'s entry for the 1917 Bolshevik revolutionary leader and agitator and later early Soviet Culture and Education commissar, Anatol Lunacharsky. No added comment is needed in this space for the work, life and deeds of this man as his "Revolutionary Silhouettes" posted here today speak for that work.

*From The Pen Of Early Soviet Culture Commissar Anatol Lunacharsky- Early Soviet Writer Fyodor Kalinin

Click on title to link to early Bolshevik Culture and Education Commissar Anatol Lunacharsky's profile of early Soviet writer Fyodor Kalinin from his 1923"Revolutionary Silhouettes". Lunarcharsky may have been a "soft" Bolshevik but he had insights into the early Soviet "cultural wars" that are always interesting and thoughtful.

*Guest Commentary-"The Future Of Same-Sex Marriage"- A "New York Review Of Books" Article By David Cole

Click On Title To Link To July 2, 2009 "New York Review Of Books" Article Entitled "The Same-Sex Future" By David Cole That Gives An Update On This Struggle And A Capsule Of The Various Positions On The Issue.

*A Snapshot View Of The Leaders Of The 1917 Bolshevik Revolution-Soviet Culture Commissar Anatol Lunacharsky

Click on title to link to "Wikipedia"'s entry for the 1917 Bolshevik revolutionary leader and agitator and later early Soviet Culture and Education commissar, Anatol Lunacharsky. No added comment is needed in this space for the work, life and deeds of this man as his "Revolutionary Silhouettes" posted here today speak for that work.

A Legal Victory for Same Sex Marriage in California

Commentary

Sometimes democratic rights victories come from the streets. Sometimes they come from the picket line. And sometimes, although rarely, they come from .... the courts. Well, these days we cannot be choosy, as we will take our victories, large and small, any way we can get them. That is the import of the 4-3 decision by the California Supreme Court on May 15, 2008 that declares discrimination against same-sex marriage as unconstitutional as a matter of state law. We should cheer, at least for the moment, as an important state court (one that others look to) joins Massachusetts on the East Coast in affirming this elementary democratic right. Of course the blow back has already started, as it appears that an anti-same sex constitutional amendment will be on the state ballot in November trying to deny that right. That is where those above-mentioned streets come into play again. More later.

The Paradox of the Sidekick Generation

Okay, I know I am going to get roasted once again by the old fogies of my generation, the generation of ’68, but I like the breath of fresh air that is coming from today’s youth. That, at this moment, gets its fullest expression in their support in sizable numbers for the presidential candidacy of Barack Obama. Now let me go through the numbers. No, I do not believe that the election of Obama is the solution to our problems. No, I do not believe that the Democratic Party is the vehicle for social change in the 21st century. No, I do not believe that youth as they have expressed themselves thus far are going to be able to solve the problems confronting us in the 21st century. Are we clear so far? A critical mass of youth though is forming that may just do that. That is what I like to think about today.

What I do not like about today’s youth is their expressed disdain for our old political visions. You know, the culture wars that we have been fighting for the past forty years to try to save a few human and civil rights from the demons of the right whose conception of society is that of a prison camp. We might not have been successful in getting our program through. We may have made every political mistake in the book in fight for such things as black civil rights, the fight against the death penalty, against war, for women’s rights, and so forth but we fought and that is the lesson that today’s youth seemingly has not learned. To create social change one must fight for it, tooth and nail.

A recent article in the February 3, 2008 Sunday Boston Globe brought this fierce truth home. The article interviewed students at Wellesley College and Yale University (admittedly not today’s average youth and selected because those were Hillary Clinton’s alma maters). Almost universally they were either dismissive or ignorant of the struggles of the past that we fought out. We were viewed as too confrontational, too argumentative and sin of sins, well, too political. I do believe we have some work to do here.

That said, what youth can do, or more particularly today a small section, is to take their first blush understanding that there is a need for social change and move on from there to find social, and thereafter socialist, solutions to the problems that ail us. Now back to my generation as a reference point. As the now numerous memoirs of some of the leading lights of the time have noted most of us took the election of John Fitzgerald Kennedy in 1960 as a signal that it was alright to fight for social change. Did we assume that we could do that solely by the parliamentary path? At first, probably. Did we think that Kennedy’s program would provide the answers? In the end, hell no, a thousand times no. As a comparison that is the significance of Obama. And it is significant. The winds of change do blow.

Below is a repost of a commentary that I did last year that in connection with the above commentary can stand together as the first shots of the political fight to win the youth to social activism.

On Political Trends Among American Youth

COMMENTARY

WELL, BACK IN MY DAY WE………

Although a number of my political efforts these days are linked to appealing to the youth to learn the lessons of our history, working class history, I make no bones about feelings of trepidation when I take up the subject of youth, their hopes and their aspirations. That said, I recently read an interesting review article based on polls taken of youth (18-24) and their political aspirations. The major conclusion of the article was that today’s youth are trending (the poll’s expression, not mine) to vote Democratic in greater numbers than previous youth generations. A couple of minor conclusions were that youth have more potential impact on politics today than my generation, the generation of 1968, and that the current more technologically savvy generation was not reachable by traditional methods of communication and thus political organizations needed to catch up with the wave. Fair enough. Let me make some observations.


The generation of 1968 made every mistake in the political book. And that ain’t no lie. In our defense I will add that we were in uncharted waters facing such legitimate political monsters as Richard Nixon, Lyndon Johnson, Hubert Humphrey and George Wallace who were fully capable of using all of the methods of political repression. Nevertheless we tried non-violent protest in the civil rights movement under Martin Luther King. We tried peaceful protest against Vietnam under Dr. Spock and others. We tried parliamentary politics under Bobby Kennedy and Gene McCarthy. We tried to drop out with Ken Kesey, Timothy Leary and other counter-cultural heroes. We tried to make music the revolution. When things started to get grim in 1967 we tried to ‘raise’ the Pentagon. When things got grimmer still we tried to act as a second front for the Vietnamese National Liberation Front. When they got really grim we were ready to declare revolutionary war on America. Ah, those were the days. We were, however, for a number of reasons, politically defeated. A defeat from which we still have not recovered.

Obviously, every political generation will find its own means of expressing itself in a world that it has not made. Also fair enough. However, after a few years of opposition to this Iraq war I find that the current ‘youth’ generation seems much more politically passive and lacking in political imagination than the poll mentioned above would indicate. One of the most striking points about the survey is the apparent faith that today’s youth have in letting governmental agencies and officials resolve certain questions. By this I assume that Mr. Bush or his successor, probably Hillary Clinton at this point, is duly appointed to resolve the conflict in Iraq and such other questions as the on-going genocide in Dhafur.

In my day, while we had more than our share of illusions in the good graces of the government we were much more ready to face it down than rely on it. As a case in point, someone like Hillary Clinton (nee Rodham) who may have passed for a ‘radical’ at sedate 1960’s Wellesley would not even have gotten, nor should she have gotten, a hearing from the more thoughtful radical political types in the Boston area of the time. The time of waving the Vietnamese National Liberation Front flag at the front of anti-war marches was not Hillary’s time. Her time, if it is now, is the time of many, many defeats for progressive movements and a time of youth ‘trending’ Democratic. To put the situation in perspective I would argue that the political development of today’s youth was about what my generation’s was in 1962. Plenty of spunk, a desire to serve humanity, and plenty of illusions and faith in the ‘fairness’ of the democratic process. But, which way will they jump?

Seemingly each generation develops their own tribal language, fashions and other such cultural gradients to distinguish it from the OTHER. Once again fair enough. The survey mentioned above made an express point that today’s youth cannot be reached by traditionally methods of communication and/or advertising. And that makes sense about a generation nurtured on iPods, e-mails, chat rooms and cell phones. In short, today’s youth are light years ahead of my generation on the information super-highway. Or are they?

No one can reasonably deny that the Internet has a great potential as an aid to political development and organization. However, it is no substitute for face-to-face polemics and argument to develop strategy and to clarify political positions. From my own personal experience I find that one can spent so much time on the Internet that there is little time to get out and do the necessary political spade work. Multiply that by ubiquitous cell phone and iPod use and where is there time for organizing real people in real time. And that brings us back to that point I made above about the political passivity of this generation. If the revolution will not be televised it will also certainly not spring forth from a laptop. More on this later.

*A Snapshot View Of The Leaders Of The 1917 Bolshevik Revolution-Soviet Culture Commissar Anatol Lunacharsky

Click on title to link to "Wikipedia"'s entry for the 1917 Bolshevik revolutionary leader and agitator and later early Soviet Culture and Education commissar, Anatol Lunacharsky. No added comment is needed in this space for the work, life and deeds of this man as his "Revolutionary Silhouette" posted here today speak for that work.

*A Snapshot View Of The Leaders Of The 1917 Bolshevik Revolution-Soviet Culture Commissar Anatol Lunacharsky

Click on title to link to "Wikipedia"'s entry for the 1917 Bolshevik revolutionary leader and agitator and later early Soviet Culture and Education commissar, Anatol Lunacharsky. No added comment is needed in this space for the work, life and deeds of this man as his "Revolutionary Silhouette" posted here today speak for that work.

*A Snapshot View Of The Leaders Of The 1917 Bolshevik Revolution-Soviet Culture Commissar Anatol Lunacharsky

Click on title to link to "Wikipedia"'s entry for the 1917 Bolshevik revolutionary leader and agitator and later early Soviet Culture and Education commissar, Anatol Lunacharsky. No added comment is needed in this space for the work, life and deeds of this man as his "Revolutionary Silhouette" posted here today speak for that work.